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                <text>Gabriel Chevalier, vielle à roue.</text>
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                <text>&lt;p&gt;&lt;span style="color: #000000;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par M. Georges Prudent.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il s'agit d'un enregistrement datant du 16 f&amp;eacute;vrier 1976 dans lequel nous entendons un joueur de vielle &amp;agrave; roue : &lt;strong&gt;M. Gabriel Chevalier&lt;/strong&gt;, alors &amp;acirc;g&amp;eacute; de 84 ans, et domicili&amp;eacute; &amp;agrave; Dontreix (23).&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;br /&gt;Le musicien joue, sur une vielle de Nigout, une s&amp;eacute;rie d'airs &amp;agrave; danser : giattes, polkas, scottishs, marches nuptiales, valses, etc.&lt;br /&gt;Il chante quelques-uns de ces airs, en fran&amp;ccedil;ais ou en occitan, parle de sa vielle, d'un instrument qu'il a construit, et raconte &amp;agrave; M. Prudent le d&amp;eacute;roulement des mariages traditionnels.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;Cet enregistrement fut r&amp;eacute;alis&amp;eacute; par Georges Prudent, lui-aussi musicien.&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;Le signal &amp;eacute;tant tr&amp;egrave;s faible, une partie de cet enregistrement est difficilement audible, mais le contenu m&amp;eacute;rite souvent de faire un effort...&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:38.000
Giatte&#13;

00:01:38.000 --&gt; 00:02:23.000
Y'en a trois qui veulent ma fille  &#13;

00:02:23.000 --&gt; 00:04:21.000
Idem&#13;

00:04:21.000 --&gt; 00:05:43.000
Polka piquée&#13;

00:05:43.000 --&gt; 00:06:10.000
Polka piquée&#13;

00:06:10.000 --&gt; 00:06:45.000
Polka piquée&#13;

00:06:45.000 --&gt; 00:07:07.000
T'as minjat mon chaul, chant&#13;

00:07:07.000 --&gt; 00:08:20.000
La patte d'oie&#13;

00:08:20.000 --&gt; 00:09:43.000
Marche « Général Boulanger »&#13;

00:09:43.000 --&gt; 00:11:12.000
Scottish&#13;

00:11:12.000 --&gt; 00:12:55.000
Mazurka « Voyez ce petit gamin »&#13;

00:12:55.000 --&gt; 00:14:26.000
Chabreli&#13;

00:14:26.000 --&gt; 00:16:08.000
L'aiga de ròsa  &#13;

00:16:08.000 --&gt; 00:17:08.000
Gigue « Les campagnes d'Afrique »&#13;

00:17:08.000 --&gt; 00:17:38.000
Dis-moi donc Lison&#13;

00:17:38.000 --&gt; 00:19:00.000
Cassava las notz&#13;

00:19:00.000 --&gt; 00:22:17.000
Est-ce que vous en connaissez une ?...&#13;

00:22:17.000 --&gt; 00:24:13.000
Que veniatz-vos cherchar ?&#13;

00:24:13.000 --&gt; 00:24:51.000
Des marches ?&#13;

00:24:51.000 --&gt; 00:25:31.000
Marche de noces&#13;

00:25:31.000 --&gt; 00:26:21.000
Ren-ren-ren&#13;

00:26:21.000 --&gt; 00:28:01.000
J'embrasse les filles, valse &#13;

00:28:01.000 --&gt; 00:28:59.000
Mignonne&#13;

00:28:59.000 --&gt; 00:29:43.000
Mon papa ne veut pas&#13;

00:29:43.000 --&gt; 00:31:06.000
Ginga-La&#13;

00:31:06.000 --&gt; 00:33:27.000
Mademoiselle bonsoir, valse&#13;

00:33:27.000 --&gt; 00:33:55.000
Marche&#13;

00:33:55.000 --&gt; 00:36:33.000
Giatte&#13;

00:36:33.000 --&gt; 00:37:32.000
Tiens-bon, Marie-Madeleine&#13;

00:37:32.000 --&gt; 00:39:29.000
Turlututu&#13;

00:39:29.000 --&gt; 00:40:36.000
Y'en a trois qui veulent ma fille&#13;

00:40:36.000 --&gt; 00:41:18.000
Vai, vai, vai mascarada&#13;

00:41:18.000 --&gt; 00:42:13.000
Si j'étais veuve &#13;

00:42:13.000 --&gt; 00:42:43.000
Cassava las notz, chant&#13;

00:42:43.000 --&gt; 00:42:56.000
Marche de noces &#13;

00:42:56.000 --&gt; 00:44:35.000
Dialogue de l'eau et du vin&#13;

00:44:35.000 --&gt; 00:44:50.000
Ginga-la&#13;

00:44:50.000 --&gt; 00:45:23.000
Valse&#13;

00:45:23.000 --&gt; 00:46:22.000
Jouer de la vielle  &#13;

00:46:22.000 --&gt; 00:47:24.000
Du quadrille &#13;

00:47:24.000 --&gt; 00:49:38.000
Une polka&#13;

00:49:38.000 --&gt; 00:51:35.000
Quadrille&#13;

00:51:35.000 --&gt; 00:52:09.000
Réveillez-vous la belle &#13;

00:52:09.000 --&gt; 00:00:00.000
De la noce &#13;

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                <text>&lt;span style="color: #000000;"&gt;Fin de la mise en ligne de la cassette &amp;laquo; 1 &amp;raquo; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Cette cassette audio nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e par Michel Feynie* pour num&amp;eacute;risation et mise en ligne.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il s'agit d'un document collect&amp;eacute; &amp;agrave; la fin des ann&amp;eacute;es 1970, sur lequel on peut entendre deux accord&amp;eacute;onnistes :&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;M. &lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;strong&gt;Robert &lt;/strong&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;strong&gt;Communal&lt;/strong&gt;, accord&amp;eacute;oniste diatonique. &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Surnomm&amp;eacute; &amp;laquo; Toutou &amp;raquo;, M. Communal (&lt;/span&gt;&lt;span style="color: #000000;"&gt;1913-1986) habitait &amp;agrave; Merlerie, commune de Montpon-M&amp;eacute;nest&amp;eacute;rol (24). &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il avait fait la guerre de 1939-1945 et y avait &amp;eacute;t&amp;eacute; gaz&amp;eacute;. Il &lt;/span&gt;&lt;span style="color: #000000;"&gt;joua de l&amp;rsquo;accord&amp;eacute;on (un Maugein) jusqu&amp;lsquo;&amp;agrave; sa mort, notamment pour l&amp;rsquo;une de ses voisines. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;M. &lt;strong&gt;Jean Faure&lt;/strong&gt; dit &lt;/span&gt;&lt;span style="color: #000000;"&gt;&amp;laquo; Jantou &amp;raquo; accord&amp;eacute;oniste chromatique (1917-1977). &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il habitait &amp;agrave; B&amp;eacute;n&amp;eacute;vent, commune de Saint-Martial d&amp;rsquo;Artenset (24). &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Connaissant le solf&amp;egrave;ge, il avait d&amp;eacute;but&amp;eacute; par le violon et a&lt;/span&gt;&lt;span style="color: #000000;"&gt;pprenait tr&amp;egrave;s vite les morceaux de musique dont il recevait les partitions. &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il avait jou&amp;eacute; dans des orchestres de musette.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; color: #808080;"&gt;&amp;nbsp;* Michel Feynie est anthropologue et com&amp;eacute;dien. Nous lui devons la notice et le s&amp;eacute;quen&amp;ccedil;age de ces documents.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; color: #808080;"&gt;Au d&amp;eacute;but des ann&amp;eacute;es 80, pratiquant l'accord&amp;eacute;on diatonique, il se mit &amp;agrave; la recherche de r&amp;eacute;pertoire aupr&amp;egrave;s de musiciens de sa r&amp;eacute;gion (le Sud-Ouest de la Dordogne du c&amp;ocirc;t&amp;eacute; de Montpon-M&amp;eacute;nest&amp;eacute;rol). Une partie de ses collectages (contes, chansons, musique) lui a servi pour monter un spectacle franco-occitan : &amp;laquo; Hommes et femmes du Landais / &amp;Ograve;mes e femnas dau Land&amp;egrave;s &amp;raquo; racontant la vie d&amp;rsquo;une famille de paysans du d&amp;eacute;but du XX&amp;egrave;me si&amp;egrave;cle &amp;agrave; sa fin.&lt;/span&gt;</text>
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Scottish&#13;

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Congo&#13;

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Mastangouine&#13;

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Quadrille&#13;

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Quadrille (3eme fig.)&#13;

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Mazurka&#13;

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Mazurka &#13;

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Valse&#13;

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Mazurka&#13;

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Mazurka&#13;

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Valse&#13;

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Valse&#13;

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Bourrée&#13;

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Polca-piquée&#13;

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Polca&#13;

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Congo&#13;

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Bourrée&#13;

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Polca de Madrangeas&#13;

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Mazurka&#13;

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Quadrille des lanciers&#13;

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Quadrille&#13;

00:12:34.000 --&gt; 00:00:00.000
Valse&#13;

00:00:00.000 --&gt; 00:00:00.000

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&lt;p&gt;&lt;span style="color: #000000;"&gt;Tous deux excellents locuteurs, ils nous ont parl&amp;eacute; de la vie &amp;agrave; Orgnac, de leur jeunesse, du travail de la terre, de l'amour de celui-ci, des bals au Bois de Bourzat, des foires &amp;agrave; Objat, des rebouteux et chercheurs d'eau, etc. &lt;br /&gt;Un bon moment que nous nous devions de faire partager.&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;br /&gt;La matin&amp;eacute;e s'est naturellement termin&amp;eacute;e par un casse-cro&amp;ucirc;te,&lt;em&gt; coma de rason !&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Presentacion  &#13;

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A la maison, en 28&#13;

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De l'escòla&#13;

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A la ferma, los ganhons&#13;

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Lo servici militari&#13;

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Las dròllas mancaven pas&#13;

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A Masmalet&#13;

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Aimava mon trabalh&#13;

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Lo chastel de la Naucha&#13;

00:33:09.000 --&gt; 00:37:20.000
Anar el 'talier a Briva&#13;

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E tu, parla-nos de la Coada !&#13;

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Anar dins lo borg d'Òrnhac&#13;

00:41:43.000 --&gt; 00:42:26.000
Sei damorat a trabalhar la terra&#13;

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Los bales pendent l'Ocupacion&#13;

00:45:43.000 --&gt; 00:48:03.000
Los chafres a Òrnhac&#13;

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Las fieiras Ajac&#13;

00:49:43.000 --&gt; 00:51:15.000
Montanhiers e Pès-Tarros&#13;

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Fasiá l'efant de cuer, en 43&#13;

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Los musicians, los bales&#13;

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Segre las vòtas&#13;

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Li aviá dau monde dins los vilatges&#13;

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Trabalhar emb las bèstias&#13;

01:06:36.000 --&gt; 01:07:30.000
Dau sanaire&#13;

01:07:30.000 --&gt; 01:14:09.000
Quant um aima sa profession&#13;

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De l'evòlucion de l'agricultura&#13;

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Lo « patoas » a l'escòla&#13;

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Lo Ferdinand&#13;

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Los marfondaments&#13;

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Trobar l'aiga&#13;

01:35:11.000 --&gt; 00:00:00.000
Fin&#13;

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&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;En 1987, il publia chez Fanlac un recueil de chansons &lt;em&gt;Chants du moulin fondu&lt;/em&gt;, illustr&amp;eacute; par Albert Delaire et maintenant &amp;eacute;puis&amp;eacute;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Ses enfants nous ont aimablement confi&amp;eacute; les originaux de ces textes, ainsi que quelques documents de collecte. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Pour la plupart d'entre eux, nous avons mis en ligne plusieurs versions : les manuscrits, les tapuscrits, les premi&amp;egrave;res versions en graphie &amp;laquo; patoisante &amp;raquo;, les versions corrig&amp;eacute;es, parfois plusieurs fois modifi&amp;eacute;es (sur le m&amp;ecirc;me texte des corrections datent du d&amp;eacute;but des ann&amp;eacute;es 60 et d'autres de 1995), les partitions etc.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Sur certains de ces documents se trouvent des informations in&amp;eacute;dites : des musiques parfois compos&amp;eacute;es avec son fr&amp;egrave;re Jean, les prix d&amp;eacute;cern&amp;eacute;s &amp;agrave; ses textes, des croquis ou des commentaires explicatifs, etc.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Quelques-unes de ces chansons n'ont pas &amp;eacute;t&amp;eacute; publi&amp;eacute;es dans &lt;span class="fr"&gt;&lt;em&gt;Chants du moulin fondu&lt;/em&gt; &lt;/span&gt;(La Janille, &amp;Ocirc; berceaux)&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/12847" target="_blank" rel="noopener"&gt;Cliquer ici pour acc&amp;eacute;der aux documents&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Valse de Vienne&#13;

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Valse brune&#13;

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Valse&#13;

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La java bleue&#13;

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Marche&#13;

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Bourrée&#13;

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Polka piquée
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                <text>00:00:00.000 --&gt; 00:04:33.000
Jacard e son pòrc&#13;

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Brava matinada&#13;

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Braves Velhadors&#13;

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Los Velhadors se'n van&#13;

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Qu'es los Velhadors&#13;

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L'autre jour en m'y promenant&#13;

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À La Bardille&#13;

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La vendange&#13;

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Chez nous il y a une bique&#13;

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Passant par la ville&#13;

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Adiussiatz&#13;

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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>921</text>
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              <text>Violon traditionnel limousin</text>
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              <text>Violon, folklore, Michel Meilhac, musique traditionnelle limousine, chant traditionnel</text>
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            <name>Extent</name>
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            <name>License</name>
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                <text>CC-BY-NC-ND</text>
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            <name>Rights Holder</name>
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                <text>F. Étay, fonds Dagnas</text>
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            <name>Spatial Coverage</name>
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                <text>Corrèze (19)</text>
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            <name>Subject</name>
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                <text>Folklore</text>
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          </element>
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                <text>Françoise Étay / IEO Lemosin</text>
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            <name>Format</name>
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                <text>audio/mpeg</text>
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                <text>00:00:00.000 --&gt; 00:00:33.000
	Générique&#13;

00:00:33.000 --&gt; 00:01:23.000
En Limousin&#13;

00:01:23.000 --&gt; 00:02:25.000
Bourrée&#13;

00:02:25.000 --&gt; 00:03:08.000
Octobre est arrivé&#13;

00:03:08.000 --&gt; 00:05:09.000
Passant par la prairie&#13;

00:05:09.000 --&gt; 00:06:20.000
Le pélélé&#13;

00:06:20.000 --&gt; 00:06:28.000
Le temps des vendanges&#13;

00:06:28.000 --&gt; 00:08:01.000
La vendange&#13;

00:08:01.000 --&gt; 00:08:28.000
Dans la campagne&#13;

00:08:28.000 --&gt; 00:10:08.000
Rossignolet&#13;

00:10:08.000 --&gt; 00:10:57.000
Saison de poésie&#13;

00:10:57.000 --&gt; 00:12:12.000
Scottish-valse&#13;

00:12:12.000 --&gt; 00:12:46.000
Une cloche tinte&#13;

00:12:46.000 --&gt; 00:13:53.000
Jos lo pont d'a Mirabel&#13;

00:13:53.000 --&gt; 00:14:10.000
Terre d'émeraude&#13;

00:14:10.000 --&gt; 00:14:25.000
Mazurka&#13;

00:14:25.000 --&gt; 00:15:21.000
Au revoir&#13;

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              <name>Title</name>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
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                  <text>doc: enquetes</text>
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    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewer</name>
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              <text>Pascal Boudy</text>
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          <name>Interviewee</name>
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              <text>Louis Lachaud</text>
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          <name>Location</name>
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              <text>Enregistré au domicile de l'informateur</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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            <elementText elementTextId="343848">
              <text>sourcier, grandsaigne, pendule, sources, eau, ésotérisme</text>
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          </elementTextContainer>
        </element>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="343849">
              <text>2754</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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              <elementText elementTextId="343825">
                <text>"Le pendule"</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="343826">
                <text>M. Lachaud, sourcier</text>
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          <element elementId="37">
            <name>Contributor</name>
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              <elementText elementTextId="343828">
                <text>M. Lachaud Louis</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="343829">
                <text>Pascal Boudy</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="343830">
                <text>2007-05-11</text>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="343831">
                <text>2020-10-22</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>&lt;p&gt;&lt;strong&gt;Louis Lachaud&lt;/strong&gt; habitait &amp;agrave; La Pradelle, commune de Grandsaigne (19). Il &amp;eacute;tait n&amp;eacute; en 1924 &amp;agrave; La Vedrenne, commune de Chaumeil (19).&lt;br /&gt;&lt;br /&gt;&amp;Agrave; plusieurs reprises, nous avions entendu parler de M. Lachaud &lt;br /&gt;et de ses talents de sourcier par des gens qui avaient eu recours &amp;agrave; ses services.&lt;/p&gt;&#13;
&lt;p&gt;Localement, M. Lachaud &amp;eacute;tait surnomm&amp;eacute; &amp;laquo; Le pendule &amp;raquo;.&lt;/p&gt;&#13;
&lt;p&gt;R&amp;eacute;put&amp;eacute; pas tr&amp;egrave;s accessible, un peu m&amp;eacute;fiant, il a d'abord demand&amp;eacute; au pendule, extrait d'une petite bourse qu'il avait toujours sur lui, s'il pouvait me recevoir... Apr&amp;egrave;s l'approbation de celui-ci, il fut tr&amp;egrave;s tranquille et me parla en toute confiance.&lt;br /&gt;&lt;br /&gt;Abordant, en fran&amp;ccedil;ais puis en occitan, un sujet pas tr&amp;egrave;s simple &amp;agrave; formuler, il nous parle avec r&amp;eacute;serve et souvent de mani&amp;egrave;re un peu elliptique de sa pratique, de l'esprit, du pendule, etc. &lt;br /&gt;&lt;br /&gt;Ensuite nous sortirons, et M. Lachaud me fera une d&amp;eacute;monstration probante autour de sa maison.&lt;/p&gt;</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="343833">
                <text>IEO Limousin</text>
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          </element>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>IEO323</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>oci</text>
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          <element elementId="82">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
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              <elementText elementTextId="343838">
                <text>CC-BY-NC-ND</text>
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          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>IEO Lemosin</text>
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                <text>Corrèze (19)</text>
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            <description>The topic of the resource</description>
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                <text>Légendes - croyances</text>
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            <description>A related resource</description>
            <elementTextContainer>
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                <text>2007-05-11</text>
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          <element elementId="53">
            <name>Table Of Contents</name>
            <description>A list of subunits of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="1291160">
                <text>00:00:00.000 --&gt; 00:00:13.000
&#13;

00:00:13.000 --&gt; 00:03:01.000
Le pendule&#13;

00:03:01.000 --&gt; 00:03:21.000
Parler en "patois"&#13;

00:03:21.000 --&gt; 00:04:14.000
Trobar las fonts&#13;

00:04:14.000 --&gt; 00:05:01.000
Sur una carta ? &#13;

00:05:01.000 --&gt; 00:06:56.000
La font d'a Bonafont&#13;

00:06:56.000 --&gt; 00:07:18.000
Un don ?&#13;

00:07:18.000 --&gt; 00:08:05.000
Emb-d'un bòsc banard&#13;

00:08:05.000 --&gt; 00:09:00.000
Trobar lo monde&#13;

00:09:00.000 --&gt; 00:09:33.000
L'esperit, lo don&#13;

00:09:33.000 --&gt; 00:11:05.000
Tot li damandar&#13;

00:11:05.000 --&gt; 00:11:58.000
Debutar &#13;

00:11:58.000 --&gt; 00:12:25.000
Vau lonh !&#13;

00:12:25.000 --&gt; 00:13:44.000
Lo cambriolatge de La Pradela&#13;

00:13:44.000 --&gt; 00:14:24.000
Los gendarmas&#13;

00:14:24.000 --&gt; 00:15:52.000
La bagueta&#13;

00:15:52.000 --&gt; 00:16:51.000
La pregèria&#13;

00:16:51.000 --&gt; 00:18:02.000
L'esprit de Dieu&#13;

00:18:02.000 --&gt; 00:18:58.000
Se trompa pas&#13;

00:18:58.000 --&gt; 00:20:12.000
Una persona malauda&#13;

00:20:12.000 --&gt; 00:23:24.000
E per las eleccions ?&#13;

00:23:24.000 --&gt; 00:24:40.000
Totjorn emb lo pendule&#13;

00:24:40.000 --&gt; 00:25:14.000
Perque venián lo monde ?&#13;

00:25:14.000 --&gt; 00:26:01.000
Trobar un cotel&#13;

00:26:01.000 --&gt; 00:28:25.000
Lo jorn de la mòrt&#13;

00:28:25.000 --&gt; 00:29:40.000
Sa vita a La Pradela&#13;

00:29:40.000 --&gt; 00:30:22.000
Se far paiar&#13;

00:30:22.000 --&gt; 00:30:47.000
De las causas que m'an possedat&#13;

00:30:47.000 --&gt; 00:33:38.000
Lo pendule&#13;

00:33:38.000 --&gt; 00:34:50.000
Defòra &#13;

00:34:50.000 --&gt; 00:36:16.000
Demonstracion&#13;

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Lo pendule se trompa pas&#13;

00:39:03.000 --&gt; 00:45:54.000
Lo torn de la proprietat&#13;

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                <text>&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, une &amp;eacute;mission de radio datant de 1985 diffus&amp;eacute;e sur Radio Centre-Ouest, devenue peu apr&amp;egrave;s Radio-France Limoges. &lt;/span&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la face 1, la premi&amp;egrave;re &amp;eacute;mission d'une s&amp;eacute;rie consacr&amp;eacute;e aux arbres. Cette semaine, Jan parle du bouleau.&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;Sur la face 2 &amp;laquo; Las flautas e las votz &amp;raquo;, une &amp;eacute;mission enregistr&amp;eacute;e sur France Culture que nous n'avons pas mise en ligne&lt;/span&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;Personnage incontournable de la culture limousine, Jan dau Melhau est &amp;eacute;crivain, &amp;eacute;diteur (Lo chamin de sent Jaume), collecteur, musicien, chanteur, conteur, diseur, etc. &lt;span class="fr" style="font-size: 10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Présentation&#13;

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Te vòle parlar de l'aubre&#13;

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Se-disset&#13;

00:06:07.000 --&gt; 00:08:49.000
Un aubre gente&#13;

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'Massa las fruchas&#13;

00:13:49.000 --&gt; 00:15:44.000
Entre Fau e Peiralevada&#13;

00:15:44.000 --&gt; 00:19:23.000
Beçau / betol&#13;

00:19:23.000 --&gt; 00:20:32.000
Notice des arbres...&#13;

00:20:32.000 --&gt; 00:23:16.000
Lo boesc de beçau&#13;

00:23:16.000 --&gt; 00:00:24.000
Patronymie, toponymie&#13;

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                <text>&lt;div style="text-align: left;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette bande porte une petite &amp;eacute;tiquette sur laquelle il est seulement mentionn&amp;eacute; : &lt;span style="color: #808080;"&gt;&amp;laquo; Conversation RD (m&amp;eacute;m&amp;eacute;) &amp;raquo;&lt;/span&gt;.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: left;"&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Nous entendons, dans les premi&amp;egrave;res minutes de cet enregistrement, &lt;strong&gt;Marie Basset&lt;/strong&gt; de Saint-Mathieu (87), une informatrice que Robert Dagnas a interrog&amp;eacute;e &amp;agrave; de multiples reprises. Elle nous parle des souvenirs de ses jeunes ann&amp;eacute;es, &lt;em&gt;las velhadas, los dr&amp;ograve;lles, los maridatges&lt;/em&gt;, etc.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;div class="moz-cite-prefix"&gt;&lt;span style="font-size: 14pt;"&gt;Nous retrouvons ensuite Robert Dagnas en compagnie de &lt;strong&gt;F&amp;eacute;licie Brouillet&lt;/strong&gt; et d'une dame native de la commune de Marval (87), Marguerite,&amp;nbsp; qui &amp;eacute;voque successivement ses souvenirs de d&amp;eacute;votions aux bonnes fontaines de Cussac (plages 4, 5, 6), raconte &lt;em&gt;l'isto&amp;egrave;ra dau taboret,&lt;/em&gt; &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;le bandit Burgou, etc.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div class="moz-cite-prefix"&gt;&lt;span style="font-size: 14pt;"&gt;Toutes deux parlent ensuite des d&amp;eacute;votions aux bonnes fontaines Sainte-Marguerite de Varaignes (24), Saint-Claud de Pensol (87) et Sainte-Radegonde de Marval. &lt;/span&gt;&lt;/div&gt;&#13;
&lt;div class="moz-cite-prefix"&gt;&lt;span style="font-size: 14pt;"&gt;Marguerite chante &lt;em&gt;La vachiera&lt;/em&gt;, puis livre quelques r&amp;eacute;flexions sur les jeunes gens d'autrefois.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/images/galeries/FondsDagnas/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</text>
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Parlatz-me de las velhadas&#13;

00:01:13.000 --&gt; 00:02:17.000
Los garçons e las filhas&#13;

00:02:17.000 --&gt; 00:02:58.000
E los maridatges ?&#13;

00:02:58.000 --&gt; 00:03:51.000
Donatz-la nos&#13;

00:03:51.000 --&gt; 00:04:19.000
E los repas ?&#13;

00:04:19.000 --&gt; 00:05:25.000
Las bonas fonts&#13;

00:05:25.000 --&gt; 00:06:05.000
Las tres fonts&#13;

00:06:05.000 --&gt; 00:06:52.000
Lu jorn de la Sent-Jan&#13;

00:06:52.000 --&gt; 00:08:30.000
Istoèra dau taboret&#13;

00:08:30.000 --&gt; 00:11:06.000
Burgou&#13;

00:11:06.000 --&gt; 00:12:06.000
Vòstras devòcions ?&#13;

00:12:06.000 --&gt; 00:13:12.000
A Marvau ?&#13;

00:13:12.000 --&gt; 00:13:25.000
Chantar 'na chançon ?&#13;

00:13:25.000 --&gt; 00:15:11.000
La vachiera&#13;

00:15:11.000 --&gt; 00:16:13.000
Los jòunes d'auei ?&#13;

00:16:13.000 --&gt; 00:00:00.000
N'atz 'gut daus galants ?&#13;

00:00:00.000 --&gt; 00:00:00.000

00:00:00.000 --&gt; 00:00:17.000

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Présentation d'Yvon Chalard&#13;

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Remerciements&#13;

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Limousin et français&#13;

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Le patois&#13;

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Rabelais&#13;

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Molière&#13;

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Turgot&#13;

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Au cours des siècles suivants&#13;

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Le dictionnaire du patois du bas-Limousin &#13;

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Les quiproquos&#13;

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Le franmousin&#13;

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Les limousinismes&#13;

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Féminin / masculin&#13;

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Les superlatifs&#13;

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Des précisions&#13;

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L'orthographe&#13;

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L'accord du participe passé avec avoir&#13;

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La toponymie&#13;

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Dans les vocables usuels&#13;

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Comme Balzac&#13;

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&lt;p&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;em&gt;&lt;span style="font-family: Georgia, serif;"&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles &amp;laquo; folkloriques &amp;raquo;, veill&amp;eacute;es et animations dans le cadre du Foyer rural de Favars.&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:03:33.000
Introduction&#13;

00:03:33.000 --&gt; 00:04:36.000
Favard&#13;

00:04:36.000 --&gt; 00:06:11.000
Etymologie&#13;

00:06:11.000 --&gt; 00:07:18.000
La situation géographique de la commune&#13;

00:07:18.000 --&gt; 00:17:29.000
Aspect général&#13;

00:17:29.000 --&gt; 00:18:01.000
Le nom des habitants&#13;

00:18:01.000 --&gt; 00:19:32.000
Histoire de Favars, les sources&#13;

00:19:32.000 --&gt; 00:28:12.000
La vieille église&#13;

00:28:12.000 --&gt; 00:31:13.000
Le Vicaire&#13;

00:31:13.000 --&gt; 00:35:54.000
La Prévôté&#13;

00:35:54.000 --&gt; 00:38:55.000
La font Sent-Marçau&#13;

00:38:55.000 --&gt; 00:41:54.000
La seigneurie de Favars &#13;

00:41:54.000 --&gt; 00:43:28.000
Les Saint Exupéry-Miremont&#13;

00:43:28.000 --&gt; 00:45:45.000
La revanche des sires de Saint-Germain&#13;

00:45:45.000 --&gt; 00:48:01.000
Le document le plus intéressant&#13;

00:48:01.000 --&gt; 00:49:14.000
Les redevances de Favars&#13;

00:49:14.000 --&gt; 00:50:26.000
Les redevances de Saint-Germain&#13;

00:50:26.000 --&gt; 00:51:27.000
Au sujet de ces redevances&#13;

00:51:27.000 --&gt; 00:52:11.000
Les fiefs secondaires de Favars&#13;

00:52:11.000 --&gt; 00:53:13.000
L'affaire de Favars&#13;

00:53:13.000 --&gt; 00:54:04.000
Les troubles à Favars&#13;

00:54:04.000 --&gt; 00:54:46.000
La controverse Tulle-Brive&#13;

00:54:46.000 --&gt; 01:03:42.000
Le récit du comte de Seilhac&#13;

01:03:42.000 --&gt; 01:07:45.000
Le mémoire des députés de la ville de Tulle&#13;

01:07:45.000 --&gt; 01:09:25.000
Version de la commune de Favars&#13;

01:09:25.000 --&gt; 01:13:54.000
Version de Victor Forot&#13;

01:13:54.000 --&gt; 01:14:59.000
La prise des étangs&#13;

01:14:59.000 --&gt; 01:16:54.000
Les inculpés et condamnés&#13;

01:16:54.000 --&gt; 01:18:24.000
Histoire des routes, des chemins   &#13;

01:18:24.000 --&gt; 01:19:21.000
Les routes du silex&#13;

01:19:21.000 --&gt; 01:20:05.000
La construction des chemins&#13;

01:20:05.000 --&gt; 01:21:00.000
Favars et le partage des eaux&#13;

01:21:00.000 --&gt; 01:22:01.000
La période gallo-romaine&#13;

01:22:01.000 --&gt; 01:22:33.000
Les voies gallo-romaines&#13;

01:22:33.000 --&gt; 01:23:06.000
Au Moyen Âge&#13;

01:23:06.000 --&gt; 01:24:35.000
La premier chemin&#13;

01:24:35.000 --&gt; 01:25:11.000
Joseph Dubois, grand voyer de France&#13;

01:25:11.000 --&gt; 01:26:07.000
Le pont Cardinal, la Guierle&#13;

01:26:07.000 --&gt; 01:29:06.000
La route de Tulle&#13;

01:29:06.000 --&gt; 01:32:44.000
Le second chemin&#13;

01:32:44.000 --&gt; 01:35:37.000
Les travaux sous Turgot&#13;

01:35:37.000 --&gt; 01:36:10.000
Turgot dans la région&#13;

01:36:10.000 --&gt; 01:37:24.000
La poma de l'estra&#13;

01:37:24.000 --&gt; 01:39:49.000
Des réclamations &#13;

01:39:49.000 --&gt; 01:41:14.000
Le curé de Saint-Xantin&#13;

01:41:14.000 --&gt; 01:42:31.000
Pétition des Malemortois&#13;

01:42:31.000 --&gt; 01:44:36.000
Entre Tulle et Brive&#13;

01:44:36.000 --&gt; 01:45:24.000
Pendant la Révolution&#13;

01:45:24.000 --&gt; 01:48:29.000
De l'an IV à 1820&#13;

01:48:29.000 --&gt; 01:49:39.000
En 1824&#13;

01:49:39.000 --&gt; 01:50:35.000
Vers 1840&#13;

01:50:35.000 --&gt; 01:51:33.000
Le rapport du préfet de la Corrèze&#13;

01:51:33.000 --&gt; 01:52:48.000
Sa conclusion&#13;

01:52:48.000 --&gt; 01:53:06.000
Les deux projets&#13;

01:53:06.000 --&gt; 01:55:28.000
Le tracé par la rive gauche&#13;

01:55:28.000 --&gt; 01:56:12.000
Le tracé par la rive droite &#13;

01:56:12.000 --&gt; 01:57:49.000
Mulatet&#13;

01:57:49.000 --&gt; 01:59:34.000
Le rapport de Vautier&#13;

01:59:34.000 --&gt; 01:59:49.000
En 1844&#13;

01:59:49.000 --&gt; 02:00:35.000
Les premiers travaux&#13;

02:00:35.000 --&gt; 02:01:10.000
Les doléances&#13;

02:01:10.000 --&gt; 00:00:02.000
Un nouveau projet&#13;

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Il n'y a rien d'aussi charmant&#13;

00:02:42.000 --&gt; 00:05:27.000
Baissa-te montanha&#13;

00:05:27.000 --&gt; 00:05:41.000
On ne rigole plus&#13;

00:05:41.000 --&gt; 00:07:21.000
Marche qu'on amenait les mariés&#13;

00:07:21.000 --&gt; 00:07:41.000
Ah, ça vous fait rigoler !&#13;

00:07:41.000 --&gt; 00:09:52.000
La Valse-Vienne&#13;

00:09:52.000 --&gt; 00:10:32.000
C'est y assez ?&#13;

00:10:32.000 --&gt; 00:11:10.000
Lo quadrilh d'Embasac&#13;

00:11:10.000 --&gt; 00:11:37.000
Tornam-i &#13;

00:11:37.000 --&gt; 00:12:19.000
2nda figura&#13;

00:12:19.000 --&gt; 00:12:58.000
Tornam-i&#13;

00:12:58.000 --&gt; 00:14:06.000
3esma figura&#13;

00:14:06.000 --&gt; 00:15:09.000
Pastorela 2&#13;

00:15:09.000 --&gt; 00:15:31.000
4esma figura&#13;

00:15:31.000 --&gt; 00:15:52.000
Tòrna-i&#13;

00:15:52.000 --&gt; 00:16:24.000
5esma figura&#13;

00:16:24.000 --&gt; 00:00:00.000
Tres bien mos amics&#13;

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                <text>&lt;p class="MsoNormal" style="margin: 2pt 0cm 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: 'Bahnschrift','sans-serif';"&gt;Desempieu lo temps que la Nic&amp;ograve;la B&amp;ograve;ria nos ne&amp;rsquo;n parlava de la &lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'Bahnschrift','sans-serif';"&gt;&lt;strong&gt;Ren&amp;eacute;e Cholet&lt;/strong&gt;&amp;nbsp;!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin: 2pt 0cm 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: 'Bahnschrift','sans-serif';"&gt;&amp;Ograve;c-be&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'Bahnschrift','sans-serif';"&gt;, il y avait longtemps que Nicole Borie, fid&amp;egrave;le participante &amp;agrave; l&amp;rsquo;atelier d&amp;rsquo;occitan d&amp;rsquo;Ussel, nous parlait d&amp;rsquo;une de ses amies, Ren&amp;eacute;e Cholet, demeurant au bourg de Saint-Exup&amp;eacute;ry-les-Roches (19).&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin: 2pt 0cm 0.0001pt; text-align: left;"&gt;&lt;span style="font-family: 'Bahnschrift', 'sans-serif'; font-size: 14pt;"&gt;Et c&amp;rsquo;est donc avec Nicole et sa s&amp;oelig;ur Marie-Antoinette, que nous sommes all&amp;eacute;s &lt;i style="mso-bidi-font-style: normal;"&gt;batalhar un brave bocin &amp;rsquo;bei&lt;/i&gt; &lt;i style="mso-bidi-font-style: normal;"&gt;la&lt;/i&gt; Ren&amp;eacute;e, et partager avec elle, devant la cam&amp;eacute;ra, ses souvenirs de jeunesse &amp;agrave; la ferme, au Mas-Laporte de Saint-Victour (19), o&amp;ugrave; tout n&amp;rsquo;&amp;eacute;tait pas facile, loin de l&amp;agrave;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin: 2pt 0cm 0.0001pt; text-align: left;"&gt;&lt;span style="font-family: 'Bahnschrift', 'sans-serif'; font-size: 14pt;"&gt;Dans le parler presque bas-auvergnat de la bordure est de la Corr&amp;egrave;ze, Ren&amp;eacute;e nous fait revivre fenaisons, moissons, semailles, mais aussi le travail des filles &amp;agrave; la maison, la guerre de 1939-1945, bref les mille et une facettes de son quotidien de l&amp;rsquo;&amp;eacute;poque, avant son installation, apr&amp;egrave;s son mariage, &lt;i style="mso-bidi-font-style: normal;"&gt;ei borg d-a Sent-Spi&amp;egrave;re&lt;/i&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin: 2pt 0cm 0.0001pt; text-align: left;"&gt;&lt;span style="font-family: 'Bahnschrift', 'sans-serif'; font-size: 14pt;"&gt;Elle &amp;eacute;voque aussi &lt;i style="mso-bidi-font-style: normal;"&gt;las pilhas e los pilhar&amp;ograve;ts&lt;/i&gt;, partie que nous avons trait&amp;eacute;e en sujet autonome et sous-titr&amp;eacute;e en fran&amp;ccedil;ais pour la cha&amp;icirc;ne YouTube IEO Lemosin &lt;a href="https://www.youtube.com/watch?v=0jvRP20l9JE"&gt;https://www.youtube.com/watch?v=0jvRP20l9JE&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin: 2pt 0cm 0.0001pt; text-align: left;"&gt;&lt;span style="font-family: 'Bahnschrift', 'sans-serif'; font-size: 14pt;"&gt;Et Ren&amp;eacute;e n&amp;rsquo;&amp;eacute;tant jamais avare de son sourire en embuscade ni de son humour vivifiant, nous terminerons la s&amp;eacute;quence avec une croustillante histoire de batteuse.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin: 2pt 0cm 0.0001pt; text-align: left;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;i style="mso-bidi-font-style: normal;"&gt;&lt;span style="font-family: 'Bahnschrift','sans-serif';"&gt;E d&amp;ograve;ncas grandmerc&amp;egrave;s d-a totas tr&amp;egrave;s&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family: 'Bahnschrift','sans-serif';"&gt; de cette apr&amp;egrave;s-midi bien agr&amp;eacute;able en forme de discussion &amp;agrave; b&amp;acirc;tons rompus, et un peu plus encore &amp;agrave; Ren&amp;eacute;e, pour son chaleureux accueil.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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Générique&#13;

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Regret, par Michel Meilhac&#13;

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Escotatz-me chantar&#13;

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Scottish-valse&#13;

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Lo chastel de Montvielh&#13;

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La vie doit continuer&#13;

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Une information&#13;

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Un jòune pastre&#13;

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Biographie&#13;

00:00:57.000 --&gt; 00:01:49.000
Un cadeau&#13;

00:01:49.000 --&gt; 00:02:25.000
L'armada&#13;

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L'escÃ²la&#13;

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A la maison&#13;

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Una pita proprietat&#13;

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Quante la guerra 'chabet&#13;

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Los ganhons negres&#13;

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Preparar lo ganhon&#13;

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Dins la graissa&#13;

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Lo chambòt&#13;

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Los grilhons&#13;

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Salar lo ganhon&#13;

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Las gògas&#13;

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Portar la grilhada&#13;

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Lo tuar a borra-secha&#13;

00:33:06.000 --&gt; 00:35:41.000
Las endunles&#13;

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'Navam dançar&#13;

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Un 'esferta&#13;

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'Nar dançar au Bòsc de Borsat&#13;

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Lo conselh de revision&#13;

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Parlavem "patoas"&#13;

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Lo "patoas" se vai perdre&#13;

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Los ancians avien la testa&#13;

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En tornar de la fieira&#13;

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Las pitas vielhas &#13;

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'Quò vai tròp viste&#13;

01:14:30.000 --&gt; 01:17:53.000
Lo garç dins la peschiera&#13;

01:17:53.000 --&gt; 01:18:45.000
Chau empeutar !&#13;

01:18:45.000 --&gt; 01:00:20.000
La vielha qu'aviá 'menat sas filhas au bale
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	Valse à  Cadet (PA)&#13;

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	Valse à  Cadet (PA et GP)&#13;

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La Gigue (PA)&#13;

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Mazurka du père de P. Arfeuille (PA)&#13;

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La baigneuse (PA)&#13;

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Réglages de la vielle&#13;

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Polka (PA)&#13;

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Polka (PA)&#13;

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Valse à  Bonnal (GP)&#13;

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Discussion&#13;

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Le rossignolet (YD)&#13;

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Technique et réglages&#13;

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Bonjour belle bergère  (PA et YD)&#13;

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Para lo lop (PA et YD)&#13;

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	Bourrée de la châtaigne (PA et YD)
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande, se trouve une petite &amp;eacute;tiquette sur laquelle il est not&amp;eacute; : &lt;span style="color: #808080;"&gt;&amp;laquo; &amp;Eacute;mission Andr&amp;eacute;, F&amp;eacute;licie, I.B. &amp;raquo;&lt;/span&gt;&lt;br /&gt;Il s'agit de la pr&amp;eacute;paration d'une des &amp;eacute;missions de &amp;laquo; Chez-Nous &amp;raquo; telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Il n'est pas possible de dater cette bande, si ce n'est que l'enregistrement fut effectu&amp;eacute; au d&amp;eacute;but d'un mois de d&amp;eacute;cembre...&lt;/span&gt;&lt;/p&gt;&#13;
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	Valse&#13;

00:00:15.000 --&gt; 00:01:45.000
	Le Limousin&#13;

00:01:45.000 --&gt; 00:02:49.000
Lu maridatge qu'es aquò ?&#13;

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La Marion dau Pueg dau Torn&#13;

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En vacança&#13;

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Los adissiatz&#13;

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Un invité, Pierre Machon&#13;

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L'enterrement de Né torchut&#13;

00:12:58.000 --&gt; 00:13:14.000
La veillée se poursuit&#13;

00:13:14.000 --&gt; 00:14:09.000
La terra es freja&#13;

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&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Apr&amp;egrave;s une lecture introductive d'un texte sur le printemps de Jean Rebier, on y trouve une scottisch-valse jou&amp;eacute;e au violon par &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt;, l'annonce de quelques manifestations religieuses (procession de la Lieue &amp;agrave; Saint-L&amp;eacute;ger-Magnazeix (87), le p&amp;eacute;lerinage de la chapelle Saint-Martin de Genouill&amp;eacute;ras &amp;agrave; Saint-Symphorien-sur-Couze (87), la f&amp;ecirc;te au rocher de Notre-Dame de la Basse-For&amp;ecirc;t &amp;agrave; Cieux &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;(87)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;), un texte de Charles Silvestre sur les processions lu par Andr&amp;eacute; Defaye, et quelques chansons :&lt;span class="oc"&gt; &amp;laquo; &lt;em&gt;Quand lo veirai venir &lt;/em&gt;&amp;raquo;, &amp;laquo; &lt;em&gt;Coneissetz-vos &lt;/em&gt;&amp;raquo;, &amp;laquo; &lt;em&gt;Pastoreleta&lt;/em&gt; &amp;raquo;, etc&lt;/span&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;La bande (probablement r&amp;eacute;utilis&amp;eacute;e) se termine par un court extrait de la fin de la grande &amp;eacute;mission musicale &amp;laquo; Le royaume de la musique &amp;raquo;... Un bonus, sans doute !&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 12pt;"&gt;Le Fonds Robert Dagnas&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:24.000
Générique&#13;

00:00:24.000 --&gt; 00:01:05.000
Le printemps (Jean Rebier)&#13;

00:01:05.000 --&gt; 00:02:22.000
Scottich-Valse&#13;

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Des manifestations religieuses de printemps&#13;

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Texte de Charles Silvestre par André Defaye&#13;

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Quand lo veirai venir&#13;

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Coneissetz-vos la bela que fai mon turment &#13;

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Pastoreleta par le Dr Serre et Alice Auger&#13;

00:13:29.000 --&gt; 00:15:25.000
Mon papa ne veut pas (Michel Meilhac)&#13;

00:15:25.000 --&gt; 00:16:34.000
Conclusion de l'émission&#13;

00:16:34.000 --&gt; 00:17:07.000
Le royaume de la musique&#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur le boitier contenant cette bande (sur lequel on voit des restes d'une &amp;eacute;tiquette avec le logo de l'ORTF, probablement une bande de "Limoges Centre Ouest" r&amp;eacute;utilis&amp;eacute;e par R Dagnas) il est seulement not&amp;eacute; : &lt;span style="color: #808080;"&gt;Chorale, Ir&amp;egrave;ne-Jeanette&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Il s'agit d'une r&amp;eacute;p&amp;eacute;tition de la chorale du groupe folklorique de Saint Junien (87) &amp;laquo; Lous Velhadours de Sen Junio* &amp;raquo;.&lt;br /&gt;&lt;br /&gt;Le sparadrap pr&amp;eacute;cise que nous entendons comme solistes &lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;&lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;Ir&amp;egrave;ne Besson &lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 14pt;"&gt;et &lt;/span&gt;&lt;strong&gt;Jeannette Leconte&lt;/strong&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une r&amp;eacute;p&amp;eacute;tion (dont M. Dagnas dit qu'elle n'est pas fameuse) o&amp;ugrave; l'on peut entendre une suite de chansons : D'o&amp;ugrave; viens-tu berg&amp;egrave;re, &amp;Agrave; vous troupes fid&amp;egrave;les, &lt;em&gt;Passoleta,&lt;/em&gt; &lt;em&gt;Diu era dins sa botica&lt;/em&gt; et &lt;em&gt;Dins 'queu recoenh d'estable&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;* Graphie utilis&amp;eacute;e &amp;agrave; l'&amp;eacute;poque&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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D'où viens tu bergère&#13;

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À vous troupe fidèle&#13;

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Passoleta&#13;

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C'est pas fameux !&#13;

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Diu era dins sa botica&#13;

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Dins 'queu recoenh d'estable&#13;

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Les histoires des grands-parents&#13;

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Les danses &#13;

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Les veillées &#13;

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Pendant la guerre&#13;

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Fabrication des Palhassons&#13;

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Purger la paille de seigle&#13;

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Tresser la paille&#13;

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Coudre la paille&#13;

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Aller chercher les ronces&#13;

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Les paniers&#13;

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La fabrication du pain&#13;

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La sarrazin&#13;

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La pâte&#13;

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L'alimentation du four&#13;

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Savoir si le four était chaud&#13;

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Un tonne de cendres pour aller en Paradis !&#13;

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Le cendrier&#13;

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Garder le pain au râtelier&#13;

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La fabrication des caillades&#13;

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Les châtaignes&#13;

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Reprise de l'enregistrement à l'extérieur&#13;

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Las breges&#13;

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L'ola, la tortriera&#13;

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Le moule à tourtous&#13;

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La lanterne, les outils...&#13;

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Vous aviez des ruches !&#13;

00:47:54.000 --&gt; 00:48:12.000
60 ruches&#13;

00:48:12.000 --&gt; 00:00:00.000
Visite des étables&#13;

00:00:00.000 --&gt; 01:06:04.000

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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span style="font-size: 10pt;"&gt;*acc&amp;egrave;s au texte des chansons sur le site chanson.limousine.net&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Los velhadors&#13;

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Son portrach&#13;

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Los adissiatz&#13;

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Lison réveillée par l'amour&#13;

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Viva la mair Lionarda&#13;

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                <text>00:00:55.000 --&gt; 00:03:05.000
Lo pont de Noual&#13;

00:03:05.000 --&gt; 00:04:09.000
Mésinges&#13;

00:04:09.000 --&gt; 00:05:43.000
Le Chazal&#13;

00:05:43.000 --&gt; 00:10:00.000
Aubazine&#13;

00:10:00.000 --&gt; 00:12:00.000
Benaze, Cidoule&#13;

00:12:00.000 --&gt; 00:18:17.000
La Douige&#13;

00:18:17.000 --&gt; 00:18:54.000
Entre les moulins&#13;

00:18:54.000 --&gt; 00:19:41.000
Les hydronymes ont la vie très dure&#13;

00:19:41.000 --&gt; 00:21:44.000
Les autres ruisseaux&#13;

00:21:44.000 --&gt; 00:23:41.000
La Coutelière, L'aval, La Virolle&#13;

00:23:41.000 --&gt; 00:24:56.000
Le Gour Goutonnier&#13;

00:24:56.000 --&gt; 00:26:09.000
Etang de Ganezande&#13;

00:26:09.000 --&gt; 00:28:19.000
L'appauvrissement des cadastres&#13;

00:28:19.000 --&gt; 00:31:09.000
Le Mounard&#13;

00:31:09.000 --&gt; 00:33:21.000
Le Champ Rodier, Marboeuf, Champ Robin&#13;

00:33:21.000 --&gt; 00:34:05.000
Jan la ròda&#13;

00:34:05.000 --&gt; 00:35:22.000
Le champ Roudier&#13;

00:35:22.000 --&gt; 00:36:20.000
Les Brejades&#13;

00:36:20.000 --&gt; 00:37:35.000
Le Tourondel (1)&#13;

00:37:35.000 --&gt; 00:38:50.000
Trascondre, transir&#13;

00:38:50.000 --&gt; 00:39:54.000
Le Tourondel, (2) suite&#13;

00:39:54.000 --&gt; 00:40:42.000
Cia&#13;

00:40:42.000 --&gt; 00:41:36.000
Le Tourondel (3)&#13;

00:41:36.000 --&gt; 00:42:33.000
Les anthroponymes&#13;

00:42:33.000 --&gt; 00:43:53.000
Lemosin, Maugein&#13;

00:43:53.000 --&gt; 00:46:12.000
Barbazanges&#13;

00:46:12.000 --&gt; 00:47:25.000
Barry&#13;

00:47:25.000 --&gt; 00:50:17.000
Besse, Betoulle&#13;

00:50:17.000 --&gt; 00:53:07.000
Bonnellie&#13;

00:53:07.000 --&gt; 00:53:47.000
Bordes, Bordas&#13;

00:53:47.000 --&gt; 00:54:02.000
Busson, Buisson&#13;

00:54:02.000 --&gt; 00:54:46.000
Bordes (2)&#13;

00:54:46.000 --&gt; 00:55:33.000
Borzeix&#13;

00:55:33.000 --&gt; 00:56:22.000
Bousseyrolles&#13;

00:56:22.000 --&gt; 00:58:21.000
Bouysse&#13;

00:58:21.000 --&gt; 00:59:28.000
Gence, Ginestet&#13;

00:59:28.000 --&gt; 00:59:37.000
Brette&#13;

00:59:37.000 --&gt; 01:00:37.000
Broussolle&#13;

01:00:37.000 --&gt; 01:00:48.000
Broussouloux&#13;

01:00:48.000 --&gt; 01:01:35.000
Buge&#13;

01:01:35.000 --&gt; 01:01:50.000
Busson&#13;

01:01:50.000 --&gt; 01:02:01.000
Chabrerie&#13;

01:02:01.000 --&gt; 01:02:41.000
Chadebec&#13;

01:02:41.000 --&gt; 01:02:50.000
Champeil&#13;

01:02:50.000 --&gt; 01:00:03.000
Chassagne&#13;

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              <text>patois clugnat marchois trasfojau saint-Jean Jalesches</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; Clugnat et &amp;agrave; Jalesches (23)&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit ici de la premi&amp;egrave;re partie de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 8 septembre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de ces communes.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entendra plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes et lors les enterrements.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entendra &amp;eacute;galement les noms des villages de ces communes dans leurs formes linguistiques locales, mais aussi quelques proverbes et autres dires, des r&amp;eacute;flexions sur les diff&amp;eacute;rences entre les &amp;laquo; patois &amp;raquo; ainsi que des souvenirs de l'&amp;eacute;poque o&amp;ugrave; les gens tuaient le porc.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Malheureusement, suite &amp;agrave; un souci technique, la seconde partie de l'enregistrement a &amp;eacute;t&amp;eacute; effac&amp;eacute;e.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Informateurs :&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Pour Clugnat :&lt;strong&gt; Odette Briat&lt;/strong&gt;, M et Mme &lt;strong&gt;Marcel Ferandon&lt;/strong&gt;, &lt;strong&gt;Ren&amp;eacute;e Gesset&lt;/strong&gt;, &lt;strong&gt;Marie Maubert&lt;/strong&gt;,&lt;strong&gt; &amp;Eacute;milienne Nicoulaud&lt;/strong&gt;,&lt;strong&gt; Andr&amp;eacute; Pelletier&lt;/strong&gt;,&lt;strong&gt; Odette Philippon&lt;/strong&gt;, M et Mme &lt;strong&gt;Camille Pradillon, Janine Rapinat, Ren&amp;eacute;e Sangeux&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Pour Jalesches : &lt;strong&gt;Albert Augouvernaire&lt;/strong&gt;, &lt;strong&gt;Jeannine Hesbois&lt;/strong&gt;, &lt;strong&gt;Ren&amp;eacute;e Planche&lt;/strong&gt;, &lt;strong&gt;Marcelle Tabouret&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;span style="font-family: 'Open Sans';"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br style="font-family: 'Open Sans'; background-color: #f3ede2;" /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans';"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>JOUILLAT, ENQUÊTE MUNICIPALE&#13;
PREMIÈRE PARTIE</text>
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Présentation&#13;

00:00:15.000 --&gt; 00:02:03.000
Noms de lieux de Jalesches&#13;

00:02:03.000 --&gt; 00:10:35.000
Noms de lieux de Clugnat&#13;

00:10:35.000 --&gt; 00:14:05.000
Des différentes prononciations&#13;

00:14:05.000 --&gt; 00:15:20.000
Du Berry&#13;

00:15:20.000 --&gt; 00:16:07.000
Vocabulaire&#13;

00:16:07.000 --&gt; 00:18:08.000
Les mêmes patois&#13;

00:18:08.000 --&gt; 00:18:39.000
Chansons&#13;

00:18:39.000 --&gt; 00:20:35.000
Des histoires sur le loup ?&#13;

00:20:35.000 --&gt; 00:22:15.000
Des comptines ?&#13;

00:22:15.000 --&gt; 00:23:27.000
Los gabelons&#13;

00:23:27.000 --&gt; 00:24:36.000
Lo turlututu&#13;

00:24:36.000 --&gt; 00:24:46.000
D'enguera n'es pas jorn&#13;

00:24:46.000 --&gt; 00:25:00.000
Per ben la dançar&#13;

00:25:00.000 --&gt; 00:25:50.000
Per lòs maridatges ?&#13;

00:25:50.000 --&gt; 00:26:15.000
Dins la bateurzas ?&#13;

00:26:15.000 --&gt; 00:29:08.000
Proverbes&#13;

00:29:08.000 --&gt; 00:29:33.000
D'las prieras en patoas ?&#13;

00:29:33.000 --&gt; 00:31:42.000
Le chavan et la chaviche&#13;

00:31:42.000 --&gt; 00:32:34.000
Sorcellerie&#13;

00:32:34.000 --&gt; 00:34:36.000
Las fònts&#13;

00:34:36.000 --&gt; 00:35:14.000
Les processions&#13;

00:35:14.000 --&gt; 00:38:06.000
Pour les morts&#13;

00:38:06.000 --&gt; 00:39:22.000
La bête farabine, la bèstia dau potz&#13;

00:39:22.000 --&gt; 00:44:30.000
Le premier d'l'an&#13;

00:44:30.000 --&gt; 00:44:52.000
Le jour des rois&#13;

00:44:52.000 --&gt; 00:49:39.000
La chandelor&#13;

00:49:39.000 --&gt; 00:50:25.000
Le 2 juillet&#13;

00:50:25.000 --&gt; 00:54:42.000
Carnaval&#13;

00:54:42.000 --&gt; 00:57:17.000
La sopa per Carnaval&#13;

00:57:17.000 --&gt; 00:59:06.000
L'huile de caques&#13;

00:59:06.000 --&gt; 01:04:07.000
Le jour des rameaux&#13;

01:04:07.000 --&gt; 01:06:14.000
La semaine sainte&#13;

01:06:14.000 --&gt; 01:07:47.000
Un que trabalhave lo Jeudí Sent&#13;

01:07:47.000 --&gt; 01:08:13.000
La bujade&#13;

01:08:13.000 --&gt; 01:09:12.000
Pâques&#13;

01:09:12.000 --&gt; 01:10:00.000
La corvade de fagòts&#13;

01:10:00.000 --&gt; 01:13:23.000
Tuar lo pòrc&#13;

01:13:23.000 --&gt; 01:14:34.000
Dins lòs bodins&#13;

01:14:34.000 --&gt; 01:15:37.000
Vocabulaire&#13;

01:15:37.000 --&gt; 01:16:15.000
L'Ascension&#13;

01:16:15.000 --&gt; 01:17:31.000
Ne pas semnar lòs pois&#13;

01:17:31.000 --&gt; 01:18:05.000
La Pendagosta&#13;

01:18:05.000 --&gt; 01:19:20.000
Lo tresfojau, feuc d'la Sent-Jan&#13;

01:19:20.000 --&gt; 01:21:02.000
Lançar lo tison per far possar las rabes&#13;

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                <text>00:00:00.000 --&gt; 00:02:02.000
Fin de l'émission précédente&#13;

00:02:02.000 --&gt; 00:03:14.000
Générique&#13;

00:03:14.000 --&gt; 00:03:52.000
'Chaba de venir&#13;

00:03:52.000 --&gt; 00:05:52.000
Te volia parlar de la borreia&#13;

00:05:52.000 --&gt; 00:07:18.000
La borreia e las autras&#13;

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Si perdiam la borreia&#13;

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Malaisat a explicar&#13;

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De Grecia&#13;

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Vielha coma los chamins&#13;

00:11:31.000 --&gt; 00:12:38.000
Roger Blanchard&#13;

00:12:38.000 --&gt; 00:14:33.000
Huguette Cochinal&#13;

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Bertrand de Born&#13;

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'Na musica d'Armenia&#13;

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Lo mot "borreia"&#13;

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Pas avant 1643&#13;

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Lo ritme dau cuer&#13;

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De pertot &#13;

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De Persa&#13;

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La borreia d'auei&#13;

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Lo pitit òme&#13;

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Mas quauquas paraulas&#13;

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Dau Perou&#13;

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Los pas&#13;

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Reglamentar la dansa&#13;

00:28:01.000 --&gt; 00:31:16.000
E pertant&#13;

00:31:16.000 --&gt; 00:00:00.000
Générique&#13;

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Lu pari mancat&#13;

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Lu Tonkin de la Rosalí &#13;

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Las chastanhas blanchidas&#13;

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Un rainard e l'escuròu&#13;

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Cosina : aprestar las favas&#13;

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Quauquas devinetas&#13;

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Las piuses de la bargiera&#13;

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Lu demêloire&#13;

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La mion e la Catí&#13;

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Totas doas&#13;

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Un grand panier sur sa testa, se 'nava la Marion&#13;

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Un berger ???&#13;

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Duerm mon pitit&#13;

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Tòst nuech&#13;

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Me fau gardar dins la pradela, tots los matins mon blanc tropeu &#13;

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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
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                  <text>doc: enquetes</text>
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          <name>Interviewer</name>
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              <text>Jean-François Vignaud</text>
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              <text>Henri Ageorges &#13;
</text>
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              <text>Eliane Chapaut </text>
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              <text>Marc Guillon</text>
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              <text>Maurice Juillet</text>
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              <text>Didier Marie</text>
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            <elementText elementTextId="372848">
              <text>Marguerite Martin </text>
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            <elementText elementTextId="372849">
              <text>Germaine et René Martin </text>
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            <elementText elementTextId="372850">
              <text>Armand Rapinat </text>
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            <elementText elementTextId="372851">
              <text>Odette Rimour</text>
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              <text>Fabien Virmont</text>
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          <name>Original Format</name>
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              <text>bande audio</text>
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          <name>Duration</name>
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              <text>4831</text>
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          <name>Mot-clé en liste</name>
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            <elementText elementTextId="372855">
              <text>Roches Chatelet Minauda Minaude proverbes nadau Chas nos n'aviam un asne Sainte Nugier garit Le despart daus maçons Los ramiauds</text>
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          <name>Participants</name>
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              <text>Henri Ageorges </text>
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              <text>Eliane Chapaut </text>
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              <text>Marc Guillon</text>
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              <text>Fabien Virmont</text>
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              <text>Maurice Juillet</text>
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            <elementText elementTextId="372861">
              <text>Didier Marie </text>
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            <elementText elementTextId="372862">
              <text>Marguerite Martin </text>
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            <elementText elementTextId="372863">
              <text>Germaine et René Martin </text>
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            <elementText elementTextId="372864">
              <text>Armand Rapinat</text>
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            <elementText elementTextId="372865">
              <text>Odette Rimour</text>
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              <text>Jean-François Vignaud</text>
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          <name>Local URL</name>
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            <elementText elementTextId="372867">
              <text>https://la-biaca.org/items/show/13388</text>
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            <name>Creator</name>
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                <text>Jean-François Vignaud</text>
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            <name>Date</name>
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              <elementText elementTextId="372826">
                <text>2004-07</text>
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            <name>Date Issued</name>
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              <elementText elementTextId="372827">
                <text>2021-06-12</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;span style="font-size: 18.6667px;"&gt;Enqu&amp;ecirc;te &amp;agrave; Roches (23)&amp;nbsp;&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 27 juillet 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaire de cette commune.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;On y entendra plusieurs enfants du pays parler des traditions (&lt;em&gt;far bruslar le bois de Nadau&lt;/em&gt;, &lt;em&gt;La peira richa f&amp;ograve;la&lt;/em&gt;,&amp;nbsp;&lt;em&gt;la sopa dau pair No&amp;euml;l&lt;/em&gt;, &amp;hellip;),&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;de souvenirs d'autrefois&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;(&lt;/span&gt;&lt;em style="font-size: 18.6667px;"&gt;Le despart daus ma&amp;ccedil;&amp;ograve;ns&lt;/em&gt;&lt;span style="font-size: 18.6667px;"&gt;, ...)&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;m&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;ais aussi&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;quelques r&amp;eacute;flexions sur le monde moderne (&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;em&gt;Tot es perdut&lt;/em&gt;,&amp;nbsp;&lt;em&gt;Le pair Francis&lt;/em&gt;, ...).&lt;br /&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;On y entendra &amp;eacute;galement quelques proverbes, comptines&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;(&lt;em&gt;Chate la Minaude&lt;/em&gt;,&amp;nbsp;&lt;/span&gt;&lt;em style="font-size: 18.6667px;"&gt;Garit bin garit, Los auchons dau mes d'aust&lt;/em&gt;)&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;et autres histoires dr&amp;ocirc;les (&lt;em&gt;N'istoara de curet&lt;/em&gt;,&amp;nbsp;&lt;em&gt;Far sa d'mande, La cueta de Pieret&lt;/em&gt;),&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;ainsi qu'un tr&amp;egrave;s joli texte intitul&amp;eacute; "&lt;em&gt;Patoiseries et barlodages, armontrances e bons usages&lt;/em&gt;", &amp;eacute;crit et cont&amp;eacute; par un des participants.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Informateurs :&amp;nbsp;&lt;/span&gt;&lt;strong style="font-size: 18.6667px;"&gt;Henri Ageorges&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;strong style="font-size: 18.6667px;"&gt;Eliane Chapaut&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;strong style="font-size: 18.6667px;"&gt;Marc Guillon&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;strong style="font-size: 18.6667px;"&gt;Maurice Juillet&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;strong style="font-size: 18.6667px;"&gt;Didier Marie&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;strong style="font-size: 18.6667px;"&gt;Marguerite Martin&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;strong style="font-size: 18.6667px;"&gt;Germaine&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;et&amp;nbsp;&lt;/span&gt;&lt;strong style="font-size: 18.6667px;"&gt;Ren&amp;eacute; Martin&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;strong style="font-size: 18.6667px;"&gt;Armand Rapinat&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;strong style="font-size: 18.6667px;"&gt;Odette Rimour&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;,&amp;nbsp;&lt;/span&gt;&lt;b style="font-size: 18.6667px;"&gt;Fabien Virmont&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans'; font-size: 18.6667px;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;/div&gt;&#13;
&lt;div&gt;&lt;/div&gt;</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="372829">
                <text>IEO Lemosin</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="372830">
                <text>4831</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="372831">
                <text>audio/mpeg</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="372832">
                <text>https://la-biaca.org/items/show/13388</text>
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          <element elementId="82">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="372833">
                <text>CC-BY-NC-ND</text>
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          <element elementId="91">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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              <elementText elementTextId="372834">
                <text>Ieo lemosin</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="372835">
                <text>Creuse (23)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="372836">
                <text>Enquête</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>enregistrement audio</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Enquête à Roches</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="376661">
                <text>IEO 327</text>
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          <element elementId="53">
            <name>Table Of Contents</name>
            <description>A list of subunits of the resource.</description>
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              <elementText elementTextId="1292077">
                <text>00:00:00.000 --&gt; 00:00:35.000
Présentation&#13;

00:00:35.000 --&gt; 00:01:58.000
Ches nos n'aviam un asne&#13;

00:01:58.000 --&gt; 00:03:21.000
D'enguera n'es pas jorn&#13;

00:03:21.000 --&gt; 00:05:44.000
L'agraula e le renard&#13;

00:05:44.000 --&gt; 00:07:41.000
Écrire à la retraite&#13;

00:07:41.000 --&gt; 00:13:38.000
Patoiseries et barlodages, armontrances e bons usages&#13;

00:13:38.000 --&gt; 00:17:54.000
De l'istoaras de lops&#13;

00:17:54.000 --&gt; 00:18:55.000
Per far paur aus petits&#13;

00:18:55.000 --&gt; 00:19:41.000
Chate la minaude&#13;

00:19:41.000 --&gt; 00:20:21.000
P'tit det&#13;

00:20:21.000 --&gt; 00:20:38.000
La vache&#13;

00:20:38.000 --&gt; 00:20:58.000
La lebre&#13;

00:20:58.000 --&gt; 00:21:55.000
Chate la minaude - bis&#13;

00:21:55.000 --&gt; 00:23:46.000
La chanson de la mariée&#13;

00:23:46.000 --&gt; 00:25:25.000
N'istoara de curet&#13;

00:25:25.000 --&gt; 00:27:01.000
Les différences entre les patois&#13;

00:27:01.000 --&gt; 00:28:29.000
Far sa d'mande&#13;

00:28:29.000 --&gt; 00:32:56.000
Les différences entre les patois - suite&#13;

00:32:56.000 --&gt; 00:33:25.000
Sainte Anne&#13;

00:33:25.000 --&gt; 00:35:00.000
Sainte Nugier&#13;

00:35:00.000 --&gt; 00:35:42.000
Garit bin garit&#13;

00:35:42.000 --&gt; 00:36:39.000
Proverbes&#13;

00:36:39.000 --&gt; 00:39:43.000
Far bruslar le nadau per Noël&#13;

00:39:43.000 --&gt; 00:40:53.000
Le jour de l'an&#13;

00:40:53.000 --&gt; 00:43:39.000
La sopa dau pair Noël&#13;

00:43:39.000 --&gt; 00:46:30.000
Lòs tortiaus&#13;

00:46:30.000 --&gt; 00:49:58.000
La cultura dau malh e de la cherbe&#13;

00:49:58.000 --&gt; 00:50:36.000
Le jorn daus rois&#13;

00:50:36.000 --&gt; 00:52:40.000
La chandeleur&#13;

00:52:40.000 --&gt; 00:54:43.000
Carnaval&#13;

00:54:43.000 --&gt; 00:56:18.000
'Massar lòs ueus&#13;

00:56:18.000 --&gt; 00:57:22.000
Lòs gastiaus de Carnaval&#13;

00:57:22.000 --&gt; 01:02:13.000
Le despart daus maçòns&#13;

01:02:13.000 --&gt; 01:04:20.000
Lòs ramiaus&#13;

01:04:20.000 --&gt; 01:07:05.000
La setmana senta&#13;

01:07:05.000 --&gt; 01:08:28.000
Tot es perdut ...&#13;

01:08:28.000 --&gt; 01:11:33.000
Le pair Francis &#13;

01:11:33.000 --&gt; 01:12:00.000
Proverbes&#13;

01:12:00.000 --&gt; 01:12:33.000
Le jorn de Pasques&#13;

01:12:33.000 --&gt; 01:14:47.000
La corvée de fagots&#13;

01:14:47.000 --&gt; 01:16:13.000
L'Ascension o la "Senta Ajaça"&#13;

01:16:13.000 --&gt; 01:16:30.000
Pendagosta&#13;

01:16:30.000 --&gt; 01:19:19.000
La fête à Roches&#13;

01:19:19.000 --&gt; 01:20:32.000
De las dances&#13;

01:20:32.000 --&gt; 01:21:15.000
La borréia auvernhata&#13;

01:21:15.000 --&gt; 01:21:44.000
La bourrée berrichone&#13;

01:21:44.000 --&gt; 01:22:19.000
Lo pelelé&#13;

01:22:19.000 --&gt; 01:22:32.000
La chieba&#13;

01:22:32.000 --&gt; 01:23:09.000
La chieba d'ma mair&#13;

01:23:09.000 --&gt; 01:24:15.000
Una istoara de moutòn&#13;

01:24:15.000 --&gt; 01:24:41.000
Lo branle&#13;

01:24:41.000 --&gt; 01:25:56.000
Lòs instruments&#13;

01:25:56.000 --&gt; 01:26:19.000
Lo peisson aima l'aiga&#13;

01:26:19.000 --&gt; 01:26:38.000
Histoire de batterie&#13;

01:26:38.000 --&gt; 01:27:25.000
Las vielas&#13;

01:27:25.000 --&gt; 01:28:40.000
Des violons et de la musette&#13;

01:28:40.000 --&gt; 01:30:09.000
L'feuc de Sent Jan&#13;

01:30:09.000 --&gt; 01:30:42.000
'Massar la fleur de seuc&#13;

01:30:42.000 --&gt; 01:31:19.000
Las plantas medicinalas&#13;

01:31:19.000 --&gt; 01:32:03.000
Lo 15 dau moes d'aust&#13;

01:32:03.000 --&gt; 01:32:53.000
Lòs auchons daus moes d'aust&#13;

01:32:53.000 --&gt; 01:35:40.000
La procession de la Saint Anne&#13;

01:35:40.000 --&gt; 01:36:39.000
Lo lundí d'Pasques&#13;

01:36:39.000 --&gt; 01:37:41.000
Saint Anne - suite&#13;

01:37:41.000 --&gt; 01:43:53.000
Sent Antoane e sòn gorret&#13;

01:43:53.000 --&gt; 01:47:51.000
La bénédiction de l'évêque&#13;

01:47:51.000 --&gt; 01:50:00.000
Vocabulaire - Les animaux&#13;

01:50:00.000 --&gt; 01:51:12.000
Istoara de bargiera&#13;

01:51:12.000 --&gt; 01:52:08.000
Vocabulaire - Suite&#13;

01:52:08.000 --&gt; 01:53:29.000
Le chant des oiseaux &#13;

01:53:29.000 --&gt; 01:54:21.000
Le même patois&#13;

01:54:21.000 --&gt; 01:57:39.000
Le chant des oiseaux - suite&#13;

01:57:39.000 --&gt; 01:58:18.000
Compter en patois&#13;

01:58:18.000 --&gt; 02:01:47.000
Noms de lieux&#13;

02:01:47.000 --&gt; 02:04:29.000
De las chastanhas&#13;

02:04:29.000 --&gt; 02:05:44.000
Le vétérinaire&#13;

02:05:44.000 --&gt; 02:06:25.000
Le cite&#13;

02:06:25.000 --&gt; 02:09:05.000
La cuete de Pieret&#13;

02:09:05.000 --&gt; 02:09:27.000
Si n'aviam ... &#13;

02:09:27.000 --&gt; 02:09:46.000
Lòs moes&#13;

02:09:46.000 --&gt; 02:10:26.000
Proverbes - suites&#13;

02:10:26.000 --&gt; 02:18:12.000
Discussion autour des patois&#13;

02:18:12.000 --&gt; 02:22:14.000
La peire richa fòla&#13;

02:22:14.000 --&gt; 02:24:25.000
La chapelle à vendre&#13;

02:24:25.000 --&gt; 01:20:31.000
Fin de la discussion&#13;

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Chabrignac - 19</text>
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Presentacion&#13;

00:01:11.000 --&gt; 00:01:40.000
Se'n anar au regiment&#13;

00:01:40.000 --&gt; 00:04:00.000
Far un mestier&#13;

00:04:00.000 --&gt; 00:05:02.000
Mon pair sabia tot far&#13;

00:05:02.000 --&gt; 00:05:54.000
Partiguet a Larcha&#13;

00:05:54.000 --&gt; 00:06:54.000
Daus bessons&#13;

00:06:54.000 --&gt; 00:07:48.000
L'usina de ròtin&#13;

00:07:48.000 --&gt; 00:08:34.000
Rentrar dins l'usina&#13;

00:08:34.000 --&gt; 00:09:32.000
'Nar aus esgots&#13;

00:09:32.000 --&gt; 00:10:56.000
Chas Gervaise&#13;

00:10:56.000 --&gt; 00:11:26.000
Rentrar cantonnier&#13;

00:11:26.000 --&gt; 00:13:18.000
Far las fòssas&#13;

00:13:18.000 --&gt; 00:14:12.000
Lo trabalh de cantonier&#13;

00:14:12.000 --&gt; 00:19:40.000
Lo dalh&#13;

00:19:40.000 --&gt; 00:20:51.000
Son pus uros aura&#13;

00:20:51.000 --&gt; 00:21:55.000
Mos goiats venian m'aidar&#13;

00:21:55.000 --&gt; 00:24:30.000
Tirar lo fuòc&#13;

00:24:30.000 --&gt; 00:24:50.000
Un don que demòra dins la familha&#13;

00:24:50.000 --&gt; 00:27:10.000
Tirar lo grand mau, los marfondaments&#13;

00:27:10.000 --&gt; 00:27:32.000
Los prumiers velòs&#13;

00:27:32.000 --&gt; 00:28:31.000
Chalia pas dire merci !&#13;

00:28:31.000 --&gt; 00:30:01.000
Un era a dau costat de Sent-Mesmin&#13;

00:30:01.000 --&gt; 00:33:14.000
Lo fasia a distança&#13;

00:33:14.000 --&gt; 00:33:43.000
Per las bestias ?&#13;

00:33:43.000 --&gt; 00:36:14.000
S'esboronar &#13;

00:36:14.000 --&gt; 00:37:48.000
Los medecins&#13;

00:37:48.000 --&gt; 00:38:42.000
En tornar de la Sent-Mesmin (Julhac) &#13;

00:38:42.000 --&gt; 00:39:15.000
Un rude merchat de volalha a Julhac&#13;

00:39:15.000 --&gt; 00:39:28.000
Parlar patois&#13;

00:39:28.000 --&gt; 00:41:09.000
Ma femna, la familha&#13;

00:41:09.000 --&gt; 00:44:54.000
Aprener lo frances a l'escòla&#13;

00:44:54.000 --&gt; 00:46:33.000
Lo patòis de Larcha&#13;

00:46:33.000 --&gt; 00:50:18.000
De las plantas per soanhar&#13;

00:50:18.000 --&gt; 00:53:06.000
Lo mau de dents&#13;

00:53:06.000 --&gt; 00:55:16.000
Eram  pas croiants&#13;

00:55:16.000 --&gt; 00:56:18.000
Tornar a Eschabrinhac&#13;

00:56:18.000 --&gt; 00:56:48.000
Los mestiers&#13;

00:56:48.000 --&gt; 00:57:46.000
L'usina a ròtin&#13;

00:57:46.000 --&gt; 00:58:01.000
N'avetz vòstre fais ?&#13;

00:58:01.000 --&gt; 00:58:20.000
Daus proverbes&#13;

00:58:20.000 --&gt; 00:59:41.000
La socaboca ?&#13;

00:59:41.000 --&gt; 01:00:38.000
De las croianças ?&#13;

01:00:38.000 --&gt; 01:01:03.000
Far benesir las bestias&#13;

01:01:03.000 --&gt; 01:02:34.000
Los qu'eran mau-jauvents&#13;

01:02:34.000 --&gt; 01:02:50.000
Nos vam plantar ?&#13;

01:02:50.000 --&gt; 01:04:57.000
Laborar emb las vachas&#13;

01:04:57.000 --&gt; 01:07:17.000
Lo vin, la vinha&#13;

01:07:17.000 --&gt; 01:09:27.000
Los vieus plants&#13;

01:09:27.000 --&gt; 01:10:48.000
Lo pressoir&#13;

01:10:48.000 --&gt; 01:12:21.000
Foire la vinha&#13;

01:12:21.000 --&gt; 00:00:01.000
Las vendenhas&#13;

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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par M. Georges Prudent.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'un enregistrement non dat&amp;eacute; (d&amp;eacute;but des ann&amp;eacute;es 1990)&amp;nbsp; et dans lequel on peut entendre M. &lt;strong&gt;Ren&amp;eacute; Thomas&lt;/strong&gt;, joueur de vielle &amp;agrave; roue et de cabrette domicili&amp;eacute; &lt;/span&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;au bourg de Beissat (Creuse).&lt;br /&gt;&lt;br /&gt;Dans la premi&amp;egrave;re partie de cet enregistrement M. Thomas joue de la vielle &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;: &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;La ch&amp;egrave;vre, Le pas du loup, L'a&amp;eacute;roplane et gar&amp;ccedil;ons de la montanha.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite il joue &amp;agrave; la cabrette Mignonne, La Marche de Chavenon, Belle si nous partons, L'aiga de r&amp;ograve;cha (avec d'autres musiciens) et une marche.&lt;br /&gt;&lt;br /&gt;Le p&amp;egrave;re de Ren&amp;eacute; Thomas, Eug&amp;egrave;ne, fut un&amp;nbsp; musicien bien connu, ils jou&amp;egrave;rent longtemps ensemble. Voir ci-dessous&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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Marche&#13;

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Début&#13;

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Le petit chasseur de Rennes&#13;

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Commentaires&#13;

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Le petit chasseur de Rennes - Suite&#13;

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La fille d'un fermier&#13;

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Autre version&#13;

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Des berceuses&#13;

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Dors, dors&#13;

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Commentaires sur les paroles&#13;

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La fille du roi enfermée dans la tour&#13;

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Pas la même chanson&#13;

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La fille du roi enfermée dans la tour - Suite&#13;

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Discussion à propos des chanteurs&#13;

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Les filles de Champagnac&#13;

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Le charme des corréziens&#13;

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À ta porte&#13;

00:20:14.000 --&gt; 00:21:14.000
Le père Verdier et le père Larue&#13;

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L'africaine&#13;

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La capote grise&#13;

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Verdier et les chants militaires&#13;

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On ne chante plus rien, aujourd'hui&#13;

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Adieu chère Louison&#13;

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On chantait ça en allant à l'école&#13;

00:34:53.000 --&gt; 00:35:21.000
Resvelhaz-vos pastoraus&#13;

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'Nar querre los ueus&#13;

00:36:21.000 --&gt; 00:40:09.000
Ceux sont les messieurs de La-Tour&#13;

00:40:09.000 --&gt; 00:41:30.000
Des sujets des chansons&#13;

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Le forgeron de la paix&#13;

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On est en démocratie&#13;

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Il y en a pour tout le monde&#13;

00:45:31.000 --&gt; 00:49:20.000
Ils ont les mains blanches&#13;

00:49:20.000 --&gt; 00:49:40.000
Nous leur dirons&#13;

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              <text>Jean-François Vignaud</text>
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              <text>Georges Auclair</text>
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              <text>https://la-biaca.org/items/show/13402</text>
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                <text>&lt;span style="font-size: 18.6667px;"&gt;Enqu&amp;ecirc;te &amp;agrave; Champsanglard (23)&amp;nbsp;&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Il s&amp;rsquo;agit ici de la premi&amp;egrave;re partie de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 21 octobre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaire de cette commune.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;On y entendra plusieurs enfants du pays parler de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;Los ramels&lt;/em&gt;, &lt;em&gt;Le tresfojau de Sent Jan&lt;/em&gt;, &amp;hellip;), de ce qu&amp;rsquo;on mangeait (&lt;em&gt;De las chastinhas&lt;/em&gt;, &lt;em&gt;La boleta&lt;/em&gt;, &lt;em&gt;Tuar e cosinar lo p&amp;ograve;rc&lt;/em&gt;, ...) mais aussi quelques souvenirs &amp;agrave; propos des ma&amp;ccedil;ons creusois (&lt;em&gt;Quand los ma&amp;ccedil;ons 'navan a Paris&lt;/em&gt;, V&lt;em&gt;os ne'n atz coneissut daus ma&amp;ccedil;ons ?&lt;/em&gt;).&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;On y entendra &amp;eacute;galement plusieurs proverbes (&lt;em&gt;Quand qu&amp;ograve; vai pleure&lt;/em&gt;, &lt;em&gt;La lonjor daus jorns&lt;/em&gt;,&lt;em&gt;&amp;nbsp;Lo vent d'la messa&lt;/em&gt;) et autres mani&amp;egrave;res d&amp;rsquo;appeler les b&amp;ecirc;tes (&lt;em&gt;Los noms de las vachas&lt;/em&gt;, &lt;em&gt;Far venir los gorrets&lt;/em&gt;,&lt;em&gt; 'Pelar la volalha&lt;/em&gt;, ...), ainsi qu'une r&amp;eacute;flexion sur l&amp;rsquo;alphab&amp;eacute;tisation de la Creuse (De l'alphab&amp;eacute;tisation de la Creuse, Dans le Bas-Berry, Et &amp;agrave; Gu&amp;eacute;ret...)&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Informateurs : &lt;strong&gt;Georges Auclair&lt;/strong&gt;, &lt;strong&gt;Gaston&lt;/strong&gt; et &lt;strong&gt;Th&amp;eacute;r&amp;egrave;se Deschamps&lt;/strong&gt;, &lt;strong&gt;Maurice Renon&lt;/strong&gt;,&lt;strong&gt; Madeleine Rivallier&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: 'Open Sans';"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br style="font-family: 'Open Sans'; background-color: #f3ede2;" /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans';"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Ieo lemosin</text>
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                <text>Creuse (23)</text>
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                <text>00:00:00.000 --&gt; 00:00:30.000
Los endreits que quò causa lo mesma patoas&#13;

00:00:30.000 --&gt; 00:09:23.000
Vocabulaire et différences&#13;

00:09:23.000 --&gt; 00:14:25.000
Noms des villages de la commune&#13;

00:14:25.000 --&gt; 00:15:14.000
Un se rapela pus de las istoaras&#13;

00:15:14.000 --&gt; 00:15:32.000
Ven 'dònc aquí&#13;

00:15:32.000 --&gt; 00:16:50.000
Daus lops&#13;

00:16:50.000 --&gt; 00:17:30.000
La bèstia farrabina ?&#13;

00:17:30.000 --&gt; 00:18:23.000
De las istoras d'chaça&#13;

00:18:23.000 --&gt; 00:19:26.000
Las istoaras de Jarnaja&#13;

00:19:26.000 --&gt; 00:20:32.000
De las istoaras sur los maçons&#13;

00:20:32.000 --&gt; 00:21:10.000
Quand los maçons 'navan a Paris&#13;

00:21:10.000 --&gt; 00:23:27.000
Vos ne'n atz coneissut daus maçons ?&#13;

00:23:27.000 --&gt; 00:25:42.000
De las comptinas ?&#13;

00:25:42.000 --&gt; 00:26:42.000
La sorcière de la font&#13;

00:26:42.000 --&gt; 00:28:10.000
De la perieras ?&#13;

00:28:10.000 --&gt; 00:29:55.000
Quand quò vai pluere&#13;

00:29:55.000 --&gt; 00:32:25.000
De las chançons ?&#13;

00:32:25.000 --&gt; 00:34:27.000
De l'alphabétisation de la Creuse&#13;

00:34:27.000 --&gt; 00:36:03.000
Dans le Bas-Berry&#13;

00:36:03.000 --&gt; 00:38:17.000
Et à Guéret&#13;

00:38:17.000 --&gt; 00:39:14.000
Lo chant dau rossinhòl&#13;

00:39:14.000 --&gt; 00:40:15.000
Coma 'pelar las vachas ?&#13;

00:40:15.000 --&gt; 00:42:26.000
Los noms de las vachas&#13;

00:42:26.000 --&gt; 00:44:05.000
'Pelar las oelhas&#13;

00:44:05.000 --&gt; 00:45:23.000
Far venir los gorrets&#13;

00:45:23.000 --&gt; 00:46:09.000
'Pelar la volalha&#13;

00:46:09.000 --&gt; 00:46:51.000
Per far partir las bèstias&#13;

00:46:51.000 --&gt; 00:49:33.000
Lo premier de l'an&#13;

00:49:33.000 --&gt; 00:50:21.000
La lonjor daus jorns&#13;

00:50:21.000 --&gt; 00:50:53.000
Los roeis&#13;

00:50:53.000 --&gt; 00:53:33.000
La Candeleur e los tortels&#13;

00:53:33.000 --&gt; 00:55:07.000
Un pauc de vocabulari&#13;

00:55:07.000 --&gt; 00:57:11.000
Lo jorn de la Sent Ròch&#13;

00:57:11.000 --&gt; 01:01:56.000
Carnaval&#13;

01:01:56.000 --&gt; 01:04:13.000
La boleta&#13;

01:04:13.000 --&gt; 01:06:21.000
Tuar e cosinar lo pòrc&#13;

01:06:21.000 --&gt; 01:08:52.000
Los bodins&#13;

01:08:52.000 --&gt; 01:09:47.000
Qué qu'se balhava aus vesins ?&#13;

01:09:47.000 --&gt; 01:11:28.000
Los ramels&#13;

01:11:28.000 --&gt; 01:12:43.000
Lo vent d'la messa&#13;

01:12:43.000 --&gt; 01:13:57.000
Vocabulaire&#13;

01:13:57.000 --&gt; 01:14:44.000
La setmana senta&#13;

01:14:44.000 --&gt; 01:15:48.000
Biber un oeuf &#13;

01:15:48.000 --&gt; 01:16:54.000
Ne pas far la bujada&#13;

01:16:54.000 --&gt; 01:17:26.000
Lo jorn d'Pasques&#13;

01:17:26.000 --&gt; 01:18:34.000
Lo lundí d'Pasques&#13;

01:18:34.000 --&gt; 01:19:41.000
Fau pas se maridar au mois d'Mai&#13;

01:19:41.000 --&gt; 01:20:56.000
Cherchar los nius per l'Assencion&#13;

01:20:56.000 --&gt; 01:22:00.000
La sopa a l'agraula&#13;

01:22:00.000 --&gt; 01:24:11.000
Le tresfojau de Sent Jan&#13;

01:24:11.000 --&gt; 01:25:34.000
Lo tison de Sent Jan&#13;

01:25:34.000 --&gt; 01:26:24.000
Le bal de la Saint Blaise&#13;

01:26:24.000 --&gt; 01:27:25.000
Danças e instruments&#13;

01:27:25.000 --&gt; 01:28:45.000
La fête du mois de septembre&#13;

01:28:45.000 --&gt; 01:29:57.000
Sent Ròch e la festa a Jòlhac&#13;

01:29:57.000 --&gt; 01:30:50.000
Coservar los ueus&#13;

01:30:50.000 --&gt; 01:31:08.000
Per Tots-Sents&#13;

01:31:08.000 --&gt; 01:33:26.000
Quand i aviá un mòrt&#13;

01:33:26.000 --&gt; 01:33:52.000
Le bòle dau defunt&#13;

01:33:52.000 --&gt; 01:36:25.000
De las chastinhas&#13;

01:36:25.000 --&gt; 01:38:35.000
De 'na probabla procession per la Sent Martin&#13;

01:38:35.000 --&gt; 01:40:08.000
Noèl&#13;

01:40:08.000 --&gt; 01:41:40.000
Compter jusqu'à 20&#13;

01:41:40.000 --&gt; 01:42:21.000
Les jours de la semaine&#13;

01:42:21.000 --&gt; 01:43:17.000
Les mois de l'année&#13;

01:43:17.000 --&gt; 01:43:41.000
Vocabulaire&#13;

01:43:41.000 --&gt; 01:46:11.000
Photo&#13;

01:46:11.000 --&gt; 01:48:33.000
Jouillat et Maurice Pissaloux&#13;

01:48:33.000 --&gt; 01:50:00.000
Remerciements&#13;

01:50:00.000 --&gt; 01:50:27.000
Le béret de côté&#13;

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Generique de l'émission&#13;

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Las monjetas blanchas&#13;

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Lo rainard dins los contes&#13;

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En passar la plancheta&#13;

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Daus contes&#13;

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Dau rainard e dau lop dins los contes&#13;

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Daus autres personatges&#13;

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La chabra bura&#13;

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Instrumental&#13;

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 La trueia e sos gorrets&#13;

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Instrumental&#13;

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Lo lop e lo rainard (tots solets)&#13;

00:28:07.000 --&gt; 00:28:24.000
Lo prupchan còp&#13;

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Générique de fin&#13;

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Suite de bourrée&#13;

00:02:44.000 --&gt; 00:04:06.000
Bourrée&#13;

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Présentation&#13;

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Pourquoi avez vous créé le Gerbassou&#13;

00:05:06.000 --&gt; 00:06:24.000
Maître Farnier&#13;

00:06:24.000 --&gt; 00:06:49.000
Une aide autour de vous ? &#13;

00:06:49.000 --&gt; 00:07:13.000
Les grands moments&#13;

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Vos projets&#13;

00:07:25.000 --&gt; 00:07:43.000
Bonne chance auxGerbassou&#13;

00:07:43.000 --&gt; 00:08:09.000
M. Mazataud&#13;

00:08:09.000 --&gt; 00:08:45.000
1 sou la danse, 2 pour le quadrille &#13;

00:08:45.000 --&gt; 00:09:33.000
Faire payer les récalcitrants&#13;

00:09:33.000 --&gt; 00:11:27.000
Jouer pour les mariages&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te sur Ch&amp;eacute;niers (23) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 19 octobre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;On y entendra plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;Lo matin dau premier d'l'an&lt;/em&gt;, &lt;em&gt;La setmane sente&lt;/em&gt;, ...) ainsi que ce qui s'y mangeait (&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;Tuar une volalhe e sanguete per Carnaval&lt;/em&gt;, &lt;em&gt;La Chandeleur&lt;/em&gt;, &lt;em&gt;La molete&lt;/em&gt;, &lt;em&gt;Tots-Sents e las chastanhes&lt;/em&gt;, ...).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;On y entendra &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales, mais aussi quelques histoires dr&amp;ocirc;les (&lt;em&gt;Las istoaras de Cautisson&lt;/em&gt;, &lt;em&gt;Istoaras de meschant temps&lt;/em&gt;, &lt;em&gt;N'istoara de sanglier&lt;/em&gt;, ...), chansons (&lt;em&gt;Si t'eras vendut&lt;/em&gt;, &lt;em&gt;La chiebre bure&lt;/em&gt;) et autres dires sur les b&amp;ecirc;tes (&lt;em&gt;De las istoaras d'animaus&lt;/em&gt;, &lt;em&gt;Quand le cocot chanta&lt;/em&gt;, &lt;em&gt;Le pays de corbeaux&lt;/em&gt;, &lt;em&gt;Far venir las b&amp;egrave;sties&lt;/em&gt;).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Informateurs :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;Andr&amp;eacute; Bourliaud&lt;/strong&gt;, &lt;strong&gt;Camille Charpagne&lt;/strong&gt;, &lt;strong&gt;Odette Ducoudray&lt;/strong&gt;, &lt;strong&gt;Marc Galland&lt;/strong&gt;, &lt;strong&gt;Georgette Lagrange&lt;/strong&gt;, &lt;strong&gt;Michel Ragot&lt;/strong&gt;, &lt;strong&gt;Roger Rovelon&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans'; font-size: 18.6667px;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:46.000
Installation&#13;

00:01:46.000 --&gt; 00:02:32.000
De la disparition du patois&#13;

00:02:32.000 --&gt; 00:07:00.000
Vocabulaire&#13;

00:07:00.000 --&gt; 00:08:12.000
Amont-sus a l'estolhe&#13;

00:08:12.000 --&gt; 00:11:23.000
Vocabulaire - suite&#13;

00:11:23.000 --&gt; 00:17:21.000
Noms des communes&#13;

00:17:21.000 --&gt; 00:18:13.000
Champiau d'Aut&#13;

00:18:13.000 --&gt; 00:21:38.000
Nom des communes - suite&#13;

00:21:38.000 --&gt; 00:22:32.000
D'un vilatge braulhat&#13;

00:22:32.000 --&gt; 00:23:13.000
Daus abitants de Jarnage&#13;

00:23:13.000 --&gt; 00:25:06.000
La deberdinoira&#13;

00:25:06.000 --&gt; 00:26:07.000
De las istoaras ?&#13;

00:26:07.000 --&gt; 00:27:03.000
Si l'adòlh a l'òlh&#13;

00:27:03.000 --&gt; 00:28:14.000
Une histoire de pêche&#13;

00:28:14.000 --&gt; 00:28:41.000
Istoaras de meschant temps&#13;

00:28:41.000 --&gt; 00:29:21.000
N'istoara de sanglier&#13;

00:29:21.000 --&gt; 00:31:49.000
Las istoaras de Cautisson&#13;

00:31:49.000 --&gt; 00:32:55.000
Per far minjar la sopa aus pitits&#13;

00:32:55.000 --&gt; 00:35:38.000
De las comptines&#13;

00:35:38.000 --&gt; 00:36:39.000
De las istoaras d'animaus&#13;

00:36:39.000 --&gt; 00:36:56.000
Quand le cocot chanta&#13;

00:36:56.000 --&gt; 00:37:21.000
Le pays de corbeaux&#13;

00:37:21.000 --&gt; 00:41:10.000
Far venir las bèsties&#13;

00:41:10.000 --&gt; 00:43:25.000
Le premier de l'an&#13;

00:43:25.000 --&gt; 00:44:56.000
De las dances&#13;

00:44:56.000 --&gt; 00:46:00.000
La chiebre bure&#13;

00:46:00.000 --&gt; 00:48:36.000
Qué qu'se chantave ?&#13;

00:48:36.000 --&gt; 00:50:55.000
De la bourrée&#13;

00:50:55.000 --&gt; 00:54:35.000
La fin de la guerre&#13;

00:54:35.000 --&gt; 00:56:16.000
Le branle, la moutone, le lapin&#13;

00:56:16.000 --&gt; 00:56:55.000
Si t'eras vendut&#13;

00:56:55.000 --&gt; 00:59:37.000
Los musicians e los instruments&#13;

00:59:37.000 --&gt; 01:00:37.000
Lo matin dau premier d'l'an&#13;

01:00:37.000 --&gt; 01:02:07.000
Los roeis&#13;

01:02:07.000 --&gt; 01:05:10.000
La Chandeleur&#13;

01:05:10.000 --&gt; 01:09:00.000
Carnaval&#13;

01:09:00.000 --&gt; 01:11:30.000
Tuar une volalhe e sanguete per Carnaval&#13;

01:11:30.000 --&gt; 01:12:35.000
La molete&#13;

01:12:35.000 --&gt; 01:13:42.000
Dires de Carnaval&#13;

01:13:42.000 --&gt; 01:14:10.000
Fau pas 'nar veire sas bèsties&#13;

01:14:10.000 --&gt; 01:18:50.000
Les vaches&#13;

01:18:50.000 --&gt; 01:20:57.000
Los ramiaus&#13;

01:20:57.000 --&gt; 01:21:44.000
La setmane sente&#13;

01:21:44.000 --&gt; 01:24:24.000
Quand i avie un mòrt&#13;

01:24:24.000 --&gt; 01:25:37.000
Le bòle dau mòrt&#13;

01:25:37.000 --&gt; 01:28:22.000
De la bujade&#13;

01:28:22.000 --&gt; 01:29:14.000
Pasques e lo jeudí sent&#13;

01:29:14.000 --&gt; 01:30:23.000
La corvade dau lundí de Pasques&#13;

01:30:23.000 --&gt; 01:30:43.000
La Pendegoste&#13;

01:30:43.000 --&gt; 01:33:21.000
La sent Jan e lo tresfojau&#13;

01:33:21.000 --&gt; 01:35:26.000
Las festes dau 15 d'aust&#13;

01:35:26.000 --&gt; 01:36:39.000
Tots-Sents e las chastanhes&#13;

01:36:39.000 --&gt; 01:38:45.000
Blanchir las chastanhes&#13;

01:38:45.000 --&gt; 01:39:05.000
Per la Sent Martin&#13;

01:39:05.000 --&gt; 01:40:27.000
De las feires&#13;

01:40:27.000 --&gt; 01:42:57.000
Noèl&#13;

01:42:57.000 --&gt; 01:43:33.000
Los jorns de la setmane&#13;

01:43:33.000 --&gt; 01:44:18.000
Compter jusqu'à 20&#13;

01:44:18.000 --&gt; 01:44:45.000
Vocabulaire&#13;

01:44:45.000 --&gt; 01:45:02.000
Les mois de l'année&#13;

01:45:02.000 --&gt; 01:45:06.000
Fin&#13;

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                <text>&lt;p&gt;Dans cet enregistrement que nous a confi&amp;eacute; Fran&amp;ccedil;oise &amp;Eacute;tay pour mise en ligne, un violoneux &lt;strong&gt;&lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt;,&lt;/strong&gt; et un cousin, &lt;strong&gt;Abel Courbet&lt;/strong&gt;.&lt;br /&gt;Fran&amp;ccedil;oise, souhaitant collecter une partie du r&amp;eacute;pertoire chant&amp;eacute; de M. Peyrat, l'avait enregistr&amp;eacute; chez lui &amp;agrave; Roux, commune de Saint-Salvadour, le 16 janvier 1988 en compagnie de Jan dau Melhau.&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Quelques chansons du r&amp;eacute;pertoire fran&amp;ccedil;ais, des chansons limousines (connues et moins connues), des airs &amp;agrave; danser, la plupart en occitan limousin.&amp;nbsp; &lt;br /&gt;Ces chansons ont &amp;eacute;t&amp;eacute; retranscrites par Jan dau Melhau :&amp;nbsp; &lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13410/Peyrat-Courbet_Chansons.pdf" target="_blank" rel="noopener"&gt;&amp;rarr; Acc&amp;eacute;der au textes&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;- Abel Courbet (1922-1990) &amp;eacute;tait originaire de Madranges (19)&lt;br /&gt;&lt;br /&gt;- L&amp;eacute;on Peyrat (1904-1988) originaire de Saint-Salvadour (19) &amp;eacute;tait non seulement un violoneux tr&amp;egrave;s r&amp;eacute;put&amp;eacute; mais aussi un chanteur in&amp;eacute;puisable, il fut de nombreuses fois collect&amp;eacute; dans les ann&amp;eacute;es 70/80 et on peut le retrouver sur de nombreuses publications.&lt;br /&gt;Voir ci-dessous quelques liens :&lt;/p&gt;&#13;
&lt;p&gt;- Le &lt;a href="https://crmtl.fr/ressources/pleins-feux/cahier-de-chansons-du-pays-de-tulle-leon-peyrat/" target="_blank" rel="noopener"&gt;Cahier de chansons du Pays de Tulle&lt;/a&gt; (Jean Marc Delaunay, CRMTL 2003) lui est consacr&amp;eacute;.&lt;br /&gt;&lt;br /&gt;- Ainsi qu'une page tr&amp;egrave;s compl&amp;egrave;te sur le site &lt;a href="http://www.violoneux.fr/wiki/L&amp;eacute;on_Peyrat" target="_blank" rel="noopener"&gt;"Violoneux.fr.&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;- On peut le voir dans le film documentaire&lt;a href="https://www.dailymotion.com/video/x9sq54" target="_blank" rel="noopener"&gt; &amp;ldquo;&lt;u&gt;Des Violons en Sabots&lt;/u&gt;&amp;rdquo;&lt;/a&gt; (Francis Lapeyre, 1981).&lt;br /&gt;&lt;br /&gt;- L'&amp;eacute;couter dans plusieurs disques : &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; -&lt;a href="https://crmtl.fr/actions/publications/partitions-livres/violoneux-correziens/" target="_blank" rel="noopener"&gt;"Violoneux Corr&amp;eacute;ziens"&lt;/a&gt; Disque 33 tours 1979 )Les Musiciens Routiniers).&lt;br /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;a href="https://crmtl.fr/actions/publications/partitions-livres/leon-peyrat/#francais" target="_blank" rel="noopener"&gt;-"Portrait de musicien, L&amp;eacute;on Peyrat"&lt;/a&gt; (Modal 1999).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&amp;rArr; Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noopener"&gt;&amp;rArr; Jan Dau Melhau&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:43.000
La negra e lo peulh&#13;

00:00:43.000 --&gt; 00:04:38.000
Voulez-vous entendre chansonnette &#13;

00:04:38.000 --&gt; 00:07:02.000
La Milheta (AC)&#13;

00:07:02.000 --&gt; 00:08:51.000
Diable sia pas l'ivern d'antan (AC)&#13;

00:08:51.000 --&gt; 00:10:54.000
Par un soir d'été un seigneur volage (AC)&#13;

00:10:54.000 --&gt; 00:14:19.000
Quand la Marie se'n vai-t-el molin (AC)&#13;

00:14:19.000 --&gt; 00:14:40.000
Dernier couplet &#13;

00:14:40.000 --&gt; 00:17:08.000
La chanson des scieurs de long (AC)&#13;

00:17:08.000 --&gt; 00:18:06.000
Dessus la rota del Lonzac&#13;

00:18:06.000 --&gt; 00:18:37.000
Los Chaumelhos &#13;

00:18:37.000 --&gt; 00:18:57.000
Quau la fara dançar&#13;

00:18:57.000 --&gt; 00:19:31.000
Ab'aqui paubres dròlles&#13;

00:19:31.000 --&gt; 00:20:37.000
Delai lo ribatel&#13;

00:20:37.000 --&gt; 00:20:56.000
Sus lo pont d'a Briva&#13;

00:20:56.000 --&gt; 00:21:37.000
Cosin Janton&#13;

00:21:37.000 --&gt; 00:21:59.000
Si ieu tornava jòuna&#13;

00:21:59.000 --&gt; 00:24:22.000
Le matin quand je me lève (AC)&#13;

00:24:22.000 --&gt; 00:25:18.000
Le matin quand je me lève&#13;

00:25:18.000 --&gt; 00:25:46.000
Toute la nuit j'ai pensé à vous&#13;

00:25:46.000 --&gt; 00:26:47.000
Passa bargiera&#13;

00:26:47.000 --&gt; 00:27:01.000
A de gue damenatz lai vos&#13;

00:27:01.000 --&gt; 00:27:37.000
Ah que sont bêtes les femmes &#13;

00:27:37.000 --&gt; 00:27:50.000
Ah que sont bêtes les femmes (AC)&#13;

00:27:50.000 --&gt; 00:28:07.000
Quand les conscrits quitteront leur village&#13;

00:28:07.000 --&gt; 00:29:26.000
Le mois de mai il est venu &#13;

00:29:26.000 --&gt; 00:29:42.000
Na trist'annada&#13;

00:29:42.000 --&gt; 00:30:13.000
L'autre jorn que fasia chalor&#13;

00:30:13.000 --&gt; 00:30:32.000
N'ai mon chapel de palha&#13;

00:30:32.000 --&gt; 00:30:46.000
Garda ton bon temps bargiera&#13;

00:30:46.000 --&gt; 00:31:09.000
Tant vau qu'ieu me maride&#13;

00:31:09.000 --&gt; 00:31:40.000
Pomier qu'as-tu de ròsas&#13;

00:31:40.000 --&gt; 00:34:16.000
L'histoire d'un jeune fanfaron (AC)&#13;

00:34:16.000 --&gt; 00:34:33.000
Portatz chopina (A C)&#13;

00:34:33.000 --&gt; 00:35:25.000
La gerba blauda (A C) &#13;

00:35:25.000 --&gt; 00:35:34.000
Portatz chopina (début)&#13;

00:35:34.000 --&gt; 00:35:45.000
Quand passaretz pitita&#13;

00:35:45.000 --&gt; 00:35:57.000
C'est une fille à plaindre &#13;

00:35:57.000 --&gt; 00:38:06.000
Allons les gars il faut partir (AC)&#13;

00:38:06.000 --&gt; 00:39:18.000
Quand la belle s'en fut sur l'échafaud&#13;

00:39:18.000 --&gt; 00:39:52.000
Bourrée "à tra la la"&#13;

00:39:52.000 --&gt; 00:40:17.000
Lo merle&#13;

00:40:17.000 --&gt; 00:40:36.000
Ma maire n'avia mas 'na dent&#13;

00:40:36.000 --&gt; 00:40:44.000
Ma maire farcissia un peulh (début)&#13;

00:40:44.000 --&gt; 00:41:17.000
La Courbiase (tra la la)&#13;

00:41:17.000 --&gt; 00:41:31.000
Aval dins lo Lemosin&#13;

00:41:31.000 --&gt; 00:42:32.000
Là-bas dedans ce bois&#13;

00:42:32.000 --&gt; 00:44:05.000
Un jour l'envie me prend&#13;

00:44:05.000 --&gt; 00:45:15.000
Aval dins las robieras&#13;

00:45:15.000 --&gt; 00:45:51.000
Chez nous y a une montagne &#13;

00:45:51.000 --&gt; 00:47:58.000
Que feriez-vous riches sur cette terre&#13;

00:47:58.000 --&gt; 00:49:12.000
La chau boidar la chau remplir&#13;

00:49:12.000 --&gt; 00:49:39.000
Paubra maire quand vos m'auretz perdut&#13;

00:49:39.000 --&gt; 00:50:28.000
J'étais parti le coeur plein d'espérance&#13;

00:50:28.000 --&gt; 00:50:42.000
Dins lo vin&#13;

00:50:42.000 --&gt; 00:51:09.000
Dròlles de la montanha&#13;

00:51:09.000 --&gt; 00:51:54.000
J'ai mon amant à Lille en Flandres&#13;

00:51:54.000 --&gt; 00:52:55.000
Buvons mes chers amis buvons&#13;

00:52:55.000 --&gt; 00:54:52.000
De bon matin moi je me suis levé&#13;

00:54:52.000 --&gt; 00:55:55.000
La complainte de Mandrin &#13;

00:55:55.000 --&gt; 00:56:46.000
Ma granda la Margariton &#13;

00:56:46.000 --&gt; 00:58:28.000
Rossignolet des bois&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te sur Ch&amp;acirc;telus-Malvaleix (23) &lt;br /&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 22 novembre 2011 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;br /&gt;&lt;br /&gt;On y entendra plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;Le premier d&amp;rsquo;l&amp;rsquo;an, De la bone dame e daus tortiaus, Carnavar e l&amp;rsquo;vendred&amp;iacute; d&amp;rsquo;las besaces&lt;/em&gt;) ainsi que plusieurs histoires dr&amp;ocirc;les (&lt;em&gt;Le partus, Le jau, L&amp;rsquo;patois, Patoiseries et barlodages, armontrances e bons usages, La femne que fasie los tortiaus, &amp;hellip;&lt;/em&gt;) avec des themes souvent religieux (&lt;em&gt;Le p&amp;rsquo;tit Sent R&amp;ograve;ch, L&amp;rsquo;istoare dau vielh curet d&amp;rsquo;Ajain&lt;/em&gt;).&lt;br /&gt;On y entendra &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales, ainsi que beaucoup du vocabulaire, notamment collect&amp;eacute; par les participants. &lt;br /&gt;&lt;br /&gt;Informateurs :&lt;br /&gt;&lt;strong&gt;Annie Benit, Roger Buscaglia, Michelle Dayen, Mme Desnoyer, Suzanne Doizon, Henri Ferrandon, Lucette Gouvernaire, G&amp;eacute;rard Gouyet, H&amp;eacute;l&amp;egrave;ne Lionnet, Arlette Parrain, Armand Rapinat, Colette Supizet&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans'; font-size: 18.6667px;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:17.000
Mise en place&#13;

00:00:17.000 --&gt; 00:08:12.000
Vocabulaire collecté&#13;

00:08:12.000 --&gt; 00:09:32.000
L'sabòt auvernhat&#13;

00:09:32.000 --&gt; 00:10:03.000
Vocabulaire - suite&#13;

00:10:03.000 --&gt; 00:14:43.000
Coma quò s'ditz aquí ?&#13;

00:14:43.000 --&gt; 00:20:15.000
Far fugir e apelar las bèsties&#13;

00:20:15.000 --&gt; 00:20:53.000
Le club de patois&#13;

00:20:53.000 --&gt; 00:23:33.000
Un creusois qui s'adresse à ceux d'Paris&#13;

00:23:33.000 --&gt; 00:24:36.000
Silvain, arreste le chin&#13;

00:24:36.000 --&gt; 00:31:09.000
Vocabulaire daus foens&#13;

00:31:09.000 --&gt; 00:32:34.000
Coma batre a dos, quatre o sieis&#13;

00:32:34.000 --&gt; 00:34:12.000
De las chastanhes&#13;

00:34:12.000 --&gt; 00:34:59.000
Quand un gamin venave au monde&#13;

00:34:59.000 --&gt; 00:35:36.000
Far le "credo"&#13;

00:35:36.000 --&gt; 00:38:23.000
Proverbes&#13;

00:38:23.000 --&gt; 00:45:02.000
Vocabulaire agricole&#13;

00:45:02.000 --&gt; 00:48:50.000
Los noms daus vilatges&#13;

00:48:50.000 --&gt; 00:50:16.000
Boudachier&#13;

00:50:16.000 --&gt; 00:51:52.000
Los noms daus vilatges - suite&#13;

00:51:52.000 --&gt; 00:58:12.000
La chapele d'las Pinardes e la font daus jadaus&#13;

00:58:12.000 --&gt; 00:59:51.000
Los noms daus vilatges - suite&#13;

00:59:51.000 --&gt; 01:04:34.000
Des communes mal nommées&#13;

01:04:34.000 --&gt; 01:05:22.000
Las istoares dau Roger&#13;

01:05:22.000 --&gt; 01:11:07.000
'Na trista novela&#13;

01:11:07.000 --&gt; 01:12:19.000
Le partus&#13;

01:12:19.000 --&gt; 01:14:06.000
L'patois&#13;

01:14:06.000 --&gt; 01:19:57.000
Patoiseries et barlodages, armontrances e bons usages&#13;

01:19:57.000 --&gt; 01:22:32.000
Le lend'man d'nòce&#13;

01:22:32.000 --&gt; 01:23:52.000
La mosche&#13;

01:23:52.000 --&gt; 01:26:37.000
Qué qu'se chantave ?&#13;

01:26:37.000 --&gt; 01:29:56.000
Le turlututu&#13;

01:29:56.000 --&gt; 01:32:10.000
Des comptines ?&#13;

01:32:10.000 --&gt; 01:34:17.000
L'istoare dau vielh curet d'Ajanh&#13;

01:34:17.000 --&gt; 01:35:52.000
Le p'tit Sent Ròch&#13;

01:35:52.000 --&gt; 01:36:41.000
Quand ilhs 'navan en procession&#13;

01:36:41.000 --&gt; 01:37:22.000
Garrit, bin garrit&#13;

01:37:22.000 --&gt; 01:40:52.000
Le jau&#13;

01:40:52.000 --&gt; 01:43:58.000
De l'istoares sur los ausiaus&#13;

01:43:58.000 --&gt; 01:47:10.000
Le premier d'l'an&#13;

01:47:10.000 --&gt; 01:48:05.000
Le jorn daus rois&#13;

01:48:05.000 --&gt; 01:51:23.000
De la bone dame e daus tortiaus&#13;

01:51:23.000 --&gt; 01:52:57.000
La femne que fasie los tortiaus&#13;

01:52:57.000 --&gt; 01:56:48.000
Carnavar e l'vendredí d'las besaces&#13;

01:56:48.000 --&gt; 01:58:37.000
Le jorn de las cendres&#13;

01:58:37.000 --&gt; 02:03:14.000
Los ramels&#13;

02:03:14.000 --&gt; 02:04:45.000
La s'maine sainte&#13;

02:04:45.000 --&gt; 02:07:29.000
Quand i avie un mòrt&#13;

02:07:29.000 --&gt; 02:08:36.000
N'istoare d'enterrament&#13;

02:08:36.000 --&gt; 02:12:36.000
Le bòle e la croètz dau defunt&#13;

02:12:36.000 --&gt; 02:13:25.000
Ne pas minjar d'ueus&#13;

02:13:25.000 --&gt; 02:16:14.000
Le lundí d'Pasques&#13;

02:16:14.000 --&gt; 02:18:01.000
La Sent Jan e trasfojau&#13;

02:18:01.000 --&gt; 02:21:40.000
La feste a Chastelus e a Sent-Desíier&#13;

02:21:40.000 --&gt; 02:23:46.000
Qué qu'se dançave dins los bales ?&#13;

02:23:46.000 --&gt; 02:24:33.000
La Totsents&#13;

02:24:33.000 --&gt; 02:25:47.000
Trabalhar per la Sent Ròch ?&#13;

02:25:47.000 --&gt; 02:28:41.000
De las chastanhes&#13;

02:28:41.000 --&gt; 02:30:01.000
La Sent Martin&#13;

02:30:01.000 --&gt; 02:35:37.000
Noël&#13;

02:35:37.000 --&gt; 02:36:21.000
Los nombres&#13;

02:36:21.000 --&gt; 02:37:07.000
Les jours de la semaine&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur la bo&amp;icirc;te contenant cette bande, il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"556, Chaillac (&amp;agrave; vous troupe fid&amp;egrave;le), chants religieux"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Il s'agit de l'enregistrement en public de chorales du groupe folklorique &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt; &amp;laquo; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Lous Veilladours de Sent Junio &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&amp;raquo;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Nous y entendons quatre cantiques (&lt;em&gt;Tu senhor&lt;/em&gt;, &lt;em&gt;Senhor te que portas lo pechat dau monde&lt;/em&gt;) dont un en langue fran&amp;ccedil;aise et en langue limousine (&amp;Agrave; vous troupe fid&amp;egrave;le).&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13413/A_vous_troupes_fideles1.jpg" target="_blank" rel="noopener"&gt;&amp;rarr; Paroles de "A vous troupe fid&amp;egrave;le" page 1&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13413/A_vous_troupes_fideles_2.jpg" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 14pt;"&gt;&amp;rarr; Paroles de "A vous troupe fid&amp;egrave;le" page 2&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Nous ne connaissons malheureusement pas la date de cet enregistrement (possiblement au d&amp;eacute;but des ann&amp;eacute;es 1970).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br style="font-family: 'Open Sans'; background-color: #f3ede2;" /&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion et la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation.&lt;/span&gt;&lt;/span&gt;</text>
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Première face - Tu senhor&#13;

00:01:34.000 --&gt; 00:02:51.000
Senhor te que portas lo pechat dau monde&#13;

00:02:51.000 --&gt; 00:04:52.000
Cantique&#13;

00:04:52.000 --&gt; 00:06:28.000
Cantique (reprise)&#13;

00:06:28.000 --&gt; 00:25:42.000
À vous troupe fidèle&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Merci &amp;agrave; Mme Monique Laporte-Lar&amp;eacute;e qui a bien voulu nous confier plusieurs enregistrements pour mise en ligne.&lt;br /&gt;&lt;br /&gt;Nous y nous entendons tout d'abord M Louis Laporte (le p&amp;egrave;re de Mme Laporte-Lar&amp;eacute;e) interpr&amp;eacute;ter une version de la chanson d'Eus&amp;egrave;be Bombal "&lt;em&gt;Los gabariers de la Dordonha&lt;/em&gt;".&lt;br /&gt;&lt;br /&gt;S'en suit un enresitrement d'une &amp;eacute;mission musicale sur les gabariers, avec la participation de la chorale des &amp;Eacute;chos Limousins d'Argentat qui y interpr&amp;egrave;te plusieurs chansons (&lt;em&gt;Los gabariers de la Dordonha&lt;/em&gt;, &lt;em&gt;Se canta&lt;/em&gt;, Les fianc&amp;eacute;s d'Auvergne, &lt;em&gt;Lo turlututu&lt;/em&gt;, On l'appelait "le montagnard", Son Auvergne jolie, L'&amp;eacute;toile des troubadours, Le petit Pierre, &lt;em&gt;Los escl&amp;ograve;ps&lt;/em&gt;, Le petit tacot, Pays vert, ma Corr&amp;egrave;ze, Beau pays d'Argentat). &lt;br /&gt;&lt;br /&gt;Enfin, un autre enregistrement de la chanson des gabariers (&amp;agrave; nouveau interpr&amp;eacute;t&amp;eacute;e par M Laporte), suivi d'une entrevue &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;r&amp;eacute;alis&amp;eacute;e par&amp;nbsp; Francis Chaminade dans laquelle M Laporte et u&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;ne autre personne (non identifi&amp;eacute;e) &lt;/span&gt;&amp;eacute;voquent&lt;/span&gt; la vie des gabariers.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mme Laporte-Lar&amp;eacute;e nous a aussi transmis plusieurs photos :&lt;br /&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/13414/ag464.jpg"&gt;une de M Laporte mimant tout en chantant la chanson du r&amp;eacute;mouleur&lt;/a&gt;&lt;br /&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/13414/Louis_Laporte.JPG"&gt;un portrait de M Laporte&lt;/a&gt;&lt;br /&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/13414/le_quartier_du_bastie_avec_Louis_Laporte_Jeune_main_dans_les_poches.jpg"&gt;le quartier du Bastier avec Louis Laporte, enfant, les mains dans les poche &lt;/a&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;</text>
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                <text>LES GABARIERS</text>
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                <text>Los gabariers de la Dordonha</text>
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                <text>00:00:00.000 --&gt; 00:03:17.000
Los gabariers de la Dordonha (Louis Laporte)&#13;

00:03:17.000 --&gt; 00:03:51.000
Le départ de gabariers&#13;

00:03:51.000 --&gt; 00:06:08.000
Los gabariers de la Dordonha (chorale)&#13;

00:06:08.000 --&gt; 00:06:32.000
Lentement, le bateau s'éloigne ...&#13;

00:06:32.000 --&gt; 00:08:51.000
Se canta&#13;

00:08:51.000 --&gt; 00:09:17.000
Le premier voyage&#13;

00:09:17.000 --&gt; 00:11:40.000
Les fiancés d'Auvergne&#13;

00:11:40.000 --&gt; 00:12:08.000
Arrivée à Souillac&#13;

00:12:08.000 --&gt; 00:14:40.000
Lo turlututu&#13;

00:14:40.000 --&gt; 00:15:09.000
La gabarre file aux pieds des falaises&#13;

00:15:09.000 --&gt; 00:18:10.000
Jeanne et ma montagne&#13;

00:18:10.000 --&gt; 00:18:39.000
On l'appelait "le montagnard"&#13;

00:18:39.000 --&gt; 00:20:52.000
Son Auvergne jolie&#13;

00:20:52.000 --&gt; 00:21:14.000
La Dordogne s'élagit&#13;

00:21:14.000 --&gt; 00:23:30.000
L'étoile des troubadours&#13;

00:23:30.000 --&gt; 00:23:55.000
Le bateau franchit le Périgord&#13;

00:23:55.000 --&gt; 00:27:14.000
Le petit Pierre&#13;

00:27:14.000 --&gt; 00:27:34.000
À Argentat&#13;

00:27:34.000 --&gt; 00:30:21.000
Los esclòps&#13;

00:30:21.000 --&gt; 00:30:55.000
Le voyage est terminé&#13;

00:30:55.000 --&gt; 00:33:21.000
Le petit tacot&#13;

00:33:21.000 --&gt; 00:33:41.000
Le retour au pays&#13;

00:33:41.000 --&gt; 00:35:41.000
Pays vert, ma Corrèze&#13;

00:35:41.000 --&gt; 00:36:05.000
Les rèves des gabariers&#13;

00:36:05.000 --&gt; 00:37:55.000
Beau pays d'Argentat&#13;

00:37:55.000 --&gt; 00:38:17.000
Jean pleure ...&#13;

00:38:17.000 --&gt; 00:40:48.000
Los gabariers de la Dordonha (Louis Laporte)&#13;

00:40:48.000 --&gt; 00:41:05.000
Introduction&#13;

00:41:05.000 --&gt; 00:42:16.000
Quand la Dordogne était de voyage&#13;

00:42:16.000 --&gt; 00:42:52.000
De la gabarre&#13;

00:42:52.000 --&gt; 00:43:38.000
Le travail de gabarrier&#13;

00:43:38.000 --&gt; 00:45:19.000
De la navigation sur la Dordogne&#13;

00:45:19.000 --&gt; 00:45:53.000
Quand ils prenaient de l'eau&#13;

00:45:53.000 --&gt; 00:46:09.000
Du départ&#13;

00:46:09.000 --&gt; 00:46:51.000
Du trajet&#13;

00:46:51.000 --&gt; 00:47:10.000
Vendre la marchandise&#13;

00:47:10.000 --&gt; 00:48:15.000
Vendre la gabarre et rentrer&#13;

00:48:15.000 --&gt; 00:48:32.000
Les dernières gabarres&#13;

00:48:32.000 --&gt; 00:49:48.000
Le rallye de 1936&#13;

00:49:48.000 --&gt; 00:03:16.000
Conclusion&#13;

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              <text>Jean-François Vignaud</text>
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              <text>Liliane Caillaud</text>
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              <text>Eveline Guilleton</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; La Chapelle Taillefert&amp;nbsp;(23) &lt;br /&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 4 f&amp;eacute;vrier 2005 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;br /&gt;&amp;nbsp;&lt;br /&gt;On y entendra plusieurs enfants du pays compter des histoires dr&amp;ocirc;les (Camille et le patois, &lt;em&gt;Tot&amp;ograve; fai sa comunion&lt;/em&gt;, &amp;hellip;), r&amp;eacute;citer des comptines (&lt;em&gt;La lebre&lt;/em&gt;) et autres proverbes (&lt;em&gt;Lo vent daus ramels&lt;/em&gt;), mais aussi chanter quelques chansons (L&lt;em&gt;as oelhas son dins los blats&lt;/em&gt;, la pauvre Ang&amp;egrave;le, &amp;hellip;).&lt;br /&gt;On y entendra &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales ainsi que ce qui se faisait lors des grandes f&amp;ecirc;tes (&lt;em&gt;Los diju&amp;ograve;us e divendres sents&lt;/em&gt;, &lt;em&gt;Las flors de Sent Jan&lt;/em&gt;, &lt;em&gt;Fau pas 'nar dins l'estable&lt;/em&gt;, ...).&lt;br /&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Informateurs :&lt;br /&gt;&lt;strong&gt;Liliane Caillaud&lt;/strong&gt;, &lt;strong&gt;Christiane Caillaud&lt;/strong&gt;, &lt;strong&gt;Odette Deplagne&lt;/strong&gt;, &lt;strong&gt;Eveline Guilleton&lt;/strong&gt;, &lt;strong&gt;Ginette Labrune&lt;/strong&gt;, &lt;strong&gt;Andr&amp;eacute;e Massard&lt;/strong&gt;, &lt;strong&gt;Marcel M&amp;eacute;gret&lt;/strong&gt;, &lt;strong&gt;Michel Rigonnet&lt;/strong&gt;, &lt;strong&gt;Fernande&lt;/strong&gt; et &lt;strong&gt;Ren&amp;eacute; Roby&lt;/strong&gt;, &lt;strong&gt;Andr&amp;eacute;e Tourte&lt;/strong&gt;, &lt;strong&gt;Germaine Vergnier&lt;/strong&gt;, &lt;strong&gt;Bernard Vincent&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: 'Open Sans';"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br style="font-family: 'Open Sans'; background-color: #f3ede2;" /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans';"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="399192">
                <text>audio/mpeg</text>
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          <element elementId="82">
            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
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                <text>CC-BY-NC-ND</text>
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            <name>Rights Holder</name>
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                <text>Ieo lemosin</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Creuse (23)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>enregistrement audio</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="399198">
                <text>Enquête à La Chapelle-Taillefert</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/13415</text>
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            <description>A related resource</description>
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                <text>00:00:00.000 --&gt; 00:07:54.000
Los noms daus vilatges&#13;

00:07:54.000 --&gt; 00:17:33.000
Prononciacions et vocabulaire&#13;

00:17:33.000 --&gt; 00:19:24.000
Daus contes ?&#13;

00:19:24.000 --&gt; 00:19:49.000
Los maçons cruesés&#13;

00:19:49.000 --&gt; 00:20:29.000
De las istoaras ?&#13;

00:20:29.000 --&gt; 00:21:47.000
Le bréviaire et le cochon&#13;

00:21:47.000 --&gt; 00:23:14.000
Camille et le patois&#13;

00:23:14.000 --&gt; 00:24:13.000
Totò fai sa comunion&#13;

00:24:13.000 --&gt; 00:25:53.000
De las istoaras coma a Jarnaja ?&#13;

00:25:53.000 --&gt; 00:27:43.000
La vacha sens cuer&#13;

00:27:43.000 --&gt; 00:28:20.000
Daus mimologismes ?&#13;

00:28:20.000 --&gt; 00:29:10.000
Lo jai&#13;

00:29:10.000 --&gt; 00:34:48.000
'Pelar las bèstias&#13;

00:34:48.000 --&gt; 00:35:37.000
De las comptinas ?&#13;

00:35:37.000 --&gt; 00:36:08.000
La lebre&#13;

00:36:08.000 --&gt; 00:36:40.000
La lebre (2)&#13;

00:36:40.000 --&gt; 00:37:54.000
La borreia de la pola&#13;

00:37:54.000 --&gt; 00:39:14.000
Lo cuer de ma mia&#13;

00:39:14.000 --&gt; 00:42:48.000
Lo turlututu&#13;

00:42:48.000 --&gt; 00:43:23.000
Chastanha, grilhada&#13;

00:43:23.000 --&gt; 00:44:15.000
Lo pelele&#13;

00:44:15.000 --&gt; 00:44:50.000
Las oelhas son dins los blats&#13;

00:44:50.000 --&gt; 00:45:13.000
Lo cuer de ma mia - bis&#13;

00:45:13.000 --&gt; 00:45:38.000
Malurós&#13;

00:45:38.000 --&gt; 00:46:24.000
La fille de la meunière&#13;

00:46:24.000 --&gt; 00:47:36.000
La pauvre Angèle&#13;

00:47:36.000 --&gt; 00:48:18.000
Dins las nòças ?&#13;

00:48:18.000 --&gt; 00:48:44.000
Qué qu'se dançava ?&#13;

00:48:44.000 --&gt; 00:49:14.000
La chiebra bura&#13;

00:49:14.000 --&gt; 00:51:23.000
De la borreia&#13;

00:51:23.000 --&gt; 00:52:05.000
De l'autras danças&#13;

00:52:05.000 --&gt; 00:53:54.000
Los instruments&#13;

00:53:54.000 --&gt; 00:55:42.000
D'autras berceusas ?&#13;

00:55:42.000 --&gt; 00:56:57.000
De las pregieras ?&#13;

00:56:57.000 --&gt; 01:00:03.000
Quauques proverbes&#13;

01:00:03.000 --&gt; 01:01:32.000
L'erba a verruja&#13;

01:01:32.000 --&gt; 01:05:14.000
Lo prumier de l'an&#13;

01:05:14.000 --&gt; 01:05:55.000
Lo jorn dau reis&#13;

01:05:55.000 --&gt; 01:12:03.000
Tuar lo pòrc&#13;

01:12:03.000 --&gt; 01:15:56.000
La Chandelor, las crespas e los tortels&#13;

01:15:56.000 --&gt; 01:20:59.000
Carnavau&#13;

01:20:59.000 --&gt; 01:23:36.000
Quand i 'aviá un mòrt&#13;

01:23:36.000 --&gt; 01:25:41.000
De las 'belhas&#13;

01:25:41.000 --&gt; 01:26:28.000
La setmana senta&#13;

01:26:28.000 --&gt; 01:28:02.000
Los jorns de la setmana&#13;

01:28:02.000 --&gt; 01:29:32.000
Los dijuòus e divendres sents&#13;

01:29:32.000 --&gt; 01:30:45.000
Invitar lo curet&#13;

01:30:45.000 --&gt; 01:32:08.000
Lo diluns de Pasques&#13;

01:32:08.000 --&gt; 01:33:01.000
Lo vent daus ramels&#13;

01:33:01.000 --&gt; 01:35:38.000
La Sent Jan e lo trasfojau&#13;

01:35:38.000 --&gt; 01:37:43.000
La flors de Sent Jan&#13;

01:37:43.000 --&gt; 01:39:21.000
De la balada&#13;

01:39:21.000 --&gt; 01:40:25.000
La font Sent Pardól&#13;

01:40:25.000 --&gt; 01:41:40.000
Le 15 août&#13;

01:41:40.000 --&gt; 01:44:09.000
La Tots-Sents e las chastanhas&#13;

01:44:09.000 --&gt; 01:45:57.000
De las pomas e dau citre&#13;

01:45:57.000 --&gt; 01:47:17.000
La Sent Martin&#13;

01:47:17.000 --&gt; 01:48:03.000
Nadau&#13;

01:48:03.000 --&gt; 01:49:34.000
Fau pas 'nar dins l'estable&#13;

01:49:34.000 --&gt; 01:53:46.000
Lo mesma patoàs&#13;

01:53:46.000 --&gt; 01:55:16.000
Lo bas-país e la montanha&#13;

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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
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              <text>Jean-François Vignaud</text>
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          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
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            <elementText elementTextId="403223">
              <text>Simone Brunaud</text>
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            <elementText elementTextId="403224">
              <text>Roger Brunet</text>
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            <elementText elementTextId="403225">
              <text>Jean et Lucette Chatendeau</text>
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            <elementText elementTextId="403226">
              <text>Madeleine Dumoulin</text>
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            <elementText elementTextId="403227">
              <text>Paul Roberge</text>
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            <elementText elementTextId="403228">
              <text>Camille et Paulette Soubrand</text>
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            <elementText elementTextId="403229">
              <text>Bernard Thome</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="403230">
              <text>7226</text>
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          </elementTextContainer>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="403234">
              <text>https://la-biaca.org/items/show/13417</text>
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            <name>Creator</name>
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              <elementText elementTextId="403208">
                <text>Jean-François Vignaud</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="403209">
                <text>2004-10</text>
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          <element elementId="58">
            <name>Date Issued</name>
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              <elementText elementTextId="403210">
                <text>2021-09-27</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="403211">
                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; Bussi&amp;egrave;re-Dunoise (23)&amp;nbsp; &lt;br /&gt;Il s&amp;rsquo;agit ici d&amp;rsquo;un enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 14 octobre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaire de cette commune.&lt;br /&gt;&amp;nbsp;&lt;br /&gt;On y entendra plusieurs enfants du pays parler des traditions (B&lt;em&gt;alhar daus s&amp;ograve;us au defunt, Le tresfojau d'la sent Jan&lt;/em&gt;, &amp;hellip;) mais aussi de patisserie (&lt;em&gt;Le perat, Le berjat, Le clafot&amp;iacute;s e le fromatjat&lt;/em&gt;, &amp;hellip;) et de cuisine (&lt;em&gt;Las treflas saladas, La mitonade&lt;/em&gt;, ...) .&lt;br /&gt;&amp;nbsp;&lt;br /&gt;On y entendra ce qui se disait &amp;agrave; propos du chant de certains oiseaux (&lt;em&gt;Le chant d'la calhe, Dau rossinh&amp;ograve;u, Quand la choete chantava&lt;/em&gt;) ainsi que les mani&amp;egrave;res d&amp;rsquo;appeler ou de faire fuir les b&amp;ecirc;tes. &lt;br /&gt;&amp;nbsp;&lt;br /&gt;Informateurs :&amp;nbsp;&lt;strong&gt;Simone Brunaud, Roger Brunet, Jean et Lucette Chatendeau, Madeleine Dumoulin, Paul Roberge, Camille et Paulette Soubrand, Bernard Thome&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans'; font-size: 18.6667px;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="403212">
                <text>IEO Lemosin</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="403217">
                <text>Ieo lemosin</text>
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                <text>Creuse (23)</text>
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          <element elementId="49">
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                <text>Tous les genres</text>
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                <text>Enquête à Bussière-Dunoise</text>
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                <text>00:00:00.000 --&gt; 00:00:42.000
Installation&#13;

00:00:42.000 --&gt; 00:04:18.000
Vocabulaire&#13;

00:04:18.000 --&gt; 00:05:26.000
Un pòt o un topin ?&#13;

00:05:26.000 --&gt; 00:06:50.000
Différences entre les parlers&#13;

00:06:50.000 --&gt; 00:11:20.000
Vocabulaire - suite&#13;

00:11:20.000 --&gt; 00:20:40.000
Los noms daus vilatges&#13;

00:20:40.000 --&gt; 00:21:42.000
La birette e la bèstie farrabine &#13;

00:21:42.000 --&gt; 00:22:18.000
Le chin jaune&#13;

00:22:18.000 --&gt; 00:23:02.000
La bèstie dau potz&#13;

00:23:02.000 --&gt; 00:24:36.000
Le lop garon&#13;

00:24:36.000 --&gt; 00:25:52.000
Une istoare de lop&#13;

00:25:52.000 --&gt; 00:29:24.000
Daus maçons&#13;

00:29:24.000 --&gt; 00:30:31.000
N'am vut l'pair Noèl&#13;

00:30:31.000 --&gt; 00:31:02.000
De las comptinas&#13;

00:31:02.000 --&gt; 00:32:00.000
La lebròte&#13;

00:32:00.000 --&gt; 00:33:41.000
Far sautar los gamins sur los genolhs&#13;

00:33:41.000 --&gt; 00:34:06.000
Daus mimologismes&#13;

00:34:06.000 --&gt; 00:35:04.000
Le chant d'la calhe&#13;

00:35:04.000 --&gt; 00:36:30.000
Dau rossinhòu&#13;

00:36:30.000 --&gt; 00:38:02.000
Quand la choete chantava&#13;

00:38:02.000 --&gt; 00:38:18.000
De la vinhe&#13;

00:38:18.000 --&gt; 00:45:10.000
'Pelar las bèstias&#13;

00:45:10.000 --&gt; 00:48:08.000
Écoute Marguerite (chanson)&#13;

00:48:08.000 --&gt; 00:49:35.000
I aviá pas d'chançon en patois&#13;

00:49:35.000 --&gt; 00:50:48.000
Los darniers que causavan l'patois&#13;

00:50:48.000 --&gt; 00:53:02.000
Daus vilatges que la gent son mai bèsties que los autres ?&#13;

00:53:02.000 --&gt; 00:54:41.000
Les histoires de Jarnages&#13;

00:54:41.000 --&gt; 00:55:32.000
E a Benavent ...&#13;

00:55:32.000 --&gt; 00:57:17.000
De las prieras e dau curet&#13;

00:57:17.000 --&gt; 01:04:22.000
De las fruchas e de la gota&#13;

01:04:22.000 --&gt; 01:06:41.000
Le perat&#13;

01:06:41.000 --&gt; 01:09:45.000
Le berjat&#13;

01:09:45.000 --&gt; 01:11:32.000
Le clafotís e le fromatjat&#13;

01:11:32.000 --&gt; 01:14:03.000
Las treflas saladas&#13;

01:14:03.000 --&gt; 01:16:43.000
'N'istoare de marmite&#13;

01:16:43.000 --&gt; 01:22:25.000
Las chastanhas&#13;

01:22:25.000 --&gt; 01:23:31.000
Lepremier d'l'an&#13;

01:23:31.000 --&gt; 01:25:07.000
Proverbe&#13;

01:25:07.000 --&gt; 01:25:31.000
Lòs roeis&#13;

01:25:31.000 --&gt; 01:27:03.000
La Chandeleur&#13;

01:27:03.000 --&gt; 01:29:00.000
Quand fasian sautar crespas&#13;

01:29:00.000 --&gt; 01:32:49.000
Carnaval e la cosina&#13;

01:32:49.000 --&gt; 01:34:53.000
Los ramaus&#13;

01:34:53.000 --&gt; 01:35:57.000
La setmane sente&#13;

01:35:57.000 --&gt; 01:38:10.000
Los ueus de Pasques&#13;

01:38:10.000 --&gt; 01:40:52.000
Quand i aviá un mòrt dins le vilatge&#13;

01:40:52.000 --&gt; 01:42:24.000
Le bòle dau defunt&#13;

01:42:24.000 --&gt; 01:43:43.000
Balhar daus sòus au defunt&#13;

01:43:43.000 --&gt; 01:44:54.000
Le lundí d'Pasques&#13;

01:44:54.000 --&gt; 01:45:45.000
Proverbe dau mes d'mai&#13;

01:45:45.000 --&gt; 01:47:07.000
Pentecôte&#13;

01:47:07.000 --&gt; 01:49:34.000
Le tresfojau d'la sent Jan&#13;

01:49:34.000 --&gt; 01:50:49.000
Le darnier que m'rapele ...&#13;

01:50:49.000 --&gt; 01:52:13.000
La feste a Bussière&#13;

01:52:13.000 --&gt; 01:55:04.000
Qué qu'se dançava dins los bales ?&#13;

01:55:04.000 --&gt; 01:55:38.000
Suite du calendrier ...&#13;

01:55:38.000 --&gt; 01:56:51.000
La sent Martin&#13;

01:56:51.000 --&gt; 01:58:09.000
Noèl&#13;

01:58:09.000 --&gt; 02:02:25.000
De la consomacion dau malh&#13;

02:02:25.000 --&gt; 02:05:56.000
La mitonade&#13;

02:05:56.000 --&gt; 02:06:18.000
&#13;

02:06:18.000 --&gt; 02:08:10.000
Compter de 1 à 20&#13;

02:08:10.000 --&gt; 02:08:35.000
Los jorns d'la setmane&#13;

02:08:35.000 --&gt; 02:09:49.000
Los mes d'l'annade&#13;

02:09:49.000 --&gt; 02:11:03.000
Los paniers&#13;

02:11:03.000 --&gt; 02:00:26.000
Fin de l'entretien&#13;

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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>Ieo lemosin</text>
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                <text>00:00:00.000 --&gt; 00:02:41.000
Suite de bourrées&#13;

00:02:41.000 --&gt; 00:05:12.000
Permets-moi belle meunière&#13;

00:05:12.000 --&gt; 00:08:50.000
Ma madelon&#13;

00:08:50.000 --&gt; 00:10:26.000
Bourrée n°1&#13;

00:10:26.000 --&gt; 00:12:11.000
Bourrée n°2&#13;

00:12:11.000 --&gt; 00:13:57.000
Bourrée n°3&#13;

00:13:57.000 --&gt; 00:15:05.000
Variations sur un thème de Mozart&#13;

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              <text>Lydie Araujo</text>
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            <elementText elementTextId="407308">
              <text>Jean Averaux</text>
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              <text>Marcel Bourliot</text>
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              <text>Gilbert Lassandre</text>
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              <text>Simone et Georges Naquet</text>
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              <text>Camille Rivière</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; Gl&amp;eacute;nic (23) &lt;br /&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 19 octobre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;br /&gt;&amp;nbsp;&lt;br /&gt;On y entend plusieurs enfants du pays parler des traditions (&lt;em&gt;La f&amp;ograve;nt daus ma&amp;ccedil;ons, De las processi&amp;ograve;ns, De las chastanhas, Per Nadau, La setmane sente&lt;/em&gt;, ...), de ce qui se faisait pour les enterrements (&lt;em&gt;Quand i avie un m&amp;ograve;rt, Le b&amp;ograve;le dau defunt, L&amp;rsquo;enterrament&lt;/em&gt;), ainsi que quelques souvenirs de l&amp;rsquo;ancien temps (Le feu, I&lt;em&gt;stoaras d&amp;rsquo;alambic, La croix vol&amp;eacute;e, Daus champs que l&amp;rsquo;i podiam pas passar&lt;/em&gt;, ...) .&lt;br /&gt;On y entend &amp;eacute;galement plusieurs histoires dr&amp;ocirc;les (&lt;em&gt;La peu d&amp;rsquo;orse, Istoare de chasse, Le can&amp;ograve;n d&amp;rsquo;b&amp;ograve;sc, La comuni&amp;ograve;n, Le parisian, Le voiatge a Lorde&lt;/em&gt;, &amp;hellip;) ainsi que quelques chansons (&lt;em&gt;Ches nos s&amp;rsquo;maridan tots, La chiebre bure, S&amp;ograve;m s&amp;ograve;m&lt;/em&gt;), comptines (&lt;em&gt;La liebre, Le mulet per &amp;lsquo;nar a Garait&lt;/em&gt;, Oyez grenadiers, &amp;hellip;) et autres dires sur les animaux (&lt;em&gt;Far venir los animaus,&lt;/em&gt; Le pivert, &lt;em&gt;Las graulas, Le cocot e la 'jasse&lt;/em&gt;, ...).&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;Informateurs :&amp;nbsp; &lt;strong&gt;Lydie Araujo, Jean Averaux, Marcel Bourliot, Henri Cotton, Paulette et Ren&amp;eacute; Georges, Marcelle Giry, Gilbert Lassandre, Simone et Georges Naquet, Camille Rivi&amp;egrave;re, Marcel Rothonnet, Jean Southon&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/div&gt;&#13;
&lt;span style="font-size: 18.6667px;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans'; font-size: 18.6667px;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;</text>
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                <text>Enquête</text>
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            <name>Title</name>
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                <text>Enquête à Glénic</text>
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                <text>00:00:00.000 --&gt; 00:00:15.000
Début de l'entretien&#13;

00:00:15.000 --&gt; 00:06:44.000
Vocabulaire&#13;

00:06:44.000 --&gt; 00:12:27.000
Los noms daus vilatges&#13;

00:12:27.000 --&gt; 00:14:25.000
Los noms daus abitants&#13;

00:14:25.000 --&gt; 00:14:43.000
Daus contes ?&#13;

00:14:43.000 --&gt; 00:15:06.000
La chiebra bura (chanson)&#13;

00:15:06.000 --&gt; 00:15:53.000
Ches nos s'maridan tots&#13;

00:15:53.000 --&gt; 00:16:36.000
Qué qu'se racontave a las velhadas ?&#13;

00:16:36.000 --&gt; 00:18:05.000
La peu d'orse&#13;

00:18:05.000 --&gt; 00:18:57.000
Istoare de chace&#13;

00:18:57.000 --&gt; 00:20:31.000
Le canòn d'bòsc&#13;

00:20:31.000 --&gt; 00:22:00.000
Istoaras d'asnes&#13;

00:22:00.000 --&gt; 00:22:47.000
Le feu&#13;

00:22:47.000 --&gt; 00:24:38.000
Istoaras d'alambic&#13;

00:24:38.000 --&gt; 00:25:15.000
Le gamin dins la cave&#13;

00:25:15.000 --&gt; 00:25:28.000
De las istoaras de maçòns ?&#13;

00:25:28.000 --&gt; 00:26:05.000
La fònt daus maçòns&#13;

00:26:05.000 --&gt; 00:26:44.000
Vos ne'n atz conegut, daus maçòns ?&#13;

00:26:44.000 --&gt; 00:28:44.000
Le viaduc&#13;

00:28:44.000 --&gt; 00:29:23.000
La liebre&#13;

00:29:23.000 --&gt; 00:29:49.000
La liebre (2) &#13;

00:29:49.000 --&gt; 00:30:06.000
La vacha&#13;

00:30:06.000 --&gt; 00:30:26.000
Far sautar los pitits sur los januelhs&#13;

00:30:26.000 --&gt; 00:31:34.000
Le mulet per 'nar a Garait&#13;

00:31:34.000 --&gt; 00:32:37.000
Oyez grenadiers ! &#13;

00:32:37.000 --&gt; 00:33:52.000
La bena de Borralia&#13;

00:33:52.000 --&gt; 00:36:17.000
Daus champs que l'i podiam pas passar &#13;

00:36:17.000 --&gt; 00:37:58.000
E au jorn d'aüei ?&#13;

00:37:58.000 --&gt; 00:39:17.000
Sòm, sòm&#13;

00:39:17.000 --&gt; 00:39:53.000
De las perieras ?&#13;

00:39:53.000 --&gt; 00:40:35.000
Le posador&#13;

00:40:35.000 --&gt; 00:43:27.000
De las processiòns&#13;

00:43:27.000 --&gt; 00:45:30.000
La senta cassada&#13;

00:45:30.000 --&gt; 00:46:18.000
La croix volée&#13;

00:46:18.000 --&gt; 00:47:57.000
La procession a Bonnat&#13;

00:47:57.000 --&gt; 00:49:30.000
Le pair Piari es malate&#13;

00:49:30.000 --&gt; 00:50:48.000
La comunion&#13;

00:50:48.000 --&gt; 00:51:58.000
Le parisian&#13;

00:51:58.000 --&gt; 00:53:19.000
La femna dau chasteu e la bargiera&#13;

00:53:19.000 --&gt; 00:53:58.000
De las chansons&#13;

00:53:58.000 --&gt; 00:55:13.000
Jan Bigut&#13;

00:55:13.000 --&gt; 00:56:10.000
D'enguera n'es pas jorn&#13;

00:56:10.000 --&gt; 00:57:21.000
La chiebre bure&#13;

00:57:21.000 --&gt; 00:58:52.000
Le pivert&#13;

00:58:52.000 --&gt; 01:00:00.000
Las graulas&#13;

01:00:00.000 --&gt; 01:00:25.000
Quant i a le sac&#13;

01:00:25.000 --&gt; 01:01:49.000
Le cocot e la 'jasse&#13;

01:01:49.000 --&gt; 01:03:33.000
Far venir los animaus&#13;

01:03:33.000 --&gt; 01:04:44.000
Bargiera de nòm&#13;

01:04:44.000 --&gt; 01:06:13.000
De las chastanhas&#13;

01:06:13.000 --&gt; 01:09:08.000
Far venir los animaus - suite&#13;

01:09:08.000 --&gt; 01:09:53.000
Per Nadau&#13;

01:09:53.000 --&gt; 01:11:34.000
Per le premier de l'an&#13;

01:11:34.000 --&gt; 01:14:36.000
Quand i avie un mòrt&#13;

01:14:36.000 --&gt; 01:17:32.000
Le bòle dau defunt&#13;

01:17:32.000 --&gt; 01:18:46.000
L'enterrament&#13;

01:18:46.000 --&gt; 01:19:46.000
Le matin dau premier de l'an&#13;

01:19:46.000 --&gt; 01:20:04.000
Los reis&#13;

01:20:04.000 --&gt; 01:22:46.000
La Chandelor, la crespas e los tortels&#13;

01:22:46.000 --&gt; 01:25:36.000
Dau berjat e autres plats&#13;

01:25:36.000 --&gt; 01:27:09.000
Carnaval&#13;

01:27:09.000 --&gt; 01:29:06.000
De la sopa (e dau chabròu)&#13;

01:29:06.000 --&gt; 01:29:59.000
Çò que fasien los pitits per Carnaval&#13;

01:29:59.000 --&gt; 01:30:56.000
Fau pas 'nar dins l'estable&#13;

01:30:56.000 --&gt; 01:31:58.000
Daus debuts dau Caresme&#13;

01:31:58.000 --&gt; 01:32:51.000
Los ramels&#13;

01:32:51.000 --&gt; 01:34:07.000
Daus proverbes&#13;

01:34:07.000 --&gt; 01:36:33.000
La setmane sente&#13;

01:36:33.000 --&gt; 01:39:17.000
De las vachas, dau taurel e dau varrat&#13;

01:39:17.000 --&gt; 01:41:39.000
Los jeudí e vendredí sents&#13;

01:41:39.000 --&gt; 01:42:54.000
Diumenc e lundí de Pasques&#13;

01:42:54.000 --&gt; 01:43:55.000
Et le mois de mai ?&#13;

01:43:55.000 --&gt; 01:44:30.000
Los auchons dau mois d'mai&#13;

01:44:30.000 --&gt; 01:44:55.000
Per la Pendegoste ?&#13;

01:44:55.000 --&gt; 01:47:35.000
La Sent Jan e  le tresfojau&#13;

01:47:35.000 --&gt; 01:48:31.000
Las festas a Glenic&#13;

01:48:31.000 --&gt; 01:50:00.000
De la bourrée&#13;

01:50:00.000 --&gt; 01:50:21.000
Un air de bourrée&#13;

01:50:21.000 --&gt; 01:50:35.000
Du rythme de la bourrée&#13;

01:50:35.000 --&gt; 01:50:54.000
Le bransle à six&#13;

01:50:54.000 --&gt; 01:51:18.000
Le pelelé&#13;

01:51:18.000 --&gt; 01:51:57.000
Daus instruments&#13;

01:51:57.000 --&gt; 01:53:31.000
Per la Sent Ròch&#13;

01:53:31.000 --&gt; 01:53:50.000
La Totsents&#13;

01:53:50.000 --&gt; 01:55:10.000
La Sent Martin&#13;

01:55:10.000 --&gt; 01:57:26.000
Nadau&#13;

01:57:26.000 --&gt; 01:58:29.000
Los jorns de la setmane&#13;

01:58:29.000 --&gt; 01:59:06.000
Compter de 1 a 20&#13;

01:59:06.000 --&gt; 01:59:48.000
Vocabulaire&#13;

01:59:48.000 --&gt; 02:00:45.000
Discussions&#13;

02:00:45.000 --&gt; 02:02:35.000
Le voiatge a Lorde
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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              <text>Robert Dagnas</text>
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              <text>Georges Roux</text>
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              <text>André Bernis</text>
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                <text>2021-12-21</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="407674">
                <text>&lt;span style="font-size: 14pt;"&gt;Sur la bo&amp;icirc;te contenant cette bande, il est not&amp;eacute; "&lt;span style="color: #808080;"&gt;Croisille s/ Briance, Dagnas Presentation&lt;/span&gt;". &lt;br /&gt;Toujours sur la bo&amp;icirc;te, une petite &amp;eacute;tiquette o&amp;ugrave; il est &amp;eacute;crit : "&lt;span style="color: #808080;"&gt;522&lt;/span&gt;".&lt;br /&gt;&lt;br /&gt;Il s'agit de l'enregistrement d'un entretien de plusieurs membres de l'&amp;Eacute;cole du Mont Gargan (&lt;em&gt;l'Esc&amp;ograve;la dau Mont-Gargan&lt;/em&gt;) portant sur la cr&amp;eacute;ation et les d&amp;eacute;buts de celle-ci.&lt;br /&gt;Sont pr&amp;eacute;sents : M Georges Roux, le Dr Andr&amp;eacute; Bernis, son fr&amp;egrave;re Adrien Bernis (dit "Fristi"), le &lt;em&gt;chabretaire&lt;/em&gt; Louis Jarraud ainsi que Mme Lucienne&amp;nbsp;Lascaux. &lt;br /&gt;&lt;br /&gt;La bande se termine par l'enregistrement de la fin d'une &amp;eacute;mission au sujet des f&amp;ecirc;tes de la Saint-Valentin dans l'Indre.&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.ecoledumontgargan.com/" target="_blank" rel="noopener"&gt;&amp;rarr;&amp;nbsp; lien vers le site de l'Esc&amp;ograve;la dau Mont-Gargan&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas). &lt;/span&gt;&lt;/span&gt;</text>
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                <text>IEO Lemosin</text>
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                <text>Haute-Vienne (87)</text>
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                <text>00:00:00.000 --&gt; 00:00:17.000
Installation&#13;

00:00:17.000 --&gt; 00:01:44.000
Présentation&#13;

00:01:44.000 --&gt; 00:02:43.000
Pourquoi avoir démarré l'École du Mont Gargant ?&#13;

00:02:43.000 --&gt; 00:03:00.000
La première sortie à Surdoux&#13;

00:03:00.000 --&gt; 00:03:17.000
Des danses locales ?&#13;

00:03:17.000 --&gt; 00:03:52.000
Quand avez-vous démarré ? (M. Jaraud)&#13;

00:03:52.000 --&gt; 00:05:13.000
Les jeunes savaient déjà danser&#13;

00:05:13.000 --&gt; 00:05:54.000
Les sorties&#13;

00:05:54.000 --&gt; 00:06:57.000
Demander à appartenir au Félibrige&#13;

00:06:57.000 --&gt; 00:07:33.000
Un orchestre formidable&#13;

00:07:33.000 --&gt; 00:08:33.000
L'histoire du Mont-Dore&#13;

00:08:33.000 --&gt; 00:08:48.000
Ancien enregistrement&#13;

00:08:48.000 --&gt; 00:09:06.000
Pourquoi avez-vous créé cette fête ?&#13;

00:09:06.000 --&gt; 00:10:39.000
S'occuper de la Saint-Valentin&#13;

00:10:39.000 --&gt; 00:13:30.000
Le programme des festivités&#13;

00:13:30.000 --&gt; 00:14:27.000
Le comité de coordination&#13;

00:14:27.000 --&gt; 00:15:57.000
La suite du programme&#13;

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Présentation : survivance ou mort de la sorcellerie&#13;

00:00:36.000 --&gt; 00:02:42.000
Autour du lac de Vassivière&#13;

00:02:42.000 --&gt; 00:04:05.000
Le mauvais œil &#13;

00:04:05.000 --&gt; 00:05:21.000
À Saint-Sulpice-Laurière&#13;

00:05:21.000 --&gt; 00:07:16.000
Lever un sort&#13;

00:07:16.000 --&gt; 00:08:56.000
Tirer les cartes&#13;

00:08:56.000 --&gt; 00:12:06.000
Du sorcier&#13;

00:12:06.000 --&gt; 00:13:32.000
Le feuillardier de Nexon&#13;

00:13:32.000 --&gt; 00:14:01.000
Du feu dans la sorcellerie&#13;

00:14:01.000 --&gt; 00:16:38.000
Nommer un "sorcier"&#13;

00:16:38.000 --&gt; 00:17:37.000
La femna&#13;

00:17:37.000 --&gt; 00:19:59.000
Un portrait du sorcier&#13;

00:19:59.000 --&gt; 00:24:48.000
Du maintien des croyances&#13;

00:24:48.000 --&gt; 00:27:03.000
Du phénomène de sorcellerie&#13;

00:27:03.000 --&gt; 00:28:03.000
Réparer les machines&#13;

00:28:03.000 --&gt; 00:29:23.000
Des messes noires&#13;

00:29:23.000 --&gt; 00:36:46.000
R. Margerit, Mont-Dragon (fiction)&#13;

00:36:46.000 --&gt; 00:42:47.000
Entretien avec l'auteur&#13;

00:42:47.000 --&gt; 00:43:52.000
Entretien avec Jean Blanzat&#13;

00:43:52.000 --&gt; 00:46:50.000
Entretien avec Claude Seignolle&#13;

00:46:50.000 --&gt; 00:56:20.000
L'homme qui savait d'avance (fiction)&#13;

00:56:20.000 --&gt; 00:57:09.000
La Malvina&#13;

00:57:09.000 --&gt; 00:58:58.000
Recrudescence de la sorcellerie&#13;

00:58:58.000 --&gt; 01:00:05.000
Fin de l'émission &#13;

01:00:05.000 --&gt; 01:00:46.000
Musique de chambre : introduction&#13;

01:00:46.000 --&gt; 01:01:57.000
Présentation de Luis Galvez (pianiste)&#13;

01:01:57.000 --&gt; 01:07:12.000
Hommage à Albéniz, de Joaquin Rodrigo&#13;

01:07:12.000 --&gt; 01:12:19.000
Évocacion (de la suite Iberia), d'Albéniz&#13;

01:12:19.000 --&gt; 01:16:31.000
La danse de la lumière, d'Emmanuel de Faya
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                <text>&lt;span style="font-size: 14pt;"&gt;Sur cette bande est pos&amp;eacute;e une &amp;eacute;tiquette o&amp;ugrave; il est &amp;eacute;crit&amp;nbsp;"&lt;span style="color: #808080;"&gt;556 ; Batteuse ; 29-8-67 ; Vaulry&lt;/span&gt;".&lt;br /&gt;&lt;br /&gt;Il s'agit de l'enregistrement (s&amp;ucirc;rement pendant une r&amp;eacute;p&amp;eacute;tition) du groupe folklorique d'Ambazac &amp;laquo; Lou Gerbassou &amp;raquo;. &lt;br /&gt;Nous y entendons plusieurs chansons en langue limousine (&lt;em&gt;La brian&amp;ccedil;a, La bela mair, Las quatre sasons&lt;/em&gt;) ainsi qu'une&lt;em&gt; nh&amp;ograve;rla&lt;/em&gt;, une histoire dr&amp;ocirc;le (&lt;em&gt;L'istoara dau meitadier&lt;/em&gt;).&lt;br /&gt;&lt;br /&gt;Nous ne connaissons malheureusement pas la date exacte de cet enregistrement (possiblement au d&amp;eacute;but des ann&amp;eacute;es 1970).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br style="font-family: 'Open Sans'; background-color: #f3ede2;" /&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas). &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;</text>
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Brouhaha&#13;

00:00:24.000 --&gt; 00:04:28.000
La briança&#13;

00:04:28.000 --&gt; 00:06:39.000
La bela mair&#13;

00:06:39.000 --&gt; 00:08:35.000
L'istoara dau meitadier&#13;

00:08:35.000 --&gt; 00:10:06.000
Una autra !&#13;

00:10:06.000 --&gt; 00:13:10.000
Las quatre sasons&#13;

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Quand j'étais chez mon père (fin)&#13;

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La mal mariée&#13;

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À propos de la chanson&#13;

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Le moine&#13;

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Suite deux sévrienne vrille pastillet&#13;

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Partie inaudible&#13;

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Reprise du morceau&#13;

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En voiture et danse à billardeau&#13;

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Partie inaudible&#13;

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Reprise du morceau&#13;

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La vrille à la bouteille&#13;

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