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                <text>00:00:00.000 --&gt; 00:00:09.000
Nous sommes tellement peu nombreux ...&#13;

00:00:09.000 --&gt; 00:01:41.000
L'auberja de Chastelus&#13;

00:01:41.000 --&gt; 00:04:42.000
Los frens de la voatura, lo garagiste&#13;

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Vau vos damandar daus mots ...&#13;

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Vocabulari&#13;

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Lo mot que permet de pas far de fauta&#13;

00:10:29.000 --&gt; 00:11:09.000
Nòstres mestres d'escòlas&#13;

00:11:09.000 --&gt; 00:21:53.000
Vocabulari (suite)&#13;

00:21:53.000 --&gt; 00:22:14.000
Merci beaucoup !&#13;

00:22:14.000 --&gt; 00:24:16.000
Se batre aveque Robert&#13;

00:24:16.000 --&gt; 00:25:58.000
Se batre a l'escòla&#13;

00:25:58.000 --&gt; 00:27:16.000
Perçar un niu de 'belhas&#13;

00:27:16.000 --&gt; 00:27:55.000
N'am pus que nos dos&#13;

00:27:55.000 --&gt; 00:30:30.000
Far lo professor d'occitan&#13;

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Un companh de Panasòu&#13;

00:36:37.000 --&gt; 00:37:18.000
Quò s'a bastit&#13;

00:37:18.000 --&gt; 00:37:46.000
Los interdichs e los "obligatoires"&#13;

00:37:46.000 --&gt; 00:38:30.000
La rentrada&#13;

00:38:30.000 --&gt; 00:40:10.000
Compréner mas pas parlar&#13;

00:40:10.000 --&gt; 00:40:31.000
Le chien "sina" le "vielh"&#13;

00:40:31.000 --&gt; 00:42:41.000
Nos vam tornar a Limòtges&#13;

00:42:41.000 --&gt; 00:44:22.000
Daus garagistes&#13;

00:44:22.000 --&gt; 00:46:26.000
De las visitas&#13;

00:46:26.000 --&gt; 00:48:44.000
Qu'es facile de destruire&#13;

00:48:44.000 --&gt; 00:00:00.000
Fin d'entrevuda&#13;

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Chas nos m'i an donat un marit&#13;

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Tòst nuech (début) &#13;

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Tòst nuech&#13;

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Tòst nuech&#13;

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Discussion&#13;

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Chas nos m'an maridada&#13;

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Tu te'n vas de per los champs&#13;

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Filhas nos en fau 'nar&#13;

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Lo cocut&#13;

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Si voletz dançar&#13;

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Valse « à Tintin »&#13;

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Valse « à Tintin »&#13;

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Les Abeilles bergeracoises&#13;

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Valse « à Tintin »&#13;

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Valse « à Tintin »&#13;

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J’ai deux amours, mon pays et Paris&#13;

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Pampero&#13;

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Le plus beau de tous les tangos du monde&#13;

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Mazurka&#13;

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Recherche ...&#13;

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Tango de Marilou&#13;

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La plus belle des rumbas&#13;

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Marinella&#13;

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Un petit cabanon&#13;

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La grand’aiga&#13;

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C’est à Capri&#13;

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Polka des ménétriers&#13;

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Polcà daus Picadis&#13;

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La Valentinou&#13;

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J’écoute la guitare&#13;

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L’air pour « une jeune qui s’était enterrée »&#13;

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Hymne à Bernadette&#13;

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"On croirait qu’on entend des Corses"&#13;

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Première voix&#13;

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Autre air à 2 vielles&#13;

00:56:05.000 --&gt; 00:58:06.000
Les noces de Christine&#13;

00:58:06.000 --&gt; 01:00:13.000
Allons z’éfants&#13;

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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/exhibits/show/lascronicasdelamonica/lo-termometre" target="_blank" rel="noopener"&gt;-&amp;gt; Acc&amp;egrave;dez aux chroniques ici&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-size: 12pt;"&gt;Monica Sarrasin, est une "personnes ressource" de l' IEO Lemosin. Originaire de Vicq-sur-Breuilh, elle est titulaire d'un master 2 d'&amp;eacute;tudes occitanes. Passionn&amp;eacute;e par la langue, elle anime une fois par mois le &lt;em&gt;"caf&amp;egrave; platussant"&lt;/em&gt; &amp;agrave; la Libraria Occitana &amp;agrave; Limoges et a &amp;eacute;crit plusieurs ouvrages en occitan limousin :&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;div class="MsoNormal" style="margin-left: 18pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;strong&gt; - La Lison dau Peirat,&lt;/strong&gt; Lo chamin de sent Jaume, coll. &amp;laquo;&amp;nbsp;N&amp;ograve;stre monde&amp;nbsp;&amp;raquo;, Meuzac, 2005&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div class="MsoNormal" style="margin-left: 18pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;strong&gt; - La setmana de la Lison, &lt;/strong&gt;Lo chamin de sent Jaume, coll. &amp;laquo;&amp;nbsp;N&amp;ograve;stre monde&amp;nbsp;&amp;raquo;, Meuzac, 2007&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div class="MsoNormal" style="margin-left: 18pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;strong&gt; - &lt;/strong&gt;&lt;strong&gt;D&amp;rsquo;entre tant, quauques uns,&lt;/strong&gt; Lo chamin de sent Jaume, coll. &amp;laquo; N&amp;ograve;stre monde &amp;raquo;, Meuzac, 2016 (Ouvrage ayant &amp;eacute;t&amp;eacute; r&amp;eacute;compens&amp;eacute; du prix Jaufre Rudel)&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div class="MsoNormal" style="margin-left: 18pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;strong&gt; - Chastinhas jos las cendres,&lt;/strong&gt; coll. &amp;laquo; Camins &amp;raquo;, Tolosa, Letras d&amp;rsquo;&amp;ograve;c, 2017.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;br /&gt;&lt;a href="https://www.lepopulaire.fr/limoges-87000/loisirs/a-60-ans-la-limougeaude-monica-sarrasin-a-su-s-offrir-un-nouvelle-vie-riche-et-intense_13038192/" target="_blank" rel="noreferrer noopener"&gt;&amp;raquo; Voir ici l'article que Le Populaire lui a consacr&amp;eacute;&lt;/a&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; color: #808080;"&gt;&lt;em&gt;Enregistrements : Pascal Boudy, Magal&amp;igrave; Urroz&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; color: #808080;"&gt;&lt;em&gt;Photographie : Magal&amp;igrave; Urroz&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;</text>
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Informations sur l'enregistrement&#13;

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La polka en voiture&#13;

00:01:58.000 --&gt; 00:02:57.000
La galette&#13;

00:02:57.000 --&gt; 00:04:03.000
Les rats&#13;

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Informations sur la répétition&#13;

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La polka espagnole&#13;

00:05:15.000 --&gt; 00:06:35.000
La gailloune&#13;

00:06:35.000 --&gt; 00:06:57.000
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00:06:57.000 --&gt; 00:07:14.000
Explication de la figure&#13;

00:07:14.000 --&gt; 00:07:35.000
La trompeuse&#13;

00:07:35.000 --&gt; 00:07:55.000
La trompeuse (reprise)&#13;

00:07:55.000 --&gt; 00:08:19.000
Si le choix est bon ...&#13;

00:08:19.000 --&gt; 00:08:41.000
Si le choix est mauvais ...&#13;

00:08:41.000 --&gt; 00:09:07.000
La revanche&#13;

00:09:07.000 --&gt; 00:09:26.000
Bien entendu ...&#13;

00:09:26.000 --&gt; 00:11:53.000
La bourrée d'Esse&#13;

00:11:53.000 --&gt; 00:12:22.000
La fin de cette journée du 12 mai&#13;

00:12:22.000 --&gt; 00:12:57.000
Présentation de l'enregistrement&#13;

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Le Noël "de Pijoulet"&#13;

00:14:24.000 --&gt; 00:15:59.000
Sabetz-vautres la novela ?&#13;

00:15:59.000 --&gt; 00:16:42.000
Lalalère&#13;

00:16:42.000 --&gt; 00:17:39.000
Marisson ton piucelatge purirá ton cotilhon&#13;

00:17:39.000 --&gt; 00:18:11.000
Et bien laissons là M Bourgoin&#13;

00:18:11.000 --&gt; 00:21:04.000
La noce des oiseaux&#13;

00:21:04.000 --&gt; 00:24:36.000
Las filhas de Vilachiesa&#13;

00:24:36.000 --&gt; 00:26:01.000
Y a du vin dans notre cave&#13;

00:26:01.000 --&gt; 00:28:51.000
Le merle qui a perdu son bec
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                <text>00:00:00.000 --&gt; 00:01:19.000
"Il est spécial celui-là."&#13;

00:01:19.000 --&gt; 00:03:28.000
La Grand’aiga&#13;

00:03:28.000 --&gt; 00:04:29.000
La Cornadèla&#13;

00:04:29.000 --&gt; 00:06:00.000
La Picatyrolienne&#13;

00:06:00.000 --&gt; 00:07:35.000
Philippe Destrem a la vielle&#13;

00:07:35.000 --&gt; 00:08:19.000
Ré-accordage&#13;

00:08:19.000 --&gt; 00:10:04.000
Mazurka&#13;

00:10:04.000 --&gt; 00:11:04.000
La Putassa&#13;

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                <text>&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; La Sauni&amp;egrave;re (23)&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 26 octobre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entend plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;Chaufar lo forn e cosinar per Mard&amp;iacute; Gras, Lo fuec de Sent Jan&lt;/em&gt; ...) mais aussi de ce qui se disait des oiseaux (&lt;em&gt;Lo lauri&amp;ograve;u, Lo pringaulier e las irondelas&lt;/em&gt;) et comment appeler les b&amp;ecirc;tes (&lt;em&gt;'Pelar las bestias&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entend &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales (&lt;em&gt;Los noms daus vilatges de la comuna&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Informateurs : &lt;strong&gt;Simone Amathieux&lt;/strong&gt;, &lt;strong&gt;Georges Aucordonnier&lt;/strong&gt;, &lt;strong&gt;Germaine Barnicot&lt;/strong&gt;, &lt;strong&gt;Colette M&amp;eacute;gret&lt;/strong&gt;, &lt;strong&gt;Georges Simon&lt;/strong&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&#13;
&lt;p style="margin: 15px 0px; font-family: 'Open Sans'; background-color: #f3ede2;"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; outline: 0px;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:03:39.000
Los noms daus vilatges de la comuna&#13;

00:03:39.000 --&gt; 00:08:50.000
Lo mesma patoas&#13;

00:08:50.000 --&gt; 00:11:49.000
Daus contes ? De las istoaras ?&#13;

00:11:49.000 --&gt; 00:13:17.000
De l'istoaras de Jarnages&#13;

00:13:17.000 --&gt; 00:13:59.000
La pita lebròta&#13;

00:13:59.000 --&gt; 00:15:32.000
Dansa, dansa, pola blancha&#13;

00:15:32.000 --&gt; 00:18:08.000
Lo verbe tornar&#13;

00:18:08.000 --&gt; 00:19:02.000
De las chançons ?&#13;

00:19:02.000 --&gt; 00:19:19.000
Las ovelhas son dins los blats&#13;

00:19:19.000 --&gt; 00:20:21.000
Coifa-te bien&#13;

00:20:21.000 --&gt; 00:21:55.000
Qu’es-que se chantava ?&#13;

00:21:55.000 --&gt; 00:22:49.000
Far parlar las bèstias&#13;

00:22:49.000 --&gt; 00:24:16.000
Lo lauriòu&#13;

00:24:16.000 --&gt; 00:27:10.000
Los jorns de la setmana&#13;

00:27:10.000 --&gt; 00:27:57.000
Lo pringaulier e las irondelas&#13;

00:27:57.000 --&gt; 00:28:16.000
Prononciacion&#13;

00:28:16.000 --&gt; 00:31:47.000
'Pelar las bestias&#13;

00:31:47.000 --&gt; 00:35:19.000
Des gens qui continuent à parler patois&#13;

00:35:19.000 --&gt; 00:37:54.000
Laborar aus buòus&#13;

00:37:54.000 --&gt; 00:41:06.000
Apelar los pòrcs&#13;

00:41:06.000 --&gt; 00:44:39.000
Lo premier de l'an&#13;

00:44:39.000 --&gt; 00:50:44.000
Tuar lo pòrc&#13;

00:50:44.000 --&gt; 00:54:19.000
La Chandelor, las crespas e los tortels&#13;

00:54:19.000 --&gt; 01:01:43.000
Chaufar lo forn e cosinar per Mardí Gras&#13;

01:01:43.000 --&gt; 01:05:29.000
Los pitits se mascaravan&#13;

01:05:29.000 --&gt; 01:08:17.000
Los Ramels&#13;

01:08:17.000 --&gt; 01:10:45.000
La Setmana Senta&#13;

01:10:45.000 --&gt; 01:12:01.000
De las pregieras ?&#13;

01:12:01.000 --&gt; 01:14:04.000
De la bujada&#13;

01:14:04.000 --&gt; 01:15:30.000
Pasques, lo mes de mai, Pendegosta, ...&#13;

01:15:30.000 --&gt; 01:16:59.000
Lo fuec de Sent Jan&#13;

01:16:59.000 --&gt; 01:17:30.000
La Saint Vincent&#13;

01:17:30.000 --&gt; 01:18:22.000
La Sent Eutròpi&#13;

01:18:22.000 --&gt; 01:19:42.000
La festa a La Sauniera&#13;

01:19:42.000 --&gt; 01:23:58.000
Qu’es-que se dançava ?&#13;

01:23:58.000 --&gt; 01:24:34.000
Los 15 e 16 dau mes d'aust&#13;

01:24:34.000 --&gt; 01:25:30.000
Nòstra Dama de Setembre&#13;

01:25:30.000 --&gt; 01:27:11.000
La Totsents&#13;

01:27:11.000 --&gt; 01:29:57.000
De las chastanhas&#13;

01:29:57.000 --&gt; 01:30:49.000
La Sent Martin&#13;

01:30:49.000 --&gt; 01:32:53.000
Nadau e la còça&#13;

01:32:53.000 --&gt; 01:33:53.000
Quand quò fasiá auratge&#13;

01:33:53.000 --&gt; 01:34:44.000
Lo pilat&#13;

01:34:44.000 --&gt; 01:37:01.000
Las pomas e lo citre&#13;

01:37:01.000 --&gt; 01:38:29.000
Las peras
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                <text>&lt;span style="font-size: 14pt;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="https://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt; &lt;/a&gt;(qui enqu&amp;ecirc;tait sur les diff&amp;eacute;rentes formes de danses en Limousin) lors d'un bal &amp;agrave; Nedde (87) organis&amp;eacute; par &lt;strong&gt;Paul Gerbaud&lt;/strong&gt; dans le cadre de l&amp;rsquo;Association des musiciens routiniers du Limousin, le 13 juin 1987.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Les danseurs sont &lt;strong&gt;BESSETTE Jean&lt;/strong&gt; (dit Roger), &lt;strong&gt;DUFOUR Georges&lt;/strong&gt;, &lt;strong&gt;GERBAUD Albert&lt;/strong&gt;, G&lt;strong&gt;ERBAUD Fran&amp;ccedil;ois&lt;/strong&gt;, &lt;strong&gt;GERBAUD Gilbert&lt;/strong&gt;, &lt;strong&gt;MORI&amp;Eacute;RAS L&amp;eacute;on&lt;/strong&gt;, &lt;strong&gt;VERGNE Ren&amp;eacute;&lt;/strong&gt;.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Les musiciens sont&amp;nbsp;&lt;strong&gt;Olivier DURIF&lt;/strong&gt;&amp;nbsp;&amp;agrave; l&amp;rsquo;accord&amp;eacute;on diatonique, &lt;strong&gt;Fran&amp;ccedil;ois MALTHIEU&lt;/strong&gt;&amp;nbsp;et &lt;strong&gt;Fran&amp;ccedil;oise ETAY&lt;/strong&gt;&amp;nbsp;aux violons, &lt;strong&gt;Philippe RANDONNEIX&lt;/strong&gt;&amp;nbsp;&amp;agrave; la chabrette, &lt;span style="font-size: 14pt;"&gt;ainsi qu'un joueur d&amp;rsquo;accord&amp;eacute;on chromatique dont nous ne connaissons pas l'identit&amp;eacute;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Il n'y a malheureusement pas de son du d&amp;eacute;but de l'enregistrement jusqu'&amp;agrave; 8'28'' (piste 7).&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13562/09._Nedde_2.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:19.000
Bourrée (début de la coupure son)&#13;

00:01:19.000 --&gt; 00:02:34.000
"2ème moitié"&#13;

00:02:34.000 --&gt; 00:04:28.000
Valse&#13;

00:04:28.000 --&gt; 00:05:13.000
Marche&#13;

00:05:13.000 --&gt; 00:07:07.000
Valse&#13;

00:07:07.000 --&gt; 00:08:28.000
L’aiga de ròsa&#13;

00:08:28.000 --&gt; 00:08:58.000
Fin de la coupure du son&#13;

00:08:58.000 --&gt; 00:10:08.000
Polka de Rata&#13;

00:10:08.000 --&gt; 00:11:14.000
Valse de Nard&#13;

00:11:14.000 --&gt; 00:13:38.000
Valse de Nard (autre version)&#13;

00:13:38.000 --&gt; 00:15:23.000
Si t’as paur que lo lop s’espine&#13;

00:15:23.000 --&gt; 00:16:43.000
La Planette&#13;

00:16:43.000 --&gt; 00:18:29.000
À quoi sert d’aimer s’il faut oublier&#13;

00:18:29.000 --&gt; 00:21:05.000
Je suis garçon malheureux sur la terre (L'aurelha de lebre)&#13;

00:21:05.000 --&gt; 00:21:57.000
Vai vai vai chamejada&#13;

00:21:57.000 --&gt; 00:23:08.000
Ai vist lo lop&#13;

00:23:08.000 --&gt; 00:24:33.000
Oh Maria&#13;

00:24:33.000 --&gt; 00:26:01.000
L’Aurillacoise&#13;

00:26:01.000 --&gt; 00:26:26.000
Dija Janton&#13;

00:26:26.000 --&gt; 00:27:20.000
Un tot pitit bocin&#13;

00:27:20.000 --&gt; 00:29:39.000
La valse "des Landes"&#13;

00:29:39.000 --&gt; 00:29:58.000
Tout le long du bois (Ont anarem gardar)&#13;

00:29:58.000 --&gt; 00:31:20.000
Quand los cornard d’a Tula&#13;

00:31:20.000 --&gt; 00:31:27.000
Le matin quand je me lève&#13;

00:31:27.000 --&gt; 00:32:33.000
Bonjour Françoise (coupée)&#13;

00:32:33.000 --&gt; 00:33:13.000
Scottish « à Gavinet »&#13;

00:33:13.000 --&gt; 00:34:21.000
E quand las peras&#13;

00:34:21.000 --&gt; 00:35:50.000
Riquita&#13;

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Presentacions&#13;

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Los buòus e las vachas&#13;

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Las ovelhas&#13;

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La sopa&#13;

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Lo vargier, lo champ e las legumas&#13;

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Lo fuec de la Sent Jan&#13;

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La volalha e los lapins&#13;

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Los ganhons e la transformacion&#13;

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La vianda que se minjava&#13;

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Las 'belhas&#13;

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Lo lach/laite, la calhada e lo burre&#13;

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Lo pan e lo forn&#13;

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Las crespas&#13;

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Las chastanhas&#13;

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Los champanhòus, los potirons&#13;

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Qué 'massavan de mai ?&#13;

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La pescha e la chaça&#13;

00:32:45.000 --&gt; 00:36:33.000
Los repas&#13;

00:36:33.000 --&gt; 00:38:41.000
La batuerza&#13;

00:38:41.000 --&gt; 00:39:22.000
Quand tondian las ovelhas&#13;

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L'escòla e la cantina&#13;

00:40:48.000 --&gt; 00:41:52.000
Daus pitits que se fasian "embauchar"&#13;

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Pot-bourri de bourrées&#13;

00:02:05.000 --&gt; 00:03:01.000
La calha&#13;

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Les cinq noisettes&#13;

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La trotteuse&#13;

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Une petite blague ...&#13;

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Bourrée de Maurianges&#13;

00:12:42.000 --&gt; 00:13:49.000
La calha&#13;

00:13:49.000 --&gt; 00:15:38.000
Bourrée de Maurianges&#13;

00:15:38.000 --&gt; 00:17:17.000
La calha&#13;

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J’ai traversé les plaines et les montagnes&#13;

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Les cinq noisettes&#13;

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Pot-bourri de bourrées&#13;

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La calha&#13;

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Les cinq noisettes&#13;

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La trotteuse&#13;

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Une petite blague ...&#13;

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Bourrée de Maurianges&#13;

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La calha&#13;

00:13:49.000 --&gt; 00:15:38.000
Bourrée de Maurianges&#13;

00:15:38.000 --&gt; 00:17:17.000
La calha&#13;

00:17:17.000 --&gt; 00:18:28.000
J’ai traversé les plaines et les montagnes&#13;

00:18:28.000 --&gt; 00:20:48.000
Les cinq noisettes&#13;

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                <text>&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande ne portant aucune indication, nous entendons l'enregistrement de ce qui est s&amp;ucirc;rement&amp;nbsp;une r&amp;eacute;p&amp;eacute;tition des chorales du groupe folklorique &lt;/span&gt;&lt;a href="https://www.facebook.com/people/Los-Velhadors-De-Sent-Junian/100070015124266/?locale=fr_FR&amp;amp;paipv=0&amp;amp;eav=AfZyvna8cnosT_DRChlN4hEYMvsFHszWx0o-CDC5J7G7hzp0uV6fL9WM8m0qijqxVtM&amp;amp;_rdr" target="_blank" rel="noopener" style="font-size: 14pt;"&gt;&lt;em&gt;Los velhadors de Sent Junian&lt;/em&gt;&lt;/a&gt;&lt;span style="font-size: 14pt;"&gt; en vue d&amp;rsquo;une messe de minuit.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 18.6667px;"&gt;Nous ne connaissons pas non plus la date ni le lieu de cet enregistrement (possiblement dans les ann&amp;eacute;es 1970).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>00:00:00.000 --&gt; 00:02:23.000
Bel enfant&#13;

00:02:23.000 --&gt; 00:03:30.000
Acclamations&#13;

00:03:30.000 --&gt; 00:04:57.000
Voletz-vos durmir (essai)&#13;

00:04:57.000 --&gt; 00:07:58.000
Voletz-vos durmir&#13;

00:07:58.000 --&gt; 00:08:47.000
Psaume&#13;

00:08:47.000 --&gt; 00:10:07.000
Psaume (suite)&#13;

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Épitre&#13;

00:11:57.000 --&gt; 00:14:28.000
La plus grande histoire&#13;

00:14:28.000 --&gt; 00:16:47.000
La plus grande histoire (bis)&#13;

00:16:47.000 --&gt; 00:17:52.000
L'arrivée des bergers&#13;

00:17:52.000 --&gt; 00:18:48.000
Revelhatz-vos pastorels (à la vielle)&#13;

00:18:48.000 --&gt; 00:20:37.000
Pregiera&#13;

00:20:37.000 --&gt; 00:22:17.000
Instrumental&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Sur le bo&amp;icirc;tier contenant cette bande, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"Messe de minuit &amp;agrave; ChAILLAC CUSSAC"&lt;/span&gt; et &lt;span style="color: #808080;"&gt;"22/12/69"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&#13;
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Diu era dins sa botica&#13;

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Passoleta&#13;

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Chantons quand le ciel est beau&#13;

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Bel enfant (reprise)&#13;

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Lo solelh de justícia&#13;

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D'où viens-tu bergère&#13;

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Acclamations&#13;

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Pot-pourri de bourrées&#13;

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Bourrée de Maurianges&#13;

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La caille&#13;

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Brise napolitaine&#13;

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Passion&#13;

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Départ en flèche&#13;

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Los garçons d’a Neuviala&#13;

00:15:47.000 --&gt; 00:17:25.000
Quand les moutons sont dans la plaine&#13;

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Qu'est-ce que vous faisiez pendant 3 jours ?&#13;

00:01:07.000 --&gt; 00:01:51.000
Où mangeaient-ils ?&#13;

00:01:51.000 --&gt; 00:02:34.000
Ce qui se vendait&#13;

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La tradition des bonnes fontaines&#13;

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Vous souvenez-vous des premières fois&#13;

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Les dévotions&#13;

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Y aller pour les autres&#13;

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Des commerçants&#13;

00:05:36.000 --&gt; 00:06:08.000
La municipalité va faire revivre cette tradition&#13;

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Un propriétaire qui avait fermé les bonnes fontaines&#13;

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Vous irez, vous aussi, aux bonnes fontaines&#13;

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Ce que vont être les bonnes fontaines&#13;

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Le cadre des bonnes fontaines&#13;

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Les décorations et la nourriture 
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Installacion&#13;

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Presentacion&#13;

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Lo vargier&#13;

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Lo clafotís la flaunharda&#13;

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Lo sopar&#13;

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Las chastanhas&#13;

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Los grands repas&#13;

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Minjar dins los champs&#13;

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La vita dins quela maison&#13;

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La fiera a La Cela&#13;

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Çò que se beviá&#13;

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Las cartas&#13;

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Las plantas per las tisanas&#13;

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Lo laite, lo burre, lo matau, ...&#13;

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Lo pan&#13;

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Çò que se fasiá lo jorn que chaufavan lo forn&#13;

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La culhida&#13;

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La conservacion&#13;

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Lo molin de La Vialanueva&#13;

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Lo prumier de l'an&#13;

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Carnavar e lo pastis de prunas&#13;

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La Sent Jan&#13;

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Per Totsents&#13;

01:11:48.000 --&gt; 00:00:00.000
Per la Nadau&#13;

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Scottish-valse&#13;

00:01:04.000 --&gt; 00:01:36.000
Bourrée&#13;

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00:01:39.000 --&gt; 00:03:31.000
Discours de Thierry Dalbavie&#13;

00:03:31.000 --&gt; 00:08:49.000
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00:08:49.000 --&gt; 00:13:02.000
Les violoneux de l’Artense&#13;

00:13:02.000 --&gt; 00:18:31.000
Lecture d'un texte par André Ricros&#13;

00:18:31.000 --&gt; 00:21:46.000
Passant par Perol&#13;

00:21:46.000 --&gt; 00:24:17.000
Les violons s’accordent&#13;

00:24:17.000 --&gt; 00:26:28.000
La bourrée à Jean Pons (essai)&#13;

00:26:28.000 --&gt; 00:28:28.000
La bourrée à Jean Pons&#13;

00:28:28.000 --&gt; 00:31:48.000
La Cati&#13;

00:31:48.000 --&gt; 00:35:04.000
Remerciements&#13;

00:35:04.000 --&gt; 00:39:24.000
La mantille&#13;

00:39:24.000 --&gt; 00:41:59.000
Un petit bout de l’ancien violon ...&#13;

00:41:59.000 --&gt; 00:43:55.000
Scottish de Château-Chinon&#13;

00:43:55.000 --&gt; 00:45:17.000
Bourrée Pan-Pan&#13;

00:45:17.000 --&gt; 00:46:21.000
Bourrée&#13;

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Portatz chopinas&#13;

00:00:36.000 --&gt; 00:02:05.000
Dija Janton&#13;

00:02:05.000 --&gt; 00:02:19.000
La moitié !&#13;

00:02:19.000 --&gt; 00:03:26.000
Portatz chopinas&#13;

00:03:26.000 --&gt; 00:03:33.000
Je suis garçon malheureux sur la terre (extrait)&#13;

00:03:33.000 --&gt; 00:04:21.000
L’as-tu enguera&#13;

00:04:21.000 --&gt; 00:04:48.000
Explications&#13;

00:04:48.000 --&gt; 00:05:45.000
Aquesta annada&#13;

00:05:45.000 --&gt; 00:07:30.000
Ma maire se sabiatz&#13;

00:07:30.000 --&gt; 00:08:56.000
La Sautarel&#13;

00:08:56.000 --&gt; 00:10:12.000
N’i a mas los faures&#13;

00:10:12.000 --&gt; 00:11:23.000
Piere laborava (2ème moitié)&#13;

00:11:23.000 --&gt; 00:12:45.000
Ma maire se sabiatz&#13;

00:12:45.000 --&gt; 00:13:31.000
Je suis la délaissée (ou Allant à la fontaine)&#13;

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Les fagots&#13;

00:02:40.000 --&gt; 00:03:51.000
La chabra bura ; La chèvre&#13;

00:03:51.000 --&gt; 00:06:02.000
Bourrée de la Corrèze&#13;

00:06:02.000 --&gt; 00:08:52.000
Présentation du ballet populaire poitevin&#13;

00:08:52.000 --&gt; 00:09:58.000
Le bal de la couturière&#13;

00:09:58.000 --&gt; 00:12:33.000
Air à danser&#13;

00:12:33.000 --&gt; 00:13:31.000
Air à danser&#13;

00:13:31.000 --&gt; 00:15:27.000
La limousine de Villiers&#13;

00:15:27.000 --&gt; 00:17:34.000
Oh ma gentillette&#13;

00:17:34.000 --&gt; 00:20:17.000
C'était une petite lingère&#13;

00:20:17.000 --&gt; 00:00:00.000
Papa je veux me marier&#13;

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Passoleta&#13;

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La terra es freja&#13;

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Revelhatz vos pastorels&#13;

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Lo bocin de cao-de-choc&#13;

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Lo curet e los cornards&#13;

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Installacion e presentacion&#13;

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Lo vargier&#13;

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Los fruchiers&#13;

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Las chastanhas&#13;

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Las vachas e la proprietat&#13;

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Lo lait, lo matau, lo burre&#13;

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Tuar lo pòrc&#13;

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La vianda&#13;

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Le père Théodore&#13;

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Interruption&#13;

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Les repas de la journée&#13;

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La bateusa&#13;

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Gardar la vachas&#13;

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Los pissenlits&#13;

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Las "spécialités"&#13;

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De las pols&#13;

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Los espiciers&#13;

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Los peissons&#13;

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Los champanhòus&#13;

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La chaça&#13;

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Lo prumier de l'an&#13;

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Les veillées&#13;

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Les tomates et les courgettes&#13;

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Les légumes qui ne se font plus&#13;

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Per Chandelor&#13;

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Et pour Carnaval&#13;

00:57:36.000 --&gt; 00:58:17.000
Pour les rameaux&#13;

00:58:17.000 --&gt; 00:58:34.000
À Pâques&#13;

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La Sent Jan e lo trasfojau&#13;

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Pour la Toussaint&#13;

00:59:47.000 --&gt; 01:00:44.000
Per la Nadau&#13;

01:00:44.000 --&gt; 01:02:01.000
Le patois ou le français ?&#13;

01:02:01.000 --&gt; 01:02:15.000
Fin
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Entrée en scène&#13;

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La Varsovienne&#13;

00:02:33.000 --&gt; 00:03:33.000
Le Panliran&#13;

00:03:33.000 --&gt; 00:03:47.000
Fragment de java&#13;

00:03:47.000 --&gt; 00:05:35.000
Le manuguet&#13;

00:05:35.000 --&gt; 00:07:42.000
Polka piquée&#13;

00:07:42.000 --&gt; 00:09:30.000
Bourrée ronde&#13;

00:09:30.000 --&gt; 00:11:30.000
« Bourrée d’Égletons »&#13;

00:11:30.000 --&gt; 00:13:30.000
Polka de Madranges&#13;

00:13:30.000 --&gt; 00:16:20.000
La Tornijaire&#13;

00:16:20.000 --&gt; 00:19:10.000
La Crosada&#13;

00:19:10.000 --&gt; 00:20:58.000
La guimbarde&#13;

00:20:58.000 --&gt; 00:23:59.000
Bourrée « des Monédières »&#13;

00:23:59.000 --&gt; 00:25:22.000
Bourrée « des Monédières »&#13;

00:25:22.000 --&gt; 00:28:06.000
De delai lo ribatel&#13;

00:28:06.000 --&gt; 00:29:42.000
« Bourrée de la Corrèze »&#13;

00:29:42.000 --&gt; 00:33:04.000
La charbonada - Para lo lop&#13;

00:33:04.000 --&gt; 00:34:39.000
« Bourrée simple »&#13;

00:34:39.000 --&gt; 00:38:21.000
L’aiga de ròsa&#13;

00:38:21.000 --&gt; 00:40:00.000
 « La Confolentaise »&#13;

00:40:00.000 --&gt; 00:43:20.000
« Bourrée de Saint-Augustin »&#13;

00:43:20.000 --&gt; 00:44:54.000
« Bourrée de Saint-Augustin »&#13;

00:44:54.000 --&gt; 00:47:53.000
Le pélélé&#13;

00:47:53.000 --&gt; 00:50:52.000
Le pélélé&#13;

00:50:52.000 --&gt; 00:54:34.000
La montagnarde&#13;

00:54:34.000 --&gt; 00:54:51.000
Du voyage en Italie&#13;

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                <text>Dau 16 au 27 de feurier e dau 14 au 25 de 'briau de 85</text>
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Ici, les enregistrements du 16 au 27 f&amp;eacute;vrier et du 14 au 25 d&amp;rsquo;avril de l'ann&amp;eacute;e 1985.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Jan&lt;/strong&gt; propose plusieurs proverbes (&lt;em&gt;'N &amp;ograve;me magre, Los proverbis&lt;/em&gt; ...), divers contes e l&amp;eacute;gendes (&lt;em&gt;Un conte de Jan B&amp;egrave;stia, Lo conte daus auseus que chaveren las fonts&lt;/em&gt; ...), ainsi que quelques r&amp;eacute;flexions personnelles (&lt;em&gt;Saludar lo monde, Permenada lemosina&lt;/em&gt; ...) ; le tout ponctu&amp;eacute; par des airs de bourr&amp;eacute;e.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Sur la face A de la cassette, les s&amp;eacute;quences 1 &amp;agrave; 28.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Sur la face B de la cassette, les s&amp;eacute;quences 29 &amp;agrave; 55.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;span style="color: #333333;"&gt;&lt;span style="font-size: 10pt;"&gt;Personnage incontournable de la culture limousine,&amp;nbsp;&lt;strong&gt;Jan dau Melhau&lt;/strong&gt;&amp;nbsp;est &amp;eacute;crivain, &amp;eacute;diteur (&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 10pt;"&gt;Lo chamin de sent Jaume)&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 10pt;"&gt;, collecteur, musicien, chanteur, conteur, diseur, etc.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background: transparent; cursor: pointer;"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br style="font-family: 'Open Sans'; background-color: #f3ede2;" /&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;</text>
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Lo 16 de feurier - Un puelh que se carrava&#13;

00:00:13.000 --&gt; 00:02:35.000
Saludar lo monde&#13;

00:02:35.000 --&gt; 00:02:44.000
Lo 17 de feurier - Lo pitit òme&#13;

00:02:44.000 --&gt; 00:04:49.000
Un conte de Jan Bèstia&#13;

00:04:49.000 --&gt; 00:04:58.000
Lo 18 de feurier - La chançon de las meissonjas&#13;

00:04:58.000 --&gt; 00:07:08.000
Las costumas&#13;

00:07:08.000 --&gt; 00:07:17.000
Lo 19 de feurier - Carnavar, codena de lard&#13;

00:07:17.000 --&gt; 00:09:34.000
Carnavar&#13;

00:09:34.000 --&gt; 00:09:44.000
Lo 20 de feurier - Chas nos me volian maridar&#13;

00:09:44.000 --&gt; 00:09:57.000
Leonard Trompilhon&#13;

00:09:57.000 --&gt; 00:12:00.000
Serenada&#13;

00:12:00.000 --&gt; 00:12:13.000
Lo 21 de feurier - Passam la plancheta&#13;

00:12:13.000 --&gt; 00:14:13.000
Quauquas correntinas&#13;

00:14:13.000 --&gt; 00:14:20.000
Lo 22 de feurier - Lo mes de mai vendrá&#13;

00:14:20.000 --&gt; 00:16:22.000
'N òme magre&#13;

00:16:22.000 --&gt; 00:16:28.000
Lo 23 de feurier - Coifa-te ben, Margarita&#13;

00:16:28.000 --&gt; 00:18:53.000
Permenada lemosina&#13;

00:18:53.000 --&gt; 00:19:04.000
Lo 24 de feurier - Calha, paubra calha&#13;

00:19:04.000 --&gt; 00:21:13.000
Lo conte dau diumenc&#13;

00:21:13.000 --&gt; 00:21:24.000
Lo 25 de feurier - Las peras son maduras&#13;

00:21:24.000 --&gt; 00:23:56.000
Las filhas que se vòlen maridar&#13;

00:23:56.000 --&gt; 00:24:11.000
Lo 26 de feurier - Sus lo pont d'a Vimbela&#13;

00:24:11.000 --&gt; 00:26:32.000
Sent Avertan&#13;

00:26:32.000 --&gt; 00:26:39.000
Lo 27 de feurier - Quand quò vira, quò vai&#13;

00:26:39.000 --&gt; 00:27:17.000
Albert Pestor&#13;

00:27:17.000 --&gt; 00:28:04.000
A ma maire&#13;

00:28:04.000 --&gt; 00:28:36.000
Second poema&#13;

00:28:36.000 --&gt; 00:29:01.000
Darreir poema&#13;

00:29:01.000 --&gt; 00:29:10.000
Lo 14 de 'briau - La Glauda&#13;

00:29:10.000 --&gt; 00:31:01.000
Lo conte daus auseus que chaveren las fonts&#13;

00:31:01.000 --&gt; 00:31:10.000
Lo 15 de 'briau - Garda ton bon temps&#13;

00:31:10.000 --&gt; 00:32:14.000
L'abat David&#13;

00:32:14.000 --&gt; 00:33:28.000
'Na chançon&#13;

00:33:28.000 --&gt; 00:33:36.000
Lo 16 de 'briau - Un puelh que se carrava&#13;

00:33:36.000 --&gt; 00:35:56.000
L'eime&#13;

00:35:56.000 --&gt; 00:36:03.000
Lo 17 de 'briau - Lo pitit òme&#13;

00:36:03.000 --&gt; 00:38:48.000
Los obriers de Limòtges en 1905&#13;

00:38:48.000 --&gt; 00:38:57.000
Lo 18 de 'briau - La chançon de las meissonjas&#13;

00:38:57.000 --&gt; 00:41:05.000
De las devinhòlas&#13;

00:41:05.000 --&gt; 00:41:11.000
Lo 19 de 'briau - Delai lo ribateu&#13;

00:41:11.000 --&gt; 00:43:46.000
Lo vargier, las legumas que van ensemble&#13;

00:43:46.000 --&gt; 00:43:57.000
Lo 20 de 'briau - Chas nos me volian maridar&#13;

00:43:57.000 --&gt; 00:46:21.000
Un chapeu per se parar dau solelh&#13;

00:46:21.000 --&gt; 00:46:27.000
Lo 21 de 'briau - Passam la plancheta&#13;

00:46:27.000 --&gt; 00:48:58.000
Lo conte de la rata dau bon Diu&#13;

00:48:58.000 --&gt; 00:49:07.000
Lo 22 de 'briau - Ne'n farai un moquet&#13;

00:49:07.000 --&gt; 00:49:42.000
Los surciers&#13;

00:49:42.000 --&gt; 00:51:15.000
'N'istòria vertadiera&#13;

00:51:15.000 --&gt; 00:51:22.000
Lo 23 de 'briau - Caifa-te bien  &#13;

00:51:22.000 --&gt; 00:53:20.000
Los fruchs de la terra (Marcela Delpastre)&#13;

00:53:20.000 --&gt; 00:53:28.000
Lo 24 de 'briau -  Calha, paubra calha&#13;

00:53:28.000 --&gt; 00:55:39.000
Las bèstias que parlen&#13;

00:55:39.000 --&gt; 00:55:50.000
Lo 25 de 'briau -  Las peras son maduras&#13;

00:55:50.000 --&gt; 00:56:29.000
Sent Marc e los sents de glaça&#13;

00:56:29.000 --&gt; 00:58:07.000
Los proverbis&#13;

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                <text>00:00:00.000 --&gt; 00:03:18.000
Diu era dins sa botica&#13;

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Lo solelh de justícia&#13;

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Lo solelh de justícia (reprise)&#13;

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À vous troupe fidèle&#13;

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Essai&#13;

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Entau es lu bon Diu (sermon)&#13;

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N'eram pas preparats&#13;

00:02:38.000 --&gt; 00:04:12.000
La formacion a Bourges&#13;

00:04:12.000 --&gt; 00:06:31.000
En Alsàcia&#13;

00:06:31.000 --&gt; 00:07:56.000
La forest de Haguenau&#13;

00:07:56.000 --&gt; 00:09:38.000
Sigueram oblijats de nos rendre&#13;

00:09:38.000 --&gt; 00:10:40.000
La difenréncia de moralitat&#13;

00:10:40.000 --&gt; 00:12:07.000
A Bacarat&#13;

00:12:07.000 --&gt; 00:13:15.000
Les français de 40&#13;

00:13:15.000 --&gt; 00:16:18.000
Direccion "Sarrebourg"&#13;

00:16:18.000 --&gt; 00:18:55.000
Arrieberam a Sarrebourg&#13;

00:18:55.000 --&gt; 00:21:50.000
S'installar dins los barracaments, beure lo cafe&#13;

00:21:50.000 --&gt; 00:23:34.000
La femna e los selhs&#13;

00:23:34.000 --&gt; 00:25:48.000
Podiá totjorn pas desplejat ma chamba&#13;

00:25:48.000 --&gt; 00:27:04.000
Sarreguemines e Sarrebruck&#13;

00:27:04.000 --&gt; 00:28:09.000
Anar a Limbourg en tren&#13;

00:28:09.000 --&gt; 00:31:05.000
Au Kommando de cultura&#13;

00:31:05.000 --&gt; 00:33:05.000
Trabalhar avant 43&#13;

00:33:05.000 --&gt; 00:34:47.000
Un bombardament en setembre 43&#13;

00:34:47.000 --&gt; 00:36:03.000
Bombardar la populacion civila&#13;

00:36:03.000 --&gt; 00:38:19.000
Un plen tren de machinas agricòlas americanas&#13;

00:38:19.000 --&gt; 00:39:03.000
Minjar lo miegjorn&#13;

00:39:03.000 --&gt; 00:41:18.000
La sopa  dau dimecres&#13;

00:41:18.000 --&gt; 00:41:54.000
Quant i eratz dins aquilhs barracament ?&#13;

00:41:54.000 --&gt; 00:43:18.000
Los bombardament sus las usinas &#13;

00:43:18.000 --&gt; 00:44:38.000
La vita era pas tot-a-fet tan dura aquí&#13;

00:44:38.000 --&gt; 00:44:59.000
E ente coijavatz ?&#13;

00:44:59.000 --&gt; 00:45:36.000
Quand trobavas del monde d'aicí&#13;

00:45:36.000 --&gt; 00:47:06.000
La debacla&#13;

00:47:06.000 --&gt; 00:48:55.000
Se sauvar dins los bòscs&#13;

00:48:55.000 --&gt; 00:51:30.000
Eram 100 m d'una batalha&#13;

00:51:30.000 --&gt; 00:53:34.000
Contar n'istoara aus allemands&#13;

00:53:34.000 --&gt; 00:55:13.000
S'embarcar per la França&#13;

00:55:13.000 --&gt; 00:56:20.000
Lo retorn en França&#13;

00:56:20.000 --&gt; 00:58:40.000
"Vous êtes bien sûr de ce que vous avancez ?"&#13;

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Ai vist lo lop&#13;

00:00:36.000 --&gt; 00:01:27.000
E quand las peras&#13;

00:01:27.000 --&gt; 00:02:14.000
Polka « de Rata ».&#13;

00:02:14.000 --&gt; 00:03:11.000
Polka de Madranges&#13;

00:03:11.000 --&gt; 00:04:26.000
Para lo lop&#13;

00:04:26.000 --&gt; 00:04:37.000
La Jaçona&#13;

00:04:37.000 --&gt; 00:05:50.000
Preste-lo me&#13;

00:05:50.000 --&gt; 00:06:10.000
Le Pélélé&#13;

00:06:10.000 --&gt; 00:07:20.000
Marion quand t’aimava&#13;

00:07:20.000 --&gt; 00:08:25.000
Quand on s’aime bien tous les deux&#13;

00:08:25.000 --&gt; 00:09:16.000
Piere labora&#13;

00:09:16.000 --&gt; 00:09:34.000
Caifa-te bian&#13;

00:09:34.000 --&gt; 00:10:46.000
L’aiga de ròsa&#13;

00:10:46.000 --&gt; 00:12:09.000
Alai dins lo ribateu&#13;

00:12:09.000 --&gt; 00:13:19.000
Portatz chopinas&#13;

00:13:19.000 --&gt; 00:14:42.000
La Cati&#13;

00:14:42.000 --&gt; 00:16:12.000
Mazurka&#13;

00:16:12.000 --&gt; 00:16:38.000
Un tot pitit bocin&#13;

00:16:38.000 --&gt; 00:16:48.000
Para lo lop&#13;

00:16:48.000 --&gt; 00:18:00.000
Ai vist lo lop&#13;

00:18:00.000 --&gt; 00:19:25.000
Piere labora&#13;

00:19:25.000 --&gt; 00:19:44.000
E quand las peras&#13;

00:19:44.000 --&gt; 00:21:08.000
La mattchiche&#13;

00:21:08.000 --&gt; 00:21:58.000
Paso&#13;

00:21:58.000 --&gt; 00:23:12.000
Le dénicheur&#13;

00:23:12.000 --&gt; 00:26:15.000
Le plus beau de tous les tangos du monde&#13;

00:26:15.000 --&gt; 00:26:58.000
La chenille&#13;

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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur l&amp;rsquo;enveloppe contenant cette bande, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"645 ; a reprendre ; Janvier 62 ;&amp;nbsp; tous l&amp;agrave; ! P. Biossac ang&amp;egrave;le Michel Meilhac chansons de Bergere ; Emission Chez nous 9/62"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Il s'agit d'un enregistrement de l'&amp;eacute;mission "Chez Nous", anim&amp;eacute;e par &lt;strong&gt;Robert Dagnas &lt;/strong&gt;telle qu'elle aurait pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges en septembre 1962. &lt;br /&gt;&lt;br /&gt;Nous y entendons plusieurs chansons en occitan limousin interpr&amp;eacute;t&amp;eacute;es par&lt;strong&gt; Pierre Biossac&lt;/strong&gt;, &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; et &lt;strong&gt;Ang&amp;egrave;le Chabeaudie&lt;/strong&gt; ; une &lt;em&gt;nh&amp;ograve;rla&lt;/em&gt; (histoire limousine souvent dr&amp;ocirc;le et toujours ironique) ainsi que plusieurs airs &amp;agrave; danser. Nous y entendons aussi &lt;strong&gt;F&amp;eacute;licie Brouillet&lt;/strong&gt; parler des veill&amp;eacute;es. &lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;Sur les pistes 8 &amp;agrave; 18, plusieurs enregistrements se chevauchent, ne facilitant pas l'&amp;eacute;coute et la compr&amp;eacute;hension.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background: transparent; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:32.000
Générique d'ouverture&#13;

00:00:32.000 --&gt; 00:01:54.000
L'année 1961 s'achève&#13;

00:01:54.000 --&gt; 00:03:02.000
Chiberli, chiberla&#13;

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La linga d'aur&#13;

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Pierre Biossac&#13;

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Les scieurs de long&#13;

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Chevauchement de pistes - début&#13;

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Las velhadas&#13;

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À vous Tulle&#13;

00:08:30.000 --&gt; 00:09:14.000
Bourrée&#13;

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L'École du Barbichet&#13;

00:09:21.000 --&gt; 00:10:08.000
La Françoneta (nhòrla)&#13;

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Chez Michel Meilhac&#13;

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À vous, amis de Brive-la-Gaillarde&#13;

00:11:40.000 --&gt; 00:11:51.000
Angèle Chabeaudie&#13;

00:11:51.000 --&gt; 00:12:54.000
Quand mon torn vendrá&#13;

00:12:54.000 --&gt; 00:13:30.000
Chevauchement de pistes - fin&#13;

00:13:30.000 --&gt; 00:13:39.000
Lo Velhadors de Sent Junian&#13;

00:13:39.000 --&gt; 00:15:47.000
Dessos una teulada&#13;

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Vœux pour 1962&#13;

00:16:26.000 --&gt; 00:17:09.000
Participations&#13;

00:17:09.000 --&gt; 00:20:23.000
Kyrie eleison
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                <text>&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 18.6667px;"&gt;Sur l'enveloppe contenant cette bande, il est &amp;eacute;crit "&lt;span style="color: #808080;"&gt;Roumazi&amp;egrave;res ; 26.6.55 ; (1ere s&amp;eacute;ance &amp;agrave; l'ext&amp;eacute;rieur)&lt;/span&gt;". Sur le bo&amp;icirc;tier contenant cette bande, une petite &amp;eacute;tiquette sur laquelle il est not&amp;eacute; "&lt;span style="color: #808080;"&gt;8A&lt;/span&gt;".&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;En premi&amp;egrave;re partie, une &lt;/span&gt;&lt;em style="font-size: 14pt;"&gt;nh&amp;ograve;rla&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt; (histoire limousine, souvent dr&amp;ocirc;le et toujours ironique) cont&amp;eacute;e par un informateur dont nous ne connaissons pas l'identit&amp;eacute;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
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&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Puis, en seconde partie, l'enregistrement d'une partie d'une repr&amp;eacute;sentation du groupe folklorique &lt;/span&gt;&lt;em style="font-size: 14pt;"&gt;Los Velhadors de Sent Junian&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt; &amp;agrave; Roumazi&amp;egrave;res (16), le 26 juin de 1955.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background: transparent; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Jan Pedarça e de Jana la Garça&#13;

00:07:03.000 --&gt; 00:08:38.000
Bourrée&#13;

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Faire revivre tout ce qui a fait notre passé&#13;

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Nòstre eiretatge (J. Rebier)&#13;

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Les chaînettes&#13;

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Un jorn dins l'estolhas&#13;

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Remerciements&#13;

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La soirée n'est pas tout à fait terminée&#13;

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Dija Janeta&#13;

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Récit d'un collectage&#13;

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Bonjour bergerette, adissiatz mossur&#13;

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La Madelin&#13;

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Planh de Maria-Madalena&#13;

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La Senta Compacion de la Bona Vierja&#13;

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Lo turlututu&#13;

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La maiada&#13;

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Discussion sur la langue&#13;

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De "La maiada"&#13;

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Le lait de la negresse (nhòrla)&#13;

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L'insémination artificielle (incomplète)&#13;

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                <text>00:00:00.000 --&gt; 00:00:43.000
Générique&#13;

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Nous sommes en terre bavaroise&#13;

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Dachau&#13;

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L'Oktober Fest&#13;

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Lo castel de Montvielh&#13;

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Allo Robert Dagnas&#13;

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La terre est une ronde (émission)&#13;

00:07:19.000 --&gt; 00:07:52.000
La petite Guyenne&#13;

00:07:52.000 --&gt; 00:08:53.000
L'accent de Bordeaux
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                <text>&lt;span style="font-size: 18.6667px;"&gt;Merci &amp;agrave; &lt;strong&gt;M&lt;/strong&gt; et &lt;strong&gt;Mme MANDEIX&lt;/strong&gt; qui nous ont confi&amp;eacute; ce carnet pour num&amp;eacute;risation et mise en ligne.&lt;/span&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- 4 chansons&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;N&amp;eacute; en 1876, J&lt;strong&gt;ean-Baptiste BLANCHER&lt;/strong&gt; &amp;eacute;tait un ponticaud (un habitant du quartier des ponts de Limoges) connu des siens comme un personnage plut&amp;ocirc;t original et un conteur de nh&amp;ograve;rlas.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Dans ce parler de la Xaintrie qui h&amp;eacute;site entre nord et sud-occitan, entre limousin et auvergnat, &lt;strong&gt;Georges Farges&lt;/strong&gt; nous raconte une vie de labeur &amp;agrave; la campagne, mais aussi une vie d&amp;rsquo;initiatives. En effet, il fut sans doute un des premiers entrepreneurs de travaux agricoles du Limousin, apr&amp;egrave;s avoir vu officier les machines en Picardie, notamment les &amp;eacute;pandeurs &amp;agrave; fumier qui soulag&amp;egrave;rent d&amp;rsquo;une corv&amp;eacute;e p&amp;eacute;nible et fastidieuse nombre de bras, bien souvent f&amp;eacute;minins. Il en arrivera &amp;agrave; avoir, comme il le dit, &lt;em&gt;un trabalh f&amp;ograve;l&lt;/em&gt;.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Georges Farges&lt;/strong&gt; nous fait vivre cette &amp;eacute;volution, le virage de son exploitation vers la production laiti&amp;egrave;re, son passage au conseil municipal, toujours avec beaucoup d&amp;rsquo;humour, quelques anecdotes et souvent de l&amp;rsquo;&amp;eacute;motion, et ce sens de l&amp;rsquo;accueil qu&amp;rsquo;il partage avec son &amp;eacute;pouse.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:00:16.000
Introduction&#13;

00:00:16.000 --&gt; 00:01:03.000
Presentacion&#13;

00:01:03.000 --&gt; 00:04:48.000
La familha, l'efança e la bòria familhala&#13;

00:04:48.000 --&gt; 00:04:59.000
« Aviá eivija de trabalhar...»&#13;

00:04:59.000 --&gt; 00:06:18.000
« Ai fach factor »&#13;

00:06:18.000 --&gt; 00:07:03.000
Montar a Paris&#13;

00:07:03.000 --&gt; 00:07:39.000
Leis Àlas&#13;

00:07:39.000 --&gt; 00:08:40.000
Vendeire de legumas&#13;

00:08:40.000 --&gt; 00:11:50.000
Cortier d'endivas dins la Soma&#13;

00:11:50.000 --&gt; 00:13:06.000
Veire escampar lo fems&#13;

00:13:06.000 --&gt; 00:15:48.000
Lo prumier « rond-point »&#13;

00:15:48.000 --&gt; 00:20:43.000
Lo monde que fasián las endivas&#13;

00:20:43.000 --&gt; 00:21:16.000
Lo servici militari&#13;

00:21:16.000 --&gt; 00:21:57.000
Se botar entrepenaire&#13;

00:21:57.000 --&gt; 00:24:09.000
Empruntar&#13;

00:24:09.000 --&gt; 00:27:02.000
Escampar lo fems&#13;

00:27:02.000 --&gt; 00:28:58.000
Crompar d'autras machinas&#13;

00:28:58.000 --&gt; 00:32:12.000
Adobar la bòria e installar lo dròlle &#13;

00:32:12.000 --&gt; 00:34:15.000
La fin de l'entrepresa&#13;

00:34:15.000 --&gt; 00:35:00.000
« Far paisan ’quo es un brave mestier, sabetz ! »&#13;

00:35:00.000 --&gt; 00:35:33.000
« Anavi a pas mai de detz quilomestres... »&#13;

00:35:33.000 --&gt; 00:37:27.000
Una misada de premsa vers Orlhac&#13;

00:37:27.000 --&gt; 00:40:38.000
De leis culturas en Sentriá&#13;

00:40:38.000 --&gt; 00:43:59.000
Far del lach&#13;

00:43:59.000 --&gt; 00:44:48.000
« Cau bien trabalhar »&#13;

00:44:48.000 --&gt; 00:47:27.000
Leis vacas&#13;

00:47:27.000 --&gt; 00:50:54.000
Èsser conselher municipal&#13;

00:50:54.000 --&gt; 00:52:38.000
Leis (belas) comunautats de comunas&#13;

00:52:38.000 --&gt; 00:54:57.000
Una istòria de taluç...&#13;

00:54:57.000 --&gt; 00:56:59.000
« Sam pas nombrós per parlar patoàs, aura... »&#13;

00:56:59.000 --&gt; 00:58:44.000
Lo curet e lo tesson&#13;

00:58:44.000 --&gt; 00:58:59.000
Anar a l'escòla&#13;

00:58:59.000 --&gt; 01:00:02.000
« Fasiá l'escòla boissonièra »&#13;

01:00:02.000 --&gt; 01:01:13.000
Parlar patoàs a l'escòla&#13;

01:01:13.000 --&gt; 01:06:18.000
« Quand las castanhas tombavon... »&#13;

01:06:18.000 --&gt; 01:07:50.000
Parlar patoàs emb lo monde de lònh&#13;

01:07:50.000 --&gt; 01:09:25.000
Leis fieiras&#13;

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                <text>Enquête à Ajain</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="808352">
                <text>IEO Lemosin</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; Ajain (23)&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 30 septembre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entend plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;Nadau e la c&amp;ograve;&amp;ccedil;a, Carnaval...&lt;/em&gt;) mais aussi de ce qui se disait des oiseaux (&lt;em&gt;La 'ja&amp;ccedil;a e lo cocot, Lo lauri&amp;ograve;u e lo pringaulier...&lt;/em&gt;) et comment appeler les b&amp;ecirc;tes (&lt;em&gt;Far venir las bestias&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entend &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales (&lt;em&gt;Los noms daus vilatges de la comuna&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Informateurs :&lt;strong&gt; Louise Andr&amp;eacute;&lt;/strong&gt;,&lt;strong&gt; Roger Aublanc&lt;/strong&gt;,&lt;strong&gt;&amp;nbsp; Jean Auvity&lt;/strong&gt;,&lt;strong&gt; Ren&amp;eacute; Bonnet&lt;/strong&gt;,&lt;strong&gt; Christian Bourliot, Gaston Brunet&lt;/strong&gt;,&lt;strong&gt; Emilienne Ch&amp;ecirc;ne&lt;/strong&gt;,&lt;strong&gt; Henri &lt;/strong&gt;et&lt;strong&gt; Simone Dalby&lt;/strong&gt;,&lt;strong&gt; Arlette Dalby&lt;/strong&gt;,&lt;strong&gt; Lucienne Fayard&lt;/strong&gt;,&lt;strong&gt; Colette Lambert&lt;/strong&gt;,&lt;strong&gt; Henri &lt;/strong&gt;et&lt;strong&gt; Christiane Martinet&lt;/strong&gt;,&lt;strong&gt; Marcelle Maublanc&lt;/strong&gt;,&lt;strong&gt; Jean Peynot&lt;/strong&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&#13;
&lt;p style="margin: 15px 0px; font-family: 'Open Sans'; background-color: #f3ede2;"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; outline: 0px;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;/div&gt;</text>
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Ante quò causa patois coma vos ?&#13;

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Vocabulaire et prononciation&#13;

00:06:04.000 --&gt; 00:08:41.000
Los noms daus vilatges de la comuna&#13;

00:08:41.000 --&gt; 00:10:10.000
Los palissons o los palissus ?&#13;

00:10:10.000 --&gt; 00:13:22.000
Los noms daus vilatges de la comuna (suite)&#13;

00:13:22.000 --&gt; 00:15:00.000
Los ueus coats&#13;

00:15:00.000 --&gt; 00:20:26.000
Las istoaras de Jarnages&#13;

00:20:26.000 --&gt; 00:22:34.000
Los lops&#13;

00:22:34.000 --&gt; 00:23:56.000
Los maçons ?&#13;

00:23:56.000 --&gt; 00:25:40.000
La p'tita lebre&#13;

00:25:40.000 --&gt; 00:29:11.000
Lo Turlututu&#13;

00:29:11.000 --&gt; 00:29:52.000
Dins las bateusas&#13;

00:29:52.000 --&gt; 00:30:24.000
La Yoyette&#13;

00:30:24.000 --&gt; 00:32:15.000
Las oelhas son dins los blats&#13;

00:32:15.000 --&gt; 00:33:17.000
T'as minjat mon chaul la chebra&#13;

00:33:17.000 --&gt; 00:34:27.000
L'istoara de chaça sur Ronhac ?&#13;

00:34:27.000 --&gt; 00:36:22.000
Lo p'tit rigolò d'la maison daus bòscs&#13;

00:36:22.000 --&gt; 00:37:08.000
La 'jaça e lo cocot&#13;

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Lo lauriòu e lo pringaulier&#13;

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Diferencias e vocabulari&#13;

00:38:48.000 --&gt; 00:39:36.000
Lo cocot chanta entre març e abriu&#13;

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De las prieras ?&#13;

00:40:18.000 --&gt; 00:41:12.000
Quand quò fasia auratge&#13;

00:41:12.000 --&gt; 00:41:52.000
Daus proverbes ?&#13;

00:41:52.000 --&gt; 00:44:22.000
Lo premier de l'an&#13;

00:44:22.000 --&gt; 00:47:39.000
Chandelor&#13;

00:47:39.000 --&gt; 00:51:16.000
Carnaval&#13;

00:51:16.000 --&gt; 00:54:04.000
Los ramels&#13;

00:54:04.000 --&gt; 00:58:54.000
La setmana senta&#13;

00:58:54.000 --&gt; 01:00:28.000
Lo lundí de Pasques e la festa au borg&#13;

01:00:28.000 --&gt; 01:04:07.000
La font de Bona-font&#13;

01:04:07.000 --&gt; 01:05:51.000
Pendagosta e lo mes de mai&#13;

01:05:51.000 --&gt; 01:08:45.000
La Sent Jan&#13;

01:08:45.000 --&gt; 01:10:42.000
Lo 15 d'aust&#13;

01:10:42.000 --&gt; 01:11:26.000
La Totsents&#13;

01:11:26.000 --&gt; 01:14:14.000
Quand i avia un mòrt dins lo vilatge&#13;

01:14:14.000 --&gt; 01:16:27.000
La Sent Martin&#13;

01:16:27.000 --&gt; 01:20:55.000
Nadau e la còça&#13;

01:20:55.000 --&gt; 01:22:15.000
Lo seuc per garir la fiure&#13;

01:22:15.000 --&gt; 01:24:33.000
D'autres remedis&#13;

01:24:33.000 --&gt; 01:27:54.000
Far venir las bestias&#13;

01:27:54.000 --&gt; 01:28:56.000
Las chastanhas&#13;

01:28:56.000 --&gt; 01:29:11.000
Comptar&#13;

01:29:11.000 --&gt; 01:29:31.000
Los jorns de la setmana&#13;

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La balada, Marion quand t'aimava&#13;

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Glissante&#13;

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Mazurka&#13;

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Marion quand t’aimava&#13;

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Cassa-nosilhas&#13;

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Si t’as paur que lo lop s’espine&#13;

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Valse de Nard&#13;

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Quand on s’aime bien tous les deux&#13;

00:13:33.000 --&gt; 00:17:33.000
Bohémienne&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:00:41.000
Installation&#13;

00:00:41.000 --&gt; 00:02:13.000
Conserver la langue&#13;

00:02:13.000 --&gt; 00:02:37.000
Los lapiens&#13;

00:02:37.000 --&gt; 00:10:20.000
Los ganhons&#13;

00:10:20.000 --&gt; 00:10:34.000
Las oelhas&#13;

00:10:34.000 --&gt; 00:14:14.000
Las vachas e lo fromatge&#13;

00:14:14.000 --&gt; 00:16:07.000
Lo pan&#13;

00:16:07.000 --&gt; 00:18:47.000
Las 'belhas&#13;

00:18:47.000 --&gt; 00:22:52.000
Los repas de la jornada&#13;

00:22:52.000 --&gt; 00:24:27.000
Per la bateusa&#13;

00:24:27.000 --&gt; 00:28:13.000
Quand los pitits 'navan a l'escòla&#13;

00:28:13.000 --&gt; 00:30:10.000
Minjar apres la fiera&#13;

00:30:10.000 --&gt; 00:32:01.000
Las bolas&#13;

00:32:01.000 --&gt; 00:33:29.000
Las laissòlas&#13;

00:33:29.000 --&gt; 00:34:10.000
Las pompas&#13;

00:34:10.000 --&gt; 00:34:34.000
Las confituras&#13;

00:34:34.000 --&gt; 00:36:10.000
Los tortons e las pompas&#13;

00:36:10.000 --&gt; 00:37:16.000
Los pissenlits&#13;

00:37:16.000 --&gt; 00:38:35.000
Los champanhòus&#13;

00:38:35.000 --&gt; 00:39:41.000
Çò que se 'massava d'autre&#13;

00:39:41.000 --&gt; 00:41:15.000
La pescha&#13;

00:41:15.000 --&gt; 00:42:24.000
Las siarps&#13;

00:42:24.000 --&gt; 00:44:52.000
La chaça e los escuròus&#13;

00:44:52.000 --&gt; 00:46:20.000
La conservacion&#13;

00:46:20.000 --&gt; 00:46:48.000
Las vachas&#13;

00:46:48.000 --&gt; 00:47:36.000
Lo gras&#13;

00:47:36.000 --&gt; 01:02:36.000
Lo sucre&#13;

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Mazurka&#13;

00:00:58.000 --&gt; 00:01:31.000
Mazurka&#13;

00:01:31.000 --&gt; 00:02:24.000
Las permenadas&#13;

00:02:24.000 --&gt; 00:00:00.000
La chèvre&#13;

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Mazurka&#13;

00:00:58.000 --&gt; 00:01:31.000
Mazurka&#13;

00:01:31.000 --&gt; 00:02:24.000
Las permenadas&#13;

00:02:24.000 --&gt; 00:00:00.000
La chèvre&#13;

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La Varsovienne&#13;

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Scottish-valse&#13;

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Bourrée droite&#13;

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Bourrée en V d'Issoudun&#13;

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Bourrée valsée d'Issoudun&#13;

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Bourrée droite de Reuilly&#13;

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Polka cafouillée de Vatan&#13;

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Bourrée valsée d'Ardentes&#13;

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Bourrée à 6 de Briantes&#13;

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Bourrée carrée de Saint-Chartier&#13;

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Pas d'été&#13;

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Rond d'Argenton&#13;

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Danse à la charbe&#13;

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Bourrée d’hommes des Grandes Poteries&#13;

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Bourrée carrée de Sarzay&#13;

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Bourrée à 8&#13;

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La bourrée ronde Étoile&#13;

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Branle de Villegouin&#13;

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Bourrée ronde La Sole&#13;

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Bourrée carrée de La Châtre&#13;

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Les Moutons&#13;

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Bourrée de La Chapelotte&#13;

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Bourrée droite du Pays Fort&#13;

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Branle à 6 de La Châtre&#13;

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L'Ajasse&#13;

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Le Palala&#13;

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Polka du lapin, version « adultes »&#13;

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Polka du lapin, version enfantine&#13;

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Le Casse-noisettes&#13;

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Le petit bossu&#13;

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L'Aéroplane&#13;

00:58:34.000 --&gt; 01:00:09.000
Ronde de Sainte-Sévère&#13;

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Bourrée pastourelle&#13;

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La Rosette&#13;

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Marche des Limousins de Paris&#13;

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L’Étoile des Troubadours&#13;

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Un soir&#13;

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Valse de couleur traditionnelle&#13;

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Je reviens chez nous&#13;

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Riquita&#13;

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C’est une fleur de Paris&#13;

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A la balada&#13;

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Étoile des neiges&#13;

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Un jorn dins l’estolhas, puis Belle rose du printemps&#13;

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Le tango des fauvettes&#13;

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De delai lo ribatel, puis E quand las peras&#13;

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L’incendie à Rio, puis Le  chouchou de mon coeur&#13;

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Quand on s’aime bien tous les deux, puis Au plaisir des bois&#13;

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La Cati, puis Rossignolet&#13;

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Marche des Limousins de Paris&#13;

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La noce de Jeannette&#13;

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Sous les ponts de Paris&#13;

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Lo turlututu&#13;

01:09:46.000 --&gt; 01:12:38.000
Le chouchou de mon coeur&#13;

01:12:38.000 --&gt; 01:16:11.000
Valse, puis Le Dénicheur&#13;

01:16:11.000 --&gt; 01:21:05.000
Le p’tit bal du samedi soir&#13;

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Tangos&#13;

01:25:42.000 --&gt; 01:28:51.000
Comment ça va, puis La marmite&#13;

01:28:51.000 --&gt; 01:32:02.000
Les Blés d’or&#13;

01:32:02.000 --&gt; 01:32:29.000
La baigneuse&#13;

01:32:29.000 --&gt; 01:35:01.000
Salut les amis&#13;

01:35:01.000 --&gt; 01:38:49.000
Marjolaine&#13;

01:38:49.000 --&gt; 01:43:31.000
Printemps d’Alsace&#13;

01:43:31.000 --&gt; 01:47:01.000
Auvergne jolie&#13;

01:47:01.000 --&gt; 01:50:57.000
Polka de Chanteix&#13;

01:50:57.000 --&gt; 01:52:19.000
Polka de Madranges&#13;

01:52:19.000 --&gt; 01:54:05.000
Pïntou&#13;

01:54:05.000 --&gt; 01:55:34.000
La gigue&#13;

01:55:34.000 --&gt; 02:01:10.000
En passant par le bois, puis Je suis lasse d’être fille, puis Belle rose&#13;

02:01:10.000 --&gt; 02:03:40.000
Valse&#13;

02:03:40.000 --&gt; 02:07:47.000
Marche ou samba, puis Maria de Bahia&#13;

02:07:47.000 --&gt; 02:11:04.000
Les Fiancés d’Auvergne&#13;

02:11:04.000 --&gt; 02:15:46.000
Étoile des Neiges&#13;

02:15:46.000 --&gt; 02:19:49.000
Viva España&#13;

02:19:49.000 --&gt; 02:22:25.000
Paso&#13;

02:22:25.000 --&gt; 02:26:49.000
Valse de couleur régionaliste&#13;

02:26:49.000 --&gt; 02:32:22.000
Tangos, puis Prendre un enfant dans  ses bras&#13;

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Tango&#13;

02:39:23.000 --&gt; 02:40:17.000
Charleston&#13;

02:40:17.000 --&gt; 02:40:29.000
Valse&#13;

02:40:29.000 --&gt; 02:41:45.000
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02:41:45.000 --&gt; 02:44:56.000
Son davalats&#13;

02:44:56.000 --&gt; 02:47:17.000
La Trotteuse, puis On n’a pas tous les jours 20 ans, puis Le temps des gabariers&#13;

02:47:17.000 --&gt; 02:53:33.000
Pot-pourri de marches&#13;

02:53:33.000 --&gt; 02:56:54.000
Dolannes melody, Frou-Frou...&#13;

02:56:54.000 --&gt; 02:29:58.000
Tout le long du bois&#13;

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Chanson de mensonges&#13;

00:01:07.000 --&gt; 00:03:59.000
Quand la Margui s'en va au moulin&#13;

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Chas nos m'avian lojada, la botelha&#13;

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Chas nos m'avian lojada&#13;

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Borreia d'a Jumilhac&#13;

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Qu'es la Catisson de la “Maurelha”&#13;

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J'm'en vais à la fontaine&#13;

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L'asne e lu lop&#13;

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Filhas a maridar&#13;

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Petit Pierre&#13;

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La balada&#13;

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L'autre jour me promenant&#13;

00:21:57.000 --&gt; 00:00:00.000
C'est la fille du boulanger&#13;

00:00:00.000 --&gt; 00:24:07.000

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Une « noce », en costumes folkloriques&#13;

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Le cortège dans le bourg&#13;

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Nouveau passage du cortège,&#13;

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Arrivée au lieu de la fête&#13;

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Présentation&#13;

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Polka piquée "de Naillat"&#13;

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La chèvre&#13;

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Si t’étais v’nu&#13;

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Polka piquée de Naillat&#13;

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Ton ruban bleu&#13;

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Groupe de musique des Andes&#13;

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Chibreli&#13;

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