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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la face B de cette bande, un enregistrement r&amp;eacute;alis&amp;eacute; lors du 7&amp;egrave;me Festival international de folklore d' Annemasse .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cet enregistrement, datant de 1960, diffus&amp;eacute; sur "France 1 Paris Inter" on entend le groupe &lt;strong&gt;"Les G&amp;acirc;s du Berry"&lt;/strong&gt;, &lt;strong&gt;Gaston Rivi&amp;egrave;re&lt;/strong&gt; &lt;em&gt;"imitant le violon"&lt;/em&gt; avec sa vielle &amp;agrave; roue (Les bl&amp;eacute;s d'or).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite plusieurs morceaux de musique &amp;agrave; danser par &lt;strong&gt;" Lous Cigalouns de Mourseuns"&lt;/strong&gt;, le&lt;strong&gt; "groupe folklorique Lorrain de Metz"&lt;/strong&gt; et enfin le groupe am&amp;eacute;ricain &lt;strong&gt;"The American Square Dance".&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Le groupe des "Velhadors de Sent Junian" avait alors particip&amp;eacute; &amp;agrave; ce festival, M. et Mme Fauriot nous ont accept&amp;eacute; de nous confier un&lt;a href="https://la-biaca.org/items/show/12820#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-348%2C0%2C1414%2C999" target="_blank" rel="noopener noreferrer"&gt; num&amp;eacute;ro sp&amp;eacute;cial du Dauphin&amp;eacute; Lib&amp;eacute;r&amp;eacute;&lt;/a&gt; consacr&amp;eacute; &amp;agrave; cet &amp;eacute;v&amp;egrave;nement qu'ils ont conserv&amp;eacute; .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/682" target="_blank" rel="noopener noreferrer"&gt;Acc&amp;eacute;der &amp;agrave; la face A de cette bande&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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              <text>Lucienne Boyer</text>
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              <text>La barque d'Yves</text>
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              <text>Tino Rossi</text>
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              <text>La Berceuse De Jocelyn</text>
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              <text>Chérie soit fidèle</text>
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              <text>Robert Dagnas</text>
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            <description>The size or duration of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Irène BESSON (2)</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Enregistrement d'Ir&amp;egrave;ne Besson, Chanteuse limousine</text>
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            <name>Contributor</name>
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                <text>Irène BESSON</text>
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            <name>Source</name>
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            <name>Date</name>
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            <name>Format</name>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/682/RD4261Net.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la face A de cette bande non num&amp;eacute;rot&amp;eacute;e il est not&amp;eacute;, d'une &amp;eacute;criture que nous ne reconnaissons pas (sur deux &amp;eacute;tiquettes post&amp;eacute;rieures &amp;agrave; l'enregistrement) : &lt;span style="color: #808080;"&gt;" 30&amp;egrave;me anniversaire, po&amp;egrave;me J Rebier, chants Fran&amp;ccedil;ais (IB) "&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Une suite de chansons fran&amp;ccedil;aises par &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; (peut-&amp;ecirc;tre &amp;agrave; l'occasion de ses 30 ans ) : &lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Lucienne Boyer : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;La barque d'Yves,&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Mestral Armand&lt;/span&gt; : L'Angelus De La Mer &lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span class="st"&gt;&lt;br /&gt;&lt;/span&gt;Tino Rossi : La Berceuse De Jocelyn,&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt; Ch&amp;eacute;rie soit fid&amp;egrave;le, &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Vierge Marie &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Gloria Lasso : Le torrent&lt;br /&gt;Berthe Sylva : Les yeux de maman &lt;br /&gt;Elyane C&amp;eacute;lis : Baisse un peu l'abat-jour&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;A la fin de l'enregistrement, M. Dagnas lit un po&amp;egrave;me de &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Jean Rebier&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &amp;eacute;crit pour Ir&amp;egrave;ne Besson .&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Identifier</name>
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          <name>Local URL</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
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              <text>Guy, Elisabeth et Yvette Farges</text>
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        </element>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>m et mme farges pascal boudy collectages chanteurs et musiciens 10 ayen chanson le temple occitan patois collectage repertoire</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2014-04-15 11:40:29</text>
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          <element elementId="63">
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            <description>The size or duration of the resource.</description>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin, dépôt Boudy</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Collectages, Chanteurs et musiciens (10)</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="309887">
                <text>Enregistrement de chanteurs sur le canton d'Ayen</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pascal Boudy</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="309889">
                <text>BOU006</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1978</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>M. et Mme FARGES</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/683</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331557">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/683/1397554829_Cassette.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio, plusieurs enregistrements réalisés en 1978 dans la région d'Ayen par Pascal Boudy.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;M. et Mme Farges&lt;/strong&gt;, au Temple d'Ayen : &lt;span class="oc"&gt;Las passions&lt;/span&gt; (deux versions de cette chanson de quête dont une un peu paganisée ) , &lt;span class="oc"&gt;Fiali iò fiali&lt;/span&gt;, En revenant de Nantes, Réveillez-vous, Garçons scieurs de long, Les scieurs de long, En passant par l'Auvergne, &lt;span class="oc"&gt;Fai lo cornard&lt;/span&gt;, La Cati , &lt;span class="oc"&gt;Tres aulanas&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- Mme &lt;strong&gt;Berthe Lescure&lt;/strong&gt;, de Louignac : &lt;span class="oc"&gt;Iò ai cinq sòus, La bèla mair, Sautatz de dins mos prats, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Sauta treuia leva la coa &lt;/span&gt;(par Mme &lt;strong&gt;Noémie Vitel&lt;/strong&gt; soeur de la précédente) et Ah qu'elles sont bêtes les femmes.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La cassette se termine par deux morceaux d'accordéon diatonique (&lt;span class="oc"&gt;Para lo lop&lt;/span&gt; et une scottish) joués par un musicien non identifié au "swing" très particulier .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Aimé BOZIER</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/684/Padimage.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 9629 il est not&amp;eacute; : &lt;span style="color: #808080;"&gt;" &lt;/span&gt;&lt;span style="color: #808080;"&gt;&amp;agrave; conserver, Chez Nous Dagnas, 27/2/70 " &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La premi&amp;egrave;re partie de cette bobine est consacr&amp;eacute;e au f&amp;ecirc;tes Pascales, avec des enregistrements d&amp;eacute;j&amp;agrave; entendus dans d'autres enregistrements destin&amp;eacute;es &amp;agrave; &amp;ecirc;tre diffus&amp;eacute;s &amp;agrave; cette p&amp;eacute;riode :&lt;span class="oc"&gt; La senta compassion&lt;/span&gt; par la chorale des Velhadours, Au jardin des oliviers, La passion de J&amp;eacute;sus-Christ par Ang&amp;egrave;le Chabeaudie etc ....&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans la seconde partie, M Dagnas propose des enregistrements r&amp;eacute;alis&amp;eacute;s aupr&amp;egrave;s d'un violoneux de Saint-Laurent de Jourdes, dans la Vienne, Monsieur &lt;strong&gt;Aim&amp;eacute; Bozier&lt;/strong&gt; (musicien de La Marchoise) : Pas d'&amp;eacute;t&amp;eacute;, Mazurka, Scottish, Marche nuptiale, Danse ronde, Les sept pas et T'as bu bonhomme.&lt;br /&gt;M. Michel Vali&amp;egrave;re nous pr&amp;eacute;cise qu'il a pr&amp;eacute;sent&amp;eacute; M. Bozier &amp;agrave; Robert Dagnas et que cet enregistrement est ant&amp;eacute;rieur &amp;agrave; la date indiqu&amp;eacute;e sur la bande, (entre 1965-1967) . Il a publi&amp;eacute; plusieurs disques vinyl consacr&amp;eacute;s &amp;agrave; ce violoneux&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Piégut-Pluviers</text>
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                <text>Dordogne (24)</text>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur les boitiers de ces bandes il est noté &lt;span style="color:#808080;"&gt;"Piégut 2"&lt;/span&gt; et &lt;span style="font-size:14pt;color:#808080;"&gt;"Piégut 3"&lt;/span&gt;. &lt;br /&gt;Une fiche cartonnée nous indique qu'il s'agit d'un enregistrement datant du 1er juillet 1962 à l'occasion de la Félibrée de Piégut-Pluviers. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Voir l'enregistrement "Piégut-Pluviers (1) - Félibrée 1962 " disponible ci dessous .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous entendrons Le maire, M. &lt;strong&gt;Yves Massy&lt;/strong&gt;, confier, pour la journée les clés de la ville au &lt;strong&gt;Majoral Fournier&lt;/strong&gt;, quelques discours, le souvenir de la félibrée de 1935, un propos à la gloire d'Aimé Jardry,un très long évangile "&lt;span class="oc"&gt;L'evangeli selon Sent-Luc"&lt;/span&gt;, et quelques chansons : &lt;span class="oc"&gt;Peirigòrd, Voletz vos durmir, La coupo santo ...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement fut réalisé au mois d'octobre 2004 lors d'une de nos interventions en milieu scolaire, dans le cadre des "Classes à projet artistique et culturel" .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Mme Cousty, que nous avions déja collecté, avait accepté de venir à la rencontre des élèves pour leur parler de l'école, de son rapport à la langue, puis elle nous avait dit "la Busa", une très belle randonnée, queques comptines et dictons que sa grand-mère lui avait enseigné . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous remercions Christine Belières, l'institutrice avec qui nous avions organisé ces interventions ainsi que tous les enfants du RPI (Louignac et Perpezac le Blanc) ayant participé&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; ( Angélique, Benoit, Camille, Claudia, Julia, Victorien, Anthony, Charlène, Pauline, Romain, Clément, Erwan, Kévin, Thomas ) &lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'un enregistrement de Mme &lt;strong&gt;Mich&amp;egrave;le Gardr&amp;eacute;-Vali&amp;egrave;re&lt;/strong&gt;, chanteuse, collectrice, auteure de nombreuses publications traitant de la &lt;span class="fr" style="font-size: 14pt;"&gt;litt&amp;eacute;rature orale&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Avec son mari, l' ethnologue Michel &lt;span class="fr" style="font-size: 14pt;"&gt;Vali&amp;egrave;re&lt;/span&gt; , ils ont beaucoup &amp;oelig;uvr&amp;eacute; dans la r&amp;eacute;gion Poitou-Charentes et le Limousin ...&amp;nbsp; (Centre culturel La Marchoise, UPCP M&amp;eacute;tive, Belvert, etc ... ) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous n'avons, pour le moment, retrouv&amp;eacute; qu'une seule bobine de cet enregistrement datant de 1966 ou 1967 .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une suite de chansons : Allons la belle voil&amp;agrave; que c'est nuit, C'&amp;eacute;tait pour un premier mai, L&amp;agrave;-haut sur ces montagnes, Mon mari &amp;eacute;tait malade (&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;chant&amp;eacute;e par Melle Annick Seine de St Maurice-la-Clou&amp;egrave;re (Vienne))&lt;/span&gt; , &amp;Eacute;coutons l'aventure .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12829#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-256%2C-1%2C1089%2C770" target="_blank" rel="noopener noreferrer"&gt;&amp;rArr; Mich&amp;egrave;le Gardr&amp;eacute;-Vali&amp;egrave;re&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;&amp;rArr; Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>audio/mpeg</text>
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            <name>Type</name>
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                <text>Sound</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;color:#000000;"&gt;Sur la fiche accompagnant la bande n° 684 il est mentionné : &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="color:#808080;font-size:14pt;"&gt;"Émission chez nous 2/66, la Badoire (?), danses, Saint Antoine, Marguerite ma petite, Branle bourguignon, Mes burons sont morts, ma belle-mère, Toine, Laissons nous emporter ...."&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit d'une émission de radio (ou de la préparation de celle-ci ) &lt;span class="fr" style="font-size:14pt;"&gt;telle qu'elle a sans doute été diffusée en février 1966 sur les ondes de Radio-Limoges.&lt;/span&gt;&lt;br /&gt;Après une introduction sur l'arrivée du printemps, une succession de morceaux interprétés par des groupes folkloriques : Scottish Saint-Antoine (une scottish des Deux-Sèvres), un branle Poitevin, une valse, &lt;span class="oc"&gt;Carnaval es arribat&lt;/span&gt; et une scottish à sept pas &lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(au diatonique)&lt;/span&gt;&lt;/span&gt;, une valse .&lt;br /&gt;Quelques chansons : Mes burons sont morts et Toine ainsi qu'une histoire de Jan Picatau par Henri Delage &lt;/span&gt;&lt;/span&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt; : &lt;span class="oc"&gt;La bèla-mair .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text> robert dagnas secours clarinettiste saxophone secours colon dordogne</text>
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                <text>Dordogne (24)</text>
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            <name>Provenance</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="309733">
                <text>SECOURS, Clarinettiste</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="309734">
                <text>Musique</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="309735">
                <text>[Informateur Inconnu]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="309736">
                <text>RD5408</text>
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            <name>Date</name>
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              <elementText elementTextId="309737">
                <text>1960</text>
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            <name>Creator</name>
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                <text>Robert Dagnas</text>
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              <elementText elementTextId="309739">
                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
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              <elementText elementTextId="309740">
                <text>Sound</text>
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                <text>https://la-biaca.org/items/show/689</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/689/colon007Net.jpg</text>
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            <name>Abstract</name>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande il est seulement not&amp;eacute; &lt;span style="color: #808080;"&gt;"Secours"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit du pseudonyme d'un musicien, M. Chabot jouant du Saxophone Soprano et de la clarinette que nous avons entendu &amp;agrave; plusieurs reprises dans des enregistrements de M. Dagnas, souvent en compagnie de "Colon", Pierre Chabaud, &amp;agrave; sa droite sur la photo (cette photo nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e par Francis Chabaud). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une succession de morceaux jou&amp;eacute;s et chant&amp;eacute;s : &lt;em&gt;&lt;span class="oc"&gt;Per un beu matin de printemps, Francilhon sur un prunier, La Francesa, La margarita l'es malauda, Ma pita Suzon,&lt;/span&gt;&lt;/em&gt; l'enregistrement se termine par deux airs &amp;agrave; danser &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande que Fran&amp;ccedil;oise Etay nous a confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne, plusieurs &amp;eacute;missions de &lt;span class="fr" style="font-size: 14pt;"&gt;"Chez Nous" l'&amp;eacute;mission de &lt;/span&gt;Robert Dagnas diffus&amp;eacute;e sur les ondes de Radio Limoges (cette bande fut donn&amp;eacute;e &amp;agrave; Fran&amp;ccedil;oise Etay par Pierre Leplant).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La premi&amp;egrave;re &amp;eacute;mission (jusqu'&amp;agrave; 25.01 mn) enregistr&amp;eacute;e &amp;agrave; Gen&amp;ccedil;ay (86) en fin d'ann&amp;eacute;e 1966 est consacr&amp;eacute;e &amp;agrave; Michel Vali&amp;egrave;re, il nous parle d&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;es recherches folkloriques avec Andr&amp;eacute; Pacher, de "&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La Marchoise de Chantemerle", cr&amp;eacute;&amp;eacute; avec M. Mme Girard, des veill&amp;eacute;es etc ... Plusieurs chansons par un groupe d'enfants, des comptines, airs &amp;agrave; danser par Albert Guillet et Aim&amp;eacute; Bozier ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La seconde &amp;eacute;mission (25.01 &amp;agrave; 44.20 mn) date de janvier 1966 . On y entend une s&amp;eacute;lection de morceaux : &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;La filha d'un paubre &amp;ograve;me,&lt;/span&gt; (chant et partie instrumentale), le Turlututu par la chorale des Veilladours (Saint Junien) , &lt;span class="oc"&gt;En 'naut sur la montanha&lt;/span&gt; par Pierre Biossac (Javerdat), l'accident de Pierrisson par F&amp;eacute;licie Brouillet (Nontron), une scottish-valse par l'&amp;Eacute;cole Ventadour (Tulle) , une nhorle : &lt;span class="oc"&gt;la Paubra Catisson&lt;/span&gt; par &lt;span style="font-size: 14pt;"&gt;Alphonse Frange de &lt;span class="fr" style="font-size: 14pt;"&gt;l'&amp;Eacute;cole du&lt;/span&gt; Barbichet (Limoges), &lt;/span&gt;une valse par la Bourr&amp;eacute;e Limousine (Brive) puis &lt;span class="oc"&gt;Dijas pitit Jan&lt;/span&gt; une bourr&amp;eacute;e par Ang&amp;egrave;le Chabeaudie (Chaillac sur Vienne) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;- La derni&amp;egrave;re &amp;eacute;mission (44.20 &amp;agrave; 60.00 mn) date du 20 d&amp;eacute;cembre 1958 *, il s'agit d'une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;Eug&amp;egrave;ne Tarrade&lt;/a&gt;. Si nous avons d&amp;eacute;ja entendu dans d'autres enregistrements de M Dagnas la plupart des morceaux jou&amp;eacute;s par M Tarrade &lt;span style="font-size: 14pt;"&gt;(&lt;span style="font-size: 14pt;"&gt;mazurka, &lt;/span&gt;Bourr&amp;eacute;e de Lagrauli&amp;egrave;re, de Sarran, quadrille limousin ...) &lt;/span&gt;et ses voisines : Jacqueline Brouillac (La Yoyette) et Juliette Pouget (l'autre jour m'y promenant) on y entend aussi M. Tarrade parler de son courrier &amp;agrave; R. Dagnas, de sa pratique du violon ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;*Mme Pouget nous pr&amp;eacute;cise que cet enregistrement date sans doute de l'&amp;eacute;t&amp;eacute; 1958&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Enfin, M. Leplant a ajout&amp;eacute;, l'enregistrement d' un groupe folklorique &lt;span style="font-size: 14pt;"&gt;non identifi&amp;eacute; &lt;/span&gt;(60.00 mn &amp;agrave; la fin ) &lt;span style="font-size: 14pt;"&gt; trouv&amp;eacute; sur une bande appartenant &amp;agrave; un stagiaire, &lt;/span&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean Jacques Le Creurer * . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de la premi&amp;egrave;re partie d'un enregistrement datant du 3 Octobre 1988, deux chanteuses de Saint-Yrieix La Montagne : &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Mme &lt;/span&gt;&lt;strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Georgette &lt;/span&gt;&lt;/strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;FARGE&lt;/strong&gt; (n&amp;eacute;e Bellegarde en 1916) et Mme &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Henriette &lt;/span&gt;&lt;/span&gt;MEUNIER&lt;/strong&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;(n&amp;eacute;e Pellangeon en 1918)&lt;/span&gt;&lt;/span&gt; .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs chansons en fran&amp;ccedil;ais et en occitan : Saint-Yrieix la Montagne et Je vous ai chant&amp;eacute; Saint-Yrieix &lt;span style="color: #808080;"&gt;&lt;em&gt;(deux chansons louant Saint-Yrieix sur des airs connus)&lt;/em&gt;&lt;/span&gt;, &lt;em&gt;Ja&lt;/em&gt;&lt;span class="oc"&gt;&lt;em&gt;n piti Jan&lt;/em&gt; &lt;/span&gt;&lt;span style="color: #808080;"&gt;(appel&amp;eacute;e par la chanteuse " Histoire d'un bourgeois perdu dans la montagne"), &lt;/span&gt;Adieu les fleurs de la jeunesse, La jeune berg&amp;egrave;re &lt;span style="color: #808080;"&gt;(le Seigneur Volage)&lt;/span&gt; pastourelle bien connue chant&amp;eacute;e &amp;agrave; deux, le Turlututu, &lt;em&gt;&lt;span class="oc"&gt;S'en iran pas tots,&lt;/span&gt;&lt;/em&gt; Elle lisait le petit Parisien, Mikaela la brune et La fille du grand marchand.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12823#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-380%2C0%2C1414%2C999" target="_blank" rel="noopener noreferrer"&gt;Mesdames Farge et Meunier&lt;/a&gt; (photos aimablement transmises par Mme Lucette Farge) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Mme FARGE, Mme MEUNIER</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean Jacques Le Creurer * . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de la seconde partie d'un enregistrement datant du 3 Octobre 1988, deux chanteuses de Saint-Yrieix La Montagne : Mme &lt;/span&gt;&lt;strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Georgette &lt;/span&gt;&lt;/strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;FARGE&lt;/strong&gt; (n&amp;eacute;e Bellegarde en 1916) et Mme &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Henriette &lt;/span&gt;&lt;/span&gt;MEUNIER&lt;/strong&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;(n&amp;eacute;e Pellangeon en 1918) .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Quelques airs &amp;agrave; danser : &lt;em&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;L'aiga de rosas,&lt;/span&gt;&lt;span class="oc"&gt;La chamaisada, lo pelali,&lt;/span&gt; &lt;/em&gt;la fille de la meuni&amp;egrave;re, Marie Madeleine, &lt;em&gt;&lt;span class="oc"&gt;Tornas la viras la&lt;/span&gt; , &lt;span class="oc"&gt;Lo pair Conaud&lt;/span&gt; ...&lt;/em&gt; &lt;br /&gt;Une blague : l'histoire du pantalon de Sans-Cul, quelques propos sur leur s&amp;eacute;jour parisien et pour finir "La rodeuse de barri&amp;egrave;re" de Berthe Sylva.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12823#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-379%2C-1%2C1413%2C999" target="_blank" rel="noopener noreferrer"&gt;Mesdames Farge et Meunier&lt;/a&gt; (photos aimablement transmises par Mme Lucette Farge) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Argentat</text>
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                <text>Les Échos Limousins</text>
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            <description>The topic of the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/693/RD5406Net.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette bande portant les numéros 530 et 6387 il est noté "Uzerche Argentat Dagnas"&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Comme souvent nous sommes en présence d'un enregistrement sur une bande déja utilisée pour une émission de Radio Limoges . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;M. Dagnas a enregistré le groupe folklorique d'Argentat " Les Échos Limousins".&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Un répertoire très "classique" enregistré lors d'une prestation, sans doute à Uzerche (en 1963 ?) : &lt;span class="oc"&gt;Un jorn dins l'estolhas &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(appelée "Marche Limousine")&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; , Pinton,&lt;/span&gt; La Montagnarde (bourrée), la gigue, La Cati, etc ... et deux chansons moins courantes et plus locales : "&lt;span class="oc"&gt;Los gabariers de la Dordonha"&lt;/span&gt; (d' Eusèbe Bombal) et "C'est Argentat la belle" . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La bande se termine par une émission de radio au sujet de la programmation de spectacles de Music-Hall dans des casinos de Charente Maritime (sans doute entendons nous M. Roger Genty). &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette cassette audio qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Mich&amp;egrave;le Gardr&amp;eacute;-Vali&amp;egrave;re, il est not&amp;eacute; :&lt;span style="color: #666699;"&gt;" M. Lavialle, Accord&amp;eacute;onneux, Originaire de la Corr&amp;egrave;ze, Chir&amp;eacute; les Bois"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de l'enregistrement de M Louis Lavialle, n&amp;eacute; &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;agrave; Saint-Cyr les champagnes (24) en 1911 r&amp;eacute;sidant &amp;agrave; Chir&amp;eacute;-les-Bois depuis des ann&amp;eacute;es .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;M. Lavialle parle de son arriv&amp;eacute;e dans la Vienne, de la mani&amp;egrave;re dont il fut lou&amp;eacute; par les tuiliers de la Vienne &amp;agrave; la foire de Lubersac, de sa pratique de la langue &amp;agrave; la maison et &amp;agrave; l'&amp;eacute;cole, du travail de la ferme ... Il chante aussi deux chansons, Toine et &lt;span class="oc"&gt;Per bien la dan&amp;ccedil;ar.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Un beau document &amp;agrave; mettre en lien avec l'enregistrement de &lt;a href="https://www.la-biaca.org/items/show/285" target="_blank" rel="noopener noreferrer"&gt;M. Boisdevezy &lt;/a&gt;qui fut lui aussi ouvrier tuilier, dans les Deux-S&amp;egrave;vres . &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;br class="fr" style="font-size: 14pt;" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur l'emballage contenant la bande Kodavox, il est noté &lt;span style="color:#808080;"&gt;"802, Pierre Ichac, Chatellerault, Touffou, fanfare, Chauvigny, Civaux, Vallée de la Vienne en Limousin, Lussac, 1ère séquence Irène, Isle Jourdain, Availles Limouzine,Confolens (?) 2ème séquence Irène Fin"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette bande deux émissions de Pierre Ichac appelées "Promenade dans la vallée de la Vienne" (ces deux émissions sont sans doute inversées, la première succédant probablement à la seconde !)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une succession de haltes : Chauvigny - Le cimetière de Civaux (présenté par M. François Eygun) - Lussac - L'Isle-Jourdain - Confolens - La Rouchefoucault ... cette émission se termine par une séance de gymnastique (sans doute sur la bande avant l'enregistrement qui nous intéresse) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ensuite une autre &lt;span class="fr" style="font-size:14pt;"&gt;"Promenade dans la vallée de la Vienne" : Un arrêt à Châtellerault, une présentation de la route touristique (par M. Toulat, alors maire de Chauvigny) - M. Bernard Percevault - le carillon de l'Eglise Saint-Jacques* - Le château de Touffou (M. De Vergy, M. Blanchard régisseur - la chasse a courre, la fanfare, ) puis, pour terminer, l' Église Saint-Pierre à Chauvigny &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dans cet enregistrement Irène Besson chante &lt;span class="oc"&gt;La meschanta maire&lt;/span&gt; accompagnée sans doute par Yvette Restoin à la vielle à roue .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;* M. Jacques Daunizeau nous précise que&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt; " l'enregistrement du&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt; carillon de Châtellerault que l'on entend est un extrait des pizzicati du ballet de Sylvia de Léo Delibes, pièce qui a été donnée en concert sur le carillon de Châtellerault en 1952 (et peut-être en 1954 ?) par Maurice Lannoy carillonneur de Saint-Amand les Eaux. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;Plus jamais ce carillon n'a été joué manuellement entre 1954 et 1965."&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Collection Jean-Jacques Le Creurer</text>
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                <text>Musique</text>
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                <text>enregistrement d'un accordéoniste diatonique en creuse</text>
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                <text>Armand JAGAILLE</text>
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                <text>JLC001</text>
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                <text>1988-10</text>
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                <text>Jean Jacques Le Creurer</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/697/AJagailleNet.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement nous a été confié pour numérisation et mise en ligne par Jean Jacques Le Creurer * . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit de la première partie d'un enregistrement datant du 3 Octobre 1988 . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Jean-Jacques Le Creurer nous précise que : &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;" Armand JAGAILLE, tenait son accordéon comme un gaucher car il avait appris comme ça sur les conseils de sa sœur ainée (qui ne jouait pas elle-même) qui lui avait ramené son premier accordéon de Paris où elle était bonne. Il a joué ensuite du chromatique et surtout du saxophone. C'est avec ce dernier instrument qu'il a fait nombre de bals dans divers orchestres et notamment avec son fils au chromatique (avec qui il formait l'orchestre Jagaille) . &lt;span style="font-size:14pt;"&gt;Cet enregistrement a été fait avec un technicien de France Bleu Creuse pour la cassette "musique en Creuse" éditée par l'ADIAM 23.&lt;/span&gt;".&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il "tenait" ses morceaux de musiciens traditionnels de la région : des vielleux Fromenty, Eugène Thomas (le &lt;span class="fr" style="font-size:14pt;"&gt;père Burette) , de Martinez et Fayadat (clarinettiste) ...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une belle succession d' airs à danser : Polka, Marche, polka piquée, scottich, la carrée, la chèvre, la fille de la meunière, mazurka etc ... &lt;br class="oc" style="font-size:14pt;" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;Nous remercions son petit fils pour la photo illustrant cet enregistrement .&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire Départemental de la Creuse et effectue depuis des années des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;/p&gt;</text>
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              <text>La chienne Polka</text>
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                <text>Haute-Vienne (87)</text>
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                <text>Far las barricas</text>
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                <text>Enregistrement de M Tricard Tonnelier traditionnel &amp;agrave; Vicq sur Breuil, Haute Vienne</text>
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                <text>Louis TRICARD</text>
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Présentation de l'atelier&#13;

00:02:07.000 --&gt; 00:07:10.000
L'assemblatge&#13;

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Chaufar e sarrar&#13;

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Chanfrenar, passar lo jabloir&#13;

00:12:06.000 --&gt; 00:14:05.000
Lo fond&#13;

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las duelas&#13;

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Las demias de Bordeu&#13;

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Ren mas dau boesc&#13;

00:17:26.000 --&gt; 00:17:52.000
Passar au torn&#13;

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Los cercles&#13;

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La signatura&#13;

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Las comandas&#13;

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De chastenh, de rover&#13;

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Las expedicions per lo tren&#13;

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Los boesc a Combas&#13;

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Lo darrier productor en Nauta-Viena&#13;

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Lo mestier&#13;

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En acacia&#13;

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La qualitat dau boesc&#13;

00:32:22.000 --&gt; 00:34:42.000
La machina per las duelas&#13;

00:34:42.000 --&gt; 00:35:29.000
Barra la cleda !&#13;

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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="color: #666699;"&gt;Enq : Madame Mich&amp;egrave;le Gardr&amp;eacute;-Vali&amp;egrave;re &amp;agrave; Saint-Illide (Cantal), Lieu dit Lacam&lt;br /&gt;&amp;nbsp; Inf : Famille Fruqui&amp;egrave;res&lt;br /&gt;- Chansons en fran&amp;ccedil;ais et en Occitan&lt;br /&gt;- Airs &amp;agrave; danser (bourr&amp;eacute;es) (parler Nord-Auvergnat)&lt;br /&gt;-1 conte fac&amp;eacute;tieux (en occitan)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span style="font-size: 12pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 1979 [stage capase de Mich&amp;egrave;le] &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur les deux pistes de cette bande une succession de chansons : Des airs traditionnels (plusieurs bourr&amp;eacute;es, lo merle, une marche nuptiale etc ...) y c&amp;ocirc;toient des chansons de composition plus r&amp;eacute;cente (Robert Mon&amp;eacute;di&amp;egrave;re, Jean S&amp;eacute;gurel ... ) et un conte en patois ( une histoire dr&amp;ocirc;le bien connue de cur&amp;eacute; et de servante ). &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12829#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-256%2C-1%2C1089%2C770" target="_blank" rel="noopener noreferrer"&gt;Mich&amp;egrave;le Vali&amp;egrave;re&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Sur l'enveloppe contenant la bande n&amp;deg; 740 il est mentionn&amp;eacute; : &lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #808080;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'une &amp;eacute;mission de radio (ou de la pr&amp;eacute;paration de celle-ci ) &lt;span class="fr" style="font-size: 14pt;"&gt;telle qu'elle a sans doute &amp;eacute;t&amp;eacute; diffus&amp;eacute;e au mois de mai 1966 sur les ondes de Radio-Limoges.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #808080;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement sans g&amp;eacute;n&amp;eacute;rique commence par une introduction sur l'arriv&amp;eacute;e du printemps par Robert Dagnas, ensuite &lt;span class="oc"&gt;O calha paubra calha&lt;/span&gt; et &lt;span class="oc"&gt;Io regret de Lison&lt;/span&gt; (par le groupe du Chalelh), une polka-piqu&amp;eacute;e, une tranche d' histoire de France par F&amp;eacute;licie Brouillet, un menuet, les 4 figures du quadrille Limousin par l' &amp;Eacute;cole du Barbichet, quelques annonces puis l'&amp;eacute;mission se termine par une valse &amp;agrave; la cabrette&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #808080;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette enveloppe contient un &lt;a href="https://la-biaca.org/items/show/12825#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=1&amp;amp;xywh=-384%2C0%2C1414%2C999" target="_blank" rel="noopener noreferrer"&gt;document descriptif&lt;/a&gt; qui ne semble pas &amp;eacute;crit de la main de M. Dagnas et ne correspond pas &amp;agrave; cet enregistrement (&amp;agrave; l'exception du num&amp;eacute;ro d'enregistrement ) &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette bande pas d'autre indication qu' une étiquette mentionnant &lt;span style="color:#999999;"&gt;"Festival de Confolens 555"&lt;/span&gt; . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;A l'écoute il s'agit en fait de l'enregistrement, par Robert Dagnas,  d'une répétition &lt;span class="fr" style="font-size:14pt;"&gt;des musiciens et danseurs&lt;/span&gt; d'un groupe folkorique Charentais (&lt;span class="fr" style="font-size:14pt;"&gt;Aunis et Saintonge ?,&lt;/span&gt;Les déjouqués ? ) . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ce groupe enregistrait-il pour le festival de Confolens ou s'agit-il d'une erreur d'étiquetage ?&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une suite de danses : Deux quadrilles à 4 figures (un d'entre eux est joué 2 fois) , le muet, une scottish, une polka piquée, l'entrée du bal de saintonge et la circassienne . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dernière partie de l'enquête communale réalisée à Cosnac, (19) le 11 Octobre 2005 et le 24 janvier 2006 en présence de : Marcelle Daubeach, Emile Goursat , Paulette Goursat (née Fialip), &lt;span class="fr" style="font-size:14pt;"&gt;Lucienne Jugie ,&lt;/span&gt; &lt;span class="fr" style="font-size:14pt;"&gt;Denise Lapeyre&lt;/span&gt;, &lt;span class="fr" style="font-size:14pt;"&gt;Mme Pouch (née Jeangoul),&lt;/span&gt; &lt;span class="fr" style="font-size:14pt;"&gt;André Puybaret,&lt;/span&gt; &lt;span class="fr" style="font-size:14pt;"&gt;Marie-Jeanne Salvant, &lt;/span&gt;Emile Valade et Michèle Vernadet .&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Comme dans la première partie, une suite d'intéressants témoignages : &lt;span class="oc"&gt;l'escòla, las gròtas,&lt;/span&gt; &lt;/span&gt;&lt;em&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Benjamin et la Benjaminta,&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;span class="oc"&gt;lo cròs dins lo bòsc a Bleigeat, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;une suite de proverbes,&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; lo berbesit, los remedis, la chaça volanta, los pelhaïres, las bilhas, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;quelques chançons&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; ( lo rossinhòl e la lauveta, n'ai vist lo lop, la Margui, los esclòps, lo turlututu&lt;/span&gt; &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;)&lt;/span&gt;&lt;span class="fr"&gt;,&lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;&lt;span class="fr"&gt;&lt;br class="fr" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;En fin d'enregistrement, quelques séquences enregistrées le 24 Janvier 2006 lors de la restitution :&lt;span class="oc"&gt; Lo curet d'en Prunha, Carnavar, Menar la chabra al boc, L'ase de Malamòrt, lo chen de Gernas&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Jean Clergeau, un &lt;span style="font-size:14pt;"&gt;voisin&lt;/span&gt; de Gernes (commune de Turenne) nous a raconté quelques &lt;span style="font-size:14pt;"&gt;"&lt;/span&gt;conneries de chantier" : &lt;span class="oc" style="font-size:14pt;"&gt;Lo mial e la pluma, &lt;/span&gt;&lt;span class="oc"&gt;le denier du culte, de las istòrias de Lacisca,&lt;/span&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Apr&amp;egrave;s une pr&amp;eacute;sentation de ces enregistrements par Pierre Leplant une premi&amp;egrave;re &amp;eacute;mission (jusqu'&amp;agrave; 29.29 mn) enregistr&amp;eacute;e &amp;agrave; L' Age de Rochechouart aupr&amp;egrave;s de Mme Marie Basset et de M. Soury &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/470" target="_blank" rel="noopener noreferrer"&gt;(cette &amp;eacute;mission est d&amp;eacute;ja en ligne)&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;: &lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;Au jardin de mon p&amp;egrave;re, Darri&amp;egrave;re chez nous, S'en va &amp;agrave; la promenade,&lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt; Chas nos m'an maridat,&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; De bon matin en m'y promenant, &lt;span class="oc"&gt;De bon matin a la poncha dau jorn,&lt;/span&gt; La triste vie des Marsouins, &lt;span class="oc"&gt;La mair Mar&amp;ccedil;auda&lt;/span&gt;... et des airs &amp;agrave; danser : Scottish, Valse, Mazurka, Bourr&amp;eacute;e, Promenades, Rondes ...&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;span class="fr" style="font-size: 14pt;"&gt;&amp;Agrave; 29.29 mn, u&lt;/span&gt;n enregistrement &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt; in&amp;eacute;dit&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; datant du 14 avril 1957 de M. Bourgoin &amp;agrave; Chabanais : Le No&amp;euml;l de Pijoulet, &lt;span class="oc"&gt;Savetz vautres 'quela novela, Lu cr&amp;ograve;s s'era bochat, Marisson ton piucelatge&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;Agrave;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; 35.01&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; mn. Un informateur non identifi&amp;eacute; chante la Noce des oiseaux &lt;span class="oc"&gt;(lu Pin&amp;ccedil;on e la lauveta), las filhas de Vilachiesa,&lt;/span&gt; Il y a du vin dans notre cave , &lt;span class="oc"&gt;Lu merle&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;Agrave;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; 45.26 mn Un enregistrement d'une r&amp;eacute;p&amp;eacute;tition du groupe folklorique les Veilladours de Saint Junien datant du 12 mai 1957 (polka en voiture, la galette, les rats, la polka espagnole, la Gayoune, plusieurs reprises de La trompeuse, la bourr&amp;eacute;e d'Esse&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;Agrave;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; 56.42 mn U&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;n informateur (M. Bourgoin sans doute) chante &lt;span class="oc"&gt;La pita Janeton, Lo paubre Jan, Rimpimpim, Jan Jan paubre Jan, L'&amp;ograve;velhas sont dins lu prat , lo curet de Bianac, Lu curet de Janolhac&lt;/span&gt;, un appel aux chiens, Au bourg de Javerdat, &lt;span class="oc"&gt;Per bien la dan&amp;ccedil;ar,&lt;/span&gt; Ma fille d'ou viens tu, &lt;span class="oc"&gt;Catilha, Ai rencontrat ma mia, Quand mon torn vendra, Dan dan, Lu pitit petar dau Bon Diu, Lo chabreta&amp;iuml;re&lt;/span&gt; (&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;une histoire en vers&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;Agrave;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; 1h 15mn 43s on retrouve plusieurs in&amp;eacute;dits d'Ang&amp;egrave;le Chabeaudie &lt;span class="oc"&gt;La voitura, lo Pitit Jan,&lt;/span&gt; Gar&amp;ccedil;ons et filles approchez, Ma petite fille ador&amp;eacute;e &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite des extraits d&amp;eacute;ja en ligne d'enregistrements &amp;agrave; Javerdat, aux Salles Lavauguyon et &amp;agrave; Rancon : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Plusieurs informateurs dont M. Lathi&amp;egrave;re et Pierre Biossac se relaient au micro : &lt;span class="oc"&gt;Credo pour des sabents, &lt;/span&gt;&lt;span class="oc"&gt;La margui sur un perier&lt;/span&gt;, Dis-moi donc berg&amp;egrave;re, &lt;span class="oc"&gt;Las vielhas gents de Vernu&amp;egrave;lh&lt;/span&gt;,&lt;span class="oc"&gt; I'aime a passar dau bon temps&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;, &lt;span class="fr"&gt;Les petites ouvri&amp;egrave;res de Paris .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;- &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;Agrave;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; 1h 33mn 48 s . Une autre &amp;eacute;mission, (elle aussi d&amp;eacute;ja en ligne) enregistr&amp;eacute;e aux Salles-Lavauguyon et &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&amp;agrave; Ch&amp;acirc;teauponsac &lt;/span&gt;&lt;/span&gt; : &lt;/span&gt; &lt;span class="fr"&gt;Colette Fargeau chante Hola hola, des t&amp;eacute;moignages sur &lt;span class="oc"&gt;la boira pilat&lt;/span&gt;, l'&amp;eacute;migration des ma&amp;ccedil;ons etc ..&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;- &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;Agrave;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; 1h 40 mn 56 s . On retrouve Mme Basset (Au jardin de mon p&amp;egrave;re, Darri&amp;egrave;re chez nous, Il s'en va &amp;agrave; la promenade, et M. Soury (&lt;span class="oc"&gt;Chas nos m'an maridat&lt;/span&gt; )&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Pour finir, &amp;agrave; partir de &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;1h 49mn 45 s &lt;span class="fr" style="font-size: 14pt;"&gt;l'&amp;eacute;mission enregistr&amp;eacute;e &amp;agrave; Gen&amp;ccedil;ay (86) en fin d'ann&amp;eacute;e 1966 :&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; Plusieurs chansons par un groupe d'enfants, des comptines, airs &amp;agrave; danser par Albert Guillet et Aim&amp;eacute; Bozier ... Voir &lt;a href="https://la-biaca.org/items/show/690" target="_blank" rel="noopener noreferrer"&gt;Chez Nous repiquages (1)&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la flasque de cette bande il est simplement not&amp;eacute; &lt;span style="color: #808080;"&gt;"Chez-Nous 3/63"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit probablement d'un extrait d'une &amp;eacute;mission (ou d'un travail pr&amp;eacute;paratoire &amp;agrave; celle ci) apr&amp;egrave;s le g&amp;eacute;n&amp;eacute;rique et la pr&amp;eacute;sentation de l'&amp;eacute;mission, deux chansons : &lt;span class="oc"&gt;Lu temps de l'amor&lt;/span&gt; par Piaron, &lt;span class="oc"&gt;La Jan&amp;ograve;ta&lt;/span&gt; par Ir&amp;egrave;ne Besson, puis un propos - sans doute interrompu par la fin de la bande - sur les mariages par Pierre Biossac.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Chav012</text>
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                <text>Jean Dupetitmagnieux</text>
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                <text>audio/mpeg</text>
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                <text>https://la-biaca.org/items/show/709</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/709/DTXetGBNet.jpg</text>
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            <description>The size or duration of the resource.</description>
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                <text>Saint-Hilaire Taurieux</text>
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                <text>Corrèze (19)</text>
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                <text>IEO Lemosin</text>
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                <text>Mme Yvonne THIEYRE</text>
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                <text>Yvonne THIEYRE</text>
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                <text>IEO285</text>
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                <text>Pascal Boudy</text>
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                <text>https://la-biaca.org/items/show/710</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/710/ThieyreNet.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Conduits par Henri SALLES, nous avons rendu visite, ce jour de printemps 2014, à &lt;strong&gt;Yvonne THIEYRE&lt;/strong&gt;, dans sa maison de Saint Hilaire Taurieux .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Après avoir été accueillis chaleureusement, nous avons passé l'après midi de ce 28 mai 2014 à parler de son métier de restauratrice (la soupe d'ortie, les farces-dures,&lt;/span&gt; &lt;span class="oc"&gt;los crespels, los boriòls&lt;/span&gt; &lt;span class="fr"&gt;etc... ) , de l'école, du parachutage des Chansèves, des bals à Combe Jean (le Hameau de la commune de Monceaux ou elle est née en 1938), de son père accordéoniste, des danses, des chansons, des fêtes dans le village, de son travail de bonne quand elle était jeune, des champignons etc ... avant d'aller faire un tour de jardin, qu' Yvonne entretient avec goût .&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une très belle langue et une vraie générosité, nous avons convenu de nous revoir cet hiver pour filmer quelques recettes ...&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur l'enveloppe dans laquelle se trouve cette bande non num&amp;eacute;rot&amp;eacute;e il est not&amp;eacute; :&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-size: 14pt;"&gt; "&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Chez Nous 5 / 10 / 63 Berry, Chibreli,Bourr&amp;eacute;e"&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #808080;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;L'enregistrement se termine par les remerciements de M. Dagnas &amp;agrave; Pierre Panis, Jean Louis Boncoeur, Albert Lejot et Marcel Soing .&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #808080;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;S'il s'agit d'un enregistrement du groupe folklorique Usselois &lt;strong&gt;"Les compagnons de la joie au village"&lt;/strong&gt;, il est probable que l'enregistrement date de 1964 et qu'il ait pu &amp;ecirc;tre r&amp;eacute;utilis&amp;eacute; pour une &amp;eacute;mission en 1974 .&lt;br /&gt;&lt;br /&gt;Le groupe folklorique propose une succession de &lt;span style="font-size: 14pt;"&gt;danses&lt;/span&gt; et de chants : La ja&amp;ccedil;a, Le p&amp;egrave;re Counant, En gardant tes moutons, Il y a 6 mois que c'&amp;eacute;tait le printemps, Bourr&amp;eacute;e de Saint Angel et B&lt;span style="font-size: 14pt;"&gt;ourr&amp;eacute;e &lt;/span&gt;du p&amp;egrave;re Thomas, Le mois de mai il est venu, etc...&lt;br /&gt;On peut entendre M.Thomas et son fils, Ren&amp;eacute; Brugi&amp;egrave;re, Yvette roumanet, Marcel Cisterne ..&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:25.000
Présentation&#13;

00:01:25.000 --&gt; 00:02:17.000
La jaça&#13;

00:02:17.000 --&gt; 00:03:20.000
Le père Counant &#13;

00:03:20.000 --&gt; 00:05:13.000
Bourrée-valse&#13;

00:05:13.000 --&gt; 00:09:56.000
En gardant tes moutons&#13;

00:09:56.000 --&gt; 00:11:56.000
Il y a 6 mois que c'était le printemps&#13;

00:11:56.000 --&gt; 00:13:43.000
Bourrée de Saint-Angel&#13;

00:13:43.000 --&gt; 00:15:42.000
Bourrée du père Thomas&#13;

00:15:42.000 --&gt; 00:16:26.000
Quand era chas mon paire&#13;

00:16:26.000 --&gt; 00:18:48.000
Le mois de mai il est venu&#13;

00:18:48.000 --&gt; 00:19:37.000
Porter les couleurs de sa ville&#13;

00:19:37.000 --&gt; 00:20:15.000
Un au-revoir&#13;

00:20:15.000 --&gt; 00:21:10.000
Conclusion de l'émission&#13;

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&lt;p&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt; &lt;span style="font-size: 14pt;"&gt;"Confolens 3&amp;egrave;me festival Ann&amp;eacute;e 63 ? - scotiche,mazurka,Brive (Bourr&amp;eacute;e) Auvergnat Dansa&amp;iuml;re, j'ai rencontr&amp;eacute; ma mie, blanche biche, c'est 1 fille aux blancs cheveux, La cati Berg&amp;egrave;re Nanette"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Un nouvelle &amp;eacute;mission ou la pr&amp;eacute;paration de celle-ci, datant sans doute de l'&amp;eacute;t&amp;eacute; 1960 (M Dagnas pr&amp;eacute;sente le 3&amp;egrave;me festival de Confolens) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Avec la participation de Solange Demoli&amp;egrave;re, Madeleine Richard, La bourr&amp;eacute;e Limousine, l' Auvernha Dansa&amp;iuml;re, "Coco Racine ?", collaboration technique Robert Rozier ...&lt;/span&gt;&lt;/p&gt;&#13;
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Proverbes&#13;

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Las ventosas&#13;

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Los vermes&#13;

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&lt;p&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt; &lt;span style="font-size: 14pt;"&gt;"759 - &amp;Eacute;mission chez nous automne 1961, la toussaint, la lauzeta, Berceuse Teilliet Ir&amp;egrave;ne-Yvette, Frange (le t&amp;eacute;tou),F&amp;eacute;licie (les maladies)"&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande sans aucune indication, un court reportage r&amp;eacute;alis&amp;eacute; &amp;agrave; Troche ( Corr&amp;egrave;ze) .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La pr&amp;eacute;sentation de la bourgade de Troche par le maire de l'&amp;eacute;poque, les origines du toponyme, les charmes du pays, les touristes, les troubadours de la Couade et pour terminer l'enregistrement des cloches .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Enregistré lors de la Félibrée de Saint Mathieu (87)</text>
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          <name>Local URL</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>La fête de l' Églantine à Saint-Mathieu (1)</text>
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                <text>Haute-Vienne (87)</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <description>A name given to the resource</description>
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                <text>La fête de l' Églantine à Saint-Mathieu (2)</text>
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            <description>The topic of the resource</description>
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                <text>Enregistrement r&amp;eacute;alis&amp;eacute; lors de la f&amp;ecirc;te de l'&amp;eacute;glantine &amp;agrave; Saint Mathieu (Haute vienne) le 28 juin 1964</text>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD4224</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1964-06</text>
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            <name>Creator</name>
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                <text>Robert Dagnas</text>
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            <name>Format</name>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/720/EglantineNet.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans ce document, trois bandes (4224, 5394 et 5330) qui nous semblent se succ&amp;eacute;der. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; enregistr&amp;eacute;es &amp;agrave; l'occasion de la 46&amp;egrave;me f&amp;ecirc;te de l'Eglantine qui s'est tenue &amp;agrave; Saint-Mathieu (87) le 28 juin 1964 . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous entendons plusieurs groupes folkloriques : &lt;span style="color: #808080;"&gt;"lous Echos limouzis d'Argentat*", "L'eicolo ventadour*", "L'eicolo dau Barbichet*"&lt;/span&gt; mais aussi le &lt;span style="color: #808080;"&gt;"Sermoun in limouzi*" &lt;/span&gt;par l'Abb&amp;eacute; Giry , extrait de la &lt;span style="color: #808080;"&gt;"Messo f&amp;eacute;libr&amp;eacute;enno sous l'aobr&amp;eacute; d&amp;eacute; la libarta*"&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;(* nous avons respect&amp;eacute; la graphie utilis&amp;eacute;e sur le programme de l'&amp;eacute;poque) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous remercions la mairie de Saint-Mathieu qui a bien voulu nous confier &lt;a href="https://la-biaca.org/items/show/12805#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=11&amp;amp;xywh=-49%2C-1%2C1097%2C776" target="_blank" rel="noopener noreferrer"&gt;le document &amp;eacute;dit&amp;eacute; &amp;agrave; cette occasion .&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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              <text>Enregistré au domicile des informateurs au Marcenet, commune de Sainte-Trie (24)</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>Michel et Gilberte MAURY</text>
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                <text>Dires et proverbes</text>
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                <text>Enregistrement en langue limousine de M et Mme maury (Sainte-Trie, 24)</text>
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                <text>M et Mme MAURY</text>
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            <name>Date</name>
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                <text>Pascal Boudy</text>
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Presentacion&#13;

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Las levadas&#13;

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Los engrais&#13;

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Entretener las levadas&#13;

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La rigoleuse&#13;

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Los peissons&#13;

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Queure l'aiga&#13;

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La lessiva&#13;

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Las culturas&#13;

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Los legumes&#13;

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Las rabas d'estolhas&#13;

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Per la st Jan&#13;

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Sonhar los uelhs de las vachas&#13;

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Lo Tramentit&#13;

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Tirar lo fuec&#13;

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Las varrujas&#13;

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La Mair millon&#13;

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Los sorcelatges&#13;

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Sonar las clochas&#13;

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Lo catechirme&#13;

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Los chaffres&#13;

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Tuey&#13;

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trobar l'aiga&#13;

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las fonts&#13;

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los musiciens&#13;

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las chançons&#13;

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daus proverbes&#13;

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las fruchas&#13;

00:53:07.000 --&gt; 00:53:53.000
dau temps&#13;

00:53:53.000 --&gt; 00:54:47.000
las planchas, los ponts&#13;

00:54:47.000 --&gt; 00:56:05.000
lo patois a l'escola&#13;

00:56:05.000 --&gt; 00:59:02.000
parlar patois auei&#13;

00:59:02.000 --&gt; 01:04:22.000
la torba&#13;

01:04:22.000 --&gt; 01:05:48.000
los bestiaus&#13;

01:05:48.000 --&gt; 01:09:43.000
lo laite lo fromatge&#13;

01:09:43.000 --&gt; 01:10:41.000
lo bac de ganhon&#13;

01:10:41.000 --&gt; 01:11:12.000
damorar aqui&#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande il est not&amp;eacute; :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt; "&amp;Eacute;mission chez nous, juillet 1958, a. Louis H&amp;eacute;bras, b. &amp;Eacute;glantine Laguenne (43&amp;egrave;me)"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous avons r&amp;eacute;cup&amp;eacute;r&amp;eacute; sur cette bande tr&amp;egrave;s ab&amp;icirc;m&amp;eacute;e quelques moments bien audibles : un passage dans lequel on entend l'auteur Louis H&amp;eacute;bras (pr&amp;eacute;sident des "Limousins de Nice") parler de ses attaches en Limousin et de ses &amp;eacute;crits les plus r&amp;eacute;cents .&lt;br /&gt;Vient ensuite un reportage de Robert Dagnas &amp;agrave; Tulle pendant la f&amp;ecirc;te f&amp;eacute;libr&amp;eacute;enne (Pierre Roussarie, Pierre Marthon et les groupes folkloriques de la maintenance du limousin : Les Veilladours de St Junien, Lo Chalelh, L'&amp;Eacute;cole du Barbichet et l'&amp;Eacute;cole Ventadour) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <description>The topic of the resource</description>
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                <text>Pascal Boudy</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous avons rencontr&amp;eacute; &lt;strong&gt;Albert et Odette Leygnac&lt;/strong&gt; en septembre 2007, dans le cadre&lt;big&gt; de l'enqu&amp;ecirc;te th&amp;eacute;matique sur &lt;span class="oc"&gt;"L'eau en montagne limousine, de la font a la mar" .&lt;/span&gt; &lt;/big&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;big&gt;Enregistr&amp;eacute;s &amp;agrave; leur domicile, sur la commune de Gourdon-Murat, en Corr&amp;egrave;ze nous avons recueilli quelques chansons, parl&amp;eacute; des bals, des musiciens, des danses, du barrage, des processions, de la religion, des pratiques religieuses autour de la Saint-Jean, du soin apport&amp;eacute; aux b&amp;ecirc;tes etc ... &lt;/big&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;Le s&amp;eacute;quencement et la mise en ligne de cet enregistrement a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; par C&amp;eacute;line Meunier, enseignante &amp;agrave; la Calandreta Lemosina, &amp;agrave; Limoges&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Nous avons rencontr&amp;eacute; &lt;strong&gt;Andr&amp;eacute; Laurent&lt;/strong&gt; au mois de mai 2007, dans le cadre de l'enqu&amp;ecirc;te th&amp;eacute;matique "de la font a la mar".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;M. Laurent, d'une famille de meuniers nous a essentiellement renseign&amp;eacute; sur les moulins des communes de Pradines et de Grandsaigne.&lt;br /&gt;&lt;em&gt;Los pitits molins, la produccion, las differentas partidas del molin, coma pichar las molas, entretener lo molin, far las culhieras, curar las levadas...&lt;/em&gt;&lt;br /&gt;Nous avons aussi parl&amp;eacute; de la vie &amp;agrave; Gransaigne : &lt;em&gt;Las truchas, lo braconatge, lo juecs daus pitits, las fonts, la levada del diable, la procession en Cledat, auvir la Tina,&lt;/em&gt; &lt;em&gt;la vielha del potz, passar l'aiga,&lt;/em&gt; ... et m&amp;ecirc;me le vol des pommes &amp;agrave; Grandsaigne ! &lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/13385#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=0%2C-88%2C799%2C709"&gt;&amp;rArr; Lien vers la galerie photos&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur le boitier contenant cette bande il est not&amp;eacute;&lt;span style="font-size: 14pt; color: #808080;"&gt; "7075, Chez Nous 4 juin 60 Bande &amp;agrave; l'envers, &amp;agrave; conserver"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette &amp;eacute;mission, sans doute diffus&amp;eacute;e sur les ondes de Radio Limoges, est consacr&amp;eacute;e &amp;agrave; &lt;strong&gt;&lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel (Firmin) Meilhac&lt;/a&gt; .&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ce violoneux virtuose et passionn&amp;eacute;, n&amp;eacute; en 1911 &amp;agrave; Laroche-Canillac en Corr&amp;egrave;ze, &amp;eacute;tait alors receveur des postes &amp;agrave; Magnac-Bourg, en Haute-Vienne . Robert Dagnas avait rendu visite &amp;agrave; ce musicien &amp;agrave; l'occasion de la sortie d'un disque enregistr&amp;eacute; chez Philips dans la s&amp;eacute;rie "Le tour du monde en 45 tours".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Autour de Michel Meilhac quelques autres musiciens de renom : Bernard Meilhac &lt;span class="fr" style="font-size: 14pt;"&gt;(son fils)&lt;/span&gt; au violon lui aussi, Gaston Rivi&amp;egrave;re &amp;agrave; la vielle et Jean Louis Fournier &amp;agrave; la cabrette. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;M. Meilhac parle de l'enregistrement du disque, de sa passion pour la musique folklorique, de sa participation &amp;agrave; l'Ecole Ventadour puis M. Dagnas propose plusieurs morceaux, probablement extraits du disque (&lt;span class="oc"&gt;La calha,&lt;/span&gt; la mazurka des grand m&amp;egrave;res, &lt;span class="oc"&gt;la chamaisada, la borreia de Nan&amp;ograve;t&lt;/span&gt; ) L' &amp;eacute;mission se termine par "les &amp;eacute;chos de la vie folklorique", les ostensions d'Esse, le festival de folklore du Dorat ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/728/Chenailler.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Lorsque nous avions rencontré Henri Salles, il nous avait parlé de la procession à Saint Jean Baptiste et chanté le cantique qui se chante à cette occasion . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avions convenu de nous y retrouver le 29 août pour tourner ce sujet . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Malgré un temps digne de Toussaint nous avons pu enregistrer ce témoignage d'une pratique très ancienne destinée aux enfants malades (la bénédiction des enfants, la vénération des reliques, le cantique, etc...) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous remercions &lt;span class="fr" style="font-size:14pt;"&gt;Henri Salles&lt;/span&gt;, &lt;span class="fr" style="font-size:14pt;"&gt;l'abbé Raynal &lt;/span&gt;ainsi que tous les participants, qui ont bien voulu nous faire partager ce moment .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur le boitier m&amp;eacute;tallique contenant cette bande il est not&amp;eacute; :&lt;span style="font-size: 14pt; color: #808080;"&gt; "7684, Messe de minuit Le Chalard, Noel 1963 , &amp;agrave; conserver"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>RD2058.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>950</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Robert Dagnas</text>
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              <text>groupes folkloriques</text>
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              <text>Aunis et Saintonge</text>
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              <text>Le Pélélé</text>
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              <text>Les Abeilles Bergeracoises</text>
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              <text>Pierre Roussarie</text>
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              <text>L'École Ventadour</text>
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              <text>Jan Caron</text>
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              <text>Félix Rabès</text>
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            <elementText elementTextId="308616">
              <text>polka</text>
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            <elementText elementTextId="308617">
              <text>bourrée</text>
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              <text>La Bourrée Limousine</text>
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              <text>La Matelote</text>
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              <text>Le Rondeau Bordelais</text>
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              <text>la Gigouillette</text>
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              <text>l' École du Barbichet</text>
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              <text>les Velhadours de Sen-Junio</text>
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              <text>informateurs multiples robert dagnas chez nous mars 1963 folklore limousin folklore limousin haute vienne occitan patois patrimoine oral</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="308592">
                <text>2014-11-25 11:33:43</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Chez nous, Mars 1963</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folklore</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&amp;Eacute;mission de radio consacr&amp;eacute;e au folklore, mars 1963</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
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                <text>RD2058</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1963-03</text>
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                <text>Robert Dagnas</text>
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            <name>Format</name>
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                <text>audio/mpeg</text>
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                <text>Sound</text>
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            <name>Identifier</name>
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              <elementText elementTextId="308603">
                <text>https://la-biaca.org/items/show/730</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/730/1416911663_RD2058Net.jpg</text>
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            <name>Abstract</name>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe en papier craft contenant cette bande il est not&amp;eacute; : 678 Chez Nous 9-3-63 (AG Argentat) . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit d'une &amp;eacute;mission de radio ou de sa pr&amp;eacute;paration dans laquelle Robert Dagnas propose une s&amp;eacute;lection de morceaux du r&amp;eacute;pertoire de plusieurs groupes folkloriques (Dans les pr&amp;eacute;s de Saintonge par le groupe "Aunis et Saintonge", Le P&amp;eacute;l&amp;eacute;l&amp;eacute; par "Les Abeilles Bergeracoises", Pierre Roussarie de "L'&amp;Eacute;cole Ventadour" raconte &lt;span class="oc"&gt;Jan Caron&lt;/span&gt;, une nhorle de l'auteur &amp;Eacute;gletonnais F&amp;eacute;lix Rab&amp;egrave;s (1866-1936) , une polka devenue bourr&amp;eacute;e par "La Bourr&amp;eacute;e Limousine", La Matelote par "Le Rondeau Bordelais", la Gigouillette et la Guimbarde par "l' &amp;Eacute;cole du Barbichet", et "les &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Velhadours de Sen-Junio". &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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