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                <text>&lt;p class="fr"&gt;Sur la bande 7710, (probablement la 4&amp;egrave;me bande d'une s&amp;eacute;rie) un enregistrement r&amp;eacute;alis&amp;eacute; le 19 septembre 1966 au domicile de F&amp;eacute;licie Brouillet, &amp;agrave; Augignac (24)&lt;br /&gt;Un voisin de Mme Brouillet nous raconte des histoires de chasse :&lt;span class="oc"&gt; la lebre, lo singlier d'Auginhac, la graula 'privada&lt;/span&gt; ... Mme Brouillet nous araconte la Mixomatose, une voisine Marguerite (celle qui avait refus&amp;eacute; de parler dans un enregistrement pr&amp;eacute;c&amp;eacute;dent ??) chante &lt;span class="oc"&gt;la vachiera de la montanha&lt;/span&gt; et nous donne son avis sur "la jeunesse d'aujourd'hui"...&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 11pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: small;"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cette bande 6470, un enregistrement datant sans doute de F&amp;eacute;vrier 1960, une &amp;eacute;mission de Radio Limoges , une annonce pour le bal de Frairie avec "les m&amp;eacute;n&amp;eacute;triers Limousins" puis la pr&amp;eacute;sentation du salon de l'agriculture 1960 (Description,programme,pr&amp;eacute;sence du limousin, concours photo du CNC ...)&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:14.000
Limoges RTF&#13;

00:00:14.000 --&gt; 00:02:02.000
Polka des oignons&#13;

00:02:02.000 --&gt; 00:05:42.000
La semaine de l'agriculture 1960&#13;

00:05:42.000 --&gt; 00:08:14.000
Le limousin au salon&#13;

00:08:14.000 --&gt; 00:09:08.000
Concours photo du CNC&#13;

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          <name>Local URL</name>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>963</text>
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              <text>rene savi baptiste chretien m savi</text>
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                <text>Haute-Vienne (87)</text>
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                <text>IEO Lemosin, dépôt Chrétien</text>
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                <text>M. SAVI</text>
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            <description>The topic of the resource</description>
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                <text>René SAVI</text>
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            <name>Source</name>
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                <text>CHR007</text>
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            <name>Date</name>
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                <text>2012-08</text>
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                <text>Baptiste Chrétien</text>
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            <name>Format</name>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Relation</name>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/445/Savi.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;Mr &lt;strong&gt;Ren&amp;eacute; Savi&lt;/strong&gt; est n&amp;eacute; en 1923 dans une famille paysanne de Saint-Christophe, en Charente limousine. Arriv&amp;eacute; &amp;agrave; Javerdat &amp;agrave; l'&amp;acirc;ge de 4 ans, il y ach&amp;egrave;te une propri&amp;eacute;t&amp;eacute; au d&amp;eacute;but des ann&amp;eacute;es 1950 au village du Pic, o&amp;ugrave; il r&amp;eacute;side encore aujourd'hui. Faisant valoir une petite propri&amp;eacute;t&amp;eacute; tout au long de sa vie, il exer&amp;ccedil;a &amp;eacute;galement le m&amp;eacute;tier de cantonnier de commune.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: small;"&gt;Mr Savi pr&amp;eacute;cise que son nom est ainsi orthographi&amp;eacute; &amp;agrave; cause d'une erreur d'un employ&amp;eacute; de mairie, Son grand-p&amp;egrave;re et son p&amp;egrave;re l'orthographiaient Savy, qui est un patronyme tr&amp;egrave;s courant en Limousin.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: small;"&gt;Dans ce petit entretien improvis&amp;eacute;, il &amp;eacute;voque pour nous les grands travaux (fenaison, moisson, battage...) et tout ce qui s'y rattache: le liage des b&amp;oelig;ufs, les repas, la m&amp;eacute;canisation etc.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: small;"&gt;Il nous parle &amp;eacute;galement de son m&amp;eacute;tier d'employ&amp;eacute; communal.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: small;"&gt;R&amp;eacute;put&amp;eacute; dans toute la commune pour ses talents de chanteur et de siffleur, Mr Savi nous interpr&amp;egrave;te de courtes versions de trois chansons bien connues en Limousin :&lt;/span&gt; &lt;span class="oc"&gt;Lo Turlututu, La Gerba bauda, Las quatre sasons&lt;/span&gt;.&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;Enfin, Mr Savi nous parle de la Mandragore, cette b&amp;ecirc;te f&amp;eacute;roce qui terrorisa longtemps le nord-ouest limousin et dont on dit qu'elle poss&amp;eacute;dait une queue de serpent, un corps de lion et une t&amp;ecirc;te d'homme.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Remerciements &amp;agrave; Baptiste Chr&amp;eacute;tien qui a r&amp;eacute;alis&amp;eacute; l'enqu&amp;ecirc;te, son s&amp;eacute;quencement et la notice&lt;/em&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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                  <text>Enquêtes et témoignages</text>
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                  <text>doc: enquetes</text>
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              <text>Au domicile de M. Vignaud, à Saillat (Haute-Vienne)</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="319338">
              <text>V4faceGVignaudSaillat.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>2780</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Archives sonores du Limousin</text>
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            <elementText elementTextId="319341">
              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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              <text>IEO Lemosin</text>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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            <elementText elementTextId="319346">
              <text>écouter du patois Limousin</text>
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            <elementText elementTextId="319347">
              <text>Occitan limousin</text>
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            <elementText elementTextId="319348">
              <text>langue limousine</text>
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            <elementText elementTextId="319349">
              <text>langue d'oc en Limousin</text>
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            <elementText elementTextId="319350">
              <text>langue d'oc en pays limousin</text>
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            <elementText elementTextId="319351">
              <text>collectage en pays limousin</text>
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            <elementText elementTextId="319352">
              <text>collectage en limousin</text>
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              <text>collectatge</text>
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            <elementText elementTextId="319354">
              <text>colleccion</text>
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            <elementText elementTextId="319355">
              <text>memòria</text>
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            <elementText elementTextId="319356">
              <text>mémoire sonore</text>
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            <elementText elementTextId="319357">
              <text>mémoire orale du Limousin</text>
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            <elementText elementTextId="319358">
              <text>patrimoine oral du Limousin</text>
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            <elementText elementTextId="319359">
              <text>écouter le patois de la Corrèze</text>
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            <elementText elementTextId="319360">
              <text>écouter l'occitan limousin</text>
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            <elementText elementTextId="319361">
              <text>se soigner</text>
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            <elementText elementTextId="319362">
              <text>médecine populaire de la Haute-Vienne</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="319363">
              <text>remedes patois de la haute vienne couade</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="319322">
                <text>2012-10-02 16:12:32</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="319323">
                <text>2780</text>
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            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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              <elementText elementTextId="319324">
                <text>M. Vignaud 3B</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Charente (16)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin, dépot Besse</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="319328">
                <text>M. Vignaud 4A</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="319329">
                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="319330">
                <text>Mathieu VIGNAUD</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="319331">
                <text>BES04G</text>
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            <name>Date</name>
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                <text>1977</text>
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            <name>Creator</name>
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                <text>M. Vincent Besse</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/444</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/444/1397480694_Vignaud2Net.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ce document est la face A de la cassette audio n&amp;deg;4 d'une s&amp;eacute;rie de 5. Ces cassettes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par M. Vincent Besse.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Il s'agit de l' enregistrement de &lt;span class="artist_name"&gt;M. Mathieu Vignaud&lt;/span&gt;, n&amp;eacute; le 25 ao&amp;ucirc;t 1885 &amp;agrave; Pairs, sur la commune de Saint-Christophe, en Charente&amp;nbsp; limousine.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement; M. Vignaud &amp;eacute;voque les bonnes fontaines, la m&amp;eacute;decine populaire (plantes, cataplasmes, purges...), il parle ensuite de l'habitat, de la vie &amp;agrave; la maison, des animaux... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la num&amp;eacute;risation de ces cassettes, en assez mauvais &amp;eacute;tat de conservation.&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Charente (16)</name>
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        <name>Saint-Christophe</name>
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              <text>Lieu d'enregistrement inconnu (probablement à Piégut Pluviers)</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1030</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2012-10-01 17:13:13</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Félicie BROUILLET</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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            <name>Contributor</name>
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              <elementText elementTextId="319370">
                <text>Félicie BROUILLET</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD2074</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert Dagnas</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/443</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/443/Padimage.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334223">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document, sans date ni indication, nous retrouvons F&amp;eacute;licie Brouillet et ses fameuses histoires. &lt;br /&gt;Elle conte &lt;em&gt;&lt;span class="oc"&gt;Las piuses, Pissarat a Paris, L'ora de la pendula, La 'tomobila &lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;et&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt; Lu cinema&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;F&amp;eacute;licie Brouillet &amp;eacute;tait une conteuse hors pair, nous pouvons la retrouver, sur la Bia&amp;ccedil;a, dans plusieurs autres documents (voir ci dessous)&lt;br /&gt;&lt;br /&gt;-&lt;a href="https://la-biaca.org/files/original/enquetes/443/Las_piuses.pdf" target="_blank" rel="noopener"&gt;&amp;gt; lien vers la nh&amp;ograve;rla "Las piuses"&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Dordogne (24)</name>
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        <name>Piégut-Pluviers</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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      <name>Oral History</name>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Lieu d'enregistrement inconnu</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="319397">
              <text>RD2089.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1765</text>
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          <description>Mot-clé "keywords"</description>
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              <text>enquete collective robert dagnas les amis du vieux poitou folklore vienne chatellerault amis du vieux poitou</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2012-10-01 16:50:24</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="319383">
                <text>1765</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Vienne (86)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="319387">
                <text>Les Amis du Vieux Poitou (1)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="319388">
                <text>Folklore</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="319389">
                <text>[Enquêtes collectives]</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="319390">
                <text>RD2089</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert Dagnas</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="319393">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="319394">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="319395">
                <text>https://la-biaca.org/items/show/442</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331316">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/442/Padimage.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334224">
                <text>&lt;p class="fr"&gt;&lt;span&gt;&lt;span style="font-size: medium;"&gt;Sur cette bande - dont le boitier ne correspond pas au contenu - un enregistrement fait par R. Dagnas &amp;agrave; Ch&amp;acirc;tellerault dans la Vienne en 1960 . &lt;br /&gt;Le groupe folklorique "Les Amis du Vieux Poitou" pr&amp;eacute;sentent une partie de leur r&amp;eacute;pertoire puis Mrs. Marcel et Jacques Rouet pr&amp;eacute;sentent le groupe, son histoire, les projets ...&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt; &lt;/span&gt;&lt;/p&gt;</text>
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            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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                <text>Les Amis du Vieux Poitou (2) </text>
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        <name>Châtellerault</name>
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        <name>Vienne (86)</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
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              <text>Enregistré au domicile de Mme Poignet à La Foucherie cne de Meyssac</text>
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        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="319412">
              <text>MmePoignet.mp3</text>
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        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="319413">
              <text>710</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="319414">
              <text>mme poignet mme poignet contes meyssac patois occitan</text>
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            <name>Date Issued</name>
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              <elementText elementTextId="319401">
                <text>2012-10-01 10:52:16</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="319402">
                <text>IEO Lemosin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="319403">
                <text>Mme POIGNET</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Contes et histoires</text>
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                <text>Mme POIGNET</text>
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                <text>IEO102</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="319408">
                <text>audio/mpeg</text>
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                <text>Sound</text>
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                <text>https://la-biaca.org/items/show/441</text>
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                <text>&lt;p&gt;Cet enregistrement date de 2004 . Nous avions, en compagnie de Gislaine Pouget rencontré Mme Poignet à son domicile à la Foucherie de Meyssac. &lt;br /&gt;Mme Poignet nous a dit quelques contes (le loup et le renard, la pel de vacha, lo curet e son mairilhier,... ) une suite de proverbes et parlé des surnoms donnés aux voisins Lageygeolles, Saillac, Collonges, Branceilles ... &lt;br /&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Mme Pouget avait déjà enregistrée Mme Poignet en compagnie de sa mère, Mme Dautrement à la fin des années 70, voir ci dessous&lt;/p&gt;</text>
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                <text>&lt;p&gt;Cet enregistrement date de 2004 . Nous avions, en compagnie de Gislaine Pouget rencontré Mme Marcelle Moulène, qu'elle avait enregistré à la fin des années 70 .&lt;/p&gt; &lt;p&gt;En compagnie de son mari, elle nous a conté "Champalimau", version bas limousine du fameux conte "Jean le sot", nous avons ensuite parlé des voisins, les gens de Lacisque dont on se moque à loisirs, les surnoms des habitants du canton . Ensuite nous avons enregistré une randonnée bien répandue en limousin "la buse" , dans une belle version bien complète, puis "pleu e fai solelh", "la lebrauta", "la vielha", "baulin baulan" ..&lt;/p&gt; &lt;p&gt;Voir l'enregistrement de 1977 ci dessous&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la face A de la bande 31, aucune indication de lieu ni de date .&lt;br /&gt;Il s'agit de l'enregistrement de plusieurs informateurs &amp;agrave; Javerdat . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;Baptiste Chr&amp;eacute;tien nous informe qu'il s'agit de Madame &lt;strong&gt;Lisa Ducouret&lt;/strong&gt; , n&amp;eacute;e aux environs de 1910 au village de La Peyri&amp;egrave;re qui chante : &lt;span class="oc"&gt;"Senta Catarina"&lt;/span&gt; puis "Chiffonnette" .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;Ensuite nous reconnaissons &lt;strong&gt;Pierre Biossac &lt;/strong&gt;du village de Laplaud : &lt;span class="oc"&gt;Chas Bujada,&lt;/span&gt; Entre Versailles et St Denis, &lt;span class="oc"&gt;Vira vira charamela&amp;iuml;re, Dins la nauta montanha, Sus lo pont de Lion, Daus n&amp;ograve;us conuelhs, N&amp;ograve;stra n&amp;ograve;via &lt;/span&gt;et&lt;span class="oc"&gt; Maridatz me Jan.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>M. ANDRIEUX, M. FAURE</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la face B de la bande 31 deux documents : &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;- Un enregistrement de M. Andrieux, datant du 24 mai 1957 . M. &lt;strong&gt;Andrieux,&lt;/strong&gt; saxophoniste, fut chef de Musique de l'harmonie de Chalus (87) . M. Dagnas présente pour la première fois les morceaux interprétés sous forme de référence chiffrée . Plusieurs morceaux à danser et quelques bribes de chansons &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;- Dans la seconde partie datant du 6 novembre 1958, l' enregistrement d'un disque prêté par Mme Farnier . Il s'agit de l'enregistrement de 5 figures de quadrille limousin joués "aux environs de 1938" sans doute à la clarinette par &lt;strong&gt;Pierre Faure&lt;/strong&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;- La bande se termine par un texte lyrique sur l'automne déclamé par Robert Dagnas&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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                <text>[Informateur Inconnu]</text>
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                <text>&lt;p&gt;Sur la face A de cette bande n&amp;deg;14 nous avons extrait 2 chansons connues : &lt;br /&gt;"Quitte le grand Paris" appel&amp;eacute;es "la chanson du retour &amp;agrave; la terre" avec un couplet suppl&amp;eacute;mentaire &amp;eacute;voquant le retour &amp;agrave; St Junien , puis une "chanson sur les filles de Paris tr&amp;egrave;s moralisatrice"&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <description>A name given to the resource</description>
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                <text>Chez nous 8012 Eléments</text>
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            <description>The topic of the resource</description>
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                <text>[Informateurs multiples]</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Dans cette bande 8012 sans indication de date (9/10) ni de lieu nous retrouvons plusieurs informateurs non identifi&amp;eacute;s .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Plusieurs chansons : "qu'es lu printemps per rejauvir la gent", "j'aime Laridon", "dins Paris i'a una vielha", deux pastourelles :" Bela Nanon" par Ir&amp;egrave;ne Besson," tu t'en vas de per los champs", une nhorle "lo bodins" La bande se termine par une &amp;eacute;mission de Limoges RTF. La troupe de com&amp;eacute;die de de Radio Limoges pr&amp;eacute;sente la Nef des Fous ...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Sans doute cette bande a &amp;eacute;t&amp;eacute; r&amp;eacute;cup&amp;eacute;r&amp;eacute;e par M. Dagnas&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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              <text>Probablement au domicile de M.Tarrade à Chamberet</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>2318</text>
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          <description>Mot-clé "metakeywords"</description>
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              <text>Archives sonores</text>
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              <text>IEO Limousin</text>
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              <text>Occitan Corrèze</text>
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              <text>langue d'oc</text>
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              <text>langue</text>
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              <text>Eugène Tarrade</text>
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              <text>collectage</text>
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              <text>collectatge</text>
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              <text>mémoire</text>
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              <text>memòria</text>
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              <text>sonore</text>
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              <text>enregistrement</text>
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              <text>musique traditionnelle</text>
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              <text>violon</text>
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              <text>chamberet</text>
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              <text>informateurs multiples robert dagnas violoneux a chamberet violon musique traditionnelle limousin chamberet</text>
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            <name>Date Issued</name>
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                <text>2012-09-20 17:35:21</text>
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          <element elementId="63">
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            <description>The size or duration of the resource.</description>
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            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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                <text>Albert Pestour, Eugène Tarrade</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Corrèze (19)</text>
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                <text>Eugène TARRADE, Violoneux (1)</text>
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            <description>The topic of the resource</description>
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                <text>Chansons</text>
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                <text>Eugène TARRADE</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1959-04</text>
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                <text>Robert Dagnas</text>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/435</text>
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            <description>A related resource</description>
            <elementTextContainer>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/435/EUGENE2.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Bien qu'il soit not&amp;eacute; sur la boite de cette bande 641 que cet enregistrement a &amp;eacute;t&amp;eacute; effectu&amp;eacute; le 17 juillet 1970 pour une diffusion probable le 31 juillet de la m&amp;ecirc;me ann&amp;eacute;e, il ne s'agit pas d'une &amp;eacute;mission pr&amp;ecirc;te &amp;agrave; la diffusion ... sans doute une erreur de boite !&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande elle m&amp;ecirc;me une &amp;eacute;tiquette "Chamberet Violoneux" , il s'agit d'un enregistrement de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;&lt;strong&gt;Eug&amp;egrave;ne Tarrade&lt;/strong&gt;&lt;/a&gt; (1891-1981), violoneux corr&amp;eacute;zien, probablement r&amp;eacute;alis&amp;eacute; le 21 Avril 1959 . (Informations F. Etay)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cet enregistrement une chanteuse (Mme Brouillac) et M. Tarrade interpr&amp;egrave;tent, parfois en duo, un beau r&amp;eacute;pertoire traditionnel :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Des chansons (La Yoyette, &lt;span class="oc"&gt;Pita te maridas pas&lt;/span&gt;, Embrasse moi bien petit Parisien, l'autre jour en m'y promenant...)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Des airs &amp;agrave; danser : Des bourr&amp;eacute;es (de Tarnac, de Sarran, de Lagrauli&amp;egrave;re ...) , des mazurkas, une scottish, 4 figures de quadrille "A ta sant&amp;eacute; mon p&amp;egrave;re Fran&amp;ccedil;ois", "Le rossignol chantait", "On appelle Antoinette" et "La caille et la b&amp;eacute;casse", plusieurs valses dont la "valse de Tarnac"... &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Pour finir, par Eug&amp;egrave;ne Tarrade, une histoire peu connue "&lt;span class="oc"&gt;la jornada ente vesiam doble&lt;/span&gt;"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Son petit fils, Arnauld GUIZERIX, &amp;agrave; qui nous devons les photos nous pr&amp;eacute;cise ;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;"...je me souviens tr&amp;egrave;s bien des airs jou&amp;eacute;s au violon par mon grand-p&amp;egrave;re Eug&amp;egrave;ne, et j'ai parfaitement reconnu sa voix &amp;eacute;galement quand il racontait ses histoires en patois. Il y a eu certainement diff&amp;eacute;rents enregistrements car il &amp;eacute;tait connu au niveau local, et je me souviens de certaines occasions, peut-&amp;ecirc;tre dans les ann&amp;eacute;es soixante ou soixante-dix, o&amp;ugrave; l'on venait l'interroger et l'enregistrer dans sa maison de Chamberet. J'&amp;eacute;tais enfant mais je garde de lui l'image d'un personnage attachant et pittoresque, qui marquait les personnes qui le connaissaient. Eug&amp;egrave;ne est n&amp;eacute; en 1890 &amp;agrave; Chamberet, &amp;eacute;tait clerc de notaire &amp;agrave; Faux la Montagne avant d'&amp;ecirc;tre appel&amp;eacute; en 1911 pour trois ann&amp;eacute;es de service militaire avant sa mobilisation pour la Grande Guerre, o&amp;ugrave; il servit comme ambulancier. De retour &amp;agrave; Chamberet apr&amp;eacute;s la guerre, il s'installa avec sa m&amp;egrave;re, veuve depuis 1909,&amp;nbsp; dans&amp;nbsp; sa grande maison de Chamberet.&amp;nbsp; Eug&amp;egrave;ne v&amp;eacute;cut dans cette maison jusqu'&amp;agrave; sa mort, vivant de sa pension d'ancien combattant, et de travaux agricoles. Il &amp;eacute;tait le violonneux du village, appr&amp;eacute;ci&amp;eacute; de tous, et animait r&amp;eacute;guli&amp;egrave;rement f&amp;ecirc;tes, veill&amp;eacute;es et mariages. Il avait une vision po&amp;ecirc;tique du monde, enrichie d'une r&amp;eacute;elle culture litt&amp;eacute;raire, et un sens de l' &amp;agrave;-propos qui le rendait attachant..."&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>M. Henri PUYJALON</text>
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                <text>La Chapelle-Montbrandeix</text>
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                <text>Haute-Vienne (87)</text>
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                <text>IEO Lemosin</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>René et Lucienne GIRY</text>
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            <name>Source</name>
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                <text>IEO251</text>
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            <description>The nature or genre of the resource</description>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;Cette enquête a été réalisée le 26 Avril 2012 au domicile de M. et Mme Giry, aux Trois-Cerisiers, sur la Commune de La Chapelle Montbrandeix (Haute Vienne) . &lt;br /&gt;Nous avons parlé de la langue, recueilli plusieurs comptines (la pita lebre, graula-graula, ardich ardich mon polin, tondut rebondut ...) , des devinettes, des histoires de brigands (Burgou ...) , quelques anecdotes relatives au loup et aux faits divers locaux (l'affaire du forcené de Vimpère), les feuillardiers, la fabrication des fauteuils de châtaignier, los carcalins ...&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <description>A name given to the resource</description>
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          <description>The URL of the local directory containing all assets of the website</description>
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                <text>https://la-biaca.org/items/show/430</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:small;"&gt; Sur la bande n° 427, il est mentionné &lt;em&gt;"Chaz nous (2/1965) interview Elie Bachas"&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:small;"&gt;A l'occasion de la St Estelle 1965, R. Dagnas a interviewé le capoulié Elie Bachas, dans cette émission, il évoque avec lui son rôle de capoulié, la Sainte Estelle, le rôle du limousin dans le félibrige, la coupo santo ...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:small;"&gt;&lt;span class="fr"&gt;Dans cette même émission, Félicie Brouillet évoque la légende de Ste Estèphe et Angèle Chabeaudie chante "lo chamin de fer&lt;/span&gt;&lt;span class="fr"&gt;"&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:small;"&gt;Quelques airs et chansons par les Tiaulins de Lignières : Chibreli-chibrela, Voilà six mois quand c'était le printemps.... &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:small;"&gt;M. Elie (Elio) Bachas, né en 1903, écrivain occitan fut Capoulié du félibrige de 1962 à 1971 &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/em&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <text>Enregistré à Chateau-Garnier (Vienne)</text>
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              <text>AD2042.mp3</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <description>A name given to the resource</description>
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                <text>Château-Garnier (1)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="319833">
                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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                <text>RD2042</text>
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                <text>Robert Dagnas</text>
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                <text>audio/mpeg</text>
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            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="319840">
                <text>https://la-biaca.org/items/show/429</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/429/DSC01036.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-family: georgia, palatino; font-size: 12pt;"&gt;Sur cet enregistrement, la bande 430, il est seulement not&amp;eacute; "Ch&amp;acirc;teau-Garnier" aucune indication de date&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: georgia, palatino; font-size: 12pt;"&gt;Il s'agit sans doute d'une collecte faite lors d'une soir&amp;eacute;e &amp;agrave; Ch&amp;acirc;teau-Garnier, dans la Vienne . Nous y entendons divers informateurs se succ&amp;eacute;der et nous raconter, en parlanjhe (poitevin-saintongeais) des histoires dr&amp;ocirc;les, &amp;eacute;voquer des souvenirs d'enfance, les veill&amp;eacute;es, &lt;span style="font-family: georgia, palatino;"&gt;l'&amp;eacute;volution&lt;/span&gt; de l'alimentation, "les repas de boudins" ... Ensuite un choeur d'enfants interpr&amp;egrave;te des chansons de qu&amp;ecirc;te (qu&amp;ecirc;te du pain, qu&amp;ecirc;te des oeufs) , quand j'&amp;eacute;tais chez mon p&amp;egrave;re, la fille du labouroux, les gorets ... l'enregistrement se termine par un concert de cor de chasse .&lt;/span&gt;&lt;br style="font-size: medium;" /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Enregistré à Brive la Gailalrde</text>
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            <name>Title</name>
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                <text>La Bourrée Limousine</text>
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                <text>[Enquêtes collectives]</text>
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                <text>RD2023</text>
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                <text>1958-12</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-family: georgia, palatino; font-size: 14pt;"&gt;Sur cet enregistrement datant probablement de d&amp;eacute;cembre 1958, nous entendons le groupe folklorique la "Bourr&amp;eacute;e Limousine". Il s'agit sans doute de la premi&amp;egrave;re bande d'une s&amp;eacute;rie , les autres n'ont a ce jour pas &amp;eacute;t&amp;eacute; rep&amp;eacute;r&amp;eacute;es .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-family: georgia, palatino; font-size: 14pt;"&gt;Nous y retrouvons, pr&amp;eacute;sent&amp;eacute; par le Dr Jean Marie Serre, un r&amp;eacute;pertoire tr&amp;egrave;s classique compos&amp;eacute; de valses, marche, bourr&amp;eacute;es... bien servi&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-family: georgia, palatino; font-size: 14pt;"&gt;La plupart de ces titres se trouvent sur le disque 33 tours produit par &lt;a href="https://la-biaca.org/items/show/12821#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-221%2C-1%2C1441%2C1019" target="_blank" rel="noopener noreferrer"&gt;Ducretet Thomson 250 V 140 &lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: georgia, palatino; font-size: 14pt; color: #808080;"&gt;&lt;span style="font-size: 12pt;"&gt;( "La Parisienne vals&amp;eacute;e" devient, par erreur probablement,&amp;nbsp;&amp;nbsp; "&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: georgia, palatino; font-size: 14pt; color: #808080;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino; font-size: 14pt; color: #808080;"&gt;&lt;span style="font-size: 12pt;"&gt;la &lt;/span&gt;&lt;/span&gt;Sauti&amp;egrave;re de Juillac")&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: georgia, palatino; font-size: 14pt;"&gt;L'enregistrement se termine par deux chants en groupe : "Depuis Paris jusqu'&amp;agrave; Valence" et " Lo Boier "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: georgia, palatino; font-size: 14pt;"&gt;La Marche du plateau Corr&amp;eacute;zien provenait du r&amp;eacute;pertoire de Raymond et Marguerite Buche (de Lafage sur Sombre) et disait : &lt;br /&gt;&lt;/span&gt;&lt;span class="oc"&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Chal&amp;nbsp; minjar dins l'escuela de bosc, &lt;br /&gt;Tu siras malaude Guilhaume&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Chal&amp;nbsp; minjar dins l'escuela de bosc, &lt;br /&gt;Tu siras malaude deman&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Bacharas dins aquela del chen, &lt;br /&gt;Tu siras malaude Guilhaume &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Bacharas dins aquela del chen,&lt;br /&gt;Siras malaude deman lo matin&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: georgia, palatino; font-size: 14pt;"&gt;La Bourr&amp;eacute;e de Naves, enseign&amp;eacute;e par les m&amp;ecirc;mes disait : &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Viva los Naves quand van velhar,&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Quand van velhar las menen las menen Quand van velhar las menen per bra&amp;ccedil;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Viva los Naves quand fan l'amor,&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Quand fan l'amor las n'en menen n&amp;ograve;stras dr&amp;ograve;las Quand fan l'amor la nuech mai lo jorn&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;Les musiciens de la Bourr&amp;eacute;e Limousine &amp;eacute;taient alors :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;&lt;span style="text-decoration: underline;"&gt;Cabrettes :&lt;/span&gt; JM Serre, Jo Serre, Jean Lacroix, Raymond Buche et Paul S&amp;eacute;lebran&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;&lt;span style="text-decoration: underline;"&gt;Accord&amp;eacute;ons :&lt;/span&gt; Yves Chavagnac et Yves Roy &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;&lt;span style="text-decoration: underline;"&gt;Vielle &amp;agrave; roue :&lt;/span&gt; Mme Marguerite Buche &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;Cette notice a &amp;eacute;t&amp;eacute; renseign&amp;eacute;e gr&amp;acirc;ce &amp;agrave; l'aide de Marcel Belette, alors &amp;agrave; la Bourr&amp;eacute;e Limousine &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12860#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=0%2C-12%2C499%2C353"&gt;qui nous a confi&amp;eacute; ces quelques photos&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;&amp;rArr; Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Brive-la-Gaillarde</name>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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                <text>IEO Lemosin, dépôt Mahé</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/427/Mathou2.jpg</text>
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                <text>&lt;p&gt;Marie Mathou est née près de Tulle, dans le bas de Poissac, en 1902. Plus tard elle a vécu en région parisienne tout en gardant des attaches au pays où elle est revenue pour la retraite avec son mari Marcel Renault. Personnage attachant, elle aimait bien raconter des histoires, ce qu’elle tenait de son père qui était un bon conteur et aussi une figure locale intéressante.&lt;/p&gt; &lt;p&gt;Cet enregistrement a servi de base à un article du Lemouzi n°181 page 12.&lt;/p&gt; &lt;p&gt;Enregistré sur cassette audio, il a été mis à notre disposition pour numérisation et mise en ligne par Clair Mahé qui en a assuré la description&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;M. &lt;strong&gt;Am&amp;eacute;d&amp;eacute;e Gervais&lt;/strong&gt; est n&amp;eacute; en 1928 au village de La Valette, commune de Javerdat, o&amp;ugrave; il a toujours v&amp;eacute;cu et o&amp;ugrave; il fut paysan. Sa famille maternelle &amp;eacute;tait originaire du village voisin de Ceinturat (commune de Cieux), connu pour son menhir, le plus haut du d&amp;eacute;partement (5,10 m&amp;egrave;tres au-dessus du sol).&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Mr Gervais tient de ses parents et de ses grands-parents de nombreux contes et l&amp;eacute;gendes autour de Ceinturat et de ses m&amp;eacute;galithes, &amp;agrave; l'&amp;eacute;poque o&amp;ugrave; le village s'appelait la ville de Lupet et o&amp;ugrave; il &amp;eacute;tait gouvern&amp;eacute; par le roi Gros-Nez.&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Il nous livre ici quelques extraits de ces histoires, certaines reprenant des trames narratives bien connues dans tout le Haut-Limousin, (voir les similitudes entre "&lt;span class="oc"&gt;lo pair Bujada e sa 'belhas&lt;/span&gt;" et &lt;a href="https://la-biaca.org/items/show/12902" target="_blank" rel="noopener"&gt;&lt;span class="oc"&gt;"la 'belha"&lt;/span&gt; par M Chastanet)&lt;/a&gt; puis une historiette fantaisiste (L'&amp;acirc;ne dans l'&amp;eacute;curie) ainsi qu'une gnorle quelque peu grivoise, l'histoire de &lt;span class="oc"&gt;l'eime&lt;/span&gt; (raison, bon-sens en occitan limousin) de la bonne du cur&amp;eacute; (une autre version dans l'enregistrement de &lt;a href="https://la-biaca.org/items/show/419" target="_blank" rel="noopener"&gt;Mme Massy 3&lt;/a&gt; &amp;agrave; 9mn 11sec ) .&lt;br /&gt;Pour finir, Mr Gervais nous raconte comment, &amp;agrave; l'&amp;acirc;ge de trois ans, il fut sauv&amp;eacute; de la poliomy&amp;eacute;lite par une vieille gu&amp;eacute;risseuse de Ceinturat, la m&amp;egrave;re Aupetit dite Cambujier, qui tenta de transmettre son don &amp;agrave; deux personnes qui se suicid&amp;egrave;rent toutes les deux, et qui finalement emporta son secret avec elle dans la tombe...&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; par Baptiste Chr&amp;eacute;tien, qui en a assur&amp;eacute; la description et le s&amp;eacute;quencement .&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Une f&amp;eacute;libr&amp;eacute;e d&amp;eacute;di&amp;eacute;e &amp;agrave; Robert Benoit, n&amp;eacute; en 1862 &amp;agrave; Mussidan. On y entendra un bel hommage &amp;agrave; la reine de la f&amp;eacute;libr&amp;eacute;e, Ginette Moreau puis des textes et chansons de R Benoit ( &lt;span class="oc"&gt;la flor de mar&amp;ccedil;, la trundilha, la nuri&amp;ccedil;a, lo jau...&lt;/span&gt;) .Ensuite la "Bourr&amp;eacute;e P&amp;eacute;rigorde" un groupe folklorique interpr&amp;egrave;te bourr&amp;eacute;es, scottishs, polkas et les premi&amp;egrave;res figures du quadrille p&amp;eacute;rigourdin, interrompu par la fin de la bande au d&amp;eacute;but de la 3&amp;egrave;me figure .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;En pr&amp;eacute;sence de M. Yves Massy (maire de 1945 &amp;agrave; 1980) ,de Marcel Fournier, majoral du f&amp;eacute;librige de 1962 &amp;agrave; 1971, de M. Jean Taulelle, pr&amp;eacute;fet ...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; &lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt; Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges .&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt; Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Une autre version de la "messe de minuit des bergers limousins".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Une &amp;eacute;tonnante traduction d' "il est n&amp;eacute; le divin enfant", un &amp;eacute;vangile "dans la langue du pays" au cours duquel sont &amp;eacute;voqu&amp;eacute;s Georges Brassens et Enrico Macias, un sermon par le p&amp;egrave;re Giry, un chant de No&amp;ecirc;l par Ang&amp;egrave;le Chabeaudie, quelques chansons de No&amp;ecirc;l par la chorale des Velhadors ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/423"&gt;Acc&amp;eacute;der &amp;agrave; la seconde partie .&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt; Sur cet enregistrement, la bande 4349,un montage qui fut probablement diffusé le soir de Noël 1962&lt;/p&gt; &lt;p&gt;Après avoir entendu les cloches de Saint Laurent sur Gorre, la présentation de la messe de Noël, des chants par la chorale des Velhadors dirigée par Piere Leplant, plusieurs chants de Noël plus ou moins connus, un serment en limousin par le chanoine Gourrier, une belle prière aux " travailleurs et aux feignants "....&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;em&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Cet enregistrement a été réalisé en 1975 par des élèves du lycée de Châlus où Jean Marc Siméonin enseignait alors et animait des activités autour de la langue limousine.&lt;br /&gt;&lt;br /&gt; Sur cette cassette audio, un nouvel enregistrement de Mme. Massy, sur la commune de Ladignac le Long en Haute Vienne suivi de plusieurs autres enregistrements de locuteurs non identifiés .&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Nous pouvons entendre, dans une belle langue, plusieurs chansons et quelques contes .&lt;br /&gt;&lt;br class="fr" style="font-size:12pt;" /&gt;&lt;br /&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:10pt;"&gt;Ces cassettes nous ont été confiées par J.M. Siméonin, collecteur et militant de longue date, pour numérisation et mise en ligne, elles ont été numérisées et traitées par Fabrice San Juan &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt; Ce film a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; au d&amp;eacute;but des ann&amp;eacute;es 1970 par Claude Sage pour le foyer des jeunes de Terrasson, il devait &amp;ecirc;tre le premier d&amp;rsquo;une s&amp;eacute;rie &amp;laquo; Contes et l&amp;eacute;gendes du P&amp;eacute;rigord &amp;raquo;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Les sc&amp;egrave;nes en ext&amp;eacute;rieur ont &amp;eacute;t&amp;eacute; tourn&amp;eacute;es &amp;agrave; Villac, Louignac,Terrasson, les sc&amp;egrave;nes d'int&amp;eacute;rieur &amp;agrave; La Ch&amp;egrave;ze, au domicile de Mme Froidefont .Le traveling avait &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; par des ouvriers de Terrasson, le film fut tourn&amp;eacute; en 16 mm avec le mat&amp;eacute;riel et les comp&amp;eacute;tences du "Cin&amp;eacute;ma des Arm&amp;eacute;es"&lt;br /&gt;Les acteurs &amp;eacute;taient tous des amateurs ayant une bonne pratique de la langue. Des d&amp;eacute;cors et ambiances impossibles &amp;agrave; filmer aujourd'hui ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ce film a &amp;eacute;t&amp;eacute; soutenu par Lucien Delmas, s&amp;eacute;nateur, et Jean Fl&amp;eacute;chet (Tecimeoc) qui s'est charg&amp;eacute; de sa diffusion . Il fut diffus&amp;eacute; dans la r&amp;eacute;gion pendant quelques ann&amp;eacute;es par l'I.E.O. Dordogne et fut prim&amp;eacute; dans un festival &amp;agrave; Barcelone . &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Sc&amp;eacute;nario et dialogue : Jean Pierre Lhomond, Jean Paul Dumas, Colette Froidefont, Christian Brug&amp;egrave;re&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Acteurs : Jean Jacques Gouzon, Marinette Latour, Germain Lhomond, Henriette Bruzaille&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Images: Bernard Cassan&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Son : Etienne Mortinie et Pascal Ingrand&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Script : Colette Guguen&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Montage : Richard Poirier&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; D&amp;eacute;cors : Colette froidefont&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Eclairage : Michel Chotard&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Musique : Jean Louis Montupet&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Chanson du g&amp;eacute;n&amp;eacute;rique : Jean Louis Garrigue, Patrick Salini&amp;eacute;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Assistant : Jacques St Jal&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Photographe : Bernard lacroix&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Directeur de la photo : Philippe Kowalski&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Effets sp&amp;eacute;ciaux : Bernard Buseyne&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; Laboratoire : NeyracFilm&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt; L&amp;rsquo;IEO lemosin a num&amp;eacute;ris&amp;eacute; une version VHS et sous-titr&amp;eacute; ce film en 2009 &lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;Sur cet enregistrement, la bande 765 aucune indication .&lt;br /&gt;La fiche correspondant nous indique seulement les dates de ces enregistrements :&lt;br /&gt;&lt;/em&gt;- Le premier document datant du &lt;em&gt;13 novembre 1957 &lt;/em&gt;semble &amp;ecirc;tre un enregistrement des "Chanteurs et Danseurs Limousins de Paris" . La chanson &lt;span class="oc"&gt;"Las robieras de Lissac"&lt;/span&gt; est chant&amp;eacute;e par Antonine et Gervais Goursollas, originaires de St Augustin . Ensuite le groupe limougeaud L' Ecole du Barbichet : Mme Farnier pr&amp;eacute;sente la pi&amp;egrave;ce "En conciliation" puis une partie de l'&amp;eacute;mission est consacr&amp;eacute;e &amp;agrave; Jean Teilliet&lt;/span&gt; &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;(1870-1931 peintre, musicien, folkloriste n&amp;eacute; &amp;agrave; St Junien o&amp;ugrave; il avait cr&amp;eacute;&amp;eacute; "la noce villageoise de St Junien" (groupe qui donnera ensuite naissance aux Veilladours)) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;- Le second document, &lt;em&gt;une &amp;eacute;mission de "Chez Nous" de Juin 1958,&lt;/em&gt; &amp;eacute;voque la l&amp;eacute;gende de St Eloi &amp;agrave; Chaptelat puis on retrouve M. Dagnas, I. Besson et les Veilladours&lt;/span&gt;&lt;/p&gt;&#13;
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          <description>The location of the interview</description>
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              <text>Plusieurs enregistrements</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="320285">
              <text>Sime2003.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="320286">
              <text>1625</text>
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          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="320287">
              <text>conte jan patois limousin occitan</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="320270">
                <text>2012-07-19 15:45:53</text>
              </elementText>
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          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="320271">
                <text>1625</text>
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            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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          <element elementId="90">
            <name>Provenance</name>
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              <elementText elementTextId="320274">
                <text>IEO Lemosin, dépôt Siméonin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mme Massy 2</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="320277">
                <text>Mme MASSY</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="320278">
                <text>SIM 002</text>
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          <element elementId="40">
            <name>Date</name>
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                <text>1975</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Jean-Marc Siméonin</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="320282">
                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="320283">
                <text>https://la-biaca.org/items/show/416</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/416/Massy_75.jpg</text>
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          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334250">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Cet enregistrement a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; en 1975 par des &amp;eacute;l&amp;egrave;ves du lyc&amp;eacute;e de Ch&amp;acirc;lus o&amp;ugrave; Jean Marc Sim&amp;eacute;onin enseignait alors et animait des activit&amp;eacute;s autour de la langue limousine. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur cette cassette audio, un nouvel enregistrement de Mme Massy sur la commune de Ladignac-le-Long en Haute-Vienne, mais aussi plusieurs autres locuteurs non identifi&amp;eacute;s. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Nous pouvons entendre, dans une belle langue, quelques contes bien r&amp;eacute;pandus sur le territoire : &lt;span class="oc"&gt;Jan lo bestia&lt;/span&gt;, 14 ans... et une &lt;span class="oc"&gt;nhorle&lt;/span&gt; : lo boc. Plusieurs interpr&amp;egrave;tes se succ&amp;egrave;dent interpr&amp;eacute;tant une chanson grivoise : "En revenant du bois", puis "&lt;span class="oc"&gt;lo pelhaire"&lt;/span&gt;, "Nanette", "Rossignolet du bois", une chanson sur une petite bretonne pas si na&amp;iuml;ve : "Pour le m&amp;eacute;tier de bonne"&lt;br /&gt;Pour finir, quelques traditions pour le jeudi saint interrompues par la fin de la bande. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Ces cassettes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es par J.M. Sim&amp;eacute;onin, collecteur et militant de longue date, pour num&amp;eacute;risation et mise en ligne. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es et trait&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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        <name>Ladignac-le-Long</name>
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        <authentication>66e8d9747bad2043a0974319977e59b6</authentication>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Enregistrement public à Uzerche</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="320302">
              <text>AD2040.mp3</text>
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          </elementTextContainer>
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        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="320303">
              <text>4355</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Archives sonores</text>
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            <elementText elementTextId="320305">
              <text>Patrimoine oral</text>
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            <elementText elementTextId="320306">
              <text>IEO Limousin</text>
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            <elementText elementTextId="320307">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="320308">
              <text>biaça</text>
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            <elementText elementTextId="320309">
              <text>besace</text>
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            <elementText elementTextId="320310">
              <text>Patois</text>
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              <text>Occitan</text>
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            <elementText elementTextId="320312">
              <text>Limousin</text>
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            <elementText elementTextId="320313">
              <text>Patois Limousin</text>
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            <elementText elementTextId="320314">
              <text>Occitan limousin</text>
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            <elementText elementTextId="320315">
              <text>Occitan Corrèze</text>
            </elementText>
            <elementText elementTextId="320316">
              <text>Patois corrèze</text>
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            <elementText elementTextId="320317">
              <text>Patois Creuse</text>
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            <elementText elementTextId="320318">
              <text>Occitan creuse</text>
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            <elementText elementTextId="320319">
              <text>Patois Haute vienne</text>
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            <elementText elementTextId="320320">
              <text>Occitan Haute Vienne</text>
            </elementText>
            <elementText elementTextId="320321">
              <text>langue limousine</text>
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            <elementText elementTextId="320322">
              <text>langue d'oc</text>
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            <elementText elementTextId="320323">
              <text>collectage</text>
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            <elementText elementTextId="320324">
              <text>collectatge</text>
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            <elementText elementTextId="320325">
              <text>collection</text>
            </elementText>
            <elementText elementTextId="320326">
              <text>colleccion</text>
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            <elementText elementTextId="320327">
              <text>mémoire</text>
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            <elementText elementTextId="320328">
              <text>memòria</text>
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            <elementText elementTextId="320329">
              <text>sonore</text>
            </elementText>
            <elementText elementTextId="320330">
              <text>contes</text>
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            <elementText elementTextId="320331">
              <text>chansons</text>
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            <elementText elementTextId="320332">
              <text>comptines</text>
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            <elementText elementTextId="320333">
              <text>rites calendaire</text>
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            <elementText elementTextId="320334">
              <text>tradition</text>
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            <elementText elementTextId="320335">
              <text>nhorles</text>
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            <elementText elementTextId="320336">
              <text>gnorles</text>
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            <elementText elementTextId="320337">
              <text>enregistrement</text>
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            <elementText elementTextId="320338">
              <text>Javerdat</text>
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            <elementText elementTextId="320339">
              <text>ENP</text>
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            <elementText elementTextId="320340">
              <text>Velhadors  musique traditionnelle</text>
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            <elementText elementTextId="320341">
              <text>accordéon</text>
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            <elementText elementTextId="320342">
              <text>violon</text>
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            <elementText elementTextId="320343">
              <text>chant</text>
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            <elementText elementTextId="320344">
              <text>bourrée</text>
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            <elementText elementTextId="320345">
              <text>danses</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
          <elementTextContainer>
            <elementText elementTextId="320346">
              <text>informateurs multiples les velhadors a uzerche</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320289">
                <text>2012-07-17 10:49:05</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>4355</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Corrèze (19)</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="320296">
                <text>RD2040</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="320297">
                <text>1958</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/415</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/415/DSC01006.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Sur cet enregistrement datant probablement de 1958, la bande 769, sans aucune indication de lieu ni de date . Il s'agit de l'enregistrement d'une repr&amp;eacute;sentation folklorique &amp;agrave; laquelle particip&amp;egrave;rent les "Veilladours de St Junian" &amp;agrave; Uzerche . Nous y retrouvons un r&amp;eacute;pertoire tr&amp;egrave;s "classique" d'un int&amp;eacute;r&amp;ecirc;t relatif (Gigue, p&amp;eacute;l&amp;eacute;l&amp;eacute;, crosada, varsovienne....) mais aussi quelques belles interpr&amp;eacute;tations de chansons : &lt;span class="oc"&gt;la bela maire&lt;/span&gt;, le seigneur et la berg&amp;egrave;re, &lt;span class="oc"&gt;la meschanta maire &lt;/span&gt;(paroles de Joseph Mazabraud) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Dans une seconde partie, apr&amp;egrave;s l'enregistrement de la remise d'une d&amp;eacute;coration &amp;agrave; M. "Fleichman", pr&amp;eacute;sident d'une amicale Corr&amp;eacute;zienne de "l'Ecole Nationale Professionnelle" une &amp;eacute;mission de radio "&lt;span class="oc"&gt;Lo temps passat&lt;/span&gt;" &lt;br /&gt;Ensuite une &amp;eacute;mission de radio avec"l' Eglantino do Lemouzi" enregistr&amp;eacute;e &amp;agrave; l' h&amp;ocirc;tel de ville de Limoges &amp;agrave; l'occasion du 25&amp;egrave;me anniversaire de la cr&amp;eacute;ation du groupe en 1933&lt;/span&gt; (&amp;agrave; 58' 12'' la "Marche des bouchers") &lt;/span&gt;&lt;br style="font-size: medium;" /&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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          <description>The location of the interview</description>
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              <text>Au domicile de Mme Rambaudoux, à Uzerche</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>Sime2002.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>Pipeta e LarametArchives sonores</text>
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              <text>Patrimoine oral</text>
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              <text>IEO Limousin</text>
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              <text>IEO LEmosin</text>
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              <text>biaça</text>
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              <text>besace</text>
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              <text>Patois</text>
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              <text>Occitan</text>
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              <text>Limousin</text>
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              <text>Occitan limousin</text>
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              <text>Patois Haute vienne</text>
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              <text>Occitan Haute Vienne</text>
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              <text>langue limousine</text>
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              <text>langue d'oc</text>
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              <text>collectage</text>
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              <text>collectatge</text>
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              <text>collection</text>
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              <text>colleccion</text>
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              <text>mémoire</text>
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              <text>memòria</text>
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              <text>sonore</text>
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              <text>contes</text>
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              <text>enregistrement</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>mme rambaudoux jean marc simeonin pipeta e laramet conte uzerche rambaudoux</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2012-07-13 10:01:34</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>1184</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Corrèze (19)</text>
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            <name>Provenance</name>
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              <elementText elementTextId="320352">
                <text>IEO Lemosin, dépôt Siméonin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="320353">
                <text>Pipeta e Laramet</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="320355">
                <text>Mme RAMBAUDOUX</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="320356">
                <text>SIM 004</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="320357">
                <text>1977</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="320358">
                <text>Jean Marc Siméonin</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="320360">
                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="320361">
                <text>https://la-biaca.org/items/show/414</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331288">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/414/Rambaudoux.jpg</text>
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          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334252">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Cet enregistrement a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; en 1977 par Jean Marc Sim&amp;eacute;onin aupr&amp;egrave;s de Madame Rambaudoux &amp;agrave; Uzerche&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur ce document nous pouvons entendre, dans une belle langue le conte &lt;span class="oc"&gt;"Pipeta e Laramet"&lt;/span&gt;&lt;br /&gt;Ensuite nous entendons Jean Marc et ses &amp;eacute;l&amp;egrave;ves du ly&amp;ccedil;&amp;eacute;e de Chalus commenter ( en occitan !) un autre conte, &lt;span class="oc"&gt;"Pitit Jan e lo diable"&lt;/span&gt; .&lt;br /&gt;Il s'agit sans doute d'une des derni&amp;egrave;res g&amp;eacute;n&amp;eacute;rations d'enfants pratiquant encore la langue .&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Ces cassettes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es par J.M. Sim&amp;eacute;onin, collecteur et militant de longue date, pour num&amp;eacute;risation et mise en ligne, elles ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es et trait&amp;eacute;es par Fabrice San Juan &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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        <name>Uzerche</name>
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  </item>
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      <file fileId="162">
        <src>https://la-biaca.org/files/original/enquetes/413/DSC00959.JPG</src>
        <authentication>9ff9b89f7ad3362e0121590cbe6a2f8e</authentication>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
                </elementText>
              </elementTextContainer>
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    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="320405">
              <text>Enregistré à Esse (Charente)</text>
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        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="320406">
              <text>AD2034.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="320407">
              <text>1919</text>
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          </elementTextContainer>
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        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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            <elementText elementTextId="320408">
              <text>Étienne</text>
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          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="320409">
              <text>informateurs multiples esse folklore</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320391">
                <text>2012-07-11 18:09:44</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320392">
                <text>1919</text>
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          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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              <elementText elementTextId="320393">
                <text>À ESSE</text>
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            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320394">
                <text>Esse</text>
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              <elementText elementTextId="320395">
                <text>Charente (16)</text>
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          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="320396">
                <text>Collection F. Etay, Fonds Dagnas</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320397">
                <text>Esse Folklore (2)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320398">
                <text>Chansons</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320399">
                <text>[Informateurs multiples]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="320400">
                <text>RD2034</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="320401">
                <text>1959-09</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320402">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320403">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="320404">
                <text>https://la-biaca.org/items/show/413</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331287">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/413/DSC00959.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334253">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Sur cet enregistrement, la bande notée "Folklore Esse, 2ème bande "&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr"&gt;, &lt;/span&gt;enregistrée le 16 septembre1959&lt;/span&gt;&lt;span class="fr"&gt; .&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Dans une première partie, l'enregistrement d'une répétition d'un groupe folklorique que nous n'avons pas identifié. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Ensuite des intervenants (M. Mathias et Mlle Pailler) parlent de la commune, les monuments, dolmen, fontaines, tilleul, église, les dévotions de la St Étienne , l'économie sinistrée ...&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;On retrouve le groupe folklorique avec une intéressante chanson "l'autre jour en m'y promenant" et quelques morceaux moins originaux.&lt;br /&gt;Pour finir sur cette bande un bonus, un morceau d'une émission de Jacques Bernier, les couleurs du temps (la bande a sans doute été réemployée) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;br /&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" 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style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:10pt;font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family:georgia, palatino;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt; &lt;br /&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt; . &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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      <name>Oral History</name>
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          <name>Local URL</name>
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              <text>AD1013A.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>548</text>
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          <name>Mot-clé</name>
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              <text>clarinette</text>
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              <text>danses traditionnelles</text>
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              <text>Dordogne</text>
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              <text>Archives sonores du Limousin</text>
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              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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              <text>IEO Lemosin</text>
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              <text>la biaça</text>
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              <text>patois limousin</text>
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              <text>collectage en limousin</text>
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              <text>mémoire sonore</text>
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              <text>mémoire orale du Limousin</text>
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          <name>Mot-clé en liste</name>
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              <text>informateurs multiples robert dagnas chez nous 714</text>
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            <name>Date Issued</name>
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                <text>2012-07-11 17:10:17</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>548</text>
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            <name>References</name>
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                <text>Chez nous, 31 octobre 1964</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Dordogne (24)</text>
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          <element elementId="90">
            <name>Provenance</name>
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                <text>Collection F. Étay, Fonds Dagnas</text>
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            <name>Title</name>
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                <text>Chez nous, février 1960</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Danse</text>
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          </element>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
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              <elementText elementTextId="320419">
                <text>RD 1013 A</text>
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            <name>Date</name>
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                <text>1960</text>
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            <name>Creator</name>
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                <text>Robert Dagnas</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="320422">
                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/412</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/412/1342019417_AugerAD1013.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur la seconde face de la bande 714 sur laquelle il est not&amp;eacute; "Enregistrement Auger 15-2-1960" nous trouvons la fin d' un enregistrement d'une des &amp;eacute;missions de "Chez Nous" probablement diffus&amp;eacute;e au d&amp;eacute;but des ann&amp;eacute;es 60. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/398"&gt;► Sur la face 1 se trouve l'enregistrement de Marcel Auger &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Nous entendrons successivement de la musique du Poitou, Pierre Biossac chantant "&lt;span class="oc"&gt;L'autre jorn m'i permenant&lt;/span&gt;", une &amp;eacute;vocation de l'automne, un texte de Charles Sylvestre sur la bourr&amp;eacute;e et des bourr&amp;eacute;es &lt;span class="fr" style="font-size: 12pt;"&gt; interpr&amp;eacute;t&amp;eacute;es par des groupes folkloriques &lt;/span&gt;(la jeanneton, la bourr&amp;eacute;e de Naves...). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 11pt;"&gt;&lt;em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Rancon ?, Châteauponsac ?</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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        <element elementId="92">
          <name>Mot-clé</name>
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              <text>Archives sonores</text>
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              <text>Patrimoine oral</text>
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            <elementText elementTextId="320465">
              <text>IEO Limousin</text>
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            <elementText elementTextId="320466">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="320467">
              <text>biaça</text>
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            <elementText elementTextId="320468">
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            </elementText>
            <elementText elementTextId="320469">
              <text>Occitan limousin</text>
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              <text>Patois Haute vienne</text>
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            <elementText elementTextId="320471">
              <text>Occitan Haute Vienne</text>
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            <elementText elementTextId="320472">
              <text>langue limousine</text>
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            <elementText elementTextId="320473">
              <text>boira pilat</text>
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            <elementText elementTextId="320474">
              <text>langue d'oc</text>
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            <elementText elementTextId="320475">
              <text>collectage</text>
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            <elementText elementTextId="320476">
              <text>collectatge</text>
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              <text>rites calendaires</text>
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              <text>maçons de la creuse</text>
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            <elementText elementTextId="320483">
              <text>émigration</text>
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              <text>Châteauponsac</text>
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              <text>Rancon</text>
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              <text>tradition</text>
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              <text>chant</text>
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            <elementText elementTextId="320488">
              <text>musique traditionnelle</text>
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            <elementText elementTextId="320489">
              <text>Saint sébastien</text>
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            <name>Extent</name>
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                <text>Haute-Vienne (87)</text>
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                <text>Rancon-Châteauponsac</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
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                <text>Robert Dagnas</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/411/DSC00641.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334255">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur cette bande sans aucune mention, un enregistrement sans doute r&amp;eacute;alis&amp;eacute; &lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;en 1960&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt; &amp;agrave; Rancon ou Ch&amp;acirc;teauponsac, en Haute-Vienne aupr&amp;egrave;s de locuteurs &amp;agrave; ce jour non identifi&amp;eacute;s. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Apr&amp;egrave;s un chant religieux &amp;agrave; St S&amp;eacute;bastien*, quelques chansons "&lt;span class="oc"&gt;Entendez vous sous la ramure&lt;/span&gt;", "Hola hola", "&lt;span class="oc"&gt;La pranliran&lt;/span&gt;", "la chanson de la mari&amp;eacute;e", et plusieurs int&amp;eacute;ressants t&amp;eacute;moignages &lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;sur&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt; la for&amp;ecirc;t de Rancon, le culte &amp;agrave; Saint S&amp;eacute;bastien*, la "&lt;em class="oc"&gt;boira-pilat&lt;/em&gt;" &amp;agrave; Ch&amp;acirc;teauponsac &lt;span style="font-size: 10pt;"&gt;(par &lt;em&gt;Germaine Baritaud ?&lt;/em&gt;)&lt;/span&gt;, l'&amp;eacute;migration des ma&amp;ccedil;ons. &lt;br /&gt;Pour clore cet enregistrement le cur&amp;eacute; de Ch&amp;acirc;teauponsac &amp;eacute;voque les "r&amp;eacute;sultats de la &lt;em&gt;boira-pilat&lt;/em&gt;". &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt;* Si le culte &amp;agrave; St S&amp;eacute;bastien a &amp;eacute;volu&amp;eacute; depuis une bonne dizaine d'ann&amp;eacute;es et la fin de la conscrition, la procession perdure et ce chant est toujours pratiqu&amp;eacute; vers le 20 janvier (Information du Mus&amp;eacute;e de Ch&amp;acirc;teauponsac).&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt; Le fonds Robert Dagnas&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Châteauponsac</name>
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        <name>Haute-Vienne (87)</name>
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              <text>nhorles</text>
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            <elementText elementTextId="320525">
              <text>gnorles</text>
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            <elementText elementTextId="320526">
              <text>musique traditionnelle de la Haute-Vienne</text>
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              <text>clarinette</text>
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            <elementText elementTextId="320528">
              <text>les salles lavauguyon</text>
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            <elementText elementTextId="320529">
              <text>jan picatau</text>
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            <elementText elementTextId="320530">
              <text>prières</text>
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            <elementText elementTextId="320531">
              <text>pregieras</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="320532">
              <text>robert dagnas les salles lavauguyon b3 enquete collective</text>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320492">
                <text>2012-07-04 08:24:28</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="320493">
                <text>1726</text>
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          <element elementId="75">
            <name>References</name>
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                <text>Les Salles-Lavauguyon 3/4</text>
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            <name>Spatial Coverage</name>
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                <text>Haute-Vienne (87)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Étay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="320498">
                <text>Les Salles-Lavauguyon 4/4</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="320499">
                <text>Musique</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Enquêtes collectives]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD 2025</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1959-11</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/410</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/410/DSC00935.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334256">
                <text>&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Sur l'enregistrement N&amp;deg; 5700 ,&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt; il est not&amp;eacute; "Les Salles Lavauguyon, bande 3, le 16/11/59". Cet enregistrement fait partie d'un ensemble de quatre bobines que nous n'avons pas encore toutes retrouv&amp;eacute;es. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Dans cet enregistrement en public, des chansons : "&lt;span class="oc"&gt;Alai alai&lt;/span&gt;", "&lt;span class="oc"&gt;Chas nos m'an maridats&lt;/span&gt;", "&lt;span class="oc"&gt;Per descendre&lt;/span&gt;"&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt; une belle chanson &amp;eacute;num&amp;eacute;rative, "&lt;span class="oc"&gt;la gerba-bauda&lt;/span&gt;". &lt;br /&gt;Puis deux magnifiques pri&amp;egrave;res (&lt;span class="oc"&gt;lo piti petar&lt;/span&gt; &lt;span style="font-size: 10pt;"&gt;- pater -&lt;/span&gt;&lt;span class="oc"&gt; dau bon diu&lt;/span&gt;, &lt;span class="oc"&gt;l'erbadis&lt;/span&gt; &lt;span style="font-size: 10pt;"&gt;- verba dei -&lt;/span&gt;) , quelques nhorles (des aventures de La Fran&amp;ccedil;oise et de Jan Picatau) et des pi&amp;egrave;ces du r&amp;eacute;pertoire (pas tr&amp;egrave;s originales mais avec quelques arrangements int&amp;eacute;ressants) jou&amp;eacute;es par une petite formation autour d'un clarinettiste. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Aucun &amp;eacute;l&amp;eacute;ment &amp;agrave; ce jour ne nous permet d'identifier les locuteurs.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family: georgia, palatino;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;. &lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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        <name>Les Salles-Lavauguyon</name>
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                  <text>Enquêtes et témoignages</text>
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              <text>biaça</text>
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              <text>Patois Haute vienne</text>
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              <text>Occitan Haute Vienne</text>
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              <text>langue limousine</text>
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              <text>langue d'oc</text>
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              <text>collectatge</text>
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              <text>collection</text>
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              <text>colleccion</text>
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              <text>memòria</text>
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              <text>musique traditionnelle</text>
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              <text>clarinette</text>
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              <text>les salles lavauguyon</text>
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          <name>Mot-clé en liste</name>
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              <text>les salles lavauguyon bonnes fontaines chateau clarinette enquete collective</text>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="320612">
                <text>2012-06-26 14:53:57</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="320613">
                <text>1962</text>
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            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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              <elementText elementTextId="320614">
                <text>Les Salles Lavauguyon 2/4</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="320617">
                <text>Collection F. Étay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="320618">
                <text>Les Salles-Lavauguyon 3/4</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="320620">
                <text>[Enquêtes collectives]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="320621">
                <text>RD-2-028</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="320622">
                <text>1959-11</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="320624">
                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="320625">
                <text>https://la-biaca.org/items/show/407</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331281">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/407/AD-2-028Bande3.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334259">
                <text>&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Sur l'enregistrement 5700 ,&lt;span class="fr" style="font-family: georgia, palatino;"&gt; il est not&amp;eacute; "&lt;span style="color: #808080;"&gt;Les Salles Lavauguyon, bande 3, le 16/11/59".&lt;/span&gt; Cet enregistrement fait partie d'un ensemble de quatre bobines que nous n'avons pas encore toutes retrouv&amp;eacute;es. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #000000;"&gt;Plusieurs s&amp;eacute;quences de natures diff&amp;eacute;rentes se suivent : Des chansons en occitan et en fran&amp;ccedil;ais : "Je viens te dire adieu, charmante Rosalie", &lt;em&gt;&lt;span class="oc"&gt;"Chan&amp;ccedil;oneta"&lt;/span&gt;&lt;/em&gt;, "Julie, ma Julie,&amp;nbsp; je viens te dire adieu", &lt;span class="oc"&gt;"&lt;em&gt;La Mion&lt;/em&gt;"&lt;/span&gt;, &lt;span class="oc"&gt;"&lt;em&gt;Chas nos m'an mardidada&lt;/em&gt;"&lt;/span&gt;, "Ah ! Voui i!", &lt;span class="oc"&gt;"&lt;em&gt;Vau vos contar 'na chan&amp;ccedil;oneta&lt;/em&gt;"&lt;/span&gt;, pr&amp;eacute;sentation de la commune des Salles-Lavauguyon puis&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt; un beau t&amp;eacute;moignage de Mme Villotte sur les bonnes fontaines&lt;/span&gt;&lt;/span&gt;.&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/407/FicheLesSalles.jpg"&gt;Acc&amp;eacute;der &amp;agrave; la fiche &amp;eacute;crite par R. Dagnas pour cet enregistrement.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Table Of Contents</name>
            <description>A list of subunits of the resource.</description>
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              <elementText elementTextId="1294002">
                <text>00:00:00.000 --&gt; 00:05:45.000
Chançoneta&#13;

00:05:45.000 --&gt; 00:08:53.000
Julie ma Julie&#13;

00:08:53.000 --&gt; 00:12:18.000
La Mion&#13;

00:12:18.000 --&gt; 00:14:15.000
Airs Limousins (Saxophone) &#13;

00:14:15.000 --&gt; 00:20:25.000
Chas nos m'an maridada&#13;

00:20:25.000 --&gt; 00:21:56.000
Les dévotions&#13;

00:21:56.000 --&gt; 00:23:42.000
Les Salles Lavauguyon, présentation&#13;

00:23:42.000 --&gt; 00:25:17.000
La seigneurie de Lavauguyon&#13;

00:25:17.000 --&gt; 00:26:26.000
Brouhaha&#13;

00:26:26.000 --&gt; 00:29:10.000
 Ah Voui !&#13;

00:29:10.000 --&gt; 00:32:42.000
Vau vos contar 'na chançoneta&#13;

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    <tagContainer>
      <tag tagId="34">
        <name>Haute-Vienne (87)</name>
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        <name>Les Salles-Lavauguyon</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
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              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="320661">
              <text>Domicile des informateurs, au bourg de Blond</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="320662">
              <text>Bordier.mp3</text>
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          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="320663">
              <text>2456</text>
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          </elementTextContainer>
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          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
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              <text>M. Claude Bordier, son mari</text>
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        </element>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>patois de Blond</text>
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              <text>occitan</text>
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              <text>Bordier</text>
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              <text>battages</text>
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              <text>châtaignes</text>
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              <text>cidre</text>
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              <text>massacre d'Oradour-sur-Glane</text>
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              <text>nazis</text>
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            <elementText elementTextId="320673">
              <text>Archives sonores du Limousin</text>
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            <elementText elementTextId="320674">
              <text>Patrimoine oral limousin</text>
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            <elementText elementTextId="320675">
              <text>IEO Limousin</text>
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            <elementText elementTextId="320676">
              <text>IEO Lemosin</text>
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            <elementText elementTextId="320677">
              <text>la biaça</text>
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            <elementText elementTextId="320678">
              <text>écouter le patois limousin</text>
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            <elementText elementTextId="320679">
              <text>écouter du patois Limousin</text>
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            <elementText elementTextId="320680">
              <text>Occitan limousin</text>
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            <elementText elementTextId="320681">
              <text>langue limousine</text>
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            <elementText elementTextId="320682">
              <text>langue d'oc en Limousin</text>
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            <elementText elementTextId="320683">
              <text>langue d'oc en pays limousin</text>
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            <elementText elementTextId="320684">
              <text>collectage en pays limousin</text>
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              <text>collectage en limousin</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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              <text>memòria</text>
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            <elementText elementTextId="320689">
              <text>mémoire sonore</text>
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            <elementText elementTextId="320690">
              <text>mémoire orale du Limousin</text>
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            <elementText elementTextId="320691">
              <text>patrimoine oral du Limousin</text>
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            <elementText elementTextId="320692">
              <text>écouter le patois de la Haute-Vienne</text>
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        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>blond suzanne bordier</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320649">
                <text>2012-06-26 10:47:31</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="320650">
                <text>IEO Lemosin, dépôt Chrétien</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="320651">
                <text>Suzanne Bordier</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="320652">
                <text>Tous les genres</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320653">
                <text>Témoignage en langue limousine recueilli à Blond en Haute Vienne, la vie dans la commune,la guerre, le momnument aux morts ...</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Suzanne BORDIER</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="320655">
                <text>CHR004</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2010-09</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Baptiste Chrétien</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/406</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="331280">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/406/EgliseBlond.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Cet enregistrement a été réalisé par Baptiste Chrétien le 2 septembre 2010 auprès de &lt;span class="artist_name"&gt;Mme Suzanne Bordier&lt;/span&gt;, née Ladégaillerie, à Blond en 1935. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Dans cet entretien en occitan, Mme Bordier nous parle de la pratique de la langue, de la vie de la commune &lt;span style="font-size:medium;"&gt;dans les années 1940 et 1950&lt;/span&gt; (les battages, les châtaignes, le cidre...), avant qu'elle ne parte vivre à Angoulême avec son époux. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;Elle revient aussi longuement sur un douloureux et peu connu épisode de l'histoire locale, lorsqu'en août 1944, quelques semaines après le massacre d'Oradour-sur-Glane, une division nazie investit le bourg de Blond, le pilla, et fusilla plusieurs de ses habitants. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Son mari Claude Bordier intervient de temps en temps durant l'entretien.&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Blond</name>
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      <tag tagId="34">
        <name>Haute-Vienne (87)</name>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Sur cette bande incomplète portant comme seule mention "Emission Exideuil, 38 cms"&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt;, M. Dagnas a enregistré un concert donné &lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt;à l'église St André d'Exideuil (Charente Limousine)&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt; par les Velhadors de St-Junian et présenté par R. Dagnas. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Après une présentation dont il manque le tout début, les Velhadors interprètent &lt;span class="oc"&gt;Nòstre Lemosin&lt;/span&gt;, (la chanson utilisée pour le générique de son émission),&lt;span class="oc"&gt; lo Chastel de Montvielh&lt;/span&gt;, un Noël limousin et la &lt;span class="oc"&gt;Santa compassion de la bona vierja Maria&lt;/span&gt; dont la fin est tronquée&lt;/span&gt;.&lt;/p&gt; &lt;p&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:10pt;font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family:georgia, palatino;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:10pt;font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;. &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Enquêtes et témoignages</text>
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                <text>Haute-Vienne (87)</text>
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                <text>Collection F. Étay, Fonds Dagnas</text>
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                <text>La Fédération Folklorique du Centre Ouest</text>
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                <text>Louis BONNAUD</text>
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                <text>1965-05</text>
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                <text>https://la-biaca.org/items/show/403</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/403/DSC00693.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 12pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Sur la bande se trouvant dans la bo&amp;icirc;te portant comme &amp;eacute;tiquette "2264&lt;span style="color: #ff0000;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;,Chez nous, 18/5/1965 dur&amp;eacute;e 13' ", M. Dagnas interroge M. &lt;strong&gt;Louis Bonnaud&lt;/strong&gt;, pr&amp;eacute;sident de la F&amp;eacute;d&amp;eacute;ration Folklorique du Centre Ouest. &lt;br /&gt;Cet enregistrement aurait &amp;eacute;t&amp;eacute; diffus&amp;eacute; le 15 mars 1965. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Enregistr&amp;eacute; &amp;agrave; l'occasion de l'assembl&amp;eacute;e g&amp;eacute;n&amp;eacute;rale de cette association qui vient de se tenir &amp;agrave; St Junien, M. Bonnaud parle de la f&amp;eacute;d&amp;eacute;ration, des groupes folkloriques de la r&amp;eacute;gion, du travail de recherche, de la prolif&amp;eacute;ration des groupes folkloriques, des diff&amp;eacute;rentes formes de folklore... &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Dans la seconde partie des groupes folkloriques &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;(Rondeau Bordelais, Aunis et Saintonge, La Bourr&amp;eacute;e Limousine, l'&amp;Eacute;cole du barbichet, les Velhadors de St-Junian) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;interpr&amp;egrave;tent "&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino; color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;les vieux airs qui font revivre avec tant d'amour&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;". &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;NB : En fin de bande nous retrouvons la fin de l'&amp;eacute;mission "Chez nous" consacr&amp;eacute;e &amp;agrave; Mme Basset diffus&amp;eacute;e en mars 1965, elle aussi sur la Bia&amp;ccedil;a : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/377"&gt; Chez nous mars 1965 ►&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;M. Bonnaud, folkloriste &amp;eacute;rudit, membre de la Soci&amp;eacute;t&amp;eacute; Arch&amp;eacute;ologique et Historique du Limousin, a publi&amp;eacute; de nombreuses &amp;eacute;tudes concernant l'ethnomusicologie, l'ethnographie, l'art populaire ... &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt; &lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; 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Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. 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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Au domicile de M. Beyssas au bourg de Travassac</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="320833">
              <text>Beyssat.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="320834">
              <text>3868</text>
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          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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            <elementText elementTextId="320835">
              <text>Archives sonores</text>
            </elementText>
            <elementText elementTextId="320836">
              <text>Patrimoine oral</text>
            </elementText>
            <elementText elementTextId="320837">
              <text>IEO Limousin</text>
            </elementText>
            <elementText elementTextId="320838">
              <text>IEO LEmosin</text>
            </elementText>
            <elementText elementTextId="320839">
              <text>la biaça</text>
            </elementText>
            <elementText elementTextId="320840">
              <text>la besace</text>
            </elementText>
            <elementText elementTextId="320841">
              <text>Patois Limousin</text>
            </elementText>
            <elementText elementTextId="320842">
              <text>Occitan limousin</text>
            </elementText>
            <elementText elementTextId="320843">
              <text>Occitan de la Corrèze</text>
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            <elementText elementTextId="320844">
              <text>patois de la corrèze</text>
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            <elementText elementTextId="320845">
              <text>langue limousine</text>
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            <elementText elementTextId="320846">
              <text>langue d'oc</text>
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            <elementText elementTextId="320847">
              <text>collectage</text>
            </elementText>
            <elementText elementTextId="320848">
              <text>collectatge</text>
            </elementText>
            <elementText elementTextId="320849">
              <text>mémoire</text>
            </elementText>
            <elementText elementTextId="320850">
              <text>memòria</text>
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            <elementText elementTextId="320851">
              <text>Travassac</text>
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            <elementText elementTextId="320852">
              <text>ardoises</text>
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            <elementText elementTextId="320853">
              <text>ardoisières</text>
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            <elementText elementTextId="320854">
              <text>Beyssas</text>
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            <elementText elementTextId="320855">
              <text>chansons traditionnelles</text>
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            <elementText elementTextId="320856">
              <text>cliveurs</text>
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            <elementText elementTextId="320857">
              <text>mineurs</text>
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          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="320858">
              <text>beyssas ardoises travassac ardoisieres correze</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320819">
                <text>2012-06-06 16:08:38</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320820">
                <text>3868</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320821">
                <text>Corrèze (19)</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320823">
                <text>IEO Lemosin, dépôt Mahé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320824">
                <text>Lo Pape</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320825">
                <text>Tous les genres</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320826">
                <text>Henri BEYSSAS</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320827">
                <text>1978</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="320828">
                <text>Clair Mahé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320829">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320830">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="320831">
                <text>https://la-biaca.org/items/show/402</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331276">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/402/Padimage.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334264">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Ce document pr&amp;eacute;sente deux enregistrements d' &lt;strong&gt;Henri Beyssas&lt;/strong&gt;, personnage bien connu dit "le Pape", r&amp;eacute;alis&amp;eacute;s &amp;agrave; Travassac (19) par Clair Mah&amp;eacute; en 1978 (Ce sont les cassettes M13 face 1 et la cassette M2 face 1et 2). &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Nous entendons d'abord M. Beyssas nous parler de sa passion pour le dessin et la sculpture sur ardoise, ensuite il nous parle du travail aux ardoisi&amp;egrave;res de Travassac, les diff&amp;eacute;rents m&amp;eacute;tiers (les mineurs, les treuillistes, les tailleurs, les cliveurs) la modernisation... Pour conclure cette partie il nous parle de la &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;g&amp;eacute;ologie puis de l'histoire des &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;ardoisi&amp;egrave;res. &lt;br /&gt;Cet enregistrement sur les ardoisi&amp;egrave;res a servi de base &amp;agrave; un article de Clair Mah&amp;eacute;, "Henri Beyssas, tailleur de pierre, vous parle", publi&amp;eacute; dans le Lemouzi n&amp;deg; 82 d'avril 1982 (p. 185-190). &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Sur le second enregistrement (&amp;agrave; partir de 27'57''), nous retrouvons &lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;M. Beyssas &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;chantant de nombreuses chansons &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;en occitan et en fran&amp;ccedil;ais &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;: des chansons sur la guerre de 70 qu'il a entendues dans les carri&amp;egrave;res, des chansons traditionnelles et quelques cr&amp;eacute;ations. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12854#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-357%2C0%2C1313%2C928"&gt;Quelques textes de chansons transcrits par Clair Mah&amp;eacute; ►&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;M. Beyssas &amp;eacute;tait ardoisier &amp;agrave; Travassac . Il &amp;eacute;tait passionn&amp;eacute; par le dessin et la sculpture sur ardoises (il avait d'ailleurs fait chez lui un petit mus&amp;eacute;e de l'ardoise qu'il se plaisait &amp;agrave; faire visiter !). Il avait fait de nombreuses recherches sur ce sujet qui lui tenait &amp;agrave; co&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;eur.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 11pt;"&gt;Nous remercions Clair Mah&amp;eacute; qui nous a confi&amp;eacute; ces documents pour la num&amp;eacute;risation et la mise en ligne. &lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s par Florence Lemoine &amp;laquo; &lt;span class="fr"&gt;eVisual &lt;span class="fr"&gt;&amp;raquo;. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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    <tagContainer>
      <tag tagId="3">
        <name>Corrèze (19)</name>
      </tag>
      <tag tagId="79">
        <name>Travassac</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="401" public="1" featured="0">
    <fileContainer>
      <file fileId="150">
        <src>https://la-biaca.org/files/original/enquetes/401/bol.jpg</src>
        <authentication>c32d988e95ec9acabe06e6fe0242696c</authentication>
      </file>
    </fileContainer>
    <collection collectionId="2">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="320873">
              <text>Au domicile des informateurs, aux Mégrets, commune de Roches (23)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="320874">
              <text>BOLS.mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>273</text>
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        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
          <elementTextContainer>
            <elementText elementTextId="320876">
              <text>Archives sonores</text>
            </elementText>
            <elementText elementTextId="320877">
              <text>Patrimoine oral</text>
            </elementText>
            <elementText elementTextId="320878">
              <text>IEO Limousin</text>
            </elementText>
            <elementText elementTextId="320879">
              <text>IEO Lemosin</text>
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            <elementText elementTextId="320880">
              <text>la biaça</text>
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            <elementText elementTextId="320881">
              <text>Patois Limousin</text>
            </elementText>
            <elementText elementTextId="320882">
              <text>Occitan limousin</text>
            </elementText>
            <elementText elementTextId="320883">
              <text>Patois de la Creuse</text>
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            <elementText elementTextId="320884">
              <text>Occitan creuse</text>
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            <elementText elementTextId="320885">
              <text>langue limousine</text>
            </elementText>
            <elementText elementTextId="320886">
              <text>langue d'oc</text>
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            <elementText elementTextId="320887">
              <text>colleccion</text>
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            <elementText elementTextId="320888">
              <text>mémoire</text>
            </elementText>
            <elementText elementTextId="320889">
              <text>memòria</text>
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            <elementText elementTextId="320890">
              <text>rites calendaire</text>
            </elementText>
            <elementText elementTextId="320891">
              <text>tradition du deuil en Creuse</text>
            </elementText>
            <elementText elementTextId="320892">
              <text>turlututu</text>
            </elementText>
            <elementText elementTextId="320893">
              <text>cimetière</text>
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            <elementText elementTextId="320894">
              <text>bols</text>
            </elementText>
            <elementText elementTextId="320895">
              <text>los boles</text>
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        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="320896">
              <text>m et mme ageorges jean francois vignaud los bols</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320860">
                <text>2012-06-06 14:27:10</text>
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          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>273</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Roches</text>
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                <text>Creuse (23)</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="320864">
                <text>IEO Lemosin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Los bòles</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320866">
                <text>Tous les genres</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320867">
                <text>M. et Mme AGEORGES</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320868">
                <text>2008</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320869">
                <text>Jean-François Vignaud</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Extrait d'un film documentaire enregistré en mars 2008 &lt;span class="fr" style="font-size:12pt;"&gt;auprès de &lt;span class="artist_name"&gt;M. &lt;/span&gt;&lt;span class="artist_name" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Henri&lt;/span&gt;&lt;/span&gt;&lt;span class="artist_name"&gt; Ageorges&lt;/span&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;au village des Mégrets sur la commune de Roches au nord de la Creuse. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Dans cet extrait, après avoir interprêté le turlututu et dit quelques proverbes, M. Ageorges nous accompagne &lt;span class="oc"&gt;"au cementèri&lt;/span&gt; &lt;span class="oc"&gt; de Rochas per nos montrar los bòles daus mòrts"&lt;/span&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span style="font-size:10pt;"&gt;Ces images ont été tournées par Amic Bedel et Stéphane Valentin (Piget Prod) pour les besoins d'un documentaire intitulé "Imagenaire" présentant l'imaginaire, la langue et la culture commune de cinq pays occitans (pays de Guéret, Midi-Quercy, Portes de Gascogne, Armagnac, Périgord Vert). Un spectacle s'appuyant sur les collectages réalisés dans ces cinq pays est né la même année. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:10pt;"&gt;Documentaire et spectacle sont rassemblés sur un double DVD paru en mai 2008. &lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>écouter le patois de la Corrèze</text>
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                <text>IEO Lemosin, dépôt BESSE</text>
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                <text>M. Vignaud 3B</text>
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            <name>Subject</name>
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                <text>Etapes de vie</text>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>Mathieu VIGNAUD</text>
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                <text>BES03F</text>
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                <text>1977-05</text>
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                <text>audio/mpeg</text>
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            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="320910">
                <text>Sound</text>
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            <name>Identifier</name>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/400/1397480681_VignaudNet.jpg</text>
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            <name>Abstract</name>
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                <text>&lt;p&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;Ce document est la suite de la s&amp;eacute;rie de 5 cassettes audio qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et diffusion par M. Vincent Besse. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Il s'agit de l'enregistrement&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt; de &lt;span class="artist_name"&gt;M. Mathieu Vignaud&lt;/span&gt;, n&amp;eacute; le 25 ao&amp;ucirc;t 1885 &amp;agrave; Pairs, sur la commune de Saint-Christophe, en Charente&amp;nbsp; limousine. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Dans cette face B de la cassette 3&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;, la suite de l'inteview pr&amp;eacute;c&amp;eacute;dente, &lt;a href="https://la-biaca.org/items/show/399"&gt;M. Vignaud 3A&lt;/a&gt; r&amp;eacute;alis&amp;eacute; en &lt;span class="fr"&gt;mai 1977, Monsieur Vignaud termine son propos sur les &amp;eacute;tapes de la vie&amp;nbsp; : le cat&amp;eacute;chisme,&amp;nbsp; l'&amp;eacute;cole, les cours d'adultes,&amp;nbsp; la premi&amp;egrave;re communion, les fian&amp;ccedil;ailles, le mariage, la mort, les d&amp;eacute;votions &amp;agrave; Brillac, la fontaine d'Etricor... &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la num&amp;eacute;risation de ces cassettes, en assez mauvais &amp;eacute;tat de conservation. &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>écouter le patois de la Corrèze</text>
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                <text>M. Vignaud 3A</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/399/Vignaud2Net.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;Ce document est la suite de la série de 5 cassettes audio qui nous a été confiée pour numérisation et diffusion par M. Vincent Besse. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Il s'agit de l'enregistrement de &lt;span class="artist_name"&gt;M. Mathieu Vignaud&lt;/span&gt;, né le 25 août 1885 à Pairs, sur la commune de Saint-Christophe, en Charente  limousine.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Dans cet enregistrement (face A de la cassette 3), réalisé en &lt;span class="fr"&gt;mai 1977, Monsieur Vignaud évoque les traditions, les rites calendaires, le vote, les guérisseurs, l'école, le catéchisme... &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:10pt;"&gt;&lt;em&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la numérisation de ces cassettes, en assez mauvais état de conservation.&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Enquêtes et témoignages</text>
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                  <text>doc: enquetes</text>
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              <text>Saint-Germain-de-Confolens</text>
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              <text>AD1013B.mp3</text>
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              <text>robert dagnas marcel auger clarinettiste confolens musique traditionnelle</text>
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            <name>Date Issued</name>
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                <text>2012-06-01 07:01:55</text>
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                <text>1239</text>
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                <text>Saint-Germain-de-Confolens</text>
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                <text>Collection F. Étay, Fonds Dagnas</text>
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                <text>Marcel Auger, clarinettiste</text>
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                <text>Danse</text>
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                <text>Marcel AUGER</text>
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                <text>RD 1013 B</text>
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                <text>1960-02</text>
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                <text>Robert Dagnas</text>
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                <text>https://la-biaca.org/items/show/398</text>
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            <name>Relation</name>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/398/AugerNet.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Sur la bande 714&lt;/span&gt; &lt;span class="fr"&gt; notée "enregistrement Auger, 15.2.60",&lt;/span&gt; &lt;span class="fr"&gt; Robert Dagnas a enregistré à St-Germain-de-Confolens le clarinettiste &lt;strong&gt;Marcel Auger&lt;/strong&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Jean (dit Marcel) Auger est né à Availles-Limouzine (Vienne) le 6 novembre 1909 et est décédé à Confolens le 19 mai 1993. Il fit partie, de 1927 à 1932, du groupe "les Veilleurs de Saint Germain" du peintre et folkloriste Jean Teilliet. &lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Au début des années 60&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;, M. Auger avait &lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;r&lt;/span&gt;&lt;/span&gt;ejoint, &lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;pour un temps, &lt;/span&gt;&lt;/span&gt;"Lo Gerbo Baudo" de Confolens. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Enregistré en présence de danseurs, M. Auger interprète là bourrées, marches, scottischs et  quadrilles, des airs qu'il jouait avec [Georges] Charpentier mais dont il "ne se rappelle plus bien... y a tellement longtemps que je ne les ai pas joués !" &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Pierre Boulanger nous a aimablement donné les indications suivantes : &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt;En N° 1.&lt;/strong&gt; La "bourrée creusoise" (?)&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;"Los as-tu vist los tetons de ma mia&lt;/span&gt; &lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Los as-tu vist per queu petit partus ? &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Son blancs son gris los tetons de ma mia&lt;/span&gt; &lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Son blancs son gris color de la perdric" &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 4.&lt;/strong&gt; L'aiga de ròcha : &lt;/span&gt;&lt;br /&gt;&lt;span class="fr topground" style="font-size:10pt;"&gt;L'aiga de ròcha te fara morir filheta &lt;br /&gt;L'aiga de ròcha te fara morir &lt;br /&gt;Ne'n morirai pas per çò que ne'n beurai gaire &lt;br /&gt;Ne'n morirai pas per çò que ne'n beurai pas !" &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; &lt;span class="fr"&gt;En &lt;/span&gt;N° 10.&lt;/strong&gt; Une marche de noces très connue, jouée avec de multiples variantes dans tout le Confolentais (et peut-être ailleurs) :&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;"Venes-tu nigaud, Segues-tu lordaud &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Venes-tu granda bestia &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Venes-tu nigaud, Segues-tu lordaud, venes-tu grand sòtiaud..." &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 12.&lt;/strong&gt; Un air de quadrille joué en marche. Le groupe folklorique de la Bourrée Limousine de Brive-la-Gaillarde le jouait sous le titre de "Marche de Brive" Je crois que c'est un air du répertoire de Dupeyrat qui demeurait à Savignac d'Allemans en Dordogne et qui a inondé toute une partie de la France de ses partitions.&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 13.&lt;/strong&gt; Le Pas d'Eté, puis la Pastourelle. Le nom des figures des quadrilles pouvait varier ; ces quadrilles étaient souvent faits de morceaux déjà connus (marches, polkas) que l'on arrangeait au gré des musiciens ; et en sens inverse des airs détachés d'un quadrille se jouaient souvent en marche.&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 16.&lt;/strong&gt; La Poule, figure de quadrille. Sur une version simplifiée, Sylvain Mautrait avait mis des paroles de son cru: "Dans Confolens, la belle ville / Il y a des filles en quantité...." et il jouait ça comme marche de noces.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#ff0000;font-size:10pt;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family:georgia, palatino;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges&lt;span style="color:#ff0000;font-size:10pt;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;».&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#ff0000;font-size:10pt;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;. &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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    <tagContainer>
      <tag tagId="68">
        <name>Charente (16)</name>
      </tag>
      <tag tagId="78">
        <name>Saint-Germain-de-Confolens</name>
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