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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur le boitier de cette bande il est noté "Chez Nous 30 6 62, 11'30" &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit d'une émission sans doute diffusée à la veille du 1er juillet 1962 à l'occasion de la 45 ème &lt;span style="font-size:14pt;"&gt;Félibrée&lt;/span&gt; qui a lieu à Piégut-Pluviers.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous avions déja mis en ligne une émission presque identique (voir ci-dessous) . M. Dagnas en avait il préparé deux versions ? Laquelle fut diffusée ? &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous entendons dans cet enregistrement M. Yves Massy, alors maire de Piégut-Pluviers, présenter sa commune, parler de la préparation de la fête et nous préciser le programme de la journée, &lt;span style="font-size:14pt;"&gt;Le Majoral Marcel Fournier,&lt;span&gt;&lt;span&gt; &lt;/span&gt;&lt;/span&gt; parler d' Aimé Jardry, d' Henri Delage et de Félicie Brouillet . Paul Merdieu chanter "Veiqui lo Pierigòrd"&lt;/span&gt; . Henri Delage &lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;(Contaviòrla)&lt;/span&gt;&lt;/span&gt; raconter deux comptines D'ente venetz et Tira-tira et, pour terminer, les chanteurs du groupe du Chalelh chanter " Cassa cacaus".&lt;strong&gt; &lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="fr"&gt;Cette rencontre avec M. Louis TRICARD fut organis&amp;eacute;e par Monique Sarazy dans le cadre de son travail universitaire . Nous nous sommes rendus ce 27 mars 2012 &amp;agrave; Lardimalie (aussi appel&amp;eacute; Magnac-Vicq) sur la commune de &lt;/span&gt;&lt;span class="fr"&gt;Vicq-sur-Breuil (87) pour rencontrer cet ancien tonnelier, dont le p&amp;egrave;re exer&amp;ccedil;ait d&amp;eacute;j&amp;agrave; cette profession .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:02:07.000
Présentation de l'atelier&#13;

00:02:07.000 --&gt; 00:07:10.000
L'assemblatge&#13;

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Chaufar e sarrar&#13;

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Chanfrenar, passar lo jabloir&#13;

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Lo fond&#13;

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las duelas&#13;

00:15:27.000 --&gt; 00:16:09.000
Las demias de Bordeu&#13;

00:16:09.000 --&gt; 00:17:26.000
Ren mas dau boesc&#13;

00:17:26.000 --&gt; 00:17:52.000
Passar au torn&#13;

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Los cercles&#13;

00:19:03.000 --&gt; 00:19:29.000
La signatura&#13;

00:19:29.000 --&gt; 00:20:15.000
Las comandas&#13;

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De chastenh, de rover&#13;

00:23:32.000 --&gt; 00:24:41.000
Las expedicions per lo tren&#13;

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Los boesc a Combas&#13;

00:26:22.000 --&gt; 00:27:27.000
Lo darrier productor en Nauta-Viena&#13;

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Lo mestier&#13;

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En acacia&#13;

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La qualitat dau boesc&#13;

00:32:22.000 --&gt; 00:34:42.000
La machina per las duelas&#13;

00:34:42.000 --&gt; 00:35:29.000
Barra la cleda !&#13;

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          <name>Local URL</name>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Participants</name>
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          <name>Mot-clé</name>
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            <name>Format</name>
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            <description>The nature or genre of the resource</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement nous a été confié pour numérisation et mise en ligne par Jean Jacques Le Creurer * . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit de la première partie d'un enregistrement datant du 3 Octobre 1988 . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Jean-Jacques Le Creurer nous précise que : &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;" Armand JAGAILLE, tenait son accordéon comme un gaucher car il avait appris comme ça sur les conseils de sa sœur ainée (qui ne jouait pas elle-même) qui lui avait ramené son premier accordéon de Paris où elle était bonne. Il a joué ensuite du chromatique et surtout du saxophone. C'est avec ce dernier instrument qu'il a fait nombre de bals dans divers orchestres et notamment avec son fils au chromatique (avec qui il formait l'orchestre Jagaille) . &lt;span style="font-size:14pt;"&gt;Cet enregistrement a été fait avec un technicien de France Bleu Creuse pour la cassette "musique en Creuse" éditée par l'ADIAM 23.&lt;/span&gt;".&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il "tenait" ses morceaux de musiciens traditionnels de la région : des vielleux Fromenty, Eugène Thomas (le &lt;span class="fr" style="font-size:14pt;"&gt;père Burette) , de Martinez et Fayadat (clarinettiste) ...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une belle succession d' airs à danser : Polka, Marche, polka piquée, scottich, la carrée, la chèvre, la fille de la meunière, mazurka etc ... &lt;br class="oc" style="font-size:14pt;" /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;Nous remercions son petit fils pour la photo illustrant cet enregistrement .&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire Départemental de la Creuse et effectue depuis des années des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Émission de radio consacrée à la route touristique de la vallée de la Vienne</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur l'emballage contenant la bande Kodavox, il est noté &lt;span style="color:#808080;"&gt;"802, Pierre Ichac, Chatellerault, Touffou, fanfare, Chauvigny, Civaux, Vallée de la Vienne en Limousin, Lussac, 1ère séquence Irène, Isle Jourdain, Availles Limouzine,Confolens (?) 2ème séquence Irène Fin"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette bande deux émissions de Pierre Ichac appelées "Promenade dans la vallée de la Vienne" (ces deux émissions sont sans doute inversées, la première succédant probablement à la seconde !)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une succession de haltes : Chauvigny - Le cimetière de Civaux (présenté par M. François Eygun) - Lussac - L'Isle-Jourdain - Confolens - La Rouchefoucault ... cette émission se termine par une séance de gymnastique (sans doute sur la bande avant l'enregistrement qui nous intéresse) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ensuite une autre &lt;span class="fr" style="font-size:14pt;"&gt;"Promenade dans la vallée de la Vienne" : Un arrêt à Châtellerault, une présentation de la route touristique (par M. Toulat, alors maire de Chauvigny) - M. Bernard Percevault - le carillon de l'Eglise Saint-Jacques* - Le château de Touffou (M. De Vergy, M. Blanchard régisseur - la chasse a courre, la fanfare, ) puis, pour terminer, l' Église Saint-Pierre à Chauvigny &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dans cet enregistrement Irène Besson chante &lt;span class="oc"&gt;La meschanta maire&lt;/span&gt; accompagnée sans doute par Yvette Restoin à la vielle à roue .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;* M. Jacques Daunizeau nous précise que&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt; " l'enregistrement du&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt; carillon de Châtellerault que l'on entend est un extrait des pizzicati du ballet de Sylvia de Léo Delibes, pièce qui a été donnée en concert sur le carillon de Châtellerault en 1952 (et peut-être en 1954 ?) par Maurice Lannoy carillonneur de Saint-Amand les Eaux. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;Plus jamais ce carillon n'a été joué manuellement entre 1954 et 1965."&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement nous a été confié pour numérisation et mise en ligne par Jean-Jacques Le Creurer * . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit de la première partie d'un enregistrement datant du 20 septembre 1988, auprès de M Bonnefond, demeurant à La Chaumette, commune de La Nouaille (23) .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Plusieurs chansons en français et en occitan : &lt;span class="oc"&gt;Lo maniguet, lo boçut, l'aiga de ròsa, la Chamaisada, lo pair Conaud, Enquera n'es pas jorn, Mai nos n'iram la quarre, la chabra bura,&lt;/span&gt; Le chauffeur d'automobile, Les trappeurs de l'Alaska.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Un beau témoignage sur l'évolution de la pratique de la danse et du chant .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Photo d'Alexandre Bonnefond (à droite) et Jean Ségurel prise au comptoir de "chez Rappy" à La Nouaille vers 1965 (photo confiée par Bernard Bonnefond)&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;* Jean-Jacques Le Creurer est musicien, il enseigne au Conservatoire Départemental de la Creuse et effectue depuis des années des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Mme Lavialle Jeanine</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette cassette audio qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Mich&amp;egrave;le Gardr&amp;eacute;-Vali&amp;egrave;re, il est not&amp;eacute; :&lt;span style="color: #666699;"&gt;" M. Lavialle, Accord&amp;eacute;onneux, Originaire de la Corr&amp;egrave;ze, Chir&amp;eacute; les Bois"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de l'enregistrement de M Louis Lavialle, n&amp;eacute; &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;agrave; Saint-Cyr les champagnes (24) en 1911 r&amp;eacute;sidant &amp;agrave; Chir&amp;eacute;-les-Bois depuis des ann&amp;eacute;es .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;M. Lavialle parle de son arriv&amp;eacute;e dans la Vienne, de la mani&amp;egrave;re dont il fut lou&amp;eacute; par les tuiliers de la Vienne &amp;agrave; la foire de Lubersac, de sa pratique de la langue &amp;agrave; la maison et &amp;agrave; l'&amp;eacute;cole, du travail de la ferme ... Il chante aussi deux chansons, Toine et &lt;span class="oc"&gt;Per bien la dan&amp;ccedil;ar.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Un beau document &amp;agrave; mettre en lien avec l'enregistrement de &lt;a href="https://www.la-biaca.org/items/show/285" target="_blank" rel="noopener noreferrer"&gt;M. Boisdevezy &lt;/a&gt;qui fut lui aussi ouvrier tuilier, dans les Deux-S&amp;egrave;vres . &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;br class="fr" style="font-size: 14pt;" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette bande portant les numéros 530 et 6387 il est noté "Uzerche Argentat Dagnas"&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Comme souvent nous sommes en présence d'un enregistrement sur une bande déja utilisée pour une émission de Radio Limoges . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;M. Dagnas a enregistré le groupe folklorique d'Argentat " Les Échos Limousins".&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Un répertoire très "classique" enregistré lors d'une prestation, sans doute à Uzerche (en 1963 ?) : &lt;span class="oc"&gt;Un jorn dins l'estolhas &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(appelée "Marche Limousine")&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; , Pinton,&lt;/span&gt; La Montagnarde (bourrée), la gigue, La Cati, etc ... et deux chansons moins courantes et plus locales : "&lt;span class="oc"&gt;Los gabariers de la Dordonha"&lt;/span&gt; (d' Eusèbe Bombal) et "C'est Argentat la belle" . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La bande se termine par une émission de radio au sujet de la programmation de spectacles de Music-Hall dans des casinos de Charente Maritime (sans doute entendons nous M. Roger Genty). &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean Jacques Le Creurer * . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de la seconde partie d'un enregistrement datant du 3 Octobre 1988, deux chanteuses de Saint-Yrieix La Montagne : Mme &lt;/span&gt;&lt;strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Georgette &lt;/span&gt;&lt;/strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;FARGE&lt;/strong&gt; (n&amp;eacute;e Bellegarde en 1916) et Mme &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Henriette &lt;/span&gt;&lt;/span&gt;MEUNIER&lt;/strong&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;(n&amp;eacute;e Pellangeon en 1918) .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Quelques airs &amp;agrave; danser : &lt;em&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;L'aiga de rosas,&lt;/span&gt;&lt;span class="oc"&gt;La chamaisada, lo pelali,&lt;/span&gt; &lt;/em&gt;la fille de la meuni&amp;egrave;re, Marie Madeleine, &lt;em&gt;&lt;span class="oc"&gt;Tornas la viras la&lt;/span&gt; , &lt;span class="oc"&gt;Lo pair Conaud&lt;/span&gt; ...&lt;/em&gt; &lt;br /&gt;Une blague : l'histoire du pantalon de Sans-Cul, quelques propos sur leur s&amp;eacute;jour parisien et pour finir "La rodeuse de barri&amp;egrave;re" de Berthe Sylva.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12823#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-379%2C-1%2C1413%2C999" target="_blank" rel="noopener noreferrer"&gt;Mesdames Farge et Meunier&lt;/a&gt; (photos aimablement transmises par Mme Lucette Farge) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean Jacques Le Creurer * . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de la premi&amp;egrave;re partie d'un enregistrement datant du 3 Octobre 1988, deux chanteuses de Saint-Yrieix La Montagne : &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Mme &lt;/span&gt;&lt;strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Georgette &lt;/span&gt;&lt;/strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;FARGE&lt;/strong&gt; (n&amp;eacute;e Bellegarde en 1916) et Mme &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Henriette &lt;/span&gt;&lt;/span&gt;MEUNIER&lt;/strong&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;(n&amp;eacute;e Pellangeon en 1918)&lt;/span&gt;&lt;/span&gt; .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs chansons en fran&amp;ccedil;ais et en occitan : Saint-Yrieix la Montagne et Je vous ai chant&amp;eacute; Saint-Yrieix &lt;span style="color: #808080;"&gt;&lt;em&gt;(deux chansons louant Saint-Yrieix sur des airs connus)&lt;/em&gt;&lt;/span&gt;, &lt;em&gt;Ja&lt;/em&gt;&lt;span class="oc"&gt;&lt;em&gt;n piti Jan&lt;/em&gt; &lt;/span&gt;&lt;span style="color: #808080;"&gt;(appel&amp;eacute;e par la chanteuse " Histoire d'un bourgeois perdu dans la montagne"), &lt;/span&gt;Adieu les fleurs de la jeunesse, La jeune berg&amp;egrave;re &lt;span style="color: #808080;"&gt;(le Seigneur Volage)&lt;/span&gt; pastourelle bien connue chant&amp;eacute;e &amp;agrave; deux, le Turlututu, &lt;em&gt;&lt;span class="oc"&gt;S'en iran pas tots,&lt;/span&gt;&lt;/em&gt; Elle lisait le petit Parisien, Mikaela la brune et La fille du grand marchand.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12823#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-380%2C0%2C1414%2C999" target="_blank" rel="noopener noreferrer"&gt;Mesdames Farge et Meunier&lt;/a&gt; (photos aimablement transmises par Mme Lucette Farge) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande que Fran&amp;ccedil;oise Etay nous a confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne, plusieurs &amp;eacute;missions de &lt;span class="fr" style="font-size: 14pt;"&gt;"Chez Nous" l'&amp;eacute;mission de &lt;/span&gt;Robert Dagnas diffus&amp;eacute;e sur les ondes de Radio Limoges (cette bande fut donn&amp;eacute;e &amp;agrave; Fran&amp;ccedil;oise Etay par Pierre Leplant).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La premi&amp;egrave;re &amp;eacute;mission (jusqu'&amp;agrave; 25.01 mn) enregistr&amp;eacute;e &amp;agrave; Gen&amp;ccedil;ay (86) en fin d'ann&amp;eacute;e 1966 est consacr&amp;eacute;e &amp;agrave; Michel Vali&amp;egrave;re, il nous parle d&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;es recherches folkloriques avec Andr&amp;eacute; Pacher, de "&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La Marchoise de Chantemerle", cr&amp;eacute;&amp;eacute; avec M. Mme Girard, des veill&amp;eacute;es etc ... Plusieurs chansons par un groupe d'enfants, des comptines, airs &amp;agrave; danser par Albert Guillet et Aim&amp;eacute; Bozier ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La seconde &amp;eacute;mission (25.01 &amp;agrave; 44.20 mn) date de janvier 1966 . On y entend une s&amp;eacute;lection de morceaux : &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;La filha d'un paubre &amp;ograve;me,&lt;/span&gt; (chant et partie instrumentale), le Turlututu par la chorale des Veilladours (Saint Junien) , &lt;span class="oc"&gt;En 'naut sur la montanha&lt;/span&gt; par Pierre Biossac (Javerdat), l'accident de Pierrisson par F&amp;eacute;licie Brouillet (Nontron), une scottish-valse par l'&amp;Eacute;cole Ventadour (Tulle) , une nhorle : &lt;span class="oc"&gt;la Paubra Catisson&lt;/span&gt; par &lt;span style="font-size: 14pt;"&gt;Alphonse Frange de &lt;span class="fr" style="font-size: 14pt;"&gt;l'&amp;Eacute;cole du&lt;/span&gt; Barbichet (Limoges), &lt;/span&gt;une valse par la Bourr&amp;eacute;e Limousine (Brive) puis &lt;span class="oc"&gt;Dijas pitit Jan&lt;/span&gt; une bourr&amp;eacute;e par Ang&amp;egrave;le Chabeaudie (Chaillac sur Vienne) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;- La derni&amp;egrave;re &amp;eacute;mission (44.20 &amp;agrave; 60.00 mn) date du 20 d&amp;eacute;cembre 1958 *, il s'agit d'une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;Eug&amp;egrave;ne Tarrade&lt;/a&gt;. Si nous avons d&amp;eacute;ja entendu dans d'autres enregistrements de M Dagnas la plupart des morceaux jou&amp;eacute;s par M Tarrade &lt;span style="font-size: 14pt;"&gt;(&lt;span style="font-size: 14pt;"&gt;mazurka, &lt;/span&gt;Bourr&amp;eacute;e de Lagrauli&amp;egrave;re, de Sarran, quadrille limousin ...) &lt;/span&gt;et ses voisines : Jacqueline Brouillac (La Yoyette) et Juliette Pouget (l'autre jour m'y promenant) on y entend aussi M. Tarrade parler de son courrier &amp;agrave; R. Dagnas, de sa pratique du violon ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;*Mme Pouget nous pr&amp;eacute;cise que cet enregistrement date sans doute de l'&amp;eacute;t&amp;eacute; 1958&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Enfin, M. Leplant a ajout&amp;eacute;, l'enregistrement d' un groupe folklorique &lt;span style="font-size: 14pt;"&gt;non identifi&amp;eacute; &lt;/span&gt;(60.00 mn &amp;agrave; la fin ) &lt;span style="font-size: 14pt;"&gt; trouv&amp;eacute; sur une bande appartenant &amp;agrave; un stagiaire, &lt;/span&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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            <description>The size or duration of the resource.</description>
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                <text>Dordogne (24)</text>
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          <element elementId="90">
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="309733">
                <text>SECOURS, Clarinettiste</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309734">
                <text>Musique</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309735">
                <text>[Informateur Inconnu]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="309736">
                <text>RD5408</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="309737">
                <text>1960</text>
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                <text>Robert Dagnas</text>
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            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande il est seulement not&amp;eacute; &lt;span style="color: #808080;"&gt;"Secours"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit du pseudonyme d'un musicien, M. Chabot jouant du Saxophone Soprano et de la clarinette que nous avons entendu &amp;agrave; plusieurs reprises dans des enregistrements de M. Dagnas, souvent en compagnie de "Colon", Pierre Chabaud, &amp;agrave; sa droite sur la photo (cette photo nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e par Francis Chabaud). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une succession de morceaux jou&amp;eacute;s et chant&amp;eacute;s : &lt;em&gt;&lt;span class="oc"&gt;Per un beu matin de printemps, Francilhon sur un prunier, La Francesa, La margarita l'es malauda, Ma pita Suzon,&lt;/span&gt;&lt;/em&gt; l'enregistrement se termine par deux airs &amp;agrave; danser &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>chanson traditionnelle limousine</text>
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          <element elementId="90">
            <name>Provenance</name>
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            <description>An account of the resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;color:#000000;"&gt;Sur la fiche accompagnant la bande n° 684 il est mentionné : &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="color:#808080;font-size:14pt;"&gt;"Émission chez nous 2/66, la Badoire (?), danses, Saint Antoine, Marguerite ma petite, Branle bourguignon, Mes burons sont morts, ma belle-mère, Toine, Laissons nous emporter ...."&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit d'une émission de radio (ou de la préparation de celle-ci ) &lt;span class="fr" style="font-size:14pt;"&gt;telle qu'elle a sans doute été diffusée en février 1966 sur les ondes de Radio-Limoges.&lt;/span&gt;&lt;br /&gt;Après une introduction sur l'arrivée du printemps, une succession de morceaux interprétés par des groupes folkloriques : Scottish Saint-Antoine (une scottish des Deux-Sèvres), un branle Poitevin, une valse, &lt;span class="oc"&gt;Carnaval es arribat&lt;/span&gt; et une scottish à sept pas &lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(au diatonique)&lt;/span&gt;&lt;/span&gt;, une valse .&lt;br /&gt;Quelques chansons : Mes burons sont morts et Toine ainsi qu'une histoire de Jan Picatau par Henri Delage &lt;/span&gt;&lt;/span&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt; : &lt;span class="oc"&gt;La bèla-mair .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande non num&amp;eacute;rot&amp;eacute;e il est seulement not&amp;eacute; : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;"Gen&amp;ccedil;ay, Chants Mme Vali&amp;egrave;res 2&amp;egrave;me bande"&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'un enregistrement de Mme &lt;strong&gt;Mich&amp;egrave;le Gardr&amp;eacute;-Vali&amp;egrave;re&lt;/strong&gt;, chanteuse, collectrice, auteure de nombreuses publications traitant de la &lt;span class="fr" style="font-size: 14pt;"&gt;litt&amp;eacute;rature orale&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Avec son mari, l' ethnologue Michel &lt;span class="fr" style="font-size: 14pt;"&gt;Vali&amp;egrave;re&lt;/span&gt; , ils ont beaucoup &amp;oelig;uvr&amp;eacute; dans la r&amp;eacute;gion Poitou-Charentes et le Limousin ...&amp;nbsp; (Centre culturel La Marchoise, UPCP M&amp;eacute;tive, Belvert, etc ... ) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous n'avons, pour le moment, retrouv&amp;eacute; qu'une seule bobine de cet enregistrement datant de 1966 ou 1967 .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une suite de chansons : Allons la belle voil&amp;agrave; que c'est nuit, C'&amp;eacute;tait pour un premier mai, L&amp;agrave;-haut sur ces montagnes, Mon mari &amp;eacute;tait malade (&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;chant&amp;eacute;e par Melle Annick Seine de St Maurice-la-Clou&amp;egrave;re (Vienne))&lt;/span&gt; , &amp;Eacute;coutons l'aventure .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #666699;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12829#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-256%2C-1%2C1089%2C770" target="_blank" rel="noopener noreferrer"&gt;&amp;rArr; Mich&amp;egrave;le Gardr&amp;eacute;-Vali&amp;egrave;re&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement fut réalisé au mois d'octobre 2004 lors d'une de nos interventions en milieu scolaire, dans le cadre des "Classes à projet artistique et culturel" .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Mme Cousty, que nous avions déja collecté, avait accepté de venir à la rencontre des élèves pour leur parler de l'école, de son rapport à la langue, puis elle nous avait dit "la Busa", une très belle randonnée, queques comptines et dictons que sa grand-mère lui avait enseigné . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous remercions Christine Belières, l'institutrice avec qui nous avions organisé ces interventions ainsi que tous les enfants du RPI (Louignac et Perpezac le Blanc) ayant participé&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; ( Angélique, Benoit, Camille, Claudia, Julia, Victorien, Anthony, Charlène, Pauline, Romain, Clément, Erwan, Kévin, Thomas ) &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur les boitiers de ces bandes il est noté &lt;span style="color:#808080;"&gt;"Piégut 2"&lt;/span&gt; et &lt;span style="font-size:14pt;color:#808080;"&gt;"Piégut 3"&lt;/span&gt;. &lt;br /&gt;Une fiche cartonnée nous indique qu'il s'agit d'un enregistrement datant du 1er juillet 1962 à l'occasion de la Félibrée de Piégut-Pluviers. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Voir l'enregistrement "Piégut-Pluviers (1) - Félibrée 1962 " disponible ci dessous .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous entendrons Le maire, M. &lt;strong&gt;Yves Massy&lt;/strong&gt;, confier, pour la journée les clés de la ville au &lt;strong&gt;Majoral Fournier&lt;/strong&gt;, quelques discours, le souvenir de la félibrée de 1935, un propos à la gloire d'Aimé Jardry,un très long évangile "&lt;span class="oc"&gt;L'evangeli selon Sent-Luc"&lt;/span&gt;, et quelques chansons : &lt;span class="oc"&gt;Peirigòrd, Voletz vos durmir, La coupo santo ...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description>The URL of the local directory containing all assets of the website</description>
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                <text>IEO Lemosin, dépôt Boudy</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>Enregistrement de chanteurs sur le canton d'Ayen</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pascal Boudy</text>
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            <name>Source</name>
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                <text>BOU006</text>
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            <name>Date</name>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>M. et Mme FARGES</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/683</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331557">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/683/1397554829_Cassette.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio, plusieurs enregistrements réalisés en 1978 dans la région d'Ayen par Pascal Boudy.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;M. et Mme Farges&lt;/strong&gt;, au Temple d'Ayen : &lt;span class="oc"&gt;Las passions&lt;/span&gt; (deux versions de cette chanson de quête dont une un peu paganisée ) , &lt;span class="oc"&gt;Fiali iò fiali&lt;/span&gt;, En revenant de Nantes, Réveillez-vous, Garçons scieurs de long, Les scieurs de long, En passant par l'Auvergne, &lt;span class="oc"&gt;Fai lo cornard&lt;/span&gt;, La Cati , &lt;span class="oc"&gt;Tres aulanas&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- Mme &lt;strong&gt;Berthe Lescure&lt;/strong&gt;, de Louignac : &lt;span class="oc"&gt;Iò ai cinq sòus, La bèla mair, Sautatz de dins mos prats, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Sauta treuia leva la coa &lt;/span&gt;(par Mme &lt;strong&gt;Noémie Vitel&lt;/strong&gt; soeur de la précédente) et Ah qu'elles sont bêtes les femmes.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La cassette se termine par deux morceaux d'accordéon diatonique (&lt;span class="oc"&gt;Para lo lop&lt;/span&gt; et une scottish) joués par un musicien non identifié au "swing" très particulier .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Sans indication de lieu, sans doute à Saint Junien</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1290</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Rebier</text>
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              <text>chansons françaises</text>
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              <text>Irène Besson</text>
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              <text>Lucienne Boyer</text>
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              <text>La barque d'Yves</text>
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              <text>Tino Rossi</text>
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              <text>La Berceuse De Jocelyn</text>
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              <text>Chérie soit fidèle</text>
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              <text>Vierge marie</text>
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              <text>Gloria Lasso</text>
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              <text>Berthe Sylva</text>
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              <text>Elyane Célis</text>
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              <text>Baisse un peu l'abat-jour</text>
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            <elementText elementTextId="309934">
              <text>Robert Dagnas</text>
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              <text>poème</text>
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            <elementText elementTextId="309936">
              <text>Jean Rebier</text>
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            <elementText elementTextId="309937">
              <text>Irène Besson</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>irene besson robert dagnas irene besson 2 chant limousin saint junien irene besson folklore chanson francaise jean rebier</text>
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              <elementText elementTextId="309901">
                <text>2014-04-14 17:22:42</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Irène BESSON (2)</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="309908">
                <text>Enregistrement d'Ir&amp;egrave;ne Besson, Chanteuse limousine</text>
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          </element>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Irène BESSON</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/682/RD4261Net.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la face A de cette bande non num&amp;eacute;rot&amp;eacute;e il est not&amp;eacute;, d'une &amp;eacute;criture que nous ne reconnaissons pas (sur deux &amp;eacute;tiquettes post&amp;eacute;rieures &amp;agrave; l'enregistrement) : &lt;span style="color: #808080;"&gt;" 30&amp;egrave;me anniversaire, po&amp;egrave;me J Rebier, chants Fran&amp;ccedil;ais (IB) "&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Une suite de chansons fran&amp;ccedil;aises par &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; (peut-&amp;ecirc;tre &amp;agrave; l'occasion de ses 30 ans ) : &lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Lucienne Boyer : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;La barque d'Yves,&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Mestral Armand&lt;/span&gt; : L'Angelus De La Mer &lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span class="st"&gt;&lt;br /&gt;&lt;/span&gt;Tino Rossi : La Berceuse De Jocelyn,&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt; Ch&amp;eacute;rie soit fid&amp;egrave;le, &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Vierge Marie &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Gloria Lasso : Le torrent&lt;br /&gt;Berthe Sylva : Les yeux de maman &lt;br /&gt;Elyane C&amp;eacute;lis : Baisse un peu l'abat-jour&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;A la fin de l'enregistrement, M. Dagnas lit un po&amp;egrave;me de &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Jean Rebier&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &amp;eacute;crit pour Ir&amp;egrave;ne Besson .&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite plusieurs morceaux de musique &amp;agrave; danser par &lt;strong&gt;" Lous Cigalouns de Mourseuns"&lt;/strong&gt;, le&lt;strong&gt; "groupe folklorique Lorrain de Metz"&lt;/strong&gt; et enfin le groupe am&amp;eacute;ricain &lt;strong&gt;"The American Square Dance".&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Le groupe des "Velhadors de Sent Junian" avait alors particip&amp;eacute; &amp;agrave; ce festival, M. et Mme Fauriot nous ont accept&amp;eacute; de nous confier un&lt;a href="https://la-biaca.org/items/show/12820#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-348%2C0%2C1414%2C999" target="_blank" rel="noopener noreferrer"&gt; num&amp;eacute;ro sp&amp;eacute;cial du Dauphin&amp;eacute; Lib&amp;eacute;r&amp;eacute;&lt;/a&gt; consacr&amp;eacute; &amp;agrave; cet &amp;eacute;v&amp;egrave;nement qu'ils ont conserv&amp;eacute; .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/682" target="_blank" rel="noopener noreferrer"&gt;Acc&amp;eacute;der &amp;agrave; la face A de cette bande&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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              <text>patois</text>
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                <text>Lou Gerbassou ( 1 et 2)</text>
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                <text>Chansons</text>
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            <description>An account of the resource</description>
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                <text>Enregistrement du groupe folklorique Lou Gerbassou d'Ambazac (87)</text>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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                <text>RD5374-75</text>
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                <text>1967-11</text>
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                <text>Robert Dagnas</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>saint junien</text>
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              <text>patois limousin</text>
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              <text>archives sonores limousin</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bande 66 A et B</text>
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            <description>The topic of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="310099">
                <text>RD5316</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/676</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette bande sans contenant, il est seulement noté Bande 66 (A et B) .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit d'une succession d'enregistrements commençant par un message de Robert Dagnas s'adressant aux habitants de Champsac et s'excusant de son absence . &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ensuite une longue compilation, de beaux inédits mais aussi &lt;span style="font-size:14pt;"&gt;des morceaux &lt;/span&gt;entendus dans d'autres enregistrements. Nous retrouvons Angèle Chabeaudie, le groupe folklorique "Les Veilladours de Saint-Junien", Mme Fauriot, Colon et Secours, Henri Pelletingeas, Pierre Biossac,etc ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la face B, on retrouve l'enregistrement réalisé aux Salles-Lavauguyon (4/4)&lt;span class="value_detailed_album"&gt; &lt;span class="value_detailed_album"&gt;RD 2025 &lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="value_detailed_album"&gt;&lt;span class="value_detailed_album"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Les bandes &lt;span class="fr" style="font-size:14pt;"&gt;(RD 4279, 3170, 3171 et 3169)&lt;/span&gt; constituant ce document ont pour numéro 8119, il s'agit des quatre dernières bobines (sur six ) d'un enregistrement réalisé à Prissac (Indre) en 1966 par M Robert Dagnas (pour une émission de radio de Georges Solon ? ) , l' informateur principal est M. &lt;strong&gt;Paul Gerbaud,&lt;/strong&gt; mais on entend aussi quelques autres habitants (M. Pasdeloup, M. Chadrain ...) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;- &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr"&gt;&lt;span style="text-decoration:underline;"&gt;RD 4279 &lt;/span&gt;(0 à12.57) Bande 3/6 : M. Gerbaud parle de l' histoire de Prissac, du nom de Prissac, de la fontaine de la bonne dame, de la procession, des chateaux, des statues de l'église, de sainte Radegonde, des propriétés religieuses, des commanderies .&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;- &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr"&gt;&lt;span style="text-decoration:underline;"&gt;RD 3170 &lt;/span&gt;(12.57 à 28.02), Bande 4/6 : La construction du foyer rural, les Joyeux trouvères, la bibliothèque, une discussion sur l'influence de la télévision sur la lecture, la fermeture du cinéma, les boules, le village fleuri, la disparition des tas de fumiers, l'agriculture, les conférences (Charles sadron, teillard de chardin, l'accouchement sans douleur(avec un témoignage de M. Pasdeloup), le sombre avenir du foyer.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;- &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr"&gt;&lt;span style="text-decoration:underline;"&gt;RD &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr"&gt;&lt;span style="text-decoration:underline;"&gt;3171 &lt;/span&gt;(28.02 à 43.32), Bande 5/6 : La troupe théatrale , Gabriel Nigond, les contes de la limousine Fernand Maillaud, Gaston Chérau, sa vie, sa bibliographie.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="text-decoration:underline;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr"&gt;RD &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;3169&lt;/span&gt; (43.32 à la fin), Bande 6/6 : Gaston Chérau &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;l'homme, lecture d'une lettre au sujet de son refus de la légion d'honneur, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;sa mort en amérique .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;En fin de bande (une bande sans doute réutilisée), la fin d'une émission sur Pierre Buffière : Dupuytren, &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;Mirabaud (par M. Priolo) &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;et Mazabraud .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant la bande 654 il est not&amp;eacute; :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt; &amp;Eacute;missions folklore de France (France Vermillat) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;1- Le b&amp;eacute;arn (5/65)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;2- le limousin (6/65)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous entendons d'abord l'&amp;eacute;mission datant sans doute du mois de mai 1965 consacr&amp;eacute;e au Limousin : &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Chant de qu&amp;ecirc;te en fran&amp;ccedil;ais et occitan&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;- Limousin pays de tradition, l'abbaye Saint Martial, les troubadours&lt;br /&gt;- Le &lt;em&gt;Planh&lt;/em&gt; de Gaucem Faidit&lt;/span&gt;&lt;span class="fr"&gt; puis celui chant&amp;eacute; par les veilladours&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;- Le &lt;/span&gt;&lt;span class="fr"&gt;Maniguet&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Tirer les saints (il devait y avoir des insertions absentes sur cet enregistre&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;ment) &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Le Bal d'abzac&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;- Les instruments&lt;/span&gt;&lt;span class="fr"&gt; traditionnels&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Une noce &amp;agrave; Collonges, sc&amp;egrave;ne reconstitu&amp;eacute;e&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Vient ensuite l'&amp;eacute;mission datant du lendemain consacr&amp;eacute;e au B&amp;eacute;arn : &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Vive Henri 4&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;em&gt;Se Canto&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les sifflements des bergers&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;em&gt;Lo tres de mai&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les quilles&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les instruments&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;traditionnels&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;em&gt;B&amp;egrave;th c&amp;egrave;u de Pau&lt;/em&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;En toute fin de bande, un enregistrement datant sans doute du 1er mai 1965 r&amp;eacute;alis&amp;eacute; dans la voiture de M. Dagnas entre Limoges et Saint Junien (la radio, les bruits d'ambiance ...) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Un reportage sur le travail autour de la batteuse, des chansons : La &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;gerbabauda, &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Bonjour berg&amp;egrave;re, M&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;a m&amp;egrave;re m'a mise berg&amp;egrave;re, &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;Qu'es l' amor&lt;/em&gt; ... et quelques airs de danse .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;La photo prise ce jour l&amp;agrave; nous a &amp;eacute;t&amp;eacute; transmise par M. et Mme Fauriot &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br style="font-size: 14pt;" /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:31.000
Indicatif&#13;

00:00:31.000 --&gt; 00:05:30.000
Autour de la batteuse&#13;

00:05:30.000 --&gt; 00:07:04.000
La gerbabauda&#13;

00:07:04.000 --&gt; 00:08:32.000
Bonjour bergère&#13;

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Ma mère m'a mise bergère&#13;

00:10:46.000 --&gt; 00:12:54.000
Qu'es l'amor&#13;

00:12:54.000 --&gt; 00:13:50.000
La gigouillette&#13;

00:13:50.000 --&gt; 00:14:06.000
Bourrée&#13;

00:14:06.000 --&gt; 00:15:10.000
Conclusion de l'émission&#13;

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                <text>Albert Pestour, Eugène Tarrade</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 705, M. Robert Dagnas a indiqu&amp;eacute; : "&lt;span style="color: #999999;"&gt;Bruits autour de la maison, &amp;Eacute;mission Paul Armis&lt;/span&gt; (?) "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;De fait les premi&amp;egrave;res minutes sont un enregistrement que M. Dagnas a fait autour de chez lui le &lt;span class="fr" style="font-size: 14pt;"&gt;7 mai 1959 il a enregistr&amp;eacute; "les bruits de la nuit". Ensuite il s'agit probablement d' une &amp;eacute;mission de radio (ou de sa pr&amp;eacute;paration) consacr&amp;eacute;e aux po&amp;egrave;mes &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;d'&lt;strong&gt;Albert Pestour&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt; sur l&lt;span class="fr" style="font-size: 14pt;"&gt;a terre Limousine .&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la face B de cette bande un enregistrement chez M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;&lt;strong&gt;Eug&amp;egrave;ne Tarrade&lt;/strong&gt;&lt;/a&gt;, Violoneux de Chamberet en pr&amp;eacute;sence de sa fille et de Mme Brouillac. Malheureusement, suite &amp;agrave; de mauvaises manipulations, le magn&amp;eacute;to enregistre lorsque M Dagnas crois qu'il est arr&amp;ecirc;t&amp;eacute; et vice versa ... &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Enregistrement de F&amp;eacute;licie Brouillet conteuse</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ce document vient compl&amp;eacute;ter l' &lt;a href="https://la-biaca.org/items/show/378" target="_blank" rel="noopener noreferrer"&gt;enregistrement num&amp;eacute;ro 575-3 (RD 1018)&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Une succession d'histoires cont&amp;eacute;es par la c&amp;eacute;l&amp;egrave;bre conteuse F&amp;eacute;licie Brouillet : &lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;La nuech de Nadal, &lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;Lu sport, &lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;La dan&amp;ccedil;a , &lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;Trabalhar a far daus cros, &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;la bona 'nada&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span class="artist_name"&gt;F&amp;eacute;licie Brouillet&lt;/span&gt;, dite "Aurelha de lebre" &amp;eacute;tait n&amp;eacute;e &amp;agrave; Piegut en 1907, elle est d&amp;eacute;c&amp;eacute;d&amp;eacute;e en 1982&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Saint Mathieu 4/6</text>
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                <text>Tous les genres</text>
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                <text>[Informateurs multiples]</text>
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                <text>https://la-biaca.org/items/show/669</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 437, Robert Dagnas a indiqu&amp;eacute; : &lt;span style="color: #808080;"&gt;" Saint Mathieu, Folklore &amp;agrave; monter, bande 4 sur 6 , 16 9 64 ".&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Une informatrice non identifi&amp;eacute;e (dans &lt;a href="https://la-biaca.org/items/show/784" target="_blank" rel="noopener noreferrer"&gt;un autre enregistrement,&lt;/a&gt; M Dagnas la pr&amp;eacute;sentait comme &amp;eacute;tant d' Augignac et pr&amp;eacute;cisait qu'elle s'appelait Marguerite et &amp;eacute;tait ag&amp;eacute;e de 89 ans), interrog&amp;eacute;e par F&amp;eacute;licie brouillet et Robert Dagnas, elle nous livre un conte : &lt;span class="oc"&gt;Lo conte de Marqueton&lt;/span&gt;, nous parle des croyances, &lt;span class="oc"&gt;La cha&amp;ccedil;a volanta&lt;/span&gt;, un beau t&amp;eacute;moignage sur &lt;span class="oc"&gt;Lo leberon&lt;/span&gt;, sur la d&amp;eacute;claration de guerre &amp;agrave; St Pardoux&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;et termine l'enregistrement par quelques chansons : La petite Anna, R&amp;eacute;veillez-vous la belle &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;/p&gt;</text>
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              <text>Sans indication de lieu</text>
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              <text>RD5346.mp3</text>
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              <text>1423</text>
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              <text>chanson</text>
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              <text>patrimoine oral</text>
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            <elementText elementTextId="310309">
              <text>violoneux</text>
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              <text>bourrée</text>
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              <text>folklore</text>
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              <text>tradition</text>
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              <text>haute vienne</text>
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              <text>corrèze</text>
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              <text>informateurs multiples robert dagnas chez nous 21 mai 1967</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310286">
                <text>2014-02-28 19:19:43</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="310288">
                <text>Chez nous, 21 mai 1967</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="310289">
                <text>Tous les genres</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310290">
                <text>&amp;Eacute;mission de radio diffus&amp;eacute;e en 1967, chants et musique traditionnelle .</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="310291">
                <text>[Informateurs multiples]</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="310292">
                <text>RD5346</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="310293">
                <text>1967-05</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="310294">
                <text>Robert Dagnas</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310295">
                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="310296">
                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="310297">
                <text>https://la-biaca.org/items/show/668</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331542">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/668/RD5346Net.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur l&amp;rsquo;enveloppe contenant la bande n&amp;deg; 793 il est not&amp;eacute; :&lt;em&gt;&lt;span style="color: #999999;"&gt;"Emission du 21 5 1967"&lt;/span&gt;&lt;/em&gt; et la liste des morceaux qu&amp;rsquo;elle contient : &lt;/span&gt;&lt;span style="font-size: 14pt; color: #999999;"&gt;&lt;em&gt;"Lous tres Dalha&amp;iuml;res, Lu monsur e la bargiero, Voici le mois de mai Vend&amp;eacute;e, Joli mois de mai Ussel, Lison,Vardun, La Ste Estelle 1967 Villeneuve sur Lot, Michel Meilhac, Aval aval&amp;hellip;&amp;raquo;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande, une &amp;eacute;mission de "Chez Nous", telle qu'elle fut sans doute diffus&amp;eacute;e le 21 mai 1967 sur les ondes de Radio-Limoges. M. Dagnas propose une s&amp;eacute;lection d'enregistrements autour du mois de mai .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt;- Une succession de chansons : "&lt;span class="oc"&gt;Aval lo long de l'aiga", "Lo monsur e la bargiera"&lt;/span&gt; par la chorale des Veilladours,&lt;/em&gt; d&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;eux chansons sur le mois de mai "&lt;span class="fr" style="font-size: 14pt;"&gt;Voici le mois de mai" (u&lt;/span&gt;ne version G&amp;acirc;tinaise) et, par les Compagnons de la joie d&amp;rsquo;Ussel, "Le mois de mai il est venu" , puis "Lison dormait" par Ir&amp;egrave;ne Besson et "La Marion" par Piarisson &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Une histoire de F&amp;eacute;licie Brouillet, &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;Vardun&lt;/span&gt; .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Les actualit&amp;eacute;s puis, &amp;agrave; l' occasion du d&amp;eacute;c&amp;egrave;s de &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;&lt;strong&gt;Michel Meilhac&lt;/strong&gt;&lt;/a&gt;, le violoniste de Magnac-Bourg, une s&amp;eacute;lection de quelques uns de ses morceaux : &lt;span class="oc"&gt;La Rossolana&lt;/span&gt; , &lt;span class="oc"&gt;Minjarai dins l'escuela de boesc,&lt;/span&gt; &lt;span class="oc"&gt;Aval aval au fond del prat&lt;/span&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;et enfin une marche nuptiale&lt;/span&gt;. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Enregistré à la mairie de Larche (19)</text>
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              <text>informateurs multiples pascal boudy larche 1 2 enquete municipale larche patois occitan limousin correze</text>
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                <text>Enquête municipale</text>
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                <text>2014-02-28 17:14:31</text>
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                <text>Larche</text>
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                <text>Corrèze (19)</text>
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              <elementText elementTextId="310322">
                <text>IEO Lemosin</text>
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            <description>A name given to the resource</description>
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                <text>LARCHE, 1/2</text>
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          </element>
          <element elementId="49">
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            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310324">
                <text>Tous les genres</text>
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                <text>[Informateurs multiples]</text>
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                <text>IEO282</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Première partie de l' enquête municipale à Larche, Corrèze&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Enregistrée à la mairie le mardi 7 novembre 2006 . &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Les informateurs rassemblés autour de leur ancien maire M. Émile-Pierre Vitrat ont échangé autour des rites calendaires, des Rois à la Saint Jean . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dans une langue souffrant parfois du manque de pratique, et de manière parfois un peu brouillon, ils ont évoqué proverbes, devinettes, comptines etc ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;-&lt;/p&gt; &lt;p&gt;-&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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              <text>RD2009.mp3</text>
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                <text>Tous les genres</text>
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                <text>1962-05</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande, une &amp;eacute;mission de "Chez Nous", telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e le 19 mai 1962 sur les ondes de Radio-Limoges. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans cette 100 &amp;egrave;me &amp;eacute;mission, M. Dagnas propose une s&amp;eacute;lection d'enregistrements avec ses "vedettes" . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous entendons successivement Ang&amp;egrave;le Chabeaudie : &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="oc"&gt;Lu chamin de fer&lt;/span&gt;&lt;/em&gt;, &lt;span class="fr" style="font-size: 14pt;"&gt;Pierre Biossac : &lt;em&gt;&lt;span class="oc"&gt;Lu vin&lt;/span&gt;&lt;/em&gt;, F&amp;eacute;licie Brouillet : Les aventures parisiennes de Pissarat, Ir&amp;egrave;ne Besson : &lt;span class="oc"&gt;&lt;em&gt;La Jan&amp;ograve;ta&lt;/em&gt;,&lt;/span&gt; puis les groupes folkloriques &lt;/span&gt;&lt;/span&gt;: La bourr&amp;eacute;e limousine, l' &amp;Eacute;cole Ventadour , l' &amp;Eacute;cole du Barbichet et Les Veilladours de Sent Junio . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;En toute fin de bande une valse par &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt; .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Haute-Vienne (87)</text>
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                <text>1958-09</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;L'enveloppe contenant cette bande porte comme indication : &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;Conf&amp;eacute;d&amp;eacute;ration, L Bonnaud, Le Costume, Bourr&amp;eacute;e, Le&amp;ccedil;on de calcul &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;mais cela ne correspond pas du tout au contenu enregistr&amp;eacute; sur cette bande . &lt;span style="font-size: 19px; line-height: 1.2;"&gt;Il s'agit en fait de la bande &lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span class="value_detailed_album"&gt;RD4239 &lt;/span&gt;&lt;/span&gt;sur l'enveloppe de laquelle il est not&amp;eacute; : &lt;span style="font-size: 14pt; color: #808080;"&gt;&lt;span style="font-size: 19px; line-height: 1.2;"&gt;bande 742 &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;"Emissions Chez Nous, 13/9, 27/9, 11/10 1958 (dont Jean Rebier), la soeur de lait des Tharaud" .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit d'une compilation de 3 &amp;eacute;missions (ou de la pr&amp;eacute;paration de celles-ci) telles qu'elles ont pu &amp;ecirc;tre &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;diffus&amp;eacute;es sur les ondes de Radio-Limoges et d'un morceau d'un enregistrement chez &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Mme Perrier &amp;agrave; La Pouyade . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span style="font-size: 14pt;"&gt;- &amp;Eacute;mission du 13 septembre 1958&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Au sujet du mois de Septembre, les saint &amp;agrave; f&amp;ecirc;ter par Jantissou&lt;/span&gt;, &lt;span class="oc" style="font-size: 14pt;"&gt;Lu sinhe de la Vierja, &lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;La dubertura de la cha&amp;ccedil;a, Lo&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;s vacanciers&lt;/span&gt; par la &lt;/span&gt;m&amp;egrave;re Cati (F&amp;eacute;licie Brouillet) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span style="font-size: 14pt;"&gt;- &amp;Eacute;mission du 27 septembre 1958 &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit de la 10 &amp;egrave;me &amp;eacute;mission de "Chas nos", &lt;span style="font-size: 14pt;"&gt;diffus&amp;eacute;e tous les 15 jours &lt;/span&gt; depuis 4 mois &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Le retour vers le pass&amp;eacute; comme refuge contre &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;les incertitudes du pr&amp;eacute;sent, &lt;/span&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;Gardatz lu vin, laissatz l'amor ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span style="font-size: 14pt;"&gt;- &amp;Eacute;mission du 11 octobre 1958&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; la gastronomie limousine avec comme invit&amp;eacute;s le &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;majoral Jean Rebier et Mme Lage&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;On y traite de la br&amp;eacute;jaude, du &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;lapin coufin&amp;eacute;, du &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;pompirau, &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;des galetous, &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;du clafoutis ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- Enregistrement du 23 octobre 1958&lt;/span&gt;, &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;Au sujet de J&amp;eacute;r&amp;ocirc;me et Jean Tharaud par leur &lt;span class="oc"&gt;s&amp;ograve;r de lach &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;(enregistr&amp;eacute; &amp;agrave; La Pouyade aupr&amp;egrave;s de Mariette Perrier n&amp;eacute;e S&amp;eacute;namaud) quelques mots au sujet de son dernier livre "&lt;span class="st"&gt;&lt;em&gt;Fum&amp;eacute;es de Paris et d'ailleurs" . L'enregistrement se termine par deux chansons .&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/618" target="_blank" rel="noopener noreferrer"&gt;Acc&amp;eacute;der &amp;agrave; l'&amp;eacute;mission reprenant des parties de cet enregistrement&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous avons rencontr&amp;eacute;&lt;strong&gt; Jean Roche&lt;/strong&gt; &amp;agrave; La Combe, commune de Perpezac le Blanc. nous souhaitions l'interroger au sujet du four &amp;agrave; chaux du Treuil (m&amp;ecirc;me commune), son p&amp;egrave;re y avait travaill&amp;eacute; et Jean avait, lorsqu'il &amp;eacute;tait enfant, donn&amp;eacute; la main et charri&amp;eacute; des brouettes de pierre.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;En compagnie de Lucie, sa femme, il nous parle de l'histoire du four, de ses propri&amp;eacute;taires, de la fabrication de la chaux, de sa destination etc.&lt;br /&gt;Avec l'accord des propri&amp;eacute;taires, nous nous sommes rendus ensuite sur place et Jean nous a montr&amp;eacute; les vestiges du four et les lieux dont il avait parl&amp;eacute; pendant l'interview.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;De retour &amp;agrave; La Combe il nous a dit quelques histoires - dont la plupart sont bien connues en limousin - que racontait Camille Barret (un Ayennois c&amp;eacute;l&amp;egrave;bre): des plaisanteries sur la chasse, la guerre, la moto ... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;L'enregistrement se termine par quelques mimologismes .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12826#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-500%2C-1%2C1999%2C1414" target="_blank" rel="noopener noreferrer"&gt;Voir les &amp;eacute;crits que Jean Roche avait pr&amp;eacute;par&amp;eacute; &amp;agrave; cette occasion&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span style="font-size:medium;"&gt;Suite à un conseil de son ami Robert Degery, nous avons rencontré Roger Niarfeix à son domicile, à Labrousse, commune de Gourdon-Murat pour recueillir la prononciation en limousin des noms de lieux sur cette commune. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Dans cet enregistrement datant du 10 décembre 2009, les noms de lieux de la commune mais aussi quelques anecdotes sur le pays, la Chapelle de Labrousse, quelques histoires de Sucar, &lt;span class="oc"&gt;la Lebrauta, lo Martin&lt;/span&gt; et les jeux de cartes &lt;span class="oc"&gt;(la bora, la manilha, la coinchada)&lt;/span&gt;, le jeu du bouchon (appelé le quilhon en d'autres endroits) , la toupie .... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <elementText elementTextId="310563">
              <text>Saint Victurnien</text>
            </elementText>
            <elementText elementTextId="310564">
              <text>Rochechouart</text>
            </elementText>
            <elementText elementTextId="310565">
              <text>le Grand Verneuil</text>
            </elementText>
            <elementText elementTextId="310566">
              <text>Massignac</text>
            </elementText>
            <elementText elementTextId="310567">
              <text>miracle</text>
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            <elementText elementTextId="310568">
              <text>occitan</text>
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              <text>patois</text>
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            <elementText elementTextId="310570">
              <text>limousin</text>
            </elementText>
            <elementText elementTextId="310571">
              <text>haute-vienne</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>informateur inconnu robert dagnas grand mere appel aux betes croyances sorcellerie limousin patois occitan</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310539">
                <text>2014-02-14 10:02:16</text>
              </elementText>
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          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310540">
                <text>495</text>
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          <element elementId="79">
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            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="310541">
                <text>Rochechouart</text>
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              <elementText elementTextId="310542">
                <text>Haute-Vienne (87)</text>
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          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310544">
                <text>Grand-mère Marie</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310545">
                <text>Légendes - croyances</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310546">
                <text>Enregistrement d'un témoin au sujet des croyances populaires</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310547">
                <text>Marie DELAGE</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="310548">
                <text>RD2015</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310549">
                <text>1955-11</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310550">
                <text>Robert Dagnas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310551">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310552">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="310553">
                <text>https://la-biaca.org/items/show/658</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331532">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/658/1397115696_MarieDelageNet.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="342222">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette bande peu d'indications, un numéro de bande 09 un texte sur la face A : &lt;span style="color:#808080;"&gt;La nuit d'octobre (Musset) par Marie Bell et Jean Chevrier, chaîne (?) parisienne 6 11 55 10h30&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Pour le contenu de la face B (celle qui nous intéresse) il est noté &lt;span style="color:#808080;"&gt;&lt;em&gt;Grand mère, (dévotions) 6 11 55&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette face l' enregistrement d'une des grand-mères de M. Robert Dagnas (Jean-Paul Dagnas, à qui nous devons la photo, nous précise qu'il s'agit de Marie Delage, du village de Montazeau sur la commune de Rochechouart) .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; Interrogée sur l'appel des bêtes (vaches, moutons, poules, porcs...) et le fait de &lt;span class="oc"&gt;"tirar los sents"&lt;/span&gt;, rituel consistant à désigner, au moyen de charbons les bonnes fontaines où les personnes venant la consulter doivent faire leurs dévotions (&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Les fontaines de Saint-Junien, Saint Victurnien, Sableronne, Rochechouart, le Grand Verneuil, Massignac etc...), les maux soignés par les dites fontaines, les visites des consultants,&lt;span class="fr" style="font-size:14pt;"&gt; les résultats obtenus,&lt;/span&gt; le choix du bois pour les charbons  ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Certainement un des premiers enregistrements de M. Dagnas . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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        <name>Rochechouart</name>
      </tag>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="310588">
              <text>Sans indication de lieu</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="310589">
              <text>RD5391.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="310590">
              <text>1506</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
          <elementTextContainer>
            <elementText elementTextId="310591">
              <text>Radio-Limoges</text>
            </elementText>
            <elementText elementTextId="310592">
              <text>Sainte Estelle</text>
            </elementText>
            <elementText elementTextId="310593">
              <text>fête félibréenne</text>
            </elementText>
            <elementText elementTextId="310594">
              <text>Villeneuve-sur-Lot</text>
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            <elementText elementTextId="310595">
              <text>Robert Dagnas</text>
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            <elementText elementTextId="310596">
              <text>Mme Farnier</text>
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            <elementText elementTextId="310597">
              <text>félibrige</text>
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            <elementText elementTextId="310598">
              <text>La bourrée Limousine</text>
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            <elementText elementTextId="310599">
              <text>École Ventadour</text>
            </elementText>
            <elementText elementTextId="310600">
              <text>École du barbichet</text>
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            <elementText elementTextId="310601">
              <text>Les Velhadours</text>
            </elementText>
            <elementText elementTextId="310602">
              <text>Elie Bachas</text>
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            <elementText elementTextId="310603">
              <text>Capoulier</text>
            </elementText>
            <elementText elementTextId="310604">
              <text>occitan</text>
            </elementText>
            <elementText elementTextId="310605">
              <text>limousin</text>
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            <elementText elementTextId="310606">
              <text>mistral</text>
            </elementText>
            <elementText elementTextId="310607">
              <text>haute vienne</text>
            </elementText>
            <elementText elementTextId="310608">
              <text>patrimoine oral</text>
            </elementText>
            <elementText elementTextId="310609">
              <text>patois limousin</text>
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          </elementTextContainer>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
          <elementTextContainer>
            <elementText elementTextId="310610">
              <text>informateurs multiples robert dagnas sainte estelle 1967 felibfrige capoulier occitan mistral rebier farnier limousin</text>
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        </element>
      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310574">
                <text>2014-02-03 10:04:39</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310575">
                <text>1506</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310576">
                <text>Haute-Vienne (87)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310577">
                <text>Collection F. Etay, Fonds Dagnas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310578">
                <text>La Sainte-Estelle 1967</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310579">
                <text>Langue</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310580">
                <text>Émission de radio consacrée à la Sainte-Estelle 1967</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310581">
                <text>[Informateurs multiples]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="310582">
                <text>RD5391</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310583">
                <text>1967-05</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310584">
                <text>Robert Dagnas</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310585">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310586">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="310587">
                <text>https://la-biaca.org/items/show/657</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331531">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/657/RD5391Net.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="342223">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la bande 792 l'émission - ou sa préparation- telle qu'elle a pu être diffusée sur les ondes de Radio-Limoges le 14 mai 1967 à l'occasion de la Sainte-Estelle, fête félibréenne (ayant lieu cette année là à Villeneuve-sur-Lot).&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;M. Dagnas a convié à cette occasion &lt;strong&gt;Mme Farnier&lt;/strong&gt;, qui parle du félibrige, son origine, son organisation, le limousin dans ce mouvement .... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;L'émission est ponctuée de morceaux des groupes de la région ( La bourrée Limousine, l’École Ventadour, l'&lt;span class="fr" style="font-size:14pt;"&gt;É&lt;/span&gt;cole du barbichet, Les Velhadours ...) Nous retrouvons ensuite Elie Bachas, Capoulier, déjà entendu dans une précédente émission consacrée à la Sainte Estelle 1965&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
                </elementText>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
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          <description>The location of the interview</description>
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          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="310627">
              <text>pititpastre.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="310628">
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          <description>Mot-clé "metakeywords"</description>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;Simone et Jean-Pierre Loubriat&lt;/strong&gt;, tous deux enseignants &amp;agrave; la retraite nous avaient contact&amp;eacute; il y a quelques temps de cela pour nous proposer de faire ce reportage .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Au mois de d&amp;eacute;cembre 2013 nous avons fini par nous rendre au Mas Gauthier et avons pass&amp;eacute; une belle apr&amp;egrave;s-midi en leur pr&amp;eacute;sence .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;A quatre mains, (huit puisque Gislaine et Michel Pouget &amp;eacute;taient l&amp;agrave; pour pr&amp;ecirc;ter main forte et continuer &amp;agrave; faire les quart d'&amp;eacute;cus pendant que nous enregistrions la recette) ils nous ont montr&amp;eacute; comment faire ces fameux quart-d'&amp;eacute;cus, une sp&amp;eacute;cialit&amp;eacute; de la r&amp;eacute;gion de Lubersac (la d&amp;eacute;nomination tout au moins ! ) . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;Aura n'avetz 'mas trobar quilhs fers* !!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Apr&amp;egrave;s souper nous sommes all&amp;eacute;s &amp;agrave; une r&amp;eacute;p&amp;eacute;tition des "Chambas finas daus Condat" au cours de laquelle &amp;eacute;tait pr&amp;eacute;vu la d&amp;eacute;gustation des pastissons .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Vous pouvez acc&amp;eacute;der &amp;agrave; la version sous titr&amp;eacute;e en fran&amp;ccedil;ais dans l' &lt;a href="https://la-biaca.org/items/show/12883" target="_blank" rel="noopener noreferrer"&gt;espace Vid&amp;eacute;oth&amp;egrave;que&lt;/a&gt; .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;* Il s'en trouve encore dans les brocantes et m&amp;ecirc;me dans quelque fonderie du cot&amp;eacute; d'Exideuil&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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              <text>Cette cassette nous a été confiée pour numérisation et mise en ligne par Myette Hébrant-Marouby.  Il s'agit d'un nouvel enregistrement de Marcelle Delpastre</text>
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              <text>Mme Delpastre évoque las tocainas (les comptines : D'una</text>
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            <name>Date Issued</name>
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                <text>Chamberet</text>
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                <text>IEO Lemosin, dépôt Marouby</text>
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                <text>Marcelle DELPASTRE (2)</text>
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                <text>Myette Hébrant – Marouby</text>
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            <name>Identifier</name>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/653/Marcelle_delpastreNet.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Myette Hébrant-Marouby. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit d'un nouvel enregistrement de &lt;strong&gt;Marcelle Delpastre&lt;/strong&gt;, à Germont ( village de la commune de Chamberet en Corrèze) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Marcelle Delpastre conteuse, romancière et ethnologue est interrogée, en présence de sa mère Marie Louise, par Miette Hébrant-Marouby , prise de son &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Jean-Pierre Graziani &lt;/span&gt;&lt;span class="fr"&gt; .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dans cet enregistrement, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Mme Delpastre parle des comptines (las tocainas : D'una, Un e dos, ), des contes&lt;/span&gt;&lt;span style="font-size:14pt;"&gt; ( les trois brigands, le bourgeois et le paysan, le voleur et la vieille, &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;la porte, ), des rites (les raves, la Saint Jean, Les rites mortuaires ), de &lt;span style="font-size:14pt;"&gt;son horreur des chouettes - annonciatrices de malheurs, de son quotidien (un &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;accident domestique, l'utilisation de l'alcool, sa rencontre avec un aqualopède, les visites de Jan dau Melhau, etc ....)&lt;/span&gt;&lt;br /&gt;Quelques chansons : Alai dins 'quau pais bas, &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;Qui veut entendre (une chanson de compagnon) la bourrée d' Œdipe ...&lt;/span&gt;&lt;br /&gt;&lt;br style="font-size:14pt;" /&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Les bandes semblent avoir disparues et il ne reste de cet enregistrement que cette copie sur cassette audio de &lt;/span&gt;&lt;span class="fr"&gt;qualité bien moyenne . &lt;/span&gt;Le signal étant parfois très faible, nous avons dû l’ amplifier considérablement pour le rendre audible, générant bruits de fond et irrégularités .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Nous remercions vivement Jean-Pierre Graziani de son accord pour la diffusion de ces documents&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <description>A name given to the resource</description>
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                <text>Champagnac la Rivière (7)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <description>An account of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <description>A related resource from which the described resource is derived</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1969-11</text>
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            <name>Creator</name>
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                <text>Robert Dagnas</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A related resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la boite de cette bande, il est noté : &lt;span style="color:#808080;"&gt;" Champagnac la Rivière,7 Eléments pour chez nous, 26 11 69 "&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous sommes en présence d'une nouvelle bande de la collecte réalisée sur cette commune &lt;span style="font-size:12pt;"&gt;(C'est en tout cas ce que M. Dagnas a écrit sur le document, mais il n'est pas à exclure, qu' une partie au moins de cet enregistrement ait pu être réalisé dans une autre lieu, comme c'était déjà le cas dans l'enregistrement précédent " Champagnac-la-Rivière (6)" )&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous retrouvons quelques informateurs entendus dans les bandes précédentes: M. Buisson, M. Commencas (?) .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Chansons et nhorles :&lt;/span&gt; Un beau soir d"été, &lt;span class="oc"&gt;l' Espanhòleta, lu Galeton (Lingamiau) ,&lt;/span&gt; Dis-moi Nanon, Ça c'est pour les petites femmes, &lt;span class="oc"&gt;l' Eschinla de Marçaud &lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;(Lingamiau)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Champagnac-la-Rivière</name>
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        <name>Haute-Vienne (87)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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          <description>The location of the interview</description>
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        <element elementId="6">
          <name>Local URL</name>
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            <elementText elementTextId="310781">
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="310785">
              <text>tulle</text>
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            <elementText elementTextId="310786">
              <text>roussarie</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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                <text>L'école Ventadour</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310769">
                <text>2014-01-22 09:17:25</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="310770">
                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="310771">
                <text>Chez nous, 17 janvier 1959</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310772">
                <text>Folklore</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310773">
                <text>[Informateurs multiples]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="310774">
                <text>RD5329</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310775">
                <text>1959-01</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="310776">
                <text>Robert DAGNAS</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310777">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="310778">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="310779">
                <text>https://la-biaca.org/items/show/651</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331525">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/651/rd5329Net.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334018">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette bande, sans doute réutilisée, une émission de "Chez Nous", telle qu'elle a pu être diffusée le 17 janvier 1959 sur les ondes de Radio-Limoges. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;M Dagnas est à Tulle, en compagnie de l' École Ventadour et particulièrement de so président, &lt;strong&gt;M. Pierre Roussarie&lt;/strong&gt; . Celui ci est interrogé sur le groupe folklorique depuis sa création en 1932, Bernard de Ventadour, les premières sorties du groupe, le théâtre aux armées, &lt;span class="fr" style="font-size:14pt;"&gt;les moments forts, le bilan de &lt;/span&gt;l'année 1958, le festival de Confolens, le voyage en Holllande, etc ...&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Quelques chants et danses ponctuent les propos de M Roussarie &lt;br /&gt;La Chamairada, la polka de chamboulive, deux bourrées par un duo de vielles, La Janeton, Belle Fanchon, la bourrée d' Egletons ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Sans indication de lieu, surement enregistré à Ussel</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>patrimoine oral</text>
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            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="310789">
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                <text>Corrèze (19)</text>
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                <text>[Informateurs multiples]</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette bande n° 432 un enregistrement du groupe folklorique d'Ussel," Les compagnons de la joie au village"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;M. Dagnas est sans doute à Ussel et il enregistre le répertoire de ce groupe folklorique . Des airs à danser et des chants ainsi décrits dans la fiche jointe à la bande : &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="color:#808080;"&gt;Coupo santo, la bourrée à six, la togne, Le bal vieux, Le lapin, Lu pair counan, Aï vist lo loup, Bourrée de St Angel, Soun davalas lous garçous, Dis moi le nom de ton village, Bourrée Valse, Bourrée du père Thomas&lt;/span&gt; (présentée par Eugène Thomas), &lt;span style="color:#808080;"&gt;Jeanne et ma montagne&lt;/span&gt; (une chanson de Maximin Deloche chantée par Roger Brugière), &lt;span style="color:#808080;"&gt;Pipette&lt;/span&gt; (par le même chanteur), &lt;span style="color:#808080;"&gt;Bello rose&lt;/span&gt; (par Marc Cisterne), &lt;span style="color:#808080;"&gt;Berceuse du loup garou&lt;/span&gt; (par Yvette Roumanet), &lt;span style="color:#808080;"&gt;Je ne suis pas contente&lt;/span&gt;. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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