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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans le vieux pays d&amp;eacute;christianis&amp;eacute; qu'est le Limousin il est bien rare de recueillir encore aujourd'hui des pri&amp;egrave;res de &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;tradition populaire.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Aussi, c'est avec plaisir que nous sommes all&amp;eacute;s collecter aupr&amp;egrave;s de &lt;strong&gt;Mme Denise Fayemendy&lt;/strong&gt; &amp;agrave; Oradour-sur-Vayres une belle paten&amp;ocirc;tre en occitan transmise dans sa famille et que son p&amp;egrave;re tint &amp;agrave; lui apprendre lorsqu&amp;rsquo;elle &amp;eacute;tait enfant. &lt;br /&gt;Dans cette pri&amp;egrave;re provenant de Vayres (87) sont associ&amp;eacute;s les &amp;eacute;l&amp;eacute;ments du Pater et de &lt;em&gt;l'erbadis&lt;/em&gt; (le verbe &amp;agrave; Dieu, ).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;C'est d'un tout autre registre que nous a parl&amp;eacute; ensuite abondamment son mari Joseph. Apr&amp;egrave;s une vie pass&amp;eacute;e dans la menuiserie-scierie-fabrique de meubles familiale, ses anecdotes et r&amp;eacute;cits sur l'exploitation du bois telle qu'elle se faisait au milieu du XX&amp;egrave;me si&amp;egrave;cle dans cet endroit du Limousin sont riches et nombreux. Et, naturellement, tout au long de la collecte il nous a bross&amp;eacute; le portrait de quelques figures locales et livr&amp;eacute; des anecdotes sur le maquis et les tourmentes de la lib&amp;eacute;ration.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/519/Chaleix.jpg</text>
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                <text>&lt;p class="fr" style="text-align:justify;"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet entretien filmé par Baptiste Chrétien le 6 décembre 2012, au Courtieux, commune de Javerdat (87) , Mme Chaleix évoque pour nous des souvenirs d'enfance, nous parle des batteuses, de l'alimentation et de l'artisanat d'autrefois.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="text-align:justify;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;strong&gt;Mme Germaine Chaleix&lt;/strong&gt; (née Gauthier) est née le 21 décembre 1926 au village d'Arnac sur la commune de Cieux. Mariée en 1950, elle s'installe alors au Courtieux, commune de Javerdat, où elle sera paysanne toute sa vie. &lt;/span&gt;&lt;/p&gt; &lt;p style="text-align:justify;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ce document a été réalisé par Baptiste Chrétien qui en a assuré le montage, le séquencement ... et nous l'a confié pour la mise à disposition sur la biaça.&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align:justify;"&gt;&lt;span style="font-size:14pt;"&gt;Pour des raisons techniques "indépendantes de notre volonté" ce document est, sur le site, très dégradé . Une autre version sera prochainement disponible de meilleure qualité &lt;span class="oc"&gt;(avem fòrça pensaments amb quauques formats videòs !!)&lt;/span&gt; .&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>henriette fouriot robert dagnas mme henriette fouriot chanson patois limousin haute vienne</text>
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                <text>Chez BEILLOU (2)</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 794 il est pr&amp;eacute;cis&amp;eacute; : "enregistrement Chez Beilloux, 13-09-59 "&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: medium;"&gt;Il s'agit de l'enregistrement de Mme &lt;strong&gt;Henriette Fauriot&lt;/strong&gt;, la tante et marraine de Robert Dagnas, domicili&amp;eacute;e &amp;agrave; "Chez Beillou", commune de St Junien (Haute Vienne).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="fr"&gt;Madame Fauriot interpr&amp;egrave;te de nombreuses chansons, dans des versions parfois peu connues et bien compl&amp;egrave;tes, en occitan limousin et en fran&amp;ccedil;ais :&lt;/span&gt; &lt;span class="oc"&gt;Amic mon bel amic, Vai t'en vai t'en, Lo monier lemosin, La n&amp;ograve;&amp;ccedil;a d'un papilhon, Senta Magdelena, La Passion de Jesus Christ&lt;/span&gt;, &lt;span class="fr"&gt;J'ai fait une ma&amp;icirc;tresse, J'entends pleurer, J'&amp;eacute;tais heureuse dans ma famille, Tout en m'y promenant, Les gar&amp;ccedil;ons de chez nous, Dans un bosquet, Sur le pont d'&amp;agrave; Lyon, les trois voltigeurs, etc ... &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;M. Fauriot (son fils ignorait qu'il ait chant&amp;eacute; un jour , &lt;/span&gt;&lt;span style="font-size: medium;"&gt;"il ne devait pas &amp;ecirc;tre &amp;agrave; jeun nous a t'il confi&amp;eacute;"&lt;/span&gt;&lt;span class="fr" style="font-size: medium;"&gt;) chante "Dans la ville de Montauban" &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>IEO Lemosin, dépôt Chrétien</text>
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                <text>Henriette LAMANT</text>
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                <text>https://la-biaca.org/items/show/559</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;Mme &lt;strong&gt;Henriette Lamant,&lt;/strong&gt; née à Blond en 1929, d'un père originaire de la commune voisine de Nouic et d'une mère de Blond, évoque pour nous de nombreux souvenirs d'enfance, de jeunesse.&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Paysanne très active tout au long de sa vie, elle fut à Blond une pionnière dans de nombreux domaines : elle a eu un vélomoteur puis une auto quand ces moyens de transport étaient encore réservés aux hommes, elle fut l'une des très rares paysannes de l'époque à exercer une activité annexe (de brodeuse et de peintre à l'aiguille), elle a tenu avec son époux une succursale Groupama à la ferme, ils ont animé le G.V.A. (Groupement de Vulgarisation Agricole) local et à ce titre ont organisé de nombreux voyages pour les paysans du canton...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Aujourd'hui, Henriette Lamant regrette la désertification de sa commune qui, située à 40 km au nord-ouest de Limoges, a perdu presque toute sa population active et donc beaucoup de sa vitalité...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Ce document a été réalisé par Baptiste Chrétien le 7 mars 2011 . Baptiste en a assuré le montage, le séquencement ... et nous l'a confié pour la mise à disposition sur la biaça.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <text>RD3143.mp3</text>
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            <elementText elementTextId="317831">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="317832">
              <text>biaça</text>
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            <elementText elementTextId="317839">
              <text>Occitan Corrèze</text>
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              <text>langue limousine</text>
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            <elementText elementTextId="317846">
              <text>langue d'oc</text>
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              <text>collectage</text>
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              <text>chansons</text>
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            <elementText elementTextId="317857">
              <text>tradition</text>
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            <elementText elementTextId="317859">
              <text>gnorles</text>
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            <elementText elementTextId="317860">
              <text>enregistrement</text>
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            <elementText elementTextId="317861">
              <text>cuisine</text>
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            <elementText elementTextId="317862">
              <text>recette</text>
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            <elementText elementTextId="317863">
              <text>Vayres</text>
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              <text>cheyroux</text>
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              <text>musique traditionnelle</text>
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            <elementText elementTextId="317866">
              <text>chant</text>
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              <text>bourrée</text>
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              <text>danses</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="317869">
              <text>mme cheyroux robert dagnas mme cheyroux cheyroux vayres chant nhorles recette patois occitan</text>
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        </element>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="317814">
                <text>2012-12-05 10:06:00</text>
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          <element elementId="90">
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="317815">
                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mme Jeanne CHEYROUX</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="317817">
                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="317818">
                <text>Mme Jeanne CHEYROUX</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD3143</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="317820">
                <text>1960</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="317821">
                <text>Robert DAGNAS</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="317823">
                <text>Sound</text>
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            <name>Identifier</name>
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              <elementText elementTextId="317824">
                <text>https://la-biaca.org/items/show/476</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/476/RD3143Net.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 800, un enregistrement Mme Jeanne Cheyroux &amp;agrave; La Treille, commune de Vayres (87) . Nous n'avons &amp;agrave; ce jour pas d'autres renseignements sur cette informatrice.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;La fiche descriptive correspondant nous informe sur le contenu de cet enregistrement. Beaucoup de chansons en fran&amp;ccedil;ais : Bonjour belle berg&amp;egrave;re, les trois soldats, Allons ma mie, Un brave militaire, Un jeune militaire, De bon matin, Nous partons pour l'Afrique, En passant dans la prairie, Un jeune ramoneur, Tout en m'y promenant le long de la rivi&amp;egrave;re, R&amp;eacute;veillez vous belles endormies ...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;Quelques chansons en limousin : &lt;span class="oc"&gt;La vielha e la j&amp;ograve;une, A chas Combart, Chas nos m'an mes bargiera, Vira Janton, Lu Brinlon&lt;/span&gt; mais aussi des nhorles :&lt;span class="oc"&gt; Lu diable de Cordela, Lu talhur, La filha malauda, Los que ne povian pas aver de pitit&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: medium;"&gt;L'enregistrement se termine par une recette de g&amp;acirc;teau&lt;/span&gt; .&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent-Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la bande 722 la préparation d'une émission de "Chez nous" telle qu'elle a pu être diffusée sur les ondes de Radio Limoges . &lt;br /&gt;Cet enregistrement date du mois de novembre 1958 on y entends Mme &lt;strong&gt;Jeanne FARNIER&lt;/strong&gt;   au sujet du groupe folklorique Limougeaud  "l' Ecole du Barbichet" .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Mme Farnier est interrogée par Robert Dagnas sur la création du groupe, la pratique théâtrale, le renouveau des fêtes traditionnelles en limousin, la création d'écoles félibréennes, les oeuvres de M. René Farnier, le bilan des 35 années écoulées,  les projets du groupe .... &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Mme Jeanne Farnier joue aussi quelques morceaux de vielle : une suite de marches, les quatres parties d'un quadrille recueilli à Eyjeaux et  une valse .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;( Ce document a été séquencé par Marianne Christophe )&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Président du groupe folklorique « Los velhadors de Sent-Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Étay, professeur responsable du département de musique traditionnelle au CRR de Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Discussion sur sa jeunesse&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;- Son &amp;eacute;cole &amp;agrave; &amp;Eacute;tagnac&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;- Le comte d' &amp;Eacute;tagnac&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Lu maridatge (nhorle) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Som-som&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Les bals&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Jean de Bertand&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Etricor&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Scottish&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;- Polka piqu&amp;eacute;e&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;---------------------------------------------------------------------------------------------------&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Cet enregistrement a été réalisé en 1977 par des élèves du lycée de Châlus où Jean-Marc Siméonin enseignait alors et animait des acticvités autour de la langue d'oc. Il s'agit là de l'enregistrement de &lt;span class="artist_name"&gt;Mme Massy&lt;/span&gt;, sur la commune de Ladignac-le-Long. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur ce document, nous pouvons entendre de rares et belles versions bien complètes de quelques contes pourtant connus : Tom Pouce, &lt;span class="oc"&gt;Las tres filhas&lt;/span&gt;, &lt;span class="oc"&gt;Jan bestia&lt;/span&gt; et &lt;span class="oc"&gt;Peu d'Asnisson&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Ces cassettes nous ont été confiées par J.M. Siméonin, collecteur et militant de longue date, pour numérisation et mise en ligne, elles ont été numérisées et traitées par Fabrice San Juan.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Cet enregistrement a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; en 1975 par des &amp;eacute;l&amp;egrave;ves du lyc&amp;eacute;e de Ch&amp;acirc;lus o&amp;ugrave; Jean Marc Sim&amp;eacute;onin enseignait alors et animait des activit&amp;eacute;s autour de la langue limousine. &lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Nous pouvons entendre, dans une belle langue, quelques contes bien r&amp;eacute;pandus sur le territoire : &lt;span class="oc"&gt;Jan lo bestia&lt;/span&gt;, 14 ans... et une &lt;span class="oc"&gt;nhorle&lt;/span&gt; : lo boc. Plusieurs interpr&amp;egrave;tes se succ&amp;egrave;dent interpr&amp;eacute;tant une chanson grivoise : "En revenant du bois", puis "&lt;span class="oc"&gt;lo pelhaire"&lt;/span&gt;, "Nanette", "Rossignolet du bois", une chanson sur une petite bretonne pas si na&amp;iuml;ve : "Pour le m&amp;eacute;tier de bonne"&lt;br /&gt;Pour finir, quelques traditions pour le jeudi saint interrompues par la fin de la bande. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Ces cassettes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es par J.M. Sim&amp;eacute;onin, collecteur et militant de longue date, pour num&amp;eacute;risation et mise en ligne. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es et trait&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>mme odette chabasse jeran francois vignaud pascal boudy mme odette chabasse cussac chanson patois haute vienne</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Contact&amp;eacute;e pour avoir des renseignements sur son grand p&amp;egrave;re, Mme Chabasse nous a non seulement transmis des photos et documents mais elle a accept&amp;eacute; que nous la filmions nous parlant avec plaisir de son grand p&amp;egrave;re puis nous chantant quelques chansons qu'elle tenait de celui ci .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Un bel exemple de transmission !&lt;/span&gt;&lt;/p&gt;</text>
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              <text>langue limousine</text>
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            <description>The size or duration of the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Enregistrement r&amp;eacute;alis&amp;eacute; sur la commune de Montrol S&amp;eacute;nard, Haute Vienne, au d&amp;eacute;but des ann&amp;eacute;es 1960</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>RD3139</text>
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            <name>Date</name>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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                <text>https://la-biaca.org/items/show/484</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/484/RD3139.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la bande 707 il est not&amp;eacute; "Enregistrement Montrol S&amp;eacute;nard, La chapelle", pas d'autre indication .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;M. Dagnas est l&amp;agrave; en rep&amp;eacute;rage, il se promenait ainsi avec son magn&amp;eacute;tophone &amp;agrave; la recherche d'informateurs, une fois ceux ci rep&amp;eacute;r&amp;eacute;s, il revenait avec les techniciens de la radio pour faire un enregistrement de meilleure qualit&amp;eacute; . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;L'enregistrement commence par un int&amp;eacute;ressant propos sur la procession de St Jean, sans doute &amp;agrave; la Chapelle du bois du rat, sur la commune voisine de Cieux . &lt;/span&gt;&lt;span style="font-size: medium;"&gt;Ensuite M. Dagnas tente d'obtenir des renseignements aupr&amp;egrave;s de plusieurs informateurs ce qui, d&amp;eacute;j&amp;agrave; &amp;agrave; cette &amp;eacute;poque, pouvait s'av&amp;eacute;rer laborieux .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Quelques chansons en fran&amp;ccedil;ais et en limousin : la fille d'un cabaretier,&lt;span class="oc"&gt;ardich mon asne,&lt;/span&gt; Virez vous (une valse de fin de bal),&lt;span class="oc"&gt; las bonas erbas ,&lt;/span&gt; des airs de danse, des informations sur le quadrille, les bals, &lt;span style="font-size: medium;"&gt;les veill&amp;eacute;es, &lt;/span&gt;l'habillement, l'&amp;eacute;cole, le mariage, mardi gras ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 11pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Un petit enregistrement sans aucune indication, sans doute enregistré en Haute Vienne .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une chanson de Noël en limousin : Pitits Pastres &lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Sur cette cassette audio que Jan dau Melhau a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, se trouvent plusieurs enregistrements d'Octave Bariant.&lt;br /&gt;Octave Bariant &lt;span class="itemlist-details__title information"&gt;&lt;span class="item-indirectrole"&gt;(1899-1993)&amp;nbsp; fut chanteur soliste &amp;agrave; &lt;/span&gt;&lt;/span&gt;la chorale Les enfants de Limoges et participa en 1933 &amp;agrave; la fondation du groupe foklorique &lt;em&gt;L&amp;rsquo;&amp;Eacute;glantino do Limouzi&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="itemlist-details__title information"&gt;&lt;span class="item-indirectrole"&gt;En 1938, l&lt;/span&gt;&lt;/span&gt;&amp;rsquo;&amp;eacute;diteur de musique et disquaire Limougeaud Lagueny, boulevard Carnot, le pr&amp;eacute;senta &amp;agrave; la soci&amp;eacute;t&amp;eacute; Columbia, pour laquelle il fit trois 78 tours reprenant des chansons limousines de tradition et des compositions plus r&amp;eacute;centes. &lt;br /&gt;&lt;br /&gt;Sur cette cassette, ces 78 tours enregistr&amp;eacute;s en 1938 : &lt;em&gt;Lo chabreta&amp;iuml;re&lt;/em&gt;, &lt;em&gt;Un jorn dins l'estolha&lt;/em&gt;,&lt;em&gt; La gerba bauda&lt;/em&gt; (paroles Jean Rebier, musique Andr&amp;eacute; Le Gentile, &lt;em&gt;La Brian&amp;ccedil;a&lt;/em&gt; (paroles de Joseph Mazabraud, musique de Fran&amp;ccedil;ois Sarre), &lt;em&gt;Lo turlututu&lt;/em&gt;, et &lt;em&gt;Lo cuer de ma mia &lt;/em&gt;de Simon Poylev&amp;eacute; (1620-1697). &lt;br /&gt;Ensuite des airs de la chorale de &lt;em&gt;L' &amp;Eacute;glantino do Lemouzi&lt;/em&gt; Bonjour Bergerette, La Chanson des bouchers de Limoges, La bourr&amp;eacute;e de Brigueil. Puis une biographie d'Octave Bariant, (sans doute une &amp;eacute;mission de radio dans lequel il interpr&amp;egrave;te des extraits du dernier acte de Mignon, de Les mousquetaires au couvent et de la s&amp;eacute;r&amp;eacute;nade de Gounod, accompagn&amp;eacute; au piano par Mme Marquet.&lt;br /&gt;Dans la derni&amp;egrave;re partie de ce document on le retrouve, &amp;acirc;g&amp;eacute; de 82 ans, accompagn&amp;eacute; &amp;agrave; l'accord&amp;eacute;on par Jacques Dunoyer dans un r&amp;eacute;pertoire Limousin : &lt;em&gt;La Brian&amp;ccedil;a&lt;/em&gt;, &lt;em&gt;La Maiada&lt;/em&gt;. &lt;br /&gt;La cassette se termine par trois airs de danse du r&amp;eacute;pertoire de &lt;em&gt;L'&amp;Eacute;glantino do Lemouzi&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Images d'illustration &lt;a href="http://mustradilim.free.fr/doc/tubes/index.html" target="_blank" rel="noreferrer noopener"&gt;Mustradilim&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Merci &amp;agrave; Fran&amp;ccedil;oise &amp;Eacute;tay pour ses pr&amp;eacute;cisions sur le contenu de ce document !&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NB. La graphie utilis&amp;eacute;e pour les titres des s&amp;eacute;quences est la graphie de l'&amp;eacute;poque.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:02:41.000
Lou chobretaire&#13;

00:02:41.000 --&gt; 00:05:18.000
Un jour di l'eitoulia&#13;

00:05:18.000 --&gt; 00:08:15.000
Lo Gerbo-Baudo&#13;

00:08:15.000 --&gt; 00:11:18.000
Lo Brianço&#13;

00:11:18.000 --&gt; 00:13:58.000
Lou turlututu&#13;

00:13:58.000 --&gt; 00:16:48.000
Lou coeur de mo mio&#13;

00:16:48.000 --&gt; 00:18:41.000
lou moussur et lo Bargeiro&#13;

00:18:41.000 --&gt; 00:20:54.000
Lo chansou do bouchers&#13;

00:20:54.000 --&gt; 00:22:22.000
Bourrée de Brigueil&#13;

00:22:22.000 --&gt; 00:24:43.000
Octave Bariant&#13;

00:24:43.000 --&gt; 00:27:52.000
Mignon&#13;

00:27:52.000 --&gt; 00:31:15.000
Les mousquetaires au couvent&#13;

00:31:15.000 --&gt; 00:34:33.000
Sérénade de Gounod&#13;

00:34:33.000 --&gt; 00:35:08.000
Au piano...&#13;

00:35:08.000 --&gt; 00:39:05.000
Lo Brianço&#13;

00:39:05.000 --&gt; 00:41:42.000
Lo Maïado&#13;

00:41:42.000 --&gt; 00:42:09.000
Il faut le faire !&#13;

00:42:09.000 --&gt; 00:43:29.000
Borreia croisada&#13;

00:43:29.000 --&gt; 00:44:01.000
Ma Liseta&#13;

00:44:01.000 --&gt; 00:44:09.000
C'est-y ce côté qui tourne ?&#13;

00:44:09.000 --&gt; 00:45:00.000
Marches Limousines&#13;

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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande n&amp;deg; 4555, l'enregistrement d'une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; Pierre Biossac.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pierre Biossac,&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; n&amp;eacute; en 1895 est d&amp;eacute;c&amp;eacute;d&amp;eacute; le 6 f&amp;eacute;vrier 1972 et c'est &amp;agrave; l'occasion de son d&amp;eacute;c&amp;egrave;s qu' une &amp;eacute;mission de 'Chez nous" (probablement diffus&amp;eacute;e le 11 f&amp;eacute;vrier) lui fut consacr&amp;eacute;e. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;M. Biossac &amp;eacute;tait du village de Laplaud, commune de Javerdat o&amp;ugrave; il exer&amp;ccedil;ait le m&amp;eacute;tier de sabotier - cultivateur.&lt;br /&gt;Chanteur r&amp;eacute;put&amp;eacute; dans la r&amp;eacute;gion, sa pr&amp;eacute;sence &amp;eacute;tait tr&amp;egrave;s appr&amp;eacute;ci&amp;eacute;e dans les battages, les f&amp;ecirc;tes familiales ... au cours desquels il assurait souvent l'animation, parfois avec son comp&amp;egrave;re Emile Bernard, accord&amp;eacute;oniste . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;M. Dagnas &amp;eacute;tait all&amp;eacute; &amp;agrave; plusieurs reprises l'enregistrer &amp;agrave; son domicile avec "le camion". &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Nous l'entendons ici en compagnie de sa femme, H&amp;eacute;l&amp;egrave;ne, nous parler des bals qu'il animait &amp;agrave; la voix, des f&amp;ecirc;tes votives, des filles ... &lt;br /&gt;Il chante plusieurs airs &amp;agrave; danser, valses, scottishs, polkas, mazurkas et bourr&amp;eacute;es ainsi que plusieurs chansons &lt;em&gt;"Chas nos m'an maridada", "vira vira charamelaire", "Chas Bujada" , "Maridatz me Jan", "Lu cosin"&lt;/em&gt; d&amp;eacute;j&amp;agrave; entendues dans d'autres &amp;eacute;missions . En fin d'enregistrement deux rares pri&amp;egrave;res "&lt;em&gt;lo pitit pater de Diu" &lt;/em&gt;et&lt;em&gt; "Ave Maria"&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Nous remercions Mme Odette Chabasse, sa petite fille qui nous a transmis quelques photos de son grand-p&amp;egrave;re (voir ci dessous l'enregistrement de M&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;me Chabasse).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La bande 719 contient un enregistrement original de &lt;strong&gt;Pierre Biossac&lt;/strong&gt;, plusieurs airs d&amp;eacute;ja entendus, (&lt;a href="https://la-biaca.org/items/show/448"&gt;voir l'&amp;eacute;mission conscr&amp;eacute;e &amp;agrave; M.&amp;nbsp; Pierre Biossac en 1972&lt;/a&gt; ) mais des in&amp;eacute;dits et un enregistrement de bonne qualit&amp;eacute; . M. Biossac chante &lt;span class="oc"&gt;Chanta Rosinh&amp;ograve;let, Pingi pingo&lt;/span&gt;, Je n'y regrette point la ville,&lt;span class="oc"&gt; La Margoton&lt;/span&gt;, &lt;a href="https://la-biaca.org/items/show/12837#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=0%2C-98%2C4127%2C2793"&gt;Sur les bords de la Riviera *,&lt;/a&gt; &lt;span class="oc"&gt;las messonjas, diumenc au ser, quand i'era j&amp;ograve;une gar&amp;ccedil;on...&lt;/span&gt; Il nous parle des veill&amp;eacute;es, des bals et chante plusieurs chansons &amp;agrave; danser (polkas, mazurkas, scottishs, bourr&amp;eacute;es, ...) une pri&amp;egrave;re, une nhorle, une "raison", etc ...&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt; - &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/12811#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-347%2C130%2C1986%2C1404" target="_blank" rel="noopener noreferrer"&gt;Voir la fiche 719 r&amp;eacute;dig&amp;eacute;e par R Dagnas&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;*L'image de "Sur les bords de la Riviera" est extraite du cahier de chansons du sergent Jules Boudy&lt;/em&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Dans la seconde&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;partie de l'enregistrement , M. Dagnas a, comme souvent, r&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&amp;eacute;utilis&amp;eacute; une bande d&amp;eacute;ja enregistr&amp;eacute;e et on peut entendre&amp;nbsp; &lt;span style="font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;(&amp;agrave; partir de 31.30)&lt;/span&gt; &lt;/span&gt;un extrait d'une&amp;nbsp; &amp;eacute;mission dramatique&amp;nbsp; : La marquise de Pompadour (la cr&amp;eacute;ation des haras, le testament ) puis "Un clair de lune &amp;agrave; Maubeuge" et enfin "Je te demande un peu d'amour", (interrompue par la fin de la bande) dont l'auteur Jean Gasteau a travaill&amp;eacute; &amp;agrave; Radio Limoges&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 484 portant comme seule indication &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;"Javerdat biossac 1" ,&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; &lt;span class="fr"&gt;un nouvel enregistrement fait chez Pierre Biossac, &amp;agrave; Laplaud .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Quelques chansons : Je n'y regrette point la ville, &lt;span class="oc"&gt;Quand eria j&amp;ograve;une gar&amp;ccedil;on,&lt;/span&gt; &lt;span class="oc"&gt;La montanha, Lu charamela&amp;iuml;re&lt;/span&gt;, une jolie version du &lt;span class="oc"&gt;Pitit Pater dau Bon Diu.&lt;/span&gt; M. Dagnas interroge ensuite cet extraordinaire informateur sur les rites calendaires (Rameau, P&amp;acirc;ques, La Chandeleur, le Jeudi Saint), l'&amp;eacute;cole, les premi&amp;egrave;res amours, l'arm&amp;eacute;e, la guerre, les mariages ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, une compilation de plusieurs enregistrements effectués auprès de deux informateurs : Les frères Mondoly (Pierre, né en 1904 et René, né en 1912) &lt;br /&gt;Françoise les décrit ainsi :&lt;br /&gt;&lt;em&gt;&lt;span class="fr"&gt;"Deux chanteurs hors du commun, par l’ampleur et la qualité du répertoire qu’ils nous ont transmis. &lt;/span&gt;&lt;span class="fr"&gt;L’aîné des deux frères avait une mémoire remarquable et le plus jeune un sens musical extraordinaire."&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le premier enregistrement (jusqu'à 28 mn, 04 sec) date de 1982, nous ne savons qui l'a réalisé. On y entend quelques informatrices non identifiées, puis Pierre Mondoly et enfin François Fourniaud et "Jojo" Pichaud&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le second (de 28,05 mn à 54, 25 mn) date du 13 juin 1987, il a été fait à Eymoutiers par Annie Gaulard, accompagnée par Olivier Durif et Sylvie Heintz.&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le dernier (de 54 mn, 25 sec à la fin) date du 23 janvier 1988, il a été fait à Lacelle (19) au domicile de Pierre Mondoly par Françoise Étay et Paul Gerbaud.&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;br /&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise Étay, ce document est aussi consultable au Conservatoire à rayonnement régional à Limoges &lt;span class="st"&gt; .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="st"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;Françoise Étay&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Arlette et Jean-François Deléron, il s'agit d'un enregistrement qu'ils ont réalisé, en octobre 1988, dans les environs de St Maurice les Brousses .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Plusieurs informateurs &lt;span class="fr" style="font-size:14pt;"&gt;interprètent une série de chansons de tradition en français et en occitan dont malheureusement beaucoup sont incomplètes. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;Émile et Joseph Pradeau&lt;/strong&gt; : &lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Sent-Mauseri, Las quatras sasons, Lo pelhaïre, Manha lo li &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(JF Deléron à la vielle)&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; , Lu Jai*, La bela Fanchon,&lt;/span&gt; Brave travailleur, &lt;span class="oc"&gt;Per Sent-Jan,&lt;/span&gt; En faisant la pastourelle, &lt;span class="oc"&gt;A Sent-Alari, Bom bom bom, L'arqueton*, Sent-Alari, La Rosèla, La meschanta maire, La Gerbabauda,&lt;/span&gt; &lt;span class="oc"&gt;Auprès de la Janeta,&lt;/span&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;* chansons attribuée à Georges Montazeau&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;François Talabot&lt;/strong&gt; et sa soeur, &lt;strong&gt;Louise Chatard&lt;/strong&gt; tous deux agriculteurs à Ligoure (87) : &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Las filhas dau Men'au tor &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(le Ménautour, commune du Vigen)&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;, La Sopiera &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(il s'agit sans doute du lieu dit La Cipière, commune de St Jean-Ligoure)&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; ,&lt;/span&gt; La soutane du curé, Bonjour belle bergère, Nous étions trois fondeurs, &lt;span class="oc"&gt;Un jorn tornant de medre, Enquera n'es pas jorn,&lt;/span&gt; La Cati, Mon merle, &lt;span class="oc"&gt;Lo pinson e la lauveta,&lt;/span&gt; J'avais gardé les gorets ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Jean-François et Arlette Deléron sont tous deux musiciens, passionés de culture Limousine, ils jouent dans une des plus vieilles formations du limousin, le groupe Chabiran . À la recherche de répertoire ils ont fait plusieurs collectes sur cassettes audio, malheureusement la plupart d'entre elles n'ont pas été conservées ...&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Sur cette bobine n&amp;deg; 613 il est not&amp;eacute;&lt;span style="color: #808080;"&gt; "Chez nous (7/61) a.Pr&amp;eacute;sentation des disques b. essais chants Disque Barbichet (niorle Frange Guimbarde, Panliran, Disque B.L."&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Une nouvelle &amp;eacute;mission de "Chez-nous" pr&amp;eacute;sent&amp;eacute;e par M Dagnas, telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Robert Dagnas pr&amp;eacute;sente des extraits de deux disques :&lt;br /&gt;- Celui de l'&amp;eacute;cole du barbichet, paru en 1961 . Chants et danses des provinces et pays de france, Souvenir du limousin. Ducretet Thomson 250V136 (La Marianna e los vesins,Lo veve,la guimbarde,Lo panliran, Marche nuptiale) &lt;br /&gt;- Celui des "Velhadours de Sen Junio " : Chants et danses des provinces et pays de france N&amp;deg;10 Ducretet Thomson 250V133 (Lo cuer de ma mia, La meschanta maire, La terra es freja ..)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;A la suite de cette &amp;eacute;mission, des essais de chants (la fille d'un boulanger, les hommes sont trompeurs...)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur cette bande sans aucune mention, un enregistrement sans doute r&amp;eacute;alis&amp;eacute; &lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;en 1960&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt; &amp;agrave; Rancon ou Ch&amp;acirc;teauponsac, en Haute-Vienne aupr&amp;egrave;s de locuteurs &amp;agrave; ce jour non identifi&amp;eacute;s. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Apr&amp;egrave;s un chant religieux &amp;agrave; St S&amp;eacute;bastien*, quelques chansons "&lt;span class="oc"&gt;Entendez vous sous la ramure&lt;/span&gt;", "Hola hola", "&lt;span class="oc"&gt;La pranliran&lt;/span&gt;", "la chanson de la mari&amp;eacute;e", et plusieurs int&amp;eacute;ressants t&amp;eacute;moignages &lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;sur&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt; la for&amp;ecirc;t de Rancon, le culte &amp;agrave; Saint S&amp;eacute;bastien*, la "&lt;em class="oc"&gt;boira-pilat&lt;/em&gt;" &amp;agrave; Ch&amp;acirc;teauponsac &lt;span style="font-size: 10pt;"&gt;(par &lt;em&gt;Germaine Baritaud ?&lt;/em&gt;)&lt;/span&gt;, l'&amp;eacute;migration des ma&amp;ccedil;ons. &lt;br /&gt;Pour clore cet enregistrement le cur&amp;eacute; de Ch&amp;acirc;teauponsac &amp;eacute;voque les "r&amp;eacute;sultats de la &lt;em&gt;boira-pilat&lt;/em&gt;". &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt;* Si le culte &amp;agrave; St S&amp;eacute;bastien a &amp;eacute;volu&amp;eacute; depuis une bonne dizaine d'ann&amp;eacute;es et la fin de la conscrition, la procession perdure et ce chant est toujours pratiqu&amp;eacute; vers le 20 janvier (Information du Mus&amp;eacute;e de Ch&amp;acirc;teauponsac).&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt; Le fonds Robert Dagnas&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans ce document qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par Fran&amp;ccedil;oise &amp;Eacute;tay, un enregistrement r&amp;eacute;alis&amp;eacute; le 9 f&amp;eacute;vrier 2013 lors du repas chantant organis&amp;eacute; par Fran&amp;ccedil;ois Faucher et Fran&amp;ccedil;oise &amp;Eacute;tay &amp;agrave; Ch&amp;acirc;teau-Chervix .&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&amp;Agrave; l'origine de ces repas, Fran&amp;ccedil;ois Faucher, militant, conteur intarissable tr&amp;egrave;s attach&amp;eacute; au Limousin nous a quitt&amp;eacute; tout r&amp;eacute;cemment .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Autour d'un bon repas au Relais du Puy de Bar, chacun avait pouss&amp;eacute; la chansonnette :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt; Escotatz-me&lt;/span&gt; &lt;em&gt;Robert Tabaraud&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo boier.&lt;/span&gt; &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;Qui veut entendre une chanson ) &lt;em&gt;Fran&amp;ccedil;ois Faucher.&lt;/em&gt; Chanson de son voisin M. Minet qui habitait au Moulin Noir.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;N&amp;rsquo;ai mas cinc s&amp;ograve;us.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo cuer de ma mia.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Marche de Rata. &lt;em&gt;Jean-Claude Jarry.&lt;/em&gt; Les paroles sont de lui, sur l&amp;rsquo;air d&amp;rsquo;une marche de noces jou&amp;eacute;e au violon par &lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;ois Malthieu&lt;/a&gt; (Tarnac)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Bonjour bergerette, adissiatz monsur. &lt;em&gt;Robert et Fran&amp;ccedil;oise Tabaraud&lt;br /&gt;- &lt;/em&gt;Les ma&amp;ccedil;ons de la Creuse. &lt;em&gt;Serge Marot. &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Jean Petit dit Jean dau Boueix&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Les ch&amp;acirc;taignes du Limousin. &lt;em&gt;Hugues Lauliac &lt;/em&gt;Chanson anonyme imprim&amp;eacute;e &amp;agrave; la fin du XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Vaqui lo polit mes de mai.&lt;/span&gt; &lt;em&gt;Micha&amp;euml;l Bourry&lt;br /&gt;- &lt;/em&gt;Pour aller voir Virginie. &lt;em&gt;C&amp;eacute;cile Delrue-Birot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Quand i era j&amp;ograve;una dr&amp;ograve;lla.&lt;/span&gt; &lt;em&gt;Anne-Marie Boulesteix &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s la version de sa m&amp;egrave;re (Rochechouart)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Briance. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Chanson de Joseph Mazabraud et Fran&amp;ccedil;ois Sarre&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Roselle. &lt;em&gt;Jean-Paul Martin &lt;/em&gt;Chanson de Camille Peyrat (Saint-Hilaire-Bonneval) sur l&amp;rsquo;air de la Valse Brune&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La Rosela&lt;/span&gt; (D&amp;eacute;but d&amp;rsquo;apr&amp;egrave;s &amp;ldquo;Rigadin&amp;rdquo;). &lt;em&gt;Fran&amp;ccedil;ois Faucher relay&amp;eacute; par David Lajudie &lt;/em&gt;Chanson de Jean Demaison (Saint-Bonnet-Briance) dit &amp;laquo; Le P&amp;egrave;re Huguet &amp;raquo; sur l&amp;rsquo;air (transform&amp;eacute;) de la valse &amp;laquo; Les Roses &amp;raquo; d&amp;rsquo;Olivier Metra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo chabretaire.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Chanson de Fran&amp;ccedil;ois Richard&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las quatre sasons.&lt;/span&gt; &lt;em&gt;Eric Roulet &lt;/em&gt;Chanson de Jean Rebier et Andr&amp;eacute; Le Gentile&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;span class="oc"&gt;De Sent-Priest qu&amp;ograve; n&amp;rsquo;es las filhas.&lt;/span&gt; &lt;em&gt;Fran&amp;ccedil;oise Etay, &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Fran&amp;ccedil;ois Pradeau (Vicq-sur-Breuilh) &lt;br /&gt;- Me promenant tout le long d&amp;rsquo;un rivage (la meuni&amp;egrave;re au moulin blanc) &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Henri Rouland (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Per 'nar veire las filhas.&lt;/span&gt; &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Mme Deconchat (Saint-Jean-Ligoure)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt;Passoleta.&lt;/span&gt; &lt;em&gt;Magali Urroz, &lt;/em&gt;Chanson des ostensions de Saint-Junien, dite aussi &amp;ldquo;Chant des Poitevins&amp;rdquo;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo curet d&amp;rsquo;a Benayas.&lt;/span&gt; &lt;em&gt;Eric Roulet&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo darrier jorn de l&amp;rsquo;an.&lt;/span&gt; &lt;em&gt;Benjamin Tard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s l&amp;rsquo;enregistrement de Jan dau Melhau .&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Encha&amp;icirc;nement de bourr&amp;eacute;es. &lt;em&gt;Benjamin Tard &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Alau dins queu pais bas.&lt;/span&gt; &lt;em&gt;Antoine Marot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Turlututu. &lt;em&gt;Lucienne Boudet. &lt;/em&gt;Paroles de Martial du Treuil sur un air bien connu&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Tout en montant la place d&amp;rsquo;armes. &lt;em&gt;Annie Gaulard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s L&amp;eacute;on Peyrat (Saint-Salvadour)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-En revenant de la foire de Bordeaux. (Je suis mar&amp;eacute;chal Mesdames compagnon forgeron) &lt;em&gt;Fran&amp;ccedil;ois Fauche&lt;strong&gt;r&lt;br /&gt;- &lt;/strong&gt;&lt;/em&gt;No&amp;euml;l. &lt;span class="oc"&gt;L&amp;rsquo;autre jorn el Pueg d&amp;rsquo;Eschalas.&lt;/span&gt; &lt;em&gt;Florence Fontanille, &lt;/em&gt;Source : Recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Rose dit &amp;agrave; sa m&amp;egrave;re. &lt;em&gt;Pascale Nguyen &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- En revenant d&amp;rsquo;la noce. &lt;em&gt;Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La romance du muguet. &lt;em&gt;Jeanne Seywer&lt;br /&gt;- '&lt;/em&gt;&lt;span class="oc"&gt;Ribats 'ribats.&lt;/span&gt; &lt;em&gt;Magali Urroz (et collectif) &lt;/em&gt;Source : 4 chansons publi&amp;eacute;es &amp;agrave; Limoges en 1862 puis 1890 (Pierre Laforest et Paul Charreire)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La sensilha e lo pinson.&lt;/span&gt; &lt;em&gt;Serge Marot&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Las femnas dau borg d&amp;rsquo;a Glanjas.&lt;/span&gt; &lt;em&gt;Collectif puis Serge Marot &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Georges Montazaud (Saint-Germain-les-Belles &amp;ndash; Fin XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Air &amp;laquo; Tout le long&amp;hellip; sur le bord &amp;raquo; (Darny et Guindani. 1917)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon (version de Rochechouart). &lt;em&gt;Anne-Marie Boulesteix&lt;br /&gt;- &lt;/em&gt;Bourr&amp;eacute;es (&lt;span class="oc"&gt;Dans Paris n&amp;rsquo;i a una chambra &amp;hellip; Lo pitit &amp;ograve;me&lt;/span&gt;) &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;&amp;Agrave; Chamberet petit faubourg. &lt;em&gt;Jean-Paul Mondoly et Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Petit mot du Maire. &lt;em&gt;Jean-Luc Lachaud&lt;/em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- Le matin quand je me l&amp;egrave;ve (&amp;agrave; mon travail-le je m&amp;rsquo;en vas). &lt;em&gt;Fran&amp;ccedil;ois Faucher&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;/em&gt;Tout en passant devant le grand moulin. &lt;em&gt;Fran&amp;ccedil;ois Faucher &lt;/em&gt;Version de Coussac-Bonneval et version &amp;ldquo;habituelle"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las filhas de Marzac.&lt;/span&gt; &lt;em&gt;Gilles de Becdeli&amp;egrave;vre &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Casse et Chaminade (1902)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Filhas nos ne&amp;rsquo;n fau &amp;rsquo;nar.&lt;/span&gt; &lt;em&gt;Eric Roulet &amp;hellip; Fran&amp;ccedil;ois Faucher&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Devinatz &amp;ccedil;&amp;ograve; que ieu minge.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Source : Pierre Biossac (Javerdat)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Cu trabalha la terra.&lt;/span&gt; &lt;em&gt;Serge Marot &lt;/em&gt;Source : recueil de Fran&amp;ccedil;ois C&amp;eacute;lor (1904)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Le renseignement et le s&amp;eacute;quencement de ce document ont &amp;eacute;t&amp;eacute; effectu&amp;eacute; par Fran&amp;ccedil;oise&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;L'enregistrement se termine par un morceau d'une pi&amp;egrave;ce de th&amp;eacute;&amp;acirc;tre, la bande ayant &amp;eacute;t&amp;eacute; r&amp;eacute;utilis&amp;eacute;e par l'enqu&amp;ecirc;teur.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Sur la bande portant le n&amp;deg; 8551-5, il est not&amp;eacute; "St Auvent Sermon"&lt;/p&gt;&#13;
&lt;p&gt;Il s'agit sans doute de l'enregistrement, &amp;agrave; l'&amp;eacute;glise Saint-Auvent (Haute-Vienne) d'une r&amp;eacute;p&amp;eacute;tition dans lequel le pr&amp;ecirc;tre (probablement le chanoine Durepaire) bute et peste contre ses rat&amp;eacute;s, on entend R. Dagnas lui dire qu'il n'y a pas de souci que ces h&amp;eacute;sitations seront coup&amp;eacute;es au montage.&lt;/p&gt;&#13;
&lt;p&gt;Pas d'indication sur la date sur cet enregistrement probablement en 1959.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/items/show/387"&gt;La fin de ce sermon se trouve sur la bande suivante n&amp;deg;8551-6. &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent-Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;.&lt;/p&gt;&#13;
&lt;p&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;</text>
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                <text>Saint-Auvent 2/2 : Chauffour-sur-Veil</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande sans indication une &amp;eacute;mission de radio ou le montage r&amp;eacute;alis&amp;eacute; pour la diffusion de celle ci sur radio Limoges, probablement fin de l'ann&amp;eacute;e 1959. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous retrouvons le groupe des Velhadors de St Junien au cours d'une "messe des bergers limousins" . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;De larges extraits de cette messe : le sermon en langue limousine de Mgr Durepaire, l'abb&amp;eacute; Guy Daudet ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Et naturellement la chorale des &lt;span style="color: #000000;"&gt;veilladours, ici dirig&amp;eacute;e par Pierre Leplant : Le chant du &lt;em&gt;poton&lt;/em&gt;, L&amp;agrave; ou l&amp;agrave;, &lt;em&gt;Voletz vos durmir&lt;/em&gt;, &lt;em&gt;La terra es freja&lt;/em&gt;, &lt;em&gt;Un j&amp;ograve;une pastre que somelhava&lt;/em&gt;.&lt;span class="oc"&gt;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la bande 4059 titrée " Echos St Estelle (Cha nous) ", une succession d' enregistrements datant de la Sainte Estelle à St Junien les 5 et 6 juin 1965 .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;Présentée par Robert Dagnas, une émission de "Cha Nous" probablement diffusée sur les ondes de Radio Limoges le 18 juin de la même année. Nous retrouvons différents intervenants, la chorale des Velhadours, Félicie Brouillet, un groupe folklorique de Nice, les "Terradours Floricats" du Cantal, un poême de Vermenouze par le Majoral Jean Fay, des extraits de Mireille par l'Escòla de la Mar, un chant de Charloun Rieu ...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Voir ci dessous l'enregistrement "Elie Bachas, Ste Estelle 1965"&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: small;"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cette bande 6470, un enregistrement datant sans doute de F&amp;eacute;vrier 1960, une &amp;eacute;mission de Radio Limoges , une annonce pour le bal de Frairie avec "les m&amp;eacute;n&amp;eacute;triers Limousins" puis la pr&amp;eacute;sentation du salon de l'agriculture 1960 (Description,programme,pr&amp;eacute;sence du limousin, concours photo du CNC ...)&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:00:14.000
Limoges RTF&#13;

00:00:14.000 --&gt; 00:02:02.000
Polka des oignons&#13;

00:02:02.000 --&gt; 00:05:42.000
La semaine de l'agriculture 1960&#13;

00:05:42.000 --&gt; 00:08:14.000
Le limousin au salon&#13;

00:08:14.000 --&gt; 00:00:00.000
Concours photo du CNC&#13;

00:00:00.000 --&gt; 00:09:08.000

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande il est noté :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-size: 14pt;"&gt;- 748 Messe de minuit St Junien (1959) (Sermon Mgr Durepaire)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;- Chez Nous (les amis du Vx Poitou) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Dans cet enregistrement la première partie de la bande : Le sermon en langue limousine prononcé (d&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;ans une belle langue) &lt;/span&gt;&lt;/span&gt;par le &lt;strong&gt;Chanoine Durepaire&lt;/strong&gt; lors de la messe de minuit donnée à Saint-Junien (87) au mois de décembre 1959 . &lt;br /&gt;Après une introduction une intervention sur la langue limousine puis le sermon proprement-dit au sujet de l'adoration des bergers et des leçons à en tirer .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: center;"&gt;Nous ne savons pas grand-chose du chanoine Durepaire si ce n'est qu'il fut supérieur de l'Ecole Ozanam à Limoges et qu'il publia en 1936 Homérus, l'Odyssée d'Ulysse racontée aux enfants .&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- Plusieurs chants par la chorale :&lt;/span&gt;&lt;span class="oc"&gt; Volets vos durmir,&lt;/span&gt; Le vieux jaloux, &lt;span class="oc"&gt;La meschanta maire, Chas nos,&lt;/span&gt; La chanson du barbichet &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- Quelques morceaux de musique :&lt;/span&gt; la bourr&amp;eacute;e d'Esse, une suite de marches nuptiales, R&amp;eacute;veillez vous la belle ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="320661">
              <text>Domicile des informateurs, au bourg de Blond</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="320662">
              <text>Bordier.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="320663">
              <text>2456</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="30">
          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
          <elementTextContainer>
            <elementText elementTextId="320664">
              <text>M. Claude Bordier, son mari</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
          <elementTextContainer>
            <elementText elementTextId="320665">
              <text>patois de Blond</text>
            </elementText>
            <elementText elementTextId="320666">
              <text>occitan</text>
            </elementText>
            <elementText elementTextId="320667">
              <text>Bordier</text>
            </elementText>
            <elementText elementTextId="320668">
              <text>battages</text>
            </elementText>
            <elementText elementTextId="320669">
              <text>châtaignes</text>
            </elementText>
            <elementText elementTextId="320670">
              <text>cidre</text>
            </elementText>
            <elementText elementTextId="320671">
              <text>massacre d'Oradour-sur-Glane</text>
            </elementText>
            <elementText elementTextId="320672">
              <text>nazis</text>
            </elementText>
            <elementText elementTextId="320673">
              <text>Archives sonores du Limousin</text>
            </elementText>
            <elementText elementTextId="320674">
              <text>Patrimoine oral limousin</text>
            </elementText>
            <elementText elementTextId="320675">
              <text>IEO Limousin</text>
            </elementText>
            <elementText elementTextId="320676">
              <text>IEO Lemosin</text>
            </elementText>
            <elementText elementTextId="320677">
              <text>la biaça</text>
            </elementText>
            <elementText elementTextId="320678">
              <text>écouter le patois limousin</text>
            </elementText>
            <elementText elementTextId="320679">
              <text>écouter du patois Limousin</text>
            </elementText>
            <elementText elementTextId="320680">
              <text>Occitan limousin</text>
            </elementText>
            <elementText elementTextId="320681">
              <text>langue limousine</text>
            </elementText>
            <elementText elementTextId="320682">
              <text>langue d'oc en Limousin</text>
            </elementText>
            <elementText elementTextId="320683">
              <text>langue d'oc en pays limousin</text>
            </elementText>
            <elementText elementTextId="320684">
              <text>collectage en pays limousin</text>
            </elementText>
            <elementText elementTextId="320685">
              <text>collectage en limousin</text>
            </elementText>
            <elementText elementTextId="320686">
              <text>collectatge</text>
            </elementText>
            <elementText elementTextId="320687">
              <text>colleccion</text>
            </elementText>
            <elementText elementTextId="320688">
              <text>memòria</text>
            </elementText>
            <elementText elementTextId="320689">
              <text>mémoire sonore</text>
            </elementText>
            <elementText elementTextId="320690">
              <text>mémoire orale du Limousin</text>
            </elementText>
            <elementText elementTextId="320691">
              <text>patrimoine oral du Limousin</text>
            </elementText>
            <elementText elementTextId="320692">
              <text>écouter le patois de la Haute-Vienne</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
          <elementTextContainer>
            <elementText elementTextId="320693">
              <text>blond suzanne bordier</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320649">
                <text>2012-06-26 10:47:31</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320650">
                <text>IEO Lemosin, dépôt Chrétien</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320651">
                <text>Suzanne Bordier</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320652">
                <text>Tous les genres</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320653">
                <text>Témoignage en langue limousine recueilli à Blond en Haute Vienne, la vie dans la commune,la guerre, le momnument aux morts ...</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320654">
                <text>Suzanne BORDIER</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="320655">
                <text>CHR004</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320656">
                <text>2010-09</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320657">
                <text>Baptiste Chrétien</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320658">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="320659">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="320660">
                <text>https://la-biaca.org/items/show/406</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331280">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/406/EgliseBlond.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334260">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Cet enregistrement a été réalisé par Baptiste Chrétien le 2 septembre 2010 auprès de &lt;span class="artist_name"&gt;Mme Suzanne Bordier&lt;/span&gt;, née Ladégaillerie, à Blond en 1935. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Dans cet entretien en occitan, Mme Bordier nous parle de la pratique de la langue, de la vie de la commune &lt;span style="font-size:medium;"&gt;dans les années 1940 et 1950&lt;/span&gt; (les battages, les châtaignes, le cidre...), avant qu'elle ne parte vivre à Angoulême avec son époux. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;Elle revient aussi longuement sur un douloureux et peu connu épisode de l'histoire locale, lorsqu'en août 1944, quelques semaines après le massacre d'Oradour-sur-Glane, une division nazie investit le bourg de Blond, le pilla, et fusilla plusieurs de ses habitants. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Son mari Claude Bordier intervient de temps en temps durant l'entretien.&lt;/span&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="82">
        <name>Blond</name>
      </tag>
      <tag tagId="34">
        <name>Haute-Vienne (87)</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
