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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette bande n° 766 il est noté "Départ du groupe de Munich 1962".&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous y entendons un enregistrement réalisé le jour du départ d'un groupe folklorique venu de Munich (en 1958, à leur invitation, le groupe des Veilladours était allé à Munich et avait visité Dachau)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Les participants évoquent leur visite à Oradour sur Glane avec Mgr Rastouil Évêque de Limoges en compagnie &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur la fin de la bande, sans doute réutilisée, du travail destiné à la chorale (quelques voix d'un chant - Nos som venguts ? sans doute par le chef de chœur de l'époque).&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur l'autre face de la bande (à partir de 16 mn 04), quelques chants enregistrés lors d'un repas avec ce même groupe, avant leur départ.&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cette cassette audio nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Marcel Belette, musicien, danseur, folkloriste et collecteur. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette face de la cassette, &amp;agrave; Orgnac-sur-V&amp;eacute;z&amp;egrave;re, Marcel Belette enregistre quelques-unes de ses voisines (Jeanne Chabassier, Marie Monteil, alors &amp;acirc;g&amp;eacute;e de 84 ans, Mme Raynal, etc..&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une belle succession de chansons, la plupart en occitan :&lt;span class="oc"&gt; Me'n vau au merchat, Tu te'n vas de per los champs, Que canta, Sautatz trueias&lt;/span&gt; (une sauti&amp;egrave;re),&lt;span class="oc"&gt; Mon paire a "rendez-vos", Peire virolet,&lt;/span&gt; Vas petit papillon volage, &lt;span class="oc"&gt;Las passions,&lt;/span&gt; La Yoyette, de nombreuses bourr&amp;eacute;es (&lt;span class="oc"&gt;Per bien la dan&amp;ccedil;ar,&lt;/span&gt; &lt;span class="oc"&gt;Sus lo pont de Briva,&lt;/span&gt; Je suis un gar&amp;ccedil;on malheureux, &lt;span class="oc"&gt;Tombet la vil&amp;egrave;na b&amp;egrave;stia, Sont malheureux, En bas dins la chanabau, La vielha fialava, Ont menar&amp;agrave;s ...) As tu vist lo renard, la l&amp;egrave;bre, Pinton, L'aiga de r&amp;ograve;sa,&lt;/span&gt; En passant par le bois, &lt;span class="oc"&gt;L'an tot long, Barra-la emb clau &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="background-color: #ffffff;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;(sautiera a segre),&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Tu as bu Louis, etc.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Marcel Belette nous avait livr&amp;eacute; il y a quelques ann&amp;eacute;es une partie de son r&amp;eacute;pertoire : &lt;a href="https://la-biaca.org/items/show/329" target="_blank" rel="noopener noreferrer"&gt;Marcel Belette&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans cet enregistrement qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne, &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noreferrer noopener"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/a&gt; est chez &lt;strong&gt;Louis JARRAUD&lt;/strong&gt; (1910-2006), au Barnagaud, Commune de La Croisille-sur-Briance.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;est aupr&amp;egrave;s de ce musicien (violon, cabrette) qu'elle a plusieurs fois collect&amp;eacute; et dont elle conna&amp;icirc;t bien le r&amp;eacute;pertoire . Elle lui propose de recueillir les paroles d'airs &amp;agrave; danser. Plus &amp;agrave; l'aise pour les interpr&amp;eacute;ter sur ses instruments, il accepte toutefois de se pr&amp;ecirc;ter au jeu .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;De nombreux airs (bourr&amp;eacute;es, mazurkas, scottishs, valses, polkas, marches, etc.) sont chant&amp;eacute;s, et souvent jou&amp;eacute;s &amp;agrave; la cabrette ou au violon . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La photo illustrant ce document est extraite de la vid&amp;eacute;o que Fran&amp;ccedil;oise fit ce m&amp;ecirc;me jour, et que l'on peut retrouver sur Youtube. &lt;a href="https://www.youtube.com/watch?v=K5xU4bdH2Jw" target="_blank" rel="noreferrer noopener"&gt;&amp;rarr; cliquer ici&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>enregistrement en langue limousine de Fernand Longeanie .</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/821/Longeanie2Net.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur les recommandations d'Albert Vacher, nous sommes all&amp;eacute;s rencontrer un de ses "compagnons de langue", &lt;strong&gt;Fernand LONGEANIE&lt;/strong&gt;, &amp;agrave; Prunt, commune de Confolent-Port-Dieu, aux confins du Limousin et de l'Auvergne. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;N&amp;eacute; en 1926, sur la commune voisine de Monestier-Port-Dieu, il fait toujours aller sa scierie lorsque le besoin s'en fait sentir. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;La vall&amp;eacute;e engloutie, le train, son installation &amp;agrave; Prunt, les bois, la scierie, les champignons nous sont cont&amp;eacute;s... non sans malice !&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;E chauguet be bieure quauquaren davant 'nar veire la scieita ! &lt;/span&gt; &lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans ce document se trouveune succession de bandes enregistr&amp;eacute;es en d&amp;eacute;cembre 1967 &amp;agrave; l'&amp;eacute;glise de Chaillac-sur-Vienne (87) par Robert Dagnas.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit, dans l'ordre, des bandes 5381 (Chaillac 1), 5359 (Chaillac 2/6), 5378 (Chaillac 3/6) et de la bande 5372, (Chaillac 6/6). Les 4&amp;egrave;me et 5&amp;egrave;me bandes ne nous sont pas parvenues.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette messe de minuit (la r&amp;eacute;p&amp;eacute;tition de celle ci ?) a probablement &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e le 23 d&amp;eacute;cembre 1967&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous retrouvons la chorale du groupe folklorique "Lous Velhadours de Sen Junio "* dans un des exercices dans lesquels elle excellait, les "messes des bergers Limousins".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Pri&amp;egrave;res, des cantiques, etc. admirablement servis par les membres de cette chorale.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le texte et la partition de quelques-uns de ces Nadalets sont disponibles&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une partie de ces enregistrements fut utilis&amp;eacute;e par M Dagnas pour des &amp;eacute;missions de radio :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Messe de minuit &amp;agrave; Chaillac premi&amp;egrave;re partie&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Messe de minuit &amp;agrave; Chaillac seconde partie&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;* graphie alors utilis&amp;eacute;e par le groupe&lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Enregistré à Vertougit, au domicile de l'informateur</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="306272">
              <text>G_Cessac72.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>2968</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>gaston cessac gaston et lucien cessac gaston cessac vertougit voutezac violon cessac musicien traditionnel limousin yves lebas occitan correze patois</text>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2017-01-19 15:32:29</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>Gaston CESSAC, Violoneux (1)</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Corrèze (19)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="306262">
                <text>IEO Lemosin, dépôt Lebas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gaston et Lucien CESSAC</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="306264">
                <text>Musique</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Gaston CESSAC</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="306266">
                <text>Leb004</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="306267">
                <text>1972</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="306268">
                <text>audio/mpeg</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="306270">
                <text>https://la-biaca.org/items/show/823</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331697">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/823/LesCessacNet.jpg</text>
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          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="333846">
                <text>&lt;p&gt;&lt;span style="color: #000000;"&gt;Cette bande nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par la famille Lebas.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;Nous retrouvons dans cet enregistrement un violoneux bien connu en Limousin, &lt;a href="http://www.violoneux.fr/wiki/Gaston_Cessac" target="_blank" rel="noopener"&gt;&lt;strong&gt;Gaston Cessac &lt;/strong&gt;&lt;/a&gt;qui est interrog&amp;eacute; ici par Yves Lebas, folkloriste, militant et collecteur.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;M. Cessac joue, au violon, des airs &amp;agrave; danser : marches, valses, bourr&amp;eacute;es, sauteuses (sauti&amp;egrave;res), mazurkas, parisienne vals&amp;eacute;e... Il chante quelques chansons (la Parisienne d'Uzerche "au tralala" et &lt;em&gt;Alai dins las rebieras&lt;/em&gt; ) . &lt;br /&gt;Accompagn&amp;eacute;e par son mari, Mme Cessac chante, avec le collecteur, &lt;em&gt;"La granda velhada"&lt;/em&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il nous parle aussi de son apprentissage, des musiciens aupr&amp;egrave;s desquels il a appris son r&amp;eacute;pertoire (Eug&amp;egrave;ne Solomagne dit "Micalet" dont le p&amp;egrave;re tenait ses airs du grand "Sans Fa&amp;ccedil;on", M. Bretagnolle de Vigeois : "un musicien qui avait fait plus de 700 noces, un violoneux mais un artiste !&lt;em&gt;"&lt;/em&gt;), des bals, de son service militaire. &lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;Il nous confie l'origine d'un v&amp;eacute;ritable "tube" la Valse de Vertougit : en fait une valse (Souvenir de Villecomtal) &lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span style="color: #000000;"&gt;jou&amp;eacute;e par Martin Cayla &lt;/span&gt;qu'il a entendue &lt;em&gt;"&amp;agrave; la t&amp;eacute;l&amp;eacute;, &amp;agrave; l'&amp;eacute;poque"&lt;/em&gt;, ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;Le fils de Gaston Cessac, Lucien, lui aussi musicien (il jouait parfois de l'accord&amp;eacute;on avec son p&amp;egrave;re), chante des chansons de sa composition : "Ma Corr&amp;egrave;ze", &lt;em&gt;"Lo monde de la terra"&lt;/em&gt;, "Venez &amp;agrave; Vertougit" et "La bourr&amp;eacute;e du cantou".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;Vous pouvez retrouver Gaston Cessac sur "L&lt;span class="oc"&gt;a bia&amp;ccedil;a"&lt;/span&gt; en cliquant sur le lien ci dessous :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;a href="https://la-biaca.org/items/show/566" target="_blank" style="color: #000000;" rel="noopener noreferrer"&gt;Gaston Cessac, Violoneux&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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        <name>Voutezac</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="306244">
              <text>Enregistré au domicile de l'artiste</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="306245">
              <text>RCO1_2.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="306246">
              <text>3597</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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            <elementText elementTextId="306247">
              <text>Melhau</text>
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              <text>patois</text>
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            <elementText elementTextId="306249">
              <text>occitan</text>
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              <text>limousin</text>
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              <text>bourrée</text>
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            <elementText elementTextId="306252">
              <text>musique traditionnelle limousin</text>
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            <elementText elementTextId="306253">
              <text>tradition</text>
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            <elementText elementTextId="306254">
              <text>quête de œufs</text>
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              <text>Rouchette</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="306256">
              <text>jan dau melhau emission r c o 1 et 2 patois occitan limousin patrimoine oral melhau</text>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="306229">
                <text>2017-02-17 09:34:47</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>3597</text>
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            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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              <elementText elementTextId="306231">
                <text>Émission R.C.O. 3 et 4</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="306232">
                <text>Meuzac</text>
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              <elementText elementTextId="306233">
                <text>Haute-Vienne (87)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="306234">
                <text>IEO Lemosin, dépôt Jan Dau Melhau</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="306235">
                <text>Émission R.C.O. 1 et 2</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Semaine sainte</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="306237">
                <text>Deux émissions de radio en occitan diffusées au printemps 1983.</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="306238">
                <text>Jan dau MELHAU</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="306239">
                <text>Melh001</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="306240">
                <text>1983-03</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306241">
                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306242">
                <text>Sound</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="306243">
                <text>https://la-biaca.org/items/show/824</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331698">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/824/K7RCO3_4.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, deux émissions de radio diffusées sur Radio Centre Ouest, devenue peu après Radio-France Limoges. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La première émission (&lt;span class="oc"&gt;La questa daus uòus&lt;/span&gt; jusqu'à 29mn 26 s), diffusée le 31 mars 1983, est consacrée à la quête des œufs (&lt;em&gt;Rameaux, la quête des œufs, les chants de quête, Los uòus&lt;/em&gt; - un texte de Jean Yves Rouchette paru dans la revue &lt;em&gt;"Lo Leberaubre"&lt;/em&gt;, etc.)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La seconde émission (&lt;span class="oc"&gt;Los mainatges dins los dires&lt;/span&gt; de 29mn 26 s à la fin), diffusée le 7 avril 1983, nous parle des expressions relatives aux enfants. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; Personnage incontournable de la culture limousine, Jan dau Melhau est écrivain, éditeur (Lo chamin de Sent Jaume), collecteur, musicien, chanteur, conteur, diseur etc... &lt;span class="fr" style="font-size:10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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        <name>Meuzac</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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          <description>The location of the interview</description>
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              <text>Enregistré à la salle du foyer</text>
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          <name>Local URL</name>
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              <text>BalMeyssac.mp4</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>391</text>
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          <description>Mot-clé "metakeywords"</description>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette enqu&amp;ecirc;te a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; pour Jean-Christophe Dourdet* dans le cadre d'un travail de recherche universitaire (il pr&amp;eacute;parait alors une th&amp;egrave;se sur l'atypicit&amp;eacute; accentuelle de l'espace linguistique occitan limousin).&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une liste de mots a &amp;eacute;t&amp;eacute; propos&amp;eacute;e &amp;agrave; l'informateur &amp;agrave; qui nous avons demand&amp;eacute; de les traduire en occitan, exercice un peu laborieux auquel il a bien voulu se plier.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt; *Jean-Christophe Dourdet, enseignant &amp;agrave; l'universit&amp;eacute; de Poitiers (o&amp;ugrave; il enseigne la linguistique, la sociolinguistique ainsi que l'occitan et le poitevin-saintongeais) est l'auteur de nombreuses publications sur la langue limousine.&lt;/em&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, deux émissions de radio diffusées sur Radio Centre Ouest, devenue peu après Radio-France Limoges.&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align:center;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;&lt;span class="fr" style="color:#ff0000;"&gt;Merci de persévérer un peu, le début de l'enregistrement n'est pas de bonne qualité !&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La première émission (&lt;span class="oc"&gt;Lo sang de las peiras&lt;/span&gt; jusqu'à 29mn 26 s), diffusée le 14 avril 1983, est consacrée à l'ouvrage de &lt;a href="https://fr.wikipedia.org/wiki/Marcelle_Delpastre" target="_blank" rel="noreferrer noopener"&gt;Marcelle Delpastre&lt;/a&gt; &lt;a title="Le sang des pierres" href="#"&gt;&lt;span class="oc"&gt;"Lo sang de las peiras"&lt;/span&gt; &lt;/a&gt;qui venait d'être édité dans la revue &lt;em&gt;&lt;span class="oc"&gt;"Lo Leberaubre"&lt;/span&gt; &lt;span class="oc"&gt;(Lo cri de las peiras, la peira daus chamins, la peira talhada, lo silenci de la peira).&lt;/span&gt; &lt;/em&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;Les textes alternent avec des morceaux à la vielle à roue&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; joués par Jan dau Melhau.&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La seconde émission (&lt;span class="oc"&gt;Lo maridatge dins las chançons de tradicion&lt;/span&gt; de 29mn 26 s à la fin), diffusée le 21 avril 1983, Jan évoque le mariage dans les chansons traditionnelles (l'envie de se marier, les mises en garde, l'argent, etc.). Il interprète la plupart des chansons &lt;span class="oc"&gt;(La n'en tirem, Vòle pus gardar las vachas, La fialaira, Laissa-me Jan, A la poncha d'un suqueton, Maridatz-vos, Filha te vau maridar, Delai Paris, La filha dau bolengier, La senzilha e lo pinçon)&lt;/span&gt; et nous propose deux chansons de Rosina de Peira &lt;span class="oc"&gt;(L'Antòni, Filha qu'es a maridar e Lo vespre de la nòça).&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; Personnage incontournable de la culture limousine, Jan dau Melhau est écrivain, éditeur (Lo chamin de sent Jaume), collecteur, musicien, chanteur, conteur, diseur etc... &lt;span class="fr" style="font-size:10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour &amp;ecirc;tre mis en ligne par &lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Il s'agit de l'enregistrement de Mme Antoinette L&amp;eacute;onetout, domicili&amp;eacute;e &amp;agrave; Saint Paul, (87) . Il fut r&amp;eacute;alis&amp;eacute; le 7 aout 2002 par Fran&amp;ccedil;oise &amp;Eacute;tay, Genevi&amp;egrave;ve et Paul Duchez.&lt;/p&gt;&#13;
&lt;p&gt;Madame L&amp;eacute;onetout interpr&amp;egrave;te de nombreuses chansons en fran&amp;ccedil;ais et en occitan qui, pour la plupart, lui ont &amp;eacute;t&amp;eacute; transmises par son grand-p&amp;egrave;re M. Demaison, n&amp;eacute; en 1873.&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cet enregistrement effectué à la demande de musiciens en quête de répertoire, il chante une belle série de sautières collectées, par ses soins, auprès de chanteurs et musiciens il y a quelques années.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;En fin d'enregistrement quelques morceaux interprétés par "La Coada de Tròcha", groupe folklorique corrézien dont il fut un des animateurs.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/530" target="_blank" rel="noreferrer noopener"&gt;Cliquer ici pour voir les images enregistrées lors d'un stage de danse à Condat sur Ganaveix en 2007&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:10pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Sur l'image d'illustration, Marcel Belette (ici en compagnie de Françoise Étay) montrant la sautière pendant de ce stage&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit en fait de deux enregistrements diff&amp;eacute;rents : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;- M. Fieyre, originaire de Lall&amp;eacute;, commune de Champagnac la Noaille qui dit quelques "nh&amp;ograve;rles", histoires dr&amp;ocirc;les dont les textes ont &amp;eacute;t&amp;eacute; publi&amp;eacute;s dans la revue Lemouzi &lt;em&gt;(cliquer sur les liens ci-dessous pour acc&amp;eacute;der aux textes tels que propos&amp;eacute;s par Clair Mah&amp;eacute;)&lt;/em&gt; : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;La messa del curet Pinton&lt;/em&gt; :&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="oc"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-1.jpg" target="_blank" rel="noopener noreferrer"&gt;(page 1,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-2.jpg" target="_blank" rel="noopener noreferrer"&gt;page 2 ,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-3.jpg" target="_blank" rel="noopener noreferrer"&gt;page 3,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-4.jpg" target="_blank" rel="noopener noreferrer"&gt;page 4)&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Lo-decret.jpg" target="_blank" rel="noopener noreferrer"&gt;Lo decret &lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Levesque.jpg" target="_blank" rel="noopener" title="L'Evesque"&gt;&lt;em&gt;L'Evesque&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;- Ensuite, M Ponty, sur la m&amp;ecirc;me commune, nous parle de l'agriculture, des engrais, de la production de viande limousine, du jardin, du moulin, du jardin, etc. Cet entretien fit l'objet, en mars 1985, de deux chroniques occitanes dans le journal l'Echo :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Paysan1.jpg" target="_blank" rel="noopener noreferrer"&gt;Pa&amp;iuml;san e ecologiste(1)&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Paysan2.jpg" target="_blank" rel="noopener noreferrer"&gt;Pa&amp;iuml;san e ecologiste(2)&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Nous remercions Clair Mah&amp;eacute; qui nous a confi&amp;eacute; ces documents pour la num&amp;eacute;risation et la mise en ligne . &lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s et trait&amp;eacute;s par Florence Lemoine &amp;laquo;&lt;/span&gt; &lt;span class="fr"&gt;eVisual&lt;/span&gt; &lt;span class="fr"&gt;&amp;raquo;.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par Andr&amp;eacute; Alary. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'une succession de contes traditionnels dits par Andr&amp;eacute; Alary et Marie-Fran&amp;ccedil;oise Village :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Al pus f&amp;ograve;rt&lt;/span&gt; (Andrieu Alari), un conte recueilli dans la r&amp;eacute;gion de Rocamadour (Lot) par l'abb&amp;eacute; Jean Lafon,et publi&amp;eacute; en 2015 dans "Contes &amp;amp; racontes, du pays de Rocamadour", Tertium &amp;eacute;ditions. &lt;a href="https://www.google.fr/url?sa=t&amp;amp;rct=j&amp;amp;q=&amp;amp;esrc=s&amp;amp;source=web&amp;amp;cd=13&amp;amp;ved=0ahUKEwj_2qHi9bzUAhXELhoKHWUdASg4ChAWCC0wAg&amp;amp;url=http%3A%2F%2Fsf251204606f33b72.jimcontent.com%2Fdownload%2Fversion%2F1459349317%2Fmodule%2F12137686127%2Fname%2Fconte%2520et%2520raconte%2520finitude%2520(1).pdf&amp;amp;usg=AFQjCNG6GjURXXlede8XcYk-jAj89Ew7mw&amp;amp;sig2=id1SE4IG4GQfPxkrJrjPTQ" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Del meu ostal&lt;/span&gt;, (Andrieu Alari), un conte recueilli par l&amp;rsquo;&amp;eacute;crivain Joan Bodon (Jean Boudou) dans Contes del meu ostal &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;L'ase de Traussa&lt;/span&gt; (Andrieu Alari), conte traditionnel de Trausse en Minervois, Aude &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Lo meu papet dins la luna&lt;/span&gt;, (Andrieu Alari),un conte recueilli par Jean Boudou&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Lo cloqui&amp;egrave;r de Traussa &lt;/span&gt;(Andrieu Alari)&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Un misteri &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;(Marie-Fran&amp;ccedil;oise Village)&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Les bourriols &lt;/span&gt;(Marie-Fran&amp;ccedil;oise Village)&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Lo chabr&amp;ograve;l &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;(Marie-Fran&amp;ccedil;oise Village)&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;L'espalhonada,&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;(Marie-Fran&amp;ccedil;oise Village),&lt;/span&gt; un conte d&amp;rsquo;Alberte Lacombe (Prudhomat, Lot)&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Enregistrement de musiciens traditionnels en Périgord</text>
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                <text>&lt;p&gt;Cette cassette audio nous a été confiée par Michel Feynie pour numérisation et mise en ligne.&lt;/p&gt; &lt;p&gt;Il s'agit d'un document collecté au début des années 80, sur lequel on peut entendre deux musiciens jouant de l'accordéon diatonique :&lt;br /&gt;- M. &lt;strong&gt;Alex Meneret&lt;/strong&gt; (Jean pour l'état civil) il habitait Saint-Antoine-sur-l’Isle dans la Double girondine. Né en 1908 il est mort en 1987. Il faisait des bals&lt;br /&gt;- "Marcelou" sans doute &lt;strong&gt;Marcel Cadiot&lt;/strong&gt;, il habitait Les Souchets, commune de Saint-Laurent-des-Hommes.&lt;br /&gt;- Une informatrice (non identifiée) raconte quelques histoires en occitan - de 12 mn 15 sec à 25 mn 19 sec -&lt;br /&gt;- Mme &lt;strong&gt;Jeanne Brugère&lt;/strong&gt;, née en 1911, morte en 2004. Elle habitait à Saint-Rémy, mais fut collectée à Saint-Seurin-sur-l’Isle. Elle ne faisait pas de bals, mais elle avait appris l’accordéon et jouait dans des clubs du troisième âge.&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;em&gt;* &lt;a href="https://www.youtube.com/watch?v=c88YSDjpnl0" target="_blank" rel="noreferrer noopener"&gt;Michel Feynie&lt;/a&gt; est anthropologue et comédien. Au début des années 80, pratiquant l'accordéon diatonique, il se mit à la recherche de répertoire auprès de musiciens de sa région (le Sud-Ouest de la Dordogne du côté de Montpon-Ménestérol). Une partie de ses collectages (contes, chansons, musique) lui a servi pour monter un spectacle franco-occitan : &lt;a href="http://fabrica.occitanica.eu/labasa/14566" target="_blank" rel="noreferrer noopener"&gt;« Hommes et femmes du Landais » &lt;/a&gt;&lt;/em&gt;&lt;a href="http://fabrica.occitanica.eu/labasa/14566" target="_blank" rel="noreferrer noopener"&gt;« Òmes e femnas dau Landès » &lt;/a&gt;&lt;em&gt;racontant la vie d’une famille de paysans du début du XXème siècle à sa fin.&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio Limoges.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cette première cassette contient les enregistrements du 12 novembre au 18 décembre 1986&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur la cassette il est noté &lt;span style="color:#666699;"&gt;"Te volia dire - Radiò Lemòtges 1, 12-11-85~18-12-85 "&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:14pt;"&gt;Ponctués par des morceaux de musique traditionnelle, une succession de poèmes (Jean Baptiste Foucaud, Marcelle Delpastre, Roland Pécout, Michel Chadeuil, Arsène Vermenouze), mais aussi des témoignages (Aline Chassagne, Marcel Descubes, Alice Marot, etc.), quelques légendes, des extraits de textes anciens,etc.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Pratiques agricoles</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande, il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"590, Enregistrement Esse, 1959"&lt;/span&gt; et sur la bobine elle m&amp;ecirc;me &lt;span style="color: #808080;"&gt;"489, Esse 1"&lt;/span&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit tr&amp;egrave;s probablement du d&amp;eacute;but de l'enregistrement public r&amp;eacute;alis&amp;eacute; &amp;agrave; Esse (en Charente Limousine) le 16 septembre 1959 dont nous avons d&amp;eacute;j&amp;agrave; mis en ligne la seconde bande : " Esse Folklore (2)".&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ces deux enregistrements ont servi de base &amp;agrave; une &amp;eacute;mission de "Chez-Nous" probablement diffus&amp;eacute;e sur les antennes de Radio Limoges : Chez Nous &amp;agrave; Esse. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La pas de la mule par &lt;strong&gt;Marie Claude Mathias&lt;/strong&gt;, &lt;span class="oc"&gt;Lo patron, lo patata ... &lt;/span&gt;par Mme &lt;strong&gt;Radegonde Traumat&lt;/strong&gt; dite la Gondette,&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; quelques airs d'harmonica par &lt;strong&gt;Paul Chaperon, &lt;/strong&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;Bonser j&amp;ograve;une pastorela&lt;/span&gt; (par &lt;strong&gt;Marie Perrot&lt;/strong&gt; ?), &lt;span class="oc"&gt;Quante costeren&lt;/span&gt; par &lt;strong&gt;M. Jardinet&lt;/strong&gt;&lt;em&gt;, &lt;/em&gt;etc &lt;em&gt;...&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet document nous a été confié pour mise en ligne par Georges Prudent.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit de deux enregistrements de M. &lt;strong&gt;Alfred Gasne&lt;/strong&gt;, violoneux domicilié au Bost, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;commune de Néoux, en Creuse.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Enregistré au milieu des années 80, M. Gasne transmet son répertoire au collecteur, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;musicien lui aussi, il joue et chante des airs traditionnels (polkas, scottishs, bourrées, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;marches de noces etc.), mais aussi des morceaux plus récents : Nuit de chine (L. Lynel), &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Mimosette (G. Plana), Cache ton piano, Les fraises et les framboises (Les Charlots), etc. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;a href="http://www.violoneux.fr/wiki/Alfred_Gasne" target="_blank" rel="noreferrer noopener"&gt;Voir la page consacrée à ce musicien sur le site violoneux.fr&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;L'image d'illustration est de Jean-Jacques Le Creurer&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Le titrage et le séquencement sont dûs à Françoise Etay&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur l'emballage en papier craft de cette bobine il est noté :&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;color:#808080;"&gt; &lt;span style="font-size:14pt;"&gt;"778 - Émission chez nous 250ème (12-2-67) Pastouriletto, Flin-floc (Biossac), Angèle/Bourrées, La bello maï&lt;br /&gt;Le corbeau et le renard (Frange), Marguerite est malade (Secours), les maladies (Félicie) "&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Pour fêter la 250ème de l'émission, après 9 ans d'existence, Robert Dagnas proposât un programme dans lequel il faisait une promenade en Limousin .&lt;br /&gt;On retrouve plusieurs groupes folkloriques (Les Pastourelles de Brive, L'École Ventadour de Tulle, La Couade de troche, Les Compagnons de la Joie au Village d'Ussel, Irène Besson et la chorale de Veilladours de Saint Junien) mais aussi des informateurs qui firent le bonheurs des auditeurs de l'émission de Robert Dagnas ( Pierre Biossac, Angèle Chabeaudie, Pierriçon, Alphonse Frange, Chabot dit Secours et enfin Félicie Brouillet) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet document nous a été confié pour mise en ligne par Georges Prudent.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit de l' enregistrement d'un chanteur non identifié, enregistré à Saint martial le Vieux&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; en Creuse.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement fut réalisé vers 1986, par Georges Prudent musicien.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une belle suite de chants traditionnels, pour la plupart en occitan limousin.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>IEO Lemosin, dépôt Feynie</text>
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            <name>Title</name>
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                <text>Sylvain CHAILLAUD</text>
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                <text>Musique</text>
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            <description>An account of the resource</description>
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                <text>Enregistrement d'un violoneux traditionnel à St-Barthélémy-de-Bellegarde (Dordogne)</text>
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                <text>Sylvain CHAILLAUD</text>
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                <text>Fey002a</text>
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                <text>1980</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur une cassette audio qui nous a été confiée par Michel Feynie pour numérisation et mise en ligne, plusieurs passages sont des enregistrements de &lt;strong&gt;Sylvain CHAILLAUD&lt;/strong&gt; que nous avons regroupés .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit d'un document collecté au début des années 80, sur lequel on peut entendre M. Chaillaud, violoneux de tradition, né en 1901 et mort en 198&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;9, il demeurait au lieu-dit Les Tuiles commune de St-Barthélémy-de-Bellegarde (Dordogne)&lt;/span&gt;.&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ce musicien propose les morceaux de son répertoire, essentiellement de la musique à danser : Scottishs, valses, bourrées, mazurkas, quadrilles, polkas ... &lt;/span&gt;&lt;/p&gt;</text>
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              <text>jan dau melhau te volia dire 3a melhau occitan patois limousin occitan limousin jan dau melhau</text>
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                <text>Haute-Vienne (87)</text>
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                <text>IEO Lemosin, dépôt Jan Dau Melhau</text>
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                <text>Te volia dire (3a)</text>
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                <text>Langue</text>
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            <description>An account of the resource</description>
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                <text>&amp;Eacute;mission de radio consacr&amp;eacute;e &amp;agrave; une f&amp;ecirc;te folklorique &amp;agrave; Saint-Junien, limousin.</text>
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                <text>[Informateurs multiples]</text>
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            <name>Date</name>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/853</text>
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            <description>A summary of the resource.</description>
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              <elementText elementTextId="333816">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la pochette kraft contenant cette bande il est not&amp;eacute; : &lt;span style="color: #808080;"&gt;&amp;laquo; &amp;Eacute;mission Chez nous du 15-7-66, Saint-Junien re&amp;ccedil;oit la Provence &amp;raquo;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; Il s'agit d'une &amp;eacute;mission de radio (ou de la pr&amp;eacute;paration de celle-ci) devant &amp;ecirc;tre diffus&amp;eacute;e sur les antennes de Radio Limoges consacr&amp;eacute;e &amp;agrave; une f&amp;ecirc;te f&amp;eacute;libr&amp;eacute;enne qui a eu lieu &amp;agrave; Saint-&lt;strong&gt;Junien&lt;/strong&gt;, les 9 et 10 juillet 1966.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; Dans cet enregistrement, un singulier sermon en langue limousine par l'abb&amp;eacute; Truchassou, alors cur&amp;eacute; de La Coquille&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; ainsi que les diff&amp;eacute;rents moments de la &amp;laquo; Danse de la souche &amp;raquo;, un traditionnel proven&amp;ccedil;al.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Avec, comme invit&amp;eacute;s, les groupes : Lou Riban de Prouv&amp;egrave;n&amp;ccedil;o (d'Avignon), les Tambourinaires de Saint-Chinian et l'Acad&amp;eacute;mie Proven&amp;ccedil;ale (de Cannes).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="981">
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="305524">
              <text>Enregistré au domicile de l'informateur</text>
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        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="305525">
              <text>LouisFortunadeMarty.mp3</text>
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          </elementTextContainer>
        </element>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="305526">
              <text>1099</text>
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        </element>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>louis fortunade louis fortunade chanson limousine poesie paucard patois leon peyrat occitan</text>
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    </itemType>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="305513">
                <text>2018-04-03 11:46:16</text>
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              <elementText elementTextId="305514">
                <text>M. FORTUNADE Louis</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="305515">
                <text>IEO Lemosin, dépôt Marty</text>
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            <name>Title</name>
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                <text>Louis Fortunade</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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            <name>Contributor</name>
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                <text>Louis FORTUNADE</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="305519">
                <text>Mar001</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="305520">
                <text>1980</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="305521">
                <text>audio/mpeg</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="305522">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="305523">
                <text>https://la-biaca.org/items/show/854</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331728">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/854/CassetteLouisFortunade.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="333815">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette cassette audio fut enregistr&amp;eacute;e par M. Louis Fortunade, sans doute au d&amp;eacute;but des ann&amp;eacute;es 80.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ce document fut enregistr&amp;eacute; pour la famille Marty de Saint-Cl&amp;eacute;ment, qui a bien voulu nous la confier pour num&amp;eacute;risation et mise en ligne.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous y retrouvons des textes d'Antoine Paucard (La chanson des mois, Pierre de S&amp;eacute;dulix), et de &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt; (Los ressejaires, Los comaires), tous deux de Saint-Salvadour.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Voir le site consacr&amp;eacute; &amp;agrave; A. Paucard : &lt;a href="http://solenedeluol.wixsite.com/antoine-paucard"&gt;Antoine Paucard, entre mythes et r&amp;eacute;alit&amp;eacute;.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Vois ci-dessous un autre document sur la Bia&amp;ccedil;a, du m&amp;ecirc;me auteur sur lequel on retrouve les chansons de cet enregistrement.&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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      <tag tagId="29">
        <name>Saint-Salvadour</name>
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  <item itemId="855" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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          <name>Location</name>
          <description>The location of the interview</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="305500">
              <text>TeVoliaDire4a.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
          <elementTextContainer>
            <elementText elementTextId="305502">
              <text>patois</text>
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              <text>occitan</text>
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              <text>limousin</text>
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              <text>lemosin</text>
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              <text>limoges</text>
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            <elementText elementTextId="305507">
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              <text>Léon Dhéralde</text>
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              <text>Paul Tallez</text>
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          <element elementId="58">
            <name>Date Issued</name>
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            <description>A name given to the resource</description>
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                <text>Te voliá dire (4a)</text>
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            <description>The topic of the resource</description>
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                <text>Langue</text>
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            <name>Date</name>
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            <description>A related resource</description>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio, que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La face "B" de cette cassette contient la seconde partie des enregistrements du 28 février au 15 avril 1986 .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;Ponctués par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans :&lt;br /&gt;- Le loup et le renard par Andrée Bourbouloux&lt;br /&gt;- Des poèmes de Dominique Decomps&lt;br /&gt;- La sopa d'espinlas de Marie Rouanet&lt;br /&gt;- &lt;a href="http://www.chanson-limousine.net/nhorlas/nhorlas%20paroles/jeanfoucaud/08%20loveillachabraelajunja.pdf" target="_blank" rel="noreferrer noopener"&gt;L'ovelha la chabra e la junja&lt;/a&gt;, une fable de Jean-Baptiste Foucaud &lt;br /&gt;- L'asne de sent Piere, las blanchidas par Pierre Lalet&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;et une suite de témoignages : &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;- Los monsurs de'n quauqu'uns temps (Amédée Gauthier)&lt;br /&gt;- Conversacion sur la lenga&lt;br /&gt;- L'istòria de Jaumilhon&lt;br /&gt;- Los cors d'occitan de l'Enric Capredon&lt;br /&gt;- La fin de la guerra de 14 (Flavie Bernier)&lt;br /&gt;- La plancha&lt;br /&gt;- Legir&lt;br /&gt;- Los ramonaires e los sochiers (J.C. Fontmartin)&lt;br /&gt;- Las ruas d'a Limòtges&lt;br /&gt;- Nòstra lenga (Serge Simonet)&lt;br /&gt;- Declaracion dau collectiu occitan (16 mars 1986) &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;br /&gt;&lt;em&gt;Avec : &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Auriat Daniel, Gervais, Jeannette, Baffet Eléonore, Blavignat Marie Louise.&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Brousse Denise, Champ Gisèle, Marcel et Roger, Champy Danièle, Mme Darliguie née Bourdelle, &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Delbos Pierrette, Garel Renée, Grandchamp Josette, Grassien Marie José, Guth Colette,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Havède Marinette, Mme Longeanie née Grandchamp, Marty Alice et Gilbert, Mme Muzard née Beaussière,&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Pech Janine, Petit Claude, Pradoux Simone et Joseph, Puydebois H., Reyt André, Reyt Yvonne, &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Rivière Hélène, Saulle Elise, Schill Catherine et Martine&lt;/em&gt;&lt;br /&gt;&lt;em&gt; &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Avec la participation de Mme Jacquemin Aline et MM De Geitere Jean M. et Geneste Olivier&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&amp;Eacute;mission radiophonique en occitan limousin.</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, une s&amp;eacute;rie d'enregistrements destin&amp;eacute;s &amp;agrave; des &amp;eacute;missions de radio diffus&amp;eacute;es quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;La face A de cette cassette contient la premi&amp;egrave;re partie des enregistrements du 16 avril au 4 juin 1986.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;Ponctu&amp;eacute;s par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans :&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;- De &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt; : &lt;em&gt;Ma vita&lt;br /&gt;&lt;/em&gt;- Par l'Abb&amp;eacute; Bessous, un sermon : &lt;em&gt;Lo viatge de la vida&lt;/em&gt; et sa version limousine&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;- Deux po&amp;egrave;mes de Roger T&amp;eacute;n&amp;egrave;ze : &lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span style="color: #000000;"&gt;&lt;em&gt;Mas perque&lt;/em&gt; et &lt;em&gt;Frucha madura&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;- Une fable de Jean Foucaud : &lt;em&gt;Lo lop e l'anheu&lt;/em&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;Et de nombreux t&amp;eacute;moignages :&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;- Au sujet du n&amp;deg; 58 de la Clau Lemosina (Jan dau Melhau) &lt;br /&gt;- Lo patoes : Yves Redon&lt;br /&gt;- Quand chaufavam lo forn : Camille Sautarel &lt;br /&gt;- 'Nar chantar en Italia (Jan dau Melhau) &lt;br /&gt;- N&amp;ograve;stra linga : Jan Alari &lt;br /&gt;- La prumiera bicicleta : Pierre Lalet &lt;br /&gt;- La ruscha o lo bornat&lt;br /&gt;- Jan la b&amp;egrave;stia : Andr&amp;eacute;e Bourbouloux&lt;br /&gt;- Tornar parlar patoes : Jacqueline Bouin &lt;br style="color: #000000;" /&gt;- Una j&amp;ograve;unessa trabalhairitz : Marie Laporte &lt;br /&gt;- Lo cantaridier / lo fraisse&lt;br /&gt;- La musica gascona : Dani Dauba l&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;- Los paisans&lt;/span&gt;&lt;span style="color: #000000;"&gt;... par un paysan.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Lo peselon</text>
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                <text>Marguerite ROUCHAUD</text>
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                <text>https://la-biaca.org/items/show/860</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/860/Padimage.jpg</text>
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            <name>Abstract</name>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ce document nous a été confié par Monique Lemarchand qui nous indique "&lt;em&gt;il s'agit d'un enregistrement de son arrière grand mère Marguerite Rouchaud, dite "La Margaritou". &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Née en 1870, Mme Rouchaud habitait dans une petite maison près du château du Grand Bosviger (son mari y avait été jardinier) dans la commune de Saint-Paul.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;em&gt;Cet enregistrement sur bande avait été fait par M. René Chabrely au début des années 1950, lors d'une soirée familiale."&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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      <name>Oral History</name>
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              <text>louis clament louis clament accordeon diatonique accordeon diatonique musique traditionnelle dordogne perigord</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin, dépôt Feynie</text>
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                <text>Louis CLAMENT</text>
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            <description>The topic of the resource</description>
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              <elementText elementTextId="305342">
                <text>Musique</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="305343">
                <text>Louis CLAMENT</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="305344">
                <text>Fey002b</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1980</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/861</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331735">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/861/Padimage.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Sur une cassette audio qui nous a été confiée par Michel Feynie pour numérisation et mise en ligne, plusieurs passages sont des enregistrements de &lt;strong&gt;Louis Clament&lt;/strong&gt; que nous avons regroupés .&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit d'un document collecté au début des années 1980.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt; Monsieur Clament, musicien routinier, né en 1901 et mort en 1983, demeurait à Le Fleix (Dordogne) mais avait vécu à Veyrière, commune de Fraisse . &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Il jouait sur un accordéon diatonique Maugein et avait initié son fils André (il avait même joué, avec lui, dans quelques bals clandestins).&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Ce musicien propose les morceaux de son répertoire, essentiellement de la musique à danser : Marches, scottishs, valses, bourrées, mazurkas, quadrilles, polkas... &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;À plusieurs reprises, l'informateur chantonne ou siffle quelques morceaux qu'il a du mal à jouer.&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>Chez-Nous Juillet 1962</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur cette bobine il est noté &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:#888888;"&gt;"688&lt;br /&gt;- Marie Claire Pichaud, (chants de la crèche)&lt;br /&gt;- Chez nous /7/ 62"&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur la face B de cette bande, une nouvelle émission de "Chez-nous" présentée par Robert Dagnas, telle qu'elle a pu être diffusée (probablement le 13 juillet 1962) sur les ondes de Radio-Limoges .&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Robert Dagnas nous parle de la félibrée qui vient de se dérouler à Piégut-Pluviers puis il nous donne un aperçu des interventions qui y on été faites : quelques airs par des groupes folkloriques, Félicie Brouillet qui dit une de ses nhòrles : "Las vacancas", Pierre Biossac qui chante "Lu cosin", Michel Meillac qui joue une scottish (un enregistrement fait à son domicile, était-il à la félibrée ?).&lt;br /&gt;Ensuite M. Dagnas parle d'une fête qui a eu lieu à Saint-Junien le jour même avec, comme invités, le groupe "Les amis du vieux Poitou" qui chante la Berline Poitevine. &lt;br /&gt;La bande se termine par quelques annonces et lo Planh de Gaucem Faidit par Irène Besson.&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur la face A de la bande se trouve un enregistrement du disque de Marie-Claire Pichaud "Chansons de ma crèche"que nous n'avons pas mis en ligne.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur cette bande il est noté&lt;span style="color:#888888;"&gt;&lt;br /&gt;"3.147 - Chez nous 28-7- 62"&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur la face A de cette bande, une nouvelle émission de "Chez-nous" présentée par Robert Dagnas, telle qu'elle a sûrement été diffusée le 28 juillet 1962 sur les ondes de Radio-Limoges .&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Robert Dagnas s'adresse aux vacanciers et il leur propose une sélection de ses enregistrements. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Quelques chansons : Je suis lasse d'être fille, La meschanta maire, Un jòune pastre somelhava, des morceaux joués par les groupes folkloriques La Bourrée Limousine, L'école Ventadour et Les Veilladours de St Junien et une histoire drôle de Robert Benoit (La nuriça)&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur la conclusion de l'émission on peut entendre un regret au violon joué par Michel Meillac &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;Sur la face B de cette bande, de la musique des pays de l'Est que nous n'avons pas mise en ligne.&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros, un enregistrement r&amp;eacute;alis&amp;eacute; au bourg de Favars (19), aupr&amp;egrave;s de M. et Mme &lt;strong&gt;Murat&lt;/strong&gt; (&amp;Eacute;douard).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Les informateurs sont interrog&amp;eacute;s au sujet des rites calendaires, de la m&amp;eacute;decine populaire, des jeux pour enfants (les toupies, les billes, le bouchon, le diable bo&amp;icirc;teux, la p&amp;eacute;tarade...), les jeux d'adultes (les quilles, le but, les cartes), les veill&amp;eacute;es, quelques chansons, les danses, les histoires fantastiques (lo drac, la chasse volante, le loup garou, la bera...)&lt;/span&gt;&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;Pour terminer, un enregistrement r&amp;eacute;alis&amp;eacute; lors d'une veill&amp;eacute;e &amp;agrave; Favars :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- La vacha esbanada (Fraysse Alexandre et Pierre) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Bourr&amp;eacute;e frapp&amp;eacute;e&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Chanson des mois (Alexandre Fraysse et Marcel Geneste) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Charbonnier mon amic (Marcelle Bourg) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Voir les notices accompagnant cette bande: &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1001.jpg" target="_blank" rel="noopener noreferrer"&gt;page 1&lt;/a&gt;, &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1002.jpg" target="_blank" rel="noopener noreferrer"&gt;page 2,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1003.jpg" target="_blank" rel="noopener noreferrer"&gt;page 3,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1004.jpg" target="_blank" rel="noopener noreferrer"&gt;page 4,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1005.jpg" target="_blank" rel="noopener noreferrer"&gt;page 5,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1006.jpg" target="_blank" rel="noopener noreferrer"&gt;page 6.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour "Les films du geni&amp;egrave;vre".&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>Émissions de radio en langue limousine</text>
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                <text>https://la-biaca.org/items/show/865</text>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Sur la face A de cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;La face B de cette cassette contient la seconde partie des enregistrements du 16 avril au 4 juin 1986.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;Ponctués par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans :&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;- Paul-Louis Grenier : &lt;em&gt;&lt;a href="https://geoculture.fr/a-la-marche-limousine?id_document=2081" target="_blank" rel="noreferrer noopener"&gt;À la marcha Limosina&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;- Marcel Esquieu : &lt;a href="http://oc.montesquieu.free.fr/pdf/jansemin__mos_sovenirs.pdf" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Mos sovenirs&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;- Albert Pestour : &lt;em&gt;Abriau&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;- Trois poèmes de Claude Roulet : &lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;Flor meschanta, Flor subrevida&lt;/em&gt; et &lt;em&gt;Flor 'bracada&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;Et de nombreux témoignages de Flavie Bernier, Éric Pagnon, Line Legrand, Marie-Jeanne Gauthier, Jean Deleau...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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