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                <text>&lt;p&gt;&lt;span style="font-size: medium;"&gt;Ce document, bande 575-3, a &amp;eacute;t&amp;eacute; enregistr&amp;eacute; le 26 novembre 1969 &amp;agrave; Augignac et fut probablement diffus&amp;eacute; sur les ondes de Radio Limoges dans l'&amp;eacute;mission "Chez nous". &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="artist_name"&gt;F&amp;eacute;licie Brouillet&lt;/span&gt;, n&amp;eacute;e &amp;agrave; Piegut en Dordogne en 1907 et d&amp;eacute;c&amp;eacute;d&amp;eacute;e en 1982, est&amp;nbsp; interview&amp;eacute;e ici par Robert Dagnas. Elle nous parle de son Pierisson qui voudrait aller dans la lune. Ensuite M. Dagnas la pr&amp;eacute;sente aux auditeurs de Radio Limoges. Puis elle nous explique son go&amp;ucirc;t pour les histoires, ses publications, le costume limousin, la langue occitane, et l'avenir de celle ci :&lt;em&gt; "&lt;span class="oc"&gt;'Qu&amp;ograve; ne p&amp;ograve;t pas se perdre, 'queu-qui qu'aima son pais ne p&amp;ograve;t pas obludar la linga...&lt;/span&gt;"&amp;nbsp; &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/items/show/380" target="_blank" rel="noopener"&gt;Une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; F&amp;eacute;licie Brouillet a &amp;eacute;t&amp;eacute; diffus&amp;eacute;e en d&amp;eacute;cembre 1958. &lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&lt;br /&gt;&lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Chez nous, 6 décembre 1958</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 47-A, l'&amp;eacute;mission "Chez nous" telle qu' elle fut diffus&amp;eacute;e sur les ondes de Radio Limoges le 6 d&amp;eacute;cembre 1958. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ce&amp;nbsp; jour-l&amp;agrave;, Robert Dagnas&amp;nbsp; re&amp;ccedil;oit &lt;span class="artist_name"&gt;F&amp;eacute;licie Brouillet&lt;/span&gt;, une des vedettes de son &amp;eacute;mission. Apr&amp;egrave;s avoir pr&amp;eacute;sent&amp;eacute; F&amp;eacute;licie Brouillet, celle ci&amp;nbsp; nous parle de son surnom, "&lt;span class="oc"&gt;aurelha de lebre&lt;/span&gt;" (oreille-de-li&amp;egrave;vre), elle &amp;eacute;voque sa limousinit&amp;eacute;, ses influences, ses &amp;eacute;crits,&amp;nbsp; et nous conte quelques unes de ses r&amp;eacute;cits :&amp;nbsp;&lt;span class="oc"&gt; los que ganhen l'argent a bra&amp;ccedil;at, los pitits dr&amp;ograve;lles d'ancien temps,&lt;/span&gt; la berg&amp;egrave;re de Peira-Carteu, et &lt;span class="oc"&gt;la montra&lt;/span&gt;. M. Dagnas&amp;nbsp; pr&amp;eacute;sente ensuite la "&lt;span class="oc"&gt;cronica daus noms dau mes de decembre&lt;/span&gt;", et les actualit&amp;eacute;s du mois de d&amp;eacute;cembre 1958.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/378" target="_blank" rel="noopener"&gt;On retrouvera Mme Brouillet dans une autre &amp;eacute;mission de "Chez nous" diffus&amp;eacute;e en 1969.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt; font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family: georgia, palatino;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt; .&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document, sans date ni indication, nous retrouvons F&amp;eacute;licie Brouillet et ses fameuses histoires. &lt;br /&gt;Elle conte &lt;em&gt;&lt;span class="oc"&gt;Las piuses, Pissarat a Paris, L'ora de la pendula, La 'tomobila &lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;et&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt; Lu cinema&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;F&amp;eacute;licie Brouillet &amp;eacute;tait une conteuse hors pair, nous pouvons la retrouver, sur la Bia&amp;ccedil;a, dans plusieurs autres documents (voir ci dessous)&lt;br /&gt;&lt;br /&gt;-&lt;a href="https://la-biaca.org/files/original/enquetes/443/Las_piuses.pdf" target="_blank" rel="noopener"&gt;&amp;gt; lien vers la nh&amp;ograve;rla "Las piuses"&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 529, il est not&amp;eacute; "Monsieur Marvaud, Pi&amp;eacute;gut Pluviers" . Cet enregistrement date du 26 juin 1962 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Dans ce trop court document, &lt;strong&gt;Ren&amp;eacute; Marvaud&lt;/strong&gt; (1909/1998) quincailler &amp;agrave; Pi&amp;eacute;gut Pluviers (24) (Chroniqueur et Chansonnier sous le pseudonyme&amp;nbsp;de&amp;nbsp;Jos&amp;egrave;p Platussat, auteur de "Chants du moulin fondu" ) chante, avec beaucoup de conviction, trois chansons&lt;/span&gt; : &lt;span class="oc"&gt;&lt;em&gt;Pierrisson&lt;/em&gt;, &lt;a href="https://la-biaca.org/items/show/12824" target="_blank" rel="noopener"&gt;&lt;em&gt;Faure mon paubre faure&lt;/em&gt;&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;(chanson &amp;eacute;crite en souvenir de son ami Jean Larousserie) et&lt;/span&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; L&lt;span class="oc"&gt;u pitit tren de Brant&amp;ograve;me &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;(une chanson de J Morellet)&amp;nbsp; .&lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12847" target="_blank" rel="noopener noreferrer"&gt;Acc&amp;eacute;der &amp;agrave; la documentation relative &amp;agrave; cet enregistrement . (extraits des "Chants du moulin fondu", la partition du Petit train de Brant&amp;ocirc;me et la liste des distinctions re&amp;ccedil;ues par Ren&amp;eacute; Marvaud&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12799" target="_blank" rel="noopener"&gt;Quelques collectes de R. Marvaud&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;( Cette documentation nous a &amp;eacute;t&amp;eacute; aimablement transmise par son fils Paul )&lt;/p&gt;&#13;
&lt;p&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les &lt;br /&gt;ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&lt;/p&gt;&#13;
&lt;p&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique&amp;nbsp;traditionnelle au CRR de Limoges.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur le boitier de cette bande il est noté "Piégut-Pluviers 1" (sans doute la première d'une série de trois) . Il s'agit un enregistrement réalisé à la veille du 1er juillet 1962 à l'occasion de la Félibrée de Piégut-Pluviers.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous entendrons M. Yves Massy, maire, présenter sa commune, parler de la préparation de la fête et nous préciser le programme de la journée . Le Majoral Marcel Fournier, nous parle d'aimé Jardry, de Robert Benoit dont c'est le centenaire, d'Henri Delage (Contaviòrla) et de Félicie Brouillet . &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;A la fin de cet enregistrement, un sujet sur le congrès de l'Union des syndicats d'initiative corréziens à Allassac &lt;/span&gt;&lt;br style="font-size:14pt;" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt; Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt; Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt; Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt;</text>
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            <name>Date Issued</name>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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                <text>Enregistrement public r&amp;eacute;alis&amp;eacute; &amp;agrave; Pi&amp;eacute;gut-Pluviers, au d&amp;eacute;but des ann&amp;eacute;es 60 .</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur la bande 801 il est not&amp;eacute;&lt;/span&gt; "&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Gala Paralys&amp;eacute;s de France, 9/3/62&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le contenu n'a en fait rien &amp;agrave; voir avec&lt;span class="fr" style="font-size: 14pt;"&gt; cela,&lt;/span&gt; il s'agit d'une collecte &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;r&amp;eacute;alis&amp;eacute;e "en public" &amp;agrave; Pi&amp;eacute;gut-Pluviers (24)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La premi&amp;egrave;re demi-heure est consacr&amp;eacute;e &amp;agrave; une fanfare (sans doute la "Soci&amp;eacute;t&amp;eacute; Musicale de Pi&amp;eacute;gut" ) qui interpr&amp;egrave;te diff&amp;eacute;rents morceaux polkas, bourr&amp;eacute;es, quadrilles, marches ,valses etc ... &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Ensuite on peut entendre plusieurs informateurs parmi lesquels nous retrouvons:&lt;br /&gt;&lt;/span&gt;&lt;strong class="fr"&gt;- F&amp;eacute;licie Brouillet&lt;/strong&gt;&lt;span class="fr"&gt; qui nous parle de l'origine du march&amp;eacute; de Pi&amp;eacute;gut, du chavilhier, de la tour de Pi&amp;eacute;gut , des cupules, des rochers branlants, de la lanterne, des d&amp;eacute;votions, de Jean de Biennat&lt;/span&gt;&lt;span class="fr"&gt;...&lt;br /&gt;- &lt;/span&gt;&lt;strong class="fr"&gt;Ren&amp;eacute; Marvaud&lt;/strong&gt;&lt;span class="fr"&gt; qui chante&lt;/span&gt; &lt;span class="oc"&gt;&lt;em&gt;"Chantoclar"&lt;/em&gt;,&lt;/span&gt; &lt;span class="fr"&gt;Le march&amp;eacute; de Pi&amp;eacute;gut&lt;/span&gt;, &lt;em&gt;&lt;span class="oc"&gt;"La Bosrin"&lt;/span&gt;&lt;/em&gt;,&lt;span class="fr"&gt; "P&amp;egrave;re Piaud" &lt;br /&gt;&lt;br /&gt;- Plusieurs autres informateurs, (M. Moulinier, Bonnier) nous parlent d' Aim&amp;eacute; Jardry, de Burgou ...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;La famille de M. Marvaud nous a confi&amp;eacute; les documents accessibles ci-dessous :&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/Chantoclar2.jpg" target="_blank" rel="noopener"&gt;- &lt;/a&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/Chantoclar2.jpg" target="_blank" rel="noopener"&gt;Chantoclar&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/loBourri2.jpg" target="_blank" rel="noopener"&gt;- La Bosrin&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Date Issued</name>
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                <text>Tous les genres</text>
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                <text>[Informateurs multiples]</text>
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            <description>A related resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande gu&amp;egrave;re d'indication, il est seulement not&amp;eacute; "Pi&amp;eacute;gut 2". Il s'agit sans doute de la suite de la bande 801 (voir ci-dessous) enregistr&amp;eacute;e en public &amp;agrave; Pi&amp;eacute;gut - Pluviers (24). On retrouve&lt;strong&gt; Ren&amp;eacute; Marvaud, F&amp;eacute;licie Brouillet, le duo Colon et Secours, Pierre Bernard, etc.&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;On y entend une chanson sur la balade (la f&amp;ecirc;te) de Pi&amp;eacute;gut-Pluviers ; Ren&amp;eacute; Marvaud dit Jos&amp;egrave;p Platussat &lt;a href="/items/show/515" target="_blank" rel="noopener noreferrer"&gt;(voir l'enregistrement d&amp;eacute;j&amp;agrave; disponible)&lt;/a&gt; qui chante &lt;span class="oc"&gt;&lt;em&gt;Lo sejaire&lt;/em&gt;, &lt;em&gt;Lo jau&lt;/em&gt;,&lt;/span&gt; &lt;em&gt;Perpiau&lt;/em&gt; ; une suite d'airs par MM. Colon et Secours ; F&amp;eacute;licie Brouillet qui nous raconte ensuite l'histoire des march&amp;eacute;s de Pi&amp;eacute;gut, de la tour, etc. &lt;br /&gt;Puis, c'est au tour de M&amp;eacute;lie Frisou, m&amp;eacute;n&amp;eacute;tri&amp;egrave;re (elle joua du saxophone t&amp;eacute;nor jusqu'en 1914), de nous parler de sa pratique de musicienne, des noces (les repas, un mariage avec "une qui ne voulait pas se marier", la danse, les musiciens, les belle-m&amp;egrave;res, les v&amp;ecirc;tements, etc) &lt;br /&gt;Ensuite F&amp;eacute;licie Brouillet &amp;eacute;voque Burgou, Pierre Bernard donne sa version de "l'origine de la polka", Secours raconte une histoire de musicien de retour de noces, etc. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="/items/show/12849" target="_blank" rel="noopener noreferrer"&gt;Les paroles et la musique de "Perpiau"&lt;/a&gt; par Ren&amp;eacute; Marvaud &lt;span style="font-size: 12pt;"&gt;(Remerciements &amp;agrave; Paul, son fils, pour ces documents ... et bien d'autres)&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>License</name>
            <description>A legal document giving official permission to do something with the resource.</description>
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            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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                <text>IEO Lemosin, dépôt Françoise Étay</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <name>Date Issued</name>
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            <description>The size or duration of the resource.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Piégut-Pluviers (2 ) Félibrée 1962</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folklore</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Creator</name>
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            <name>Format</name>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <description>A related resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur les boitiers de ces bandes il est noté &lt;span style="color:#808080;"&gt;"Piégut 2"&lt;/span&gt; et &lt;span style="font-size:14pt;color:#808080;"&gt;"Piégut 3"&lt;/span&gt;. &lt;br /&gt;Une fiche cartonnée nous indique qu'il s'agit d'un enregistrement datant du 1er juillet 1962 à l'occasion de la Félibrée de Piégut-Pluviers. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Voir l'enregistrement "Piégut-Pluviers (1) - Félibrée 1962 " disponible ci dessous .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous entendrons Le maire, M. &lt;strong&gt;Yves Massy&lt;/strong&gt;, confier, pour la journée les clés de la ville au &lt;strong&gt;Majoral Fournier&lt;/strong&gt;, quelques discours, le souvenir de la félibrée de 1935, un propos à la gloire d'Aimé Jardry,un très long évangile "&lt;span class="oc"&gt;L'evangeli selon Sent-Luc"&lt;/span&gt;, et quelques chansons : &lt;span class="oc"&gt;Peirigòrd, Voletz vos durmir, La coupo santo ...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <description>The topic of the resource</description>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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              <description>A name given to the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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            <description>The topic of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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              <description>An unambiguous reference to the resource within a given context</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1874</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="242411">
                <text>Piégut-Pluviers (6) - Félibrée 1962</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="242412">
                <text>Piégut-Pluviers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bourrée de Confolens</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="242414">
                <text>Folklore</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="242415">
                <text>Informateurs multiples</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="242416">
                <text>Piégut-Pluviers (6) - Félibrée 1962 - 18 - Bourrée de Confolens</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="242417">
                <text>https://la-biaca.org/items/show/8621</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="70">
        <name>Piégut-Pluviers</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
