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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l&amp;rsquo;enveloppe contenant cette bande, il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"721 diffus&amp;eacute; 20/5&amp;nbsp;; ascension&amp;nbsp;; Berceuse de Teilliet&amp;nbsp;;&amp;nbsp; Chez Nous 20 5 61"&lt;/span&gt;. La bande ne porte aucune indication.&lt;br /&gt;&lt;br /&gt;Il s&amp;rsquo;agit de l&amp;rsquo;enregistrement de l&amp;rsquo; &amp;eacute;mission &amp;laquo; Chez nous &amp;raquo; telle qu' elle fut diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest le 20 mai 1961, quelques jours apr&amp;egrave;s la f&amp;ecirc;te de l&amp;rsquo;Ascension. &lt;br /&gt;&lt;br /&gt;Nous y entendons plusieurs chansons interpr&amp;eacute;t&amp;eacute;es &amp;agrave; tour de r&amp;ocirc;le par &lt;strong&gt;Pierre Biossac&lt;/strong&gt;, &lt;strong&gt;Ang&amp;egrave;le Chabeaudie&lt;/strong&gt; et &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; (&lt;em&gt;En-naut, sus la montanha&lt;/em&gt;, R&amp;eacute;veillez-vous la belle, Berceuse de Jean Teilliet, &amp;hellip;) ; ainsi que plusieurs airs &amp;agrave; danser interpr&amp;eacute;t&amp;eacute;s par &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt; au violon, Yvette Restoin &amp;agrave; la vielle ainsi que par les groupes folklorique de l&amp;rsquo;&lt;a href="http://ecoleventadour.free.fr/" target="_blank" rel="noopener"&gt;&amp;Eacute;cole Ventadour&lt;/a&gt; de Tulle, les &lt;a href="https://www.amisvieuxpoitou.fr/" target="_blank" rel="noopener"&gt;Amis du Vieux Poitou&lt;/a&gt; de Ch&amp;acirc;tellerault et &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&amp;laquo; &lt;/span&gt;&lt;a href="https://www.facebook.com/people/Los-Velhadors-De-Sent-Junian/100070015124266/" target="_blank" rel="noopener"&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;Los Velhadors de Sent Junian &lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;span style="font-size: 14pt;"&gt;&amp;raquo;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:30.000
Générique : Chas nos (J. Rebier)&#13;

00:00:30.000 --&gt; 00:01:07.000
L'Ascension&#13;

00:01:07.000 --&gt; 00:01:36.000
Bourrée&#13;

00:01:36.000 --&gt; 00:03:04.000
Som, som&#13;

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En-naut, sus la montanha&#13;

00:05:05.000 --&gt; 00:06:23.000
Réveillez-vous la belle&#13;

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Danse&#13;

00:07:44.000 --&gt; 00:08:41.000
La manuguet&#13;

00:08:41.000 --&gt; 00:11:04.000
Un grand panier sur sa testa, se 'nava la Marion&#13;

00:11:04.000 --&gt; 00:13:11.000
Bourrée poitevine&#13;

00:13:11.000 --&gt; 00:14:10.000
Bourrée&#13;

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Berceuse de Jean Teilliet&#13;

00:17:47.000 --&gt; 00:18:48.000
Quelques informations&#13;

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Au revoir
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                <text>&lt;span style="font-size: 14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, une s&amp;eacute;rie d'enregistrements destin&amp;eacute;s &amp;agrave; un almanach diffus&amp;eacute; quotidiennement sur Radio-Limoges.&lt;br /&gt;&lt;br /&gt;Ici, les enregistrements du 24 octobre au 11 novembre de l'ann&amp;eacute;e 1985.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jan dau Melhau&lt;/strong&gt; y livre divers proverbes et dires (&lt;em&gt;Sent Crespin e sos proverbis, Dires sus l'aubralha&lt;/em&gt;, ...), plusieurs contes et fables (&lt;em&gt;Un conte dau rainard e dau lop, Lo conte daus tres dr&amp;ograve;lles que van Sent-Jaume&lt;/em&gt;, ...), ainsi que quelques r&amp;eacute;flexions personnelles &amp;agrave; propos de sujets vari&amp;eacute;s (&lt;em&gt;Los paisans "retr&amp;ograve;s", N&amp;ograve;stre molin ven de barrar&lt;/em&gt;, &amp;hellip;). &lt;br /&gt;&lt;strong&gt;Jan&lt;/strong&gt; y &amp;eacute;voque aussi l'histoire du Limousin et des limousins ; notamment l&amp;rsquo;&amp;eacute;migration saisonni&amp;egrave;re vers l&amp;rsquo;Espagne (&lt;em&gt;Lo lemosins que 'navan trabalhar en Espanha&lt;/em&gt;) qu&amp;rsquo;il compare &amp;agrave; un ph&amp;eacute;nom&amp;egrave;ne actuel.&lt;br /&gt;&lt;br /&gt;Des airs de bourr&amp;eacute;e chant&amp;eacute;s &amp;agrave; la voix assurent la transition entre les diff&amp;eacute;rents jours de l&amp;rsquo;almanach.&lt;br /&gt;&lt;br /&gt;Sur la face A, les pistes 1 &amp;agrave; 23. &lt;br /&gt;Sur la face B, les pistes 24 &amp;agrave; 46 (le contenu de cette face est difficilement audible).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #333333;"&gt;&lt;span style="font-size: 10pt;"&gt;Personnage incontournable de la culture limousine, &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; est &amp;eacute;crivain, &amp;eacute;diteur (&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 10pt;"&gt;Lo chamin de sent Jaume)&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 10pt;"&gt;, collecteur, musicien, chanteur, conteur, diseur, etc.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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Lo 24 d'octòbre - Ò calha paubra calha&#13;

00:00:09.000 --&gt; 00:02:50.000
Devinhòlas&#13;

00:02:50.000 --&gt; 00:03:00.000
Lo 25 d'octòbre - De deçai, las peras son maduras&#13;

00:03:00.000 --&gt; 00:05:19.000
Sent Crespin e sos proverbis&#13;

00:05:19.000 --&gt; 00:05:28.000
Lo 26 d'octòbre - Sus lo pont d'a Vimbela&#13;

00:05:28.000 --&gt; 00:07:55.000
Los paisans "retròs"&#13;

00:07:55.000 --&gt; 00:08:01.000
Lo 27 d'octòbre - Quand quò vira, quò vai&#13;

00:08:01.000 --&gt; 00:10:13.000
Un conte dau rainard e dau lop&#13;

00:10:13.000 --&gt; 00:10:29.000
Lo 28 d'octòbre - Çò-ditz Janton&#13;

00:10:29.000 --&gt; 00:13:02.000
Las sechieras dau Lemosin&#13;

00:13:02.000 --&gt; 00:13:12.000
Lo 29 d'octòbre - Ente a passat l'ivern d'antan ?&#13;

00:13:12.000 --&gt; 00:13:33.000
Lo poeta Enri Plantadís&#13;

00:13:33.000 --&gt; 00:15:31.000
Lo peschaire (poema)&#13;

00:15:31.000 --&gt; 00:15:40.000
Lo 30 d'octòbre - Son pas d'aicí&#13;

00:15:40.000 --&gt; 00:18:21.000
Dires sus l'aubralha&#13;

00:18:21.000 --&gt; 00:18:30.000
Lo 31 d'octòbre - Para lo lop&#13;

00:18:30.000 --&gt; 00:20:57.000
La correntina de la negra e dau puelh&#13;

00:20:57.000 --&gt; 00:21:08.000
Lo 1 de novembre - L'autre jorn ieu me maridava&#13;

00:21:08.000 --&gt; 00:23:27.000
Los proverbis de Totsents&#13;

00:23:27.000 --&gt; 00:23:40.000
Lo 2 de novembre - Lo curet que la confessava&#13;

00:23:40.000 --&gt; 00:26:01.000
Nòstre molin ven de barrar&#13;

00:26:01.000 --&gt; 00:26:07.000
Lo 3 de novembre - Per bien la chantar&#13;

00:26:07.000 --&gt; 00:28:33.000
Lo conte daus tres dròlles que van Sent Jaume&#13;

00:28:33.000 --&gt; 00:28:42.000
Facia B  - Lo 4 de novembre - Ma maire aviá mas'na dent&#13;

00:28:42.000 --&gt; 00:29:53.000
Lo lemosins que 'navan trabalhar en Espanha&#13;

00:29:53.000 --&gt; 00:30:25.000
Çò que ditz Bernage, intendent dau Lemosin&#13;

00:30:25.000 --&gt; 00:31:30.000
La suplica dau monde de Sent-Pardól la Crosilha a Turgot&#13;

00:31:30.000 --&gt; 00:31:39.000
Lo 5 de novembre - Ai vist lo lop&#13;

00:31:39.000 --&gt; 00:31:50.000
Dos poemas dau Leon Branchet&#13;

00:31:50.000 --&gt; 00:33:03.000
Lo poema dau chabretaire&#13;

00:33:03.000 --&gt; 00:34:04.000
Lo poema de la viena&#13;

00:34:04.000 --&gt; 00:34:13.000
Lo 6 de novembre - Leva lo pè, drolleta&#13;

00:34:13.000 --&gt; 00:36:40.000
La vita de Sent Liunard&#13;

00:36:40.000 --&gt; 00:36:50.000
Lo 7 de novembre - Avau dins la robiera&#13;

00:36:50.000 --&gt; 00:38:37.000
Dires sus lo trabalh&#13;

00:38:37.000 --&gt; 00:39:35.000
Dires sus lo trabalh de la terra&#13;

00:39:35.000 --&gt; 00:39:45.000
Lo 8 de novembre - Maridatz-me, ma maire&#13;

00:39:45.000 --&gt; 00:41:23.000
Dau vent&#13;

00:41:23.000 --&gt; 00:42:11.000
Lo conte dau vent&#13;

00:42:11.000 --&gt; 00:42:18.000
Lo 9 de novembre -Si sabiatz drolletas&#13;

00:42:18.000 --&gt; 00:44:48.000
La faula de la taula&#13;

00:44:48.000 --&gt; 00:44:58.000
Lo 10 de novembre - Delai París&#13;

00:44:58.000 --&gt; 00:47:05.000
Un conte de la Marcha&#13;

00:47:05.000 --&gt; 00:47:12.000
Lo 11 de novembre - La vòle mai l'aurai&#13;

00:47:12.000 --&gt; 00:48:35.000
Los proverbis de la Sent Martin&#13;

00:48:35.000 --&gt; 00:49:49.000
Dempuei 1918 ...&#13;

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Eh ben ma pita granda-mair ...&#13;

00:00:05.000 --&gt; 00:03:03.000
Blancha bicha&#13;

00:03:03.000 --&gt; 00:04:41.000
'Nar a Rechoart emb un asne&#13;

00:04:41.000 --&gt; 00:04:50.000
On va recommencer ...&#13;

00:04:50.000 --&gt; 00:07:10.000
La parricide empoisonneuse&#13;

00:07:10.000 --&gt; 00:08:29.000
'N'istória de pitit coenh&#13;

00:08:29.000 --&gt; 00:10:42.000
La chanson de la meunière&#13;

00:10:42.000 --&gt; 00:10:53.000
Qu'es a pus pres la mesma&#13;

00:10:53.000 --&gt; 00:12:54.000
Pastourelle&#13;

00:12:54.000 --&gt; 00:13:13.000
La balada de Sent Quentin&#13;

00:13:13.000 --&gt; 00:13:40.000
Aimen-nos tots dos&#13;

00:13:40.000 --&gt; 00:14:12.000
Brave galant &#13;

00:14:12.000 --&gt; 00:15:43.000
Au tralala&#13;

00:15:43.000 --&gt; 00:16:41.000
Ente quò se passava ?&#13;

00:16:41.000 --&gt; 00:17:07.000
Le petit japonais&#13;

00:17:07.000 --&gt; 00:18:10.000
Docteur Kaminger&#13;

00:18:10.000 --&gt; 00:21:09.000
Breguet et l'aviation&#13;

00:21:09.000 --&gt; 00:23:20.000
Émission sur Marie Ventura&#13;

00:23:20.000 --&gt; 00:23:59.000
Fin d'émission&#13;

00:23:59.000 --&gt; 00:25:36.000
Lecture d'un passage de "La Vagabonde" (S-G Colette)&#13;

00:25:36.000 --&gt; 00:27:04.000
Pourquoi ne serais-je pas au milieu de vous ce soir ?&#13;

00:27:04.000 --&gt; 00:28:18.000
Lecture des "Poèmes Saturniens" (P. Verlaine)&#13;

00:28:18.000 --&gt; 00:33:09.000
Récit de vol de Saint-Exupéry&#13;

00:33:09.000 --&gt; 00:34:04.000
Musique classique&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande il est not&amp;eacute;&amp;nbsp;&lt;span style="color: #808080;"&gt;"Lous Velhadours&amp;nbsp;; Pierre Biossac&amp;nbsp;; le petit &amp;eacute;cureuil (Y N)&amp;nbsp;; la noce du papillon&amp;nbsp;; rengaine du meunier&amp;nbsp;; les puces&amp;nbsp;; &amp;Eacute;mission Chez nous&amp;nbsp;; 1961&amp;nbsp;; Lison"&lt;/span&gt;.&amp;nbsp; La bande ne porte aucune indication. &lt;br /&gt;&lt;br /&gt;Il s'agit de l'enregistrement d'une &amp;eacute;mission de "Chez nous" (contes, chansons, po&amp;egrave;mes, ...) telle qu'elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest.&lt;br /&gt;&lt;br /&gt;On peut y entendre des extraits d'enregistrements de plusieurs informateurs de &lt;strong&gt;Robert Dagnas&lt;/strong&gt; : &lt;br /&gt;- &lt;strong&gt;Pierre Biossac&lt;/strong&gt; : &lt;em&gt;Mas l'autre jorn en m'i permenant&lt;/em&gt; (chant)&lt;br /&gt;- &lt;strong&gt;Yvette Restoin&lt;/strong&gt; : &lt;em&gt;Lo rainard e l'escur&amp;ograve;u&lt;/em&gt; (fable)&lt;br /&gt;- &lt;strong&gt;Henriette Fauriot&lt;/strong&gt; : La noce du papillon, La rengaine du meunier (chants)&lt;br /&gt;- &lt;strong&gt;Ang&amp;egrave;le Chabeaudie&lt;/strong&gt; : La belle Isabeau (chant), Aviez-vous un galant ?,&amp;nbsp; Les mariages d'autrefois (souvenirs)&lt;br /&gt;- &lt;strong&gt;Andr&amp;eacute; Danias&lt;/strong&gt; : Les puces de la berg&amp;egrave;re (po&amp;egrave;me)&lt;br /&gt;- &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; : La Lison (chant)&lt;br /&gt;- &lt;a href="https://la-biaca.org/items/show/13441#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=608%2C489%2C697%2C618" target="_blank" rel="noopener"&gt;&lt;strong&gt;Michel Meilhac&lt;/strong&gt;&lt;/a&gt; : &lt;em&gt;Ai vist lo lop&lt;/em&gt; (&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;bourr&amp;eacute;e)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:33.000
Générique d'ouverture&#13;

00:00:33.000 --&gt; 00:01:47.000
Présentation de l’émission&#13;

00:01:47.000 --&gt; 00:04:03.000
Mas l'autre jorn en m'i permenant &#13;

00:04:03.000 --&gt; 00:05:21.000
Lo rainard e l'escuròu&#13;

00:05:21.000 --&gt; 00:06:22.000
La noce du papillon&#13;

00:06:22.000 --&gt; 00:06:47.000
La rengaine du meunier&#13;

00:06:47.000 --&gt; 00:08:26.000
La belle Isabeau&#13;

00:08:26.000 --&gt; 00:09:24.000
Aviez-vous un galant ?&#13;

00:09:24.000 --&gt; 00:10:39.000
Les mariages d'autrefois&#13;

00:10:39.000 --&gt; 00:11:57.000
Les puces de la bergère &#13;

00:11:57.000 --&gt; 00:14:08.000
La Lison&#13;

00:14:08.000 --&gt; 00:15:28.000
Ai vist lo lop&#13;

00:15:28.000 --&gt; 00:16:14.000
Conclusion&#13;

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C'était "Chez nous"
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                <text>&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit d&amp;rsquo;un enregistrement de &lt;strong&gt;M et Mme Vincent et Marie-Th&amp;eacute;r&amp;egrave;se Peltier&lt;/strong&gt; r&amp;eacute;alis&amp;eacute; le 25 octobre 1995 par &lt;a href="https://www.ethnographiques.org/Valiere_Michel" target="_blank" rel="noopener"&gt;&lt;strong&gt;Michel Vali&amp;egrave;re&lt;/strong&gt;&lt;/a&gt;. &lt;br /&gt;On y entend &lt;strong&gt;M et Mme Peltier&lt;/strong&gt; parler de leur engagement politique et spirituel au travers des diff&amp;eacute;rents mouvements agricoles de l&amp;rsquo;&amp;eacute;poque.&lt;br /&gt;&lt;br /&gt;Cet enregistrement fait suite &amp;agrave; celui portant sur la religion et le monde agricole. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/13478#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0"&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;Le fonds Michel Vali&amp;egrave;re&lt;/span&gt;&lt;/a&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La &lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;num&amp;eacute;risation et l&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;a cession&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt; d&amp;rsquo;une copie de &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;ce document a &amp;eacute;t&amp;eacute; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;r&amp;eacute;alis&amp;eacute;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;e&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt; par le D&amp;eacute;partement de la Vienne (Archives d&amp;eacute;partementales) avec l&amp;rsquo;autorisation de Mme Mich&amp;egrave;le Vali&amp;egrave;re&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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Des élections&#13;

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L'idée de démocracie directe&#13;

00:03:34.000 --&gt; 00:05:43.000
Les réponses des candidats&#13;

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Un exemple de problème débatu collectivement&#13;

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Un risque sectaire ...&#13;

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La diversité des opinions&#13;

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Le but de la démarche&#13;

00:14:24.000 --&gt; 00:16:42.000
Penser "rural" et "chrétien" à la fois&#13;

00:16:42.000 --&gt; 00:19:14.000
N'y a-t-il pas un peu de naïveté ?&#13;

00:19:14.000 --&gt; 00:20:50.000
Voir, juger et agir&#13;

00:20:50.000 --&gt; 00:23:59.000
Garder cette ligne toute sa vie&#13;

00:23:59.000 --&gt; 00:27:57.000
Du productivisme&#13;

00:27:57.000 --&gt; 00:29:02.000
Comment étiez-vous informés ?&#13;

00:29:02.000 --&gt; 00:31:10.000
Du CCFD&#13;

00:31:10.000 --&gt; 00:34:47.000
De la prise de conscience avant l'action&#13;

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Installation&#13;

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Quò marche (co)ma quò&#13;

00:01:30.000 --&gt; 00:11:00.000
Vocabulaire&#13;

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Ante quò cause le mesme patoàs que vos ?&#13;

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Tu ses pus jeune que me mas tu parlas pus vielhs que me&#13;

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Lòs noms daus vilatges de la comune&#13;

00:24:28.000 --&gt; 00:26:12.000
La graule e le rainard&#13;

00:26:12.000 --&gt; 00:26:56.000
O de las chançons ...&#13;

00:26:56.000 --&gt; 00:28:55.000
La chançon daus dapeiriauds&#13;

00:28:55.000 --&gt; 00:30:21.000
Qu'es la vache de ma grand-mère&#13;

00:30:21.000 --&gt; 00:31:41.000
Le turlututu&#13;

00:31:41.000 --&gt; 00:33:40.000
Le petit Pierre rev'nant dau molin&#13;

00:33:40.000 --&gt; 00:35:12.000
Las istoaras d'Jarnage&#13;

00:35:12.000 --&gt; 00:36:03.000
A las velhadas&#13;

00:36:03.000 --&gt; 00:37:21.000
Des petites comptines ?&#13;

00:37:21.000 --&gt; 00:37:36.000
Ten bon Marí-Madelane !&#13;

00:37:36.000 --&gt; 00:38:16.000
De las perieras ?&#13;

00:38:16.000 --&gt; 00:39:13.000
Lòs buòus o lòs bueus ?&#13;

00:39:13.000 --&gt; 00:40:24.000
Far parlar lòs auseus&#13;

00:40:24.000 --&gt; 00:41:01.000
De l'ajace ...&#13;

00:41:01.000 --&gt; 00:45:50.000
'Pelar las bèstias&#13;

00:45:50.000 --&gt; 00:46:29.000
Las ovelhas son dins lòs blats&#13;

00:46:29.000 --&gt; 00:47:17.000
'Pelar las bèstias (suite)&#13;

00:47:17.000 --&gt; 00:47:38.000
Qu'es la filhe de la moniere&#13;

00:47:38.000 --&gt; 00:48:22.000
Tue ton chin Marí&#13;

00:48:22.000 --&gt; 00:49:26.000
La filhe de la montanhe&#13;

00:49:26.000 --&gt; 00:50:04.000
Si t'avias vengut, t'auras minjat d'l'andolhe&#13;

00:50:04.000 --&gt; 00:51:59.000
La mosche dins son eschacier&#13;

00:51:59.000 --&gt; 00:56:12.000
Vocabulaire - Les mots en patois du papa&#13;

00:56:12.000 --&gt; 00:59:55.000
Le premier d'l'annade&#13;

00:59:55.000 --&gt; 01:00:53.000
Proverbe sur les jours&#13;

01:00:53.000 --&gt; 01:02:01.000
Lòs reis&#13;

01:02:01.000 --&gt; 01:05:41.000
La Chandeleur e las crespas&#13;

01:05:41.000 --&gt; 01:07:02.000
Lòs tortiaus&#13;

01:07:02.000 --&gt; 01:10:29.000
Carnaval, l'aumalh e lòs ueus&#13;

01:10:29.000 --&gt; 01:12:24.000
Le lendeman d'Carnaval&#13;

01:12:24.000 --&gt; 01:15:07.000
Lòs ramiaus&#13;

01:15:07.000 --&gt; 01:18:23.000
La Setmane Sente&#13;

01:18:23.000 --&gt; 01:20:43.000
Daus vents&#13;

01:20:43.000 --&gt; 01:21:48.000
Lòs ueus e le Jeudí Sent&#13;

01:21:48.000 --&gt; 01:23:41.000
Pasques e las cornudas&#13;

01:23:41.000 --&gt; 01:24:21.000
Le Lundí de Pasques&#13;

01:24:21.000 --&gt; 01:26:48.000
Le mes de mai&#13;

01:26:48.000 --&gt; 01:30:37.000
Quand i avie un mòrt&#13;

01:30:37.000 --&gt; 01:32:23.000
L'Ascensiòn&#13;

01:32:23.000 --&gt; 01:33:45.000
Pendegoste&#13;

01:33:45.000 --&gt; 01:38:51.000
La Sent Jan e le tresfojau&#13;

01:38:51.000 --&gt; 01:40:16.000
Le 15 d'aust&#13;

01:40:16.000 --&gt; 01:44:58.000
De las bonas fonts&#13;

01:44:58.000 --&gt; 01:50:01.000
La feste e las danças&#13;

01:50:01.000 --&gt; 01:50:43.000
La Sent Ròch&#13;

01:50:43.000 --&gt; 01:55:49.000
Totsents e las chastanhas&#13;

01:55:49.000 --&gt; 01:56:27.000
La Sent Martin&#13;

01:56:27.000 --&gt; 01:59:19.000
Noèl e le nadau&#13;

01:59:19.000 --&gt; 02:00:19.000
Binar le lach&#13;

02:00:19.000 --&gt; 02:01:28.000
Compter de 1 a 20&#13;

02:01:28.000 --&gt; 02:02:01.000
Les jours de la semaine&#13;

02:02:01.000 --&gt; 02:02:35.000
Les mois de l'année&#13;

02:02:35.000 --&gt; 02:03:49.000
Fin et remerciements&#13;

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Lo cuer de ma mia&#13;

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La terra es freja&#13;

00:03:01.000 --&gt; 00:06:19.000
Lo turlututu&#13;

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Darrier lo castel de Montvielh&#13;

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La polka de Chamboulive&#13;

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Fin&#13;

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                <text>00:00:00.000 --&gt; 00:00:13.000
Introduction&#13;

00:00:13.000 --&gt; 00:00:58.000
Pour quelle agriculture on se battait&#13;

00:00:58.000 --&gt; 00:03:12.000
Le syndicalisme officiel&#13;

00:03:12.000 --&gt; 00:04:22.000
Partager la terre&#13;

00:04:22.000 --&gt; 00:05:03.000
Concrètement&#13;

00:05:03.000 --&gt; 00:07:09.000
La surface cumulable&#13;

00:07:09.000 --&gt; 00:08:58.000
Pourquoi revendiquer cela ?&#13;

00:08:58.000 --&gt; 00:11:05.000
L'ambition&#13;

00:11:05.000 --&gt; 00:12:42.000
L'hygiène et le progrès&#13;

00:12:42.000 --&gt; 00:13:35.000
On était un certain nombre&#13;

00:13:35.000 --&gt; 00:15:43.000
Les coopératives&#13;

00:15:43.000 --&gt; 00:19:05.000
Un paradoxe dans la revendication&#13;

00:19:05.000 --&gt; 00:20:56.000
La transmission du capital&#13;

00:20:56.000 --&gt; 00:24:55.000
Le changement de société &#13;

00:24:55.000 --&gt; 00:28:17.000
S'engager plus globalement&#13;

00:28:17.000 --&gt; 00:30:37.000
Et aujourd'hui ?&#13;

00:30:37.000 --&gt; 00:33:02.000
L'agriculture succombe&#13;

00:33:02.000 --&gt; 00:33:41.000
Le modèle américain
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                <text>&lt;span style="font-size: 14pt;"&gt;Sur le bo&amp;icirc;tier contenant cette bande, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"Bande 5 ; St Mathieu ; folklore ; &amp;agrave; monter"&lt;/span&gt;. Sur une petite &amp;eacute;tiquette coll&amp;eacute;e sur ce bo&amp;icirc;tier, nous pouvons lire &lt;span style="color: #808080;"&gt;"438"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Il s&amp;rsquo;agit de l&amp;rsquo;enregistrement de plusieurs chansons en fran&amp;ccedil;ais interpr&amp;eacute;t&amp;eacute;es par une informatrice non identifi&amp;eacute;e (dans &lt;a href="https://la-biaca.org/items/show/784" target="_blank" rel="noopener"&gt;un autre enregistrement&lt;/a&gt;, &lt;strong&gt;M Dagnas&lt;/strong&gt; la pr&amp;eacute;sentait comme &amp;eacute;tant d'Augignac et pr&amp;eacute;cisait qu'elle s'appelait &lt;strong&gt;Marguerite&lt;/strong&gt; et &amp;eacute;tait ag&amp;eacute;e de 89 ans) . Celle-ci est interrog&amp;eacute;e par &lt;strong&gt;F&amp;eacute;licie Brouillet&lt;/strong&gt; et &lt;strong&gt;Robert Dagnas&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;La bande se termine par plusieurs morceaux jou&amp;eacute;s au saxophone par un interpr&amp;egrave;te dont nous ne connaissons pas l'identit&amp;eacute;.&lt;br /&gt;&lt;br /&gt;Nous ne connaissons pas la date ni le lieu de cet enregistrement (possiblement dans les ann&amp;eacute;e 1970 &amp;agrave; Augignac). &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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La Rosalie&#13;

00:01:49.000 --&gt; 00:03:39.000
Dans Paris y'a t'une brune&#13;

00:03:39.000 --&gt; 00:04:35.000
Si vos ne setz pas 'bracada ...&#13;

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Garçons de mon village&#13;

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Air de saxophone 1&#13;

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Air de saxophone 1 (bis)&#13;

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Air de saxophone 2&#13;

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Air de saxophone 3&#13;

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Air de saxophone 4&#13;

00:10:43.000 --&gt; 00:11:27.000
Lo curet Janton &#13;

00:11:27.000 --&gt; 00:12:20.000
Bourrée&#13;

00:12:20.000 --&gt; 00:13:03.000
Air de saxophone 5&#13;

00:13:03.000 --&gt; 00:13:42.000
Air de saxophone 6&#13;

00:13:42.000 --&gt; 00:14:20.000
Air de saxophone 7&#13;

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                <text>L'engagement dans l'Église</text>
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                <text>00:00:00.000 --&gt; 00:00:31.000
Reprise de l'enregistrement&#13;

00:00:31.000 --&gt; 00:07:18.000
Débat sur la foi et la rencontre de Dieu&#13;

00:07:18.000 --&gt; 00:10:36.000
Un triste exemple&#13;

00:10:36.000 --&gt; 00:12:01.000
La souffrance&#13;

00:12:01.000 --&gt; 00:14:05.000
Un création des hommes&#13;

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L'engagement dans l'Église&#13;

00:16:46.000 --&gt; 00:22:17.000
Être prêtre, être femme&#13;

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Les femmes étaient impures&#13;

00:24:44.000 --&gt; 00:25:58.000
L'Église ne peut pas se passer des femmes&#13;

00:25:58.000 --&gt; 00:27:07.000
La Création&#13;

00:27:07.000 --&gt; 00:29:09.000
La place de la Bible dans le catéchisme&#13;

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L'œcuménisme&#13;

00:31:42.000 --&gt; 00:33:26.000
La Bible s'écrit encore (Primo Levi)&#13;

00:33:26.000 --&gt; 00:34:47.000
Le Cantique des cantiques
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                <text>Ballet poitevin</text>
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                <text>Les Pibolous de la Mothe St-Héray </text>
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                <text>&lt;span style="font-size: 14pt;"&gt;La bobine contenant cette bande porte une &amp;eacute;tiquette sur laquelle il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"ballet poitevin"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Il s&amp;rsquo;agit de l'enregistrement d&amp;rsquo;un spectacle (chansons et airs &amp;agrave; danser) donn&amp;eacute; par le groupe folklorique &amp;laquo; Les Pibolous de La Mothe-Saint-H&amp;eacute;ray &amp;raquo; (79). &lt;br /&gt;&lt;br /&gt;Nous ne connaissons pas la date ni le lieu de cet enregistrement (possiblement dans les ann&amp;eacute;es 1970).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Applaudissements&#13;

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J'ai rencontré ma mie&#13;

00:01:32.000 --&gt; 00:02:32.000
La Marchoise à Aimé Bozier&#13;

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Pas d’été à Aimé Bozier&#13;

00:03:28.000 --&gt; 00:04:52.000
Le brisquet cellois&#13;

00:04:52.000 --&gt; 00:07:43.000
La sauce aux lumas&#13;

00:07:43.000 --&gt; 00:08:50.000
Le brisquet cellois&#13;

00:08:50.000 --&gt; 00:10:49.000
Quand j'étais chez mon père&#13;

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Lo 7 de decembre - Avau dins la robiera&#13;

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Los dires e proverbis dau mes de l'Avent&#13;

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Lo 8 de decembre - Maridatz-me, ma maire&#13;

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Nòstra Dama de decembre&#13;

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Los borgs e los vilatges&#13;

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Lo 9 de decembre - Si sabiatz, drolletas&#13;

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Lo merchand que pesa los anheus&#13;

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Lo 10 de decembre - Delai París&#13;

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La Senta Valeria&#13;

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Lo 11 de decembre - La vòle mai l'aurai&#13;

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Un païsan lemosin dins las annadas 50&#13;

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Lo 12 de decembre - Aval dins lo Lemosin&#13;

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Lo biais lemosin de recebre&#13;

00:13:54.000 --&gt; 00:14:05.000
Lo 13 de decembre - La senzilha e lo pinson&#13;

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Proverbis de l'annada&#13;

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Lo 14 de decembre - La Glauda&#13;

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'Na correntina sus Vinhana&#13;

00:18:39.000 --&gt; 00:18:47.000
Lo 15 de decembre - Garda ton bon temps, Naneta&#13;

00:18:47.000 --&gt; 00:21:02.000
La reclama au telefòne e los subre-gialats&#13;

00:21:02.000 --&gt; 00:21:17.000
Lo 16 de decembre - Lo puelh e la negra&#13;

00:21:17.000 --&gt; 00:23:17.000
Lo jai que se voliá brejar&#13;

00:23:17.000 --&gt; 00:23:26.000
Lo 17 de decembre - Lo pitit òme&#13;

00:23:26.000 --&gt; 00:25:47.000
Las musicas (los instruments)&#13;

00:25:47.000 --&gt; 00:25:56.000
Lo 18 de decembre - La chanson de las meissonjas&#13;

00:25:56.000 --&gt; 00:28:08.000
Un païsan lemosin dins las annadas 50&#13;

00:28:08.000 --&gt; 00:28:24.000
Lo 19 de decembre - Delai lo ribateu&#13;

00:28:24.000 --&gt; 00:30:30.000
Chas Chijagrilhons&#13;

00:30:30.000 --&gt; 00:30:40.000
Lo 20 de decembre - Me'n an balhat un tròç de lordaud&#13;

00:30:40.000 --&gt; 00:31:25.000
Doas correntinas&#13;

00:31:25.000 --&gt; 00:32:03.000
Pleu mai fai solelh&#13;

00:32:03.000 --&gt; 00:32:48.000
Me'n vau a l'òrt&#13;

00:32:48.000 --&gt; 00:33:03.000
Lo 21 de decembre - Passam la plancheta&#13;

00:33:03.000 --&gt; 00:33:55.000
La Sent Tomàs e sos proverbis&#13;

00:33:55.000 --&gt; 00:35:08.000
Lo temps d'ivern dins la tradicion&#13;

00:35:08.000 --&gt; 00:35:17.000
Lo 22 de decembre - Lo mes de mai vendrá&#13;

00:35:17.000 --&gt; 00:37:27.000
La marcha a pès&#13;

00:37:27.000 --&gt; 00:37:33.000
Lo 23 de decembre - Coifa-te ben&#13;

00:37:33.000 --&gt; 00:38:27.000
Sent Asclepa&#13;

00:38:27.000 --&gt; 00:39:44.000
Un conte dau categisme&#13;

00:39:44.000 --&gt; 00:39:55.000
Lo 24 de decembre - Avau dins la pradela&#13;

00:39:55.000 --&gt; 00:42:06.000
Urban II e la Crosada&#13;

00:42:06.000 --&gt; 00:42:16.000
Lo 25 de decembre - Las peras son maduras&#13;

00:42:16.000 --&gt; 00:44:30.000
Nadau e sos proverbis&#13;

00:44:30.000 --&gt; 00:44:46.000
Lo 26 de decembre - Sus lo pont d'aVimbela&#13;

00:44:46.000 --&gt; 00:46:48.000
Un païsan lemosin dins las annadas 50&#13;

00:46:48.000 --&gt; 00:46:58.000
Lo 27 de decembre - Quand quò vira, quò vai&#13;

00:46:58.000 --&gt; 00:47:26.000
Las vespras&#13;

00:47:26.000 --&gt; 00:49:00.000
Traina malur (faussas vespras)&#13;

00:49:00.000 --&gt; 00:49:14.000
Lo 28 de decembre - Çò-dtz Janton&#13;

00:49:14.000 --&gt; 00:51:25.000
Las ancianas feiras&#13;

00:51:25.000 --&gt; 00:51:43.000
Lo 29 de decembre - Ente a passat l'ivern d'antan&#13;

00:51:43.000 --&gt; 00:53:05.000
Parlar dau temps quand un se rescontra&#13;

00:53:05.000 --&gt; 00:53:53.000
Se balhar la man&#13;

00:53:53.000 --&gt; 00:54:03.000
Lo 30 de decembre - Son pas d'aicí&#13;

00:54:03.000 --&gt; 00:54:19.000
Dos contes&#13;

00:54:19.000 --&gt; 00:55:32.000
La dama e las lavairitz&#13;

00:55:32.000 --&gt; 00:56:14.000
Lo meitadier chas lo mossur&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit d&amp;rsquo;un enregistrement de &lt;strong&gt;M&lt;/strong&gt; et &lt;strong&gt;Mme Joseph&lt;/strong&gt; et &lt;strong&gt;Germaine Aubaspeyras&lt;/strong&gt; r&amp;eacute;alis&amp;eacute; le 2 septembre 1975 &amp;agrave; Saint-Salvadour (19) par &lt;a href="https://www.ethnographiques.org/Valiere_Michel" target="_blank" rel="noopener"&gt;&lt;strong&gt;Michel Vali&amp;egrave;re&lt;/strong&gt;&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;On y entend &lt;strong&gt;M&lt;/strong&gt; et &lt;strong&gt;Mme Aubaspeyras&lt;/strong&gt; parler de leur m&amp;eacute;tier d'&amp;eacute;leveurs de vaches limousines, mais aussi de ce qui se faisait lorsqu&amp;rsquo;on tuait le cochon (&lt;em&gt;Far las g&amp;ograve;gas, La mesura, Crebar lo budel&lt;/em&gt;, &amp;hellip;) ainsi pour les autres f&amp;ecirc;tes de l&amp;rsquo;ann&amp;eacute;e (&lt;em&gt;Madama Chandaliera, Carnavar, Los 15 e 16 d'aust&lt;/em&gt;, &amp;hellip;).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;Photo du bourg de Saint Salvadour prise par Jean-Michel Caspar&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/13478#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0"&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;Le fonds Michel Vali&amp;egrave;re&lt;/span&gt;&lt;/a&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La &lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;num&amp;eacute;risation et l&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;a cession&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt; d&amp;rsquo;une copie de &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;ce document a &amp;eacute;t&amp;eacute; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;r&amp;eacute;alis&amp;eacute;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;e&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt; par le D&amp;eacute;partement de la Vienne (Archives d&amp;eacute;partementales) avec l&amp;rsquo;autorisation de Mme Mich&amp;egrave;le Vali&amp;egrave;re&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:06.000
Mise en place&#13;

00:00:06.000 --&gt; 00:00:27.000
Le travail&#13;

00:00:27.000 --&gt; 00:02:34.000
Lo trabalh de l'annada&#13;

00:02:34.000 --&gt; 00:03:15.000
Le plus de travail&#13;

00:03:15.000 --&gt; 00:04:13.000
Le travail avec les bêtes&#13;

00:04:13.000 --&gt; 00:06:11.000
Les rations alimentaires&#13;

00:06:11.000 --&gt; 00:06:46.000
Daus problemas de chalor&#13;

00:06:46.000 --&gt; 00:07:19.000
Le circuit de vente&#13;

00:07:19.000 --&gt; 00:08:17.000
La race limousine et ses qualités&#13;

00:08:17.000 --&gt; 00:10:02.000
Acheter les bêtes&#13;

00:10:02.000 --&gt; 00:10:24.000
La dentition d'une vache&#13;

00:10:24.000 --&gt; 00:11:00.000
Maquiller les cornes&#13;

00:11:00.000 --&gt; 00:11:15.000
Vocabulaire&#13;

00:11:15.000 --&gt; 00:13:08.000
Quand une bête avale un corps étranger&#13;

00:13:08.000 --&gt; 00:13:56.000
La méningite&#13;

00:13:56.000 --&gt; 00:15:24.000
Quand la vacha ufla&#13;

00:15:24.000 --&gt; 00:16:23.000
Une vache qui n'emplit jamais&#13;

00:16:23.000 --&gt; 00:17:25.000
Quand les vaches sont pleines&#13;

00:17:25.000 --&gt; 00:18:54.000
La mise à bas&#13;

00:18:54.000 --&gt; 00:19:42.000
Quand lo liech pòt pas sautar&#13;

00:19:42.000 --&gt; 00:21:14.000
Les premiers soins au veau&#13;

00:21:14.000 --&gt; 00:22:21.000
Et le cochon ?&#13;

00:22:21.000 --&gt; 00:23:47.000
Tuar lo ganhon&#13;

00:23:47.000 --&gt; 00:24:57.000
"Paiar" lo vesin&#13;

00:24:57.000 --&gt; 00:25:36.000
L'olhon&#13;

00:25:36.000 --&gt; 00:27:04.000
Bruslar, gratar e lavar lo ganhon&#13;

00:27:04.000 --&gt; 00:27:47.000
Botar lo ganhon a bocins&#13;

00:27:47.000 --&gt; 00:28:54.000
Gardar la verja&#13;

00:28:54.000 --&gt; 00:29:41.000
Garder la vessie&#13;

00:29:41.000 --&gt; 00:30:01.000
Reprise de l'enregistrement&#13;

00:30:01.000 --&gt; 00:30:39.000
Las tripas&#13;

00:30:39.000 --&gt; 00:31:31.000
Lo cuer, lo fetge blanc e lo fetge negre&#13;

00:31:31.000 --&gt; 00:33:56.000
Far las gògas&#13;

00:33:56.000 --&gt; 00:34:39.000
La mesura de las gògas&#13;

00:34:39.000 --&gt; 00:35:18.000
Conhar un cotel dins lo cuol dau ganhon&#13;

00:35:18.000 --&gt; 00:35:55.000
Crebar lo budel  &#13;

00:35:55.000 --&gt; 00:37:00.000
Lo premier de l'an&#13;

00:37:00.000 --&gt; 00:37:56.000
Madama Chandaliera&#13;

00:37:56.000 --&gt; 00:40:29.000
Carnavar&#13;

00:40:29.000 --&gt; 00:41:14.000
Per rampalms&#13;

00:41:14.000 --&gt; 00:41:51.000
Pour jeudi et vendredi saint&#13;

00:41:51.000 --&gt; 00:42:12.000
Pendagosta, las rogacions, la Sent Jan&#13;

00:42:12.000 --&gt; 00:43:30.000
Los 15 e 16 d'aust&#13;

00:43:30.000 --&gt; 00:44:58.000
Totsents e Nadau&#13;

00:44:58.000 --&gt; 00:45:30.000
Mon frair z'a retengut ...&#13;

00:45:30.000 --&gt; 00:46:22.000
La bujada&#13;

00:46:22.000 --&gt; 00:48:37.000
Les interdictions en fonction de la Lune&#13;

00:48:37.000 --&gt; 00:48:53.000
Couper l'orage avec la main&#13;

00:48:53.000 --&gt; 00:49:47.000
La Lune et les affaires féminines&#13;

00:49:47.000 --&gt; 00:50:53.000
La durée d'une lune&#13;

00:50:53.000 --&gt; 00:51:56.000
Le sexe des enfants et la Lune&#13;

00:51:56.000 --&gt; 00:53:18.000
Un grand-pair que garissiá lo fuec&#13;

00:53:18.000 --&gt; 00:55:44.000
Baspeyrat et Aubaspeyrat&#13;

00:55:44.000 --&gt; 00:56:30.000
Contes et chansons ?&#13;

00:56:30.000 --&gt; 00:57:09.000
La lebròta&#13;

00:57:09.000 --&gt; 00:58:33.000
Pour faire marcher les bébés&#13;

00:58:33.000 --&gt; 00:59:16.000
Le progrès&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant la bobine, il est &amp;eacute;crit "&lt;span style="color: #808080;"&gt;F&amp;eacute;libr&amp;eacute;e de Piegut&amp;nbsp;; 1/7/62&amp;nbsp;; - la reine&amp;nbsp;; - &amp;laquo;&amp;nbsp;Chapeau&amp;nbsp;&amp;raquo; d&amp;rsquo;emission"&lt;/span&gt;. Sur la bobine contenant cette bande, sur une petite &amp;eacute;tiquette, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"143"&lt;/span&gt; et &lt;span style="color: #808080;"&gt;"Reine Piegut"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Il s&amp;rsquo;agit d&amp;rsquo;un enregistrement r&amp;eacute;alis&amp;eacute; le 1er juillet 1962 &amp;agrave; la F&amp;eacute;libr&amp;eacute;e de Pi&amp;eacute;gut-Pluviers. On y entend un discours prononc&amp;eacute; par la reine de la F&amp;eacute;libr&amp;eacute;e, &lt;strong&gt;Ginette Moreau&lt;/strong&gt;, ainsi que l&amp;rsquo;enregistrement du &amp;laquo;&amp;nbsp;chapeau d&amp;rsquo;&amp;eacute;mission&amp;nbsp;&amp;raquo; (la pr&amp;eacute;sentation) par &lt;strong&gt;Robert Dagnas&lt;/strong&gt;.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Essai&#13;

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La bourrée de Francinou&#13;

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Présentation de la Félibrée&#13;

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'Na chançon sus la balada&#13;

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Lo patoàs e lo francés&#13;

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Foliá trabalhar&#13;

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E lo certificat ?&#13;

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Lo goiat e los sòus de sa mair&#13;

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Apres lo certificat&#13;

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Problème technique&#13;

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Venir a Limòtges&#13;

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Chas 'na coturiera a Sent Prech&#13;

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Gardar daus pitits&#13;

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'Nar dins lo "midi"&#13;

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Tornar a Limòtges&#13;

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Soanhar nòstra mair&#13;

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Tornar chas nos, au molin&#13;

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Mon beu-frair trabalhava a l'usina&#13;

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'Nar a l'escòla&#13;

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La "chabra" per 'restar los bois&#13;

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Ilhs eran inondats suvent&#13;

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Préner quauqu'un per aidar trabalhar&#13;

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Lo vargier, la volalha, los lapins&#13;

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Garir los polets mai las polas &#13;

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Qu'era la maison dau bon Diu&#13;

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Entendre parlar "d'Algérie"&#13;

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Los uòus, las auchas&#13;

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Elevar, tuar e minjar los pòrcs&#13;

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La sopa de lach&#13;

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Far de las conservas&#13;

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Dins la familha&#13;

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La festa a Sent Prech&#13;

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Los autres bales de l'annada&#13;

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Un festival dans le Puy de Dôme&#13;

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Las danças&#13;

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Parlar patois&#13;

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Tuar lo pòrc per Carnavar&#13;

00:53:16.000 --&gt; 00:55:00.000
Far la cuisina&#13;

00:55:00.000 --&gt; 00:56:08.000
Mon pair peschava&#13;

00:56:08.000 --&gt; 00:56:55.000
Vos aviatz prescament tot chas vautres&#13;

00:56:55.000 --&gt; 00:58:01.000
La feira d'a Sent Prech&#13;

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Introduction&#13;

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Pierre Biossac&#13;

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Lu cotilhon vai&#13;

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Dédicace&#13;

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Beau paysan, donne-moi ta fille&#13;

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Me vœux sincères, Jean et Bernadette&#13;

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Sois heureuse, ma grande&#13;

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Som, som&#13;

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C'est la vie qui continue ...&#13;

00:14:53.000 --&gt; 00:15:19.000
Ai vist lo lop&#13;

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Fin d'émission&#13;

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L’estiva&#13;

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Mèdre&#13;

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Le chaptau delh país&#13;

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Trabalhar ’bei las vachas&#13;

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Conéisser las bèstias&#13;

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Marcar las vachas&#13;

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Istòrias d’estivas&#13;

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&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;On voit ici se c&amp;ocirc;toyer la forme traditionnelle d&amp;rsquo;une seule figure consistant en &amp;laquo; tiroirs &amp;raquo; dont la longueur est ind&amp;eacute;pendante de celle des phrases musicales, et diverses formes revivalistes &amp;agrave; deux figures cal&amp;eacute;es sur la m&amp;eacute;lodie.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Parmi les participants,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;eacute;taient pr&amp;eacute;sents &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;les danseurs de traditions : &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13514/Mme_Eglizeau_2.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Mme Eglizeau&lt;/strong&gt;&lt;/a&gt; (ni&amp;egrave;ce du violoneux &lt;strong&gt;&amp;laquo; Le N&amp;eacute;grou &amp;raquo;&lt;/strong&gt;), &lt;a href="https://la-biaca.org/files/original/enquetes/13514/Picasso_2.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Roger Chauzeix&lt;/strong&gt;&lt;/a&gt; (dit &lt;strong&gt;&amp;laquo; Picasso &amp;raquo;&lt;/strong&gt;) et&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;a href="https://la-biaca.org/files/original/enquetes/13514/Francois_Mathieu_2.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;ois Malthieu&lt;/strong&gt;&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&amp;Agrave; noter que &lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt; filmait &amp;agrave; l'aide d'une cam&amp;eacute;ra "Super 8 sonore", ce qui explique&amp;nbsp;la bri&amp;egrave;vet&amp;eacute; des s&amp;eacute;quences.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13514/01._Tarnac.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:46.000
Bourrée&#13;

00:00:46.000 --&gt; 00:01:24.000
Valse&#13;

00:01:24.000 --&gt; 00:01:36.000
Bourrée&#13;

00:01:36.000 --&gt; 00:02:15.000
Bourrée&#13;

00:02:15.000 --&gt; 00:03:01.000
Bourrée revivaliste&#13;

00:03:01.000 --&gt; 00:03:28.000
Bourrée&#13;

00:03:28.000 --&gt; 00:04:07.000
Bourrée&#13;

00:04:07.000 --&gt; 00:00:00.000
Tentative de bourrée&#13;

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              <text>Jean-François Vignaud</text>
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                <text>Jean-François Vignaud</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; Saint Laurent (23) &lt;br /&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 23 juin 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;br /&gt;&lt;br /&gt;On y entend plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (L&lt;em&gt;os tortels e la Chandelor&amp;nbsp;; Carnavau : l'aumalh, los u&amp;ograve;us e los gastels&amp;nbsp;; Los Ramels e lo jau&lt;/em&gt; ; &amp;hellip;) mais aussi de ce qui se cultivait dans le pays (&lt;em&gt;Las treflas, los b&amp;ograve;les e los p'tit pes&amp;nbsp;; Las pomas&amp;nbsp;; Las peras&lt;/em&gt;&amp;nbsp;; ...) et ce qui s&amp;rsquo;y mangeait (&lt;em&gt;Lo p&amp;ograve;rc e los bodins&amp;nbsp;;&amp;nbsp; Lo citre e la nh&amp;ograve;la&amp;nbsp;; La festa a Sent Laurent e los dindons&lt;/em&gt;&amp;nbsp;; ...).&lt;br /&gt;On y entend &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales (&lt;em&gt;Los noms daus vilatges de la comuna&lt;/em&gt;) ainsi que quelques dires (&lt;em&gt;Per far pondre las polas&amp;nbsp;; Fau pas liar las vachas&amp;nbsp;; L'Ascenssi&amp;ograve;n e las cereisas&lt;/em&gt;&amp;nbsp;; &amp;hellip;).&lt;br /&gt;&lt;br /&gt;Informateurs : &lt;strong&gt;Claude Badouaille&lt;/strong&gt;,&lt;strong&gt; Andr&amp;eacute; Dalby&lt;/strong&gt;,&lt;strong&gt; Simone Gallaud&lt;/strong&gt;,&lt;strong&gt; Raymond Jeannot&lt;/strong&gt;,&lt;strong&gt; Maxime Michaud&lt;/strong&gt;,&lt;strong&gt; Jacques Ricard&lt;/strong&gt;.&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: 'Open Sans';"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt; &lt;/span&gt; &lt;/span&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br style="font-family: 'Open Sans'; background-color: #f3ede2;" /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans';"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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La pita lebròta&#13;

00:00:30.000 --&gt; 00:01:01.000
Lo cuer de ma mia&#13;

00:01:01.000 --&gt; 00:01:18.000
E dins los maridatges ?&#13;

00:01:18.000 --&gt; 00:02:49.000
Le patois pour apprendre le français&#13;

00:02:49.000 --&gt; 00:03:47.000
L'istoara dau trenc&#13;

00:03:47.000 --&gt; 00:04:58.000
Vocabulaire&#13;

00:04:58.000 --&gt; 00:05:46.000
Quò a beucòp plogut&#13;

00:05:46.000 --&gt; 00:09:03.000
Los noms daus vilatges de la comuna&#13;

00:09:03.000 --&gt; 00:10:07.000
Per los reis&#13;

00:10:07.000 --&gt; 00:13:47.000
Los tortels e la Chandelor&#13;

00:13:47.000 --&gt; 00:14:44.000
Per far pondre las polas&#13;

00:14:44.000 --&gt; 00:17:35.000
Carnavau : l'aumalh, los uòus e los gastels&#13;

00:17:35.000 --&gt; 00:22:18.000
Lo pòrc e los bodins&#13;

00:22:18.000 --&gt; 00:24:51.000
Per blanchir las chastinhas&#13;

00:24:51.000 --&gt; 00:29:25.000
Las treflas, los bòles e los p'tit pes&#13;

00:29:25.000 --&gt; 00:31:37.000
Lo citre e la nhòla&#13;

00:31:37.000 --&gt; 00:35:04.000
Las pomas&#13;

00:35:04.000 --&gt; 00:36:01.000
Carnavau&#13;

00:36:01.000 --&gt; 00:36:46.000
Lo signe de crotz, la messa, ...&#13;

00:36:46.000 --&gt; 00:41:48.000
Los Ramels e lo jau&#13;

00:41:48.000 --&gt; 00:43:04.000
La Setmana Senta&#13;

00:43:04.000 --&gt; 00:44:02.000
Fau pas liar las vachas&#13;

00:44:02.000 --&gt; 00:46:20.000
Daus chavaus&#13;

00:46:20.000 --&gt; 00:48:05.000
Lo chavau de la Leontina&#13;

00:48:05.000 --&gt; 00:49:04.000
Pasques e lo lundí &#13;

00:49:04.000 --&gt; 00:50:02.000
L'Ascenssiòn e las cereisas&#13;

00:50:02.000 --&gt; 00:50:54.000
La Pendegosta&#13;

00:50:54.000 --&gt; 00:51:40.000
Ne pas obludar lo patoàs&#13;

00:51:40.000 --&gt; 00:54:47.000
La Sent Jan e lo trasfojau &#13;

00:54:47.000 --&gt; 00:55:31.000
Lo boquet de la  darniera charretada&#13;

00:55:31.000 --&gt; 00:56:43.000
La Madelena&#13;

00:56:43.000 --&gt; 00:57:42.000
Vocabulaire des moissons&#13;

00:57:42.000 --&gt; 00:58:38.000
La Sent Ròch&#13;

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Vocabulaire : les insectes et les oiseaux&#13;

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Los genests de Totsents&#13;

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Per Nadau&#13;

01:02:55.000 --&gt; 01:05:00.000
Lo prumier de l'an e la gota&#13;

01:05:00.000 --&gt; 01:06:45.000
Las estrenas&#13;

01:06:45.000 --&gt; 01:09:55.000
Daus contes, daus proverbes de las pregieras, ... ?&#13;

01:09:55.000 --&gt; 01:10:34.000
Lo pelele&#13;

01:10:34.000 --&gt; 01:14:14.000
Las danças&#13;

01:14:14.000 --&gt; 01:18:32.000
La festa a Sent Laurent e los dindons&#13;

01:18:32.000 --&gt; 01:26:39.000
Las peras&#13;

01:26:39.000 --&gt; 01:29:41.000
Los bales, los musicians&#13;

01:29:41.000 --&gt; 01:33:19.000
Las plantas que garissen&#13;

01:33:19.000 --&gt; 01:36:36.000
Las fonts&#13;

01:36:36.000 --&gt; 01:39:42.000
Surcelariá, leberon, auratge ?&#13;

01:39:42.000 --&gt; 01:43:29.000
Las vachas&#13;

01:43:29.000 --&gt; 01:45:51.000
Las oelhas e los comuns&#13;

01:45:51.000 --&gt; 01:50:23.000
Los molins&#13;

01:50:23.000 --&gt; 01:53:07.000
Las diferéncias entre los parlars&#13;

01:53:07.000 --&gt; 01:55:07.000
Las gròssas feiras&#13;

01:55:07.000 --&gt; 01:59:29.000
Vocabulaire et prononciation&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt;&lt;/a&gt; lors des &amp;laquo; Rencontres de violon &amp;raquo; de Saint-Salvadour (19).&lt;br /&gt;&lt;br /&gt;Les violoneux &lt;a href="https://la-biaca.org/files/original/enquetes/13517/Jean_Lamoure.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Jean Lamoure&lt;/strong&gt;&lt;/a&gt; et &lt;a href="https://la-biaca.org/files/original/enquetes/13517/Rene_Auchabie.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Ren&amp;eacute; Auchabie&lt;/strong&gt;&lt;/a&gt; y &amp;eacute;taient invit&amp;eacute;s afin de jouer pour les stagiaires. Nous remarquons aussi la pr&amp;eacute;sence du violoneux &lt;strong&gt;Olivier Durif&lt;/strong&gt; (organisateur) assis &amp;agrave; c&amp;ocirc;t&amp;eacute; de &lt;strong&gt;Jean Lamoure&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13517/13._J._Lamoure_et_R._Auchabie.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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Son davalats ; Para lo lop&#13;

00:00:42.000 --&gt; 00:01:39.000
La crosada&#13;

00:01:39.000 --&gt; 00:02:40.000
La Grande&#13;

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Ma pastourelle&#13;

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Mazurka de Lapleau ; Chas la mair Antoana&#13;

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La tornijaira&#13;

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Dija Janton&#13;

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"Et les paroles ?"&#13;

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Aval dins las robieras&#13;

00:08:00.000 --&gt; 00:09:03.000
La baigneuse&#13;

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Bonjour belle bergère&#13;

00:10:38.000 --&gt; 00:12:06.000
Cœur de lilas&#13;

00:12:06.000 --&gt; 00:13:12.000
La Courbiase&#13;

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Discussion sur la Courbiase&#13;

00:14:21.000 --&gt; 00:15:56.000
Montava la marmita&#13;

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La Paimpolaise&#13;

00:16:35.000 --&gt; 00:17:58.000
"Ta mère chantait bien ..."&#13;

00:17:58.000 --&gt; 00:18:49.000
Manon voici le soleil&#13;

00:18:49.000 --&gt; 00:19:03.000
"C'est pas du folklore ..."&#13;

00:19:03.000 --&gt; 00:19:59.000
Belle rose&#13;

00:19:59.000 --&gt; 00:21:22.000
L'aiga de ròsa ; Auprès de ma blonde&#13;

00:21:22.000 --&gt; 00:22:34.000
Ma pastourelle&#13;

00:22:34.000 --&gt; 00:23:33.000
Bonjour Françoise&#13;

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Mariton si veniatz velhar&#13;

00:24:50.000 --&gt; 00:25:44.000
La Valentinou&#13;

00:25:44.000 --&gt; 00:26:29.000
Et quand on s'aime bien tous les deux&#13;

00:26:29.000 --&gt; 00:27:22.000
Oh Maria&#13;

00:27:22.000 --&gt; 00:28:20.000
À petits pas&#13;

00:28:20.000 --&gt; 00:28:59.000
Brin d’amour ; Son davalats&#13;

00:28:59.000 --&gt; 00:30:16.000
La polka-marche Garibaldi&#13;

00:30:16.000 --&gt; 00:32:07.000
Polka de Chanteix&#13;

00:32:07.000 --&gt; 00:33:27.000
Scottish-valse&#13;

00:33:27.000 --&gt; 00:34:13.000
J’ai un petit voyage à faire&#13;

00:34:13.000 --&gt; 00:35:13.000
L'aurelha de lebre&#13;

00:35:13.000 --&gt; 00:36:41.000
"Les bals, comment vous jouiez ?"&#13;

00:36:41.000 --&gt; 00:37:41.000
Enchainement de marches de noces&#13;

00:37:41.000 --&gt; 00:38:41.000
La demenam la paubra nòvia&#13;

00:38:41.000 --&gt; 00:39:33.000
Enchainement de marches de noces (reprise)&#13;

00:39:33.000 --&gt; 00:40:48.000
Piere labora&#13;

00:40:48.000 --&gt; 00:42:32.000
En passant par le bois, Belle rose&#13;

00:42:32.000 --&gt; 00:43:28.000
Depuis Paris jusqu’à Valence&#13;

00:43:28.000 --&gt; 00:44:03.000
"Vous vous êtes appris comment à taper du pied ?"&#13;

00:44:03.000 --&gt; 00:46:16.000
J’ai traversé les plaines et les montagnes&#13;

00:46:16.000 --&gt; 00:47:27.000
Embrasse-moi bien petit Parisien&#13;

00:47:27.000 --&gt; 00:47:57.000
Branle des chevaux&#13;

00:47:57.000 --&gt; 00:48:29.000
Allant à la fontaine&#13;

00:48:29.000 --&gt; 00:49:26.000
Tout est  bien fini ; À quoi sert d’aimer s’il faut oublier&#13;

00:49:26.000 --&gt; 00:50:21.000
La Montagnarde&#13;

00:50:21.000 --&gt; 00:50:38.000
Jolie meunière aux yeux si doux&#13;

00:50:38.000 --&gt; 00:51:06.000
La Tornijaira (début)&#13;

00:51:06.000 --&gt; 00:51:56.000
Ai vist lo lop&#13;

00:51:56.000 --&gt; 00:52:55.000
Le bal vieux&#13;

00:52:55.000 --&gt; 00:53:22.000
Ont menarem&#13;

00:53:22.000 --&gt; 00:53:51.000
Revelhatz-vos pastorels&#13;

00:53:51.000 --&gt; 00:54:54.000
Il est né le divin enfant&#13;

00:54:54.000 --&gt; 00:56:14.000
La marche des anges&#13;

00:56:14.000 --&gt; 00:57:56.000
La valse de Vertougit&#13;

00:57:56.000 --&gt; 00:59:09.000
"On fait quelques bals, encore ..."&#13;

00:59:09.000 --&gt; 00:59:55.000
Heure exquise qui nous grise&#13;

00:59:55.000 --&gt; 01:00:34.000
La Paloma&#13;

01:00:34.000 --&gt; 01:02:46.000
"Et quand vous faisiez les bals ..."&#13;

01:02:46.000 --&gt; 01:03:15.000
Mazurka de Lapleau&#13;

01:03:15.000 --&gt; 01:05:28.000
La Crosada&#13;

01:05:28.000 --&gt; 01:06:32.000
Jolie meunière aux yeux si doux&#13;

01:06:32.000 --&gt; 01:07:17.000
Une partie de pétanque&#13;

01:07:17.000 --&gt; 01:07:29.000
Les maçons de la Creuse&#13;

01:07:29.000 --&gt; 01:08:42.000
Le temps des amourettes durera pas toujours&#13;

01:08:42.000 --&gt; 01:10:13.000
Tout est bien fini, ce n’était qu’un rêve&#13;

01:10:13.000 --&gt; 01:11:11.000
Tu faras los palhassons&#13;

01:11:11.000 --&gt; 01:11:57.000
Ieu n’ai cinc sòus&#13;

01:11:57.000 --&gt; 01:12:20.000
Los esclops&#13;

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Reprise&#13;

01:13:30.000 --&gt; 01:14:12.000
"Lo maridan l’cabdet"&#13;

01:14:12.000 --&gt; 01:15:43.000
Adieu la fleur de ma jeunesse&#13;

01:15:43.000 --&gt; 01:16:55.000
Un jorn dins l’estolhas&#13;

01:16:55.000 --&gt; 01:17:43.000
En passant par le bois&#13;

01:17:43.000 --&gt; 01:18:47.000
La Grande&#13;

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Lo 28 de feurier - Çò-ditz Janton&#13;

00:00:15.000 --&gt; 00:02:44.000
Surcelatges (devinhòlas)&#13;

00:02:44.000 --&gt; 00:03:03.000
Lo 1er de març - Tres pitiòts chamisons&#13;

00:03:03.000 --&gt; 00:05:15.000
Los proverbis dau mes de març (entre feurier e abriau)&#13;

00:05:15.000 --&gt; 00:05:28.000
Lo 2 de març - Lo curet Janton&#13;

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Au vargier&#13;

00:07:48.000 --&gt; 00:07:56.000
Lo 3 de març - Per bien la chantar &#13;

00:07:56.000 --&gt; 00:10:38.000
La legenda de la 'jaça e dau cocut&#13;

00:10:38.000 --&gt; 00:10:47.000
Lo 4 de març - Ma maire n'aviá mas 'na dent&#13;

00:10:47.000 --&gt; 00:13:10.000
Senta Cocuda&#13;

00:13:10.000 --&gt; 00:13:20.000
Lo 5 de març - Ai vist lo lop&#13;

00:13:20.000 --&gt; 00:15:31.000
Darrier los uelhs (Bernat Combi)&#13;

00:15:31.000 --&gt; 00:15:40.000
Lo 6 de març - Leva lo pè, drolleta&#13;

00:15:40.000 --&gt; 00:18:11.000
Liunard Laplanha&#13;

00:18:11.000 --&gt; 00:18:22.000
Lo 7 de març - Avau dins las robieras&#13;

00:18:22.000 --&gt; 00:20:44.000
De las faussas vespras&#13;

00:20:44.000 --&gt; 00:20:55.000
Lo 8 de març - Maridatz-me, ma mair&#13;

00:20:55.000 --&gt; 00:23:18.000
Los proverbis dau mes de març (tot solet)&#13;

00:23:18.000 --&gt; 00:23:27.000
Lo 9 de marça - Si sabiatz drolletas &#13;

00:23:27.000 --&gt; 00:25:47.000
Lo fuòc, lo bois e los fagòts&#13;

00:25:47.000 --&gt; 00:26:05.000
Lo 10 de març - Lo dissabde la vielha es mòrta&#13;

00:26:05.000 --&gt; 00:27:03.000
Lo conte de l'auvernhat maridat en Lemosin&#13;

00:27:03.000 --&gt; 00:28:02.000
Lo conte de la veva&#13;

00:28:02.000 --&gt; 00:28:10.000
Lo 11 de març - La vòle mai l'aurai&#13;

00:28:10.000 --&gt; 00:30:36.000
Sent Esteve d'Obasina&#13;

00:30:36.000 --&gt; 00:30:46.000
Lo 12 de marça - Aval dins lo Lemosin&#13;

00:30:46.000 --&gt; 00:31:08.000
Marcellin Caze&#13;

00:31:08.000 --&gt; 00:32:03.000
Los dos medecins (fabulòta)&#13;

00:32:03.000 --&gt; 00:33:06.000
Lo frair Vincent (poema)&#13;

00:33:06.000 --&gt; 00:33:12.000
Lo 13 de març - La senzilha e lo pinson &#13;

00:33:12.000 --&gt; 00:35:51.000
Lo mau e las malàudias&#13;

00:35:51.000 --&gt; 00:36:01.000
Lo 14 de març - La Glauda&#13;

00:36:01.000 --&gt; 00:38:15.000
Quauquas tocainas&#13;

00:38:15.000 --&gt; 00:38:24.000
Lo 15 de març - Garda ton bon temps Naneta&#13;

00:38:24.000 --&gt; 00:40:44.000
Proverbis sus l'aiga&#13;

00:40:44.000 --&gt; 00:40:57.000
Lo 16 de març - Un puelh que se carrava&#13;

00:40:57.000 --&gt; 00:43:21.000
Nòstra lenga&#13;

00:43:21.000 --&gt; 00:43:38.000
Lo 17 de març - Lo pitit òme&#13;

00:43:38.000 --&gt; 00:45:43.000
Lo conte de la lebre e dau meissongier&#13;

00:45:43.000 --&gt; 00:45:52.000
Lo 18 de març - La chanson de las meissonjas&#13;

00:45:52.000 --&gt; 00:48:20.000
'Na memòria de la forest&#13;

00:48:20.000 --&gt; 00:48:34.000
Lo 19 de març - Alai dins lo ribateu&#13;

00:48:34.000 --&gt; 00:48:59.000
Ente ne'n ses dins ton vargier ?&#13;

00:48:59.000 --&gt; 00:51:00.000
Per Sent Jasep&#13;

00:51:00.000 --&gt; 00:51:10.000
Lo 20 de març - Chas nos me volian maridar&#13;

00:51:10.000 --&gt; 00:51:31.000
Lo Fredon Duren&#13;

00:51:31.000 --&gt; 00:53:21.000
Poema revolucionari&#13;

00:53:21.000 --&gt; 00:53:31.000
Lo 21 de març - Passam la plancheta&#13;

00:53:31.000 --&gt; 00:00:00.000
Los lemosins aimen bien los travers&#13;

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Introduction&#13;

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L'année 1918&#13;

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M. Alexandre&#13;

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Roger Pearron&#13;

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D'une famille paysanne&#13;

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Le festival aux Poteries&#13;

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Le grand Louis Boury&#13;

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Bourrée droite « du Pays Fort »&#13;

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Présentation des invités&#13;

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C'est une ville qui prospère &#13;

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La ganterie à l’international&#13;

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Un programme&#13;

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La mégisserie&#13;

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Quelques chiffres&#13;

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Sur le plan musique&#13;

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Le sport&#13;

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Fin d'émission
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                <text>&lt;span style="font-size: 18.6667px;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt;&lt;/a&gt; lors d'un rassemblement de danseurs et de passionn&amp;eacute;s d&amp;rsquo;instruments de type &amp;laquo; musique verte &amp;raquo; au Mas d&amp;rsquo;Artige (23).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;Au d&amp;eacute;but de la collecte (film&amp;eacute; en ext&amp;eacute;rieur), &lt;strong&gt;M. Porte&lt;/strong&gt; montre comment fabriquer de petits instruments, puis un bal a lieu &amp;agrave; l&amp;rsquo;int&amp;eacute;rieur.&amp;nbsp;&lt;/span&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Parmi les danseurs :&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Rolande Faufingue&lt;/strong&gt;,&lt;strong&gt;&amp;nbsp; M. &lt;/strong&gt;et&lt;strong&gt; Mme Mazaud, &lt;/strong&gt;leur fille&lt;strong&gt; Marie-Claude, &amp;laquo; Jojo Blancheneige &amp;raquo;, Maurice Desgranges, M. &lt;/strong&gt;et&lt;strong&gt; Mme Paul Bialoux&lt;/strong&gt;,&lt;strong&gt; Mme Depoix&lt;/strong&gt;.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Les musiciens :&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;span style="font-size: 18.6667px;"&gt;Les accord&amp;eacute;onistes &lt;strong&gt;Maurice Desgranges&lt;/strong&gt; et &lt;strong&gt;Roger Depoix&lt;/strong&gt;, ainsi que &lt;strong&gt;Philippe Destrem&lt;/strong&gt; aux cornemuses et &lt;strong&gt;Ricet Gallet&lt;/strong&gt; &amp;agrave; la vielle&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13522/38._Le_Mas_d_Artige.pdf" target="_blank" rel="noopener" style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13522/38._Enquete_1990.06.02._Le_Mas_d_Artige.pdf" target="_blank" rel="noopener" style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers les notes d'enqu&amp;ecirc;te manuscrites de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:04:14.000
Première partie : Discussion&#13;

00:04:14.000 --&gt; 00:08:34.000
Un exemple de sifflet&#13;

00:08:34.000 --&gt; 00:11:27.000
Pour faire un "nunu"/"nounou"&#13;

00:11:27.000 --&gt; 00:16:21.000
Avec un morceau de sureau&#13;

00:16:21.000 --&gt; 00:17:29.000
Grelot, "pied de cheval" et chapeau&#13;

00:17:29.000 --&gt; 00:18:19.000
Chalumeau à trous&#13;

00:18:19.000 --&gt; 00:19:13.000
Et les castagnettes ?&#13;

00:19:13.000 --&gt; 00:19:33.000
Mirliton&#13;

00:19:33.000 --&gt; 00:21:36.000
Rhombe&#13;

00:21:36.000 --&gt; 00:23:02.000
Sifflet de roseau&#13;

00:23:02.000 --&gt; 00:24:42.000
Seconde partie : Valse de Vertougit&#13;

00:24:42.000 --&gt; 00:27:04.000
Polka de Madranges&#13;

00:27:04.000 --&gt; 00:29:19.000
Valse de Vertougit&#13;

00:29:19.000 --&gt; 00:31:17.000
Polka piquée&#13;

00:31:17.000 --&gt; 00:33:07.000
Ai vist lo lop&#13;

00:33:07.000 --&gt; 00:34:40.000
Ai vist lo lop (bis)&#13;

00:34:40.000 --&gt; 00:41:46.000
Scottish de Gavinet&#13;

00:41:46.000 --&gt; 00:42:03.000
Ma Pastourelle&#13;

00:42:03.000 --&gt; 00:43:18.000
L’Étoile des troubadours&#13;

00:43:18.000 --&gt; 00:45:50.000
Auvergne jolie&#13;

00:45:50.000 --&gt; 00:46:56.000
Tout le long du bois&#13;

00:46:56.000 --&gt; 00:48:33.000
Polka piquée&#13;

00:48:33.000 --&gt; 00:51:45.000
Le petit vin blanc, puis Voulez-vous danser grand-mère&#13;

00:51:45.000 --&gt; 00:53:01.000
Le dénicheur&#13;

00:53:01.000 --&gt; 00:54:00.000
Scottish-valse&#13;

00:54:00.000 --&gt; 00:55:02.000
Giatte de Chaput&#13;

00:55:02.000 --&gt; 00:57:01.000
La gigue&#13;

00:57:01.000 --&gt; 00:57:57.000
Para lo lop&#13;

00:57:57.000 --&gt; 01:00:22.000
J’ai traversé les plaines et les montagnes&#13;

01:00:22.000 --&gt; 01:02:21.000
Marinella&#13;

01:02:21.000 --&gt; 01:04:03.000
Paso&#13;

01:04:03.000 --&gt; 01:04:47.000
Explications&#13;

01:04:47.000 --&gt; 01:06:50.000
Se’n iran pas tots&#13;

01:06:50.000 --&gt; 01:08:03.000
Essais à 4 couples&#13;

01:08:03.000 --&gt; 01:08:37.000
Los cornards d’a Tula&#13;

01:08:37.000 --&gt; 01:09:36.000
Lo chat e lo rat&#13;

01:09:36.000 --&gt; 01:10:11.000
Comment faut-il faire pour la gigue ?&#13;

01:10:11.000 --&gt; 01:11:06.000
Scottish simple et "double"&#13;

01:11:06.000 --&gt; 01:13:12.000
Polka de Madranges&#13;

01:13:12.000 --&gt; 01:14:18.000
Adios muchachos&#13;

01:14:18.000 --&gt; 01:14:42.000
Ai vist lo lop&#13;

01:14:42.000 --&gt; 01:15:21.000
Rumba&#13;

01:15:21.000 --&gt; 01:16:12.000
Une partie de pétanque&#13;

01:16:12.000 --&gt; 01:17:35.000
Mexico&#13;

01:17:35.000 --&gt; 01:18:09.000
Bonjour belle bergère&#13;

01:18:09.000 --&gt; 01:18:42.000
Valse à Fromenty&#13;

01:18:42.000 --&gt; 01:18:54.000
Valse en Ré&#13;

01:18:54.000 --&gt; 01:21:24.000
La pitiòta Janeta&#13;

01:21:24.000 --&gt; 01:22:35.000
Mets ta vesta roja&#13;

01:22:35.000 --&gt; 00:00:00.000
Caifa-te bian
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                <text>&lt;p style="text-align: left;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 18.6667px;"&gt;Sur cette cassette audio produite par les &amp;eacute;ditions de l'&lt;a href="https://www.decouvertes-occitanes.fr/fr/47-les-editions-de-l-ostal-del-libre" target="_blank" rel="noopener"&gt;Ostal del Libre&lt;/a&gt;, quatre contes en occitan limousin dits par &lt;strong&gt;Jan dau Melhau&lt;/strong&gt;. &lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Seulement trois disponibles ici car le quatri&amp;egrave;me&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;(&lt;/span&gt;&lt;a href="https://www.decouvertes-occitanes.fr/fr/l-ostal-del-libre-edition-diffusion/84-le-mythe-du-chataignier-j-dau-melhau-9782914662031.html?search_query=melhau&amp;amp;results=22" target="_blank" rel="noopener" style="font-size: 18.6667px;"&gt;Le Mythe du ch&amp;acirc;taignier&lt;/a&gt;&lt;span style="font-size: 18.6667px;"&gt;)&lt;/span&gt;&lt;span&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;est encore commercialis&amp;eacute;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
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Lo cònte dau dròlle genhard&#13;

00:02:40.000 --&gt; 00:13:08.000
Guidauve&#13;

00:13:08.000 --&gt; 00:39:48.000
Lo cònte daus buòus&#13;

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                  <text>&lt;p style="text-align: center;"&gt;Vous trouverez dans cet espace des films qui ne sont pas des documents d'archives &amp;agrave; proprement parler mais des documents mont&amp;eacute;s, sous titr&amp;eacute;s etc...&lt;/p&gt;&#13;
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&lt;p style="text-align: center;"&gt;Pour toute exploitation de ces documents &lt;a href="https://la-biaca.org/conditions-generales" target="_blank" rel="alternate noopener"&gt;(comme c'est le cas pour l'ensemble des contenus de ce site)&lt;/a&gt; nous vous remercions de bien vouloir prendre &lt;a href="https://la-biaca.org/per-nosjunher"&gt;contact avec nous&lt;/a&gt; .&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.youtube.com/channel/UC8uANbluFeGEq9NmIN5LcIA" target="_blank" rel="noopener"&gt;Pour acc&amp;eacute;der &amp;agrave; notre cha&amp;icirc;ne Youtube, cliquer ici&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;span style="font-size: 18.6667px;"&gt;&amp;Eacute;dit&amp;eacute; en 1980 par l&amp;rsquo;Institut d&amp;rsquo;&amp;Eacute;tude Occitanes de la Vienne (86), ce livret accompagn&amp;eacute; d&amp;rsquo;une cassette audio contient plusieurs contes et dires du plateau de Pompadour.&lt;/span&gt;&#13;
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                <text>&lt;span style="font-size: 18.6667px;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt;&lt;/a&gt; le 10 janvier 1987 &amp;agrave; Feytiat, au domicile de M. &lt;a href="http://www.violoneux.fr/wiki/Fernand_Pauliac" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fernand Pauliac&lt;/strong&gt;&lt;/a&gt;, violoneux originaire de Meyssac (19).&lt;/span&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Sont &amp;eacute;galement pr&amp;eacute;sentes lors de cette collecte &lt;strong&gt;Pascale Nguyen&lt;/strong&gt; et &lt;strong&gt;Simone Jourde&lt;/strong&gt;.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13528/07._M._Pauliac.1.pdf" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13528/07._Enquetes_1981.12.21_1982.11.15_et_1984.04.06._Fernand_Pauliac.pdf" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers les notes d'enqu&amp;ecirc;te manuscrites de Fran&amp;ccedil;oise Etay&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div&gt;&amp;Agrave; noter que cette collecte ne rend pas forc&amp;eacute;ment justice aux qualit&amp;eacute;s de musicien de Fernand Pauliac. En effet, au moment de l&amp;rsquo;enregistrement, il se remettait juste d&amp;rsquo;un grave probl&amp;egrave;me de sant&amp;eacute;. Il n&amp;rsquo;&amp;eacute;tait donc pas au meilleur de ses capacit&amp;eacute;s.&amp;nbsp;&lt;/div&gt;&#13;
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L'aiga de ròsa&#13;

00:01:04.000 --&gt; 00:01:40.000
La polka de Ceyrou&#13;

00:01:40.000 --&gt; 00:02:26.000
Polka&#13;

00:02:26.000 --&gt; 00:03:01.000
Le rossignol&#13;

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Valse&#13;

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Le rossignol&#13;

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Arpèges&#13;

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La valse de Ceyrou&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Toanon a l'esc&amp;ograve;la&lt;/em&gt; par Marcel Belette&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Un voiatge a Par&amp;iacute;s&lt;/em&gt; par Daniel Canou&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Lo pan&lt;/em&gt; par Nadine Bourges&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;La jornada de ueit oras&lt;/em&gt; par Simone Vergnes&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;La faula dau vin&lt;/em&gt; par Annie Lieuteret Gorse&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;De las pitas causas sus l'amor&lt;/em&gt; par Bernard Lacombe&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;La Margoton&lt;/em&gt; par Marcel Belette&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;La P&amp;egrave;rla&lt;/em&gt; par Jean-Pierre lacombe&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Lo grand Birauia sus la Peta-si-qu&amp;ograve;-p&amp;ograve;t de son nebot&lt;/em&gt; par Marie Yvette Brug&amp;egrave;re&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;-&lt;em&gt; 'N'autra nh&amp;ograve;rla dau Toanon&lt;/em&gt; par Marcel Belette&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Una gafada de pan&lt;/em&gt; par Nadine Bourges&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Flor de minjaquina&lt;/em&gt; par Dani&amp;egrave;le Bergon&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;L'auseu p&amp;ograve;st-diglossic&lt;/em&gt; par Dani&amp;egrave;le Bergon&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Ab la dol&amp;ccedil;or del temps novel&lt;/em&gt; par Bernard Lacombe&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Lo boier&lt;/em&gt; par Bernard Lacombe&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;-&lt;em&gt; Lo gilet de Borra-Secha&lt;/em&gt; par Jean-Fran&amp;ccedil;ois Vignaud&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Lo "cylindre"&lt;/em&gt; par&amp;nbsp; Jean-Fran&amp;ccedil;ois Vignaud&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;La cr&amp;ograve;ta de chen&lt;/em&gt; par Jean-Fran&amp;ccedil;ois Vignaud&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Lo champs de feira&lt;/em&gt; par Jean-Fran&amp;ccedil;ois Vignaud&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Borra-Secha a la feira&lt;/em&gt; par Jean-Fran&amp;ccedil;ois Vignaud&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:00:59.000
De la diversité de la langue&#13;

00:00:59.000 --&gt; 00:01:27.000
De la nhòrla&#13;

00:01:27.000 --&gt; 00:04:46.000
Toanon a l'escòla&#13;

00:04:46.000 --&gt; 00:05:56.000
Un voiatge a París&#13;

00:05:56.000 --&gt; 00:06:16.000
Des poèmes&#13;

00:06:16.000 --&gt; 00:07:17.000
Lo pan &#13;

00:07:17.000 --&gt; 00:08:39.000
La jornada de ueit oras&#13;

00:08:39.000 --&gt; 00:09:31.000
La faula dau vin&#13;

00:09:31.000 --&gt; 00:10:34.000
De las pitas causas sus l'amor&#13;

00:10:34.000 --&gt; 00:12:08.000
Combien de fois par semaine ?&#13;

00:12:08.000 --&gt; 00:15:31.000
Lo fiau ensorcelat&#13;

00:15:31.000 --&gt; 00:18:42.000
La Margoton&#13;

00:18:42.000 --&gt; 00:19:58.000
Quan l’erba fresch’ e.ill fuoilla par (en occitan moderne)&#13;

00:19:58.000 --&gt; 00:24:03.000
La Pèrla&#13;

00:24:03.000 --&gt; 00:24:36.000
Et ensuite ...&#13;

00:24:36.000 --&gt; 00:29:56.000
Lo grand Birauia sus la Peta-si-quò-pòt de son nebot&#13;

00:29:56.000 --&gt; 00:34:46.000
'N'autra nhòrla dau Toanon&#13;

00:34:46.000 --&gt; 00:36:12.000
Una gafada de pan&#13;

00:36:12.000 --&gt; 00:39:15.000
Flor de minjaquina&#13;

00:39:15.000 --&gt; 00:41:39.000
L'auseu pòst-diglossic&#13;

00:41:39.000 --&gt; 00:42:40.000
Présentation de la chanson&#13;

00:42:40.000 --&gt; 00:46:12.000
Ab la dolçor del temps novel&#13;

00:46:12.000 --&gt; 00:49:28.000
Lo boier&#13;

00:49:28.000 --&gt; 00:51:26.000
De la nhòrla&#13;

00:51:26.000 --&gt; 00:52:32.000
De Panasòu&#13;

00:52:32.000 --&gt; 00:59:02.000
Lo gilet de Borra-Secha&#13;

00:59:02.000 --&gt; 01:00:07.000
Ente la gent son pus bèstias qu'alhors&#13;

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Lo "cylindre"&#13;

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La cròta de chen &#13;

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Lo champs de feira&#13;

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Presentation de la gnorle&#13;

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Borra-Secha a la feira&#13;

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Dau trabalh&#13;

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Las batuerzas&#13;

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00:06:31.000 --&gt; 00:00:00.000
La chambariera que se voliá maridar&#13;

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Valse&#13;

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Les noces dans le temps&#13;

00:02:49.000 --&gt; 00:04:33.000
Vive les mariés&#13;

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Polka piquée&#13;

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Lo pelali&#13;

00:08:27.000 --&gt; 00:10:44.000
La danse atomique&#13;

00:10:44.000 --&gt; 00:12:12.000
Ta testa te fai mau&#13;

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Scottich valse (sic)&#13;

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Sauteuse&#13;

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Les petits coups de doigts&#13;

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Un air de Bechet&#13;

00:19:47.000 --&gt; 00:21:49.000
Te jalarai&#13;

00:21:49.000 --&gt; 00:23:10.000
La voliá bicar&#13;

00:23:10.000 --&gt; 00:25:04.000
Chantez pas les gars&#13;

00:25:04.000 --&gt; 00:26:39.000
Los cornards de Tula&#13;

00:26:39.000 --&gt; 00:27:44.000
Vai, vai, vai chamaisada&#13;

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Chas-nos la trist'annada (polka piquée)&#13;

00:28:48.000 --&gt; 00:31:03.000
La rue de notre amour&#13;

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Un slow&#13;

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                <text>00:00:00.000 --&gt; 00:00:10.000
Es pas comun mon nom&#13;

00:00:10.000 --&gt; 00:01:20.000
Presentacion de la Felicia&#13;

00:01:20.000 --&gt; 00:01:47.000
E vòstres parents ?&#13;

00:01:47.000 --&gt; 00:03:11.000
Ente atz-vos trabalhat ?&#13;

00:03:11.000 --&gt; 00:03:38.000
Quand de temps a Sent-Liunard ?&#13;

00:03:38.000 --&gt; 00:04:05.000
Tot lo monde parlavan patois&#13;

00:04:05.000 --&gt; 00:05:08.000
De Sent-Liunard&#13;

00:05:08.000 --&gt; 00:05:57.000
Présentation de l'exercice&#13;

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Première série&#13;

00:06:24.000 --&gt; 00:11:58.000
Reprise de l'enregistrement&#13;

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Il y a des variantes&#13;

00:12:18.000 --&gt; 00:22:52.000
Seconde série&#13;

00:22:52.000 --&gt; 00:23:17.000
Le jeu&#13;

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Lo juec de la mapa&#13;

00:27:14.000 --&gt; 00:27:50.000
Pour l'intonation&#13;

00:27:50.000 --&gt; 00:28:32.000
Il y a des variantes&#13;

00:28:32.000 --&gt; 00:29:00.000
Quò se generaliza, lo frances&#13;

00:29:00.000 --&gt; 00:31:35.000
Lo mesma patois&#13;

00:31:35.000 --&gt; 00:32:38.000
Limousin ou Marchois ?&#13;

00:32:38.000 --&gt; 00:33:30.000
Quelques différences&#13;

00:33:30.000 --&gt; 00:33:58.000
Quò fai dau temps que vos demoratz aquí&#13;

00:33:58.000 --&gt; 00:36:45.000
Garait e lo patois&#13;

00:36:45.000 --&gt; 00:41:19.000
Los maçons&#13;

00:41:19.000 --&gt; 00:42:45.000
Que fasian la gent aquí ?&#13;

00:42:45.000 --&gt; 00:44:43.000
L'aiga, la baciá e la coada&#13;

00:44:43.000 --&gt; 00:46:15.000
La bujada&#13;

00:46:15.000 --&gt; 00:49:36.000
La cherbe&#13;

00:49:36.000 --&gt; 00:51:13.000
Lo progres&#13;

00:51:13.000 --&gt; 00:51:59.000
L'ivern&#13;

00:51:59.000 --&gt; 00:55:06.000
La populacion se renuvela pas&#13;

00:55:06.000 --&gt; 00:56:50.000
Dins lo temps, las velhadas&#13;

00:56:50.000 --&gt; 00:58:05.000
Los bales, las danças&#13;

00:58:05.000 --&gt; 00:59:33.000
Los gropes folcloriques&#13;

00:59:33.000 --&gt; 01:01:52.000
Borgon Nuòu e autres borgs&#13;

01:01:52.000 --&gt; 01:03:45.000
Saint-Sulpice-Laurière&#13;

01:03:45.000 --&gt; 01:05:21.000
Aubusson&#13;

01:05:21.000 --&gt; 01:06:40.000
Las vilas "de referéncia"&#13;

01:06:40.000 --&gt; 01:10:58.000
Lo decopatge per las bancas&#13;

01:10:58.000 --&gt; 01:01:46.000
Nos l'i vam&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Sur l&amp;rsquo;enveloppe contenant cette bande, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"Enregistrement chants fran&amp;ccedil;ais (relations auditeurs)"&lt;/span&gt; ainsi que&amp;nbsp; &lt;span style="color: #808080;"&gt;"731"&lt;/span&gt;.&lt;/span&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Il s&amp;rsquo;agit de l&amp;rsquo;enregistrement de plusieurs chants scolaires en fran&amp;ccedil;ais par une interpr&amp;egrave;te dont nous ne connaissons pas l&amp;rsquo;identit&amp;eacute;.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;Certains de ceux-ci sont du po&amp;egrave;te &lt;a href="https://fr.wikipedia.org/wiki/Maurice_Bouchor" target="_blank" rel="noopener"&gt;Maurice Bouchor&lt;/a&gt; : &lt;br /&gt;- "Les joutes" est une adaptation de "&lt;em&gt;Los tilhol&amp;egrave;rs&lt;/em&gt;" (un chant gascon)&lt;br /&gt;- "Les noces du papillon" (sur un air traditionnel) &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Nous ne connaissons pas non plus la date ni le lieu de cet enregistrement (possiblement dans les ann&amp;eacute;es 1970).&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;</text>
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Chanson de mai&#13;

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Dans la prairie&#13;

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J'aime à te voir, beau papillon&#13;

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Je suis un petit ruisseau&#13;

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Les joutes&#13;

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Les gens qui partaient travailler à Paris&#13;

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Vous faites ce que vous voulez&#13;

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Escota Margarita&#13;

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Sur la grand-route de Guéret&#13;

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Si ilhs venen trainar los piès&#13;

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La leçon d’épinette&#13;

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Mon Piaron ai bien dau bonur&#13;

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La coupe du meilleur parleur&#13;

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L'histoire qui a remporté la coupe&#13;

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Mise en place&#13;

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Valse&#13;

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Elle avait oublié son caleçon&#13;

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Polka de Chanteix&#13;

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Valse avec ritournelle&#13;

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Prenez mes mandarines&#13;

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Je suis née dans le faubourg Saint-Denis&#13;

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Le plus beau refrain de la vie&#13;

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Valsez midinettes&#13;

00:13:54.000 --&gt; 00:16:15.000
Quand lo merle saut’au prat&#13;

00:16:15.000 --&gt; 00:19:23.000
Valse de Vertougit&#13;

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Les petits-enfants&#13;

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Ce système là ...&#13;

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Air de violon&#13;

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Le violon avec la vielle&#13;

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Violon avec bourdon&#13;

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Les armées françaises dans la campagne de libération&#13;

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Musique militaire&#13;

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Présentation de l'émission&#13;

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Musique militaire&#13;

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Le rôle de la Marine Française&#13;

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Le blocus terrestre&#13;

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L'esprit de ces jeunes troupes&#13;

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La réduction de la poche de Royan&#13;

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Le 13ème régiment de dragons&#13;

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Le deuxième peloton du deuxième escadron&#13;

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La brigade Oléron&#13;

00:34:49.000 --&gt; 00:35:36.000
Conclusion&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Il s&amp;rsquo;agit de l&amp;rsquo;enregistrement de plusieurs chansons en occitan limousin et en fran&amp;ccedil;ais par &lt;strong&gt;Bernard Enixon&lt;/strong&gt; et &lt;strong&gt;Anne-Marie Violleau&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;Sur la premi&amp;egrave;re bande, les s&amp;eacute;quences de 1 &amp;agrave; 2.&lt;br /&gt;Sur la seconde bande, les s&amp;eacute;quences de 3 &amp;agrave; 8.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/13478#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0" style="color: #e38f71; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; outline: 0px; font-family: 'Open Sans';"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le fonds Michel Vali&amp;egrave;re&lt;/span&gt;&lt;/a&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;num&amp;eacute;risation et l&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;a cession&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;d&amp;rsquo;une copie de&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;ce document a &amp;eacute;t&amp;eacute;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;r&amp;eacute;alis&amp;eacute;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;e&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;par le D&amp;eacute;partement de la Vienne (Archives d&amp;eacute;partementales) avec l&amp;rsquo;autorisation de Mme Mich&amp;egrave;le Vali&amp;egrave;re&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; color: #808080;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:02:36.000
Las filhas de Las Vernhas&#13;

00:02:36.000 --&gt; 00:05:05.000
Dins las landas de Lembartias&#13;

00:05:05.000 --&gt; 00:05:49.000
Quand i'era jòuna dròlla (début)&#13;

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Quand i'era jòuna dròlla&#13;

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Passoleta (essai)&#13;

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Passoleta&#13;

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Permets-moi, belle meunière&#13;

00:12:20.000 --&gt; 00:15:05.000
Ne ses-tu pas bientòst coifada&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;On peut y observer une mani&amp;egrave;re particuli&amp;egrave;re de danser la bourr&amp;eacute;e &amp;agrave; la mode &lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;laquo; des &lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;Mon&amp;eacute;di&amp;egrave;res &amp;raquo;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;Agrave; noter que &lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt; filmait &amp;agrave; l'aide d'une cam&amp;eacute;ra "Super 8 sonore", ce qui explique la bri&amp;egrave;vet&amp;eacute; des s&amp;eacute;quences.&lt;/span&gt;&lt;/div&gt;&#13;
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Los cornards d'a Tula&#13;

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Ai vist lo lop&#13;

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Auvergne jolie&#13;

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Marche&#13;

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Dija Janton&#13;

00:02:50.000 --&gt; 00:00:00.000
Ai vist lo lop&#13;

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Les Feuillardiers&#13;

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Présentation&#13;

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Mossur lu mera&#13;

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Tu ses nascut a Ronhac ?&#13;

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Un vielh cerclaire&#13;

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'Na pita chançon&#13;

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Nous voilà dans une ancienne ferme&#13;

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Fai-nos veire&#13;

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Mossur lu mera&#13;

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Les pastourelles&#13;

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Scottich&#13;

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Le petit village du Cledou&#13;

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Chez Adrienne&#13;

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Thérèse Bonnetaud&#13;

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Vos setz dau vilatge ?&#13;

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Et la plus jeune, elle s'y plait ?&#13;

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Conclusion
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 29 septembre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;On y entend plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;Los ueus daus Jeud&amp;iacute; e Vendred&amp;iacute; sents&lt;/em&gt;,&amp;nbsp;&lt;em&gt;Lo pastis de Carnavar e los fruts&lt;/em&gt;,&amp;nbsp;&amp;hellip;) mais aussi de ce qui se chantait dans le pays (&lt;em&gt;Lo cuer de ma mia&lt;/em&gt;, Adieu la fleur de ma jeunesse, ...) et ce qui s&amp;rsquo;y mangeait (&lt;em&gt;Lo brandier&lt;/em&gt;, &lt;em&gt;Lo fromatge e la sopa&lt;/em&gt;, &lt;em&gt;Las treflas saladas&lt;/em&gt;, ...).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;On y entend &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales (&lt;em&gt;Los noms daus vilatges de la comuna&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Informateurs : &lt;strong&gt;Raymond Dejouhet&lt;/strong&gt;, &lt;strong&gt;Roger Durand&lt;/strong&gt;, &lt;strong&gt;Odette Lacote&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&#13;
&lt;p style="margin: 15px 0px; font-family: 'Open Sans'; background-color: #f3ede2;"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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Fau tot me dire en patois&#13;

00:00:18.000 --&gt; 00:03:57.000
Des différences&#13;

00:03:57.000 --&gt; 00:06:00.000
La prononciaciòn&#13;

00:06:00.000 --&gt; 00:11:10.000
Los noms daus vilatges de la comuna&#13;

00:11:10.000 --&gt; 00:11:51.000
De l'istoaras ?&#13;

00:11:51.000 --&gt; 00:14:05.000
N'istoara de factor&#13;

00:14:05.000 --&gt; 00:14:49.000
Dau lop&#13;

00:14:49.000 --&gt; 00:19:16.000
Daus maçons&#13;

00:19:16.000 --&gt; 00:19:53.000
Vocabulari&#13;

00:19:53.000 --&gt; 00:21:04.000
La pita lebre&#13;

00:21:04.000 --&gt; 00:22:43.000
Quand los pitits jugavan&#13;

00:22:43.000 --&gt; 00:23:10.000
Daus proverbes&#13;

00:23:10.000 --&gt; 00:23:37.000
De las chançons ?&#13;

00:23:37.000 --&gt; 00:24:15.000
Lo cuer de ma mia&#13;

00:24:15.000 --&gt; 00:25:53.000
D'autras chançons ?&#13;

00:25:53.000 --&gt; 00:26:21.000
Les maçons de la Creuse&#13;

00:26:21.000 --&gt; 00:26:35.000
Dins las nòças ?&#13;

00:26:35.000 --&gt; 00:27:18.000
Adieu la fleur de ma jeunesse&#13;

00:27:18.000 --&gt; 00:30:26.000
Lo turlututu&#13;

00:30:26.000 --&gt; 00:31:33.000
Las voelhas son dins los blats&#13;

00:31:33.000 --&gt; 00:32:17.000
De las pregieras ?&#13;

00:32:17.000 --&gt; 00:33:05.000
De las frasas per los auseus ?&#13;

00:33:05.000 --&gt; 00:36:40.000
'Pelar las bestias&#13;

00:36:40.000 --&gt; 00:38:40.000
N'aviam tres chins a la maison&#13;

00:38:40.000 --&gt; 00:40:51.000
Daus pòrcs&#13;

00:40:51.000 --&gt; 00:42:33.000
Lo premier d'l'an&#13;

00:42:33.000 --&gt; 00:43:19.000
Proverbe : Los jorns eslongen&#13;

00:43:19.000 --&gt; 00:44:27.000
Los reis e la galeta&#13;

00:44:27.000 --&gt; 00:46:46.000
Las crespas e los tortels&#13;

00:46:46.000 --&gt; 00:50:34.000
Lo brandier&#13;

00:50:34.000 --&gt; 00:52:21.000
La prumiera crespa&#13;

00:52:21.000 --&gt; 00:54:29.000
Proverbe sus lo chant dau cocut&#13;

00:54:29.000 --&gt; 00:56:33.000
Ilhs fasian atencion a tot quò ...&#13;

00:56:33.000 --&gt; 00:59:50.000
Carnavar e lo bulit&#13;

00:59:50.000 --&gt; 01:01:04.000
Lo fromatge e la sopa&#13;

01:01:04.000 --&gt; 01:03:54.000
Tuar lo pòrc per la bateusa&#13;

01:03:54.000 --&gt; 01:09:11.000
Lo pòrc, los bodins, lo lard ...&#13;

01:09:11.000 --&gt; 01:12:31.000
Lo pastis de Carnavar e los fruts&#13;

01:12:31.000 --&gt; 01:14:02.000
Bufar la sopa&#13;

01:14:02.000 --&gt; 01:16:28.000
Los ramels, lo jorn de l'ausana&#13;

01:16:28.000 --&gt; 01:16:59.000
Lo vent dau Ramels&#13;

01:16:59.000 --&gt; 01:18:01.000
Lo june de las clòchas&#13;

01:18:01.000 --&gt; 01:19:27.000
Los ueus daus Jeudí e Vendredí Sents&#13;

01:19:27.000 --&gt; 01:20:53.000
Un curet que junava pas&#13;

01:20:53.000 --&gt; 01:21:59.000
Reprise : Far un arbant&#13;

01:21:59.000 --&gt; 01:23:52.000
La Sent Jan e lo tresfojau&#13;

01:23:52.000 --&gt; 01:24:10.000
Sent Martin&#13;

01:24:10.000 --&gt; 01:25:22.000
Nadau e la còça&#13;

01:25:22.000 --&gt; 01:26:19.000
Le 8, le 13 e le 22 de julhet : far la rabas&#13;

01:26:19.000 --&gt; 01:28:16.000
Blanchir las chastanhas&#13;

01:28:16.000 --&gt; 01:29:59.000
Las treflas saladas&#13;

01:29:59.000 --&gt; 01:31:44.000
Las grilhadas&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Les musiciens sont &lt;strong&gt;Olivier Durif&lt;/strong&gt; (accord&amp;eacute;on diatonique et violon) et &lt;strong&gt;Philippe Destrem&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;(vielle &amp;agrave; roue).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Les danseurs sont &lt;strong&gt;AUDOUZE Jean, BETOULAUD Ren&amp;eacute;&lt;/strong&gt;,&lt;strong&gt; BRILLOU Bernard&lt;/strong&gt;,&lt;strong&gt; CARRER Guy &lt;/strong&gt;(dit Fidel),&lt;strong&gt; CHAUZEIX Henri &lt;/strong&gt;(dit Picasso),&lt;strong&gt; GERBAUD Gilbert&lt;/strong&gt;,&lt;strong&gt; RANDONNEIX Philippe, VERGNE Marcel&lt;/strong&gt;,&lt;strong&gt; VERGNE Ren&amp;eacute;&lt;/strong&gt;.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13542/39._Claveyrolas.pdf" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13542/39._Bourree_a_8._Croquis_de_Picasso.jpeg" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers le croquis fait par Picasso pour expliquer la bourr&amp;eacute;e &amp;agrave; 8&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13542/39._Bourree_a_8._Explication_de_Picasso.jpeg" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers une photo de Picasso explicant la bourr&amp;eacute;e &amp;agrave; 8 &amp;agrave; Fran&amp;ccedil;oise Etay&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;</text>
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Lo Turlututu&#13;

00:01:31.000 --&gt; 00:02:41.000
Ai vist lo lop&#13;

00:02:41.000 --&gt; 00:03:41.000
Caifa-te bian&#13;

00:03:41.000 --&gt; 00:04:08.000
Los cornards d’a Tula&#13;

00:04:08.000 --&gt; 00:05:26.000
Piere labora&#13;

00:05:26.000 --&gt; 00:06:20.000
Vai vai vai chamejada&#13;

00:06:20.000 --&gt; 00:10:10.000
Quand la Margui vai au molin&#13;

00:10:10.000 --&gt; 00:10:23.000
Valse&#13;

00:10:23.000 --&gt; 00:12:55.000
Lo Pelele&#13;

00:12:55.000 --&gt; 00:14:08.000
Pomier qu’as-tu de ròsas&#13;

00:14:08.000 --&gt; 00:15:00.000
La Tricotada (première moitié)&#13;

00:15:00.000 --&gt; 00:16:41.000
La Tricotada (seconde moitié)&#13;

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Installation&#13;

00:00:16.000 --&gt; 00:01:14.000
Banhar los prats&#13;

00:01:14.000 --&gt; 00:02:01.000
Virar l'aiga&#13;

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D'ente veniá l'aiga ?&#13;

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La leva e las levadas&#13;

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La peschiera e lo canar&#13;

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Quante quò ploviá&#13;

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Fasian venir d'una peschiera&#13;

00:15:32.000 --&gt; 00:16:12.000
Quò se 'chabava coma, las levadas ?&#13;

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Entreténer las levadas&#13;

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Los prats de faucha&#13;

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Las sòlas, los molards e las molieras&#13;

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La mair font&#13;

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Los gatges, los utilhs&#13;

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Curar e talhar las levas&#13;

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Los utilhs&#13;

00:24:50.000 --&gt; 00:27:46.000
Quò s'aviá brejat per l'aigas&#13;

00:27:46.000 --&gt; 00:31:00.000
Drainar los fons de prats&#13;

00:31:00.000 --&gt; 00:32:00.000
Chamnhar de plaça las levadas&#13;

00:32:00.000 --&gt; 00:34:05.000
Los bialierons&#13;

00:34:05.000 --&gt; 00:34:28.000
Totjorn sus una cima&#13;

00:34:28.000 --&gt; 00:35:32.000
Metre un cordeu per las talhar&#13;

00:35:32.000 --&gt; 00:38:43.000
N'i a d'enguera&#13;

00:38:43.000 --&gt; 00:39:44.000
Lo canar n'era pas per tot lo monde&#13;

00:39:44.000 --&gt; 00:41:19.000
I aviá un "diviseur"&#13;

00:41:19.000 --&gt; 00:43:05.000
'Na peschiera comuna per lavar los canalhons&#13;

00:43:05.000 --&gt; 00:43:57.000
Quand fasiá meschant temps&#13;

00:43:57.000 --&gt; 00:45:00.000
I a pas pro d'aiga&#13;

00:45:00.000 --&gt; 00:47:08.000
Daus dictons ?&#13;

00:47:08.000 --&gt; 00:47:44.000
Desjà, i a pas mau&#13;

00:47:44.000 --&gt; 00:48:14.000
Pertot lo mesma biais de far&#13;

00:48:14.000 --&gt; 00:49:34.000
A la Crosilha&#13;

00:49:34.000 --&gt; 00:52:26.000
Las peschieras aüei&#13;

00:52:26.000 --&gt; 00:54:04.000
La machinas que curen&#13;

00:54:04.000 --&gt; 00:54:36.000
Daus uns que venian de las Doas-Chabras&#13;

00:54:36.000 --&gt; 00:56:29.000
Dau "débroussaillant"
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La Paimpolaise&#13;

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Bonjour belle bergère&#13;

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La giate&#13;

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Polka de Madranges&#13;

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La Varsovienne&#13;

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Valse&#13;

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Arrivés dans un village&#13;

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La Passion&#13;

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Aboiements&#13;

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Pimparòla&#13;

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Ieu me’n vau a Sent-Iriès&#13;

00:00:44.000 --&gt; 00:01:18.000
Leçon de danse&#13;

00:01:18.000 --&gt; 00:01:36.000
En lâchant la main ...&#13;

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À quatre ...&#13;

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La Parisienne&#13;

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La Parisienne (en ligne)&#13;

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La Parisienne (à 4 couples)&#13;

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Bourrée de Meuzac&#13;

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Bourrée de Meuzac&#13;

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Explications&#13;

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Bourrée de Meuzac&#13;

00:10:57.000 --&gt; 00:11:48.000
Explications&#13;

00:11:48.000 --&gt; 00:12:28.000
Bourrée de Meuzac&#13;

00:12:28.000 --&gt; 00:14:13.000
Explications&#13;

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Nouvelle tentative&#13;

00:14:43.000 --&gt; 00:17:00.000
Bourrée de Meuzac&#13;

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"Allez, viens nous aider"&#13;

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Ronde d'introduction&#13;

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Explications&#13;

00:22:10.000 --&gt; 00:24:44.000
Bourrée de Meuzac&#13;

00:24:44.000 --&gt; 00:26:14.000
Bourrée de Meuzac (bis)&#13;

00:26:14.000 --&gt; 00:29:17.000
Avec deux couples de plus&#13;

00:29:17.000 --&gt; 00:31:16.000
Lo pelele&#13;

00:31:16.000 --&gt; 00:31:31.000
Polka de Chanteix&#13;

00:31:31.000 --&gt; 00:33:24.000
Polka-marche Garibaldi&#13;

00:33:24.000 --&gt; 00:35:40.000
C’était la fille d’un fermier&#13;

00:35:40.000 --&gt; 00:37:53.000
Tango&#13;

00:37:53.000 --&gt; 00:39:37.000
Sautière&#13;

00:39:37.000 --&gt; 00:41:26.000
Polka glissante de Lubersac&#13;

00:41:26.000 --&gt; 00:42:22.000
Polka glissante de Lubersac (bis)&#13;

00:42:22.000 --&gt; 00:43:55.000
Bourrée à 4 couples&#13;

00:43:55.000 --&gt; 00:44:52.000
Leçon de danse (sautière)&#13;

00:44:52.000 --&gt; 00:46:52.000
Lo Toana de Glandon&#13;

00:46:52.000 --&gt; 00:49:29.000
La belle Isabeau&#13;

00:49:29.000 --&gt; 00:51:24.000
C’était la fille d’un fermier
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Zorba le grec&#13;

00:01:05.000 --&gt; 00:03:03.000
Tout un tas de sortes de danses&#13;

00:03:03.000 --&gt; 00:03:35.000
Un rapport complexe&#13;

00:03:35.000 --&gt; 00:04:33.000
Le rythme&#13;

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Savoir et transmettre la danse&#13;

00:05:48.000 --&gt; 00:07:10.000
Le corps&#13;

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Les choses peuvent mourir&#13;

00:07:58.000 --&gt; 00:08:55.000
La tradition comme résistance&#13;

00:08:55.000 --&gt; 00:09:16.000
Conformisme et résistance&#13;

00:09:16.000 --&gt; 00:13:04.000
Une veillée sur les flancs du Mont-Lozère&#13;

00:13:04.000 --&gt; 00:13:13.000
Fin&#13;

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            <name>Title</name>
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                <text>Françoise Étay</text>
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            <name>License</name>
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                <text>CC-BY-NC-ND</text>
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            <name>Rights Holder</name>
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                <text>dépôt Françoise Etay</text>
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                <text>&lt;span style="font-size: 18.6667px;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;oise Etay&lt;/a&gt; (qui enqu&amp;ecirc;tait sur les diff&amp;eacute;rentes formes de danses en Limousin) lors d'un bal &amp;agrave; Nedde (87) organis&amp;eacute; par &lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Paul Gerbaud&lt;/strong&gt; dans le cadre de l&amp;rsquo;Association des musiciens routiniers &lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;du Limousin, le 13 d&amp;eacute;cembre 1986.&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Les musiciens sont &lt;strong&gt;Fran&amp;ccedil;ois Malthieu&lt;/strong&gt; (violon), &lt;strong&gt;Olivier Durif&lt;/strong&gt; (accord&amp;eacute;on diatonique) et &lt;strong&gt;Philippe Destrem &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;(vielle &amp;agrave; roue).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;span style="font-size: 18.6667px;"&gt;Les danseurs sont &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;M et Mme &lt;strong&gt;Gilbert&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="font-size: 18.6667px;"&gt;Gerbaud&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;, &lt;strong&gt;Albert Gerbaud &lt;/strong&gt;(le fr&amp;egrave;re jumeau de&lt;strong&gt; Gilbert&lt;/strong&gt;),&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Ren&amp;eacute; Vergne&lt;/strong&gt;, &lt;strong&gt;Guy Carrer&lt;/strong&gt; (dit &amp;laquo; Fidel &amp;raquo; ), M et Mme &lt;strong&gt;Jean &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Audouze&lt;/strong&gt;,&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;M et Mme &lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Georges &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Dufour&lt;/strong&gt;,&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span style="font-size: 18.6667px;"&gt;Jean Bessette &lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size: 18.6667px;"&gt;(dit &amp;laquo; Roger &amp;raquo; ),&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Huguette Lacouturi&amp;egrave;re&lt;/strong&gt;, &lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Andr&amp;eacute; Plazanet &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;(dit &amp;laquo; D&amp;eacute;d&amp;eacute; &amp;raquo; )&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;,&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;strong&gt;Fran&amp;ccedil;ois Malthieu &lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;(dit &amp;laquo; Lilou &amp;raquo; ).&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13551/06._Nedde.pdf" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;</text>
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                <text>André Plazanet</text>
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                <text>00:00:00.000 --&gt; 00:00:27.000
Ai vist lo lop&#13;

00:00:27.000 --&gt; 00:01:08.000
Marion quand t'aimava&#13;

00:01:08.000 --&gt; 00:01:41.000
Valse « de Nard »&#13;

00:01:41.000 --&gt; 00:02:55.000
Polka&#13;

00:02:55.000 --&gt; 00:04:55.000
Valse « du Negrou »&#13;

00:04:55.000 --&gt; 00:06:31.000
Ai vist lo lop&#13;

00:06:31.000 --&gt; 00:06:52.000
Polka « de Rata »&#13;

00:06:52.000 --&gt; 00:08:46.000
Si t'as paur que lo lop s'espine&#13;

00:08:46.000 --&gt; 00:09:09.000
Pinton&#13;

00:09:09.000 --&gt; 00:10:19.000
Ab’aqui paubres garçons&#13;

00:10:19.000 --&gt; 00:11:25.000
La Chamejada — Marion quand t'aimava&#13;

00:11:25.000 --&gt; 00:12:46.000
Valse « de Nard »&#13;

00:12:46.000 --&gt; 00:14:26.000
Mazurka&#13;

00:14:26.000 --&gt; 00:16:28.000
Le plus beau de tous les tangos du monde&#13;

00:16:28.000 --&gt; 00:17:37.000
La chèvre&#13;

00:17:37.000 --&gt; 00:18:28.000
L'aiga de ròsa&#13;

00:18:28.000 --&gt; 00:19:25.000
La Jaçona&#13;

00:19:25.000 --&gt; 00:21:00.000
Qu’es lo chat embe lo rat&#13;

00:21:00.000 --&gt; 00:22:51.000
Le Pélélé&#13;

00:22:51.000 --&gt; 00:24:58.000
Sous les ponts de Paris&#13;

00:24:58.000 --&gt; 00:27:11.000
Glissante&#13;

00:27:11.000 --&gt; 00:28:04.000
Ai vist lo lop&#13;

00:28:04.000 --&gt; 00:29:26.000
Para lo lop&#13;

00:29:26.000 --&gt; 00:30:42.000
La Balada&#13;

00:30:42.000 --&gt; 00:30:54.000
La fille du fermier&#13;

00:30:54.000 --&gt; 00:32:01.000
La Valentinou&#13;

00:32:01.000 --&gt; 00:32:40.000
Piere labora&#13;

00:32:40.000 --&gt; 00:34:32.000
A ta santat mon pair François.&#13;

00:34:32.000 --&gt; 00:36:05.000
La Gigue&#13;

00:36:05.000 --&gt; 00:38:03.000
Valse du Negrou&#13;

00:38:03.000 --&gt; 00:39:33.000
Polka&#13;

00:39:33.000 --&gt; 00:41:23.000
Mazurka&#13;

00:41:23.000 --&gt; 00:43:36.000
La Java Bleue&#13;

00:43:36.000 --&gt; 00:44:22.000
La Planette&#13;

00:44:22.000 --&gt; 00:44:47.000
À quoi sert d’aimer s’il faut oublier&#13;

00:44:47.000 --&gt; 00:47:41.000
Bourrée inspirée de La Crosada et d’autres&#13;

00:47:41.000 --&gt; 00:50:12.000
La Paloma&#13;

00:50:12.000 --&gt; 00:51:32.000
Caifa-te bian&#13;

00:51:32.000 --&gt; 00:51:56.000
Tout le long du bois&#13;

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