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Présentation&#13;

00:00:14.000 --&gt; 00:03:34.000
Les cloches de la collégiale&#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été translis pour numérisation et mise en ligne par Francis Chaminade, une suite d'enregistrements réalisés par ses soins en basse Corrèze et dans la Dordogne voisine (Rosiers de Juillac, Saint Pantaléon de Larche, Hautefort, Excideuil, Saint Agnan, Beauregard, Badefols d'Ans ...) &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Plusieurs informateurs, chanteurs et musiciens se succèdent, tous ne sont plus identifiés . &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Madame Hiver à Hautefort, des résidents de la maison de retraite d' Exideuil, M. Gabriel Brégère, M. Albert Buffière (accordéon diatonique) etc ... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Quelques "classiques" (&lt;span class="oc"&gt;Lo pelhaïre, Un jorn dins l'estolhas, Baissas te montanha, la Gerba bauda&lt;/span&gt;, Belle Fanchon, Le seigneur volage, le turlututu, ...) mais beaucoup de chansons plus rares (2 versions de &lt;span class="oc"&gt;La Margoton, Chas nos me marideren, Ma Marion, L'aubre a la chamba tòrta,&lt;/span&gt; Allant à la fontaine (l'assassinat du fils) , &lt;span class="oc"&gt;Cinq sòus per la chabariera ...&lt;/span&gt;) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement beaucoup de répertoire de danse, des chansons courtes, de nombreuses sautières, marches, polkas, scottishs, quadrilles, valses, etc ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Quelques uns de ces enregistrements ont été faits avec Jean et Popy Dupetitmagnieux (alors membres, comme Francis Chaminade,  du groupe "lo Chavilhier")&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio, plusieurs enregistrements réalisés en 1978 dans la région d'Ayen par Pascal Boudy.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;M. et Mme Farges&lt;/strong&gt;, au Temple d'Ayen : &lt;span class="oc"&gt;Las passions&lt;/span&gt; (deux versions de cette chanson de quête dont une un peu paganisée ) , &lt;span class="oc"&gt;Fiali iò fiali&lt;/span&gt;, En revenant de Nantes, Réveillez-vous, Garçons scieurs de long, Les scieurs de long, En passant par l'Auvergne, &lt;span class="oc"&gt;Fai lo cornard&lt;/span&gt;, La Cati , &lt;span class="oc"&gt;Tres aulanas&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- Mme &lt;strong&gt;Berthe Lescure&lt;/strong&gt;, de Louignac : &lt;span class="oc"&gt;Iò ai cinq sòus, La bèla mair, Sautatz de dins mos prats, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Sauta treuia leva la coa &lt;/span&gt;(par Mme &lt;strong&gt;Noémie Vitel&lt;/strong&gt; soeur de la précédente) et Ah qu'elles sont bêtes les femmes.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La cassette se termine par deux morceaux d'accordéon diatonique (&lt;span class="oc"&gt;Para lo lop&lt;/span&gt; et une scottish) joués par un musicien non identifié au "swing" très particulier .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette cassette audio (la seconde d'une série qui nous a été confiée pour numérisation et mise en ligne par Myette Hebrant-Marouby) un document datant de 1980 .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cet enregistrement se succèdent différents informateurs dont quelques uns sont bien connus en limousin et sur le territoire occitan : Marcelle et Marie Louise Delpastre (Chamberet), Henri Roulant (ST Hilaire les Courbes, Jean Mouzat, Raymond Buche (Lafage sur Sombre) , Marcelle Pathier, Marie Delanne, Marie Roulant ... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;Ces titres ont, pour la plupart, été publiés dans le 33 tours "French Folk Songs from Corrèze *&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;Quelques dires: &lt;span class="oc"&gt;Lo solelh e la luna, Chabra mòrta&lt;/span&gt; et u&lt;/span&gt;ne succession de de chansons (Là bas dans la prairie,&lt;span class="oc"&gt; La trist'annada, Drin drin,&lt;/span&gt; chansons de quête, La Passion, &lt;span class="oc"&gt;La mòrt que rotla,&lt;/span&gt; Rossignolet charmant, La belle couturière, &lt;span class="oc"&gt;Lo cuer de ma mia,&lt;/span&gt; Toutes les femmes d'Orléans, &lt;span class="oc"&gt;Para lo lop, L'escriveta,&lt;/span&gt; La belle gardant son troupeau , &lt;span class="oc"&gt;Ai vist lo lop ,&lt;/span&gt; à St Gilles petit bourg, &lt;span class="oc"&gt;La n'en menam,&lt;/span&gt; Rosette .... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;* Source Françoise Etay&lt;span style="font-size:14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>informateurs multiples odile farges popy dupetitmagnieux collectages chanteurs et musiciens 4 accordeon chants tradition correze limousin occitan</text>
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                <text>2013-05-28 10:04:36</text>
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                <text>https://la-biaca.org/items/show/572</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/572/Cassette.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cette cassette audio fut enregistr&amp;eacute;e en 1982 par Popy &lt;span style="font-size: 14pt;"&gt;Dupetitmagnieux &lt;/span&gt;et Odile Farges pour le groupe " Lo Chavilhier"&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la face A de cette cassette, nous entendons &lt;strong&gt;M. Dubernard&lt;/strong&gt;, enregistr&amp;eacute; &amp;agrave; son domicile, &amp;agrave; Tournevite sur la commune de Lubersac (19) . M. Dubernard (dit Toine) fut dans la r&amp;eacute;gion un accord&amp;eacute;oniste renomm&amp;eacute;, il avait jou&amp;eacute; &amp;agrave; Paris !&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Une succession d'airs &amp;agrave; danser : bourr&amp;eacute;es, scottishs, mazurkas, polkas, valses, quadrilles, .. et quelques chansons : &lt;span class="oc"&gt;I&amp;ograve; m'en vau a St Iri&amp;egrave;s&lt;/span&gt;, T&amp;ograve;ane de Glandon, La fille du fermier, La belle Isabeau .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;- Nous avons rencontr&amp;eacute; Mme Dubernard (que l'on entend dans cet enregistrement) quelques ann&amp;eacute;es plus tard lors de l'enqu&amp;ecirc;te &amp;agrave; Arnac Pompadour, elle nous avait parl&amp;eacute; de son mari &lt;a href="https://la-biaca.org/items/show/357" target="_blank" rel="noopener"&gt;(Arnac-Pompadour 1/3, plage 6)&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite, sur la face B un enregistrement fait aupr&amp;egrave;s du club du 3&amp;egrave;me &amp;acirc;ge de Juillac dans lequel nous entendons plusieurs informateurs (Mme Boudy, Mme Rouland, ...).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Popy Dupetitmagnieux d&amp;eacute;crit ce document ainsi : &lt;span style="color: #808080;"&gt;Chanson en vogue en 1917, La Paimpolaise, Sous les ponts de Paris, La Valse Brune, La Java bleue, J&amp;rsquo;ai deux grands b&amp;oelig;ufs dans mon &amp;eacute;table, La chanson de la mari&amp;eacute;e (Mme Boudy), La Fanchon, La Brigitte, Les r&amp;eacute;veill&amp;eacute;es (Mme Rouland), Le petit chasseur de Rennes, La Marion va au moulin&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;Accord&amp;eacute;on : La guimbarde, Sauti&amp;egrave;re, Turlututu, La paimpolaise, Sur les ponts de Paris, La Valse Brune, Mazurka ( Ah que les femmes sont b&amp;ecirc;tes !), Pinton, Je suis lasse d&amp;rsquo;&amp;ecirc;tre fille, Rosette, &lt;em&gt;&lt;span class="oc"&gt;Morelhada, Quand los cornards d'a Tula, Ont' menara pita bargier&amp;ograve;ta, Son davalats, Las peras son maduras,&lt;/span&gt;&lt;/em&gt; Le tailleur de pierres, &lt;em&gt;&lt;span class="oc"&gt;La borreia d&amp;rsquo;Auvernha&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Jean, Popy Dupetitmagnieux et Francis Chaminade, membres fondateurs de l'association "Lo chavilhier"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement non daté (1981 ou 1982) nous entendons deux informateurs :&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;strong&gt;M. Gabriel Brégère&lt;/strong&gt;, de Perpezac le Blanc (informateur réputé dont plusieurs enregistrements sont sur le site) qui chante des chansons datant de la guerre de 14/18 (Voilà les gars de la culture - sur l'air des gars de la marine, Sous le pont de Minaucourt - Les ponts de Paris, Un chien français, deux chansons sur l'affaire Charles Barataud ... ) &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ensuite &lt;strong&gt;M. Lachaud&lt;/strong&gt; de Badefols d'Ans (en Dordogne voisine) , joueur d'accordéon diatonique, alors agé de 82 ans joue un beau répertoire d'airs de danses : valses, scottishs, sautières, marches, polkas, quadrilles, mazurkas  etc ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;(Sur la vignette illustrant cette enquête, Jean enregistrant M Brégère .)&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>rites calendaire</text>
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            <elementText elementTextId="312532">
              <text>musique traditionnelle</text>
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              <text>chant</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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              <elementText elementTextId="312491">
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            <description>An entity primarily responsible for making the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A related resource</description>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Sur cette bande (77B) aucune indication .&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;L'enregistrement a sans doute été fait par M. Dagnas lors d'une soirée de repérage dans la région de St Matthieu (87) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Sur les deux faces de cette bande une succession de chansons :&lt;/span&gt; &lt;span class="oc"&gt;Bela bargiera&lt;/span&gt; &lt;span class="fr"&gt;(une version à deux voix de "La Marion"),&lt;/span&gt; &lt;span class="oc"&gt;De bon matin&lt;/span&gt;&lt;/span&gt; &lt;span class="fr" style="font-size:14pt;"&gt;(par Marie Basset)&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;, Pitit piere&lt;/span&gt; &lt;span class="fr"&gt;( cf&lt;/span&gt; &lt;span class="oc"&gt;Pitit Jan&lt;/span&gt; &lt;span class="fr"&gt;par M Gilet&lt;/span&gt;), &lt;span class="oc"&gt;Ne ses-tu pas bientòst coifada&lt;/span&gt; &lt;span class="fr"&gt;(une autre version que celle chantée par Mme Basset),&lt;/span&gt; &lt;span class="oc"&gt;La pita Cati, Lu vin que fai ponchar l'embonilh, La pita campanharda, Mon bon paisan, Chas nos m'an maridat, Lu sarpilhon, La tri-tri, Mon vilatge, Garir sa femna &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(une histoire de mari trompé qui se finit en chanson) &lt;span class="oc"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt; Venetz grands reis de l'Orient, &lt;/span&gt;&lt;span class="fr"&gt;Ton chien ma bergère, Virgine, Où vas-tu de ce pas Nicolas (dont la fin est tronquée) ...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette nouvelle bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros*, un enregistrement r&amp;eacute;alis&amp;eacute; &amp;agrave; Favars (19) vers 1975, lors d'une veill&amp;eacute;e. Nous retrouvons quelques informateurs pr&amp;eacute;sents sur les premiers enregistrements (voir en bas de page) : &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- En Alg&amp;eacute;rie (Andr&amp;eacute; Dubois)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La petite Marie &amp;agrave; Paris (Andr&amp;eacute; Dubois)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les grands yeux noirs (Marcel Geneste)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La jeune fille (Marcelle Bourg)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Histoire de Naves, les Madelmont (Marcelle Bourg)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Sur les bords de la Loire (Marcelle Bourg et Marcel Geneste)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les filles de Champagnac (Marcelle Bourg)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les ouvriers mangent trop (Marcelle Bourg) &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Le Forgeron (Marcel Geneste)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Riquita (Marcel Geneste)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; Voir les documents accompagnant cette bande : &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/Del3Fiche1.jpg" target="_blank" rel="noopener noreferrer"&gt;Fiche 1&lt;/a&gt;, &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/Del3Fiche2.jpg" target="_blank" rel="noopener noreferrer"&gt;Fiche 2&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour Les films du geni&amp;egrave;vre.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;div style="text-align: left;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette bande porte une petite &amp;eacute;tiquette sur laquelle il est seulement mentionn&amp;eacute; : &lt;span style="color: #808080;"&gt;&amp;laquo; Conversation RD (m&amp;eacute;m&amp;eacute;) &amp;raquo;&lt;/span&gt;.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div style="text-align: left;"&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Nous entendons, dans les premi&amp;egrave;res minutes de cet enregistrement, &lt;strong&gt;Marie Basset&lt;/strong&gt; de Saint-Mathieu (87), une informatrice que Robert Dagnas a interrog&amp;eacute;e &amp;agrave; de multiples reprises. Elle nous parle des souvenirs de ses jeunes ann&amp;eacute;es, &lt;em&gt;las velhadas, los dr&amp;ograve;lles, los maridatges&lt;/em&gt;, etc.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;div class="moz-cite-prefix"&gt;&lt;span style="font-size: 14pt;"&gt;Nous retrouvons ensuite Robert Dagnas en compagnie de &lt;strong&gt;F&amp;eacute;licie Brouillet&lt;/strong&gt; et d'une dame native de la commune de Marval (87), Marguerite,&amp;nbsp; qui &amp;eacute;voque successivement ses souvenirs de d&amp;eacute;votions aux bonnes fontaines de Cussac (plages 4, 5, 6), raconte &lt;em&gt;l'isto&amp;egrave;ra dau taboret,&lt;/em&gt; &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;le bandit Burgou, etc.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div class="moz-cite-prefix"&gt;&lt;span style="font-size: 14pt;"&gt;Toutes deux parlent ensuite des d&amp;eacute;votions aux bonnes fontaines Sainte-Marguerite de Varaignes (24), Saint-Claud de Pensol (87) et Sainte-Radegonde de Marval. &lt;/span&gt;&lt;/div&gt;&#13;
&lt;div class="moz-cite-prefix"&gt;&lt;span style="font-size: 14pt;"&gt;Marguerite chante &lt;em&gt;La vachiera&lt;/em&gt;, puis livre quelques r&amp;eacute;flexions sur les jeunes gens d'autrefois.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/images/galeries/FondsDagnas/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:13.000
Parlatz-me de las velhadas&#13;

00:01:13.000 --&gt; 00:02:17.000
Los garçons e las filhas&#13;

00:02:17.000 --&gt; 00:02:58.000
E los maridatges ?&#13;

00:02:58.000 --&gt; 00:03:51.000
Donatz-la nos&#13;

00:03:51.000 --&gt; 00:04:19.000
E los repas ?&#13;

00:04:19.000 --&gt; 00:05:25.000
Las bonas fonts&#13;

00:05:25.000 --&gt; 00:06:05.000
Las tres fonts&#13;

00:06:05.000 --&gt; 00:06:52.000
Lu jorn de la Sent-Jan&#13;

00:06:52.000 --&gt; 00:08:30.000
Istoèra dau taboret&#13;

00:08:30.000 --&gt; 00:11:06.000
Burgou&#13;

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Vòstras devòcions ?&#13;

00:12:06.000 --&gt; 00:13:12.000
A Marvau ?&#13;

00:13:12.000 --&gt; 00:13:25.000
Chantar 'na chançon ?&#13;

00:13:25.000 --&gt; 00:15:11.000
La vachiera&#13;

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Los jòunes d'auei ?&#13;

00:16:13.000 --&gt; 00:00:00.000
N'atz 'gut daus galants ?&#13;

00:00:00.000 --&gt; 00:00:00.000

00:00:00.000 --&gt; 00:00:17.000

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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette face de la cassette, &amp;agrave; Orgnac-sur-V&amp;eacute;z&amp;egrave;re, Marcel Belette enregistre quelques-unes de ses voisines (Jeanne Chabassier, Marie Monteil, alors &amp;acirc;g&amp;eacute;e de 84 ans, Mme Raynal, etc..&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Marcel Belette nous avait livr&amp;eacute; il y a quelques ann&amp;eacute;es une partie de son r&amp;eacute;pertoire : &lt;a href="https://la-biaca.org/items/show/329" target="_blank" rel="noopener noreferrer"&gt;Marcel Belette&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:44.000
Ieu me’n vau a Sent-Iriès&#13;

00:00:44.000 --&gt; 00:01:18.000
Leçon de danse&#13;

00:01:18.000 --&gt; 00:01:36.000
En lâchant la main ...&#13;

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À quatre ...&#13;

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La Parisienne&#13;

00:03:33.000 --&gt; 00:05:17.000
La Parisienne (en ligne)&#13;

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La Parisienne (à 4 couples)&#13;

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Bourrée de Meuzac&#13;

00:07:49.000 --&gt; 00:09:42.000
Bourrée de Meuzac&#13;

00:09:42.000 --&gt; 00:09:56.000
Explications&#13;

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Bourrée de Meuzac&#13;

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Explications&#13;

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Bourrée de Meuzac&#13;

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Explications&#13;

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Nouvelle tentative&#13;

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Bourrée de Meuzac&#13;

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"Allez, viens nous aider"&#13;

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Ronde d'introduction&#13;

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Explications&#13;

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Bourrée de Meuzac&#13;

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Bourrée de Meuzac (bis)&#13;

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Avec deux couples de plus&#13;

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Lo pelele&#13;

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Polka de Chanteix&#13;

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Polka-marche Garibaldi&#13;

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C’était la fille d’un fermier&#13;

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Tango&#13;

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Sautière&#13;

00:39:37.000 --&gt; 00:41:26.000
Polka glissante de Lubersac&#13;

00:41:26.000 --&gt; 00:42:22.000
Polka glissante de Lubersac (bis)&#13;

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Bourrée à 4 couples&#13;

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Leçon de danse (sautière)&#13;

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Lo Toana de Glandon&#13;

00:46:52.000 --&gt; 00:49:29.000
La belle Isabeau&#13;

00:49:29.000 --&gt; 00:51:24.000
C’était la fille d’un fermier
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Barra-l’en clau&#13;

00:01:36.000 --&gt; 00:04:34.000
Piere Biroulet&#13;

00:04:34.000 --&gt; 00:11:45.000
Barra-l’en clau&#13;

00:11:45.000 --&gt; 00:14:22.000
Un pas de pivot (« patinette »)&#13;

00:14:22.000 --&gt; 00:21:22.000
Révision du pas de sautière&#13;

00:21:22.000 --&gt; 00:27:02.000
Jean Dupetitmagnieux&#13;

00:27:02.000 --&gt; 00:28:39.000
Philippe Rouvet&#13;

00:28:39.000 --&gt; 00:38:15.000
Marcel, le doyen&#13;

00:38:15.000 --&gt; 00:39:38.000
Classement des danses limousines&#13;

00:39:38.000 --&gt; 00:45:37.000
La sautière&#13;

00:45:37.000 --&gt; 00:48:10.000
Deux hommes sur une remorque&#13;

00:48:10.000 --&gt; 00:50:21.000
Lo rainard e la lebre&#13;

00:50:21.000 --&gt; 00:53:00.000
Para li panpan&#13;

00:53:00.000 --&gt; 00:54:52.000
Dansaient différemment&#13;

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La borreia meissonada&#13;

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Voir danser les gens du pays&#13;

01:00:01.000 --&gt; 01:01:18.000
Las permenadas&#13;

01:01:18.000 --&gt; 01:04:33.000
Musicien de veillées, batteuses, bals, mariages ?&#13;

01:04:33.000 --&gt; 01:07:16.000
Ce sont les groupes folkloriques qui ont ramené toutes ces bourrées&#13;

01:07:16.000 --&gt; 01:08:58.000
Sauta treuïa ; Barra-l’en clau&#13;

01:08:58.000 --&gt; 01:10:48.000
« Les musiciens connaissaient un ou  deux airs, pas plus ? »&#13;

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La « vieille bourrée » ?&#13;

01:12:09.000 --&gt; 01:17:30.000
Los aus&#13;

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Chabrier, accordéoniste&#13;

01:20:04.000 --&gt; 01:21:21.000
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01:21:21.000 --&gt; 01:23:43.000
La Couade de Troche&#13;

01:23:43.000 --&gt; 01:26:31.000
Et la « Fradan » ?&#13;

01:26:31.000 --&gt; 01:28:25.000
Quand la sautière est-elle sortie du répertoire de  bal ?&#13;

01:28:25.000 --&gt; 01:31:40.000
De bon matin a la freschor,  quand pitit Piere s’en vai au labor...&#13;

01:31:40.000 --&gt; 01:42:47.000
Les chansons de mariage&#13;

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les chants de passion&#13;

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les chants de passion n’étaient chantés que par les hommes...&#13;

01:55:30.000 --&gt; 02:00:15.000
Les occasions de chanter  ensemble ?&#13;

02:00:15.000 --&gt; 02:01:38.000
Passan sus la planqueta d’Espartinhac&#13;

02:01:38.000 --&gt; 02:03:38.000
Les danseurs de sautière connaissaient  une seule variante ou pas ?&#13;

02:03:38.000 --&gt; 02:11:44.000
Les sautières se sont dansées seulement dans leur  région ?&#13;

02:11:44.000 --&gt; 02:13:38.000
Quante n’era jòuneta…  gardava los moltons&#13;

02:13:38.000 --&gt; 02:20:18.000
Viroleton&#13;

02:20:18.000 --&gt; 02:21:45.000
L’aurelha de lebre ; E quand las peras&#13;

02:21:45.000 --&gt; 02:24:07.000
La valse du Negrou&#13;

02:24:07.000 --&gt; 02:25:41.000
La bourrée « de Gimel 1 »&#13;

02:25:41.000 --&gt; 02:26:10.000
Las dròllas dau Lonzac&#13;

02:26:10.000 --&gt; 02:26:58.000
Piere Biroulet&#13;

02:26:58.000 --&gt; 02:31:32.000
Avant-deux, puis croiser&#13;

02:31:32.000 --&gt; 00:00:00.000
Avant-deux, puis croiser (bis)&#13;

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