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                <text>&lt;span style="font-size: 14pt;"&gt;Enregistrement r&amp;eacute;alis&amp;eacute; le 9 mars 2008 par &lt;a href="https://forellis.labo.univ-poitiers.fr/membres/dourdet-jean-christophe/" target="_blank" rel="noopener"&gt;&lt;strong&gt;Jean-Christophe Dourdet&lt;/strong&gt;&lt;/a&gt; et &lt;strong&gt;Baptiste Chr&amp;eacute;tien&lt;/strong&gt; aupr&amp;egrave;s de Mme &lt;strong&gt;F&amp;eacute;licie Sottier&lt;/strong&gt;, r&amp;eacute;sidant &amp;agrave; La Clupte, sur la commune de Ch&amp;acirc;telus-le-Marcheix. &lt;br /&gt;&lt;br /&gt;Il s'agit d'une enqu&amp;ecirc;te a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; par &lt;strong&gt;Jean-Christophe Dourdet&lt;a id="d"&gt;&lt;/a&gt;&lt;/strong&gt;&lt;a href="#dd"&gt;*&lt;/a&gt; dans le cadre d'un travail de recherche universitaire (il pr&amp;eacute;parait alors une th&amp;egrave;se sur l'atypicit&amp;eacute; accentuelle de l'espace linguistique occitan limousin).&lt;br /&gt;&lt;br /&gt;Nous y entendons Mme &lt;strong&gt;F&amp;eacute;licie Sottier&lt;/strong&gt; parler de la vie d'autrefois, de son travail ainsi que du progr&amp;egrave;s ; mais aussi traduire une liste de mots en occitan et participer &amp;agrave; un &amp;laquo; petit jeu &amp;raquo; consistant &amp;agrave; donner oralement un itin&amp;eacute;raire en suivant une carte.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a id="dd"&gt;&lt;/a&gt;&lt;a href="#d"&gt;*&lt;/a&gt;Jean-Christophe Dourdet, enseignant &amp;agrave; l'universit&amp;eacute; de Poitiers (o&amp;ugrave; il enseigne la linguistique, la sociolinguistique ainsi que l'occitan et le poitevin-saintongeais) est l'auteur de nombreuses publications sur la langue limousine.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;/em&gt;&lt;/span&gt;</text>
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                <text>Enquête linguistique à Châtelus-le-Marcheix</text>
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                <text>Félicie Sottier</text>
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                <text>00:00:00.000 --&gt; 00:00:10.000
Es pas comun mon nom&#13;

00:00:10.000 --&gt; 00:01:20.000
Presentacion de la Felicia&#13;

00:01:20.000 --&gt; 00:01:47.000
E vòstres parents ?&#13;

00:01:47.000 --&gt; 00:03:11.000
Ente atz-vos trabalhat ?&#13;

00:03:11.000 --&gt; 00:03:38.000
Quand de temps a Sent-Liunard ?&#13;

00:03:38.000 --&gt; 00:04:05.000
Tot lo monde parlavan patois&#13;

00:04:05.000 --&gt; 00:05:08.000
De Sent-Liunard&#13;

00:05:08.000 --&gt; 00:05:57.000
Présentation de l'exercice&#13;

00:05:57.000 --&gt; 00:06:24.000
Première série&#13;

00:06:24.000 --&gt; 00:11:58.000
Reprise de l'enregistrement&#13;

00:11:58.000 --&gt; 00:12:18.000
Il y a des variantes&#13;

00:12:18.000 --&gt; 00:22:52.000
Seconde série&#13;

00:22:52.000 --&gt; 00:23:17.000
Le jeu&#13;

00:23:17.000 --&gt; 00:27:14.000
Lo juec de la mapa&#13;

00:27:14.000 --&gt; 00:27:50.000
Pour l'intonation&#13;

00:27:50.000 --&gt; 00:28:32.000
Il y a des variantes&#13;

00:28:32.000 --&gt; 00:29:00.000
Quò se generaliza, lo frances&#13;

00:29:00.000 --&gt; 00:31:35.000
Lo mesma patois&#13;

00:31:35.000 --&gt; 00:32:38.000
Limousin ou Marchois ?&#13;

00:32:38.000 --&gt; 00:33:30.000
Quelques différences&#13;

00:33:30.000 --&gt; 00:33:58.000
Quò fai dau temps que vos demoratz aquí&#13;

00:33:58.000 --&gt; 00:36:45.000
Garait e lo patois&#13;

00:36:45.000 --&gt; 00:41:19.000
Los maçons&#13;

00:41:19.000 --&gt; 00:42:45.000
Que fasian la gent aquí ?&#13;

00:42:45.000 --&gt; 00:44:43.000
L'aiga, la baciá e la coada&#13;

00:44:43.000 --&gt; 00:46:15.000
La bujada&#13;

00:46:15.000 --&gt; 00:49:36.000
La cherbe&#13;

00:49:36.000 --&gt; 00:51:13.000
Lo progres&#13;

00:51:13.000 --&gt; 00:51:59.000
L'ivern&#13;

00:51:59.000 --&gt; 00:55:06.000
La populacion se renuvela pas&#13;

00:55:06.000 --&gt; 00:56:50.000
Dins lo temps, las velhadas&#13;

00:56:50.000 --&gt; 00:58:05.000
Los bales, las danças&#13;

00:58:05.000 --&gt; 00:59:33.000
Los gropes folcloriques&#13;

00:59:33.000 --&gt; 01:01:52.000
Borgon Nuòu e autres borgs&#13;

01:01:52.000 --&gt; 01:03:45.000
Saint-Sulpice-Laurière&#13;

01:03:45.000 --&gt; 01:05:21.000
Aubusson&#13;

01:05:21.000 --&gt; 01:06:40.000
Las vilas "de referéncia"&#13;

01:06:40.000 --&gt; 01:10:58.000
Lo decopatge per las bancas&#13;

01:10:58.000 --&gt; 01:01:46.000
Nos l'i vam&#13;

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              <text>Enregistré au domicile de l'informateur, à Aubusson (23)</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean Jacques Le Creurer * .&lt;/span&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de la seconde partie d'un enregistrement datant du 3 Octobre 1988 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Jean-Jacques Le Creurer nous pr&amp;eacute;cise que :&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #888888;"&gt;" Armand JAGAILLE, tenait son accord&amp;eacute;on comme un gaucher car il avait appris comme &amp;ccedil;a sur les conseils de sa s&amp;oelig;ur ain&amp;eacute;e (qui ne jouait pas elle-m&amp;ecirc;me) qui lui avait ramen&amp;eacute; son premier accord&amp;eacute;on de Paris o&amp;ugrave; elle &amp;eacute;tait bonne. Il a jou&amp;eacute; ensuite du chromatique et surtout du saxophone. C'est avec ce dernier instrument qu'il a fait nombre de bals dans divers orchestres et notamment avec son fils au chromatique (avec qui il formait l'orchestre Jagaille) .&amp;nbsp;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement a &amp;eacute;t&amp;eacute; fait avec un technicien de France Bleu Creuse pour la cassette "musique en Creuse" &amp;eacute;dit&amp;eacute;e par l'ADIAM 23.&lt;/span&gt;".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il "tenait" ses morceaux de musiciens traditionnels de la r&amp;eacute;gion : des vielleux Fromenty, Eug&amp;egrave;ne Thomas (le&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;p&amp;egrave;re Burette) , de Martinez et Fayadat (clarinettiste) ...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Comme dans l'enregistrement pr&amp;eacute;c&amp;eacute;dent, une belle succession d' airs &amp;agrave; danser : Valse, Polka, Polka piqu&amp;eacute;e,Marche nuptiale, bourr&amp;eacute;e, sauteuse, lo pelali et quelques danses plus modernes : un air d'apr&amp;egrave;s Sydney Bechet (les oignons) , La danse atomique, un slow etc ...&lt;br class="oc" style="font-size: 14pt;" /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Nous remercions son petit fils pour la photo illustrant cet enregistrement .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;/p&gt;</text>
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Valse&#13;

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Les noces dans le temps&#13;

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Vive les mariés&#13;

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Polka piquée&#13;

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Lo pelali&#13;

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La danse atomique&#13;

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Ta testa te fai mau&#13;

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Scottich valse (sic)&#13;

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Sauteuse&#13;

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Les petits coups de doigts&#13;

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Un air de Bechet&#13;

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Te jalarai&#13;

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La voliá bicar&#13;

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Chantez pas les gars&#13;

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Los cornards de Tula&#13;

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Vai, vai, vai chamaisada&#13;

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Chas-nos la trist'annada (polka piquée)&#13;

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La rue de notre amour&#13;

00:31:03.000 --&gt; 00:32:54.000
Un slow&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Toanon a l'esc&amp;ograve;la&lt;/em&gt; par Marcel Belette&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Lo pan&lt;/em&gt; par Nadine Bourges&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;La jornada de ueit oras&lt;/em&gt; par Simone Vergnes&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;La faula dau vin&lt;/em&gt; par Annie Lieuteret Gorse&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;De las pitas causas sus l'amor&lt;/em&gt; par Bernard Lacombe&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;La P&amp;egrave;rla&lt;/em&gt; par Jean-Pierre lacombe&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Lo grand Birauia sus la Peta-si-qu&amp;ograve;-p&amp;ograve;t de son nebot&lt;/em&gt; par Marie Yvette Brug&amp;egrave;re&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;-&lt;em&gt; 'N'autra nh&amp;ograve;rla dau Toanon&lt;/em&gt; par Marcel Belette&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Una gafada de pan&lt;/em&gt; par Nadine Bourges&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Flor de minjaquina&lt;/em&gt; par Dani&amp;egrave;le Bergon&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Ab la dol&amp;ccedil;or del temps novel&lt;/em&gt; par Bernard Lacombe&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;-&lt;em&gt; Lo gilet de Borra-Secha&lt;/em&gt; par Jean-Fran&amp;ccedil;ois Vignaud&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;La cr&amp;ograve;ta de chen&lt;/em&gt; par Jean-Fran&amp;ccedil;ois Vignaud&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Lo champs de feira&lt;/em&gt; par Jean-Fran&amp;ccedil;ois Vignaud&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;- &lt;em&gt;Borra-Secha a la feira&lt;/em&gt; par Jean-Fran&amp;ccedil;ois Vignaud&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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De la diversité de la langue&#13;

00:00:59.000 --&gt; 00:01:27.000
De la nhòrla&#13;

00:01:27.000 --&gt; 00:04:46.000
Toanon a l'escòla&#13;

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Un voiatge a París&#13;

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Des poèmes&#13;

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Lo pan &#13;

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La jornada de ueit oras&#13;

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De las pitas causas sus l'amor&#13;

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Combien de fois par semaine ?&#13;

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Lo fiau ensorcelat&#13;

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La Margoton&#13;

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Quan l’erba fresch’ e.ill fuoilla par (en occitan moderne)&#13;

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La Pèrla&#13;

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Et ensuite ...&#13;

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Lo grand Birauia sus la Peta-si-quò-pòt de son nebot&#13;

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'N'autra nhòrla dau Toanon&#13;

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Una gafada de pan&#13;

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Flor de minjaquina&#13;

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L'auseu pòst-diglossic&#13;

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Présentation de la chanson&#13;

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Ab la dolçor del temps novel&#13;

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Lo boier&#13;

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De la nhòrla&#13;

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De Panasòu&#13;

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Lo gilet de Borra-Secha&#13;

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Ente la gent son pus bèstias qu'alhors&#13;

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Lo "cylindre"&#13;

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La cròta de chen &#13;

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Lo champs de feira&#13;

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Presentation de la gnorle&#13;

01:17:06.000 --&gt; 01:21:14.000
Borra-Secha a la feira&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Sont &amp;eacute;galement pr&amp;eacute;sentes lors de cette collecte &lt;strong&gt;Pascale Nguyen&lt;/strong&gt; et &lt;strong&gt;Simone Jourde&lt;/strong&gt;.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;div&gt;&amp;Agrave; noter que cette collecte ne rend pas forc&amp;eacute;ment justice aux qualit&amp;eacute;s de musicien de Fernand Pauliac. En effet, au moment de l&amp;rsquo;enregistrement, il se remettait juste d&amp;rsquo;un grave probl&amp;egrave;me de sant&amp;eacute;. Il n&amp;rsquo;&amp;eacute;tait donc pas au meilleur de ses capacit&amp;eacute;s.&amp;nbsp;&lt;/div&gt;&#13;
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                <text>&lt;p style="text-align: left;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 18.6667px;"&gt;Sur cette cassette audio produite par les &amp;eacute;ditions de l'&lt;a href="https://www.decouvertes-occitanes.fr/fr/47-les-editions-de-l-ostal-del-libre" target="_blank" rel="noopener"&gt;Ostal del Libre&lt;/a&gt;, quatre contes en occitan limousin dits par &lt;strong&gt;Jan dau Melhau&lt;/strong&gt;. &lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Seulement trois disponibles ici car le quatri&amp;egrave;me&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;(&lt;/span&gt;&lt;a href="https://www.decouvertes-occitanes.fr/fr/l-ostal-del-libre-edition-diffusion/84-le-mythe-du-chataignier-j-dau-melhau-9782914662031.html?search_query=melhau&amp;amp;results=22" target="_blank" rel="noopener" style="font-size: 18.6667px;"&gt;Le Mythe du ch&amp;acirc;taignier&lt;/a&gt;&lt;span style="font-size: 18.6667px;"&gt;)&lt;/span&gt;&lt;span&gt;&lt;span style="font-size: 14pt;"&gt;&amp;nbsp;est encore commercialis&amp;eacute;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: left;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;a href="https://www.libraria-occitana.org/produit/lo-mite-dau-chastenh-le-mythe-du-chataignier-libre-cd/" target="_blank" rel="noopener"&gt;-&amp;gt; lien vers le site de la librairie occitane&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span style="color: #333333;"&gt;&lt;span style="font-size: 10pt;"&gt;Personnage incontournable de la culture limousine,&amp;nbsp;&lt;strong&gt;Jan dau Melhau&lt;/strong&gt;&amp;nbsp;est &amp;eacute;crivain, &amp;eacute;diteur (&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 10pt;"&gt;Lo chamin de sent Jaume)&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 10pt;"&gt;, collecteur, musicien, chanteur, conteur, diseur, etc.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Lo cònte dau dròlle genhard&#13;

00:02:40.000 --&gt; 00:13:08.000
Guidauve&#13;

00:13:08.000 --&gt; 00:39:48.000
Lo cònte daus buòus&#13;

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&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Parmi les danseurs :&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;strong&gt;Rolande Faufingue&lt;/strong&gt;,&lt;strong&gt;&amp;nbsp; M. &lt;/strong&gt;et&lt;strong&gt; Mme Mazaud, &lt;/strong&gt;leur fille&lt;strong&gt; Marie-Claude, &amp;laquo; Jojo Blancheneige &amp;raquo;, Maurice Desgranges, M. &lt;/strong&gt;et&lt;strong&gt; Mme Paul Bialoux&lt;/strong&gt;,&lt;strong&gt; Mme Depoix&lt;/strong&gt;.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;Les musiciens :&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div&gt;&lt;span style="font-size: 18.6667px;"&gt;&lt;span style="font-size: 18.6667px;"&gt;Les accord&amp;eacute;onistes &lt;strong&gt;Maurice Desgranges&lt;/strong&gt; et &lt;strong&gt;Roger Depoix&lt;/strong&gt;, ainsi que &lt;strong&gt;Philippe Destrem&lt;/strong&gt; aux cornemuses et &lt;strong&gt;Ricet Gallet&lt;/strong&gt; &amp;agrave; la vielle&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13522/38._Le_Mas_d_Artige.pdf" target="_blank" rel="noopener" style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13522/38._Enquete_1990.06.02._Le_Mas_d_Artige.pdf" target="_blank" rel="noopener" style="font-size: 18.6667px;"&gt;-&amp;gt; Lien vers les notes d'enqu&amp;ecirc;te manuscrites de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:04:14.000
Première partie : Discussion&#13;

00:04:14.000 --&gt; 00:08:34.000
Un exemple de sifflet&#13;

00:08:34.000 --&gt; 00:11:27.000
Pour faire un "nunu"/"nounou"&#13;

00:11:27.000 --&gt; 00:16:21.000
Avec un morceau de sureau&#13;

00:16:21.000 --&gt; 00:17:29.000
Grelot, "pied de cheval" et chapeau&#13;

00:17:29.000 --&gt; 00:18:19.000
Chalumeau à trous&#13;

00:18:19.000 --&gt; 00:19:13.000
Et les castagnettes ?&#13;

00:19:13.000 --&gt; 00:19:33.000
Mirliton&#13;

00:19:33.000 --&gt; 00:21:36.000
Rhombe&#13;

00:21:36.000 --&gt; 00:23:02.000
Sifflet de roseau&#13;

00:23:02.000 --&gt; 00:24:42.000
Seconde partie : Valse de Vertougit&#13;

00:24:42.000 --&gt; 00:27:04.000
Polka de Madranges&#13;

00:27:04.000 --&gt; 00:29:19.000
Valse de Vertougit&#13;

00:29:19.000 --&gt; 00:31:17.000
Polka piquée&#13;

00:31:17.000 --&gt; 00:33:07.000
Ai vist lo lop&#13;

00:33:07.000 --&gt; 00:34:40.000
Ai vist lo lop (bis)&#13;

00:34:40.000 --&gt; 00:41:46.000
Scottish de Gavinet&#13;

00:41:46.000 --&gt; 00:42:03.000
Ma Pastourelle&#13;

00:42:03.000 --&gt; 00:43:18.000
L’Étoile des troubadours&#13;

00:43:18.000 --&gt; 00:45:50.000
Auvergne jolie&#13;

00:45:50.000 --&gt; 00:46:56.000
Tout le long du bois&#13;

00:46:56.000 --&gt; 00:48:33.000
Polka piquée&#13;

00:48:33.000 --&gt; 00:51:45.000
Le petit vin blanc, puis Voulez-vous danser grand-mère&#13;

00:51:45.000 --&gt; 00:53:01.000
Le dénicheur&#13;

00:53:01.000 --&gt; 00:54:00.000
Scottish-valse&#13;

00:54:00.000 --&gt; 00:55:02.000
Giatte de Chaput&#13;

00:55:02.000 --&gt; 00:57:01.000
La gigue&#13;

00:57:01.000 --&gt; 00:57:57.000
Para lo lop&#13;

00:57:57.000 --&gt; 01:00:22.000
J’ai traversé les plaines et les montagnes&#13;

01:00:22.000 --&gt; 01:02:21.000
Marinella&#13;

01:02:21.000 --&gt; 01:04:03.000
Paso&#13;

01:04:03.000 --&gt; 01:04:47.000
Explications&#13;

01:04:47.000 --&gt; 01:06:50.000
Se’n iran pas tots&#13;

01:06:50.000 --&gt; 01:08:03.000
Essais à 4 couples&#13;

01:08:03.000 --&gt; 01:08:37.000
Los cornards d’a Tula&#13;

01:08:37.000 --&gt; 01:09:36.000
Lo chat e lo rat&#13;

01:09:36.000 --&gt; 01:10:11.000
Comment faut-il faire pour la gigue ?&#13;

01:10:11.000 --&gt; 01:11:06.000
Scottish simple et "double"&#13;

01:11:06.000 --&gt; 01:13:12.000
Polka de Madranges&#13;

01:13:12.000 --&gt; 01:14:18.000
Adios muchachos&#13;

01:14:18.000 --&gt; 01:14:42.000
Ai vist lo lop&#13;

01:14:42.000 --&gt; 01:15:21.000
Rumba&#13;

01:15:21.000 --&gt; 01:16:12.000
Une partie de pétanque&#13;

01:16:12.000 --&gt; 01:17:35.000
Mexico&#13;

01:17:35.000 --&gt; 01:18:09.000
Bonjour belle bergère&#13;

01:18:09.000 --&gt; 01:18:42.000
Valse à Fromenty&#13;

01:18:42.000 --&gt; 01:18:54.000
Valse en Ré&#13;

01:18:54.000 --&gt; 01:21:24.000
La pitiòta Janeta&#13;

01:21:24.000 --&gt; 01:22:35.000
Mets ta vesta roja&#13;

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Caifa-te bian
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Présentation des invités&#13;

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C'est une ville qui prospère &#13;

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La ganterie à l’international&#13;

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La mégisserie&#13;

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Quelques chiffres&#13;

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Sur le plan musique&#13;

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Le sport&#13;

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Fin d'émission
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Introduction&#13;

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L'année 1918&#13;

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Déménagement à Aigurande&#13;

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"Et ce groupe, je l'ai mené ..."&#13;

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Enquêtes sur les danses&#13;

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Retour au Berry&#13;

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Les sources&#13;

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Le Hameau des Poteries&#13;

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M. Alexandre&#13;

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Le vin de Talbot&#13;

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Le festival des chorales de Cork&#13;

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Roger Pearron&#13;

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D'une famille paysanne&#13;

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Le festival aux Poteries&#13;

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Le grand Louis Boury&#13;

01:26:02.000 --&gt; 00:00:00.000
Bourrée droite « du Pays Fort »&#13;

00:00:00.000 --&gt; 01:29:41.000

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Lo 28 de feurier - Çò-ditz Janton&#13;

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Surcelatges (devinhòlas)&#13;

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Lo 1er de març - Tres pitiòts chamisons&#13;

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Au vargier&#13;

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La legenda de la 'jaça e dau cocut&#13;

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Lo 4 de març - Ma maire n'aviá mas 'na dent&#13;

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Senta Cocuda&#13;

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Lo 5 de març - Ai vist lo lop&#13;

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Darrier los uelhs (Bernat Combi)&#13;

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Lo 6 de març - Leva lo pè, drolleta&#13;

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Liunard Laplanha&#13;

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Lo 7 de març - Avau dins las robieras&#13;

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De las faussas vespras&#13;

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Lo 8 de març - Maridatz-me, ma mair&#13;

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Los proverbis dau mes de març (tot solet)&#13;

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Lo 9 de marça - Si sabiatz drolletas &#13;

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Lo fuòc, lo bois e los fagòts&#13;

00:25:47.000 --&gt; 00:26:05.000
Lo 10 de març - Lo dissabde la vielha es mòrta&#13;

00:26:05.000 --&gt; 00:27:03.000
Lo conte de l'auvernhat maridat en Lemosin&#13;

00:27:03.000 --&gt; 00:28:02.000
Lo conte de la veva&#13;

00:28:02.000 --&gt; 00:28:10.000
Lo 11 de març - La vòle mai l'aurai&#13;

00:28:10.000 --&gt; 00:30:36.000
Sent Esteve d'Obasina&#13;

00:30:36.000 --&gt; 00:30:46.000
Lo 12 de marça - Aval dins lo Lemosin&#13;

00:30:46.000 --&gt; 00:31:08.000
Marcellin Caze&#13;

00:31:08.000 --&gt; 00:32:03.000
Los dos medecins (fabulòta)&#13;

00:32:03.000 --&gt; 00:33:06.000
Lo frair Vincent (poema)&#13;

00:33:06.000 --&gt; 00:33:12.000
Lo 13 de març - La senzilha e lo pinson &#13;

00:33:12.000 --&gt; 00:35:51.000
Lo mau e las malàudias&#13;

00:35:51.000 --&gt; 00:36:01.000
Lo 14 de març - La Glauda&#13;

00:36:01.000 --&gt; 00:38:15.000
Quauquas tocainas&#13;

00:38:15.000 --&gt; 00:38:24.000
Lo 15 de març - Garda ton bon temps Naneta&#13;

00:38:24.000 --&gt; 00:40:44.000
Proverbis sus l'aiga&#13;

00:40:44.000 --&gt; 00:40:57.000
Lo 16 de març - Un puelh que se carrava&#13;

00:40:57.000 --&gt; 00:43:21.000
Nòstra lenga&#13;

00:43:21.000 --&gt; 00:43:38.000
Lo 17 de març - Lo pitit òme&#13;

00:43:38.000 --&gt; 00:45:43.000
Lo conte de la lebre e dau meissongier&#13;

00:45:43.000 --&gt; 00:45:52.000
Lo 18 de març - La chanson de las meissonjas&#13;

00:45:52.000 --&gt; 00:48:20.000
'Na memòria de la forest&#13;

00:48:20.000 --&gt; 00:48:34.000
Lo 19 de març - Alai dins lo ribateu&#13;

00:48:34.000 --&gt; 00:48:59.000
Ente ne'n ses dins ton vargier ?&#13;

00:48:59.000 --&gt; 00:51:00.000
Per Sent Jasep&#13;

00:51:00.000 --&gt; 00:51:10.000
Lo 20 de març - Chas nos me volian maridar&#13;

00:51:10.000 --&gt; 00:51:31.000
Lo Fredon Duren&#13;

00:51:31.000 --&gt; 00:53:21.000
Poema revolucionari&#13;

00:53:21.000 --&gt; 00:53:31.000
Lo 21 de març - Passam la plancheta&#13;

00:53:31.000 --&gt; 00:00:00.000
Los lemosins aimen bien los travers&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Il s'agit d'une collecte film&amp;eacute;e r&amp;eacute;alis&amp;eacute;e par &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;oise Etay&lt;/strong&gt;&lt;/a&gt; lors des &amp;laquo; Rencontres de violon &amp;raquo; de Saint-Salvadour (19).&lt;br /&gt;&lt;br /&gt;Les violoneux &lt;a href="https://la-biaca.org/files/original/enquetes/13517/Jean_Lamoure.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Jean Lamoure&lt;/strong&gt;&lt;/a&gt; et &lt;a href="https://la-biaca.org/files/original/enquetes/13517/Rene_Auchabie.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Ren&amp;eacute; Auchabie&lt;/strong&gt;&lt;/a&gt; y &amp;eacute;taient invit&amp;eacute;s afin de jouer pour les stagiaires. Nous remarquons aussi la pr&amp;eacute;sence du violoneux &lt;strong&gt;Olivier Durif&lt;/strong&gt; (organisateur) assis &amp;agrave; c&amp;ocirc;t&amp;eacute; de &lt;strong&gt;Jean Lamoure&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13517/13._J._Lamoure_et_R._Auchabie.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers la fiche de Fran&amp;ccedil;oise Etay&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;</text>
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Son davalats ; Para lo lop&#13;

00:00:42.000 --&gt; 00:01:39.000
La crosada&#13;

00:01:39.000 --&gt; 00:02:40.000
La Grande&#13;

00:02:40.000 --&gt; 00:03:47.000
Ma pastourelle&#13;

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Mazurka de Lapleau ; Chas la mair Antoana&#13;

00:04:47.000 --&gt; 00:05:19.000
La tornijaira&#13;

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Dija Janton&#13;

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"Et les paroles ?"&#13;

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Aval dins las robieras&#13;

00:08:00.000 --&gt; 00:09:03.000
La baigneuse&#13;

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Bonjour belle bergère&#13;

00:10:38.000 --&gt; 00:12:06.000
Cœur de lilas&#13;

00:12:06.000 --&gt; 00:13:12.000
La Courbiase&#13;

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Discussion sur la Courbiase&#13;

00:14:21.000 --&gt; 00:15:56.000
Montava la marmita&#13;

00:15:56.000 --&gt; 00:16:35.000
La Paimpolaise&#13;

00:16:35.000 --&gt; 00:17:58.000
"Ta mère chantait bien ..."&#13;

00:17:58.000 --&gt; 00:18:49.000
Manon voici le soleil&#13;

00:18:49.000 --&gt; 00:19:03.000
"C'est pas du folklore ..."&#13;

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Belle rose&#13;

00:19:59.000 --&gt; 00:21:22.000
L'aiga de ròsa ; Auprès de ma blonde&#13;

00:21:22.000 --&gt; 00:22:34.000
Ma pastourelle&#13;

00:22:34.000 --&gt; 00:23:33.000
Bonjour Françoise&#13;

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Mariton si veniatz velhar&#13;

00:24:50.000 --&gt; 00:25:44.000
La Valentinou&#13;

00:25:44.000 --&gt; 00:26:29.000
Et quand on s'aime bien tous les deux&#13;

00:26:29.000 --&gt; 00:27:22.000
Oh Maria&#13;

00:27:22.000 --&gt; 00:28:20.000
À petits pas&#13;

00:28:20.000 --&gt; 00:28:59.000
Brin d’amour ; Son davalats&#13;

00:28:59.000 --&gt; 00:30:16.000
La polka-marche Garibaldi&#13;

00:30:16.000 --&gt; 00:32:07.000
Polka de Chanteix&#13;

00:32:07.000 --&gt; 00:33:27.000
Scottish-valse&#13;

00:33:27.000 --&gt; 00:34:13.000
J’ai un petit voyage à faire&#13;

00:34:13.000 --&gt; 00:35:13.000
L'aurelha de lebre&#13;

00:35:13.000 --&gt; 00:36:41.000
"Les bals, comment vous jouiez ?"&#13;

00:36:41.000 --&gt; 00:37:41.000
Enchainement de marches de noces&#13;

00:37:41.000 --&gt; 00:38:41.000
La demenam la paubra nòvia&#13;

00:38:41.000 --&gt; 00:39:33.000
Enchainement de marches de noces (reprise)&#13;

00:39:33.000 --&gt; 00:40:48.000
Piere labora&#13;

00:40:48.000 --&gt; 00:42:32.000
En passant par le bois, Belle rose&#13;

00:42:32.000 --&gt; 00:43:28.000
Depuis Paris jusqu’à Valence&#13;

00:43:28.000 --&gt; 00:44:03.000
"Vous vous êtes appris comment à taper du pied ?"&#13;

00:44:03.000 --&gt; 00:46:16.000
J’ai traversé les plaines et les montagnes&#13;

00:46:16.000 --&gt; 00:47:27.000
Embrasse-moi bien petit Parisien&#13;

00:47:27.000 --&gt; 00:47:57.000
Branle des chevaux&#13;

00:47:57.000 --&gt; 00:48:29.000
Allant à la fontaine&#13;

00:48:29.000 --&gt; 00:49:26.000
Tout est  bien fini ; À quoi sert d’aimer s’il faut oublier&#13;

00:49:26.000 --&gt; 00:50:21.000
La Montagnarde&#13;

00:50:21.000 --&gt; 00:50:38.000
Jolie meunière aux yeux si doux&#13;

00:50:38.000 --&gt; 00:51:06.000
La Tornijaira (début)&#13;

00:51:06.000 --&gt; 00:51:56.000
Ai vist lo lop&#13;

00:51:56.000 --&gt; 00:52:55.000
Le bal vieux&#13;

00:52:55.000 --&gt; 00:53:22.000
Ont menarem&#13;

00:53:22.000 --&gt; 00:53:51.000
Revelhatz-vos pastorels&#13;

00:53:51.000 --&gt; 00:54:54.000
Il est né le divin enfant&#13;

00:54:54.000 --&gt; 00:56:14.000
La marche des anges&#13;

00:56:14.000 --&gt; 00:57:56.000
La valse de Vertougit&#13;

00:57:56.000 --&gt; 00:59:09.000
"On fait quelques bals, encore ..."&#13;

00:59:09.000 --&gt; 00:59:55.000
Heure exquise qui nous grise&#13;

00:59:55.000 --&gt; 01:00:34.000
La Paloma&#13;

01:00:34.000 --&gt; 01:02:46.000
"Et quand vous faisiez les bals ..."&#13;

01:02:46.000 --&gt; 01:03:15.000
Mazurka de Lapleau&#13;

01:03:15.000 --&gt; 01:05:28.000
La Crosada&#13;

01:05:28.000 --&gt; 01:06:32.000
Jolie meunière aux yeux si doux&#13;

01:06:32.000 --&gt; 01:07:17.000
Une partie de pétanque&#13;

01:07:17.000 --&gt; 01:07:29.000
Les maçons de la Creuse&#13;

01:07:29.000 --&gt; 01:08:42.000
Le temps des amourettes durera pas toujours&#13;

01:08:42.000 --&gt; 01:10:13.000
Tout est bien fini, ce n’était qu’un rêve&#13;

01:10:13.000 --&gt; 01:11:11.000
Tu faras los palhassons&#13;

01:11:11.000 --&gt; 01:11:57.000
Ieu n’ai cinc sòus&#13;

01:11:57.000 --&gt; 01:12:20.000
Los esclops&#13;

01:12:20.000 --&gt; 01:13:30.000
Reprise&#13;

01:13:30.000 --&gt; 01:14:12.000
"Lo maridan l’cabdet"&#13;

01:14:12.000 --&gt; 01:15:43.000
Adieu la fleur de ma jeunesse&#13;

01:15:43.000 --&gt; 01:16:55.000
Un jorn dins l’estolhas&#13;

01:16:55.000 --&gt; 01:17:43.000
En passant par le bois&#13;

01:17:43.000 --&gt; 01:18:47.000
La Grande&#13;

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&lt;p&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br style="font-family: 'Open Sans'; background-color: #f3ede2;" /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans';"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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La pita lebròta&#13;

00:00:30.000 --&gt; 00:01:01.000
Lo cuer de ma mia&#13;

00:01:01.000 --&gt; 00:01:18.000
E dins los maridatges ?&#13;

00:01:18.000 --&gt; 00:02:49.000
Le patois pour apprendre le français&#13;

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L'istoara dau trenc&#13;

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Vocabulaire&#13;

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Quò a beucòp plogut&#13;

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Los noms daus vilatges de la comuna&#13;

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Per los reis&#13;

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Los tortels e la Chandelor&#13;

00:13:47.000 --&gt; 00:14:44.000
Per far pondre las polas&#13;

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Carnavau : l'aumalh, los uòus e los gastels&#13;

00:17:35.000 --&gt; 00:22:18.000
Lo pòrc e los bodins&#13;

00:22:18.000 --&gt; 00:24:51.000
Per blanchir las chastinhas&#13;

00:24:51.000 --&gt; 00:29:25.000
Las treflas, los bòles e los p'tit pes&#13;

00:29:25.000 --&gt; 00:31:37.000
Lo citre e la nhòla&#13;

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Las pomas&#13;

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Carnavau&#13;

00:36:01.000 --&gt; 00:36:46.000
Lo signe de crotz, la messa, ...&#13;

00:36:46.000 --&gt; 00:41:48.000
Los Ramels e lo jau&#13;

00:41:48.000 --&gt; 00:43:04.000
La Setmana Senta&#13;

00:43:04.000 --&gt; 00:44:02.000
Fau pas liar las vachas&#13;

00:44:02.000 --&gt; 00:46:20.000
Daus chavaus&#13;

00:46:20.000 --&gt; 00:48:05.000
Lo chavau de la Leontina&#13;

00:48:05.000 --&gt; 00:49:04.000
Pasques e lo lundí &#13;

00:49:04.000 --&gt; 00:50:02.000
L'Ascenssiòn e las cereisas&#13;

00:50:02.000 --&gt; 00:50:54.000
La Pendegosta&#13;

00:50:54.000 --&gt; 00:51:40.000
Ne pas obludar lo patoàs&#13;

00:51:40.000 --&gt; 00:54:47.000
La Sent Jan e lo trasfojau &#13;

00:54:47.000 --&gt; 00:55:31.000
Lo boquet de la  darniera charretada&#13;

00:55:31.000 --&gt; 00:56:43.000
La Madelena&#13;

00:56:43.000 --&gt; 00:57:42.000
Vocabulaire des moissons&#13;

00:57:42.000 --&gt; 00:58:38.000
La Sent Ròch&#13;

00:58:38.000 --&gt; 01:00:02.000
Vocabulaire : les insectes et les oiseaux&#13;

01:00:02.000 --&gt; 01:01:43.000
Los genests de Totsents&#13;

01:01:43.000 --&gt; 01:02:55.000
Per Nadau&#13;

01:02:55.000 --&gt; 01:05:00.000
Lo prumier de l'an e la gota&#13;

01:05:00.000 --&gt; 01:06:45.000
Las estrenas&#13;

01:06:45.000 --&gt; 01:09:55.000
Daus contes, daus proverbes de las pregieras, ... ?&#13;

01:09:55.000 --&gt; 01:10:34.000
Lo pelele&#13;

01:10:34.000 --&gt; 01:14:14.000
Las danças&#13;

01:14:14.000 --&gt; 01:18:32.000
La festa a Sent Laurent e los dindons&#13;

01:18:32.000 --&gt; 01:26:39.000
Las peras&#13;

01:26:39.000 --&gt; 01:29:41.000
Los bales, los musicians&#13;

01:29:41.000 --&gt; 01:33:19.000
Las plantas que garissen&#13;

01:33:19.000 --&gt; 01:36:36.000
Las fonts&#13;

01:36:36.000 --&gt; 01:39:42.000
Surcelariá, leberon, auratge ?&#13;

01:39:42.000 --&gt; 01:43:29.000
Las vachas&#13;

01:43:29.000 --&gt; 01:45:51.000
Las oelhas e los comuns&#13;

01:45:51.000 --&gt; 01:50:23.000
Los molins&#13;

01:50:23.000 --&gt; 01:53:07.000
Las diferéncias entre los parlars&#13;

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Las gròssas feiras&#13;

01:55:07.000 --&gt; 01:59:29.000
Vocabulaire et prononciation&#13;

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&lt;div&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;On voit ici se c&amp;ocirc;toyer la forme traditionnelle d&amp;rsquo;une seule figure consistant en &amp;laquo; tiroirs &amp;raquo; dont la longueur est ind&amp;eacute;pendante de celle des phrases musicales, et diverses formes revivalistes &amp;agrave; deux figures cal&amp;eacute;es sur la m&amp;eacute;lodie.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Parmi les participants,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;eacute;taient pr&amp;eacute;sents &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;les danseurs de traditions : &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13514/Mme_Eglizeau_2.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Mme Eglizeau&lt;/strong&gt;&lt;/a&gt; (ni&amp;egrave;ce du violoneux &lt;strong&gt;&amp;laquo; Le N&amp;eacute;grou &amp;raquo;&lt;/strong&gt;), &lt;a href="https://la-biaca.org/files/original/enquetes/13514/Picasso_2.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Roger Chauzeix&lt;/strong&gt;&lt;/a&gt; (dit &lt;strong&gt;&amp;laquo; Picasso &amp;raquo;&lt;/strong&gt;) et&lt;/span&gt;&lt;span style="font-size: 18.6667px;"&gt;&amp;nbsp;&lt;a href="https://la-biaca.org/files/original/enquetes/13514/Francois_Mathieu_2.jpg" target="_blank" rel="noopener"&gt;&lt;strong&gt;Fran&amp;ccedil;ois Malthieu&lt;/strong&gt;&lt;/a&gt;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&#13;
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Bourrée&#13;

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Mèdre&#13;

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Le chaptau delh país&#13;

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Istòrias d’estivas&#13;

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Introduction&#13;

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L'appartenance à une communauté&#13;

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Mémé Angèle&#13;

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Lu cotilhon vai&#13;

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Dédicace&#13;

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Me vœux sincères, Jean et Bernadette&#13;

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Sois heureuse, ma grande&#13;

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Som, som&#13;

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C'est la vie qui continue ...&#13;

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Ai vist lo lop&#13;

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Fin d'émission&#13;

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'Na chançon sus la balada&#13;

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Lo patoàs e lo francés&#13;

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Foliá trabalhar&#13;

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E lo certificat ?&#13;

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Lo goiat e los sòus de sa mair&#13;

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Apres lo certificat&#13;

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Problème technique&#13;

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Venir a Limòtges&#13;

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Chas 'na coturiera a Sent Prech&#13;

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Gardar daus pitits&#13;

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Tornar a Limòtges&#13;

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Soanhar nòstra mair&#13;

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Tornar chas nos, au molin&#13;

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Mon beu-frair trabalhava a l'usina&#13;

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'Nar a l'escòla&#13;

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La "chabra" per 'restar los bois&#13;

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Ilhs eran inondats suvent&#13;

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Préner quauqu'un per aidar trabalhar&#13;

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Lo vargier, la volalha, los lapins&#13;

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Garir los polets mai las polas &#13;

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Qu'era la maison dau bon Diu&#13;

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Entendre parlar "d'Algérie"&#13;

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Los uòus, las auchas&#13;

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Elevar, tuar e minjar los pòrcs&#13;

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La sopa de lach&#13;

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Far de las conservas&#13;

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Dins la familha&#13;

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La festa a Sent Prech&#13;

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Los autres bales de l'annada&#13;

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Un festival dans le Puy de Dôme&#13;

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Las danças&#13;

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Parlar patois&#13;

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Tuar lo pòrc per Carnavar&#13;

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Far la cuisina&#13;

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Mon pair peschava&#13;

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Vos aviatz prescament tot chas vautres&#13;

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La feira d'a Sent Prech&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant la bobine, il est &amp;eacute;crit "&lt;span style="color: #808080;"&gt;F&amp;eacute;libr&amp;eacute;e de Piegut&amp;nbsp;; 1/7/62&amp;nbsp;; - la reine&amp;nbsp;; - &amp;laquo;&amp;nbsp;Chapeau&amp;nbsp;&amp;raquo; d&amp;rsquo;emission"&lt;/span&gt;. Sur la bobine contenant cette bande, sur une petite &amp;eacute;tiquette, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"143"&lt;/span&gt; et &lt;span style="color: #808080;"&gt;"Reine Piegut"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Il s&amp;rsquo;agit d&amp;rsquo;un enregistrement r&amp;eacute;alis&amp;eacute; le 1er juillet 1962 &amp;agrave; la F&amp;eacute;libr&amp;eacute;e de Pi&amp;eacute;gut-Pluviers. On y entend un discours prononc&amp;eacute; par la reine de la F&amp;eacute;libr&amp;eacute;e, &lt;strong&gt;Ginette Moreau&lt;/strong&gt;, ainsi que l&amp;rsquo;enregistrement du &amp;laquo;&amp;nbsp;chapeau d&amp;rsquo;&amp;eacute;mission&amp;nbsp;&amp;raquo; (la pr&amp;eacute;sentation) par &lt;strong&gt;Robert Dagnas&lt;/strong&gt;.&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Essai&#13;

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Présentation de la Reine&#13;

00:00:37.000 --&gt; 00:02:14.000
Discours de la Reine&#13;

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La bourrée de Francinou&#13;

00:02:45.000 --&gt; 00:03:51.000
Présentation de la Félibrée&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit d&amp;rsquo;un enregistrement de &lt;strong&gt;M&lt;/strong&gt; et &lt;strong&gt;Mme Joseph&lt;/strong&gt; et &lt;strong&gt;Germaine Aubaspeyras&lt;/strong&gt; r&amp;eacute;alis&amp;eacute; le 2 septembre 1975 &amp;agrave; Saint-Salvadour (19) par &lt;a href="https://www.ethnographiques.org/Valiere_Michel" target="_blank" rel="noopener"&gt;&lt;strong&gt;Michel Vali&amp;egrave;re&lt;/strong&gt;&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;On y entend &lt;strong&gt;M&lt;/strong&gt; et &lt;strong&gt;Mme Aubaspeyras&lt;/strong&gt; parler de leur m&amp;eacute;tier d'&amp;eacute;leveurs de vaches limousines, mais aussi de ce qui se faisait lorsqu&amp;rsquo;on tuait le cochon (&lt;em&gt;Far las g&amp;ograve;gas, La mesura, Crebar lo budel&lt;/em&gt;, &amp;hellip;) ainsi pour les autres f&amp;ecirc;tes de l&amp;rsquo;ann&amp;eacute;e (&lt;em&gt;Madama Chandaliera, Carnavar, Los 15 e 16 d'aust&lt;/em&gt;, &amp;hellip;).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;Photo du bourg de Saint Salvadour prise par Jean-Michel Caspar&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/13478#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0"&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;Le fonds Michel Vali&amp;egrave;re&lt;/span&gt;&lt;/a&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La &lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;num&amp;eacute;risation et l&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;a cession&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt; d&amp;rsquo;une copie de &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;ce document a &amp;eacute;t&amp;eacute; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;r&amp;eacute;alis&amp;eacute;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;e&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt; par le D&amp;eacute;partement de la Vienne (Archives d&amp;eacute;partementales) avec l&amp;rsquo;autorisation de Mme Mich&amp;egrave;le Vali&amp;egrave;re&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:06.000
Mise en place&#13;

00:00:06.000 --&gt; 00:00:27.000
Le travail&#13;

00:00:27.000 --&gt; 00:02:34.000
Lo trabalh de l'annada&#13;

00:02:34.000 --&gt; 00:03:15.000
Le plus de travail&#13;

00:03:15.000 --&gt; 00:04:13.000
Le travail avec les bêtes&#13;

00:04:13.000 --&gt; 00:06:11.000
Les rations alimentaires&#13;

00:06:11.000 --&gt; 00:06:46.000
Daus problemas de chalor&#13;

00:06:46.000 --&gt; 00:07:19.000
Le circuit de vente&#13;

00:07:19.000 --&gt; 00:08:17.000
La race limousine et ses qualités&#13;

00:08:17.000 --&gt; 00:10:02.000
Acheter les bêtes&#13;

00:10:02.000 --&gt; 00:10:24.000
La dentition d'une vache&#13;

00:10:24.000 --&gt; 00:11:00.000
Maquiller les cornes&#13;

00:11:00.000 --&gt; 00:11:15.000
Vocabulaire&#13;

00:11:15.000 --&gt; 00:13:08.000
Quand une bête avale un corps étranger&#13;

00:13:08.000 --&gt; 00:13:56.000
La méningite&#13;

00:13:56.000 --&gt; 00:15:24.000
Quand la vacha ufla&#13;

00:15:24.000 --&gt; 00:16:23.000
Une vache qui n'emplit jamais&#13;

00:16:23.000 --&gt; 00:17:25.000
Quand les vaches sont pleines&#13;

00:17:25.000 --&gt; 00:18:54.000
La mise à bas&#13;

00:18:54.000 --&gt; 00:19:42.000
Quand lo liech pòt pas sautar&#13;

00:19:42.000 --&gt; 00:21:14.000
Les premiers soins au veau&#13;

00:21:14.000 --&gt; 00:22:21.000
Et le cochon ?&#13;

00:22:21.000 --&gt; 00:23:47.000
Tuar lo ganhon&#13;

00:23:47.000 --&gt; 00:24:57.000
"Paiar" lo vesin&#13;

00:24:57.000 --&gt; 00:25:36.000
L'olhon&#13;

00:25:36.000 --&gt; 00:27:04.000
Bruslar, gratar e lavar lo ganhon&#13;

00:27:04.000 --&gt; 00:27:47.000
Botar lo ganhon a bocins&#13;

00:27:47.000 --&gt; 00:28:54.000
Gardar la verja&#13;

00:28:54.000 --&gt; 00:29:41.000
Garder la vessie&#13;

00:29:41.000 --&gt; 00:30:01.000
Reprise de l'enregistrement&#13;

00:30:01.000 --&gt; 00:30:39.000
Las tripas&#13;

00:30:39.000 --&gt; 00:31:31.000
Lo cuer, lo fetge blanc e lo fetge negre&#13;

00:31:31.000 --&gt; 00:33:56.000
Far las gògas&#13;

00:33:56.000 --&gt; 00:34:39.000
La mesura de las gògas&#13;

00:34:39.000 --&gt; 00:35:18.000
Conhar un cotel dins lo cuol dau ganhon&#13;

00:35:18.000 --&gt; 00:35:55.000
Crebar lo budel  &#13;

00:35:55.000 --&gt; 00:37:00.000
Lo premier de l'an&#13;

00:37:00.000 --&gt; 00:37:56.000
Madama Chandaliera&#13;

00:37:56.000 --&gt; 00:40:29.000
Carnavar&#13;

00:40:29.000 --&gt; 00:41:14.000
Per rampalms&#13;

00:41:14.000 --&gt; 00:41:51.000
Pour jeudi et vendredi saint&#13;

00:41:51.000 --&gt; 00:42:12.000
Pendagosta, las rogacions, la Sent Jan&#13;

00:42:12.000 --&gt; 00:43:30.000
Los 15 e 16 d'aust&#13;

00:43:30.000 --&gt; 00:44:58.000
Totsents e Nadau&#13;

00:44:58.000 --&gt; 00:45:30.000
Mon frair z'a retengut ...&#13;

00:45:30.000 --&gt; 00:46:22.000
La bujada&#13;

00:46:22.000 --&gt; 00:48:37.000
Les interdictions en fonction de la Lune&#13;

00:48:37.000 --&gt; 00:48:53.000
Couper l'orage avec la main&#13;

00:48:53.000 --&gt; 00:49:47.000
La Lune et les affaires féminines&#13;

00:49:47.000 --&gt; 00:50:53.000
La durée d'une lune&#13;

00:50:53.000 --&gt; 00:51:56.000
Le sexe des enfants et la Lune&#13;

00:51:56.000 --&gt; 00:53:18.000
Un grand-pair que garissiá lo fuec&#13;

00:53:18.000 --&gt; 00:55:44.000
Baspeyrat et Aubaspeyrat&#13;

00:55:44.000 --&gt; 00:56:30.000
Contes et chansons ?&#13;

00:56:30.000 --&gt; 00:57:09.000
La lebròta&#13;

00:57:09.000 --&gt; 00:58:33.000
Pour faire marcher les bébés&#13;

00:58:33.000 --&gt; 00:59:16.000
Le progrès&#13;

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                <text>00:00:00.000 --&gt; 00:00:20.000
Lo 7 de decembre - Avau dins la robiera&#13;

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Los dires e proverbis dau mes de l'Avent&#13;

00:02:30.000 --&gt; 00:02:43.000
Lo 8 de decembre - Maridatz-me, ma maire&#13;

00:02:43.000 --&gt; 00:03:07.000
Nòstra Dama de decembre&#13;

00:03:07.000 --&gt; 00:04:53.000
Los borgs e los vilatges&#13;

00:04:53.000 --&gt; 00:05:08.000
Lo 9 de decembre - Si sabiatz, drolletas&#13;

00:05:08.000 --&gt; 00:07:01.000
Lo merchand que pesa los anheus&#13;

00:07:01.000 --&gt; 00:07:10.000
Lo 10 de decembre - Delai París&#13;

00:07:10.000 --&gt; 00:09:22.000
La Senta Valeria&#13;

00:09:22.000 --&gt; 00:09:28.000
Lo 11 de decembre - La vòle mai l'aurai&#13;

00:09:28.000 --&gt; 00:11:33.000
Un païsan lemosin dins las annadas 50&#13;

00:11:33.000 --&gt; 00:11:52.000
Lo 12 de decembre - Aval dins lo Lemosin&#13;

00:11:52.000 --&gt; 00:13:54.000
Lo biais lemosin de recebre&#13;

00:13:54.000 --&gt; 00:14:05.000
Lo 13 de decembre - La senzilha e lo pinson&#13;

00:14:05.000 --&gt; 00:16:17.000
Proverbis de l'annada&#13;

00:16:17.000 --&gt; 00:16:25.000
Lo 14 de decembre - La Glauda&#13;

00:16:25.000 --&gt; 00:18:39.000
'Na correntina sus Vinhana&#13;

00:18:39.000 --&gt; 00:18:47.000
Lo 15 de decembre - Garda ton bon temps, Naneta&#13;

00:18:47.000 --&gt; 00:21:02.000
La reclama au telefòne e los subre-gialats&#13;

00:21:02.000 --&gt; 00:21:17.000
Lo 16 de decembre - Lo puelh e la negra&#13;

00:21:17.000 --&gt; 00:23:17.000
Lo jai que se voliá brejar&#13;

00:23:17.000 --&gt; 00:23:26.000
Lo 17 de decembre - Lo pitit òme&#13;

00:23:26.000 --&gt; 00:25:47.000
Las musicas (los instruments)&#13;

00:25:47.000 --&gt; 00:25:56.000
Lo 18 de decembre - La chanson de las meissonjas&#13;

00:25:56.000 --&gt; 00:28:08.000
Un païsan lemosin dins las annadas 50&#13;

00:28:08.000 --&gt; 00:28:24.000
Lo 19 de decembre - Delai lo ribateu&#13;

00:28:24.000 --&gt; 00:30:30.000
Chas Chijagrilhons&#13;

00:30:30.000 --&gt; 00:30:40.000
Lo 20 de decembre - Me'n an balhat un tròç de lordaud&#13;

00:30:40.000 --&gt; 00:31:25.000
Doas correntinas&#13;

00:31:25.000 --&gt; 00:32:03.000
Pleu mai fai solelh&#13;

00:32:03.000 --&gt; 00:32:48.000
Me'n vau a l'òrt&#13;

00:32:48.000 --&gt; 00:33:03.000
Lo 21 de decembre - Passam la plancheta&#13;

00:33:03.000 --&gt; 00:33:55.000
La Sent Tomàs e sos proverbis&#13;

00:33:55.000 --&gt; 00:35:08.000
Lo temps d'ivern dins la tradicion&#13;

00:35:08.000 --&gt; 00:35:17.000
Lo 22 de decembre - Lo mes de mai vendrá&#13;

00:35:17.000 --&gt; 00:37:27.000
La marcha a pès&#13;

00:37:27.000 --&gt; 00:37:33.000
Lo 23 de decembre - Coifa-te ben&#13;

00:37:33.000 --&gt; 00:38:27.000
Sent Asclepa&#13;

00:38:27.000 --&gt; 00:39:44.000
Un conte dau categisme&#13;

00:39:44.000 --&gt; 00:39:55.000
Lo 24 de decembre - Avau dins la pradela&#13;

00:39:55.000 --&gt; 00:42:06.000
Urban II e la Crosada&#13;

00:42:06.000 --&gt; 00:42:16.000
Lo 25 de decembre - Las peras son maduras&#13;

00:42:16.000 --&gt; 00:44:30.000
Nadau e sos proverbis&#13;

00:44:30.000 --&gt; 00:44:46.000
Lo 26 de decembre - Sus lo pont d'aVimbela&#13;

00:44:46.000 --&gt; 00:46:48.000
Un païsan lemosin dins las annadas 50&#13;

00:46:48.000 --&gt; 00:46:58.000
Lo 27 de decembre - Quand quò vira, quò vai&#13;

00:46:58.000 --&gt; 00:47:26.000
Las vespras&#13;

00:47:26.000 --&gt; 00:49:00.000
Traina malur (faussas vespras)&#13;

00:49:00.000 --&gt; 00:49:14.000
Lo 28 de decembre - Çò-dtz Janton&#13;

00:49:14.000 --&gt; 00:51:25.000
Las ancianas feiras&#13;

00:51:25.000 --&gt; 00:51:43.000
Lo 29 de decembre - Ente a passat l'ivern d'antan&#13;

00:51:43.000 --&gt; 00:53:05.000
Parlar dau temps quand un se rescontra&#13;

00:53:05.000 --&gt; 00:53:53.000
Se balhar la man&#13;

00:53:53.000 --&gt; 00:54:03.000
Lo 30 de decembre - Son pas d'aicí&#13;

00:54:03.000 --&gt; 00:54:19.000
Dos contes&#13;

00:54:19.000 --&gt; 00:55:32.000
La dama e las lavairitz&#13;

00:55:32.000 --&gt; 00:56:14.000
Lo meitadier chas lo mossur&#13;

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Applaudissements&#13;

00:00:44.000 --&gt; 00:01:32.000
J'ai rencontré ma mie&#13;

00:01:32.000 --&gt; 00:02:32.000
La Marchoise à Aimé Bozier&#13;

00:02:32.000 --&gt; 00:03:28.000
Pas d’été à Aimé Bozier&#13;

00:03:28.000 --&gt; 00:04:52.000
Le brisquet cellois&#13;

00:04:52.000 --&gt; 00:07:43.000
La sauce aux lumas&#13;

00:07:43.000 --&gt; 00:08:50.000
Le brisquet cellois&#13;

00:08:50.000 --&gt; 00:10:49.000
Quand j'étais chez mon père&#13;

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Reprise de l'enregistrement&#13;

00:00:31.000 --&gt; 00:07:18.000
Débat sur la foi et la rencontre de Dieu&#13;

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Un triste exemple&#13;

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La souffrance&#13;

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Un création des hommes&#13;

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L'engagement dans l'Église&#13;

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Être prêtre, être femme&#13;

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Les femmes étaient impures&#13;

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L'Église ne peut pas se passer des femmes&#13;

00:25:58.000 --&gt; 00:27:07.000
La Création&#13;

00:27:07.000 --&gt; 00:29:09.000
La place de la Bible dans le catéchisme&#13;

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L'œcuménisme&#13;

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La Bible s'écrit encore (Primo Levi)&#13;

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Le Cantique des cantiques
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La Rosalie&#13;

00:01:49.000 --&gt; 00:03:39.000
Dans Paris y'a t'une brune&#13;

00:03:39.000 --&gt; 00:04:35.000
Si vos ne setz pas 'bracada ...&#13;

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Garçons de mon village&#13;

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Air de saxophone 1&#13;

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Air de saxophone 1 (bis)&#13;

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Air de saxophone 2&#13;

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Air de saxophone 3&#13;

00:09:45.000 --&gt; 00:10:43.000
Air de saxophone 4&#13;

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Lo curet Janton &#13;

00:11:27.000 --&gt; 00:12:20.000
Bourrée&#13;

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Air de saxophone 5&#13;

00:13:03.000 --&gt; 00:13:42.000
Air de saxophone 6&#13;

00:13:42.000 --&gt; 00:14:20.000
Air de saxophone 7&#13;

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                <text>00:00:00.000 --&gt; 00:00:13.000
Introduction&#13;

00:00:13.000 --&gt; 00:00:58.000
Pour quelle agriculture on se battait&#13;

00:00:58.000 --&gt; 00:03:12.000
Le syndicalisme officiel&#13;

00:03:12.000 --&gt; 00:04:22.000
Partager la terre&#13;

00:04:22.000 --&gt; 00:05:03.000
Concrètement&#13;

00:05:03.000 --&gt; 00:07:09.000
La surface cumulable&#13;

00:07:09.000 --&gt; 00:08:58.000
Pourquoi revendiquer cela ?&#13;

00:08:58.000 --&gt; 00:11:05.000
L'ambition&#13;

00:11:05.000 --&gt; 00:12:42.000
L'hygiène et le progrès&#13;

00:12:42.000 --&gt; 00:13:35.000
On était un certain nombre&#13;

00:13:35.000 --&gt; 00:15:43.000
Les coopératives&#13;

00:15:43.000 --&gt; 00:19:05.000
Un paradoxe dans la revendication&#13;

00:19:05.000 --&gt; 00:20:56.000
La transmission du capital&#13;

00:20:56.000 --&gt; 00:24:55.000
Le changement de société &#13;

00:24:55.000 --&gt; 00:28:17.000
S'engager plus globalement&#13;

00:28:17.000 --&gt; 00:30:37.000
Et aujourd'hui ?&#13;

00:30:37.000 --&gt; 00:33:02.000
L'agriculture succombe&#13;

00:33:02.000 --&gt; 00:33:41.000
Le modèle américain
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Introduction&#13;

00:00:11.000 --&gt; 00:02:58.000
Petoulia et La Yoyette&#13;

00:02:58.000 --&gt; 00:05:04.000
La polka de Chamboulive&#13;

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Monta la marmita et Les cinq noisettes&#13;

00:08:09.000 --&gt; 00:10:26.000
Auvergne jolie&#13;

00:10:26.000 --&gt; 00:10:37.000
Fin&#13;

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Lo cuer de ma mia&#13;

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La terra es freja&#13;

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Lo turlututu&#13;

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Darrier lo castel de Montvielh&#13;

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Installation&#13;

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Quò marche (co)ma quò&#13;

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Vocabulaire&#13;

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Ante quò cause le mesme patoàs que vos ?&#13;

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Tu ses pus jeune que me mas tu parlas pus vielhs que me&#13;

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Lòs noms daus vilatges de la comune&#13;

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La graule e le rainard&#13;

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O de las chançons ...&#13;

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La chançon daus dapeiriauds&#13;

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Qu'es la vache de ma grand-mère&#13;

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Le turlututu&#13;

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Le petit Pierre rev'nant dau molin&#13;

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Las istoaras d'Jarnage&#13;

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A las velhadas&#13;

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Des petites comptines ?&#13;

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Ten bon Marí-Madelane !&#13;

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De las perieras ?&#13;

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Lòs buòus o lòs bueus ?&#13;

00:39:13.000 --&gt; 00:40:24.000
Far parlar lòs auseus&#13;

00:40:24.000 --&gt; 00:41:01.000
De l'ajace ...&#13;

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'Pelar las bèstias&#13;

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Las ovelhas son dins lòs blats&#13;

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'Pelar las bèstias (suite)&#13;

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Qu'es la filhe de la moniere&#13;

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Tue ton chin Marí&#13;

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La filhe de la montanhe&#13;

00:49:26.000 --&gt; 00:50:04.000
Si t'avias vengut, t'auras minjat d'l'andolhe&#13;

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La mosche dins son eschacier&#13;

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Vocabulaire - Les mots en patois du papa&#13;

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Le premier d'l'annade&#13;

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Proverbe sur les jours&#13;

01:00:53.000 --&gt; 01:02:01.000
Lòs reis&#13;

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La Chandeleur e las crespas&#13;

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Lòs tortiaus&#13;

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Carnaval, l'aumalh e lòs ueus&#13;

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Le lendeman d'Carnaval&#13;

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Lòs ramiaus&#13;

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La Setmane Sente&#13;

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Daus vents&#13;

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Lòs ueus e le Jeudí Sent&#13;

01:21:48.000 --&gt; 01:23:41.000
Pasques e las cornudas&#13;

01:23:41.000 --&gt; 01:24:21.000
Le Lundí de Pasques&#13;

01:24:21.000 --&gt; 01:26:48.000
Le mes de mai&#13;

01:26:48.000 --&gt; 01:30:37.000
Quand i avie un mòrt&#13;

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L'Ascensiòn&#13;

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Pendegoste&#13;

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La Sent Jan e le tresfojau&#13;

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Le 15 d'aust&#13;

01:40:16.000 --&gt; 01:44:58.000
De las bonas fonts&#13;

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La feste e las danças&#13;

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La Sent Ròch&#13;

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Totsents e las chastanhas&#13;

01:55:49.000 --&gt; 01:56:27.000
La Sent Martin&#13;

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Noèl e le nadau&#13;

01:59:19.000 --&gt; 02:00:19.000
Binar le lach&#13;

02:00:19.000 --&gt; 02:01:28.000
Compter de 1 a 20&#13;

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Les jours de la semaine&#13;

02:02:01.000 --&gt; 02:02:35.000
Les mois de l'année&#13;

02:02:35.000 --&gt; 02:03:49.000
Fin et remerciements&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Il s&amp;rsquo;agit d&amp;rsquo;un enregistrement de &lt;strong&gt;M et Mme Vincent et Marie-Th&amp;eacute;r&amp;egrave;se Peltier&lt;/strong&gt; r&amp;eacute;alis&amp;eacute; le 25 octobre 1995 par &lt;a href="https://www.ethnographiques.org/Valiere_Michel" target="_blank" rel="noopener"&gt;&lt;strong&gt;Michel Vali&amp;egrave;re&lt;/strong&gt;&lt;/a&gt;. &lt;br /&gt;On y entend &lt;strong&gt;M et Mme Peltier&lt;/strong&gt; parler de leur engagement politique et spirituel au travers des diff&amp;eacute;rents mouvements agricoles de l&amp;rsquo;&amp;eacute;poque.&lt;br /&gt;&lt;br /&gt;Cet enregistrement fait suite &amp;agrave; celui portant sur la religion et le monde agricole. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/13478#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0"&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;Le fonds Michel Vali&amp;egrave;re&lt;/span&gt;&lt;/a&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La &lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;num&amp;eacute;risation et l&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;a cession&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt; d&amp;rsquo;une copie de &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;ce document a &amp;eacute;t&amp;eacute; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;r&amp;eacute;alis&amp;eacute;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;e&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt; par le D&amp;eacute;partement de la Vienne (Archives d&amp;eacute;partementales) avec l&amp;rsquo;autorisation de Mme Mich&amp;egrave;le Vali&amp;egrave;re&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-family: Open Sans;"&gt;&lt;span style="font-size: small;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:02:31.000
Des élections&#13;

00:02:31.000 --&gt; 00:03:34.000
L'idée de démocracie directe&#13;

00:03:34.000 --&gt; 00:05:43.000
Les réponses des candidats&#13;

00:05:43.000 --&gt; 00:08:40.000
Un exemple de problème débatu collectivement&#13;

00:08:40.000 --&gt; 00:11:01.000
Un risque sectaire ...&#13;

00:11:01.000 --&gt; 00:13:09.000
La diversité des opinions&#13;

00:13:09.000 --&gt; 00:14:24.000
Le but de la démarche&#13;

00:14:24.000 --&gt; 00:16:42.000
Penser "rural" et "chrétien" à la fois&#13;

00:16:42.000 --&gt; 00:19:14.000
N'y a-t-il pas un peu de naïveté ?&#13;

00:19:14.000 --&gt; 00:20:50.000
Voir, juger et agir&#13;

00:20:50.000 --&gt; 00:23:59.000
Garder cette ligne toute sa vie&#13;

00:23:59.000 --&gt; 00:27:57.000
Du productivisme&#13;

00:27:57.000 --&gt; 00:29:02.000
Comment étiez-vous informés ?&#13;

00:29:02.000 --&gt; 00:31:10.000
Du CCFD&#13;

00:31:10.000 --&gt; 00:34:47.000
De la prise de conscience avant l'action&#13;

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              <text>Henriette Fauriot</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande il est not&amp;eacute;&amp;nbsp;&lt;span style="color: #808080;"&gt;"Lous Velhadours&amp;nbsp;; Pierre Biossac&amp;nbsp;; le petit &amp;eacute;cureuil (Y N)&amp;nbsp;; la noce du papillon&amp;nbsp;; rengaine du meunier&amp;nbsp;; les puces&amp;nbsp;; &amp;Eacute;mission Chez nous&amp;nbsp;; 1961&amp;nbsp;; Lison"&lt;/span&gt;.&amp;nbsp; La bande ne porte aucune indication. &lt;br /&gt;&lt;br /&gt;Il s'agit de l'enregistrement d'une &amp;eacute;mission de "Chez nous" (contes, chansons, po&amp;egrave;mes, ...) telle qu'elle fut probablement diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest.&lt;br /&gt;&lt;br /&gt;On peut y entendre des extraits d'enregistrements de plusieurs informateurs de &lt;strong&gt;Robert Dagnas&lt;/strong&gt; : &lt;br /&gt;- &lt;strong&gt;Pierre Biossac&lt;/strong&gt; : &lt;em&gt;Mas l'autre jorn en m'i permenant&lt;/em&gt; (chant)&lt;br /&gt;- &lt;strong&gt;Yvette Restoin&lt;/strong&gt; : &lt;em&gt;Lo rainard e l'escur&amp;ograve;u&lt;/em&gt; (fable)&lt;br /&gt;- &lt;strong&gt;Henriette Fauriot&lt;/strong&gt; : La noce du papillon, La rengaine du meunier (chants)&lt;br /&gt;- &lt;strong&gt;Ang&amp;egrave;le Chabeaudie&lt;/strong&gt; : La belle Isabeau (chant), Aviez-vous un galant ?,&amp;nbsp; Les mariages d'autrefois (souvenirs)&lt;br /&gt;- &lt;strong&gt;Andr&amp;eacute; Danias&lt;/strong&gt; : Les puces de la berg&amp;egrave;re (po&amp;egrave;me)&lt;br /&gt;- &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; : La Lison (chant)&lt;br /&gt;- &lt;a href="https://la-biaca.org/items/show/13441#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=608%2C489%2C697%2C618" target="_blank" rel="noopener"&gt;&lt;strong&gt;Michel Meilhac&lt;/strong&gt;&lt;/a&gt; : &lt;em&gt;Ai vist lo lop&lt;/em&gt; (&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;bourr&amp;eacute;e)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Générique d'ouverture&#13;

00:00:33.000 --&gt; 00:01:47.000
Présentation de l’émission&#13;

00:01:47.000 --&gt; 00:04:03.000
Mas l'autre jorn en m'i permenant &#13;

00:04:03.000 --&gt; 00:05:21.000
Lo rainard e l'escuròu&#13;

00:05:21.000 --&gt; 00:06:22.000
La noce du papillon&#13;

00:06:22.000 --&gt; 00:06:47.000
La rengaine du meunier&#13;

00:06:47.000 --&gt; 00:08:26.000
La belle Isabeau&#13;

00:08:26.000 --&gt; 00:09:24.000
Aviez-vous un galant ?&#13;

00:09:24.000 --&gt; 00:10:39.000
Les mariages d'autrefois&#13;

00:10:39.000 --&gt; 00:11:57.000
Les puces de la bergère &#13;

00:11:57.000 --&gt; 00:14:08.000
La Lison&#13;

00:14:08.000 --&gt; 00:15:28.000
Ai vist lo lop&#13;

00:15:28.000 --&gt; 00:16:14.000
Conclusion&#13;

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C'était "Chez nous"
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Eh ben ma pita granda-mair ...&#13;

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Blancha bicha&#13;

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'Nar a Rechoart emb un asne&#13;

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On va recommencer ...&#13;

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La parricide empoisonneuse&#13;

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'N'istória de pitit coenh&#13;

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La chanson de la meunière&#13;

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Qu'es a pus pres la mesma&#13;

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Pastourelle&#13;

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La balada de Sent Quentin&#13;

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Aimen-nos tots dos&#13;

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Brave galant &#13;

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Au tralala&#13;

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Le petit japonais&#13;

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Docteur Kaminger&#13;

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Breguet et l'aviation&#13;

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Émission sur Marie Ventura&#13;

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Fin d'émission&#13;

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Lecture d'un passage de "La Vagabonde" (S-G Colette)&#13;

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Pourquoi ne serais-je pas au milieu de vous ce soir ?&#13;

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Lecture des "Poèmes Saturniens" (P. Verlaine)&#13;

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Récit de vol de Saint-Exupéry&#13;

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Musique classique&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, une s&amp;eacute;rie d'enregistrements destin&amp;eacute;s &amp;agrave; un almanach diffus&amp;eacute; quotidiennement sur Radio-Limoges.&lt;br /&gt;&lt;br /&gt;Ici, les enregistrements du 24 octobre au 11 novembre de l'ann&amp;eacute;e 1985.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jan dau Melhau&lt;/strong&gt; y livre divers proverbes et dires (&lt;em&gt;Sent Crespin e sos proverbis, Dires sus l'aubralha&lt;/em&gt;, ...), plusieurs contes et fables (&lt;em&gt;Un conte dau rainard e dau lop, Lo conte daus tres dr&amp;ograve;lles que van Sent-Jaume&lt;/em&gt;, ...), ainsi que quelques r&amp;eacute;flexions personnelles &amp;agrave; propos de sujets vari&amp;eacute;s (&lt;em&gt;Los paisans "retr&amp;ograve;s", N&amp;ograve;stre molin ven de barrar&lt;/em&gt;, &amp;hellip;). &lt;br /&gt;&lt;strong&gt;Jan&lt;/strong&gt; y &amp;eacute;voque aussi l'histoire du Limousin et des limousins ; notamment l&amp;rsquo;&amp;eacute;migration saisonni&amp;egrave;re vers l&amp;rsquo;Espagne (&lt;em&gt;Lo lemosins que 'navan trabalhar en Espanha&lt;/em&gt;) qu&amp;rsquo;il compare &amp;agrave; un ph&amp;eacute;nom&amp;egrave;ne actuel.&lt;br /&gt;&lt;br /&gt;Des airs de bourr&amp;eacute;e chant&amp;eacute;s &amp;agrave; la voix assurent la transition entre les diff&amp;eacute;rents jours de l&amp;rsquo;almanach.&lt;br /&gt;&lt;br /&gt;Sur la face A, les pistes 1 &amp;agrave; 23. &lt;br /&gt;Sur la face B, les pistes 24 &amp;agrave; 46 (le contenu de cette face est difficilement audible).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #333333;"&gt;&lt;span style="font-size: 10pt;"&gt;Personnage incontournable de la culture limousine, &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; est &amp;eacute;crivain, &amp;eacute;diteur (&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 10pt;"&gt;Lo chamin de sent Jaume)&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 10pt;"&gt;, collecteur, musicien, chanteur, conteur, diseur, etc.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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Lo 24 d'octòbre - Ò calha paubra calha&#13;

00:00:09.000 --&gt; 00:02:50.000
Devinhòlas&#13;

00:02:50.000 --&gt; 00:03:00.000
Lo 25 d'octòbre - De deçai, las peras son maduras&#13;

00:03:00.000 --&gt; 00:05:19.000
Sent Crespin e sos proverbis&#13;

00:05:19.000 --&gt; 00:05:28.000
Lo 26 d'octòbre - Sus lo pont d'a Vimbela&#13;

00:05:28.000 --&gt; 00:07:55.000
Los paisans "retròs"&#13;

00:07:55.000 --&gt; 00:08:01.000
Lo 27 d'octòbre - Quand quò vira, quò vai&#13;

00:08:01.000 --&gt; 00:10:13.000
Un conte dau rainard e dau lop&#13;

00:10:13.000 --&gt; 00:10:29.000
Lo 28 d'octòbre - Çò-ditz Janton&#13;

00:10:29.000 --&gt; 00:13:02.000
Las sechieras dau Lemosin&#13;

00:13:02.000 --&gt; 00:13:12.000
Lo 29 d'octòbre - Ente a passat l'ivern d'antan ?&#13;

00:13:12.000 --&gt; 00:13:33.000
Lo poeta Enri Plantadís&#13;

00:13:33.000 --&gt; 00:15:31.000
Lo peschaire (poema)&#13;

00:15:31.000 --&gt; 00:15:40.000
Lo 30 d'octòbre - Son pas d'aicí&#13;

00:15:40.000 --&gt; 00:18:21.000
Dires sus l'aubralha&#13;

00:18:21.000 --&gt; 00:18:30.000
Lo 31 d'octòbre - Para lo lop&#13;

00:18:30.000 --&gt; 00:20:57.000
La correntina de la negra e dau puelh&#13;

00:20:57.000 --&gt; 00:21:08.000
Lo 1 de novembre - L'autre jorn ieu me maridava&#13;

00:21:08.000 --&gt; 00:23:27.000
Los proverbis de Totsents&#13;

00:23:27.000 --&gt; 00:23:40.000
Lo 2 de novembre - Lo curet que la confessava&#13;

00:23:40.000 --&gt; 00:26:01.000
Nòstre molin ven de barrar&#13;

00:26:01.000 --&gt; 00:26:07.000
Lo 3 de novembre - Per bien la chantar&#13;

00:26:07.000 --&gt; 00:28:33.000
Lo conte daus tres dròlles que van Sent Jaume&#13;

00:28:33.000 --&gt; 00:28:42.000
Facia B  - Lo 4 de novembre - Ma maire aviá mas'na dent&#13;

00:28:42.000 --&gt; 00:29:53.000
Lo lemosins que 'navan trabalhar en Espanha&#13;

00:29:53.000 --&gt; 00:30:25.000
Çò que ditz Bernage, intendent dau Lemosin&#13;

00:30:25.000 --&gt; 00:31:30.000
La suplica dau monde de Sent-Pardól la Crosilha a Turgot&#13;

00:31:30.000 --&gt; 00:31:39.000
Lo 5 de novembre - Ai vist lo lop&#13;

00:31:39.000 --&gt; 00:31:50.000
Dos poemas dau Leon Branchet&#13;

00:31:50.000 --&gt; 00:33:03.000
Lo poema dau chabretaire&#13;

00:33:03.000 --&gt; 00:34:04.000
Lo poema de la viena&#13;

00:34:04.000 --&gt; 00:34:13.000
Lo 6 de novembre - Leva lo pè, drolleta&#13;

00:34:13.000 --&gt; 00:36:40.000
La vita de Sent Liunard&#13;

00:36:40.000 --&gt; 00:36:50.000
Lo 7 de novembre - Avau dins la robiera&#13;

00:36:50.000 --&gt; 00:38:37.000
Dires sus lo trabalh&#13;

00:38:37.000 --&gt; 00:39:35.000
Dires sus lo trabalh de la terra&#13;

00:39:35.000 --&gt; 00:39:45.000
Lo 8 de novembre - Maridatz-me, ma maire&#13;

00:39:45.000 --&gt; 00:41:23.000
Dau vent&#13;

00:41:23.000 --&gt; 00:42:11.000
Lo conte dau vent&#13;

00:42:11.000 --&gt; 00:42:18.000
Lo 9 de novembre -Si sabiatz drolletas&#13;

00:42:18.000 --&gt; 00:44:48.000
La faula de la taula&#13;

00:44:48.000 --&gt; 00:44:58.000
Lo 10 de novembre - Delai París&#13;

00:44:58.000 --&gt; 00:47:05.000
Un conte de la Marcha&#13;

00:47:05.000 --&gt; 00:47:12.000
Lo 11 de novembre - La vòle mai l'aurai&#13;

00:47:12.000 --&gt; 00:48:35.000
Los proverbis de la Sent Martin&#13;

00:48:35.000 --&gt; 00:49:49.000
Dempuei 1918 ...&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l&amp;rsquo;enveloppe contenant cette bande, il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"721 diffus&amp;eacute; 20/5&amp;nbsp;; ascension&amp;nbsp;; Berceuse de Teilliet&amp;nbsp;;&amp;nbsp; Chez Nous 20 5 61"&lt;/span&gt;. La bande ne porte aucune indication.&lt;br /&gt;&lt;br /&gt;Il s&amp;rsquo;agit de l&amp;rsquo;enregistrement de l&amp;rsquo; &amp;eacute;mission &amp;laquo; Chez nous &amp;raquo; telle qu' elle fut diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest le 20 mai 1961, quelques jours apr&amp;egrave;s la f&amp;ecirc;te de l&amp;rsquo;Ascension. &lt;br /&gt;&lt;br /&gt;Nous y entendons plusieurs chansons interpr&amp;eacute;t&amp;eacute;es &amp;agrave; tour de r&amp;ocirc;le par &lt;strong&gt;Pierre Biossac&lt;/strong&gt;, &lt;strong&gt;Ang&amp;egrave;le Chabeaudie&lt;/strong&gt; et &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; (&lt;em&gt;En-naut, sus la montanha&lt;/em&gt;, R&amp;eacute;veillez-vous la belle, Berceuse de Jean Teilliet, &amp;hellip;) ; ainsi que plusieurs airs &amp;agrave; danser interpr&amp;eacute;t&amp;eacute;s par &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt; au violon, Yvette Restoin &amp;agrave; la vielle ainsi que par les groupes folklorique de l&amp;rsquo;&lt;a href="http://ecoleventadour.free.fr/" target="_blank" rel="noopener"&gt;&amp;Eacute;cole Ventadour&lt;/a&gt; de Tulle, les &lt;a href="https://www.amisvieuxpoitou.fr/" target="_blank" rel="noopener"&gt;Amis du Vieux Poitou&lt;/a&gt; de Ch&amp;acirc;tellerault et &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&amp;laquo; &lt;/span&gt;&lt;a href="https://www.facebook.com/people/Los-Velhadors-De-Sent-Junian/100070015124266/" target="_blank" rel="noopener"&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;Los Velhadors de Sent Junian &lt;/span&gt;&lt;/em&gt;&lt;/a&gt;&lt;span style="font-size: 14pt;"&gt;&amp;raquo;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Générique : Chas nos (J. Rebier)&#13;

00:00:30.000 --&gt; 00:01:07.000
L'Ascension&#13;

00:01:07.000 --&gt; 00:01:36.000
Bourrée&#13;

00:01:36.000 --&gt; 00:03:04.000
Som, som&#13;

00:03:04.000 --&gt; 00:05:05.000
En-naut, sus la montanha&#13;

00:05:05.000 --&gt; 00:06:23.000
Réveillez-vous la belle&#13;

00:06:23.000 --&gt; 00:07:44.000
Danse&#13;

00:07:44.000 --&gt; 00:08:41.000
La manuguet&#13;

00:08:41.000 --&gt; 00:11:04.000
Un grand panier sur sa testa, se 'nava la Marion&#13;

00:11:04.000 --&gt; 00:13:11.000
Bourrée poitevine&#13;

00:13:11.000 --&gt; 00:14:10.000
Bourrée&#13;

00:14:10.000 --&gt; 00:17:47.000
Berceuse de Jean Teilliet&#13;

00:17:47.000 --&gt; 00:18:48.000
Quelques informations&#13;

00:18:48.000 --&gt; 00:19:11.000
Au revoir
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&lt;div&gt;&lt;span style="color: #000000;"&gt;Apr&amp;egrave;s les m&amp;eacute;thodes d'occitan de Gaston Bazalgues et de Michel Grosclaude, toutes deux sorties en 1977, dans la m&amp;ecirc;me collection, la m&amp;eacute;thode &lt;em&gt;L'occitan redde e ben : lo lemosin&lt;/em&gt; par &lt;strong&gt;Dominique Decomps*&lt;/strong&gt; parut en 1979.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/13455/Domenja_Decomps.jpg" target="_blank" rel="noopener"&gt;&lt;/a&gt;&lt;span style="color: #000000;"&gt;Cet ouvrage, auquel collabora G&amp;eacute;rard Gonfroy, &amp;eacute;dit&amp;eacute; chez Omnivox International fut &lt;strong&gt;LA&lt;/strong&gt; m&amp;eacute;thode &lt;/span&gt;&lt;span style="color: #000000;"&gt;d'initiation &lt;/span&gt;&lt;span style="color: #000000;"&gt;en occitan limousin. &lt;/span&gt;&lt;/div&gt;&#13;
&lt;br /&gt;&lt;span style="color: #000000;"&gt;Pr&amp;eacute;fac&amp;eacute; par Pierre Bec, alors pr&amp;eacute;sident de l'IEO, illustr&amp;eacute; par Jean-Marc Sim&amp;eacute;onin, &lt;/span&gt;&lt;span style="color: #000000;"&gt;ce manuel &amp;eacute;tait propos&amp;eacute; dans un coffret, &lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span style="color: #000000;"&gt;accompagn&amp;eacute; de 45 tours ou de&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span style="color: #000000;"&gt; cassettes audio et &lt;/span&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span style="color: #000000;"&gt;d'un livret avec la traduction des conversations et les corrig&amp;eacute;s des exercices.&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Nous remercions les auteurs d'avoir accept&amp;eacute; que nous mettions &amp;agrave; disposition de tous cet ouvrage de r&amp;eacute;f&amp;eacute;rence.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #4c3939; font-family: Cabin, sans-serif;"&gt;&lt;a href="https://la-biaca.org/exhibits/show/redde-e-ben/pr--face" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers la m&amp;eacute;thode avec les enregistrements&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/13/13490/Occitanredde-D.Decomps.pdf" target="_blank" rel="noopener"&gt;-&amp;gt; Lien vers le pdf complet de la m&amp;eacute;thode&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style="font-size: 10pt;"&gt;Couverture : Vue d'Uzerche&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Photo R. Devaux&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Ont particip&amp;eacute; &amp;agrave; l'enregistrement :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Dominique DECOMPS de Beyssenac (Corr&amp;egrave;ze)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Fran&amp;ccedil;ois GANE de Eymoutiers (Haute-Vienne)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Yves LAVALADE de Limoges (Haute-Vienne)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Alice MAROT de Meuzac (Haute-Vienne)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Serge MAROT de Meuzac (Haute-Vienne)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Jean-Marie MAURY de Meuzac (Haute-Vienne)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Alain MEYJONADE de Brive (Corr&amp;egrave;ze)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Jo&amp;euml;lle PEYTAVIT de Voutezac (Corr&amp;egrave;ze)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Jean-Claude ROULET de Nexon (Haute-Vienne)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Jean ROUX de Rib&amp;eacute;rac (Dordogne)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;Didier VERGNAUD de Le Monteil-au-Vicomte (Creuse)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;* Dominique Decomps a consacr&amp;eacute; sa vie &amp;agrave; l&amp;rsquo;enseignement de l&amp;rsquo;occitan, du fran&amp;ccedil;ais et de l&amp;rsquo;espagnol dans le secondaire et &amp;agrave; l&amp;rsquo;Universit&amp;eacute; (IUFM du Limousin). Ses &amp;eacute;tudes romanes &amp;agrave; l&amp;rsquo;Universit&amp;eacute; de Limoges et de Toulouse-le-Mirail aboutirent &amp;agrave; un m&amp;eacute;moire de ma&amp;icirc;trise sur Jean Boudou (direction Jean Mouzat) puis &amp;agrave; une th&amp;egrave;se de sociolinguistique occitane (direction J.-L. Fossat, 1980).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt; Elle est l&amp;rsquo;autrice de deux recueils de po&amp;egrave;mes : Mejauven&amp;ccedil;a (1974, prix Flor de Prima) et Per grasir l&amp;rsquo;aura dol&amp;ccedil;ana (1998, Gai Saber), Six Yeux pour deux mains (2000, &amp;Eacute;ditions du Fredon), po&amp;egrave;mes&amp;nbsp; &amp;agrave; partir de gravures de Diane de Bournazel. Lo Leberaubre, La Clau, Lo Gai Saber ainsi que d&amp;rsquo;autres revues occitanes et fran&amp;ccedil;aises ont r&amp;eacute;guli&amp;egrave;rement accueilli ses po&amp;egrave;mes en occitan. En 1979, elle publia : &lt;em&gt;L&amp;rsquo;occitan redde e ben : lo lemosin&lt;/em&gt; (Omnivox). Elle est co-auteure de &lt;em&gt;&amp;Ograve;c-ben !&lt;/em&gt; (manuels pour apprendre l&amp;rsquo;occitan, 2 volumes, CRDP d&amp;rsquo;Aquitaine).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt; Pour le jeune public, elle a traduit ou adapt&amp;eacute; une vingtaine d&amp;rsquo;ouvrages : r&amp;eacute;cits, po&amp;eacute;sies, comptines, adaptation de contes de la tradition orale, ensembles p&amp;eacute;dagogiques &amp;eacute;dit&amp;eacute;s par le CAP&amp;rsquo;OC, SCEREN et CANOP&amp;Eacute;. Elle a aussi traduit en occitan limousin 12 chapitres du Roman de Renart en 2 volumes pour l&amp;rsquo;enseignement primaire et secondaire en occitan limousin (2017 et 2019, CAP&amp;rsquo;OC/ CANOP&amp;Eacute;) ainsi que quelques chapitres du Petit Nicolas, aux &amp;eacute;ditions IMAV pr&amp;eacute;sent&amp;eacute; &amp;agrave; Lire &amp;agrave; Limoges en 2019.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt; Ses nombreux collectages sur la m&amp;eacute;moire limousine depuis les ann&amp;eacute;es 1970 contribuent &amp;agrave; la diffusion de la langue et de la culture occitanes (&lt;a href="http://patrimoine-oral.org"&gt;http://patrimoine-oral.org&lt;/a&gt;).&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style="font-size: 10pt;"&gt; Elle a particip&amp;eacute; &amp;agrave; l&amp;rsquo;&amp;eacute;laboration de plusieurs ouvrages &amp;eacute;dit&amp;eacute;s par le CRMT du Limousin, pour l&amp;rsquo;&amp;eacute;tablissement de textes occitans de litt&amp;eacute;rature orale : &lt;em&gt;Le pays de Seilhac&lt;/em&gt;&amp;nbsp;(2008), &lt;em&gt;Veill&amp;eacute;es &amp;agrave; Chaumeil&lt;/em&gt; (2011), atlas sonores, et &lt;em&gt;La mission Brunot &amp;ndash; ao&amp;ucirc;t 1913 &amp;ndash; Fin d&amp;rsquo;un bel &amp;eacute;t&amp;eacute; en Corr&amp;egrave;ze&lt;/em&gt; (2014) r&amp;eacute;alis&amp;eacute; &amp;agrave; partir d&amp;rsquo;enregistrements du linguiste Ferdinand Brunot en 1913.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&#13;
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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l&amp;rsquo;enveloppe contenant cette bande il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"a Munich / chez nous 21/9/63"&lt;/span&gt;.&lt;br /&gt;Sur le c&amp;ocirc;t&amp;eacute; de cette bande, sur une petite &amp;eacute;tiquette, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"Munich&amp;nbsp;; chez nous&amp;nbsp;; 21-9-63"&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;Il s&amp;rsquo;agit de l&amp;rsquo;enregistrement de l&amp;rsquo; &amp;eacute;mission &amp;laquo; Chez nous &amp;raquo; telle qu' elle fut diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest le 21 septembre 1963.&lt;br /&gt;&lt;br /&gt;Ce jour-l&amp;agrave;, accompagn&amp;eacute; du &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;groupe folklorique &amp;laquo; &lt;em&gt;Los Velhadors de Sent Junian&lt;/em&gt; &amp;raquo;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;, &lt;strong&gt;Robert Dagnas&lt;/strong&gt; est en d&amp;eacute;placement &amp;agrave; Munich &amp;agrave; l&amp;rsquo;occasion de l&amp;rsquo;Oktober Fest, la f&amp;ecirc;te de la bi&amp;egrave;re.&lt;br /&gt;&lt;strong&gt;Eddy Chaumont&lt;/strong&gt; l&amp;rsquo;interroge depuis Limoges &amp;agrave; propos des festivit&amp;eacute;s puis nous entendons plusieurs chansons du r&amp;eacute;pertoire limousin ainsi qu&amp;rsquo;un chant en allemand appris pour l&amp;rsquo;occasion (Le chant de l&amp;rsquo;amiti&amp;eacute;).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:38.000
Générique d'ouverture : Chas nos (J. Rebier)&#13;

00:00:38.000 --&gt; 00:01:13.000
Allô Limoges&#13;

00:01:13.000 --&gt; 00:01:38.000
Pourquoi êtes-vous à Munich&#13;

00:01:38.000 --&gt; 00:01:50.000
Êtes-vous le seul groupe français ?&#13;

00:01:50.000 --&gt; 00:02:09.000
Comment avez-vous été choisis ?&#13;

00:02:09.000 --&gt; 00:02:30.000
Quel est le programme des festivités ?&#13;

00:02:30.000 --&gt; 00:03:02.000
Le mode de vie ne vous change pas ?&#13;

00:03:02.000 --&gt; 00:03:20.000
Avez-vous emmené des gants de peau ?&#13;

00:03:20.000 --&gt; 00:03:42.000
Que présentez-vous dans votre programme ?&#13;

00:03:42.000 --&gt; 00:04:45.000
Le cuer de ma mia&#13;

00:04:45.000 --&gt; 00:07:33.000
Lo turlututu&#13;

00:07:33.000 --&gt; 00:08:48.000
Las quatre sasons&#13;

00:08:48.000 --&gt; 00:10:13.000
Y a rien d'aussi charmant que la bergère aux champs&#13;

00:10:13.000 --&gt; 00:12:01.000
Voulez-vous donc toujours, madame, faire résistance à l'amour ?&#13;

00:12:01.000 --&gt; 00:12:25.000
Nous allons être reçus par la municipalité ...&#13;

00:12:25.000 --&gt; 00:13:04.000
Le chant de l'amitié&#13;

00:13:04.000 --&gt; 00:13:29.000
Salutations aux techniciens&#13;

00:13:29.000 --&gt; 00:14:01.000
Quand est-ce que vous rentrez ?&#13;

00:14:01.000 --&gt; 00:15:30.000
À vous troupe fidèle&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Enqu&amp;ecirc;te &amp;agrave; Genouillac (23) &lt;br /&gt;Il s&amp;rsquo;agit ici de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 23 juillet 2004 aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de cette commune.&lt;br /&gt;&lt;br /&gt;On y entend plusieurs enfants du pays parler des traditions, de ce qui se faisait pour les f&amp;ecirc;tes (&lt;em&gt;No&amp;egrave;l, le no&amp;egrave;l e le citre&amp;nbsp;; Le 15 d'aust e la feste a Genolhac&amp;nbsp;; La Totsents e los chat-escur&amp;ograve;us&amp;nbsp;&lt;/em&gt;; &amp;hellip;) mais aussi de ce qui se dansait dans le pays (De la bourr&amp;eacute;e, &lt;em&gt;Daus concors de dance&lt;/em&gt;, Le tape-cul, ...).&lt;br /&gt;On y entend aussi quelques r&amp;eacute;flexions sur la Marche et le marchois (Du Bas-Berry et de la Marche, De la vache marchoise, &lt;em&gt;Daus diferents pato&amp;agrave;s de la Marche&lt;/em&gt;, &amp;hellip;) ainsi que plusieurs proverbes et autres dires (&lt;em&gt;Au mes de feurier, &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Fau pas permenar l'auche per l'tait&lt;/em&gt;, &amp;hellip;).&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Informateurs :&lt;strong&gt;Jean Ducluzeaud, Marcel Gendraud, Pierre Jeannot, Robert Lagrange&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: 'Open Sans';"&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;/span&gt;&lt;/span&gt; &lt;/span&gt; &lt;/span&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;/span&gt;&lt;br style="font-family: 'Open Sans'; background-color: #f3ede2;" /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer; font-family: 'Open Sans';"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Daus proverbes en patoàs&#13;

00:00:14.000 --&gt; 00:00:59.000
Le bueu, la vache, ...&#13;

00:00:59.000 --&gt; 00:01:49.000
Daus contes ? De l'istoaras ?&#13;

00:01:49.000 --&gt; 00:02:15.000
Au mes de feurier (proverbe)&#13;

00:02:15.000 --&gt; 00:03:47.000
Per Noèl (proverbe)&#13;

00:03:47.000 --&gt; 00:04:06.000
Fau pas permenar l'auche per l'tait (dire)&#13;

00:04:06.000 --&gt; 00:05:09.000
N'istoare de lop&#13;

00:05:09.000 --&gt; 00:05:38.000
Y en a d'autres ...&#13;

00:05:38.000 --&gt; 00:06:28.000
E d'las chançons ?&#13;

00:06:28.000 --&gt; 00:09:19.000
De la bourrée&#13;

00:09:19.000 --&gt; 00:11:00.000
Daus concors de dance&#13;

00:11:00.000 --&gt; 00:11:48.000
Le pelele&#13;

00:11:48.000 --&gt; 00:12:19.000
La chiebre&#13;

00:12:19.000 --&gt; 00:13:04.000
Le tape-cul&#13;

00:13:04.000 --&gt; 00:14:02.000
Le lapin&#13;

00:14:02.000 --&gt; 00:14:48.000
Le branle à six&#13;

00:14:48.000 --&gt; 00:16:30.000
Daus musicians&#13;

00:16:30.000 --&gt; 00:17:05.000
Daus joadors la viela&#13;

00:17:05.000 --&gt; 00:18:02.000
Du Bas-Berry et de la Marche&#13;

00:18:02.000 --&gt; 00:18:44.000
De la vache marchoise&#13;

00:18:44.000 --&gt; 00:19:42.000
Daus asnes&#13;

00:19:42.000 --&gt; 00:24:18.000
Daus diferents patoàs de la Marche&#13;

00:24:18.000 --&gt; 00:25:22.000
De las vachas&#13;

00:25:22.000 --&gt; 00:29:49.000
Nommar e 'pelar las bèstias&#13;

00:29:49.000 --&gt; 00:32:00.000
Los roeis e los tortiaus&#13;

00:32:00.000 --&gt; 00:32:53.000
La Chandeleur&#13;

00:32:53.000 --&gt; 00:33:39.000
Per chaçar l'auratge e los sòrs&#13;

00:33:39.000 --&gt; 00:34:18.000
La bûche de Noël&#13;

00:34:18.000 --&gt; 00:37:13.000
Daus ramiaus&#13;

00:37:13.000 --&gt; 00:37:54.000
La Chandeleur (suite)&#13;

00:37:54.000 --&gt; 00:41:15.000
Los maçons e los ausiaus dau diable&#13;

00:41:15.000 --&gt; 00:43:38.000
Le père Gaston&#13;

00:43:38.000 --&gt; 00:44:43.000
Foliá pas que l'erba siá revelhada le matin&#13;

00:44:43.000 --&gt; 00:50:49.000
Mardí gras e la tarte aus pruniaus&#13;

00:50:49.000 --&gt; 00:52:23.000
De la bone farine&#13;

00:52:23.000 --&gt; 00:54:08.000
De la pole en ragost&#13;

00:54:08.000 --&gt; 00:55:22.000
Lo civet de chat-escuròu&#13;

00:55:22.000 --&gt; 00:57:35.000
De las farças d'autres temps&#13;

00:57:35.000 --&gt; 00:59:32.000
De la bravade&#13;

00:59:32.000 --&gt; 01:00:24.000
L'aigue beneite daus ramiaus&#13;

01:00:24.000 --&gt; 01:01:05.000
La setmane sente&#13;

01:01:05.000 --&gt; 01:03:13.000
Rempalhatge e paniers&#13;

01:03:13.000 --&gt; 01:07:18.000
'Massar los ueus&#13;

01:07:18.000 --&gt; 01:09:03.000
Trabalhar pendent las festas&#13;

01:09:03.000 --&gt; 01:10:25.000
Le lundí de Pasques e l'Ascensiòn&#13;

01:10:25.000 --&gt; 01:13:05.000
Las fauchas&#13;

01:13:05.000 --&gt; 01:14:49.000
Desmainatjar per la Sent Martin&#13;

01:14:49.000 --&gt; 01:15:12.000
Pentecôte&#13;

01:15:12.000 --&gt; 01:21:14.000
La Sent Jan e le tresfojau&#13;

01:21:14.000 --&gt; 01:24:05.000
Le 15 d'aust e la feste a Genolhac&#13;

01:24:05.000 --&gt; 01:25:21.000
La Totsents e los chat-escuròus&#13;

01:25:21.000 --&gt; 01:27:46.000
Noèl, le noèl e le citre&#13;

01:27:46.000 --&gt; 01:29:31.000
Las varietas de pomas&#13;

01:29:31.000 --&gt; 01:32:04.000
Le jorn de l'an&#13;

01:32:04.000 --&gt; 01:33:14.000
De las plantas e de lor usatge&#13;

01:33:14.000 --&gt; 01:33:53.000
Los jorns de la setmane&#13;

01:33:53.000 --&gt; 01:34:36.000
N'istoare de vache&#13;

01:34:36.000 --&gt; 01:34:48.000
Compter&#13;

01:34:48.000 --&gt; 01:44:25.000
Los noms de vilatges de la comuna
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Senhor te que portas lo pechat dau monde&#13;

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Alors, je vais attendre ...&#13;

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Cantique&#13;

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Cantique (reprise)&#13;

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Accordage&#13;

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Passoleta (début)&#13;

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Un jòune pastre somelhava (début)&#13;

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Les sopranos, pas plus fort !&#13;

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Un jòune pastre somelhava&#13;

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D'où viens-tu, bergère ?&#13;

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Bon courage&#13;

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Sur ton autar, senhor (début)&#13;

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Essayez de chanter ensemble !&#13;

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Sus ton autar, senhor&#13;

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Tu senhor ses sent (début)&#13;

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Tu senhor ses sent&#13;

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Senhor te que portas lo pechat dau monde&#13;

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Cantique&#13;

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On reprend !&#13;

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Cantique (reprise)&#13;

00:18:29.000 --&gt; 00:20:32.000
Passoleta&#13;

00:20:32.000 --&gt; 00:22:32.000
D'où viens-tu, bergère ?&#13;

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N'i a gaire qu'ai auvit&#13;

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Diu eria dins sa botica&#13;

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Tu senhor ses sent&#13;

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Chut, chut, que l'enfant duerm&#13;

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Chut, chut, que l'enfant duerm (reprise)&#13;

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À vous troupe fidèle&#13;

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Dessot una teulada&#13;

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Chut, chut, que l'enfant duerm&#13;

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N'i a gaire qu'ai auvit&#13;

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Nous terminons la répétition&#13;

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Morceau de jazz (1)&#13;

00:26:36.000 --&gt; 00:29:06.000
Morceau de jazz (2)&#13;

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Reprise de l'enregistrement&#13;

00:00:31.000 --&gt; 00:02:04.000
Chronologie des organisations agricoles&#13;

00:02:04.000 --&gt; 00:04:00.000
De l’inspiration politique à l'inspiration catholique&#13;

00:04:00.000 --&gt; 00:06:15.000
Le morcellement des mouvements&#13;

00:06:15.000 --&gt; 00:09:46.000
La création de la maison familiale de Beynac&#13;

00:09:46.000 --&gt; 00:12:46.000
L'enseignement dispensé et le public visé&#13;

00:12:46.000 --&gt; 00:15:10.000
Les élèves de la maison familiale&#13;

00:15:10.000 --&gt; 00:23:25.000
Ce n'était pas une école confessionnelle &#13;

00:23:25.000 --&gt; 00:25:40.000
L'ouverture et le militantisme des maisons familiales&#13;

00:25:40.000 --&gt; 00:26:57.000
Ce que permettait les stages&#13;

00:26:57.000 --&gt; 00:27:57.000
La responsabilité partagée&#13;

00:27:57.000 --&gt; 00:31:07.000
Le conseil d’administration&#13;

00:31:07.000 --&gt; 00:31:54.000
Le plus mauvais souvenir&#13;

00:31:54.000 --&gt; 00:34:14.000
Le mérite agricole&#13;

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                <text>&lt;span style="font-size: 14pt;"&gt;Sur la boite en carton qui contenait cette bande, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"739; Entretien P&amp;eacute;rigord"&lt;/span&gt;. &lt;br /&gt;Sur la bande, une petite &amp;eacute;tiquette avec &amp;eacute;crit dessus : &lt;span style="color: #808080;"&gt;"20"&lt;/span&gt;. &lt;br /&gt;&lt;br /&gt;Nous entendons tout d&amp;rsquo;abord une partie d&amp;rsquo;un entretien avec l&amp;rsquo;auteur &lt;strong&gt;Andr&amp;eacute; Maurois&lt;/strong&gt;, depuis le manoir d&amp;rsquo;Eissendi&amp;eacute;ras (commune de Saint-M&amp;eacute;dard-d'Excideuil, 24).&lt;br /&gt;&lt;br /&gt;Puis vient l'enregistrement d'une &amp;eacute;mission portant sur la ville de Saint-Junien et sur son histoire. Celle-ci est ponctu&amp;eacute;e de plusieurs chants interpr&amp;eacute;t&amp;eacute;s par la chorale du groupe folklorique &amp;laquo;&amp;nbsp;&lt;em&gt;Los Velhadors de Sent Junian&lt;/em&gt;&amp;nbsp;&amp;raquo;.&lt;br /&gt;&lt;br /&gt;Enfin, nous entendons une s&amp;eacute;rie d&amp;rsquo;enregistrements (parfois plus ou moins audibles) portant sur des sujets vari&amp;eacute;s et contenant quelques &amp;laquo; classiques &amp;raquo; de la chanson fran&amp;ccedil;aise.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Aujourd'hui en Limousin ...&#13;

00:00:44.000 --&gt; 00:01:34.000
Fanfare&#13;

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Transition instrumentale&#13;

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(Difficilement audible)&#13;

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Saint-Médard-d'Excideuil&#13;

00:02:56.000 --&gt; 00:03:29.000
Présentation de l'entretien avec André Maurois&#13;

00:03:29.000 --&gt; 00:04:26.000
N'éprouvez-vous pas quelque mélancolie ?&#13;

00:04:26.000 --&gt; 00:05:32.000
Au hasard des promenades champêtres&#13;

00:05:32.000 --&gt; 00:06:32.000
De Saint-Junien&#13;

00:06:32.000 --&gt; 00:07:04.000
Chant&#13;

00:07:04.000 --&gt; 00:07:39.000
Une page d'histoire locale&#13;

00:07:39.000 --&gt; 00:07:49.000
Chabrette&#13;

00:07:49.000 --&gt; 00:09:14.000
L'industrie à Saint-Junien&#13;

00:09:14.000 --&gt; 00:10:14.000
À vous troupe fidèle&#13;

00:10:14.000 --&gt; 00:11:00.000
De Camille Corot&#13;

00:11:00.000 --&gt; 00:11:43.000
C'était l'antenne A&#13;

00:11:43.000 --&gt; 00:12:23.000
L'âme des poètes (C. Trenet)&#13;

00:12:23.000 --&gt; 00:13:05.000
Il était une voix (conte)&#13;

00:13:05.000 --&gt; 00:13:51.000
Anecdote de tournage&#13;

00:13:51.000 --&gt; 00:14:21.000
À Dakar&#13;

00:14:21.000 --&gt; 00:15:16.000
Pourquoi aimez-vous Paris ?&#13;

00:15:16.000 --&gt; 00:15:30.000
Avec Marguerite Deval ...&#13;

00:15:30.000 --&gt; 00:16:33.000
Pour être heureux ... chantez (chanson)&#13;

00:16:33.000 --&gt; 00:17:27.000
Mon cœur est un violon (chanson)&#13;

00:17:27.000 --&gt; 00:18:13.000
Laboratoire et recherche scientifique&#13;

00:18:13.000 --&gt; 00:19:28.000
La passion pour la musique&#13;

00:19:28.000 --&gt; 00:20:22.000
Qu'est-ce que la douleur ?&#13;

00:20:22.000 --&gt; 00:20:41.000
Vos affaires sont florissantes !&#13;

00:20:41.000 --&gt; 00:21:27.000
À Marie&#13;

00:21:27.000 --&gt; 00:22:34.000
Extrait de "La vie parisienne" (H. Meilhac et L. Halévy)&#13;

00:22:34.000 --&gt; 00:23:15.000
J'adore Paris&#13;

00:23:15.000 --&gt; 00:23:46.000
Instrumental
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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande, il est &amp;eacute;crit &lt;span style="color: #808080;"&gt;"673"&lt;/span&gt;, &lt;span style="color: #808080;"&gt;"Chez nous; 14/2/66 (G. Julien)"&lt;/span&gt; ainsi que &lt;span style="color: #808080;"&gt;"Marguerite augignac ; saxo ; danse de Troche ; Le renard et l'&amp;eacute;cureuil ; Lous adissias ; Castel Montvi&amp;egrave;l"&lt;/span&gt;. Sur le c&amp;ocirc;t&amp;eacute; de cette bande, sur une petite &amp;eacute;tiquette, il est not&amp;eacute;&amp;nbsp; &lt;span style="color: #808080;"&gt;"673"&lt;/span&gt;. &lt;br /&gt;&lt;br /&gt;Il s'agit de l'enregistrement d'une &amp;eacute;mission de "Chez nous" telle qu'elle fut diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest le 14 F&amp;eacute;vrier 1966.&lt;br /&gt;&amp;nbsp;&lt;br /&gt;On y entend :&lt;br /&gt;- une bourr&amp;eacute;e (&lt;em&gt;Para lo lop&lt;/em&gt;), interpr&amp;eacute;t&amp;eacute;e par le groupe folklorique "La Couade de Troche"&lt;br /&gt;-&amp;nbsp; un entretien entre &lt;strong&gt;Robert Dagnas&lt;/strong&gt;, &lt;strong&gt;Marguerite d'Augignac&lt;/strong&gt; et &lt;strong&gt;F&amp;eacute;licie Brouillet&lt;/strong&gt;&lt;br /&gt;- plusieurs devinettes pos&amp;eacute;es par un certain &lt;strong&gt;M. Delage&lt;/strong&gt;&lt;br /&gt;- une fable (&lt;em&gt;Lu rainard e l'escur&amp;ograve;u&lt;/em&gt;) cont&amp;eacute;e par une d&amp;eacute;nomm&amp;eacute;e &lt;em&gt;&lt;strong&gt;Francinon&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;- la chanson &lt;em&gt;Los adissiatz&lt;/em&gt; de &lt;strong&gt;Jean Rebier&lt;/strong&gt; et &lt;strong&gt;Andr&amp;eacute; Le Gentille&lt;/strong&gt;, interpr&amp;eacute;t&amp;eacute;e par &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt;&lt;br /&gt;- le chant &lt;em&gt;Darrier lo castel de Montvielh&lt;/em&gt;&lt;br /&gt;- un hommage au po&amp;egrave;te limousin&amp;nbsp; &lt;strong&gt;Albert Pestour&lt;/strong&gt;, par &lt;strong&gt;Robert Dagnas&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;L&amp;rsquo;&amp;eacute;mission est d&amp;eacute;di&amp;eacute;e (et co-anim&amp;eacute;e) par &lt;strong&gt;Gilbert Julien&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;</text>
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Introduction&#13;

00:00:15.000 --&gt; 00:01:19.000
En cette mi-février ...&#13;

00:01:19.000 --&gt; 00:02:21.000
Présentation de Gilbert Julien&#13;

00:02:21.000 --&gt; 00:03:33.000
Para lo lop&#13;

00:03:33.000 --&gt; 00:04:15.000
Nos coutumes, nos parlers restent vivants&#13;

00:04:15.000 --&gt; 00:05:03.000
De las danças&#13;

00:05:03.000 --&gt; 00:05:49.000
Un èr de valsa&#13;

00:05:49.000 --&gt; 00:06:20.000
Dau bale de Sent Estefe&#13;

00:06:20.000 --&gt; 00:07:37.000
La prumiera automobila&#13;

00:07:37.000 --&gt; 00:09:43.000
Devinettes&#13;

00:09:43.000 --&gt; 00:11:45.000
Un air de vielle&#13;

00:11:45.000 --&gt; 00:13:43.000
Un air de saxophone&#13;

00:13:43.000 --&gt; 00:15:03.000
Lu rainard e l'escuròu&#13;

00:15:03.000 --&gt; 00:15:22.000
Ce texte de Charles Silvestre ...&#13;

00:15:22.000 --&gt; 00:18:08.000
Los adissiatz&#13;

00:18:08.000 --&gt; 00:20:54.000
Darrier lo castel de Montvielh&#13;

00:20:54.000 --&gt; 00:21:48.000
Adieu Albert Pestour&#13;

00:21:48.000 --&gt; 00:23:07.000
Instrumental&#13;

00:23:07.000 --&gt; 00:25:02.000
Le moment est venu de nous quitter&#13;

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Reprise de l'enregistrement&#13;

00:00:14.000 --&gt; 00:03:14.000
La spiritualité dans la communauté&#13;

00:03:14.000 --&gt; 00:04:44.000
Les ménages de la communauté&#13;

00:04:44.000 --&gt; 00:07:18.000
Un Dieu punisseur ou un Jésus humain ?&#13;

00:07:18.000 --&gt; 00:09:38.000
Les chants de la JAC&#13;

00:09:38.000 --&gt; 00:11:50.000
Des choses ont changé dans l'Eglise&#13;

00:11:50.000 --&gt; 00:12:43.000
Un sentiment plus individuel&#13;

00:12:43.000 --&gt; 00:14:23.000
Par rapport à la sexualité&#13;

00:14:23.000 --&gt; 00:15:17.000
Les chants de notre jeunesse&#13;

00:15:17.000 --&gt; 00:16:19.000
On évolue beaucoup dans l'action catholique&#13;

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Les radios religieuses&#13;

00:17:32.000 --&gt; 00:22:53.000
Le groupe charismatique Cana&#13;

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Les groupes charismatiques en France&#13;

00:24:19.000 --&gt; 00:27:54.000
Chrétiens dans le monde rural (CMR)&#13;

00:27:54.000 --&gt; 00:32:29.000
Les objectifs/réflexions du CMR&#13;

00:32:29.000 --&gt; 00:33:14.000
Les paysans travailleurs&#13;

00:33:14.000 --&gt; 00:33:45.000
Les objectifs/réflexions du CMR (suite)
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Lo 11 de julhet : La vòle mai l'aurai&#13;

00:00:07.000 --&gt; 00:02:07.000
Devinhòlas&#13;

00:02:07.000 --&gt; 00:02:16.000
Lo 12 de julhet : Avau dins lo Lemosin&#13;

00:02:16.000 --&gt; 00:03:20.000
Un pitit torn dau vargier&#13;

00:03:20.000 --&gt; 00:04:26.000
Contra lo verme dau chaul&#13;

00:04:26.000 --&gt; 00:04:32.000
Lo 13 de julhet : La senzilha e lo pinson&#13;

00:04:32.000 --&gt; 00:06:47.000
Nòstra maison&#13;

00:06:47.000 --&gt; 00:06:56.000
Lo 14 de julhet : La Glauda&#13;

00:06:56.000 --&gt; 00:08:49.000
Lo vielhs, la dròlla e lo boitós&#13;

00:08:49.000 --&gt; 00:08:57.000
Lo 15 de julhet : Garda ton bon temps, Naneta&#13;

00:08:57.000 --&gt; 00:11:09.000
De la viena&#13;

00:11:09.000 --&gt; 00:11:22.000
Lo 16 de julhet :: Un puelh que se carrava&#13;

00:11:22.000 --&gt; 00:11:53.000
Ives Lavalada&#13;

00:11:53.000 --&gt; 00:13:26.000
Tres poemas&#13;

00:13:26.000 --&gt; 00:13:34.000
Lo 17 de julhet : Lo pitit òme&#13;

00:13:34.000 --&gt; 00:16:03.000
Los dires sus los chens&#13;

00:16:03.000 --&gt; 00:16:11.000
Lo 18 de julhet : Cu vòu auvir&#13;

00:16:11.000 --&gt; 00:18:11.000
Çò que disen las clòchas&#13;

00:18:11.000 --&gt; 00:18:26.000
Lo 19 de julhet : Delai lo ribateu&#13;

00:18:26.000 --&gt; 00:19:04.000
Semnar las rabas&#13;

00:19:04.000 --&gt; 00:19:27.000
Pregiera&#13;

00:19:27.000 --&gt; 00:19:39.000
Per Senta Margarita&#13;

00:19:39.000 --&gt; 00:19:45.000
La Sent Victòr&#13;

00:19:45.000 --&gt; 00:20:41.000
Lo jorn de la Magdalena&#13;

00:20:41.000 --&gt; 00:20:50.000
Lo 20 de julhet : Chas nos me volian maridar&#13;

00:20:50.000 --&gt; 00:23:07.000
Los delesers de l'estiu&#13;

00:23:07.000 --&gt; 00:23:21.000
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00:23:21.000 --&gt; 00:23:52.000
La festa daus dos Rorices&#13;

00:23:52.000 --&gt; 00:23:59.000
Dos contes de confessions&#13;

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La dròlla que viviá en senta&#13;

00:24:38.000 --&gt; 00:25:31.000
Lo gròs pechat&#13;

00:25:31.000 --&gt; 00:25:40.000
Lo 22 de julhet : Lo mes de mai vendrá&#13;

00:25:40.000 --&gt; 00:26:03.000
Lo planh de Magdalena&#13;

00:26:03.000 --&gt; 00:26:20.000
Prumiera version&#13;

00:26:20.000 --&gt; 00:26:34.000
Segonda version&#13;

00:26:34.000 --&gt; 00:26:50.000
Tresesma version&#13;

00:26:50.000 --&gt; 00:27:36.000
Explicacions&#13;

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Sega de la chançon&#13;

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Lo biais lemosin d'èsser crestian&#13;

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Omenatge a Marcela Delpastre&#13;

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Lo fem (poema)&#13;

00:30:23.000 --&gt; 00:30:36.000
Lo  24 de julhet : Calha, paubra calha&#13;

00:30:36.000 --&gt; 00:33:00.000
L'asne dau Martin&#13;

00:33:00.000 --&gt; 00:33:11.000
Lo 25 de julhet : Las peras son maduras&#13;

00:33:11.000 --&gt; 00:35:10.000
Los dires e chafres daus borgs&#13;

00:35:10.000 --&gt; 00:35:18.000
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00:35:18.000 --&gt; 00:35:50.000
Sent Anna&#13;

00:35:50.000 --&gt; 00:37:24.000
Los dires dau mes de julhet&#13;

00:37:24.000 --&gt; 00:37:30.000
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00:37:30.000 --&gt; 00:40:03.000
La venguda dau rei Loís XI a Briva&#13;

00:40:03.000 --&gt; 00:40:17.000
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00:40:17.000 --&gt; 00:42:27.000
La legenda de l'espija de blat&#13;

00:42:27.000 --&gt; 00:42:38.000
Lo 29 de julhet : Ente a passat l'ivern d'antan&#13;

00:42:38.000 --&gt; 00:44:54.000
La Revolucion e l'armada de brigands&#13;

00:44:54.000 --&gt; 00:45:03.000
Lo 30 de julhet : Son pas d'aicí&#13;

00:45:03.000 --&gt; 00:47:18.000
La Revolucion a Nuòvic e Sent-Angel&#13;

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Lo 31 de julhet : Para lo lop&#13;

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D'Amedée Muzac&#13;

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Lo Criste del fogier&#13;

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Lo 1 d'aòst : L'autre jorn ieu me maridava&#13;

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Quauque juecs per amusar los mainatges&#13;

00:49:42.000 --&gt; 00:49:54.000
Montarem Aus Gleton&#13;

00:49:54.000 --&gt; 00:50:03.000
A Paris, a Paris !&#13;

00:50:03.000 --&gt; 00:50:16.000
Mon chavau, a la sau ...&#13;

00:50:16.000 --&gt; 00:50:53.000
Anam querre dau sablon ...&#13;

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Los respons&#13;

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Lo 2 d'aòst : Lo curet Janton&#13;

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Daus uelhs&#13;

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Lo 3 d'aòst : Per bien la chantar&#13;

00:53:44.000 --&gt; 00:55:52.000
De las tomatas&#13;

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Lo 4 d'aòst : Ma maire aviá mas 'na dent&#13;

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Lo bocaraud de chas Feinard&#13;

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Lo 5 d'aòst : Ai vist lo lop&#13;

00:58:20.000 --&gt; 00:00:00.000
La chanabau&#13;

00:00:00.000 --&gt; 01:00:43.000

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La marche de Nicolas&#13;

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Présentation&#13;

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La marche de Nicolas - suite&#13;

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Décors limousin&#13;

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A Troche, Les Compagnons de la Couade&#13;

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Bourrée&#13;

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À Tulle&#13;

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Les messieurs de La Tour&#13;

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Bonsoir à France Vernillat&#13;

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La meschanta maire&#13;

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Reprise de l'enregistrement&#13;

00:00:06.000 --&gt; 00:02:22.000
Les parents et les grand-parents&#13;

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Le mariage et la prise de conscience&#13;

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Arranger son caractère&#13;

00:05:54.000 --&gt; 00:06:53.000
La communauté&#13;

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Le voyage en moto&#13;

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Première impression&#13;

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Du déménagement&#13;

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Premier travail et premiers travaux&#13;

00:13:49.000 --&gt; 00:14:48.000
Verser au pot commun&#13;

00:14:48.000 --&gt; 00:17:06.000
Des bâtiments et de leurs propriétaires&#13;

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À la fin de la communauté&#13;

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La gestion&#13;

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L'aviculture&#13;

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L'argent et la comptabilité&#13;

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Le modèle du kibboutz&#13;

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Le curé à l'origine de la communauté&#13;

00:29:00.000 --&gt; 00:30:30.000
Quelle conscience aviez-vous de cela ?&#13;

00:30:30.000 --&gt; 00:31:42.000
Et avec le recul ?&#13;

00:31:42.000 --&gt; 00:32:27.000
Par rapport au communisme&#13;

00:32:27.000 --&gt; 00:33:31.000
Les responsabilités de chacun&#13;

00:33:31.000 --&gt; 00:34:44.000
Avez-vous récupéré votre argent ?&#13;

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Instrumental&#13;

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Décors de printemps limousin (R. Dagnas)&#13;

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Rossignolet du bois, rossignolet sauvage&#13;

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La quête des œufs &#13;

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Dédicace et présentation du chant&#13;

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Lo turlututu&#13;

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Bonsoir Félicie ...&#13;

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Lu "camping" (Félicie Brouillet)&#13;

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Où vas-tu de ce pas Nicolas ?&#13;

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"Baï, baï comijado" (bourrée)&#13;

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La danse des crêpes&#13;

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Au revoir&#13;

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Instrumental&#13;

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Installation&#13;

00:00:08.000 --&gt; 00:00:48.000
Òm vai eissaiar de iò far en patoàs&#13;

00:00:48.000 --&gt; 00:07:22.000
Vocabulaire&#13;

00:07:22.000 --&gt; 00:08:34.000
Dau patoàs a Garait&#13;

00:08:34.000 --&gt; 00:09:31.000
Fau m'ò dire en patoàs&#13;

00:09:31.000 --&gt; 00:10:27.000
Sus lo pont d'a Tula&#13;

00:10:27.000 --&gt; 00:11:09.000
Quò fai longtemps que quò parla pus patoàs ?&#13;

00:11:09.000 --&gt; 00:12:03.000
Vocabulaire - suite&#13;

00:12:03.000 --&gt; 00:12:39.000
Lo cuer de ma mia&#13;

00:12:39.000 --&gt; 00:13:23.000
Presta-lo me&#13;

00:13:23.000 --&gt; 00:16:21.000
De las chançons ?&#13;

00:16:21.000 --&gt; 00:17:08.000
La festa de la Trinitat&#13;

00:17:08.000 --&gt; 00:19:04.000
La graula e lo rainard&#13;

00:19:04.000 --&gt; 00:20:15.000
Lo ser a la velhada ?&#13;

00:20:15.000 --&gt; 00:20:36.000
Per las bateusas&#13;

00:20:36.000 --&gt; 00:22:11.000
Dau lop&#13;

00:22:11.000 --&gt; 00:23:38.000
Des las comptinas, de la berceusas ?&#13;

00:23:38.000 --&gt; 00:23:54.000
I a 'na chausa&#13;

00:23:54.000 --&gt; 00:25:20.000
Daus proverbis ?&#13;

00:25:20.000 --&gt; 00:26:12.000
De las istoras sur los 'nimaus&#13;

00:26:12.000 --&gt; 00:29:07.000
De la perte du patois à la campagne comme à Guéret&#13;

00:29:07.000 --&gt; 00:29:33.000
Si t'eras vengut&#13;

00:29:33.000 --&gt; 00:31:22.000
De los que parlavan patoàs a Garait&#13;

00:31:22.000 --&gt; 00:31:54.000
Nos vam segre tota l'annada ...&#13;

00:31:54.000 --&gt; 00:33:42.000
Lo prumier de l'an&#13;

00:33:42.000 --&gt; 00:35:12.000
Lo jorn daus reis&#13;

00:35:12.000 --&gt; 00:36:32.000
Lo proverbi dau jorn daus reis&#13;

00:36:32.000 --&gt; 00:38:06.000
La Chandelor, las crespas e los tortels&#13;

00:38:06.000 --&gt; 00:43:08.000
Carnavar e l'aumalh&#13;

00:43:08.000 --&gt; 00:45:04.000
Los ramels, las cornudas e la messa&#13;

00:45:04.000 --&gt; 00:47:03.000
La Setmana Senta&#13;

00:47:03.000 --&gt; 00:49:23.000
Pasques e los uòus&#13;

00:49:23.000 --&gt; 00:51:12.000
Querre los uòus per Carnavar&#13;

00:51:12.000 --&gt; 00:53:04.000
Lo mes de mai&#13;

00:53:04.000 --&gt; 00:54:05.000
L'Ascension e la Pendegosta&#13;

00:54:05.000 --&gt; 00:57:22.000
La Sent Jan, lo trasfojau e lo tison&#13;

00:57:22.000 --&gt; 00:59:04.000
Dau chant de la chavicha&#13;

00:59:04.000 --&gt; 01:00:54.000
De çò que se disiá a perpaus dau cocot&#13;

01:00:54.000 --&gt; 01:01:20.000
De las graulas&#13;

01:01:20.000 --&gt; 01:01:44.000
Quand i a lo sac&#13;

01:01:44.000 --&gt; 01:02:19.000
De la tortola&#13;

01:02:19.000 --&gt; 01:03:00.000
Quò despend dau cocot ...&#13;

01:03:00.000 --&gt; 01:04:06.000
E lo pica-bòsc ?&#13;

01:04:06.000 --&gt; 01:05:25.000
D'un merle blanc&#13;

01:05:25.000 --&gt; 01:06:39.000
La Sent Jan a Garait, las flors ?&#13;

01:06:39.000 --&gt; 01:07:40.000
Per lo 15 dau mes d'aust&#13;

01:07:40.000 --&gt; 01:09:31.000
La Totsents e lo jorn daus mòrts&#13;

01:09:31.000 --&gt; 01:11:36.000
Quand i aviá un mòrt&#13;

01:11:36.000 --&gt; 01:12:30.000
Lo bòle dau defunt&#13;

01:12:30.000 --&gt; 01:13:34.000
De las crotz&#13;

01:13:34.000 --&gt; 01:14:08.000
Per la Sent Martin&#13;

01:14:08.000 --&gt; 01:15:16.000
Nadau e la còça&#13;

01:15:16.000 --&gt; 01:16:15.000
Lo pilat, la sopa au ris&#13;

01:16:15.000 --&gt; 01:18:31.000
Los pelauds de la vila&#13;

01:18:31.000 --&gt; 01:19:23.000
Noms et prénoms&#13;

01:19:23.000 --&gt; 01:20:23.000
Maintenant, c'est fini ...&#13;

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                <text>00:00:00.000 --&gt; 00:01:05.000
Bela Nanon&#13;

00:01:05.000 --&gt; 00:18:47.000
La Françon&#13;

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