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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Nous avions rencontré &lt;strong&gt;M. Gilet&lt;/strong&gt; en janvier 2001 à la résidence du Chapeau-Rouge à Brive où il vivait avec sa femme. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Originaire du Soulier de Chasteaux il pratiquait l'accordéon diatonique et le chant.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;Il nous chante quelques chansons bien répandues en Limousin, de belles versions bien complètes. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;Peu sûr de son jeu a l'accordéon, alors qu'il nous avait été indiqué comme un bon musicien, il avait gentiment accepté de nous livrer ces chansons, qu'il chantait "plus juste que sur l'accordéon" disait-il. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;(Photo Brive Magazine n°39 Février 2000)&lt;/span&gt;&lt;/p&gt;</text>
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              <text>mémoire orale du Limousin</text>
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              <text>patrimoine oral du Limousin</text>
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              <text>écouter le patois de la Corrèze</text>
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                <text>Version sous-titrée</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Na jornada a Bornaseu</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Savoir-faire</text>
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            <description>An account of the resource</description>
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                <text>La fabrication d'un panier en châtaigner,par Maurice Javelaud</text>
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                <text>Maurice JAVELAUD</text>
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                <text>Pascal Boudy, Jean-François Vignaud</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="oc"&gt;&lt;span style="font-size:14pt;"&gt;Tot lu monde iò dira : los pus braves paniers venen dau Limosin.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Au-delà de cette évidence, il en vient une autre, parmi les plus beaux paniers d'éclisses de châtaignier faits en Limousin, ceux de Maurice Javelaud tenaient bonne place. Par centaines, paniers &lt;span class="oc"&gt;e&lt;/span&gt; deschas (panières) sont nés de l'alliance de ses doigts et du couteau. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt; D'un savoir-faire acquis auprès de son père durant ses jeunes années il développa une véritable activité vannière une fois à la retraite. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt; Qui, dans ce petit coin du Limousin, ne l'a pas rencontré derrière son banc de paniers dans toutes les fêtes artisanales du pays ?&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;C'est dans son village de Bournazeau (commune d'Oradour-sur-Vayres) où il a toujours vécu que nous avons rencontré Maurice au printemps 2009. Au cours de deux après-midi, nous avons suivi les étapes de fabrication d'un panier dans l'obscurité de la vieille maison qui lui servait d'atelier. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Les explications sont souvent succinctes, parfois sibyllines &lt;span class="oc"&gt;"Qu'es mas mesuras a me !".&lt;/span&gt;.. Il reste à voir, à observer, à décrypter un geste, des réflexions, des attitudes, tant de choses héritées de siècles de savoir paysan en matière de vannerie traditionnelle.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Raoul Amouroux, agriculteur,&lt;/span&gt; &lt;span class="fr"&gt;fut maire de la commune de Louignac. Comme il nous l'explique &amp;agrave; la fin du sujet, il est rest&amp;eacute; tr&amp;egrave;s proche de ses racines et soucieux de transmettre son savoir. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Dans ce film il nous explique dans une belle langue l'art de la faux, la battaison, la fabrication des manches, la pierre Lombarde... &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/367"&gt;Acc&amp;egrave;s &amp;agrave; la version non sous-titr&amp;eacute;e&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Enregistr&amp;eacute; sous l'oeil bienveillant de Gilles Ray (&lt;a href="https://www.demain.fr/"&gt;Demain TV&lt;/a&gt;) qui faisait, lui, un sujet sur nos enqu&amp;ecirc;tes.&lt;a href="http://www.demain.fr/les-chaines/demaintv-a-la-carte/demaintv-a-la-carte/fiche-edition/patrimoine-toques-porcelaine-et-occitan/"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: medium; color: #000000;"&gt;Seconde partie de l'enqu&amp;ecirc;te &amp;agrave; Lacombe. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span class="artist_name"&gt;M. Manoux&lt;/span&gt; nous chante une version de la &lt;a href="https://la-biaca.org/items/show/12880" target="_blank" rel="noreferrer noopener"&gt;"chanson de Pipette"&lt;/a&gt;, tr&amp;egrave;s proche de l'original (Fran&amp;ccedil;ois GRABI&amp;Eacute;, Po&amp;eacute;sies patoises, 1984, p. 128-129). Avec quelques voisins, on parle de quelques expressions et de la mani&amp;egrave;re de diriger les b&amp;ecirc;tes . &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: medium;"&gt;(Enregistr&amp;eacute; en pr&amp;eacute;sence de deux voisins.)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;Voir ci dessous les autres enregistrements :&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;a href="https://la-biaca.org/items/show/327" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color: #ff6600;"&gt;- &amp;raquo; Premier enregistrement&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/369" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size: medium;"&gt;- &amp;raquo; &lt;/span&gt;Troisi&amp;egrave;me enregistrement&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size: medium;"&gt;- &amp;raquo; &lt;/span&gt;Quatri&amp;egrave;me enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Des propos sur les pratiques autour de l'eau, les levades, la tourbe, les moulins, l'eau &amp;agrave; la maison... et aussi un t&amp;eacute;moignage tr&amp;egrave;s pr&amp;eacute;cis sur l'exploitation des bois sectionnaux :&lt;/span&gt; &lt;span class="oc"&gt;las fordas&lt;/span&gt;. &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/items/show/13238#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=0%2C-34%2C985%2C667"&gt;Lo molin de Lacomba&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;Voir ci dessous les autres enregistrements :&lt;br /&gt;&lt;span style="color: #ff6600;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;a href="https://la-biaca.org/items/show/327" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color: #ff6600;"&gt;- &amp;raquo; Premier enregistrement&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/368" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;- &amp;raquo; Second enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #ff6600;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium; color: #000000;"&gt;&lt;span style="color: #ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color: #ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size: medium;"&gt;- &amp;raquo; &lt;/span&gt;Quatri&amp;egrave;me enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;em&gt;Des proverbes, des différentes pièces du moulin.&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;Voir ci dessous les autres enregistrements :&lt;br /&gt;&lt;span style="color:#ff6600;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/368" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/items/show/327" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color:#ff6600;"&gt;- » Premier enregistrement&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/368" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;- » Second enregistrement&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#ff6600;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;span style="font-size:medium;color:#000000;"&gt;&lt;span style="color:#ff6600;"&gt;&lt;a href="https://la-biaca.org/items/show/370" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:medium;color:#ff6600;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="https://la-biaca.org/items/show/369" target="_blank" style="color:#ff6600;" rel="noreferrer noopener"&gt;&lt;span style="font-size:medium;"&gt;- » &lt;/span&gt;Troisième enregistrement&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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                <text>Tous les genres</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Paul VIALLE</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Paul Vialle était né à Louignac en 1928. Il y avait longtemps exercé le métier d'agriculteur, avant de partir "travailler à l'usine" jusqu'à sa retraite.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Il nous avait reçu en 2003, et, dans une belle langue, nous avait régalé de quelques chansons qu'il tenait d'un passage dans un groupe folklorique ainsi que de beaux dires sur le temps, sur les abeilles... &lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:04:03.000
La désertification&#13;

00:04:03.000 --&gt; 00:05:03.000
La pelharauda&#13;

00:05:03.000 --&gt; 00:09:54.000
Les maçons de la Creuse&#13;

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                <text>&lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;Ce document est le premier d'une série de 5 cassettes audio qui nous ont été confiées pour numérisation et diffusion par M. Vincent Besse. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Il s'agit de l' enregistrement de &lt;span class="artist_name"&gt;M. Mathieu Vignaud&lt;/span&gt;, né le 25 août 1885 à Pairs, sur la commune de Saint-Christophe, en Charente  limousine.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Dans ce premier enregistrement (face A de la cassette n°1), réalisé en &lt;/span&gt;&lt;span class="fr"&gt;mai 1977, Monsieur Vignaud évoque avec précision la culture du chanvre, la fabrication des vêtements, l'arrivée de la monnaie en papier, les outils agraires en bois, la moisson, les battages... &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:10pt;"&gt;&lt;em&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la numérisation de ces cassettes, en assez mauvais état de conservation.&lt;/em&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Dans ce document (la bande 628), l'&amp;eacute;mission "Chez nous" telle qu'elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Limoges au d&amp;eacute;but du mois de mars 1965). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;M. Dagnas pr&amp;eacute;sente &lt;span class="artist_name"&gt;Marie Basset&lt;/span&gt; qu'il a enregistr&amp;eacute;e au cours de l'hiver 1964 &amp;agrave; Neuville, commune de Saint-Mathieu (Haute Vienne). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Mme Basset interpr&amp;ecirc;te plusieurs chansons peu connues, elle nous parle des danses, des musiciens, des bals, des galants... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;L'&amp;eacute;mission est entrecoup&amp;eacute;e de morceaux jou&amp;eacute;s par des groupes folkloriques : "La Couade de Troche" (la bourr&amp;eacute;e d'Auvergne, suites de bourr&amp;eacute;es...) et "le rondeau bordelais" (le cap d'ail). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Pour finir on entendra aussi deux annonces : une pour le congr&amp;egrave;s de la f&amp;eacute;d&amp;eacute;ration de groupes folkloriques du Centre-ouest &amp;agrave; St-Junien et une concernant le comit&amp;eacute; d'organisation de la Sainte Estelle de 1965. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;a href="https://la-biaca.org/items/show/12809#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-255%2C0%2C1182%2C799"&gt;► Acc&amp;eacute;der &amp;agrave; la fiche &amp;eacute;crite par R. Dagnas pour cet enregistrement &lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent-Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Félicie BROUILLET (3/3)</text>
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                <text>Félicie BROUILLET</text>
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                <text>&lt;p&gt;&lt;span style="font-size: medium;"&gt;Ce document, bande 575-3, a &amp;eacute;t&amp;eacute; enregistr&amp;eacute; le 26 novembre 1969 &amp;agrave; Augignac et fut probablement diffus&amp;eacute; sur les ondes de Radio Limoges dans l'&amp;eacute;mission "Chez nous". &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="artist_name"&gt;F&amp;eacute;licie Brouillet&lt;/span&gt;, n&amp;eacute;e &amp;agrave; Piegut en Dordogne en 1907 et d&amp;eacute;c&amp;eacute;d&amp;eacute;e en 1982, est&amp;nbsp; interview&amp;eacute;e ici par Robert Dagnas. Elle nous parle de son Pierisson qui voudrait aller dans la lune. Ensuite M. Dagnas la pr&amp;eacute;sente aux auditeurs de Radio Limoges. Puis elle nous explique son go&amp;ucirc;t pour les histoires, ses publications, le costume limousin, la langue occitane, et l'avenir de celle ci :&lt;em&gt; "&lt;span class="oc"&gt;'Qu&amp;ograve; ne p&amp;ograve;t pas se perdre, 'queu-qui qu'aima son pais ne p&amp;ograve;t pas obludar la linga...&lt;/span&gt;"&amp;nbsp; &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/items/show/380" target="_blank" rel="noopener"&gt;Une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; F&amp;eacute;licie Brouillet a &amp;eacute;t&amp;eacute; diffus&amp;eacute;e en d&amp;eacute;cembre 1958. &lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&lt;br /&gt;&lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Dordogne (24)</name>
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                  <text>Enquêtes et témoignages</text>
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              <text>ChezNous140259.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Radio Limoges</text>
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              <text>Jérôme Tharaud</text>
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              <text>langue limousine</text>
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              <text>chez nous</text>
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              <text>Archives sonores du Limousin</text>
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              <text>IEO Lemosin</text>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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              <text>écouter du patois Limousin</text>
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              <text>Occitan limousin</text>
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              <text>langue d'oc en Limousin</text>
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              <text>langue d'oc en pays limousin</text>
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              <text>collectage en pays limousin</text>
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              <text>collectage en limousin</text>
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              <text>colleccion</text>
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              <text>mémoire orale du Limousin</text>
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              <text>patrimoine oral du Limousin</text>
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              <text>enregistrements de collectage des années 60</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>chez nous 14 02 1959</text>
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            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>À Javerdat</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2012-05-07 15:26:18</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>989</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Chez nous, février 1959</text>
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            <description>The topic of the resource</description>
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                <text>Chansons</text>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/379</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/379/14021959.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Sur la bande 47-B, l'&amp;eacute;mission "Chez nous" telle qu'elle fut diffus&amp;eacute;e sur les ondes de Radio Limoges le 14 F&amp;eacute;vrier 1959.&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Promenant son micro dans les bourgs limousins, Robert Dagnas a enregistr&amp;eacute; les documents pr&amp;eacute;sent&amp;eacute;s ici &amp;agrave; Javerdat commune de Haute-Vienne. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Dans cette &amp;eacute;mission nous entendrons une pr&amp;eacute;sentation de Javerdat, plusieurs "vieux airs du pays enregistr&amp;eacute;s sans appr&amp;ecirc;t" (dont quelques rares chansons interpr&amp;ecirc;t&amp;eacute;es par Pierre Biossac), des t&amp;eacute;moignages sur les ostensions, sur J&amp;eacute;r&amp;ocirc;me et Jean Tharaud par sa&lt;span class="oc"&gt; s&amp;ograve;r de lach &lt;/span&gt;(enregistr&amp;eacute; &amp;agrave; La Pouyade aupr&amp;egrave;s de Mariette Perrier n&amp;eacute;e S&amp;eacute;namaud)...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Le petit-fils de Mme Perrier nous indique :&lt;/span&gt; &lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;" ... j'&amp;eacute;tais d'ailleurs pr&amp;eacute;sent ce jour l&amp;agrave;, je me souviens tr&amp;egrave;s bien malgr&amp;eacute; mes 4 ans 1/2 de la grosse voiture de la Radio gar&amp;eacute;e aux bas des marches de la maison, une &amp;eacute;norme "Fr&amp;eacute;gate" (verte!) bourr&amp;eacute;e d'instruments, je me souviens du fil du micro qui courait sur les marches de granit, ... et ma grand m&amp;egrave;re, qui r&amp;eacute;pondait par de courtes phrases, tr&amp;egrave;s naturelle, en fran&amp;ccedil;ais, je me souviens m&amp;ecirc;me que l'interviewer avait insist&amp;eacute; pour qu'elle parle en patois, car elle voulait montrer qu'elle parlait bien le francais,....son &amp;eacute;ternel bonnet de laine tricot&amp;eacute; viss&amp;eacute; sur sa t&amp;ecirc;te .... j'avais &amp;eacute;t&amp;eacute; &amp;eacute;cart&amp;eacute; de la sc&amp;egrave;ne car j'&amp;eacute;tais trop bruyant au go&amp;ucirc;t du technicien,.... que de souvenirs lointains ..."&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>Piégut</text>
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              <text>Augignac</text>
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              <text>Félicie Brouillet</text>
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              <text>Aurelha de lebre</text>
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              <text>orelho de lebre</text>
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              <text>langue limousine</text>
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              <text>patois limousin</text>
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              <text>Dagnas</text>
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              <text>chez nous</text>
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              <text>Chas nos</text>
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              <text>Archives sonores du Limousin</text>
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              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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              <text>IEO Lemosin</text>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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              <text>écouter du patois Limousin</text>
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              <text>Occitan limousin</text>
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              <text>langue limousine</text>
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              <text>langue d'oc en Limousin</text>
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              <text>langue d'oc en pays limousin</text>
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              <text>collectage en pays limousin</text>
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              <text>memòria</text>
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            <elementText elementTextId="321645">
              <text>mémoire orale du Limousin</text>
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            <elementText elementTextId="321646">
              <text>patrimoine oral du Limousin</text>
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            <elementText elementTextId="321647">
              <text>écouter le patois de la Corrèze</text>
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            <elementText elementTextId="321648">
              <text>écouter l'occitan limousin</text>
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          <name>Mot-clé en liste</name>
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              <text>chez nous 06 12 1958 felicie brouillet</text>
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                <text>2012-05-10 08:11:18</text>
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                <text>1012</text>
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                <text>Dordogne (24)</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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                <text>Chez nous, 6 décembre 1958</text>
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                <text>Tous les genres</text>
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              <elementText elementTextId="321608">
                <text>Félicie BROUILLET</text>
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                <text>1958-12</text>
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                <text>Robert Dagnas</text>
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                <text>audio/mpeg</text>
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                <text>https://la-biaca.org/items/show/380</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/380/06121958.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 47-A, l'&amp;eacute;mission "Chez nous" telle qu' elle fut diffus&amp;eacute;e sur les ondes de Radio Limoges le 6 d&amp;eacute;cembre 1958. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ce&amp;nbsp; jour-l&amp;agrave;, Robert Dagnas&amp;nbsp; re&amp;ccedil;oit &lt;span class="artist_name"&gt;F&amp;eacute;licie Brouillet&lt;/span&gt;, une des vedettes de son &amp;eacute;mission. Apr&amp;egrave;s avoir pr&amp;eacute;sent&amp;eacute; F&amp;eacute;licie Brouillet, celle ci&amp;nbsp; nous parle de son surnom, "&lt;span class="oc"&gt;aurelha de lebre&lt;/span&gt;" (oreille-de-li&amp;egrave;vre), elle &amp;eacute;voque sa limousinit&amp;eacute;, ses influences, ses &amp;eacute;crits,&amp;nbsp; et nous conte quelques unes de ses r&amp;eacute;cits :&amp;nbsp;&lt;span class="oc"&gt; los que ganhen l'argent a bra&amp;ccedil;at, los pitits dr&amp;ograve;lles d'ancien temps,&lt;/span&gt; la berg&amp;egrave;re de Peira-Carteu, et &lt;span class="oc"&gt;la montra&lt;/span&gt;. M. Dagnas&amp;nbsp; pr&amp;eacute;sente ensuite la "&lt;span class="oc"&gt;cronica daus noms dau mes de decembre&lt;/span&gt;", et les actualit&amp;eacute;s du mois de d&amp;eacute;cembre 1958.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/378" target="_blank" rel="noopener"&gt;On retrouvera Mme Brouillet dans une autre &amp;eacute;mission de "Chez nous" diffus&amp;eacute;e en 1969.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt; font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family: georgia, palatino;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt; .&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Enquêtes et témoignages</text>
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                <text>&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Sur la bande 577,&amp;nbsp; la 400&amp;egrave;me &amp;eacute;mission &lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;"Chez nous"&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt; telle qu' elle &lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;fut sans doute diffus&amp;eacute;e sur &lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;les ondes de Radio Limoges &lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;en 1970.&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Ce&amp;nbsp; jour-l&amp;agrave;, Robert Dagnas f&amp;ecirc;te les 12 ans de son &amp;eacute;mission et nous propose de retrouver plusieurs groupes folkloriques : La Couade de Troche, Les Gueurlets du Poitou, La Bourr&amp;eacute;e Limousine de Brive, les Compagnons de la joie au village d'Ussel, les Velhadors de St-Junian mais aussi F&amp;eacute;licie Brouillet, le p&amp;egrave;re Guillet, Suzanne Dragon, Pierre Machon, Pierre Biossac, Ang&amp;egrave;le Chabeaudie, &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt;...&lt;br /&gt;(Ces enregistrements ont d&amp;eacute;ja &amp;eacute;t&amp;eacute; diffus&amp;eacute;s dans d'autres &amp;eacute;missions.)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt; font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Enquêtes et témoignages</text>
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              <text>Chez nous</text>
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              <text>chez nous veillees</text>
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                <text>Chez nous, février 1960</text>
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                <text>Chez nous, 31 octobre 1964</text>
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                <text>Robert Dagnas</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Sur la bande 744,&amp;nbsp; l'&amp;eacute;mission "Chez nous" telle qu' elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Limoges. &lt;br /&gt;Plusieurs dates figurent sur l'enveloppe de ce document (31/10, 12/65, 13/5/64 ?), nous ne savons quand elle fut diffus&amp;eacute;e. Sans doute le 31 octobre 1964, puisque Dagnas mentionne le d&amp;eacute;but de l'automne...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Nous retrouvons plusieurs groupes folkloriques, une &amp;eacute;vocation de l'arriv&amp;eacute;e de l'automne, F&amp;eacute;licie Brouillet (Las femnas d'a&amp;uuml;ei),&amp;nbsp; los velhadors de St-Junian (la meschanta maire, ch&amp;egrave;re Eug&amp;eacute;nie),&amp;nbsp; Aunis et Santonge : Pierre Machon (l'enter'ment de Nez Torsut), Sabaudia, Bergerettes et pastourelles, Marguerite d'Augignac (r&amp;eacute;veillez-vous la belle, la patrie nous appelle&amp;hellip;), la copa santa, la Ste Estelle 1965 &amp;agrave; St Junien... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Le fonds Robert Dagnas&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <name>Duration</name>
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                <text>&lt;span style="font-size: 10pt;"&gt;Sur la bande 11, sans aucune autre mention de date ou de lieu, nous retrouvons Robert Dagnas sur le terrain, sans doute dans la r&amp;eacute;gion de St Junien .&lt;br /&gt;&lt;br /&gt;Dans cet enregistrement nous entendrons plusieurs chanteuses et chanteurs nous interpr&amp;eacute;tant des chansons en fran&amp;ccedil;ais et/ou en occitan :&lt;br /&gt;Une pastourelle, plusieurs chansons de conscrits (Julie ma Julie, L'hirondelle est partie, Je viens te dire adieu), une chanson &amp;agrave; boire (le p&amp;egrave;re Bacchus), une version improbable de la Paimpolaise en breton , deux versions du Frisat, un extrait d'un jorn dins l'estolia, puis La nuech de n&amp;ograve;&amp;ccedil;a, La Margui, Caroline, la mair Mar&amp;ccedil;auda e sos fricassons et pour finir une belle interpr&amp;eacute;tation malheureusement tronqu&amp;eacute;e de "Ha Voui" de Mayol.&lt;br /&gt;&lt;br /&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent-Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;br /&gt;&lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Mot-clé en liste</name>
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                <text>2012-05-15 13:24:13</text>
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                <text>Chez nous, 7 Septembre 1963</text>
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            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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                <text>1963-09</text>
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                <text>&lt;div class="disc_details disc_data"&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;Sur la bande présentée ici, l'émission "Chez Nous" probablement diffusée sur les ondes de Radio Limoges le 7 septembre 1963. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div class="disc_details disc_data"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;Dans cet enregistrement Robert Dagnas revient sur les évènements folkloriques de l'été 1963 : le festival de Confolens, Uzerche et Brive. &lt;br /&gt;- &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;De Confolens, n&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;color:#000000;"&gt;ous entendrons un groupe de musique portugaise et un Noël Confolentais&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt; &lt;span class="oc"&gt;"Voletz vos durmir"&lt;/span&gt;.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;color:#000000;"&gt;- À&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt; Uzerche se sont produits &lt;/span&gt;&lt;/span&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;color:#000000;"&gt;les cinq groupes de la maintenance du Limousin : Une messe Félibréenne à St Pierre, le pélélé par la Bourrée Limousine, une nhorle par l'école du barbichet, les filles sont comme les roses par l'école Ventadour,&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt; &lt;span class="oc"&gt;"lo cinéma"&lt;/span&gt; &lt;span style="color:#000000;"&gt;par Félicie Brouillet des Velhadors de St Junian et enfin les échos limousins d'Argentat. &lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;- Quelques mots du festival de la Bourrée limousine à Brive.&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;L'émission se terminera par l'actualité des groupes folkloriques du Limousin.&lt;/span&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;br /&gt;&lt;span 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style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" 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style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;br class="fr" style="font-size:12pt;font-family:georgia, palatino;" /&gt;&lt;span style="font-size:8pt;font-family:georgia, palatino;color:#000000;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family:georgia, palatino;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt; &lt;br /&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;. &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</text>
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              <text>écouter le patois de la Haute-Vienne</text>
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                <text>&lt;p&gt;Sur la bande portant le n&amp;deg; 8551-5, il est not&amp;eacute; "St Auvent Sermon"&lt;/p&gt;&#13;
&lt;p&gt;Il s'agit sans doute de l'enregistrement, &amp;agrave; l'&amp;eacute;glise Saint-Auvent (Haute-Vienne) d'une r&amp;eacute;p&amp;eacute;tition dans lequel le pr&amp;ecirc;tre (probablement le chanoine Durepaire) bute et peste contre ses rat&amp;eacute;s, on entend R. Dagnas lui dire qu'il n'y a pas de souci que ces h&amp;eacute;sitations seront coup&amp;eacute;es au montage.&lt;/p&gt;&#13;
&lt;p&gt;Pas d'indication sur la date sur cet enregistrement probablement en 1959.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/items/show/387"&gt;La fin de ce sermon se trouve sur la bande suivante n&amp;deg;8551-6. &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent-Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/p&gt;&#13;
&lt;p&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span&gt;Sur la bande portant le n° 8551-6, il est noté "St Auvent Sermon fin "&lt;br /&gt;&lt;br /&gt;Il s'agit de la suite de l'enregistrement, à l'église Saint-Auvent (Haute-Vienne). Une répétition dans lequel le prêtre (probablement le chanoine Durepaire) bute et peste contre ses ratés, on entend R. Dagnas lui dire qu'il n'y a pas de souci que ces hésitations seront coupées au montage.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;/span&gt;&lt;span&gt;Pas d'indication sur la date sur cet enregistrement probablement en 1959.&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;a href="https://la-biaca.org/items/show/386"&gt;Le début de ce sermon est sur la bande 8551-5.&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;À la su&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;span&gt;ite de cet enregistrement nous entendrons M. Edmond Valeille enregistré à Chauffour-sur-Veil (19) qui évoque son travail, l'élevage des oies, les méthodes d'élevage modernes, la vie d'une oie, le gavage, la vente sous contrat... &lt;/span&gt;&lt;br /&gt;&lt;span&gt;(Nous avons, une quarantaine d'années plus tard interviewé Edmond Valeille dans son moulin de Niel, &lt;a href="https://la-biaca.org/items/show/303" target="_blank" rel="noopener"&gt;cet enregistrement est aussi dins la biaça&lt;/a&gt;.) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Pour terminer nous nous retrouvons à Rouillac, en Charente voisine. On y entend les locuteurs présenter Rouillac, le Château de Lignières, le site des bouchots, la Nouère, le sport à Rouillac : le véloce club de Rouillac, le football Club de Rouillac... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Pas d'indication sur la date sur cet enregistrement. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Président du groupe folklorique « Los velhadors de Sent-Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 6695, l'&amp;eacute;mission "Chez nous" telle qu'elle fut sans doute diffus&amp;eacute;e le 9 avril 1960 sur les ondes de Radio Limoges. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Apr&amp;egrave;s une &amp;eacute;vocation de la f&amp;ecirc;te des Rameaux (Charles Silvestre), nous entendrons "&lt;span class="oc"&gt;lu turment de la Margui&lt;/span&gt;" chant&amp;eacute;e par &lt;span class="artist_name"&gt;Ir&amp;egrave;ne Besson&lt;/span&gt; accompagn&amp;eacute;e au piano, une ode au mois d'avril, un air de vielle, "&lt;span class="oc"&gt;Lo pair Matiu&lt;/span&gt;" : une chanson &amp;agrave; boire interpr&amp;eacute;t&amp;eacute;e par &lt;span class="artist_name"&gt;Pierre Biossac&lt;/span&gt;, "&lt;span class="oc"&gt;lo verme&lt;/span&gt;" : une &lt;span class="oc"&gt;nh&amp;ograve;rle&lt;/span&gt; (par &lt;span class="artist_name"&gt;Andr&amp;eacute; Danias&lt;/span&gt; ?), la recette des carcalins par &lt;span class="artist_name"&gt;Annette&lt;/span&gt;, une m&amp;eacute;lodie bretonne (An hini a garan, Celui que j'aime), la Briance, puis la conclusion de cette &amp;eacute;mission.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Au domicile d'un des informateurs, commune de Cussac</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>ChezNous542.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>Cussac</text>
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              <text>Cuçac</text>
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              <text>dévotions</text>
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              <text>Robert Dagnas</text>
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              <text>tirer les saints</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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                <text>Chez nous, à Cussac</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Rites calendaires</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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          <element elementId="48">
            <name>Source</name>
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                <text>RD 1011</text>
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            <name>Date</name>
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                <text>1968</text>
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                <text>Robert Dagnas</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="321325">
                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 542, sans aucune autre mention de date ou de lieu, nous retrouvons Robert Dagnas sur le terrain. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement -&amp;nbsp;r&amp;eacute;alis&amp;eacute; &amp;agrave; priori en 1968 sur la commune de Cussac (87)&amp;nbsp;- nous entendrons un petit groupe de personnes (dont&amp;nbsp; &lt;span class="artist_name"&gt;M. Ratinaud, M. Michaud, M. Dupuy, Mme Blancher, M. Verdaud&lt;/span&gt;...) nous parler des soins (le charbon, tirer les saints...), des bonnes fontaines et des d&amp;eacute;votions de la St Jean (les marchands, le bal, la balade...). Ensuite&lt;span class="artist_name"&gt; M. Michaud&lt;/span&gt; chante "&lt;span class="oc"&gt;los dindons&lt;/span&gt;", puis nous entendrons l'&lt;span class="oc"&gt;ist&amp;ograve;ira de Mar&amp;ccedil;aud&lt;/span&gt;,&lt;span class="oc"&gt; sauta troia&lt;/span&gt;, un retour sur l'origine des bonnes fontaines et pour terminer quelques mots des danses pratiqu&amp;eacute;es au bal des bonnes fontaines.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Cussac</name>
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      <name>Oral History</name>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>Patrimoine oral</text>
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            <elementText elementTextId="321288">
              <text>IEO Limousin</text>
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            <elementText elementTextId="321289">
              <text>IEO LEmosin</text>
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              <text>biaça</text>
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              <text>besace</text>
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              <text>Patois corrèze</text>
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              <text>Patois Creuse</text>
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              <text>Occitan creuse</text>
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              <text>collectatge</text>
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              <text>Ecole Ventadour</text>
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              <text>tulle</text>
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              <text>Veilladours de saint Junien</text>
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              <text>irène Besson</text>
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              <text>pierre Leplant</text>
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              <text>Docteur Serre</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur la bande 18, M. Dagnas a enregistré plusieurs groupes folkloriques "&lt;span class="artist_name"&gt;les veilladours de St-Junien&lt;/span&gt;", "&lt;span class="artist_name"&gt;l'école Ventadour&lt;/span&gt;" présentée par M. Pierre Roussarie et "&lt;span class="artist_name"&gt;la bourrée limousine&lt;/span&gt;" présentée par le Docteur JM Serre lors d'une représentation en public. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Pas d'indication sur le lieu et la date de l'enregistrement (vers 1963). &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Nous y entendons des chansons en occitan et en français : "&lt;span class="oc"&gt;lo plus bel pais dau monde&lt;/span&gt;" (la chanson qui sert de générique à l'émission "Chez nous") puis "&lt;span class="oc"&gt;filha te maridas pas&lt;/span&gt;", "&lt;span class="oc"&gt;lo cuer de ma mia&lt;/span&gt;", "&lt;span class="oc"&gt;lo castel de Montvielh&lt;/span&gt;" par&lt;span class="artist_name"&gt; Irène Besson&lt;/span&gt; et &lt;span class="artist_name"&gt;Pierre Leplant&lt;/span&gt;, une belle version de "&lt;span class="oc"&gt;la maumaridada&lt;/span&gt;" par un chanteur de l'école ventadour, puis "Je les aimerais toujours", "belle meunière" par &lt;span class="artist_name"&gt;Bertrand Schneider&lt;/span&gt; et &lt;span class="artist_name"&gt;Lily (Alice) Auger&lt;/span&gt;, "la corrézienne"... &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;ainsi que plusieurs morceaux de musique à danser : bourrées, marches, polkas, brise-pieds, &lt;span class="oc"&gt;cotilhon verd&lt;/span&gt;, gigouillette, &lt;span class="oc"&gt;la jaça&lt;/span&gt;... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:small;"&gt;Président du groupe folklorique « Los velhadors de Sent-Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:small;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:small;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Ce document pr&amp;eacute;sente trois enregistrements d&amp;rsquo;&lt;strong&gt;Antoine Soubrenie&lt;/strong&gt;, r&amp;eacute;alis&amp;eacute;s &amp;agrave; Espeyrut (Donzenac) par Clair Mah&amp;eacute; au d&amp;eacute;but des ann&amp;eacute;es 80 (Ce sont les cassettes M11 face 1 et 2 et la cassette M8 face 1)&lt;/span&gt;.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Nous entendons M. Antoine Soubrenie, dans une belle langue, nous parler de la gen&amp;egrave;se des "Troubadours Gamadous&lt;/span&gt;" &lt;span class="fr"&gt;de Donzenac : le groupe th&amp;eacute;&amp;acirc;tral puis le groupe folklorique et enfin la chorale, de leur succ&amp;egrave;s grandissant mais aussi des tensions que ces actions ont g&amp;eacute;n&amp;eacute;r&amp;eacute; sur la commune. Ensuite M. Soubrenie nous parle de sa vie, de son int&amp;eacute;r&amp;ecirc;t pour la langue, pour l&amp;rsquo;&amp;eacute;criture.&lt;/span&gt;&lt;/span&gt;..&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Il nous conte ensuite les &amp;laquo;&lt;/span&gt; &lt;span class="fr"&gt;Nhorles du p&amp;egrave;re Toinet&lt;/span&gt; &lt;span class="fr"&gt;&amp;raquo; et, pour terminer, des membres des "Troubadours Gamadous" disent deux textes et une blague en Fran&amp;ccedil;ais .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; la base d'articles et documents publi&amp;eacute;s &lt;span class="fr"&gt; dans &amp;laquo; &lt;span class="fr"&gt;La Clau &lt;span class="fr"&gt;&amp;raquo; , &amp;laquo; &lt;span class="fr"&gt;Lemouzi &lt;span class="fr"&gt;&amp;raquo;&lt;span class="fr" style="font-size: 10pt;"&gt; mais aussi &lt;span style="font-family: Arial;"&gt; dans &amp;laquo; Di lou Cantou &amp;raquo; (la revue des Corr&amp;eacute;ziens de Paris) et l&amp;rsquo;&amp;Eacute;cho du Centre. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;M. Soubrenie est n&amp;eacute; en 1920 et d&amp;eacute;c&amp;eacute;d&amp;eacute; en 2005. Tr&amp;egrave;s concern&amp;eacute; par la vie de son village, d&amp;egrave;s sa retraite il a particip&amp;eacute; de mani&amp;egrave;re tr&amp;egrave;s active &amp;agrave; la vie associative.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Il a &amp;eacute;crit des pi&amp;egrave;ces de th&amp;eacute;&amp;acirc;tre (&lt;span class="oc"&gt;La sopa a la grima&amp;ccedil;a, Quand lo liech s&amp;rsquo;esbolha, Las n&amp;ograve;&amp;ccedil;as d&amp;rsquo;&amp;ograve;r de la Julieta e del pair Tianet et los Enuegs del Pair Tianet&lt;/span&gt;) qui ont connu un beau succ&amp;egrave;s avant d'&amp;ecirc;tre publi&amp;eacute;es dans Lemouzi. &lt;br /&gt;Antoine Soubrenie a aussi &amp;eacute;crit quelques contes, les "nh&amp;ograve;rles", que nous entendons dans cet enregistrement, et compos&amp;eacute; des chansons et musique avec l&amp;rsquo;aide de son comp&amp;egrave;re musicien M. Mayjonade.&lt;/span&gt; &lt;br /&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Ces nh&amp;ograve;rles, transcrites par Clair Mah&amp;eacute; et illustr&amp;eacute;es par Laurent Schmitz ont &amp;eacute;t&amp;eacute; publi&amp;eacute;es en 1988 dans un num&amp;eacute;ro de La Clau Lemosin diponible ci dessous &lt;/span&gt; :&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12855#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=1&amp;amp;xywh=0%2C-152%2C1249%2C883"&gt;Per legir "Las nh&amp;ograve;rlas del paire Toanet"&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;Nous remercions Clair Mah&amp;eacute; qui nous a confi&amp;eacute; ces documents pour la num&amp;eacute;risation et la mise en ligne, et Mme Ang&amp;egrave;le Soubrenie qui a accept&amp;eacute; la mise en ligne de ces enregistrements et a bien voulu nous transmettre les photos de son mari. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s par Florence Lemoine &amp;laquo;&lt;/span&gt; &lt;span class="fr"&gt;eVisual&lt;/span&gt; &lt;span class="fr"&gt;&amp;raquo;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Chez nous, La Burette Eugène Tomas</text>
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            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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                <text>Robert Dagnas</text>
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                <text>audio/mpeg</text>
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                <text>Sound</text>
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                <text>https://la-biaca.org/items/show/393</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/393/Padimage.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 8978, l'&amp;eacute;mission "Chez Nous" telle qu'elle a probablement &amp;eacute;t&amp;eacute; diffus&amp;eacute;e sur les ondes de Radio Limoges le 25 mars 1961. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Nous retrouvons Robert Dagnas sur le terrain, chez M. et Mme Thomas au bourg de Beissat (Creuse). &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement, apr&amp;egrave;s le g&amp;eacute;n&amp;eacute;rique et une pr&amp;eacute;sentation (un peu &amp;eacute;court&amp;eacute;e !) de Beissat par Jean-Pierre Dupr&amp;eacute;s,&lt;span class="artist_name"&gt; M. Thomas&lt;/span&gt;, sabotier et joueur de vielle, nous parle de son m&amp;eacute;tier de sabotier, de son go&amp;ucirc;t pour la musique... avec le concours de sa femme ils &amp;eacute;voquent son surnom, "la Burette",&amp;nbsp; puis le d&amp;eacute;peuplement du pays, son fils &lt;span class="artist_name"&gt;Ren&amp;eacute;&lt;/span&gt; parle de sa proximit&amp;eacute; avec son p&amp;egrave;re (la musique, la saboterie et le conseil municipal). &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Cet entretien est ponctu&amp;eacute; de morceaux du r&amp;eacute;pertoire local (enregistr&amp;eacute;s dans la cuisine, Eug&amp;egrave;ne &amp;agrave; la vielle et Ren&amp;eacute; &amp;agrave; la cornemuse 16 pouces) ainsi que d'une chanson de L&amp;eacute;on Branchet "&lt;span class="oc"&gt;Mos socs&lt;/span&gt;" (mes sabots) sans doute interpr&amp;eacute;t&amp;eacute;e par &lt;span class="artist_name"&gt;Ir&amp;egrave;ne Besson&lt;/span&gt; (mais qui n'a pas &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e &amp;agrave; cette occasion).&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1102</text>
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              <text>l'hiver</text>
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              <text>les veillées</text>
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              <text>chansons de Noël traditionnelles du Limousin</text>
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              <text>Michel Meilhac</text>
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              <text>Henriette Couriaud</text>
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              <text>fêtes votives</text>
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            <elementText elementTextId="321133">
              <text>Jaquilhon</text>
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            <elementText elementTextId="321134">
              <text>lo chastel de Montvielh"</text>
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              <text>Albert Pestour</text>
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            <elementText elementTextId="321136">
              <text>Archives sonores du Limousin</text>
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              <text>Patrimoine oral limousin</text>
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              <text>IEO Limousin</text>
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              <text>IEO Lemosin</text>
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              <text>la biaça</text>
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              <text>écouter le patois limousin</text>
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              <text>écouter du patois Limousin</text>
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              <text>Occitan limousin</text>
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              <text>langue limousine</text>
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              <text>langue d'oc en Limousin</text>
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              <text>langue d'oc en pays limousin</text>
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              <text>collectage en pays limousin</text>
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              <text>collectage en limousin</text>
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              <text>collectatge</text>
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              <text>colleccion</text>
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              <text>memòria</text>
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              <text>mémoire sonore</text>
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            <elementText elementTextId="321153">
              <text>mémoire orale du Limousin</text>
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            <elementText elementTextId="321154">
              <text>patrimoine oral du Limousin</text>
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            <elementText elementTextId="321155">
              <text>écouter le patois de la Corrèze</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>chez nous 12 1965 veillees</text>
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            <name>Date Issued</name>
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                <text>2012-05-25 11:01:37</text>
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            <description>The size or duration of the resource.</description>
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                <text>1102</text>
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                <text>Chez nous, 31 octobre 1964</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Dordogne (24)</text>
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                <text>Collection F. Étay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="321114">
                <text>Chez nous, décembre 1965</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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                <text>[Informateurs multiples]</text>
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                <text>https://la-biaca.org/items/show/394</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/394/DSC00651.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande not&amp;eacute;e "Angleterre" (sans aucune autre mention) l'&amp;eacute;mission "Chez nous" telle qu'elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Limoges en d&amp;eacute;cembre 1965. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Dans cet enregistrement des &amp;eacute;vocations "Dagnassienne" (l' hiver, les veill&amp;eacute;es, No&amp;euml;l ...).&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Nous retrouvons ensuite &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt; au violon, Ir&amp;egrave;ne Besson &lt;em&gt;"Amic mon bel amic", "pastorelletta"&lt;/em&gt; de la Bourr&amp;eacute;e limousine , Henriette Couriaud qui parle des f&amp;ecirc;tes votives, &lt;em&gt;las balada&lt;/em&gt;s, Ang&amp;egrave;le Chabeaudie ( Patri&amp;ccedil;on et "le jour devant le jugement") ensuite un &amp;eacute;trange encha&amp;icirc;nement par Jaquilhon, puis &lt;em&gt;"lo chastel de Montvielh"&lt;/em&gt;, un hommage &amp;agrave; Albert Pestour, quelques annonces et enfin la conclusion de l'&amp;eacute;mission avec, &amp;agrave; nouveau, la Bourr&amp;eacute;e Limousine. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Le fonds Robert Dagnas&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Ghislaine Pouget, Pascal Boudy</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous avons rencontr&amp;eacute; &lt;span class="artist_name"&gt;M. Roger Meynard&lt;/span&gt; qui nous avait &amp;eacute;t&amp;eacute; indiqu&amp;eacute; comme un informateur de qualit&amp;eacute; et nous n'avons pas &amp;eacute;t&amp;eacute; d&amp;eacute;&amp;ccedil;us.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Tr&amp;egrave;s bien accueillis, nous nous sommes install&amp;eacute;s sur la terrasse et M. Meynard, sans se faire prier, s'est pr&amp;ecirc;t&amp;eacute; au jeu de l'enregistrement. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il nous a chant&amp;eacute; quelques chanson peu connues&amp;nbsp; : &lt;span class="oc"&gt;"traina malhur, cha&amp;ccedil;a profit", "Las meneitas", "la republica"&lt;/span&gt;, il nous a ensuite parl&amp;eacute; des minoteries, du pain, de l'&amp;eacute;cole, des querelles de villages puis il nous a donn&amp;eacute; quelques belles comptines : &lt;span class="oc"&gt;la lebrauta, Baulin baulan, Ai chaval de palha&lt;/span&gt;...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;Onze ans plus tard nous sommes revenus voir M Meynard (au d&amp;eacute;but de l'ann&amp;eacute;e 2013) , &amp;eacute;quip&amp;eacute;s cette fois d'une cam&amp;eacute;ra . &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Voir ci dessous&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:25.000
Traina malhur&#13;

00:01:25.000 --&gt; 00:02:25.000
Las minotarias&#13;

00:02:25.000 --&gt; 00:09:02.000
Del pan&#13;

00:09:02.000 --&gt; 00:09:34.000
Las meneitas&#13;

00:09:34.000 --&gt; 00:09:48.000
St Martial&#13;

00:09:48.000 --&gt; 00:10:35.000
Las pica-nicas entre vesins&#13;

00:10:35.000 --&gt; 00:13:17.000
l'escola&#13;

00:13:17.000 --&gt; 00:16:12.000
La fabricacion del pan&#13;

00:16:12.000 --&gt; 00:16:35.000
La lebrauta&#13;

00:16:35.000 --&gt; 00:16:56.000
Baulin-Baulan&#13;

00:16:56.000 --&gt; 00:17:35.000
Ai chaval de palha&#13;

00:17:35.000 --&gt; 00:18:12.000
la republica&#13;

00:18:12.000 --&gt; 00:18:30.000
Del temps del cocut&#13;

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              <text>robert dagnas marcel auger clarinettiste confolens musique traditionnelle</text>
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                <text>Collection F. Étay, Fonds Dagnas</text>
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                <text>Marcel Auger, clarinettiste</text>
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                <text>Marcel AUGER</text>
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                <text>RD 1013 B</text>
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                <text>1960-02</text>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Sur la bande 714&lt;/span&gt; &lt;span class="fr"&gt; notée "enregistrement Auger, 15.2.60",&lt;/span&gt; &lt;span class="fr"&gt; Robert Dagnas a enregistré à St-Germain-de-Confolens le clarinettiste &lt;strong&gt;Marcel Auger&lt;/strong&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Jean (dit Marcel) Auger est né à Availles-Limouzine (Vienne) le 6 novembre 1909 et est décédé à Confolens le 19 mai 1993. Il fit partie, de 1927 à 1932, du groupe "les Veilleurs de Saint Germain" du peintre et folkloriste Jean Teilliet. &lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Au début des années 60&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;, M. Auger avait &lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;r&lt;/span&gt;&lt;/span&gt;ejoint, &lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;pour un temps, &lt;/span&gt;&lt;/span&gt;"Lo Gerbo Baudo" de Confolens. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Enregistré en présence de danseurs, M. Auger interprète là bourrées, marches, scottischs et  quadrilles, des airs qu'il jouait avec [Georges] Charpentier mais dont il "ne se rappelle plus bien... y a tellement longtemps que je ne les ai pas joués !" &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Pierre Boulanger nous a aimablement donné les indications suivantes : &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt;En N° 1.&lt;/strong&gt; La "bourrée creusoise" (?)&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;"Los as-tu vist los tetons de ma mia&lt;/span&gt; &lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Los as-tu vist per queu petit partus ? &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Son blancs son gris los tetons de ma mia&lt;/span&gt; &lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Son blancs son gris color de la perdric" &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 4.&lt;/strong&gt; L'aiga de ròcha : &lt;/span&gt;&lt;br /&gt;&lt;span class="fr topground" style="font-size:10pt;"&gt;L'aiga de ròcha te fara morir filheta &lt;br /&gt;L'aiga de ròcha te fara morir &lt;br /&gt;Ne'n morirai pas per çò que ne'n beurai gaire &lt;br /&gt;Ne'n morirai pas per çò que ne'n beurai pas !" &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; &lt;span class="fr"&gt;En &lt;/span&gt;N° 10.&lt;/strong&gt; Une marche de noces très connue, jouée avec de multiples variantes dans tout le Confolentais (et peut-être ailleurs) :&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;"Venes-tu nigaud, Segues-tu lordaud &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Venes-tu granda bestia &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;Venes-tu nigaud, Segues-tu lordaud, venes-tu grand sòtiaud..." &lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 12.&lt;/strong&gt; Un air de quadrille joué en marche. Le groupe folklorique de la Bourrée Limousine de Brive-la-Gaillarde le jouait sous le titre de "Marche de Brive" Je crois que c'est un air du répertoire de Dupeyrat qui demeurait à Savignac d'Allemans en Dordogne et qui a inondé toute une partie de la France de ses partitions.&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 13.&lt;/strong&gt; Le Pas d'Eté, puis la Pastourelle. Le nom des figures des quadrilles pouvait varier ; ces quadrilles étaient souvent faits de morceaux déjà connus (marches, polkas) que l'on arrangeait au gré des musiciens ; et en sens inverse des airs détachés d'un quadrille se jouaient souvent en marche.&lt;/span&gt;&lt;br /&gt;&lt;span class="topground fr" style="font-size:10pt;"&gt;&lt;strong&gt; En N° 16.&lt;/strong&gt; La Poule, figure de quadrille. Sur une version simplifiée, Sylvain Mautrait avait mis des paroles de son cru: "Dans Confolens, la belle ville / Il y a des filles en quantité...." et il jouait ça comme marche de noces.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#ff0000;font-size:10pt;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family:georgia, palatino;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges&lt;span style="color:#ff0000;font-size:10pt;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;».&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#ff0000;font-size:10pt;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;. &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>IEO Limousin</text>
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              <text>mémoire orale du Limousin</text>
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              <text>patrimoine oral du Limousin</text>
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              <text>écouter le patois de la Corrèze</text>
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                <text>M. Vignaud 1B</text>
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                <text>Saint-Christophe</text>
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                <text>Charente (16)</text>
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                <text>IEO Lemosin, dépôt Besse</text>
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                <text>M. Vignaud 3A</text>
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                <text>Mathieu VIGNAUD</text>
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                <text>https://la-biaca.org/items/show/399</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/399/Vignaud2Net.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;Ce document est la suite de la série de 5 cassettes audio qui nous a été confiée pour numérisation et diffusion par M. Vincent Besse. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Il s'agit de l'enregistrement de &lt;span class="artist_name"&gt;M. Mathieu Vignaud&lt;/span&gt;, né le 25 août 1885 à Pairs, sur la commune de Saint-Christophe, en Charente  limousine.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Dans cet enregistrement (face A de la cassette 3), réalisé en &lt;span class="fr"&gt;mai 1977, Monsieur Vignaud évoque les traditions, les rites calendaires, le vote, les guérisseurs, l'école, le catéchisme... &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;color:#000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size:10pt;"&gt;&lt;em&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la numérisation de ces cassettes, en assez mauvais état de conservation.&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>écouter le patois limousin</text>
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              <text>écouter le patois de la Corrèze</text>
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              <text>écouter l'occitan limousin</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;Ce document est la suite de la s&amp;eacute;rie de 5 cassettes audio qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et diffusion par M. Vincent Besse. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Il s'agit de l'enregistrement&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt; de &lt;span class="artist_name"&gt;M. Mathieu Vignaud&lt;/span&gt;, n&amp;eacute; le 25 ao&amp;ucirc;t 1885 &amp;agrave; Pairs, sur la commune de Saint-Christophe, en Charente&amp;nbsp; limousine. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Dans cette face B de la cassette 3&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;, la suite de l'inteview pr&amp;eacute;c&amp;eacute;dente, &lt;a href="https://la-biaca.org/items/show/399"&gt;M. Vignaud 3A&lt;/a&gt; r&amp;eacute;alis&amp;eacute; en &lt;span class="fr"&gt;mai 1977, Monsieur Vignaud termine son propos sur les &amp;eacute;tapes de la vie&amp;nbsp; : le cat&amp;eacute;chisme,&amp;nbsp; l'&amp;eacute;cole, les cours d'adultes,&amp;nbsp; la premi&amp;egrave;re communion, les fian&amp;ccedil;ailles, le mariage, la mort, les d&amp;eacute;votions &amp;agrave; Brillac, la fontaine d'Etricor... &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la num&amp;eacute;risation de ces cassettes, en assez mauvais &amp;eacute;tat de conservation. &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Los bòles</text>
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                <text>Tous les genres</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Extrait d'un film documentaire enregistré en mars 2008 &lt;span class="fr" style="font-size:12pt;"&gt;auprès de &lt;span class="artist_name"&gt;M. &lt;/span&gt;&lt;span class="artist_name" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Henri&lt;/span&gt;&lt;/span&gt;&lt;span class="artist_name"&gt; Ageorges&lt;/span&gt;, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;au village des Mégrets sur la commune de Roches au nord de la Creuse. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Dans cet extrait, après avoir interprêté le turlututu et dit quelques proverbes, M. Ageorges nous accompagne &lt;span class="oc"&gt;"au cementèri&lt;/span&gt; &lt;span class="oc"&gt; de Rochas per nos montrar los bòles daus mòrts"&lt;/span&gt;. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span style="font-size:10pt;"&gt;Ces images ont été tournées par Amic Bedel et Stéphane Valentin (Piget Prod) pour les besoins d'un documentaire intitulé "Imagenaire" présentant l'imaginaire, la langue et la culture commune de cinq pays occitans (pays de Guéret, Midi-Quercy, Portes de Gascogne, Armagnac, Périgord Vert). Un spectacle s'appuyant sur les collectages réalisés dans ces cinq pays est né la même année. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:10pt;"&gt;Documentaire et spectacle sont rassemblés sur un double DVD paru en mai 2008. &lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="320823">
                <text>IEO Lemosin, dépôt Mahé</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="320824">
                <text>Lo Pape</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="320825">
                <text>Tous les genres</text>
              </elementText>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="320826">
                <text>Henri BEYSSAS</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320827">
                <text>1978</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="320828">
                <text>Clair Mahé</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="320829">
                <text>audio/mpeg</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="320830">
                <text>Sound</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="320831">
                <text>https://la-biaca.org/items/show/402</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331276">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/402/Padimage.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334264">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Ce document pr&amp;eacute;sente deux enregistrements d' &lt;strong&gt;Henri Beyssas&lt;/strong&gt;, personnage bien connu dit "le Pape", r&amp;eacute;alis&amp;eacute;s &amp;agrave; Travassac (19) par Clair Mah&amp;eacute; en 1978 (Ce sont les cassettes M13 face 1 et la cassette M2 face 1et 2). &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Nous entendons d'abord M. Beyssas nous parler de sa passion pour le dessin et la sculpture sur ardoise, ensuite il nous parle du travail aux ardoisi&amp;egrave;res de Travassac, les diff&amp;eacute;rents m&amp;eacute;tiers (les mineurs, les treuillistes, les tailleurs, les cliveurs) la modernisation... Pour conclure cette partie il nous parle de la &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;g&amp;eacute;ologie puis de l'histoire des &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;ardoisi&amp;egrave;res. &lt;br /&gt;Cet enregistrement sur les ardoisi&amp;egrave;res a servi de base &amp;agrave; un article de Clair Mah&amp;eacute;, "Henri Beyssas, tailleur de pierre, vous parle", publi&amp;eacute; dans le Lemouzi n&amp;deg; 82 d'avril 1982 (p. 185-190). &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Sur le second enregistrement (&amp;agrave; partir de 27'57''), nous retrouvons &lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;M. Beyssas &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;chantant de nombreuses chansons &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;en occitan et en fran&amp;ccedil;ais &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;: des chansons sur la guerre de 70 qu'il a entendues dans les carri&amp;egrave;res, des chansons traditionnelles et quelques cr&amp;eacute;ations. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12854#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-357%2C0%2C1313%2C928"&gt;Quelques textes de chansons transcrits par Clair Mah&amp;eacute; ►&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;M. Beyssas &amp;eacute;tait ardoisier &amp;agrave; Travassac . Il &amp;eacute;tait passionn&amp;eacute; par le dessin et la sculpture sur ardoises (il avait d'ailleurs fait chez lui un petit mus&amp;eacute;e de l'ardoise qu'il se plaisait &amp;agrave; faire visiter !). Il avait fait de nombreuses recherches sur ce sujet qui lui tenait &amp;agrave; co&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;eur.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-family: Arial;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 11pt;"&gt;Nous remercions Clair Mah&amp;eacute; qui nous a confi&amp;eacute; ces documents pour la num&amp;eacute;risation et la mise en ligne. &lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s par Florence Lemoine &amp;laquo; &lt;span class="fr"&gt;eVisual &lt;span class="fr"&gt;&amp;raquo;. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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        <name>Travassac</name>
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        <src>https://la-biaca.org/files/original/enquetes/403/DSC00693.JPG</src>
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              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>AD2013.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1258</text>
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          <description>Mot-clé "metakeywords"</description>
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              <text>Archives sonores</text>
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              <text>Patrimoine oral</text>
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              <text>IEO Limousin</text>
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            <elementText elementTextId="320793">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="320794">
              <text>biaça</text>
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              <text>Patois Limousin</text>
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            <elementText elementTextId="320796">
              <text>Occitan limousin</text>
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              <text>Patois de la Haute-vienne</text>
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              <text>Occitan Haute-Vienne</text>
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              <text>langue limousine</text>
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              <text>langue d'oc</text>
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              <text>collectatge</text>
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              <text>collection</text>
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              <text>colleccion</text>
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            <elementText elementTextId="320804">
              <text>mémoire sonore</text>
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            <elementText elementTextId="320805">
              <text>memòria</text>
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              <text>chansons</text>
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              <text>tradition</text>
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              <text>ethnographie</text>
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            <elementText elementTextId="320809">
              <text>folklore</text>
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            <elementText elementTextId="320810">
              <text>louis bonnaud</text>
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              <text>fédération folklorique du centre ouest</text>
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              <text>Rondeau Bordelais</text>
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              <text>Aunis et Saintonge</text>
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              <text>La Bourrée Limousine</text>
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            <elementText elementTextId="320815">
              <text>l'Ecole du Barbichet</text>
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            <elementText elementTextId="320816">
              <text>les Velhadors de St Junian</text>
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          </elementTextContainer>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>folklore louis bonnaud</text>
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          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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              <elementText elementTextId="320773">
                <text>Louis Bonnaud</text>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320775">
                <text>2012-06-08 10:12:27</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>1258</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="320777">
                <text>Haute-Vienne (87)</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Étay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>La Fédération Folklorique du Centre Ouest</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folklore</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Louis BONNAUD</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD 2013</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1965-05</text>
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            <name>Creator</name>
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                <text>Robert Dagnas</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/403</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/403/DSC00693.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 12pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Sur la bande se trouvant dans la bo&amp;icirc;te portant comme &amp;eacute;tiquette "2264&lt;span style="color: #ff0000;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;,Chez nous, 18/5/1965 dur&amp;eacute;e 13' ", M. Dagnas interroge M. &lt;strong&gt;Louis Bonnaud&lt;/strong&gt;, pr&amp;eacute;sident de la F&amp;eacute;d&amp;eacute;ration Folklorique du Centre Ouest. &lt;br /&gt;Cet enregistrement aurait &amp;eacute;t&amp;eacute; diffus&amp;eacute; le 15 mars 1965. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Enregistr&amp;eacute; &amp;agrave; l'occasion de l'assembl&amp;eacute;e g&amp;eacute;n&amp;eacute;rale de cette association qui vient de se tenir &amp;agrave; St Junien, M. Bonnaud parle de la f&amp;eacute;d&amp;eacute;ration, des groupes folkloriques de la r&amp;eacute;gion, du travail de recherche, de la prolif&amp;eacute;ration des groupes folkloriques, des diff&amp;eacute;rentes formes de folklore... &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Dans la seconde partie des groupes folkloriques &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;(Rondeau Bordelais, Aunis et Saintonge, La Bourr&amp;eacute;e Limousine, l'&amp;Eacute;cole du barbichet, les Velhadors de St-Junian) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;interpr&amp;egrave;tent "&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino; color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;les vieux airs qui font revivre avec tant d'amour&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;". &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;NB : En fin de bande nous retrouvons la fin de l'&amp;eacute;mission "Chez nous" consacr&amp;eacute;e &amp;agrave; Mme Basset diffus&amp;eacute;e en mars 1965, elle aussi sur la Bia&amp;ccedil;a : &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/items/show/377"&gt; Chez nous mars 1965 ►&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;M. Bonnaud, folkloriste &amp;eacute;rudit, membre de la Soci&amp;eacute;t&amp;eacute; Arch&amp;eacute;ologique et Historique du Limousin, a publi&amp;eacute; de nombreuses &amp;eacute;tudes concernant l'ethnomusicologie, l'ethnographie, l'art populaire ... &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt; &lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt; font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family: georgia, palatino;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt; &lt;br /&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;. &lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Enquêtes et témoignages</text>
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              <text>Église St André, Exideuil (16)</text>
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              <text>robert dagnas concert religieux des velhadors</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="320721">
                <text>2012-06-20 17:01:51</text>
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          <element elementId="63">
            <name>Extent</name>
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              <elementText elementTextId="320722">
                <text>932</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320723">
                <text>Exideuil</text>
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              <elementText elementTextId="320724">
                <text>Charente (16)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320725">
                <text>Collection F. Étay, Fonds Dagnas</text>
              </elementText>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320726">
                <text>Concert religieux des Velhadors</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD 1014</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Robert Dagnas</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320732">
                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="320733">
                <text>https://la-biaca.org/items/show/404</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331278">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/404/IMG_1354.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334262">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Sur cette bande incomplète portant comme seule mention "Emission Exideuil, 38 cms"&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt;, M. Dagnas a enregistré un concert donné &lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt;à l'église St André d'Exideuil (Charente Limousine)&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt; par les Velhadors de St-Junian et présenté par R. Dagnas. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Après une présentation dont il manque le tout début, les Velhadors interprètent &lt;span class="oc"&gt;Nòstre Lemosin&lt;/span&gt;, (la chanson utilisée pour le générique de son émission),&lt;span class="oc"&gt; lo Chastel de Montvielh&lt;/span&gt;, un Noël limousin et la &lt;span class="oc"&gt;Santa compassion de la bona vierja Maria&lt;/span&gt; dont la fin est tronquée&lt;/span&gt;.&lt;/p&gt; &lt;p&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:10pt;font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family:georgia, palatino;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:10pt;font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;. &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>IEO Lemosin, dépôt Larousserie</text>
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                <text>Alain MALAVERGNE</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/405/palissons.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="artist_name"&gt;Alain Malavergne&lt;/span&gt; fait partie des rares personnes qui aient le souci de perpétuer les savoir-faire de vannerie traditionnelle. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;De son apprentissage auprès des "anciens", il a su aujourd'hui développer une véritable activité annexe de vannier en allant sur les foires et marchés du Périgord-Limousin faire des démonstrations et vendre ses paniers et "palissous" (vannerie de paille de seigle et de ronce). &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;C'est précisément la fabrication d'un "palissou", de la cueillette des végétaux à la corbeille finie, qu'Alain Malavergne présente dans ce film réalisé par Jean-Pierre Larousserie en 2009 au village de la Chapoulie, entre Nontron et le Bourdeix (24). &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;En tant que voisin et ami du Périgord vert, Jean-Pierre Larousserie nous a gentiment confié cette réalisation pour en assurer la mise en ligne.&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Domicile des informateurs, au bourg de Blond</text>
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              <text>Archives sonores du Limousin</text>
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              <text>écouter le patois limousin</text>
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              <text>memòria</text>
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              <text>mémoire orale du Limousin</text>
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              <text>patrimoine oral du Limousin</text>
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              <text>écouter le patois de la Haute-Vienne</text>
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            <name>Date Issued</name>
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                <text>Suzanne Bordier</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Témoignage en langue limousine recueilli à Blond en Haute Vienne, la vie dans la commune,la guerre, le momnument aux morts ...</text>
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                <text>Suzanne BORDIER</text>
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                <text>Baptiste Chrétien</text>
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                <text>Sound</text>
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                <text>https://la-biaca.org/items/show/406</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/406/EgliseBlond.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Cet enregistrement a été réalisé par Baptiste Chrétien le 2 septembre 2010 auprès de &lt;span class="artist_name"&gt;Mme Suzanne Bordier&lt;/span&gt;, née Ladégaillerie, à Blond en 1935. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Dans cet entretien en occitan, Mme Bordier nous parle de la pratique de la langue, de la vie de la commune &lt;span style="font-size:medium;"&gt;dans les années 1940 et 1950&lt;/span&gt; (les battages, les châtaignes, le cidre...), avant qu'elle ne parte vivre à Angoulême avec son époux. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;Elle revient aussi longuement sur un douloureux et peu connu épisode de l'histoire locale, lorsqu'en août 1944, quelques semaines après le massacre d'Oradour-sur-Glane, une division nazie investit le bourg de Blond, le pilla, et fusilla plusieurs de ses habitants. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Son mari Claude Bordier intervient de temps en temps durant l'entretien.&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Blond</name>
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                <text>&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Sur l'enregistrement 5700 ,&lt;span class="fr" style="font-family: georgia, palatino;"&gt; il est not&amp;eacute; "&lt;span style="color: #808080;"&gt;Les Salles Lavauguyon, bande 3, le 16/11/59".&lt;/span&gt; Cet enregistrement fait partie d'un ensemble de quatre bobines que nous n'avons pas encore toutes retrouv&amp;eacute;es. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #000000;"&gt;Plusieurs s&amp;eacute;quences de natures diff&amp;eacute;rentes se suivent : Des chansons en occitan et en fran&amp;ccedil;ais : "Je viens te dire adieu, charmante Rosalie", &lt;em&gt;&lt;span class="oc"&gt;"Chan&amp;ccedil;oneta"&lt;/span&gt;&lt;/em&gt;, "Julie, ma Julie,&amp;nbsp; je viens te dire adieu", &lt;span class="oc"&gt;"&lt;em&gt;La Mion&lt;/em&gt;"&lt;/span&gt;, &lt;span class="oc"&gt;"&lt;em&gt;Chas nos m'an mardidada&lt;/em&gt;"&lt;/span&gt;, "Ah ! Voui i!", &lt;span class="oc"&gt;"&lt;em&gt;Vau vos contar 'na chan&amp;ccedil;oneta&lt;/em&gt;"&lt;/span&gt;, pr&amp;eacute;sentation de la commune des Salles-Lavauguyon puis&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt; un beau t&amp;eacute;moignage de Mme Villotte sur les bonnes fontaines&lt;/span&gt;&lt;/span&gt;.&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #ff0000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="color: #ff0000;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/407/FicheLesSalles.jpg"&gt;Acc&amp;eacute;der &amp;agrave; la fiche &amp;eacute;crite par R. Dagnas pour cet enregistrement.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:05:45.000
Chançoneta&#13;

00:05:45.000 --&gt; 00:08:53.000
Julie ma Julie&#13;

00:08:53.000 --&gt; 00:12:18.000
La Mion&#13;

00:12:18.000 --&gt; 00:14:15.000
Airs Limousins (Saxophone) &#13;

00:14:15.000 --&gt; 00:20:25.000
Chas nos m'an maridada&#13;

00:20:25.000 --&gt; 00:21:56.000
Les dévotions&#13;

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Les Salles Lavauguyon, présentation&#13;

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La seigneurie de Lavauguyon&#13;

00:25:17.000 --&gt; 00:26:26.000
Brouhaha&#13;

00:26:26.000 --&gt; 00:29:10.000
 Ah Voui !&#13;

00:29:10.000 --&gt; 00:32:42.000
Vau vos contar 'na chançoneta&#13;

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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Sur l'enregistrement N&amp;deg; 5700 ,&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt; il est not&amp;eacute; "Les Salles Lavauguyon, bande 3, le 16/11/59". Cet enregistrement fait partie d'un ensemble de quatre bobines que nous n'avons pas encore toutes retrouv&amp;eacute;es. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Dans cet enregistrement en public, des chansons : "&lt;span class="oc"&gt;Alai alai&lt;/span&gt;", "&lt;span class="oc"&gt;Chas nos m'an maridats&lt;/span&gt;", "&lt;span class="oc"&gt;Per descendre&lt;/span&gt;"&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt; une belle chanson &amp;eacute;num&amp;eacute;rative, "&lt;span class="oc"&gt;la gerba-bauda&lt;/span&gt;". &lt;br /&gt;Puis deux magnifiques pri&amp;egrave;res (&lt;span class="oc"&gt;lo piti petar&lt;/span&gt; &lt;span style="font-size: 10pt;"&gt;- pater -&lt;/span&gt;&lt;span class="oc"&gt; dau bon diu&lt;/span&gt;, &lt;span class="oc"&gt;l'erbadis&lt;/span&gt; &lt;span style="font-size: 10pt;"&gt;- verba dei -&lt;/span&gt;) , quelques nhorles (des aventures de La Fran&amp;ccedil;oise et de Jan Picatau) et des pi&amp;egrave;ces du r&amp;eacute;pertoire (pas tr&amp;egrave;s originales mais avec quelques arrangements int&amp;eacute;ressants) jou&amp;eacute;es par une petite formation autour d'un clarinettiste. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;Aucun &amp;eacute;l&amp;eacute;ment &amp;agrave; ce jour ne nous permet d'identifier les locuteurs.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family: georgia, palatino;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-size: 12pt; font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;. &lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Rancon ?, Châteauponsac ?</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>AD2000.mp3</text>
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        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1336</text>
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              <text>Archives sonores</text>
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            <elementText elementTextId="320464">
              <text>Patrimoine oral</text>
            </elementText>
            <elementText elementTextId="320465">
              <text>IEO Limousin</text>
            </elementText>
            <elementText elementTextId="320466">
              <text>IEO LEmosin</text>
            </elementText>
            <elementText elementTextId="320467">
              <text>biaça</text>
            </elementText>
            <elementText elementTextId="320468">
              <text>Patois Limousin</text>
            </elementText>
            <elementText elementTextId="320469">
              <text>Occitan limousin</text>
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            <elementText elementTextId="320470">
              <text>Patois Haute vienne</text>
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            <elementText elementTextId="320471">
              <text>Occitan Haute Vienne</text>
            </elementText>
            <elementText elementTextId="320472">
              <text>langue limousine</text>
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            <elementText elementTextId="320473">
              <text>boira pilat</text>
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            <elementText elementTextId="320474">
              <text>langue d'oc</text>
            </elementText>
            <elementText elementTextId="320475">
              <text>collectage</text>
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            <elementText elementTextId="320476">
              <text>collectatge</text>
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            <elementText elementTextId="320477">
              <text>collection</text>
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            <elementText elementTextId="320478">
              <text>colleccion</text>
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              <text>memòria</text>
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            <elementText elementTextId="320480">
              <text>rites calendaires</text>
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              <text>procession</text>
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            <elementText elementTextId="320482">
              <text>maçons de la creuse</text>
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            <elementText elementTextId="320483">
              <text>émigration</text>
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            <elementText elementTextId="320484">
              <text>Châteauponsac</text>
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            <elementText elementTextId="320485">
              <text>Rancon</text>
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            <elementText elementTextId="320486">
              <text>tradition</text>
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            <elementText elementTextId="320487">
              <text>chant</text>
            </elementText>
            <elementText elementTextId="320488">
              <text>musique traditionnelle</text>
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            <elementText elementTextId="320489">
              <text>Saint sébastien</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>chateauponsac tradition rancon</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320446">
                <text>2012-07-04 10:02:56</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320447">
                <text>1336</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="320450">
                <text>Collection F. Étay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Rancon-Châteauponsac</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="320452">
                <text>Tous les genres</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="320453">
                <text>[Informateurs multiples]</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="320454">
                <text>RD 2000</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert Dagnas</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="320459">
                <text>https://la-biaca.org/items/show/411</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331285">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/411/DSC00641.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334255">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur cette bande sans aucune mention, un enregistrement sans doute r&amp;eacute;alis&amp;eacute; &lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;en 1960&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt; &amp;agrave; Rancon ou Ch&amp;acirc;teauponsac, en Haute-Vienne aupr&amp;egrave;s de locuteurs &amp;agrave; ce jour non identifi&amp;eacute;s. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Apr&amp;egrave;s un chant religieux &amp;agrave; St S&amp;eacute;bastien*, quelques chansons "&lt;span class="oc"&gt;Entendez vous sous la ramure&lt;/span&gt;", "Hola hola", "&lt;span class="oc"&gt;La pranliran&lt;/span&gt;", "la chanson de la mari&amp;eacute;e", et plusieurs int&amp;eacute;ressants t&amp;eacute;moignages &lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;sur&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt; la for&amp;ecirc;t de Rancon, le culte &amp;agrave; Saint S&amp;eacute;bastien*, la "&lt;em class="oc"&gt;boira-pilat&lt;/em&gt;" &amp;agrave; Ch&amp;acirc;teauponsac &lt;span style="font-size: 10pt;"&gt;(par &lt;em&gt;Germaine Baritaud ?&lt;/em&gt;)&lt;/span&gt;, l'&amp;eacute;migration des ma&amp;ccedil;ons. &lt;br /&gt;Pour clore cet enregistrement le cur&amp;eacute; de Ch&amp;acirc;teauponsac &amp;eacute;voque les "r&amp;eacute;sultats de la &lt;em&gt;boira-pilat&lt;/em&gt;". &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt;* Si le culte &amp;agrave; St S&amp;eacute;bastien a &amp;eacute;volu&amp;eacute; depuis une bonne dizaine d'ann&amp;eacute;es et la fin de la conscrition, la procession perdure et ce chant est toujours pratiqu&amp;eacute; vers le 20 janvier (Information du Mus&amp;eacute;e de Ch&amp;acirc;teauponsac).&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt; Le fonds Robert Dagnas&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Châteauponsac</name>
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      <tag tagId="34">
        <name>Haute-Vienne (87)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="412" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="320425">
              <text>AD1013A.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="320426">
              <text>548</text>
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          </elementTextContainer>
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        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
          <elementTextContainer>
            <elementText elementTextId="320427">
              <text>clarinette</text>
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            <elementText elementTextId="320428">
              <text>danses traditionnelles</text>
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            <elementText elementTextId="320429">
              <text>Dordogne</text>
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            <elementText elementTextId="320430">
              <text>Archives sonores du Limousin</text>
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            <elementText elementTextId="320431">
              <text>Patrimoine oral limousin</text>
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            <elementText elementTextId="320432">
              <text>IEO Limousin</text>
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            <elementText elementTextId="320433">
              <text>IEO Lemosin</text>
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            <elementText elementTextId="320434">
              <text>la biaça</text>
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            <elementText elementTextId="320435">
              <text>patois limousin</text>
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            <elementText elementTextId="320436">
              <text>Occitan limousin</text>
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            <elementText elementTextId="320437">
              <text>langue limousine</text>
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            <elementText elementTextId="320438">
              <text>langue d'oc</text>
            </elementText>
            <elementText elementTextId="320439">
              <text>collectage en limousin</text>
            </elementText>
            <elementText elementTextId="320440">
              <text>mémoire sonore</text>
            </elementText>
            <elementText elementTextId="320441">
              <text>mémoire orale du Limousin</text>
            </elementText>
            <elementText elementTextId="320442">
              <text>patrimoine oral du Limousin</text>
            </elementText>
            <elementText elementTextId="320443">
              <text>musique traditionnelle limousin</text>
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        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
          <elementTextContainer>
            <elementText elementTextId="320444">
              <text>informateurs multiples robert dagnas chez nous 714</text>
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          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320411">
                <text>2012-07-11 17:10:17</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320412">
                <text>548</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
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              <elementText elementTextId="320413">
                <text>Chez nous, 31 octobre 1964</text>
              </elementText>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320414">
                <text>Dordogne (24)</text>
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          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320415">
                <text>Collection F. Étay, Fonds Dagnas</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="320416">
                <text>Chez nous, février 1960</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320417">
                <text>Danse</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320418">
                <text>[Informateurs multiples]</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="320419">
                <text>RD 1013 A</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320420">
                <text>1960</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="320421">
                <text>Robert Dagnas</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320422">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320423">
                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/412</text>
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          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331286">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/412/1342019417_AugerAD1013.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334254">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur la seconde face de la bande 714 sur laquelle il est not&amp;eacute; "Enregistrement Auger 15-2-1960" nous trouvons la fin d' un enregistrement d'une des &amp;eacute;missions de "Chez Nous" probablement diffus&amp;eacute;e au d&amp;eacute;but des ann&amp;eacute;es 60. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/398"&gt;► Sur la face 1 se trouve l'enregistrement de Marcel Auger &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Nous entendrons successivement de la musique du Poitou, Pierre Biossac chantant "&lt;span class="oc"&gt;L'autre jorn m'i permenant&lt;/span&gt;", une &amp;eacute;vocation de l'automne, un texte de Charles Sylvestre sur la bourr&amp;eacute;e et des bourr&amp;eacute;es &lt;span class="fr" style="font-size: 12pt;"&gt; interpr&amp;eacute;t&amp;eacute;es par des groupes folkloriques &lt;/span&gt;(la jeanneton, la bourr&amp;eacute;e de Naves...). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 11pt;"&gt;&lt;em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;&lt;span style="font-family: georgia, palatino;"&gt;.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;&lt;span class="fr" style="font-family: georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Sur cet enregistrement, la bande notée "Folklore Esse, 2ème bande "&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr"&gt;, &lt;/span&gt;enregistrée le 16 septembre1959&lt;/span&gt;&lt;span class="fr"&gt; .&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Dans une première partie, l'enregistrement d'une répétition d'un groupe folklorique que nous n'avons pas identifié. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Ensuite des intervenants (M. Mathias et Mlle Pailler) parlent de la commune, les monuments, dolmen, fontaines, tilleul, église, les dévotions de la St Étienne , l'économie sinistrée ...&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;On retrouve le groupe folklorique avec une intéressante chanson "l'autre jour en m'y promenant" et quelques morceaux moins originaux.&lt;br /&gt;Pour finir sur cette bande un bonus, un morceau d'une émission de Jacques Bernier, les couleurs du temps (la bande a sans doute été réemployée) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;br /&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" 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style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-size:12pt;font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:10pt;font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="oc"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;em class="fr"&gt;&lt;span style="font-family:georgia, palatino;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt; &lt;br /&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt;&lt;span style="font-family:georgia, palatino;"&gt; . &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;&lt;span class="fr" style="font-family:georgia, palatino;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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