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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous avons rencontr&amp;eacute; &lt;span class="artist_name"&gt;M. Roger Meynard&lt;/span&gt; qui nous avait &amp;eacute;t&amp;eacute; indiqu&amp;eacute; comme un informateur de qualit&amp;eacute; et nous n'avons pas &amp;eacute;t&amp;eacute; d&amp;eacute;&amp;ccedil;us.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Tr&amp;egrave;s bien accueillis, nous nous sommes install&amp;eacute;s sur la terrasse et M. Meynard, sans se faire prier, s'est pr&amp;ecirc;t&amp;eacute; au jeu de l'enregistrement. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il nous a chant&amp;eacute; quelques chanson peu connues&amp;nbsp; : &lt;span class="oc"&gt;"traina malhur, cha&amp;ccedil;a profit", "Las meneitas", "la republica"&lt;/span&gt;, il nous a ensuite parl&amp;eacute; des minoteries, du pain, de l'&amp;eacute;cole, des querelles de villages puis il nous a donn&amp;eacute; quelques belles comptines : &lt;span class="oc"&gt;la lebrauta, Baulin baulan, Ai chaval de palha&lt;/span&gt;...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;Onze ans plus tard nous sommes revenus voir M Meynard (au d&amp;eacute;but de l'ann&amp;eacute;e 2013) , &amp;eacute;quip&amp;eacute;s cette fois d'une cam&amp;eacute;ra . &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Voir ci dessous&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Traina malhur&#13;

00:01:25.000 --&gt; 00:02:25.000
Las minotarias&#13;

00:02:25.000 --&gt; 00:09:02.000
Del pan&#13;

00:09:02.000 --&gt; 00:09:34.000
Las meneitas&#13;

00:09:34.000 --&gt; 00:09:48.000
St Martial&#13;

00:09:48.000 --&gt; 00:10:35.000
Las pica-nicas entre vesins&#13;

00:10:35.000 --&gt; 00:13:17.000
l'escola&#13;

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La fabricacion del pan&#13;

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La lebrauta&#13;

00:16:35.000 --&gt; 00:16:56.000
Baulin-Baulan&#13;

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Ai chaval de palha&#13;

00:17:35.000 --&gt; 00:18:12.000
la republica&#13;

00:18:12.000 --&gt; 00:18:30.000
Del temps del cocut&#13;

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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Digne h&amp;eacute;riti&amp;egrave;re de son grand-p&amp;egrave;re, Annie, &amp;eacute;lue et militante associative, a toujours port&amp;eacute; de l'int&amp;eacute;r&amp;ecirc;t &amp;agrave; la langue et &amp;agrave; la tradition. &lt;br /&gt;Dans la tradition familiale, elle a racont&amp;eacute; ces contes &amp;agrave; ses enfants et n'h&amp;eacute;site pas &amp;agrave; en faire profiter l'assistance &amp;agrave; chaque occasion.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/395/Padimage.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande not&amp;eacute;e "Angleterre" (sans aucune autre mention) l'&amp;eacute;mission "Chez nous" telle qu'elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Limoges en d&amp;eacute;cembre 1965. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Dans cet enregistrement des &amp;eacute;vocations "Dagnassienne" (l' hiver, les veill&amp;eacute;es, No&amp;euml;l ...).&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Nous retrouvons ensuite &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt; au violon, Ir&amp;egrave;ne Besson &lt;em&gt;"Amic mon bel amic", "pastorelletta"&lt;/em&gt; de la Bourr&amp;eacute;e limousine , Henriette Couriaud qui parle des f&amp;ecirc;tes votives, &lt;em&gt;las balada&lt;/em&gt;s, Ang&amp;egrave;le Chabeaudie ( Patri&amp;ccedil;on et "le jour devant le jugement") ensuite un &amp;eacute;trange encha&amp;icirc;nement par Jaquilhon, puis &lt;em&gt;"lo chastel de Montvielh"&lt;/em&gt;, un hommage &amp;agrave; Albert Pestour, quelques annonces et enfin la conclusion de l'&amp;eacute;mission avec, &amp;agrave; nouveau, la Bourr&amp;eacute;e Limousine. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Le fonds Robert Dagnas&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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              <text>valse</text>
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                <text>Chez nous, La Burette Eugène Tomas</text>
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                <text>Tous les genres</text>
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                <text>Eugène et René THOMAS</text>
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                <text>Robert Dagnas</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 8978, l'&amp;eacute;mission "Chez Nous" telle qu'elle a probablement &amp;eacute;t&amp;eacute; diffus&amp;eacute;e sur les ondes de Radio Limoges le 25 mars 1961. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Nous retrouvons Robert Dagnas sur le terrain, chez M. et Mme Thomas au bourg de Beissat (Creuse). &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement, apr&amp;egrave;s le g&amp;eacute;n&amp;eacute;rique et une pr&amp;eacute;sentation (un peu &amp;eacute;court&amp;eacute;e !) de Beissat par Jean-Pierre Dupr&amp;eacute;s,&lt;span class="artist_name"&gt; M. Thomas&lt;/span&gt;, sabotier et joueur de vielle, nous parle de son m&amp;eacute;tier de sabotier, de son go&amp;ucirc;t pour la musique... avec le concours de sa femme ils &amp;eacute;voquent son surnom, "la Burette",&amp;nbsp; puis le d&amp;eacute;peuplement du pays, son fils &lt;span class="artist_name"&gt;Ren&amp;eacute;&lt;/span&gt; parle de sa proximit&amp;eacute; avec son p&amp;egrave;re (la musique, la saboterie et le conseil municipal). &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Cet entretien est ponctu&amp;eacute; de morceaux du r&amp;eacute;pertoire local (enregistr&amp;eacute;s dans la cuisine, Eug&amp;egrave;ne &amp;agrave; la vielle et Ren&amp;eacute; &amp;agrave; la cornemuse 16 pouces) ainsi que d'une chanson de L&amp;eacute;on Branchet "&lt;span class="oc"&gt;Mos socs&lt;/span&gt;" (mes sabots) sans doute interpr&amp;eacute;t&amp;eacute;e par &lt;span class="artist_name"&gt;Ir&amp;egrave;ne Besson&lt;/span&gt; (mais qui n'a pas &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e &amp;agrave; cette occasion).&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Local URL</name>
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              <text>las nhorlas del pair toanet antoine soubrenie clair mahe</text>
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                <text>Contes et histoires</text>
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                <text>Antoine SOUBRENIE</text>
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                <text>Clair Mahé</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Ce document pr&amp;eacute;sente trois enregistrements d&amp;rsquo;&lt;strong&gt;Antoine Soubrenie&lt;/strong&gt;, r&amp;eacute;alis&amp;eacute;s &amp;agrave; Espeyrut (Donzenac) par Clair Mah&amp;eacute; au d&amp;eacute;but des ann&amp;eacute;es 80 (Ce sont les cassettes M11 face 1 et 2 et la cassette M8 face 1)&lt;/span&gt;.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Nous entendons M. Antoine Soubrenie, dans une belle langue, nous parler de la gen&amp;egrave;se des "Troubadours Gamadous&lt;/span&gt;" &lt;span class="fr"&gt;de Donzenac : le groupe th&amp;eacute;&amp;acirc;tral puis le groupe folklorique et enfin la chorale, de leur succ&amp;egrave;s grandissant mais aussi des tensions que ces actions ont g&amp;eacute;n&amp;eacute;r&amp;eacute; sur la commune. Ensuite M. Soubrenie nous parle de sa vie, de son int&amp;eacute;r&amp;ecirc;t pour la langue, pour l&amp;rsquo;&amp;eacute;criture.&lt;/span&gt;&lt;/span&gt;..&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Il nous conte ensuite les &amp;laquo;&lt;/span&gt; &lt;span class="fr"&gt;Nhorles du p&amp;egrave;re Toinet&lt;/span&gt; &lt;span class="fr"&gt;&amp;raquo; et, pour terminer, des membres des "Troubadours Gamadous" disent deux textes et une blague en Fran&amp;ccedil;ais .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; la base d'articles et documents publi&amp;eacute;s &lt;span class="fr"&gt; dans &amp;laquo; &lt;span class="fr"&gt;La Clau &lt;span class="fr"&gt;&amp;raquo; , &amp;laquo; &lt;span class="fr"&gt;Lemouzi &lt;span class="fr"&gt;&amp;raquo;&lt;span class="fr" style="font-size: 10pt;"&gt; mais aussi &lt;span style="font-family: Arial;"&gt; dans &amp;laquo; Di lou Cantou &amp;raquo; (la revue des Corr&amp;eacute;ziens de Paris) et l&amp;rsquo;&amp;Eacute;cho du Centre. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;M. Soubrenie est n&amp;eacute; en 1920 et d&amp;eacute;c&amp;eacute;d&amp;eacute; en 2005. Tr&amp;egrave;s concern&amp;eacute; par la vie de son village, d&amp;egrave;s sa retraite il a particip&amp;eacute; de mani&amp;egrave;re tr&amp;egrave;s active &amp;agrave; la vie associative.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Il a &amp;eacute;crit des pi&amp;egrave;ces de th&amp;eacute;&amp;acirc;tre (&lt;span class="oc"&gt;La sopa a la grima&amp;ccedil;a, Quand lo liech s&amp;rsquo;esbolha, Las n&amp;ograve;&amp;ccedil;as d&amp;rsquo;&amp;ograve;r de la Julieta e del pair Tianet et los Enuegs del Pair Tianet&lt;/span&gt;) qui ont connu un beau succ&amp;egrave;s avant d'&amp;ecirc;tre publi&amp;eacute;es dans Lemouzi. &lt;br /&gt;Antoine Soubrenie a aussi &amp;eacute;crit quelques contes, les "nh&amp;ograve;rles", que nous entendons dans cet enregistrement, et compos&amp;eacute; des chansons et musique avec l&amp;rsquo;aide de son comp&amp;egrave;re musicien M. Mayjonade.&lt;/span&gt; &lt;br /&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Ces nh&amp;ograve;rles, transcrites par Clair Mah&amp;eacute; et illustr&amp;eacute;es par Laurent Schmitz ont &amp;eacute;t&amp;eacute; publi&amp;eacute;es en 1988 dans un num&amp;eacute;ro de La Clau Lemosin diponible ci dessous &lt;/span&gt; :&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12855#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=1&amp;amp;xywh=0%2C-152%2C1249%2C883"&gt;Per legir "Las nh&amp;ograve;rlas del paire Toanet"&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Nous remercions Clair Mah&amp;eacute; qui nous a confi&amp;eacute; ces documents pour la num&amp;eacute;risation et la mise en ligne, et Mme Ang&amp;egrave;le Soubrenie qui a accept&amp;eacute; la mise en ligne de ces enregistrements et a bien voulu nous transmettre les photos de son mari. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s par Florence Lemoine &amp;laquo;&lt;/span&gt; &lt;span class="fr"&gt;eVisual&lt;/span&gt; &lt;span class="fr"&gt;&amp;raquo;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Représentation folklorique</text>
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                <text>[Informateurs multiples]</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur la bande 18, M. Dagnas a enregistré plusieurs groupes folkloriques "&lt;span class="artist_name"&gt;les veilladours de St-Junien&lt;/span&gt;", "&lt;span class="artist_name"&gt;l'école Ventadour&lt;/span&gt;" présentée par M. Pierre Roussarie et "&lt;span class="artist_name"&gt;la bourrée limousine&lt;/span&gt;" présentée par le Docteur JM Serre lors d'une représentation en public. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Pas d'indication sur le lieu et la date de l'enregistrement (vers 1963). &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Nous y entendons des chansons en occitan et en français : "&lt;span class="oc"&gt;lo plus bel pais dau monde&lt;/span&gt;" (la chanson qui sert de générique à l'émission "Chez nous") puis "&lt;span class="oc"&gt;filha te maridas pas&lt;/span&gt;", "&lt;span class="oc"&gt;lo cuer de ma mia&lt;/span&gt;", "&lt;span class="oc"&gt;lo castel de Montvielh&lt;/span&gt;" par&lt;span class="artist_name"&gt; Irène Besson&lt;/span&gt; et &lt;span class="artist_name"&gt;Pierre Leplant&lt;/span&gt;, une belle version de "&lt;span class="oc"&gt;la maumaridada&lt;/span&gt;" par un chanteur de l'école ventadour, puis "Je les aimerais toujours", "belle meunière" par &lt;span class="artist_name"&gt;Bertrand Schneider&lt;/span&gt; et &lt;span class="artist_name"&gt;Lily (Alice) Auger&lt;/span&gt;, "la corrézienne"... &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;ainsi que plusieurs morceaux de musique à danser : bourrées, marches, polkas, brise-pieds, &lt;span class="oc"&gt;cotilhon verd&lt;/span&gt;, gigouillette, &lt;span class="oc"&gt;la jaça&lt;/span&gt;... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:small;"&gt;Président du groupe folklorique « Los velhadors de Sent-Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:small;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:small;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Chez nous, à Cussac</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 542, sans aucune autre mention de date ou de lieu, nous retrouvons Robert Dagnas sur le terrain. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement -&amp;nbsp;r&amp;eacute;alis&amp;eacute; &amp;agrave; priori en 1968 sur la commune de Cussac (87)&amp;nbsp;- nous entendrons un petit groupe de personnes (dont&amp;nbsp; &lt;span class="artist_name"&gt;M. Ratinaud, M. Michaud, M. Dupuy, Mme Blancher, M. Verdaud&lt;/span&gt;...) nous parler des soins (le charbon, tirer les saints...), des bonnes fontaines et des d&amp;eacute;votions de la St Jean (les marchands, le bal, la balade...). Ensuite&lt;span class="artist_name"&gt; M. Michaud&lt;/span&gt; chante "&lt;span class="oc"&gt;los dindons&lt;/span&gt;", puis nous entendrons l'&lt;span class="oc"&gt;ist&amp;ograve;ira de Mar&amp;ccedil;aud&lt;/span&gt;,&lt;span class="oc"&gt; sauta troia&lt;/span&gt;, un retour sur l'origine des bonnes fontaines et pour terminer quelques mots des danses pratiqu&amp;eacute;es au bal des bonnes fontaines.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 6695, l'&amp;eacute;mission "Chez nous" telle qu'elle fut sans doute diffus&amp;eacute;e le 9 avril 1960 sur les ondes de Radio Limoges. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Apr&amp;egrave;s une &amp;eacute;vocation de la f&amp;ecirc;te des Rameaux (Charles Silvestre), nous entendrons "&lt;span class="oc"&gt;lu turment de la Margui&lt;/span&gt;" chant&amp;eacute;e par &lt;span class="artist_name"&gt;Ir&amp;egrave;ne Besson&lt;/span&gt; accompagn&amp;eacute;e au piano, une ode au mois d'avril, un air de vielle, "&lt;span class="oc"&gt;Lo pair Matiu&lt;/span&gt;" : une chanson &amp;agrave; boire interpr&amp;eacute;t&amp;eacute;e par &lt;span class="artist_name"&gt;Pierre Biossac&lt;/span&gt;, "&lt;span class="oc"&gt;lo verme&lt;/span&gt;" : une &lt;span class="oc"&gt;nh&amp;ograve;rle&lt;/span&gt; (par &lt;span class="artist_name"&gt;Andr&amp;eacute; Danias&lt;/span&gt; ?), la recette des carcalins par &lt;span class="artist_name"&gt;Annette&lt;/span&gt;, une m&amp;eacute;lodie bretonne (An hini a garan, Celui que j'aime), la Briance, puis la conclusion de cette &amp;eacute;mission.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span&gt;Sur la bande portant le n° 8551-6, il est noté "St Auvent Sermon fin "&lt;br /&gt;&lt;br /&gt;Il s'agit de la suite de l'enregistrement, à l'église Saint-Auvent (Haute-Vienne). Une répétition dans lequel le prêtre (probablement le chanoine Durepaire) bute et peste contre ses ratés, on entend R. Dagnas lui dire qu'il n'y a pas de souci que ces hésitations seront coupées au montage.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;/span&gt;&lt;span&gt;Pas d'indication sur la date sur cet enregistrement probablement en 1959.&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;a href="https://la-biaca.org/items/show/386"&gt;Le début de ce sermon est sur la bande 8551-5.&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;À la su&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;span&gt;ite de cet enregistrement nous entendrons M. Edmond Valeille enregistré à Chauffour-sur-Veil (19) qui évoque son travail, l'élevage des oies, les méthodes d'élevage modernes, la vie d'une oie, le gavage, la vente sous contrat... &lt;/span&gt;&lt;br /&gt;&lt;span&gt;(Nous avons, une quarantaine d'années plus tard interviewé Edmond Valeille dans son moulin de Niel, &lt;a href="https://la-biaca.org/items/show/303" target="_blank" rel="noopener"&gt;cet enregistrement est aussi dins la biaça&lt;/a&gt;.) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Pour terminer nous nous retrouvons à Rouillac, en Charente voisine. On y entend les locuteurs présenter Rouillac, le Château de Lignières, le site des bouchots, la Nouère, le sport à Rouillac : le véloce club de Rouillac, le football Club de Rouillac... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Pas d'indication sur la date sur cet enregistrement. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Président du groupe folklorique « Los velhadors de Sent-Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;Il s'agit sans doute de l'enregistrement, &amp;agrave; l'&amp;eacute;glise Saint-Auvent (Haute-Vienne) d'une r&amp;eacute;p&amp;eacute;tition dans lequel le pr&amp;ecirc;tre (probablement le chanoine Durepaire) bute et peste contre ses rat&amp;eacute;s, on entend R. Dagnas lui dire qu'il n'y a pas de souci que ces h&amp;eacute;sitations seront coup&amp;eacute;es au montage.&lt;/p&gt;&#13;
&lt;p&gt;Pas d'indication sur la date sur cet enregistrement probablement en 1959.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/items/show/387"&gt;La fin de ce sermon se trouve sur la bande suivante n&amp;deg;8551-6. &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent-Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/p&gt;&#13;
&lt;p&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;</text>
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                <text>[Informateurs multiples]</text>
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          <element elementId="48">
            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="321448">
                <text>RD 1009</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="321449">
                <text>1963-09</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
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            <elementTextContainer>
              <elementText elementTextId="321450">
                <text>Robert Dagnas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="321451">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="321452">
                <text>Sound</text>
              </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="321453">
                <text>https://la-biaca.org/items/show/385</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331259">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/385/Padimage.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
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                <text>&lt;div class="disc_details disc_data"&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;Sur la bande présentée ici, l'émission "Chez Nous" probablement diffusée sur les ondes de Radio Limoges le 7 septembre 1963. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div class="disc_details disc_data"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;Dans cet enregistrement Robert Dagnas revient sur les évènements folkloriques de l'été 1963 : le festival de Confolens, Uzerche et Brive. &lt;br /&gt;- &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;De Confolens, n&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;color:#000000;"&gt;ous entendrons un groupe de musique portugaise et un Noël Confolentais&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt; &lt;span class="oc"&gt;"Voletz vos durmir"&lt;/span&gt;.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;color:#000000;"&gt;- À&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt; Uzerche se sont produits &lt;/span&gt;&lt;/span&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;color:#000000;"&gt;les cinq groupes de la maintenance du Limousin : Une messe Félibréenne à St Pierre, le pélélé par la Bourrée Limousine, une nhorle par l'école du barbichet, les filles sont comme les roses par l'école Ventadour,&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt; &lt;span class="oc"&gt;"lo cinéma"&lt;/span&gt; &lt;span style="color:#000000;"&gt;par Félicie Brouillet des Velhadors de St Junian et enfin les échos limousins d'Argentat. &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;- Quelques mots du festival de la Bourrée limousine à Brive.&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;L'émission se terminera par l'actualité des groupes folkloriques du Limousin.&lt;/span&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;br /&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;br class="fr" style="font-size:12pt;font-family:georgia, palatino;" /&gt;&lt;span style="font-size:8pt;font-family:georgia, palatino;color:#000000;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family:georgia, palatino;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt; &lt;br /&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;. &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>&lt;span style="font-size: 10pt;"&gt;Sur la bande 11, sans aucune autre mention de date ou de lieu, nous retrouvons Robert Dagnas sur le terrain, sans doute dans la r&amp;eacute;gion de St Junien .&lt;br /&gt;&lt;br /&gt;Dans cet enregistrement nous entendrons plusieurs chanteuses et chanteurs nous interpr&amp;eacute;tant des chansons en fran&amp;ccedil;ais et/ou en occitan :&lt;br /&gt;Une pastourelle, plusieurs chansons de conscrits (Julie ma Julie, L'hirondelle est partie, Je viens te dire adieu), une chanson &amp;agrave; boire (le p&amp;egrave;re Bacchus), une version improbable de la Paimpolaise en breton , deux versions du Frisat, un extrait d'un jorn dins l'estolia, puis La nuech de n&amp;ograve;&amp;ccedil;a, La Margui, Caroline, la mair Mar&amp;ccedil;auda e sos fricassons et pour finir une belle interpr&amp;eacute;tation malheureusement tronqu&amp;eacute;e de "Ha Voui" de Mayol.&lt;br /&gt;&lt;br /&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent-Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;br /&gt;&lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;</text>
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        <name>Haute-Vienne (87)</name>
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              <name>Title</name>
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                  <text>Enquêtes et témoignages</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>744ChezNous13051964.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1397</text>
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          <name>Mot-clé</name>
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              <text>Chez nous</text>
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              <text>groupes folkloriques du Limousin</text>
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              <text>Bergerettes et pastourelles</text>
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              <text>Augignac (revelhetz vos la belle</text>
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              <text>la patrie nous appelle)</text>
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            <elementText elementTextId="321578">
              <text>la coupo santa</text>
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              <text>la Sainte Estelle</text>
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              <text>patois limousin</text>
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              <text>chez nous veillees</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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            <name>References</name>
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                <text>Chez nous, février 1960</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Étay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Chez nous, 31 octobre 1964</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="321564">
                <text>[Informateurs multiples]</text>
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            <name>Source</name>
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                <text>RD 1004</text>
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                <text>Robert Dagnas</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/382</text>
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            <name>Relation</name>
            <description>A related resource</description>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Sur la bande 744,&amp;nbsp; l'&amp;eacute;mission "Chez nous" telle qu' elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Limoges. &lt;br /&gt;Plusieurs dates figurent sur l'enveloppe de ce document (31/10, 12/65, 13/5/64 ?), nous ne savons quand elle fut diffus&amp;eacute;e. Sans doute le 31 octobre 1964, puisque Dagnas mentionne le d&amp;eacute;but de l'automne...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Nous retrouvons plusieurs groupes folkloriques, une &amp;eacute;vocation de l'arriv&amp;eacute;e de l'automne, F&amp;eacute;licie Brouillet (Las femnas d'a&amp;uuml;ei),&amp;nbsp; los velhadors de St-Junian (la meschanta maire, ch&amp;egrave;re Eug&amp;eacute;nie),&amp;nbsp; Aunis et Santonge : Pierre Machon (l'enter'ment de Nez Torsut), Sabaudia, Bergerettes et pastourelles, Marguerite d'Augignac (r&amp;eacute;veillez-vous la belle, la patrie nous appelle&amp;hellip;), la copa santa, la Ste Estelle 1965 &amp;agrave; St Junien... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Le fonds Robert Dagnas&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Folklore</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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          <description>The location of the interview</description>
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              <text>Compilation de différents enregistrements en différents lieux</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>400eme.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <description>The topic of the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Sur la bande 577,&amp;nbsp; la 400&amp;egrave;me &amp;eacute;mission &lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;"Chez nous"&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt; telle qu' elle &lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;fut sans doute diffus&amp;eacute;e sur &lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;les ondes de Radio Limoges &lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;en 1970.&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Ce&amp;nbsp; jour-l&amp;agrave;, Robert Dagnas f&amp;ecirc;te les 12 ans de son &amp;eacute;mission et nous propose de retrouver plusieurs groupes folkloriques : La Couade de Troche, Les Gueurlets du Poitou, La Bourr&amp;eacute;e Limousine de Brive, les Compagnons de la joie au village d'Ussel, les Velhadors de St-Junian mais aussi F&amp;eacute;licie Brouillet, le p&amp;egrave;re Guillet, Suzanne Dragon, Pierre Machon, Pierre Biossac, Ang&amp;egrave;le Chabeaudie, &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt;...&lt;br /&gt;(Ces enregistrements ont d&amp;eacute;ja &amp;eacute;t&amp;eacute; diffus&amp;eacute;s dans d'autres &amp;eacute;missions.)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt; font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>ChezNous061258FB.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1012</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Radio Limoges</text>
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              <text>Augignac</text>
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              <text>Félicie Brouillet</text>
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              <text>langue limousine</text>
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              <text>patois limousin</text>
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              <text>Dagnas</text>
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              <text>chez nous</text>
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              <text>Chas nos</text>
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              <text>Archives sonores du Limousin</text>
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              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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            <elementText elementTextId="321631">
              <text>IEO Lemosin</text>
            </elementText>
            <elementText elementTextId="321632">
              <text>la biaça</text>
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            <elementText elementTextId="321633">
              <text>écouter le patois limousin</text>
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            <elementText elementTextId="321634">
              <text>écouter du patois Limousin</text>
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            <elementText elementTextId="321635">
              <text>Occitan limousin</text>
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            <elementText elementTextId="321636">
              <text>langue limousine</text>
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            <elementText elementTextId="321637">
              <text>langue d'oc en Limousin</text>
            </elementText>
            <elementText elementTextId="321638">
              <text>langue d'oc en pays limousin</text>
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            <elementText elementTextId="321639">
              <text>collectage en pays limousin</text>
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            <elementText elementTextId="321640">
              <text>collectage en limousin</text>
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            <elementText elementTextId="321641">
              <text>collectatge</text>
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            <elementText elementTextId="321642">
              <text>colleccion</text>
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            <elementText elementTextId="321643">
              <text>memòria</text>
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            <elementText elementTextId="321644">
              <text>mémoire sonore</text>
            </elementText>
            <elementText elementTextId="321645">
              <text>mémoire orale du Limousin</text>
            </elementText>
            <elementText elementTextId="321646">
              <text>patrimoine oral du Limousin</text>
            </elementText>
            <elementText elementTextId="321647">
              <text>écouter le patois de la Corrèze</text>
            </elementText>
            <elementText elementTextId="321648">
              <text>écouter l'occitan limousin</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>chez nous 06 12 1958 felicie brouillet</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="321601">
                <text>2012-05-10 08:11:18</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="321602">
                <text>1012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="321603">
                <text>Dordogne (24)</text>
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          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Chez nous, 6 décembre 1958</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="321607">
                <text>Tous les genres</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="321608">
                <text>Félicie BROUILLET</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="321609">
                <text>RD 1 008 A</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="321610">
                <text>1958-12</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Robert Dagnas</text>
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            <name>Format</name>
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              <elementText elementTextId="321612">
                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="321613">
                <text>Sound</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/380</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331254">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/380/06121958.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 47-A, l'&amp;eacute;mission "Chez nous" telle qu' elle fut diffus&amp;eacute;e sur les ondes de Radio Limoges le 6 d&amp;eacute;cembre 1958. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ce&amp;nbsp; jour-l&amp;agrave;, Robert Dagnas&amp;nbsp; re&amp;ccedil;oit &lt;span class="artist_name"&gt;F&amp;eacute;licie Brouillet&lt;/span&gt;, une des vedettes de son &amp;eacute;mission. Apr&amp;egrave;s avoir pr&amp;eacute;sent&amp;eacute; F&amp;eacute;licie Brouillet, celle ci&amp;nbsp; nous parle de son surnom, "&lt;span class="oc"&gt;aurelha de lebre&lt;/span&gt;" (oreille-de-li&amp;egrave;vre), elle &amp;eacute;voque sa limousinit&amp;eacute;, ses influences, ses &amp;eacute;crits,&amp;nbsp; et nous conte quelques unes de ses r&amp;eacute;cits :&amp;nbsp;&lt;span class="oc"&gt; los que ganhen l'argent a bra&amp;ccedil;at, los pitits dr&amp;ograve;lles d'ancien temps,&lt;/span&gt; la berg&amp;egrave;re de Peira-Carteu, et &lt;span class="oc"&gt;la montra&lt;/span&gt;. M. Dagnas&amp;nbsp; pr&amp;eacute;sente ensuite la "&lt;span class="oc"&gt;cronica daus noms dau mes de decembre&lt;/span&gt;", et les actualit&amp;eacute;s du mois de d&amp;eacute;cembre 1958.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/378" target="_blank" rel="noopener"&gt;On retrouvera Mme Brouillet dans une autre &amp;eacute;mission de "Chez nous" diffus&amp;eacute;e en 1969.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt; font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family: georgia, palatino;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt; .&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <text>Enregistré à Javerdat (87)</text>
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              <text>ChezNous140259.mp3</text>
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              <text>989</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Radio Limoges</text>
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              <text>Javerdat</text>
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              <text>ostensions</text>
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              <text>Jean Tharaud</text>
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              <text>Jérôme Tharaud</text>
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              <text>chez nous</text>
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              <text>chas nos</text>
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              <text>Archives sonores du Limousin</text>
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            <elementText elementTextId="321678">
              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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              <text>IEO Lemosin</text>
            </elementText>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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            <elementText elementTextId="321683">
              <text>écouter du patois Limousin</text>
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            <elementText elementTextId="321684">
              <text>Occitan limousin</text>
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            <elementText elementTextId="321685">
              <text>langue limousine</text>
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            <elementText elementTextId="321686">
              <text>langue d'oc en Limousin</text>
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              <text>langue d'oc en pays limousin</text>
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            <elementText elementTextId="321688">
              <text>collectage en pays limousin</text>
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            <elementText elementTextId="321689">
              <text>collectage en limousin</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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            <elementText elementTextId="321692">
              <text>memòria</text>
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            <elementText elementTextId="321693">
              <text>mémoire sonore</text>
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            <elementText elementTextId="321694">
              <text>mémoire orale du Limousin</text>
            </elementText>
            <elementText elementTextId="321695">
              <text>patrimoine oral du Limousin</text>
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            <elementText elementTextId="321696">
              <text>enregistrements de collectage des années 60</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>chez nous 14 02 1959</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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              <elementText elementTextId="321650">
                <text>À Javerdat</text>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="321652">
                <text>2012-05-07 15:26:18</text>
              </elementText>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="321653">
                <text>989</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
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                <text>Chez nous, février 1959</text>
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                <text>Chansons</text>
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                <text>[Informateurs multiples]</text>
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                <text>RD 1 110</text>
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                <text>1959-02</text>
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                <text>Robert Dagnas</text>
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            <name>Format</name>
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                <text>audio/mpeg</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/379</text>
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            <elementTextContainer>
              <elementText elementTextId="331253">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/379/14021959.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Sur la bande 47-B, l'&amp;eacute;mission "Chez nous" telle qu'elle fut diffus&amp;eacute;e sur les ondes de Radio Limoges le 14 F&amp;eacute;vrier 1959.&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Promenant son micro dans les bourgs limousins, Robert Dagnas a enregistr&amp;eacute; les documents pr&amp;eacute;sent&amp;eacute;s ici &amp;agrave; Javerdat commune de Haute-Vienne. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Dans cette &amp;eacute;mission nous entendrons une pr&amp;eacute;sentation de Javerdat, plusieurs "vieux airs du pays enregistr&amp;eacute;s sans appr&amp;ecirc;t" (dont quelques rares chansons interpr&amp;ecirc;t&amp;eacute;es par Pierre Biossac), des t&amp;eacute;moignages sur les ostensions, sur J&amp;eacute;r&amp;ocirc;me et Jean Tharaud par sa&lt;span class="oc"&gt; s&amp;ograve;r de lach &lt;/span&gt;(enregistr&amp;eacute; &amp;agrave; La Pouyade aupr&amp;egrave;s de Mariette Perrier n&amp;eacute;e S&amp;eacute;namaud)...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Le petit-fils de Mme Perrier nous indique :&lt;/span&gt; &lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;" ... j'&amp;eacute;tais d'ailleurs pr&amp;eacute;sent ce jour l&amp;agrave;, je me souviens tr&amp;egrave;s bien malgr&amp;eacute; mes 4 ans 1/2 de la grosse voiture de la Radio gar&amp;eacute;e aux bas des marches de la maison, une &amp;eacute;norme "Fr&amp;eacute;gate" (verte!) bourr&amp;eacute;e d'instruments, je me souviens du fil du micro qui courait sur les marches de granit, ... et ma grand m&amp;egrave;re, qui r&amp;eacute;pondait par de courtes phrases, tr&amp;egrave;s naturelle, en fran&amp;ccedil;ais, je me souviens m&amp;ecirc;me que l'interviewer avait insist&amp;eacute; pour qu'elle parle en patois, car elle voulait montrer qu'elle parlait bien le francais,....son &amp;eacute;ternel bonnet de laine tricot&amp;eacute; viss&amp;eacute; sur sa t&amp;ecirc;te .... j'avais &amp;eacute;t&amp;eacute; &amp;eacute;cart&amp;eacute; de la sc&amp;egrave;ne car j'&amp;eacute;tais trop bruyant au go&amp;ucirc;t du technicien,.... que de souvenirs lointains ..."&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: medium;"&gt;Ce document, bande 575-3, a &amp;eacute;t&amp;eacute; enregistr&amp;eacute; le 26 novembre 1969 &amp;agrave; Augignac et fut probablement diffus&amp;eacute; sur les ondes de Radio Limoges dans l'&amp;eacute;mission "Chez nous". &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="artist_name"&gt;F&amp;eacute;licie Brouillet&lt;/span&gt;, n&amp;eacute;e &amp;agrave; Piegut en Dordogne en 1907 et d&amp;eacute;c&amp;eacute;d&amp;eacute;e en 1982, est&amp;nbsp; interview&amp;eacute;e ici par Robert Dagnas. Elle nous parle de son Pierisson qui voudrait aller dans la lune. Ensuite M. Dagnas la pr&amp;eacute;sente aux auditeurs de Radio Limoges. Puis elle nous explique son go&amp;ucirc;t pour les histoires, ses publications, le costume limousin, la langue occitane, et l'avenir de celle ci :&lt;em&gt; "&lt;span class="oc"&gt;'Qu&amp;ograve; ne p&amp;ograve;t pas se perdre, 'queu-qui qu'aima son pais ne p&amp;ograve;t pas obludar la linga...&lt;/span&gt;"&amp;nbsp; &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/items/show/380" target="_blank" rel="noopener"&gt;Une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; F&amp;eacute;licie Brouillet a &amp;eacute;t&amp;eacute; diffus&amp;eacute;e en d&amp;eacute;cembre 1958. &lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&lt;br /&gt;&lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/377/MarieBasset2.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Dans ce document (la bande 628), l'&amp;eacute;mission "Chez nous" telle qu'elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Limoges au d&amp;eacute;but du mois de mars 1965). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;M. Dagnas pr&amp;eacute;sente &lt;span class="artist_name"&gt;Marie Basset&lt;/span&gt; qu'il a enregistr&amp;eacute;e au cours de l'hiver 1964 &amp;agrave; Neuville, commune de Saint-Mathieu (Haute Vienne). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Mme Basset interpr&amp;ecirc;te plusieurs chansons peu connues, elle nous parle des danses, des musiciens, des bals, des galants... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;L'&amp;eacute;mission est entrecoup&amp;eacute;e de morceaux jou&amp;eacute;s par des groupes folkloriques : "La Couade de Troche" (la bourr&amp;eacute;e d'Auvergne, suites de bourr&amp;eacute;es...) et "le rondeau bordelais" (le cap d'ail). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Pour finir on entendra aussi deux annonces : une pour le congr&amp;egrave;s de la f&amp;eacute;d&amp;eacute;ration de groupes folkloriques du Centre-ouest &amp;agrave; St-Junien et une concernant le comit&amp;eacute; d'organisation de la Sainte Estelle de 1965. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;a href="https://la-biaca.org/items/show/12809#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-255%2C0%2C1182%2C799"&gt;► Acc&amp;eacute;der &amp;agrave; la fiche &amp;eacute;crite par R. Dagnas pour cet enregistrement &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent-Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>V1faceBVignaudSaillat.mp3</text>
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              <text>agriculture metayage cereales</text>
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            <name>Date Issued</name>
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                <text>2012-04-25 07:38:44</text>
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            <description>The size or duration of the resource.</description>
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                <text>M. Vignaud 1A</text>
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                <text>Saint-Christophe</text>
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                <text>IEO Lemosin, dépôt Besse</text>
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                <text>M. Vignaud 1B</text>
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            <name>Subject</name>
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                <text>Pratiques agricoles</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Mathieu VIGNAUD</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="321783">
                <text>BES01B</text>
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            <name>Date</name>
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                <text>1977-05</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/376/1397480650_VignaudNet.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;Ce document est le deuxième d'une série de 5 cassettes audio qui nous a été confiée pour numérisation et diffusion par M. Vincent Besse. &lt;br /&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Cet enregistrement &lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;(face B de la cassette n°1)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;, réalisé en &lt;span class="fr"&gt;mai 1977, est la suite de l'enregistrement précédent. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Il s'agit de l'enregistrement de M. Mathieu Vignaud, né le 25 août 1885 à Pairs, sur la commune de Saint-Christophe, en Charente limousine. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Ici, &lt;span class="artist_name"&gt;Monsieur Vignaud&lt;/span&gt; évoque l'évolution des battages, les différentes cultures (seigle, avoine, chanvre, maïs, blé noir), le métayage... &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:10pt;"&gt;&lt;em&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la numérisation de ces cassettes, en assez mauvais état de conservation.&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;Ce document est le premier d'une série de 5 cassettes audio qui nous ont été confiées pour numérisation et diffusion par M. Vincent Besse. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Il s'agit de l' enregistrement de &lt;span class="artist_name"&gt;M. Mathieu Vignaud&lt;/span&gt;, né le 25 août 1885 à Pairs, sur la commune de Saint-Christophe, en Charente  limousine.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Dans ce premier enregistrement (face A de la cassette n°1), réalisé en &lt;/span&gt;&lt;span class="fr"&gt;mai 1977, Monsieur Vignaud évoque avec précision la culture du chanvre, la fabrication des vêtements, l'arrivée de la monnaie en papier, les outils agraires en bois, la moisson, les battages... &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:10pt;"&gt;&lt;em&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la numérisation de ces cassettes, en assez mauvais état de conservation.&lt;/em&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Date</name>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Extrait d'un enregistrement r&amp;eacute;alis&amp;eacute; le 12 avril 2010 par Baptiste Chr&amp;eacute;tien aupr&amp;egrave;s de Mme &lt;strong&gt;&lt;span class="artist_name"&gt;F&amp;eacute;licie Sottier&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
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La désertification&#13;

00:04:03.000 --&gt; 00:05:03.000
La pelharauda&#13;

00:05:03.000 --&gt; 00:09:54.000
Les maçons de la Creuse&#13;

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&lt;p&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;em&gt;Des proverbes, des différentes pièces du moulin.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;Voir ci dessous les autres enregistrements :&lt;br /&gt;&lt;span style="color:#ff6600;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/368" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/items/show/327" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color:#ff6600;"&gt;- » Premier enregistrement&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/368" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;- » Second enregistrement&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#ff6600;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:medium;color:#ff6600;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="https://la-biaca.org/items/show/369" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;- » &lt;/span&gt;Troisième enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;Troisi&amp;egrave;me partie de l'enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e chez M. et Mme Coignoux &amp;agrave; Lacombe en f&amp;eacute;vrier 2008.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Des propos sur les pratiques autour de l'eau, les levades, la tourbe, les moulins, l'eau &amp;agrave; la maison... et aussi un t&amp;eacute;moignage tr&amp;egrave;s pr&amp;eacute;cis sur l'exploitation des bois sectionnaux :&lt;/span&gt; &lt;span class="oc"&gt;las fordas&lt;/span&gt;. &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/items/show/13238#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=0%2C-34%2C985%2C667"&gt;Lo molin de Lacomba&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;Voir ci dessous les autres enregistrements :&lt;br /&gt;&lt;span style="color: #ff6600;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;a href="https://la-biaca.org/items/show/327" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color: #ff6600;"&gt;- &amp;raquo; Premier enregistrement&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/368" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;- &amp;raquo; Second enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #ff6600;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size: medium;"&gt;- &amp;raquo; &lt;/span&gt;Quatri&amp;egrave;me enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>M. et Mme COIGNOUX et M. MANOUX</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/368/StGerman103.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size: medium; color: #000000;"&gt;Seconde partie de l'enqu&amp;ecirc;te &amp;agrave; Lacombe. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span class="artist_name"&gt;M. Manoux&lt;/span&gt; nous chante une version de la &lt;a href="https://la-biaca.org/items/show/12880" target="_blank" rel="noreferrer noopener"&gt;"chanson de Pipette"&lt;/a&gt;, tr&amp;egrave;s proche de l'original (Fran&amp;ccedil;ois GRABI&amp;Eacute;, Po&amp;eacute;sies patoises, 1984, p. 128-129). Avec quelques voisins, on parle de quelques expressions et de la mani&amp;egrave;re de diriger les b&amp;ecirc;tes . &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: medium;"&gt;(Enregistr&amp;eacute; en pr&amp;eacute;sence de deux voisins.)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Voir ci dessous les autres enregistrements :&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;a href="https://la-biaca.org/items/show/327" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color: #ff6600;"&gt;- &amp;raquo; Premier enregistrement&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/369" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size: medium;"&gt;- &amp;raquo; &lt;/span&gt;Troisi&amp;egrave;me enregistrement&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size: medium;"&gt;- &amp;raquo; &lt;/span&gt;Quatri&amp;egrave;me enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Pratiques agricoles</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Raoul Amouroux, agriculteur, &lt;span class="fr"&gt;fut maire de la commune de Louignac. Comme il nous l'explique &amp;agrave; la fin du sujet, il est rest&amp;eacute; tr&amp;egrave;s proche de ses racines et soucieux de transmettre son savoir. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Dans ce film il nous explique dans une belle langue l'art de la faux, la battaison, la fabrication des manches, la pierre Lombarde... &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Enregistr&amp;eacute; sous l'oeil bienveillant de Gilles Ray (&lt;a href="https://www.demain.fr/"&gt;Demain TV&lt;/a&gt;) qui faisait, lui, un sujet sur nos enqu&amp;ecirc;tes.&lt;a href="http://www.demain.fr/les-chaines/demaintv-a-la-carte/demaintv-a-la-carte/fiche-edition/patrimoine-toques-porcelaine-et-occitan/"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Dans ce film il nous explique dans une belle langue l'art de la faux, la battaison, la fabrication des manches, la pierre Lombarde... &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/367"&gt;Acc&amp;egrave;s &amp;agrave; la version non sous-titr&amp;eacute;e&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="oc"&gt;&lt;span style="font-size:14pt;"&gt;Tot lu monde iò dira : los pus braves paniers venen dau Limosin.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Au-delà de cette évidence, il en vient une autre, parmi les plus beaux paniers d'éclisses de châtaignier faits en Limousin, ceux de Maurice Javelaud tenaient bonne place. Par centaines, paniers &lt;span class="oc"&gt;e&lt;/span&gt; deschas (panières) sont nés de l'alliance de ses doigts et du couteau. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt; D'un savoir-faire acquis auprès de son père durant ses jeunes années il développa une véritable activité vannière une fois à la retraite. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt; Qui, dans ce petit coin du Limousin, ne l'a pas rencontré derrière son banc de paniers dans toutes les fêtes artisanales du pays ?&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;C'est dans son village de Bournazeau (commune d'Oradour-sur-Vayres) où il a toujours vécu que nous avons rencontré Maurice au printemps 2009. Au cours de deux après-midi, nous avons suivi les étapes de fabrication d'un panier dans l'obscurité de la vieille maison qui lui servait d'atelier. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Les explications sont souvent succinctes, parfois sibyllines &lt;span class="oc"&gt;"Qu'es mas mesuras a me !".&lt;/span&gt;.. Il reste à voir, à observer, à décrypter un geste, des réflexions, des attitudes, tant de choses héritées de siècles de savoir paysan en matière de vannerie traditionnelle.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Enquête réalisée à la maison de retraite de Lubersac&lt;/span&gt;. &lt;br /&gt;&lt;span style="font-size:medium;"&gt;Enregistrements des 7 février et 3 avril 2003. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Ont participé :&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Mesdames &lt;span class="artist_name"&gt;Delaud, Léa Golfier, Malaval, Marie-Eugénie Maligne, Jeanne Pacaud Renaudie, Séranno, Valéry,&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Messieurs &lt;span class="artist_name"&gt;André Bagnaud , Lacaurie, Pouyadoux, Roudier, René henri Royer, et André Salesse.&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Nous tenons à remercier la direction de l'établissement et le personnel qui nous ont permis de faire ces enregistrements dans les meilleures conditions.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>IEO Lemosin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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                <text>Contes et histoires</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Vid&amp;eacute;o en occitan, Vid&amp;eacute;o en patois, Vid&amp;eacute;o en limousin, Conte en occitan, Conte en patois, Conte en limousin,</text>
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                <text>Henri CHASTANET</text>
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            <name>Date</name>
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            <description>A name given to the resource</description>
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                <text>M. &amp; Mme AGEORGES 1/3</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>M. et Mme AGEORGES</text>
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            <name>Date</name>
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            <name>Creator</name>
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                <text>Bernard Cauhapé, Guillaume Lopez et Jean-François Vignaud</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>video/mp4</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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          </element>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/356/1324282852_Ageorges.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Première partie de l'enquête réalisée en août 2007 auprès de &lt;span class="artist_name"&gt;M. et Mme Ageorges&lt;/span&gt;, aux Mégrets, commune de Roches (23). &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Images : Bernard Cauhapé, assisté de Guillaume Lopez. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Creuse (23)</name>
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        <name>Roches</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Identifier</name>
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      <name>Oral History</name>
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          <description>The location of the interview</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Archives sonores du Limousin</text>
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            <elementText elementTextId="322541">
              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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              <text>IEO Lemosin</text>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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              <text>écouter du patois Limousin</text>
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              <text>colleccion</text>
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              <text>mémoire orale du Limousin</text>
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              <text>patrimoine oral du Limousin</text>
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            <elementText elementTextId="322559">
              <text>écouter le patois de la Corrèze</text>
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            <elementText elementTextId="322560">
              <text>écouter le patois d'Ayen</text>
            </elementText>
            <elementText elementTextId="322561">
              <text>écouter le parler d'Ayen</text>
            </elementText>
            <elementText elementTextId="322562">
              <text>voir la fabrication de paniers expliquée en patois d'Ayen</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="322524">
                <text>2011-12-14 15:09:25</text>
              </elementText>
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          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="322525">
                <text>252</text>
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          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="322526">
                <text>Ayen</text>
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              <elementText elementTextId="322527">
                <text>Corrèze (19)</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="322528">
                <text>IEO Lemosin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322529">
                <text>Far daus paniers (version sous-titrée)</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322530">
                <text>Savoir-faire</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322531">
                <text>Marcel VEYSSET</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322532">
                <text>2008</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322533">
                <text>F.P.C. Atelier vidéo</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322534">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322535">
                <text>Moving Image</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="322536">
                <text>https://la-biaca.org/items/show/355</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/355/veyssetweb.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334311">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Ce petit film a été réalisé par l'Atelier Vidéo du Foyer Post Cure à Brive sur commande de l'&lt;span class="oc"&gt;Institut d'Estudis Occitans dau Lemosin&lt;/span&gt;&lt;/span&gt;. &lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Enregistré en 2008 lors de deux visites à l'atelier de M. Veysset, au bourg d'Ayen. &lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Il fait partie d'une suite de petits reportages réalisés sur Ayen à la demande de l'Association des Amis d'Ayen. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Le DVD "Ayen au fil du temps" est disponible à l'Office de Tourisme. &lt;/span&gt;&lt;/p&gt;</text>
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        <name>Ayen</name>
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        <name>Corrèze (19)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Au domicile des informateurs, Senoueix de Gentioux Pigerolles</text>
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          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="322578">
              <text>Lauby.mp4</text>
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          </elementTextContainer>
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        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>797</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>morceaux traditionnels de la Creuse</text>
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              <text>musiques traditionnelles de la Creuse à l'accordéon</text>
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            <elementText elementTextId="322582">
              <text>écouter des musiques d'accordéon de la Creuse</text>
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            <elementText elementTextId="322583">
              <text>Archives sonores du Limousin</text>
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            <elementText elementTextId="322584">
              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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            <elementText elementTextId="322586">
              <text>IEO Lemosin</text>
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            <elementText elementTextId="322587">
              <text>la biaça</text>
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            <elementText elementTextId="322588">
              <text>écouter le patois limousin</text>
            </elementText>
            <elementText elementTextId="322589">
              <text>écouter du patois Limousin</text>
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            <elementText elementTextId="322590">
              <text>Occitan limousin</text>
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            <elementText elementTextId="322591">
              <text>langue limousine</text>
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            <elementText elementTextId="322592">
              <text>langue d'oc en Limousin</text>
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            <elementText elementTextId="322593">
              <text>langue d'oc en pays limousin</text>
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              <text>collectage en pays limousin</text>
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              <text>collectage en limousin</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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              <text>mémoire orale du Limousin</text>
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              <text>patrimoine oral du Limousin</text>
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              <text>écouter le patois de la Corrèze</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="322603">
              <text>accordeon bourrees bals bals clandestins</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="322564">
                <text>2011-12-13 14:04:48</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>797</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="322566">
                <text>Gentioux-Pigerolles</text>
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                <text>Creuse (23)</text>
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            <name>Provenance</name>
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            <elementTextContainer>
              <elementText elementTextId="322568">
                <text>IEO Lemosin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322569">
                <text>M. et Mme LAUBY</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322570">
                <text>Tous les genres</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322571">
                <text>Raymond et Yvonne LAUBY</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322572">
                <text>2010-07</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322573">
                <text>Pascal Boudy et Jean-Marie Caunet</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="322574">
                <text>video/mp4</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Moving Image</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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                <text>https://la-biaca.org/items/show/354</text>
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          </element>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Extraits du collectage chez M. et Mme Lauby, domiciliés à Senoueix, commune de Gentioux- Pigerolles&lt;/span&gt;.&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="artist_name"&gt;Raymond et Yvonne Lauby&lt;/span&gt; nous ont aimablement consacré un peu de temps, ils ont évoqué avec nous les danses, les bals, les bals &lt;span class="fr" style="font-size:12pt;"&gt;clandestins&lt;/span&gt;, le rôle de "musiciens de bal remplaçant"... M. Lauby (dont le grand-père jouait déja de l'accordéon) nous a joué quelques pièces de son répertoire. &lt;/span&gt;&lt;/p&gt;</text>
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              <text>écouter le patois de la Corrèze</text>
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              <text>écouter les parlers corréziens</text>
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                <text>Brignac-la-Plaine</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Brignac [2/2]</text>
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            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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                <text>[Enquêtes collectives]</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/353/Padimage.jpg</text>
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          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <name>Title</name>
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              <text>écouter le patois de Turenne</text>
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              <text>écouter le parler de Turenne</text>
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              <text>écouter les parlers de la Corrèze</text>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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              <text>patrimoine oral du Limousin</text>
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              <text>écouter le patois de la Corrèze</text>
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                <text>IEO Lemosin, dépôt Pouget</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="322650">
                <text>Pouget 2</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="322653">
                <text>9-0002</text>
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            <name>Date</name>
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              <elementText elementTextId="322654">
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                <text>Ghislaine et Michel Pouget</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322656">
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="322657">
                <text>Sound</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/352/Padimage.jpg</text>
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            <name>Abstract</name>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Ces enregistrements ont été faits en 1978 par Ghislaine et Michel Pouget auprès de deux informatrices : &lt;span class="artist_name"&gt;Mme Moulène&lt;/span&gt; et&lt;span class="artist_name"&gt; Mme Albert&lt;/span&gt;. &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Sur ce document nous retrouvons une randonnée (que nous avons entendue a plusieurs reprises vers Chamboulive) enregistrée dans la région de Meyssac.&lt;br /&gt; Nous trouverons ensuite comptines, chansons, recettes, ainsi que de précieux renseignements sur Turenne, la Font St Clar, la Babilharda, Linoire...&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/351/ageorges2.jpg</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e en mai et juin 2007&lt;span class="fr"&gt; dans le cadre de l'enqu&amp;ecirc;te th&amp;eacute;matique : l'eau en Montagne limousine / &lt;span class="oc"&gt;de la font a la mar&lt;/span&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Nous avons rencontr&amp;eacute; au Longy &lt;span class="artist_name"&gt;Mme Jocent&lt;/span&gt; et &lt;span class="artist_name"&gt;M. Poulet&lt;/span&gt;, son fr&amp;egrave;re, puis &amp;agrave; deux reprises &lt;span class="artist_name"&gt;M. Raturat&lt;/span&gt; qui, lors de notre seconde visite, nous a parl&amp;eacute; de la fabrication des paniers. &lt;span class="oc"&gt;E de plan braves paniers !!&lt;br /&gt;&lt;br /&gt;&lt;span class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/12839#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-250%2C0%2C1098%2C776"&gt;Voir la Galerie&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <description>The URL of the local directory containing all assets of the website</description>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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              <text>patrimoine oral du Limousin</text>
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              <text>écouter le patois de la Corrèze</text>
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                <text>M. &amp; Mme AGEORGES 1/3</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Roches</text>
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                <text>Creuse (23)</text>
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            <name>Provenance</name>
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                <text>IEO Lemosin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>M. &amp; Mme AGEORGES 2/3</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Bernard Cauhapé, Guillaume Lopez et Jean-François Vignaud</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>video/mp4</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Moving Image</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/347</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/347/Ageorges.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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        <name>Creuse (23)</name>
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        <name>Roches</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
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      <name>Oral History</name>
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          <name>Location</name>
          <description>The location of the interview</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>ChezBardon1.mp4</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Les savoir-faire traditionnels expliqués en patois</text>
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              <text>Archives sonores du Limousin</text>
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              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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              <text>IEO Lemosin</text>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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              <text>écouter du patois Limousin</text>
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              <text>Occitan limousin</text>
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              <text>langue limousine</text>
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              <text>langue d'oc en Limousin</text>
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            <elementText elementTextId="322927">
              <text>langue d'oc en pays limousin</text>
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              <text>collectage en pays limousin</text>
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              <text>collectage en limousin</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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              <text>memòria</text>
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              <text>mémoire sonore</text>
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              <text>mémoire orale du Limousin</text>
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              <text>patrimoine oral du Limousin</text>
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              <text>écouter le patois de la Corrèze</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="322900">
                <text>2011-12-02 11:07:45</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>1602</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Saint-Victor-en-Marche</text>
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                <text>Creuse (23)</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="322904">
                <text>IEO Lemosin</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>M. CHEZ BARDON</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="322906">
                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Maxime CHEZ BARDON</text>
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            <name>Date</name>
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            <name>Creator</name>
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                <text>Bernard Cauhapé, Guillaume Lopez et Jean-François Vignaud</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="322910">
                <text>video/mp4</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/346/film_creuse_1.Image_fixe002.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Enquête réalisée par Jean-François Vignaud&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt; en Aout 2007 auprès de &lt;span class="artist_name"&gt;Maxime Chez Bardon&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Images Bernard Cauhapé, assisté de Guillaume Lopez&lt;/span&gt;&lt;/span&gt;.&lt;/p&gt;</text>
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        <name>Creuse (23)</name>
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