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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Sur cette seconde face de la cassette, &lt;strong&gt;Jan&lt;/strong&gt; parle du ch&amp;acirc;taignier, de ch&amp;acirc;taignes et de leur r&amp;ocirc;le dans la soci&amp;eacute;t&amp;eacute; traditionnelle limousine.&lt;br /&gt;&lt;br /&gt;Sur la premi&amp;egrave;re face &amp;eacute;tait enregistr&amp;eacute;e une &amp;eacute;mission consacr&amp;eacute;e aux bergers sculpt&amp;eacute;s de Vicq-sur-Breuilh (&lt;a href="https://la-biaca.org/items/show/13470" target="_blank" rel="noopener"&gt;cliquez ici pour l'&amp;eacute;couter&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: large;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background: #f3ede2; cursor: pointer; font-family: 'Open Sans';"&gt;&lt;/a&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;span style="color: #333333;"&gt;&lt;span style="font-size: 10pt;"&gt;Personnage incontournable de la culture limousine,&amp;nbsp;&lt;strong&gt;Jan dau Melhau&lt;/strong&gt;&amp;nbsp;est &amp;eacute;crivain, &amp;eacute;diteur (&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 10pt;"&gt;Lo chamin de sent Jaume)&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 10pt;"&gt;, collecteur, musicien, chanteur, conteur, diseur, etc.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background: transparent; cursor: pointer;"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>Los bargiers d'a Vic</text>
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Instrumental&#13;

00:00:24.000 --&gt; 00:03:24.000
Las chastinhas&#13;

00:03:24.000 --&gt; 00:05:45.000
Per empeutar&#13;

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La recòlta&#13;

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Biais de minjar las chastinhas&#13;

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Las malaudias&#13;

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Qué ne'n far ?&#13;

00:22:13.000 --&gt; 00:24:10.000
Los pitits muebles&#13;

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Daus bois de sejatge&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="https://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt;&lt;/a&gt; lors d&amp;rsquo;une &amp;laquo; apr&amp;egrave;s-midi dansante &amp;raquo; &amp;agrave; Tarnac (19), le dimanche 17 d&amp;eacute;cembre 1989.&lt;/span&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Les musiciens sont surtout &lt;strong&gt;Olivier Durif&lt;/strong&gt; (accord&amp;eacute;on diatonique) et &lt;strong&gt;Philippe Destrem&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;(vielle).&lt;/span&gt;&lt;/div&gt;&#13;
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Caifa-te bian&#13;

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Ai vist lo lop&#13;

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L’aiga de ròsa&#13;

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Ab’aquí&#13;

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Passan sur la plancheta&#13;

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E quand las peras son maduras&#13;

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Piere labora&#13;

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Mazurka&#13;

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Quand la Margui s’en vai au molin.&#13;

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E ieu me pele Toana&#13;

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Chantons les filles quand elles veulent se marier&#13;

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Une p’tite voiture&#13;

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Polka piquée&#13;

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Elle a un trou la marmite&#13;

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00:16:04.000 --&gt; 00:17:19.000
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Mazurka&#13;

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Bourrée valsée&#13;

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Le tourniquet de Saint-Flour&#13;

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La Montagnarde&#13;

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Bourrée valsée&#13;

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Giatte des 2 meilleurs danseurs&#13;

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Giatte autour d’une bouteille&#13;

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Bourrée&#13;

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Para lo lop&#13;

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A ta santat mon pair François&#13;

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L’Aurillacoise&#13;

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L’aiga de ròsa&#13;

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Vai vai vai chamejada&#13;

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Marche&#13;

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La gigue&#13;

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Bonjour Françoise ; La balada&#13;

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Lo chat e lo rat&#13;

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Chibreli chibrela&#13;

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La Valentinou&#13;

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Ab’aqui&#13;

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Vai vai vai chamejada&#13;

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Ma maire n’avia mas ’na dent&#13;

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Scottish&#13;

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31 de decembre : Para lo lop&#13;

00:00:14.000 --&gt; 00:02:18.000
Enviatz-nos l'estrena&#13;

00:02:18.000 --&gt; 00:02:32.000
1er de genier : Tres parelhs de chauçons&#13;

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Lo debut de l'annada&#13;

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Richard&#13;

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La mòrt e lo bucheron&#13;

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Los golards&#13;

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4 de genier :  Drolleta qu'avetz los uelhs doç&#13;

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'Na pregiera&#13;

00:12:07.000 --&gt; 00:12:23.000
5 de genier : Ai vist lo lop&#13;

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Las chastinhas&#13;

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6 de genier : Leva lo pè&#13;

00:14:32.000 --&gt; 00:15:05.000
Lo jorn daus reis&#13;

00:15:05.000 --&gt; 00:16:48.000
Un conte de la raba&#13;

00:16:48.000 --&gt; 00:16:59.000
7 de genier : Avau dins las robieras&#13;

00:16:59.000 --&gt; 00:19:04.000
Sent Teau&#13;

00:19:04.000 --&gt; 00:19:19.000
8 de genier : Lo garçon que te parle&#13;

00:19:19.000 --&gt; 00:19:52.000
Tres libreton de "M.G"&#13;

00:19:52.000 --&gt; 00:21:28.000
Françon&#13;

00:21:28.000 --&gt; 00:21:42.000
9 de genier : Si sabiatz drolletas&#13;

00:21:42.000 --&gt; 00:23:48.000
Borsa-giau&#13;

00:23:48.000 --&gt; 00:23:56.000
10 de genier : Lo pus jòune de la chambra&#13;

00:23:56.000 --&gt; 00:26:13.000
La randonada de la rata nejada&#13;

00:26:13.000 --&gt; 00:26:25.000
11 de genier : La vòle mai l'aurai&#13;

00:26:25.000 --&gt; 00:28:25.000
Los proverbis dau mes de genier&#13;

00:28:25.000 --&gt; 00:28:42.000
12 de genier : Galant tant fièras que son las dròllas de ton país&#13;

00:28:42.000 --&gt; 00:30:43.000
Lo respect de l'aubre&#13;

00:30:43.000 --&gt; 00:30:55.000
13 de genier : La senzilha e lo pinson&#13;

00:30:55.000 --&gt; 00:33:01.000
Un conte de tradicion&#13;

00:33:01.000 --&gt; 00:33:11.000
14 de genier : La Glauda&#13;

00:33:11.000 --&gt; 00:35:37.000
Los maçons&#13;

00:35:37.000 --&gt; 00:35:50.000
15 de genier : Garda ton bon temps&#13;

00:35:50.000 --&gt; 00:36:28.000
Joseph-Anne Vialle&#13;

00:36:28.000 --&gt; 00:38:15.000
La pesta d'a Tula&#13;

00:38:15.000 --&gt; 00:38:28.000
16 de genier : Un puelh sus un taboret&#13;

00:38:28.000 --&gt; 00:40:47.000
Las femnas dichas "aisadas"&#13;

00:40:47.000 --&gt; 00:41:04.000
17 de genier : Lo pitit òme&#13;

00:41:04.000 --&gt; 00:43:25.000
Los proverbis&#13;

00:43:25.000 --&gt; 00:43:34.000
18 de genier : La chançon de las meissonjas&#13;

00:43:34.000 --&gt; 00:45:49.000
'Na permenada correntina&#13;

00:45:49.000 --&gt; 00:46:04.000
19 de genier : Delai lo ribateu&#13;

00:46:04.000 --&gt; 00:48:29.000
Sent Vauric&#13;

00:48:29.000 --&gt; 00:48:39.000
20 de genier : Que sabiá pas ren faire&#13;

00:48:39.000 --&gt; 00:51:03.000
Lo conte daus maniganç&#13;

00:51:03.000 --&gt; 00:51:11.000
21 de genier : Passavan tres chaçaires&#13;

00:51:11.000 --&gt; 00:52:26.000
L'ivern 1788-1789&#13;

00:52:26.000 --&gt; 00:53:37.000
Un temonhatge&#13;

00:53:37.000 --&gt; 00:53:47.000
22 de genier : Lo mes de mai vendrá&#13;

00:53:47.000 --&gt; 00:54:17.000
Firmin Marbeu&#13;

00:54:17.000 --&gt; 00:00:00.000
Pebarret lo medecin&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="https://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/strong&gt;&lt;/a&gt; aupr&amp;egrave;s de Mme Terracol, &amp;agrave; son domicile de Felletin (23), le samedi 26 janvier 1991.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&#13;
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Le Manuguet&#13;

00:03:20.000 --&gt; 00:05:13.000
Le casse-noisettes&#13;

00:05:13.000 --&gt; 00:06:39.000
Se ’niran pas tots los garçons ’quest’ annada&#13;

00:06:39.000 --&gt; 00:11:22.000
La Carrée.&#13;

00:11:22.000 --&gt; 00:14:33.000
Mazurka&#13;

00:14:33.000 --&gt; 00:16:08.000
Une glissante&#13;

00:16:08.000 --&gt; 00:20:59.000
L’eau de rose&#13;

00:20:59.000 --&gt; 00:21:16.000
Le Panliran ?&#13;

00:21:16.000 --&gt; 00:22:50.000
Chibreli Chibrela&#13;

00:22:50.000 --&gt; 00:24:39.000
La Chamejada&#13;

00:24:39.000 --&gt; 00:26:12.000
C’est comme ça que les grands-parents la faisaient&#13;

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C’est pareil que la chabra bura&#13;

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La gigue&#13;

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Il joue des vieilles danses...&#13;

00:36:00.000 --&gt; 00:37:21.000
Des petites chansons de noces ?&#13;

00:37:21.000 --&gt; 00:39:50.000
La chèvre&#13;

00:39:50.000 --&gt; 00:41:40.000
Un tot pitit bocin ; Le diable ton fourbi ; Ta testa te fai mau sadolaud&#13;

00:41:40.000 --&gt; 00:44:59.000
Et le Père Counaud ?&#13;

00:44:59.000 --&gt; 00:00:00.000
Quête des oeufs pour le Mardi-Gras&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Ici, les enregistrements du 12 novembre au 7 d&amp;eacute;cembre de l'ann&amp;eacute;e 1984.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Jan&lt;/strong&gt; propose plusieurs proverbes, divers contes, ainsi que quelques r&amp;eacute;flexions personnelles ; le tout ponctu&amp;eacute; par des airs de bourr&amp;eacute;e.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Sur la face A de la cassette, les s&amp;eacute;quences 1 &amp;agrave; 28.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Personnage incontournable de la culture limousine, Jan dau Melhau est &amp;eacute;crivain, &amp;eacute;diteur (Lo chamin de sent Jaume), collecteur, musicien, chanteur, conteur, diseur, etc.&lt;/span&gt;&lt;/div&gt;&#13;
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12 de novembre : Aval dins lo Lemosin&#13;

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Lo mau daus ardents&#13;

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13 de novembre : La senzilha e lo pinson&#13;

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Jean-Baptiste Foucaud&#13;

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Lo rainard e lo rasim&#13;

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14 de novembre : La Glauda&#13;

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'Chabatz d'entrar&#13;

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15 de novembre : Garda ton bon temps Naneta&#13;

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'Na randonada&#13;

00:09:04.000 --&gt; 00:09:19.000
16 de novembre : Un puelh que se carrava&#13;

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Los proverbis sus divendres&#13;

00:11:22.000 --&gt; 00:11:41.000
17 de novembre : Lo pitit òme&#13;

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Los concors de belòta&#13;

00:13:41.000 --&gt; 00:13:52.000
18 de novembre : La chançon de las meissonjas&#13;

00:13:52.000 --&gt; 00:15:55.000
Lo conte de la paubra familha&#13;

00:15:55.000 --&gt; 00:16:12.000
19 de novembre : Delai lo ribateu&#13;

00:16:12.000 --&gt; 00:18:16.000
La poma de terra&#13;

00:18:16.000 --&gt; 00:18:28.000
20 de novembre : Chas nos me volian maridar&#13;

00:18:28.000 --&gt; 00:18:52.000
Alfred Marpillat&#13;

00:18:52.000 --&gt; 00:20:52.000
Un cas embarrassant (poema)&#13;

00:20:52.000 --&gt; 00:21:10.000
21 de novembre : Passam la plancheta&#13;

00:21:10.000 --&gt; 00:23:13.000
N'autra permenada&#13;

00:23:13.000 --&gt; 00:23:24.000
22 de novembre : Lo mes de mai vendra&#13;

00:23:24.000 --&gt; 00:25:28.000
Lo vin&#13;

00:25:28.000 --&gt; 00:25:36.000
23 de novembre : Coifa-te ben&#13;

00:25:36.000 --&gt; 00:28:06.000
Lo conte de Jan de las rolhas&#13;

00:28:06.000 --&gt; 00:28:18.000
24 de novembre : Paubra calha&#13;

00:28:18.000 --&gt; 00:30:35.000
La tempesta&#13;

00:30:35.000 --&gt; 00:30:47.000
25 de novembre : Las peras son maduras&#13;

00:30:47.000 --&gt; 00:32:55.000
Senta Catarina&#13;

00:32:55.000 --&gt; 00:33:01.000
26 de novembre : Las navarelas l'i menon&#13;

00:33:01.000 --&gt; 00:35:11.000
Los sents lemosins e sent Just&#13;

00:35:11.000 --&gt; 00:35:24.000
27 de novembre : Quand quò vira quò vai&#13;

00:35:24.000 --&gt; 00:37:21.000
Un païsan lemosin dins las annadas 50&#13;

00:37:21.000 --&gt; 00:37:37.000
28 de novembre : Çò-ditz Janton&#13;

00:37:37.000 --&gt; 00:39:40.000
Per ofrir en lemosin&#13;

00:39:40.000 --&gt; 00:39:59.000
29 de novembre : Ente a passat l'ivern d'antan&#13;

00:39:59.000 --&gt; 00:41:49.000
'Na ricancoina&#13;

00:41:49.000 --&gt; 00:42:07.000
30 de novembre : Som pas d'aicí&#13;

00:42:07.000 --&gt; 00:44:04.000
Lo proverbis dau mes mòrt&#13;

00:44:04.000 --&gt; 00:44:26.000
1er de decembre : Lo pitit òmisson&#13;

00:44:26.000 --&gt; 00:46:37.000
Los paniers verds&#13;

00:46:37.000 --&gt; 00:46:49.000
2 de decembre : Ieu pipe, ieu fume&#13;

00:46:49.000 --&gt; 00:48:55.000
Un conte de tradicion&#13;

00:48:55.000 --&gt; 00:49:01.000
3 de decembre : Per bien la chantar&#13;

00:49:01.000 --&gt; 00:51:21.000
Un sermon de 1437&#13;

00:51:21.000 --&gt; 00:51:38.000
4 de decembre : Ma maire n'avia ma 'na dent&#13;

00:51:38.000 --&gt; 00:53:38.000
Un païsan lemosin dins las annadas 50 (2)&#13;

00:53:38.000 --&gt; 00:53:46.000
5 de decembre : Ai vist lo lop&#13;

00:53:46.000 --&gt; 00:56:04.000
La libertat retrobada de Limòtges &#13;

00:56:04.000 --&gt; 00:56:20.000
6 de decembre : Leva lo pè drolleta&#13;

00:56:20.000 --&gt; 00:58:10.000
Se'n fotre en lemosin&#13;

00:58:10.000 --&gt; 00:58:31.000
7 de decembre : Avau dins las robieras&#13;

00:58:31.000 --&gt; 00:00:00.000
Los proverbis dau mes de l'Avent
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Marche.&#13;

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La polka du Quartier&#13;

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Bourrée&#13;

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Un soir&#13;

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Marche &#13;

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Bourrée du Mont-Dore&#13;

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Bourrée&#13;

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Polka piquée&#13;

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Scottish&#13;

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Valse « à Dédé »&#13;

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La moralhada&#13;

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Bourrée d’Ambert&#13;

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Bourrée&#13;

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Presta-lo me&#13;

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Scottish&#13;

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L’Escargot&#13;

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La Planète&#13;

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“Moitié !”&#13;

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Bourrée&#13;

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Bourrée du pauvre Jean Pons&#13;

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Bourrée du grand-père de Gustave Ythier&#13;

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Lo mestorn&#13;

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Chorégraphie à 4 danseurs&#13;

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La vòle la Mariana la vòle mai l’aurai&#13;

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Mazurka&#13;

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Demi-valse&#13;

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Mestorn &#13;

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la vilana bestia&#13;

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À propos des danses&#13;

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Los garçons d’a Neuviala&#13;

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La Jaçona&#13;

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Las teles&#13;

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Bourrée carrée&#13;

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À là, ma jamba gaucha, quela me fai dau mau&#13;

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Madame la mariée&#13;

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Tiens bon Marie-Madeleine&#13;

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&#13;

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Si vous avez besoin de M’sieur l’Maire&#13;

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Taïçou&#13;

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Ah qu’elles sont bêtes les femmes&#13;

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Chas lo mair Antoena&#13;

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À propos de la bourrée&#13;

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La Galinette&#13;

00:01:51.000 --&gt; 00:00:00.000
La Cayrolaise&#13;

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La Courbiase&#13;

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La Pradinoise&#13;

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La Pradinoise&#13;

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La Courbiase&#13;

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La Pradinoise&#13;

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La Pradinoise&#13;

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La Pradinoise&#13;

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La Pradinoise&#13;

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La Pradinoise&#13;

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Montava la marmita&#13;

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Bourrée-valse&#13;

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La Gigue&#13;

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La Chamejada&#13;

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Reprise&#13;

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Mélodie de manière « standard »&#13;

00:07:51.000 --&gt; 00:08:45.000
Ab’aqui paubres garçons&#13;

00:08:45.000 --&gt; 00:09:23.000
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00:09:23.000 --&gt; 00:10:14.000
Las filhas de la montanha fan Ò pelele&#13;

00:10:14.000 --&gt; 00:10:27.000
Vai vai vai chamisada&#13;

00:10:27.000 --&gt; 00:11:17.000
Se ’niran pas tots los garçons  ’quest’ annada&#13;

00:11:17.000 --&gt; 00:13:43.000
Som pas d’aici per mon arma, som de la Viladieu, miladieu !&#13;

00:13:43.000 --&gt; 00:00:00.000
L’Ajassoune&#13;

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Polka&#13;

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La glissante&#13;

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Viva España&#13;

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La Vicoise&#13;

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La Gigue&#13;

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Para lo lop.&#13;

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Garçons de la montagne&#13;

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Son davalats&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt;&lt;/a&gt; lors d&amp;rsquo;une f&amp;ecirc;te locale &amp;agrave; Saint-Donat (63) le 11 ao&amp;ucirc;t 1991. &lt;strong&gt;&amp;Eacute;ric Cousteix&lt;/strong&gt; y avait invit&amp;eacute; plusieurs danseurs de bourr&amp;eacute;e.&lt;/span&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Les musiciens sont principalement &lt;strong&gt;&amp;Eacute;ric Cousteix&lt;/strong&gt;, &lt;strong&gt;Andr&amp;eacute; Gatignol&lt;/strong&gt;,&amp;nbsp;et &lt;strong&gt;Jean-Marie Chassagne&lt;/strong&gt;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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Son davalats&#13;

00:00:52.000 --&gt; 00:03:21.000
E quand las peras&#13;

00:03:21.000 --&gt; 00:04:49.000
E quand las peras (reprise)&#13;

00:04:49.000 --&gt; 00:06:47.000
Son davalats &#13;

00:06:47.000 --&gt; 00:08:10.000
Dins lo bòsc de la Fuelhada&#13;

00:08:10.000 --&gt; 00:10:37.000
La moralhada&#13;

00:10:37.000 --&gt; 00:12:43.000
La moralhada (reprise)&#13;

00:12:43.000 --&gt; 00:14:19.000
E quand las peras&#13;

00:14:19.000 --&gt; 00:15:52.000
Dins lo bòsc de la Fuelhada&#13;

00:15:52.000 --&gt; 00:17:21.000
Dins lo bòsc de la Fuelhada (reprise)&#13;

00:17:21.000 --&gt; 00:18:59.000
De delai lo ribatel ; I eron un i eron dos&#13;

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Reprise&#13;

00:20:29.000 --&gt; 00:22:50.000
Son davalats&#13;

00:22:50.000 --&gt; 00:24:24.000
Garçons de la montagne&#13;

00:24:24.000 --&gt; 00:26:02.000
Bourrée hybride&#13;

00:26:02.000 --&gt; 00:26:58.000
Auvergne jolie&#13;

00:26:58.000 --&gt; 00:27:41.000
La Planète&#13;

00:27:41.000 --&gt; 00:29:31.000
E quand la peras&#13;

00:29:31.000 --&gt; 00:31:39.000
La chasse&#13;

00:31:39.000 --&gt; 00:33:37.000
Les cinq noisettes&#13;

00:33:37.000 --&gt; 00:35:47.000
Bourrée&#13;

00:35:47.000 --&gt; 00:37:50.000
Valse à Cadet&#13;

00:37:50.000 --&gt; 00:39:39.000
Toca la vielha&#13;

00:39:39.000 --&gt; 00:42:11.000
Riquita&#13;

00:42:11.000 --&gt; 00:00:00.000
Dins lo bòsc de la Fuelhada&#13;

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Quand te 'nava veire&#13;

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La bobit&#13;

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Faguet rencontra d'un galant...&#13;

00:02:45.000 --&gt; 00:03:22.000
Elle est pas au point...&#13;

00:03:22.000 --&gt; 00:05:35.000
Dins Paris i a una de vielha&#13;

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La bela-mair&#13;

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La bela-mair (reprise)&#13;

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La bela-mair (reprise)&#13;

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Vendredi 13 en février&#13;

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Nòstre asne&#13;

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Lu boier de la prada&#13;

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Çò-disset la sendrilha&#13;

00:17:50.000 --&gt; 00:21:04.000
Discussion à propos des chansons&#13;

00:21:04.000 --&gt; 00:00:00.000
Escotatz bien gent de la campanha&#13;

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Per bien la dansar&#13;

00:19:44.000 --&gt; 00:21:46.000
Ton ruban bleu&#13;

00:21:46.000 --&gt; 00:25:16.000
Groupe de musique des Andes&#13;

00:25:16.000 --&gt; 00:26:50.000
Mise en place pour le Quadrille des Lanciers&#13;

00:26:50.000 --&gt; 00:27:46.000
1e figure. Les tiroirs&#13;

00:27:46.000 --&gt; 00:30:10.000
2e figure. Les lignes&#13;

00:30:10.000 --&gt; 00:32:29.000
3e figure. Les moulinets&#13;

00:32:29.000 --&gt; 00:32:55.000
4e figure. Les visites&#13;

00:32:55.000 --&gt; 00:38:20.000
5e figure. Les lanciers&#13;

00:38:20.000 --&gt; 00:38:42.000
Salutations&#13;

00:38:42.000 --&gt; 00:40:48.000
Démonstration de polka&#13;

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Chanson de mensonges&#13;

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Quand la Margui s'en va au moulin&#13;

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Chas nos m'avian lojada, la botelha&#13;

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Chas nos m'avian lojada&#13;

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Borreia d'a Jumilhac&#13;

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Qu'es la Catisson de la “Maurelha”&#13;

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J'm'en vais à la fontaine&#13;

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L'asne e lu lop&#13;

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Filhas a maridar&#13;

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Petit Pierre&#13;

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La balada&#13;

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L'autre jour me promenant&#13;

00:21:57.000 --&gt; 00:24:07.000
C'est la fille du boulanger&#13;

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La Rosette&#13;

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Marche des Limousins de Paris&#13;

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L’Étoile des Troubadours&#13;

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Un soir&#13;

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Valse de couleur traditionnelle&#13;

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Je reviens chez nous&#13;

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Garçons  de la montagne, puis La Chamejada&#13;

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Riquita&#13;

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C’est une fleur de Paris&#13;

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A la balada&#13;

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Étoile des neiges&#13;

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Un jorn dins l’estolhas, puis Belle rose du printemps&#13;

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La noce de Jeannette&#13;

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Le tango des fauvettes&#13;

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De delai lo ribatel, puis E quand las peras&#13;

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Les cinq noisettes, puis Ai vist lo lop&#13;

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L’incendie à Rio, puis Le  chouchou de mon coeur&#13;

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Quand on s’aime bien tous les deux, puis Au plaisir des bois&#13;

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La Cati, puis Rossignolet&#13;

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Marche des Limousins de Paris&#13;

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La noce de Jeannette&#13;

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Sous les ponts de Paris&#13;

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Lo turlututu&#13;

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Le chouchou de mon coeur&#13;

01:12:38.000 --&gt; 01:16:11.000
Valse, puis Le Dénicheur&#13;

01:16:11.000 --&gt; 01:21:05.000
Le p’tit bal du samedi soir&#13;

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Tangos&#13;

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Comment ça va, puis La marmite&#13;

01:28:51.000 --&gt; 01:32:02.000
Les Blés d’or&#13;

01:32:02.000 --&gt; 01:32:29.000
La baigneuse&#13;

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Salut les amis&#13;

01:35:01.000 --&gt; 01:38:49.000
Marjolaine&#13;

01:38:49.000 --&gt; 01:43:31.000
Printemps d’Alsace&#13;

01:43:31.000 --&gt; 01:47:01.000
Auvergne jolie&#13;

01:47:01.000 --&gt; 01:50:57.000
Polka de Chanteix&#13;

01:50:57.000 --&gt; 01:52:19.000
Polka de Madranges&#13;

01:52:19.000 --&gt; 01:54:05.000
Pïntou&#13;

01:54:05.000 --&gt; 01:55:34.000
La gigue&#13;

01:55:34.000 --&gt; 02:01:10.000
En passant par le bois, puis Je suis lasse d’être fille, puis Belle rose&#13;

02:01:10.000 --&gt; 02:03:40.000
Valse&#13;

02:03:40.000 --&gt; 02:07:47.000
Marche ou samba, puis Maria de Bahia&#13;

02:07:47.000 --&gt; 02:11:04.000
Les Fiancés d’Auvergne&#13;

02:11:04.000 --&gt; 02:15:46.000
Étoile des Neiges&#13;

02:15:46.000 --&gt; 02:19:49.000
Viva España&#13;

02:19:49.000 --&gt; 02:22:25.000
Paso&#13;

02:22:25.000 --&gt; 02:26:49.000
Valse de couleur régionaliste&#13;

02:26:49.000 --&gt; 02:32:22.000
Tangos, puis Prendre un enfant dans  ses bras&#13;

02:32:22.000 --&gt; 02:35:18.000
L’incendie à Rio, puis Scandale dans la famille&#13;

02:35:18.000 --&gt; 02:38:42.000
La crosada, puis Para lo lop, puis Montava la marmita&#13;

02:38:42.000 --&gt; 02:39:23.000
Tango&#13;

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Charleston&#13;

02:40:17.000 --&gt; 02:40:29.000
Valse&#13;

02:40:29.000 --&gt; 02:41:45.000
Son davalats, puis Quand los cornards d’a Tula&#13;

02:41:45.000 --&gt; 02:44:56.000
Son davalats&#13;

02:44:56.000 --&gt; 02:47:17.000
La Trotteuse, puis On n’a pas tous les jours 20 ans, puis Le temps des gabariers&#13;

02:47:17.000 --&gt; 02:53:33.000
Pot-pourri de marches&#13;

02:53:33.000 --&gt; 02:56:54.000
Dolannes melody, Frou-Frou...&#13;

02:56:54.000 --&gt; 02:29:58.000
Tout le long du bois&#13;

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Bourrée droite&#13;

00:01:43.000 --&gt; 00:03:15.000
Bourrée en V d'Issoudun&#13;

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Bourrée valsée d'Issoudun&#13;

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Bourrée droite de Reuilly&#13;

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Bourrée piquée de Reuilly&#13;

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Polka cafouillée de Vatan&#13;

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Bourrée chaînée de Rivarennes&#13;

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Bourrée valsée d'Ardentes&#13;

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Enchainement avec la Bourrée tournante valsée d'Ardentes&#13;

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Bourrée à 6 de Briantes&#13;

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Bourrée carrée de Saint-Chartier&#13;

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Bourrée des quatre péteux&#13;

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Bourrée mussée&#13;

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Pas d'été&#13;

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Rond d'Argenton&#13;

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Danse à la charbe&#13;

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Bourrée d’hommes des Grandes Poteries&#13;

00:28:28.000 --&gt; 00:29:54.000
Bourrée carrée de Sarzay&#13;

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Bourrée à 8&#13;

00:32:41.000 --&gt; 00:35:08.000
La bourrée ronde Étoile&#13;

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Branle de Villegouin&#13;

00:36:56.000 --&gt; 00:39:20.000
Bourrée ronde La Sole&#13;

00:39:20.000 --&gt; 00:40:13.000
Bourrée carrée de La Châtre&#13;

00:40:13.000 --&gt; 00:42:40.000
Les Moutons&#13;

00:42:40.000 --&gt; 00:44:16.000
Bourrée de La Chapelotte&#13;

00:44:16.000 --&gt; 00:46:15.000
Bourrée droite du Pays Fort&#13;

00:46:15.000 --&gt; 00:48:17.000
Branle à 6 de La Châtre&#13;

00:48:17.000 --&gt; 00:49:35.000
L'Ajasse&#13;

00:49:35.000 --&gt; 00:50:43.000
Le Palala&#13;

00:50:43.000 --&gt; 00:51:56.000
Polka du lapin, version « adultes »&#13;

00:51:56.000 --&gt; 00:53:28.000
Polka du lapin, version enfantine&#13;

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Le Casse-noisettes&#13;

00:55:19.000 --&gt; 00:55:53.000
Le petit bossu&#13;

00:55:53.000 --&gt; 00:58:34.000
L'Aéroplane&#13;

00:58:34.000 --&gt; 01:00:09.000
Ronde de Sainte-Sévère&#13;

01:00:09.000 --&gt; 01:01:09.000
Bourrée pastourelle&#13;

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Valse « sans nom »&#13;

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Valse « sans nom » (reprise)&#13;

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La Varsovienne&#13;

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Générique d'ouverture&#13;

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Les journées folkloriques de Confolens&#13;

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Le 15 août&#13;

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Dama de Sauvanhac&#13;

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L'origine du sanctuaire&#13;

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Marie&#13;

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Que totjorn lu bon Diu garde los lemosins&#13;

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Lourdes&#13;

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Bona Vierja Maria&#13;

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Ave Maria&#13;

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Fin d'émission
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Mazurka&#13;

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Mazurka&#13;

00:01:31.000 --&gt; 00:02:24.000
Las permenadas&#13;

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La chèvre&#13;

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Installation&#13;

00:00:41.000 --&gt; 00:02:13.000
Conserver la langue&#13;

00:02:13.000 --&gt; 00:02:37.000
Los lapiens&#13;

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Los ganhons&#13;

00:10:20.000 --&gt; 00:10:34.000
Las oelhas&#13;

00:10:34.000 --&gt; 00:14:14.000
Las vachas e lo fromatge&#13;

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Lo pan&#13;

00:16:07.000 --&gt; 00:18:47.000
Las 'belhas&#13;

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Los repas de la jornada&#13;

00:22:52.000 --&gt; 00:24:27.000
Per la bateusa&#13;

00:24:27.000 --&gt; 00:28:13.000
Quand los pitits 'navan a l'escòla&#13;

00:28:13.000 --&gt; 00:30:10.000
Minjar apres la fiera&#13;

00:30:10.000 --&gt; 00:32:01.000
Las bolas&#13;

00:32:01.000 --&gt; 00:33:29.000
Las laissòlas&#13;

00:33:29.000 --&gt; 00:34:10.000
Las pompas&#13;

00:34:10.000 --&gt; 00:34:34.000
Las confituras&#13;

00:34:34.000 --&gt; 00:36:10.000
Los tortons e las pompas&#13;

00:36:10.000 --&gt; 00:37:16.000
Los pissenlits&#13;

00:37:16.000 --&gt; 00:38:35.000
Los champanhòus&#13;

00:38:35.000 --&gt; 00:39:41.000
Çò que se 'massava d'autre&#13;

00:39:41.000 --&gt; 00:41:15.000
La pescha&#13;

00:41:15.000 --&gt; 00:42:24.000
Las siarps&#13;

00:42:24.000 --&gt; 00:44:52.000
La chaça e los escuròus&#13;

00:44:52.000 --&gt; 00:46:20.000
La conservacion&#13;

00:46:20.000 --&gt; 00:46:48.000
Las vachas&#13;

00:46:48.000 --&gt; 00:47:36.000
Lo gras&#13;

00:47:36.000 --&gt; 01:02:36.000
Lo sucre&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/strong&gt;&lt;/a&gt; lors d'un bal &amp;agrave; Rempnat (87) organis&amp;eacute; par l&amp;rsquo;association des musiciens routiers du Limousin,&amp;nbsp; le 14 juin 1987. Le but de cette rencontre &amp;eacute;tait surtout de rencontrer &lt;strong&gt;Mme M&amp;eacute;rigout&lt;/strong&gt; qui connaissait des danses anciennes.&lt;br /&gt;&lt;br /&gt;Les musiciens sont &lt;strong&gt;Fran&amp;ccedil;ois Malthieu&lt;/strong&gt;,&lt;strong&gt; Paul Gerbaud&lt;/strong&gt;,&lt;strong&gt; Olivier Durif&lt;/strong&gt;,&lt;strong&gt; Sylvie Heintz&lt;/strong&gt; et &lt;strong&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13594/10._Rempnat_2.1.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13594/10._Enquete_1987.06.14.Mme_Merigout.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers les notes d'enqu&amp;ecirc;te manuscrites de Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/a&gt;&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:16.000
L’Aurillacoise&#13;

00:00:16.000 --&gt; 00:01:10.000
La balada, Marion quand t'aimava&#13;

00:01:10.000 --&gt; 00:02:56.000
Glissante&#13;

00:02:56.000 --&gt; 00:04:29.000
Mazurka&#13;

00:04:29.000 --&gt; 00:05:22.000
Marion quand t’aimava&#13;

00:05:22.000 --&gt; 00:06:09.000
Cassa-nosilhas&#13;

00:06:09.000 --&gt; 00:07:46.000
Quand lo merle saut’ au prat&#13;

00:07:46.000 --&gt; 00:09:01.000
Si t’as paur que lo lop s’espine&#13;

00:09:01.000 --&gt; 00:10:10.000
Valse de Nard&#13;

00:10:10.000 --&gt; 00:13:33.000
Quand on s’aime bien tous les deux&#13;

00:13:33.000 --&gt; 00:17:33.000
Bohémienne&#13;

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              <text>Marcelle Maublanc</text>
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              <text>Henri et Christiane Martinet</text>
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              <text>René Bonnet</text>
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                <text>Enquête à Ajain</text>
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          <element elementId="39">
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                <text>Jean-François Vignaud</text>
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              <elementText elementTextId="808351">
                <text>2024-05-31</text>
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            <name>Rights</name>
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            <elementTextContainer>
              <elementText elementTextId="808352">
                <text>IEO Lemosin</text>
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                <text>audio/mpeg</text>
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            <name>Rights Holder</name>
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                <text>Henri et Christiane Martinet</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; Ajain (23)&lt;/span&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 30 septembre 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entend plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;Nadau e la c&amp;ograve;&amp;ccedil;a, Carnaval...&lt;/em&gt;) mais aussi de ce qui se disait des oiseaux (&lt;em&gt;La 'ja&amp;ccedil;a e lo cocot, Lo lauri&amp;ograve;u e lo pringaulier...&lt;/em&gt;) et comment appeler les b&amp;ecirc;tes (&lt;em&gt;Far venir las bestias&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;On y entend &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales (&lt;em&gt;Los noms daus vilatges de la comuna&lt;/em&gt;).&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;Informateurs :&lt;strong&gt; Louise Andr&amp;eacute;&lt;/strong&gt;,&lt;strong&gt; Roger Aublanc&lt;/strong&gt;,&lt;strong&gt;&amp;nbsp; Jean Auvity&lt;/strong&gt;,&lt;strong&gt; Ren&amp;eacute; Bonnet&lt;/strong&gt;,&lt;strong&gt; Christian Bourliot, Gaston Brunet&lt;/strong&gt;,&lt;strong&gt; Emilienne Ch&amp;ecirc;ne&lt;/strong&gt;,&lt;strong&gt; Henri &lt;/strong&gt;et&lt;strong&gt; Simone Dalby&lt;/strong&gt;,&lt;strong&gt; Arlette Dalby&lt;/strong&gt;,&lt;strong&gt; Lucienne Fayard&lt;/strong&gt;,&lt;strong&gt; Colette Lambert&lt;/strong&gt;,&lt;strong&gt; Henri &lt;/strong&gt;et&lt;strong&gt; Christiane Martinet&lt;/strong&gt;,&lt;strong&gt; Marcelle Maublanc&lt;/strong&gt;,&lt;strong&gt; Jean Peynot&lt;/strong&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans';"&gt;&lt;/span&gt;&#13;
&lt;p style="margin: 15px 0px; font-family: 'Open Sans'; background-color: #f3ede2;"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; outline: 0px;"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;/div&gt;</text>
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              <elementText elementTextId="1293821">
                <text>00:00:00.000 --&gt; 00:01:55.000
Ante quò causa patois coma vos ?&#13;

00:01:55.000 --&gt; 00:06:04.000
Vocabulaire et prononciation&#13;

00:06:04.000 --&gt; 00:08:41.000
Los noms daus vilatges de la comuna&#13;

00:08:41.000 --&gt; 00:10:10.000
Los palissons o los palissus ?&#13;

00:10:10.000 --&gt; 00:13:22.000
Los noms daus vilatges de la comuna (suite)&#13;

00:13:22.000 --&gt; 00:15:00.000
Los ueus coats&#13;

00:15:00.000 --&gt; 00:20:26.000
Las istoaras de Jarnages&#13;

00:20:26.000 --&gt; 00:22:34.000
Los lops&#13;

00:22:34.000 --&gt; 00:23:56.000
Los maçons ?&#13;

00:23:56.000 --&gt; 00:25:40.000
La p'tita lebre&#13;

00:25:40.000 --&gt; 00:29:11.000
Lo Turlututu&#13;

00:29:11.000 --&gt; 00:29:52.000
Dins las bateusas&#13;

00:29:52.000 --&gt; 00:30:24.000
La Yoyette&#13;

00:30:24.000 --&gt; 00:32:15.000
Las oelhas son dins los blats&#13;

00:32:15.000 --&gt; 00:33:17.000
T'as minjat mon chaul la chebra&#13;

00:33:17.000 --&gt; 00:34:27.000
L'istoara de chaça sur Ronhac ?&#13;

00:34:27.000 --&gt; 00:36:22.000
Lo p'tit rigolò d'la maison daus bòscs&#13;

00:36:22.000 --&gt; 00:37:08.000
La 'jaça e lo cocot&#13;

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Lo lauriòu e lo pringaulier&#13;

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Diferencias e vocabulari&#13;

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Lo cocot chanta entre març e abriu&#13;

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De las prieras ?&#13;

00:40:18.000 --&gt; 00:41:12.000
Quand quò fasia auratge&#13;

00:41:12.000 --&gt; 00:41:52.000
Daus proverbes ?&#13;

00:41:52.000 --&gt; 00:44:22.000
Lo premier de l'an&#13;

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Chandelor&#13;

00:47:39.000 --&gt; 00:51:16.000
Carnaval&#13;

00:51:16.000 --&gt; 00:54:04.000
Los ramels&#13;

00:54:04.000 --&gt; 00:58:54.000
La setmana senta&#13;

00:58:54.000 --&gt; 01:00:28.000
Lo lundí de Pasques e la festa au borg&#13;

01:00:28.000 --&gt; 01:04:07.000
La font de Bona-font&#13;

01:04:07.000 --&gt; 01:05:51.000
Pendagosta e lo mes de mai&#13;

01:05:51.000 --&gt; 01:08:45.000
La Sent Jan&#13;

01:08:45.000 --&gt; 01:10:42.000
Lo 15 d'aust&#13;

01:10:42.000 --&gt; 01:11:26.000
La Totsents&#13;

01:11:26.000 --&gt; 01:14:14.000
Quand i avia un mòrt dins lo vilatge&#13;

01:14:14.000 --&gt; 01:16:27.000
La Sent Martin&#13;

01:16:27.000 --&gt; 01:20:55.000
Nadau e la còça&#13;

01:20:55.000 --&gt; 01:22:15.000
Lo seuc per garir la fiure&#13;

01:22:15.000 --&gt; 01:24:33.000
D'autres remedis&#13;

01:24:33.000 --&gt; 01:27:54.000
Far venir las bestias&#13;

01:27:54.000 --&gt; 01:28:56.000
Las chastanhas&#13;

01:28:56.000 --&gt; 01:29:11.000
Comptar&#13;

01:29:11.000 --&gt; 01:29:31.000
Los jorns de la setmana&#13;

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Introduction&#13;

00:00:16.000 --&gt; 00:01:03.000
Presentacion&#13;

00:01:03.000 --&gt; 00:04:48.000
La familha, l'efança e la bòria familhala&#13;

00:04:48.000 --&gt; 00:04:59.000
« Aviá eivija de trabalhar...»&#13;

00:04:59.000 --&gt; 00:06:18.000
« Ai fach factor »&#13;

00:06:18.000 --&gt; 00:07:03.000
Montar a Paris&#13;

00:07:03.000 --&gt; 00:07:39.000
Leis Àlas&#13;

00:07:39.000 --&gt; 00:08:40.000
Vendeire de legumas&#13;

00:08:40.000 --&gt; 00:11:50.000
Cortier d'endivas dins la Soma&#13;

00:11:50.000 --&gt; 00:13:06.000
Veire escampar lo fems&#13;

00:13:06.000 --&gt; 00:15:48.000
Lo prumier « rond-point »&#13;

00:15:48.000 --&gt; 00:20:43.000
Lo monde que fasián las endivas&#13;

00:20:43.000 --&gt; 00:21:16.000
Lo servici militari&#13;

00:21:16.000 --&gt; 00:21:57.000
Se botar entrepenaire&#13;

00:21:57.000 --&gt; 00:24:09.000
Empruntar&#13;

00:24:09.000 --&gt; 00:27:02.000
Escampar lo fems&#13;

00:27:02.000 --&gt; 00:28:58.000
Crompar d'autras machinas&#13;

00:28:58.000 --&gt; 00:32:12.000
Adobar la bòria e installar lo dròlle &#13;

00:32:12.000 --&gt; 00:34:15.000
La fin de l'entrepresa&#13;

00:34:15.000 --&gt; 00:35:00.000
« Far paisan ’quo es un brave mestier, sabetz ! »&#13;

00:35:00.000 --&gt; 00:35:33.000
« Anavi a pas mai de detz quilomestres... »&#13;

00:35:33.000 --&gt; 00:37:27.000
Una misada de premsa vers Orlhac&#13;

00:37:27.000 --&gt; 00:40:38.000
De leis culturas en Sentriá&#13;

00:40:38.000 --&gt; 00:43:59.000
Far del lach&#13;

00:43:59.000 --&gt; 00:44:48.000
« Cau bien trabalhar »&#13;

00:44:48.000 --&gt; 00:47:27.000
Leis vacas&#13;

00:47:27.000 --&gt; 00:50:54.000
Èsser conselher municipal&#13;

00:50:54.000 --&gt; 00:52:38.000
Leis (belas) comunautats de comunas&#13;

00:52:38.000 --&gt; 00:54:57.000
Una istòria de taluç...&#13;

00:54:57.000 --&gt; 00:56:59.000
« Sam pas nombrós per parlar patoàs, aura... »&#13;

00:56:59.000 --&gt; 00:58:44.000
Lo curet e lo tesson&#13;

00:58:44.000 --&gt; 00:58:59.000
Anar a l'escòla&#13;

00:58:59.000 --&gt; 01:00:02.000
« Fasiá l'escòla boissonièra »&#13;

01:00:02.000 --&gt; 01:01:13.000
Parlar patoàs a l'escòla&#13;

01:01:13.000 --&gt; 01:06:18.000
« Quand las castanhas tombavon... »&#13;

01:06:18.000 --&gt; 01:07:50.000
Parlar patoàs emb lo monde de lònh&#13;

01:07:50.000 --&gt; 01:09:25.000
Leis fieiras&#13;

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                <text>&lt;span style="font-size: 18.6667px;"&gt;Sur l&amp;rsquo;enveloppe contenant cette bande il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Munich 9.61 ; Lu castel de Mt_lh ; Pierre - Ir&amp;egrave;ne"&lt;/span&gt;.&lt;/span&gt;&#13;
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L'accent de Bordeaux
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Récit d'un collectage&#13;

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Bonjour bergerette, adissiatz mossur&#13;

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La maiada&#13;

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De "La maiada"&#13;

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Le lait de la negresse (nhòrla)&#13;

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L'insémination artificielle (incomplète)&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 18.6667px;"&gt;Sur l'enveloppe contenant cette bande, il est &amp;eacute;crit "&lt;span style="color: #808080;"&gt;Roumazi&amp;egrave;res ; 26.6.55 ; (1ere s&amp;eacute;ance &amp;agrave; l'ext&amp;eacute;rieur)&lt;/span&gt;". Sur le bo&amp;icirc;tier contenant cette bande, une petite &amp;eacute;tiquette sur laquelle il est not&amp;eacute; "&lt;span style="color: #808080;"&gt;8A&lt;/span&gt;".&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;En premi&amp;egrave;re partie, une &lt;/span&gt;&lt;em style="font-size: 14pt;"&gt;nh&amp;ograve;rla&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt; (histoire limousine, souvent dr&amp;ocirc;le et toujours ironique) cont&amp;eacute;e par un informateur dont nous ne connaissons pas l'identit&amp;eacute;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
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Jan Pedarça e de Jana la Garça&#13;

00:07:03.000 --&gt; 00:08:38.000
Bourrée&#13;

00:08:38.000 --&gt; 00:09:53.000
Faire revivre tout ce qui a fait notre passé&#13;

00:09:53.000 --&gt; 00:12:34.000
Nòstre eiretatge (J. Rebier)&#13;

00:12:34.000 --&gt; 00:13:59.000
Les chaînettes&#13;

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Un jorn dins l'estolhas&#13;

00:14:48.000 --&gt; 00:15:32.000
Remerciements&#13;

00:15:32.000 --&gt; 00:16:54.000
La soirée n'est pas tout à fait terminée&#13;

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Générique d'ouverture&#13;

00:00:32.000 --&gt; 00:01:54.000
L'année 1961 s'achève&#13;

00:01:54.000 --&gt; 00:03:02.000
Chiberli, chiberla&#13;

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La linga d'aur&#13;

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Pierre Biossac&#13;

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Les scieurs de long&#13;

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Chevauchement de pistes - début&#13;

00:07:26.000 --&gt; 00:08:23.000
Las velhadas&#13;

00:08:23.000 --&gt; 00:08:30.000
À vous Tulle&#13;

00:08:30.000 --&gt; 00:09:14.000
Bourrée&#13;

00:09:14.000 --&gt; 00:09:21.000
L'École du Barbichet&#13;

00:09:21.000 --&gt; 00:10:08.000
La Françoneta (nhòrla)&#13;

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Chez Michel Meilhac&#13;

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À vous, amis de Brive-la-Gaillarde&#13;

00:11:40.000 --&gt; 00:11:51.000
Angèle Chabeaudie&#13;

00:11:51.000 --&gt; 00:12:54.000
Quand mon torn vendrá&#13;

00:12:54.000 --&gt; 00:13:30.000
Chevauchement de pistes - fin&#13;

00:13:30.000 --&gt; 00:13:39.000
Lo Velhadors de Sent Junian&#13;

00:13:39.000 --&gt; 00:15:47.000
Dessos una teulada&#13;

00:15:47.000 --&gt; 00:16:26.000
Vœux pour 1962&#13;

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Participations&#13;

00:17:09.000 --&gt; 00:20:23.000
Kyrie eleison
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Ai vist lo lop&#13;

00:00:36.000 --&gt; 00:01:27.000
E quand las peras&#13;

00:01:27.000 --&gt; 00:02:14.000
Polka « de Rata ».&#13;

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Polka de Madranges&#13;

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Para lo lop&#13;

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La Jaçona&#13;

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Le Pélélé&#13;

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Marion quand t’aimava&#13;

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Quand on s’aime bien tous les deux&#13;

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Piere labora&#13;

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Caifa-te bian&#13;

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L’aiga de ròsa&#13;

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La Cati&#13;

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Mazurka&#13;

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Un tot pitit bocin&#13;

00:16:38.000 --&gt; 00:16:48.000
Para lo lop&#13;

00:16:48.000 --&gt; 00:18:00.000
Ai vist lo lop&#13;

00:18:00.000 --&gt; 00:19:25.000
Piere labora&#13;

00:19:25.000 --&gt; 00:19:44.000
E quand las peras&#13;

00:19:44.000 --&gt; 00:21:08.000
La mattchiche&#13;

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Paso&#13;

00:21:58.000 --&gt; 00:23:12.000
Le dénicheur&#13;

00:23:12.000 --&gt; 00:26:15.000
Le plus beau de tous les tangos du monde&#13;

00:26:15.000 --&gt; 00:26:58.000
La chenille&#13;

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&lt;div&gt;&lt;span style="font-size: 10pt; color: #808080;"&gt;Durant sa captivit&amp;eacute;, il a appris a travailler le m&amp;eacute;tal dans les usines allemandes ce qui lui a permis de faire nombre de portails, garde-corps, chenets &amp;hellip; Passion qu&amp;rsquo;il a gardera d&amp;rsquo;ailleurs jusqu&amp;rsquo;&amp;agrave; la fin de sa vie.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 10pt; color: #808080;"&gt;A son retour en France, il est devenu secr&amp;eacute;taire de mairie.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 10pt; color: #808080;"&gt;Au niveau familial, il s&amp;rsquo;est mari&amp;eacute; avec Th&amp;eacute;r&amp;egrave;se Benoit avec qui il a eu deux filles.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;span style="color: #808080; font-size: 10pt;"&gt;C&amp;rsquo;&amp;eacute;tait aussi un communiste convaincu qui n&amp;rsquo;a jamais cess&amp;eacute; de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;span style="color: #808080; font-size: 10pt;"&gt;croire en ses id&amp;eacute;aux. Henry Escure d&amp;eacute;c&amp;eacute;dera le 7 f&amp;eacute;vrier 1984, &amp;agrave; l'&amp;acirc;ge de 78 ans.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13581/Pepe_Enric_-_Cati_Garrie_2.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers les notes en occitan limousin de Catherine Garrie, sa petite fille&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>00:00:00.000 --&gt; 00:02:38.000
N'eram pas preparats&#13;

00:02:38.000 --&gt; 00:04:12.000
La formacion a Bourges&#13;

00:04:12.000 --&gt; 00:06:31.000
En Alsàcia&#13;

00:06:31.000 --&gt; 00:07:56.000
La forest de Haguenau&#13;

00:07:56.000 --&gt; 00:09:38.000
Sigueram oblijats de nos rendre&#13;

00:09:38.000 --&gt; 00:10:40.000
La difenréncia de moralitat&#13;

00:10:40.000 --&gt; 00:12:07.000
A Bacarat&#13;

00:12:07.000 --&gt; 00:13:15.000
Les français de 40&#13;

00:13:15.000 --&gt; 00:16:18.000
Direccion "Sarrebourg"&#13;

00:16:18.000 --&gt; 00:18:55.000
Arrieberam a Sarrebourg&#13;

00:18:55.000 --&gt; 00:21:50.000
S'installar dins los barracaments, beure lo cafe&#13;

00:21:50.000 --&gt; 00:23:34.000
La femna e los selhs&#13;

00:23:34.000 --&gt; 00:25:48.000
Podiá totjorn pas desplejat ma chamba&#13;

00:25:48.000 --&gt; 00:27:04.000
Sarreguemines e Sarrebruck&#13;

00:27:04.000 --&gt; 00:28:09.000
Anar a Limbourg en tren&#13;

00:28:09.000 --&gt; 00:31:05.000
Au Kommando de cultura&#13;

00:31:05.000 --&gt; 00:33:05.000
Trabalhar avant 43&#13;

00:33:05.000 --&gt; 00:34:47.000
Un bombardament en setembre 43&#13;

00:34:47.000 --&gt; 00:36:03.000
Bombardar la populacion civila&#13;

00:36:03.000 --&gt; 00:38:19.000
Un plen tren de machinas agricòlas americanas&#13;

00:38:19.000 --&gt; 00:39:03.000
Minjar lo miegjorn&#13;

00:39:03.000 --&gt; 00:41:18.000
La sopa  dau dimecres&#13;

00:41:18.000 --&gt; 00:41:54.000
Quant i eratz dins aquilhs barracament ?&#13;

00:41:54.000 --&gt; 00:43:18.000
Los bombardament sus las usinas &#13;

00:43:18.000 --&gt; 00:44:38.000
La vita era pas tot-a-fet tan dura aquí&#13;

00:44:38.000 --&gt; 00:44:59.000
E ente coijavatz ?&#13;

00:44:59.000 --&gt; 00:45:36.000
Quand trobavas del monde d'aicí&#13;

00:45:36.000 --&gt; 00:47:06.000
La debacla&#13;

00:47:06.000 --&gt; 00:48:55.000
Se sauvar dins los bòscs&#13;

00:48:55.000 --&gt; 00:51:30.000
Eram 100 m d'una batalha&#13;

00:51:30.000 --&gt; 00:53:34.000
Contar n'istoara aus allemands&#13;

00:53:34.000 --&gt; 00:55:13.000
S'embarcar per la França&#13;

00:55:13.000 --&gt; 00:56:20.000
Lo retorn en França&#13;

00:56:20.000 --&gt; 00:58:40.000
"Vous êtes bien sûr de ce que vous avancez ?"&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Il s&amp;rsquo;agit de l'enregistrement d&amp;rsquo;une r&amp;eacute;p&amp;eacute;tition de la chorale du groupe folklorique &lt;a href="https://www.facebook.com/profile.php?id=100070015124266" target="_blank" rel="noopener"&gt;&lt;em&gt;Los Velhadors de Sent Junian&lt;/em&gt;&lt;/a&gt;&amp;nbsp;en vue de la messe de minuit de Flavignac en d&amp;eacute;cembre 1971.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Nous pouvons ensuite y entendre en sermon en occitan limousin.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background: transparent; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</text>
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Diu era dins sa botica&#13;

00:03:18.000 --&gt; 00:04:20.000
Lo solelh de justícia&#13;

00:04:20.000 --&gt; 00:08:27.000
Lo solelh de justícia (reprise)&#13;

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À vous troupe fidèle&#13;

00:11:20.000 --&gt; 00:12:05.000
Essai&#13;

00:12:05.000 --&gt; 00:13:51.000
Entau es lu bon Diu (sermon)&#13;

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