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                <text>00:00:00.000 --&gt; 00:01:15.000
	Valse à  Cadet (PA)&#13;

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	Valse à  Cadet (PA et GP)&#13;

00:02:59.000 --&gt; 00:03:55.000
La Gigue (PA)&#13;

00:03:55.000 --&gt; 00:05:55.000
Mazurka du père de P. Arfeuille (PA)&#13;

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La baigneuse (PA)&#13;

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Réglages de la vielle&#13;

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Polka (PA)&#13;

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Polka (PA)&#13;

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Valse à  Bonnal (GP)&#13;

00:11:54.000 --&gt; 00:12:05.000
Discussion&#13;

00:12:05.000 --&gt; 00:13:56.000
Le rossignolet (YD)&#13;

00:13:56.000 --&gt; 00:14:37.000
Technique et réglages&#13;

00:14:37.000 --&gt; 00:16:18.000
Bonjour belle bergère  (PA et YD)&#13;

00:16:18.000 --&gt; 00:18:34.000
Para lo lop (PA et YD)&#13;

00:18:34.000 --&gt; 00:20:05.000
	Bourrée de la châtaigne (PA et YD)
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Mme Soulier</text>
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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;Claude Soulier&lt;/strong&gt; est n&amp;eacute; et a pass&amp;eacute; sa vie dans sa ferme, &amp;agrave; Pougeols, sur la commune de Beyssac en Corr&amp;egrave;ze.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Il nous parle de son travail : l'&amp;eacute;levage des cochons culs-noirs, la mani&amp;egrave;re de les pr&amp;eacute;parer ; l'&amp;eacute;cole pendant la guerre ; les bals au Bois de Bourzat avec Gus Viseur, Tony Murena ou Jean S&amp;eacute;gurel ; le conseil de r&amp;eacute;vision, l'arm&amp;eacute;e ; la pratique de la langue ; les retours de foire.&lt;/span&gt;&lt;/p&gt;&#13;
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Biographie&#13;

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Un cadeau&#13;

00:01:49.000 --&gt; 00:02:25.000
L'armada&#13;

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L'escÃ²la&#13;

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A la maison&#13;

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Una pita proprietat&#13;

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Quante la guerra 'chabet&#13;

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Preparar lo ganhon&#13;

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Dins la graissa&#13;

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Lo chambòt&#13;

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Los grilhons&#13;

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Salar lo ganhon&#13;

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Las gògas&#13;

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Portar la grilhada&#13;

00:28:23.000 --&gt; 00:33:06.000
Lo tuar a borra-secha&#13;

00:33:06.000 --&gt; 00:35:41.000
Las endunles&#13;

00:35:41.000 --&gt; 00:36:51.000
'Navam dançar&#13;

00:36:51.000 --&gt; 00:40:51.000
Un 'esferta&#13;

00:40:51.000 --&gt; 00:42:27.000
'Nar dançar au Bòsc de Borsat&#13;

00:42:27.000 --&gt; 00:50:43.000
Lo conselh de revision&#13;

00:50:43.000 --&gt; 00:58:22.000
Parlavem "patoas"&#13;

00:58:22.000 --&gt; 01:00:59.000
Lo "patoas" se vai perdre&#13;

01:00:59.000 --&gt; 01:02:35.000
Los ancians avien la testa&#13;

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En tornar de la fieira&#13;

01:04:21.000 --&gt; 01:11:18.000
Las pitas vielhas &#13;

01:11:18.000 --&gt; 01:14:30.000
'Quò vai tròp viste&#13;

01:14:30.000 --&gt; 01:17:53.000
Lo garç dins la peschiera&#13;

01:17:53.000 --&gt; 01:18:45.000
Chau empeutar !&#13;

01:18:45.000 --&gt; 01:00:20.000
La vielha qu'aviá 'menat sas filhas au bale
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Générique&#13;

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En ces temps de Carême&#13;

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Regret, par Michel Meilhac&#13;

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Escotatz-me chantar&#13;

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Notre terre limousine&#13;

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Scottish-valse&#13;

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Une bourrée&#13;

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Les minutes s'écoulent&#13;

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Lo chastel de Montvielh&#13;

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La vie doit continuer&#13;

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Une information&#13;

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Un jòune pastre&#13;

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Conclusion de l'émission
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&lt;br /&gt;&lt;a href="https://cdna.memoirefilmiquenouvelleaquitaine.fr/films/pentecote-1965-a-st-junien" target="_blank" rel="noopener"&gt;&lt;strong&gt;&amp;rArr; Cliquer ici&lt;/strong&gt; &lt;/a&gt;pour voir, sur le site de la Cin&amp;eacute;math&amp;egrave;que de Nouvelle Aquitaine, un film tourn&amp;eacute; &amp;agrave; Saint-Junien par M. Paul Courtines lors de ces jours de f&amp;ecirc;te. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="https://cdna.memoirefilmiquenouvelleaquitaine.fr/films/pentecote-1965-a-st-junien"&gt;&lt;/a&gt;</text>
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Ã la mémoire de Jean Teillet&#13;

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Présentation&#13;

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Les cloches de la collégiale&#13;

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                <text>00:00:00.000 --&gt; 00:02:42.000
Il n'y a rien d'aussi charmant&#13;

00:02:42.000 --&gt; 00:05:27.000
Baissa-te montanha&#13;

00:05:27.000 --&gt; 00:05:41.000
On ne rigole plus&#13;

00:05:41.000 --&gt; 00:07:21.000
Marche qu'on amenait les mariés&#13;

00:07:21.000 --&gt; 00:07:41.000
Ah, ça vous fait rigoler !&#13;

00:07:41.000 --&gt; 00:09:52.000
La Valse-Vienne&#13;

00:09:52.000 --&gt; 00:10:32.000
C'est y assez ?&#13;

00:10:32.000 --&gt; 00:11:10.000
Lo quadrilh d'Embasac&#13;

00:11:10.000 --&gt; 00:11:37.000
Tornam-i &#13;

00:11:37.000 --&gt; 00:12:19.000
2nda figura&#13;

00:12:19.000 --&gt; 00:12:58.000
Tornam-i&#13;

00:12:58.000 --&gt; 00:14:06.000
3esma figura&#13;

00:14:06.000 --&gt; 00:15:09.000
Pastorela 2&#13;

00:15:09.000 --&gt; 00:15:31.000
4esma figura&#13;

00:15:31.000 --&gt; 00:15:52.000
Tòrna-i&#13;

00:15:52.000 --&gt; 00:16:24.000
5esma figura&#13;

00:16:24.000 --&gt; 00:00:00.000
Tres bien mos amics&#13;

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                <text>&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="font-family: Georgia, serif; color: #000000;"&gt;Sur le bo&amp;icirc;tier contenant cette bande audio, il est not&amp;eacute; : &amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;span style="color: #808080;"&gt;&amp;laquo; Conf&amp;eacute;rence "histoire de Favars" L&amp;eacute;on Dautrement, Yvon Chalard &amp;raquo;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span style="line-height: 115%; font-family: Georgia, serif;"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros, se trouve l&amp;rsquo;enregistrement d&amp;rsquo;une conf&amp;eacute;rence faite &amp;agrave; la fin des ann&amp;eacute;es 1970 par MM. &lt;strong&gt;L&amp;eacute;on Dautrement&lt;/strong&gt; et &lt;strong&gt;Yvon Chalard&lt;/strong&gt; &amp;agrave; Favars (19).&lt;br /&gt;&lt;br /&gt;L&amp;eacute;on Dautrement (1899-1979) &amp;eacute;tait enseignant, syndicaliste enseignant et r&amp;eacute;publicain engag&amp;eacute;, il publia de nombreux ouvrages sur la r&amp;eacute;gion. &lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="line-height: 115%; font-family: Georgia, serif;"&gt;Au moment de la conf&amp;eacute;rence il &amp;eacute;tait pr&amp;eacute;sident de la Soci&amp;eacute;t&amp;eacute; scientifique, historique et arch&amp;eacute;ologique de la Corr&amp;egrave;ze dans le bulletin de laquelle il publiait r&amp;eacute;guli&amp;egrave;rement des articles.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="line-height: 115%; font-family: Georgia, serif;"&gt;M. Dautrement parle des noms de lieux, des monuments, des familles bourgeoises de la commune. Il termine son intervention par les &amp;laquo; troubles de Favars &amp;raquo;, &amp;eacute;meutes paysannes pendant la R&amp;eacute;volution.&lt;br /&gt;Ensuite, son coll&amp;egrave;gue Yvon Chalard, enseignant lui aussi, parle de la construction de la route entre Tulle et Brive, de la route du silex &amp;agrave; la nationale 89.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; color: #000000;"&gt;&lt;em&gt;&lt;span style="font-family: Georgia, serif;"&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles &amp;laquo; folkloriques &amp;raquo;, veill&amp;eacute;es et animations dans le cadre du Foyer rural de Favars.&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>00:00:00.000 --&gt; 00:03:33.000
Introduction&#13;

00:03:33.000 --&gt; 00:04:36.000
Favard&#13;

00:04:36.000 --&gt; 00:06:11.000
Etymologie&#13;

00:06:11.000 --&gt; 00:07:18.000
La situation géographique de la commune&#13;

00:07:18.000 --&gt; 00:17:29.000
Aspect général&#13;

00:17:29.000 --&gt; 00:18:01.000
Le nom des habitants&#13;

00:18:01.000 --&gt; 00:19:32.000
Histoire de Favars, les sources&#13;

00:19:32.000 --&gt; 00:28:12.000
La vieille église&#13;

00:28:12.000 --&gt; 00:31:13.000
Le Vicaire&#13;

00:31:13.000 --&gt; 00:35:54.000
La Prévôté&#13;

00:35:54.000 --&gt; 00:38:55.000
La font Sent-Marçau&#13;

00:38:55.000 --&gt; 00:41:54.000
La seigneurie de Favars &#13;

00:41:54.000 --&gt; 00:43:28.000
Les Saint Exupéry-Miremont&#13;

00:43:28.000 --&gt; 00:45:45.000
La revanche des sires de Saint-Germain&#13;

00:45:45.000 --&gt; 00:48:01.000
Le document le plus intéressant&#13;

00:48:01.000 --&gt; 00:49:14.000
Les redevances de Favars&#13;

00:49:14.000 --&gt; 00:50:26.000
Les redevances de Saint-Germain&#13;

00:50:26.000 --&gt; 00:51:27.000
Au sujet de ces redevances&#13;

00:51:27.000 --&gt; 00:52:11.000
Les fiefs secondaires de Favars&#13;

00:52:11.000 --&gt; 00:53:13.000
L'affaire de Favars&#13;

00:53:13.000 --&gt; 00:54:04.000
Les troubles à Favars&#13;

00:54:04.000 --&gt; 00:54:46.000
La controverse Tulle-Brive&#13;

00:54:46.000 --&gt; 01:03:42.000
Le récit du comte de Seilhac&#13;

01:03:42.000 --&gt; 01:07:45.000
Le mémoire des députés de la ville de Tulle&#13;

01:07:45.000 --&gt; 01:09:25.000
Version de la commune de Favars&#13;

01:09:25.000 --&gt; 01:13:54.000
Version de Victor Forot&#13;

01:13:54.000 --&gt; 01:14:59.000
La prise des étangs&#13;

01:14:59.000 --&gt; 01:16:54.000
Les inculpés et condamnés&#13;

01:16:54.000 --&gt; 01:18:24.000
Histoire des routes, des chemins   &#13;

01:18:24.000 --&gt; 01:19:21.000
Les routes du silex&#13;

01:19:21.000 --&gt; 01:20:05.000
La construction des chemins&#13;

01:20:05.000 --&gt; 01:21:00.000
Favars et le partage des eaux&#13;

01:21:00.000 --&gt; 01:22:01.000
La période gallo-romaine&#13;

01:22:01.000 --&gt; 01:22:33.000
Les voies gallo-romaines&#13;

01:22:33.000 --&gt; 01:23:06.000
Au Moyen Âge&#13;

01:23:06.000 --&gt; 01:24:35.000
La premier chemin&#13;

01:24:35.000 --&gt; 01:25:11.000
Joseph Dubois, grand voyer de France&#13;

01:25:11.000 --&gt; 01:26:07.000
Le pont Cardinal, la Guierle&#13;

01:26:07.000 --&gt; 01:29:06.000
La route de Tulle&#13;

01:29:06.000 --&gt; 01:32:44.000
Le second chemin&#13;

01:32:44.000 --&gt; 01:35:37.000
Les travaux sous Turgot&#13;

01:35:37.000 --&gt; 01:36:10.000
Turgot dans la région&#13;

01:36:10.000 --&gt; 01:37:24.000
La poma de l'estra&#13;

01:37:24.000 --&gt; 01:39:49.000
Des réclamations &#13;

01:39:49.000 --&gt; 01:41:14.000
Le curé de Saint-Xantin&#13;

01:41:14.000 --&gt; 01:42:31.000
Pétition des Malemortois&#13;

01:42:31.000 --&gt; 01:44:36.000
Entre Tulle et Brive&#13;

01:44:36.000 --&gt; 01:45:24.000
Pendant la Révolution&#13;

01:45:24.000 --&gt; 01:48:29.000
De l'an IV à 1820&#13;

01:48:29.000 --&gt; 01:49:39.000
En 1824&#13;

01:49:39.000 --&gt; 01:50:35.000
Vers 1840&#13;

01:50:35.000 --&gt; 01:51:33.000
Le rapport du préfet de la Corrèze&#13;

01:51:33.000 --&gt; 01:52:48.000
Sa conclusion&#13;

01:52:48.000 --&gt; 01:53:06.000
Les deux projets&#13;

01:53:06.000 --&gt; 01:55:28.000
Le tracé par la rive gauche&#13;

01:55:28.000 --&gt; 01:56:12.000
Le tracé par la rive droite &#13;

01:56:12.000 --&gt; 01:57:49.000
Mulatet&#13;

01:57:49.000 --&gt; 01:59:34.000
Le rapport de Vautier&#13;

01:59:34.000 --&gt; 01:59:49.000
En 1844&#13;

01:59:49.000 --&gt; 02:00:35.000
Les premiers travaux&#13;

02:00:35.000 --&gt; 02:01:10.000
Les doléances&#13;

02:01:10.000 --&gt; 00:00:02.000
Un nouveau projet&#13;

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&lt;p&gt;&lt;span style="font-size: 14.0pt;"&gt;Extraits d'une conf&amp;eacute;rence donn&amp;eacute;e par &lt;strong&gt;Yvon Chalard&lt;/strong&gt; &amp;agrave; Cornil en janvier 2011.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14.0pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;span style="font-size: 14pt;"&gt;Avec son entrain et son humour habituel, Yvon Chalard parle des rapports entre le fran&amp;ccedil;ais et le limousin.&lt;br /&gt;Il &amp;eacute;voque les relations entre ces deux langues dans l'histoire, les quiproquos, le franmousin, les limousinismes, l'orthographe, la conjugaison, etc.&lt;br /&gt;Son propos se termine par des illustrations dans la toponymie puis par l'id&amp;eacute;e d'un &amp;laquo; certificat de langue limousine &amp;raquo;.&lt;br /&gt;&lt;br /&gt;Cette soir&amp;eacute;e fut organis&amp;eacute;e par Jean Bontemps avec la participation d'Andr&amp;eacute; Lagarde et de &lt;span style="font-size: 14pt;"&gt;Jean Vieillefosse, de la section &amp;laquo; patois &amp;raquo; du Foyer de Sainte-Fortunade.&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14.0pt;"&gt;&lt;span&gt;Yvon Chalard (1923-2013) fit sa carri&amp;egrave;re d'enseignant en Corr&amp;egrave;ze.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14.0pt;"&gt;&lt;span&gt;P&amp;eacute;dagogue, animateur et militant infatigable, il &amp;eacute;tait passionn&amp;eacute; d'Histoire comme de la langue limousine&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14.0pt;"&gt;&lt;span&gt;Yvon fut tr&amp;egrave;s actif au &amp;laquo; Groupe Corr&amp;eacute;zien de l'&amp;eacute;cole moderne &amp;raquo; et &lt;/span&gt;&lt;span&gt;des p&amp;eacute;dagogies Freinet. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;&#13;
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Présentation d'Yvon Chalard&#13;

00:03:22.000 --&gt; 00:03:49.000
Remerciements&#13;

00:03:49.000 --&gt; 00:04:09.000
Limousin et français&#13;

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Le patois&#13;

00:05:45.000 --&gt; 00:08:05.000
Rabelais&#13;

00:08:05.000 --&gt; 00:08:36.000
Molière&#13;

00:08:36.000 --&gt; 00:09:12.000
Turgot&#13;

00:09:12.000 --&gt; 00:10:12.000
Au cours des siècles suivants&#13;

00:10:12.000 --&gt; 00:13:14.000
Le dictionnaire du patois du bas-Limousin &#13;

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Les quiproquos&#13;

00:14:52.000 --&gt; 00:18:23.000
Le franmousin&#13;

00:18:23.000 --&gt; 00:20:36.000
Les limousinismes&#13;

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Féminin / masculin&#13;

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Les diminutifs&#13;

00:23:50.000 --&gt; 00:24:13.000
Les superlatifs&#13;

00:24:13.000 --&gt; 00:25:14.000
Des précisions&#13;

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L'orthographe&#13;

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Les mots se terminant par -ada&#13;

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La conjugaison&#13;

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L'accord du participe passé avec avoir&#13;

00:36:11.000 --&gt; 00:40:55.000
La toponymie&#13;

00:40:55.000 --&gt; 00:45:53.000
Dans les vocables usuels&#13;

00:45:53.000 --&gt; 00:46:17.000
Comme Balzac&#13;

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                <text>&lt;div style="text-align: left;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette bande porte une petite &amp;eacute;tiquette sur laquelle il est seulement mentionn&amp;eacute; : &lt;span style="color: #808080;"&gt;&amp;laquo; Conversation RD (m&amp;eacute;m&amp;eacute;) &amp;raquo;&lt;/span&gt;.&lt;/span&gt;&lt;/div&gt;&#13;
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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Nous entendons, dans les premi&amp;egrave;res minutes de cet enregistrement, &lt;strong&gt;Marie Basset&lt;/strong&gt; de Saint-Mathieu (87), une informatrice que Robert Dagnas a interrog&amp;eacute;e &amp;agrave; de multiples reprises. Elle nous parle des souvenirs de ses jeunes ann&amp;eacute;es, &lt;em&gt;las velhadas, los dr&amp;ograve;lles, los maridatges&lt;/em&gt;, etc.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;div class="moz-cite-prefix"&gt;&lt;span style="font-size: 14pt;"&gt;Nous retrouvons ensuite Robert Dagnas en compagnie de &lt;strong&gt;F&amp;eacute;licie Brouillet&lt;/strong&gt; et d'une dame native de la commune de Marval (87), Marguerite,&amp;nbsp; qui &amp;eacute;voque successivement ses souvenirs de d&amp;eacute;votions aux bonnes fontaines de Cussac (plages 4, 5, 6), raconte &lt;em&gt;l'isto&amp;egrave;ra dau taboret,&lt;/em&gt; &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;le bandit Burgou, etc.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div class="moz-cite-prefix"&gt;&lt;span style="font-size: 14pt;"&gt;Toutes deux parlent ensuite des d&amp;eacute;votions aux bonnes fontaines Sainte-Marguerite de Varaignes (24), Saint-Claud de Pensol (87) et Sainte-Radegonde de Marval. &lt;/span&gt;&lt;/div&gt;&#13;
&lt;div class="moz-cite-prefix"&gt;&lt;span style="font-size: 14pt;"&gt;Marguerite chante &lt;em&gt;La vachiera&lt;/em&gt;, puis livre quelques r&amp;eacute;flexions sur les jeunes gens d'autrefois.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/images/galeries/FondsDagnas/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 10pt;"&gt;&lt;span style="color: #808080;"&gt;La num&amp;eacute;risation et la mise en ligne de ce document a &amp;eacute;t&amp;eacute; financ&amp;eacute;e par la r&amp;eacute;gion Nouvelle-Aquitaine dans le cadre d&amp;rsquo;un projet de valorisation du fonds sonore du folkloriste Robert Dagnas ; ainsi que par la DRAC Nouvelle-Aquitaine dans le cadre d'un programme national de num&amp;eacute;risation et de valorisation des contenus culturels (projet du fonds sonore : Derni&amp;egrave;res trouvailles autour du fonds sonore du folkloriste limousin Robert Dagnas).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</text>
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Parlatz-me de las velhadas&#13;

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Los garçons e las filhas&#13;

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E los maridatges ?&#13;

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E los repas ?&#13;

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Las tres fonts&#13;

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Lu jorn de la Sent-Jan&#13;

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Istoèra dau taboret&#13;

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Burgou&#13;

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Vòstras devòcions ?&#13;

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A Marvau ?&#13;

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Chantar 'na chançon ?&#13;

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Los jòunes d'auei ?&#13;

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N'atz 'gut daus galants ?&#13;

00:00:00.000 --&gt; 00:00:00.000

00:00:00.000 --&gt; 00:00:17.000

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&lt;ul&gt;&#13;
&lt;li&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la face 1, la premi&amp;egrave;re &amp;eacute;mission d'une s&amp;eacute;rie consacr&amp;eacute;e aux arbres. Cette semaine, Jan parle du bouleau.&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;Sur la face 2 &amp;laquo; Las flautas e las votz &amp;raquo;, une &amp;eacute;mission enregistr&amp;eacute;e sur France Culture que nous n'avons pas mise en ligne&lt;/span&gt;&lt;/li&gt;&#13;
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Te vòle parlar de l'aubre&#13;

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Se-disset&#13;

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Un aubre gente&#13;

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'Massa las fruchas&#13;

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Entre Fau e Peiralevada&#13;

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Beçau / betol&#13;

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Notice des arbres...&#13;

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Lo boesc de beçau&#13;

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Patronymie, toponymie&#13;

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&lt;p&gt;Localement, M. Lachaud &amp;eacute;tait surnomm&amp;eacute; &amp;laquo; Le pendule &amp;raquo;.&lt;/p&gt;&#13;
&lt;p&gt;R&amp;eacute;put&amp;eacute; pas tr&amp;egrave;s accessible, un peu m&amp;eacute;fiant, il a d'abord demand&amp;eacute; au pendule, extrait d'une petite bourse qu'il avait toujours sur lui, s'il pouvait me recevoir... Apr&amp;egrave;s l'approbation de celui-ci, il fut tr&amp;egrave;s tranquille et me parla en toute confiance.&lt;br /&gt;&lt;br /&gt;Abordant, en fran&amp;ccedil;ais puis en occitan, un sujet pas tr&amp;egrave;s simple &amp;agrave; formuler, il nous parle avec r&amp;eacute;serve et souvent de mani&amp;egrave;re un peu elliptique de sa pratique, de l'esprit, du pendule, etc. &lt;br /&gt;&lt;br /&gt;Ensuite nous sortirons, et M. Lachaud me fera une d&amp;eacute;monstration probante autour de sa maison.&lt;/p&gt;</text>
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&#13;

00:00:13.000 --&gt; 00:03:01.000
Le pendule&#13;

00:03:01.000 --&gt; 00:03:21.000
Parler en "patois"&#13;

00:03:21.000 --&gt; 00:04:14.000
Trobar las fonts&#13;

00:04:14.000 --&gt; 00:05:01.000
Sur una carta ? &#13;

00:05:01.000 --&gt; 00:06:56.000
La font d'a Bonafont&#13;

00:06:56.000 --&gt; 00:07:18.000
Un don ?&#13;

00:07:18.000 --&gt; 00:08:05.000
Emb-d'un bòsc banard&#13;

00:08:05.000 --&gt; 00:09:00.000
Trobar lo monde&#13;

00:09:00.000 --&gt; 00:09:33.000
L'esperit, lo don&#13;

00:09:33.000 --&gt; 00:11:05.000
Tot li damandar&#13;

00:11:05.000 --&gt; 00:11:58.000
Debutar &#13;

00:11:58.000 --&gt; 00:12:25.000
Vau lonh !&#13;

00:12:25.000 --&gt; 00:13:44.000
Lo cambriolatge de La Pradela&#13;

00:13:44.000 --&gt; 00:14:24.000
Los gendarmas&#13;

00:14:24.000 --&gt; 00:15:52.000
La bagueta&#13;

00:15:52.000 --&gt; 00:16:51.000
La pregèria&#13;

00:16:51.000 --&gt; 00:18:02.000
L'esprit de Dieu&#13;

00:18:02.000 --&gt; 00:18:58.000
Se trompa pas&#13;

00:18:58.000 --&gt; 00:20:12.000
Una persona malauda&#13;

00:20:12.000 --&gt; 00:23:24.000
E per las eleccions ?&#13;

00:23:24.000 --&gt; 00:24:40.000
Totjorn emb lo pendule&#13;

00:24:40.000 --&gt; 00:25:14.000
Perque venián lo monde ?&#13;

00:25:14.000 --&gt; 00:26:01.000
Trobar un cotel&#13;

00:26:01.000 --&gt; 00:28:25.000
Lo jorn de la mòrt&#13;

00:28:25.000 --&gt; 00:29:40.000
Sa vita a La Pradela&#13;

00:29:40.000 --&gt; 00:30:22.000
Se far paiar&#13;

00:30:22.000 --&gt; 00:30:47.000
De las causas que m'an possedat&#13;

00:30:47.000 --&gt; 00:33:38.000
Lo pendule&#13;

00:33:38.000 --&gt; 00:34:50.000
Defòra &#13;

00:34:50.000 --&gt; 00:36:16.000
Demonstracion&#13;

00:36:16.000 --&gt; 00:39:03.000
Lo pendule se trompa pas&#13;

00:39:03.000 --&gt; 00:45:54.000
Lo torn de la proprietat&#13;

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                <text>&lt;p&gt;Sur le bo&amp;icirc;tier contenant cette bande, il est not&amp;eacute; &amp;laquo; &lt;span style="color: #808080;"&gt;5423, Chez Nous, A Conserver &amp;raquo;.&lt;/span&gt;&lt;br /&gt;L'&amp;eacute;tiquette est partiellement d&amp;eacute;chir&amp;eacute;e, mais on peut lire l'ann&amp;eacute;e : &lt;span style="color: #808080;"&gt;1959&lt;br /&gt;&lt;/span&gt; &lt;br /&gt;Sur cette bande se trouve un enregistrement destin&amp;eacute; &amp;agrave; l'&amp;eacute;mission hebdomadaire &amp;laquo; Chez nous &amp;raquo;, qu'animait Robert Dagnas telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Centre-Ouest, en octobre 1959.&lt;br /&gt;&lt;br /&gt;Nous entendons deux groupes folkloriques corr&amp;eacute;ziens : &amp;laquo; La Bourr&amp;eacute;e limousine &amp;raquo; et &amp;laquo; L' &amp;Eacute;cole Ventadour &amp;raquo;, Ir&amp;egrave;ne Besson (Rossignolet du bois), Jean Chaperon (La vendange ?) et &lt;a href="http://www.violoneux.fr/wiki/Michel_Meilhac" target="_blank" rel="noopener"&gt;Michel Meilhac&lt;/a&gt; (une scottish-valse et une mazurka au violon).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 14.0pt; mso-bidi-font-size: 11.0pt; font-family: 'Times New Roman','serif'; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: FR;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>License</name>
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                <text>F. Étay, fonds Dagnas</text>
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	Générique&#13;

00:00:33.000 --&gt; 00:01:23.000
En Limousin&#13;

00:01:23.000 --&gt; 00:02:25.000
Bourrée&#13;

00:02:25.000 --&gt; 00:03:08.000
Octobre est arrivé&#13;

00:03:08.000 --&gt; 00:05:09.000
Passant par la prairie&#13;

00:05:09.000 --&gt; 00:06:20.000
Le pélélé&#13;

00:06:20.000 --&gt; 00:06:28.000
Le temps des vendanges&#13;

00:06:28.000 --&gt; 00:08:01.000
La vendange&#13;

00:08:01.000 --&gt; 00:08:28.000
Dans la campagne&#13;

00:08:28.000 --&gt; 00:10:08.000
Rossignolet&#13;

00:10:08.000 --&gt; 00:10:57.000
Saison de poésie&#13;

00:10:57.000 --&gt; 00:12:12.000
Scottish-valse&#13;

00:12:12.000 --&gt; 00:12:46.000
Une cloche tinte&#13;

00:12:46.000 --&gt; 00:13:53.000
Jos lo pont d'a Mirabel&#13;

00:13:53.000 --&gt; 00:14:10.000
Terre d'émeraude&#13;

00:14:10.000 --&gt; 00:14:25.000
Mazurka&#13;

00:14:25.000 --&gt; 00:15:21.000
Au revoir&#13;

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                <text>&lt;span style="font-size: 12pt;"&gt;Sur la face B de la bande 632 bis, sur laquelle il est not&amp;eacute; &amp;laquo; Printemps 1960, enregistrement Esse &amp;raquo;, un enregistrement en public &amp;agrave; Esse en Charente limousine. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Plusieurs intervenants (dont &lt;strong&gt;Sylvain Mautret&lt;/strong&gt;, clarinettiste, sur les plages 1 &amp;agrave; 7 au moins) y interpr&amp;egrave;tent des chansons en occitan et en fran&amp;ccedil;ais : &lt;em&gt;Jacard e son p&amp;ograve;rc&lt;/em&gt;, &lt;em&gt;Escotatz bien&lt;/em&gt; (sur l'air de La Paimpolaise), un remerciement et des chansons d&amp;eacute;di&amp;eacute;s aux Velhadors, L'autre jour en m'y promenant, &lt;em&gt;La bargiera&lt;/em&gt; (la berg&amp;egrave;re), &amp;Agrave; la Bardille (?), La vendange, Chez nous il y a une bique, Passant par la ville, &lt;em&gt;Adiussiatz&lt;/em&gt;, etc.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000;"&gt;Tous deux excellents locuteurs, ils nous ont parl&amp;eacute; de la vie &amp;agrave; Orgnac, de leur jeunesse, du travail de la terre, de l'amour de celui-ci, des bals au Bois de Bourzat, des foires &amp;agrave; Objat, des rebouteux et chercheurs d'eau, etc. &lt;br /&gt;Un bon moment que nous nous devions de faire partager.&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;br /&gt;La matin&amp;eacute;e s'est naturellement termin&amp;eacute;e par un casse-cro&amp;ucirc;te,&lt;em&gt; coma de rason !&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Presentacion  &#13;

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A la maison, en 28&#13;

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De l'escòla&#13;

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A la ferma, los ganhons&#13;

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Lo servici militari&#13;

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A Masmalet&#13;

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Aimava mon trabalh&#13;

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Lo chastel de la Naucha&#13;

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Anar el 'talier a Briva&#13;

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E tu, parla-nos de la Coada !&#13;

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Anar dins lo borg d'Òrnhac&#13;

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Sei damorat a trabalhar la terra&#13;

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Los bales pendent l'Ocupacion&#13;

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Las fieiras Ajac&#13;

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Montanhiers e Pès-Tarros&#13;

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Fasiá l'efant de cuer, en 43&#13;

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Los musicians, los bales&#13;

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Segre las vòtas&#13;

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Li aviá dau monde dins los vilatges&#13;

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Trabalhar emb las bèstias&#13;

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Dau sanaire&#13;

01:07:30.000 --&gt; 01:14:09.000
Quant um aima sa profession&#13;

01:14:09.000 --&gt; 01:23:55.000
De l'evòlucion de l'agricultura&#13;

01:23:55.000 --&gt; 01:26:04.000
Lo « patoas » a l'escòla&#13;

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Lo Ferdinand&#13;

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Los marfondaments&#13;

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Trobar l'aiga&#13;

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Fin&#13;

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                <text>&lt;span style="color: #000000;"&gt;Fin de la mise en ligne de la cassette &amp;laquo; 1 &amp;raquo; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Cette cassette audio nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e par Michel Feynie* pour num&amp;eacute;risation et mise en ligne.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il s'agit d'un document collect&amp;eacute; &amp;agrave; la fin des ann&amp;eacute;es 1970, sur lequel on peut entendre deux accord&amp;eacute;onnistes :&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;M. &lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;strong&gt;Robert &lt;/strong&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;strong&gt;Communal&lt;/strong&gt;, accord&amp;eacute;oniste diatonique. &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Surnomm&amp;eacute; &amp;laquo; Toutou &amp;raquo;, M. Communal (&lt;/span&gt;&lt;span style="color: #000000;"&gt;1913-1986) habitait &amp;agrave; Merlerie, commune de Montpon-M&amp;eacute;nest&amp;eacute;rol (24). &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il avait fait la guerre de 1939-1945 et y avait &amp;eacute;t&amp;eacute; gaz&amp;eacute;. Il &lt;/span&gt;&lt;span style="color: #000000;"&gt;joua de l&amp;rsquo;accord&amp;eacute;on (un Maugein) jusqu&amp;lsquo;&amp;agrave; sa mort, notamment pour l&amp;rsquo;une de ses voisines. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;M. &lt;strong&gt;Jean Faure&lt;/strong&gt; dit &lt;/span&gt;&lt;span style="color: #000000;"&gt;&amp;laquo; Jantou &amp;raquo; accord&amp;eacute;oniste chromatique (1917-1977). &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il habitait &amp;agrave; B&amp;eacute;n&amp;eacute;vent, commune de Saint-Martial d&amp;rsquo;Artenset (24). &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Connaissant le solf&amp;egrave;ge, il avait d&amp;eacute;but&amp;eacute; par le violon et a&lt;/span&gt;&lt;span style="color: #000000;"&gt;pprenait tr&amp;egrave;s vite les morceaux de musique dont il recevait les partitions. &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il avait jou&amp;eacute; dans des orchestres de musette.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; color: #808080;"&gt;&amp;nbsp;* Michel Feynie est anthropologue et com&amp;eacute;dien. Nous lui devons la notice et le s&amp;eacute;quen&amp;ccedil;age de ces documents.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; color: #808080;"&gt;Au d&amp;eacute;but des ann&amp;eacute;es 80, pratiquant l'accord&amp;eacute;on diatonique, il se mit &amp;agrave; la recherche de r&amp;eacute;pertoire aupr&amp;egrave;s de musiciens de sa r&amp;eacute;gion (le Sud-Ouest de la Dordogne du c&amp;ocirc;t&amp;eacute; de Montpon-M&amp;eacute;nest&amp;eacute;rol). Une partie de ses collectages (contes, chansons, musique) lui a servi pour monter un spectacle franco-occitan : &amp;laquo; Hommes et femmes du Landais / &amp;Ograve;mes e femnas dau Land&amp;egrave;s &amp;raquo; racontant la vie d&amp;rsquo;une famille de paysans du d&amp;eacute;but du XX&amp;egrave;me si&amp;egrave;cle &amp;agrave; sa fin.&lt;/span&gt;</text>
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Scottish&#13;

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Congo&#13;

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Mastangouine&#13;

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Mazurka&#13;

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Mazurka&#13;

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Bourrée&#13;

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Mazurka&#13;

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Quadrille des lanciers&#13;

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Quadrille&#13;

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Valse&#13;

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                <text>Gabriel Chevalier, vielle à roue.</text>
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                <text>&lt;p&gt;&lt;span style="color: #000000;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par M. Georges Prudent.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il s'agit d'un enregistrement datant du 16 f&amp;eacute;vrier 1976 dans lequel nous entendons un joueur de vielle &amp;agrave; roue : &lt;strong&gt;M. Gabriel Chevalier&lt;/strong&gt;, alors &amp;acirc;g&amp;eacute; de 84 ans, et domicili&amp;eacute; &amp;agrave; Dontreix (23).&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;br /&gt;Le musicien joue, sur une vielle de Nigout, une s&amp;eacute;rie d'airs &amp;agrave; danser : giattes, polkas, scottishs, marches nuptiales, valses, etc.&lt;br /&gt;Il chante quelques-uns de ces airs, en fran&amp;ccedil;ais ou en occitan, parle de sa vielle, d'un instrument qu'il a construit, et raconte &amp;agrave; M. Prudent le d&amp;eacute;roulement des mariages traditionnels.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;Cet enregistrement fut r&amp;eacute;alis&amp;eacute; par Georges Prudent, lui-aussi musicien.&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;Le signal &amp;eacute;tant tr&amp;egrave;s faible, une partie de cet enregistrement est difficilement audible, mais le contenu m&amp;eacute;rite souvent de faire un effort...&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:38.000
Giatte&#13;

00:01:38.000 --&gt; 00:02:23.000
Y'en a trois qui veulent ma fille  &#13;

00:02:23.000 --&gt; 00:04:21.000
Idem&#13;

00:04:21.000 --&gt; 00:05:43.000
Polka piquée&#13;

00:05:43.000 --&gt; 00:06:10.000
Polka piquée&#13;

00:06:10.000 --&gt; 00:06:45.000
Polka piquée&#13;

00:06:45.000 --&gt; 00:07:07.000
T'as minjat mon chaul, chant&#13;

00:07:07.000 --&gt; 00:08:20.000
La patte d'oie&#13;

00:08:20.000 --&gt; 00:09:43.000
Marche « Général Boulanger »&#13;

00:09:43.000 --&gt; 00:11:12.000
Scottish&#13;

00:11:12.000 --&gt; 00:12:55.000
Mazurka « Voyez ce petit gamin »&#13;

00:12:55.000 --&gt; 00:14:26.000
Chabreli&#13;

00:14:26.000 --&gt; 00:16:08.000
L'aiga de ròsa  &#13;

00:16:08.000 --&gt; 00:17:08.000
Gigue « Les campagnes d'Afrique »&#13;

00:17:08.000 --&gt; 00:17:38.000
Dis-moi donc Lison&#13;

00:17:38.000 --&gt; 00:19:00.000
Cassava las notz&#13;

00:19:00.000 --&gt; 00:22:17.000
Est-ce que vous en connaissez une ?...&#13;

00:22:17.000 --&gt; 00:24:13.000
Que veniatz-vos cherchar ?&#13;

00:24:13.000 --&gt; 00:24:51.000
Des marches ?&#13;

00:24:51.000 --&gt; 00:25:31.000
Marche de noces&#13;

00:25:31.000 --&gt; 00:26:21.000
Ren-ren-ren&#13;

00:26:21.000 --&gt; 00:28:01.000
J'embrasse les filles, valse &#13;

00:28:01.000 --&gt; 00:28:59.000
Mignonne&#13;

00:28:59.000 --&gt; 00:29:43.000
Mon papa ne veut pas&#13;

00:29:43.000 --&gt; 00:31:06.000
Ginga-La&#13;

00:31:06.000 --&gt; 00:33:27.000
Mademoiselle bonsoir, valse&#13;

00:33:27.000 --&gt; 00:33:55.000
Marche&#13;

00:33:55.000 --&gt; 00:36:33.000
Giatte&#13;

00:36:33.000 --&gt; 00:37:32.000
Tiens-bon, Marie-Madeleine&#13;

00:37:32.000 --&gt; 00:39:29.000
Turlututu&#13;

00:39:29.000 --&gt; 00:40:36.000
Y'en a trois qui veulent ma fille&#13;

00:40:36.000 --&gt; 00:41:18.000
Vai, vai, vai mascarada&#13;

00:41:18.000 --&gt; 00:42:13.000
Si j'étais veuve &#13;

00:42:13.000 --&gt; 00:42:43.000
Cassava las notz, chant&#13;

00:42:43.000 --&gt; 00:42:56.000
Marche de noces &#13;

00:42:56.000 --&gt; 00:44:35.000
Dialogue de l'eau et du vin&#13;

00:44:35.000 --&gt; 00:44:50.000
Ginga-la&#13;

00:44:50.000 --&gt; 00:45:23.000
Valse&#13;

00:45:23.000 --&gt; 00:46:22.000
Jouer de la vielle  &#13;

00:46:22.000 --&gt; 00:47:24.000
Du quadrille &#13;

00:47:24.000 --&gt; 00:49:38.000
Une polka&#13;

00:49:38.000 --&gt; 00:51:35.000
Quadrille&#13;

00:51:35.000 --&gt; 00:52:09.000
Réveillez-vous la belle &#13;

00:52:09.000 --&gt; 00:00:00.000
De la noce &#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par Fran&amp;ccedil;oise &amp;Eacute;tay. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/span&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Il s'agit d'une succession d'enregistrements de &lt;strong&gt;Marcelle Delpastre&lt;/strong&gt;, faits &amp;agrave; Germont (commune de Chamberet, Corr&amp;egrave;ze). &lt;br /&gt;Datant du d&amp;eacute;but des ann&amp;eacute;es 1980, une partie de ce document a &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e par Marcelle Delpastre elle m&amp;ecirc;me, l'autre par &lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Jan dau Melhau.&lt;br /&gt;&lt;br /&gt;Marcelle Delpastre dit quelques-uns de ses textes :&lt;br /&gt;- S&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&amp;eacute;quences 1 &amp;agrave; 8 : &amp;laquo; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Chansons &amp;agrave; d&amp;eacute;charger le fumier &amp;raquo; ; &lt;br /&gt;- S&amp;eacute;quences 9 &amp;agrave; 17 : une suite de chansons traditionnelles ;&lt;br /&gt;- S&amp;eacute;quences 18 et 19 : &amp;laquo; Nathana&amp;euml;l sous le figuier &amp;raquo;, extraits du recueil &amp;eacute;ponyme paru en 1987 au Chamin de sent Jaume.&lt;br /&gt;&lt;br /&gt;Fran&amp;ccedil;oise &amp;Eacute;tay, qui s'est charg&amp;eacute;e du s&amp;eacute;quencement, pr&amp;eacute;cise que, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;de 12 &amp;agrave; 16, ce sont divers appels de &amp;laquo; la haula &amp;raquo;. &lt;a href="https://la-biaca.org/files/original/galeries/13329/HaulaRed.pdf" target="_blank" rel="noreferrer noopener"&gt;(&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13329/HaulaRed.pdf" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;-&amp;raquo; &lt;/span&gt;&lt;/span&gt;Voir &amp;agrave;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13329/HaulaRed.pdf" target="_blank" rel="noreferrer noopener"&gt; ce sujet l'article de Marcelle Delpastre paru dans le N&amp;deg; 29 du Bulletin de la SELM datant de juillet 1968).&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/13321/Chansons_a_de_charger_le_fumier.pdf" target="_blank" rel="noopener"&gt;-&amp;raquo; Marcelle Delpastre : Dossier rassembl&amp;eacute; &amp;amp; pr&amp;eacute;sent&amp;eacute; par Jan dau Melhau, &amp;Eacute;ditions Plein Chant&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://fr.wikipedia.org/wiki/Marcelle_Delpastre" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; La page Wikip&amp;eacute;dia consacr&amp;eacute;e &amp;agrave; Marcelle Delpastre&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://fresques.ina.fr/borbolh-occitan-fr/fiche-media/Occita00094/marcelle-delpastre.html" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; 50 ans de borbolh occitan (INA)&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://www.youtube.com/watch?v=IPde76jtTrg" target="_blank" rel="noreferrer noopener"&gt;-&amp;raquo; Une vie, une oeuvre : Po&amp;egrave;te et paysanne, une &amp;eacute;mission de France Culture&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;a href="https://fresques.ina.fr/borbolh-occitan-fr/fiche-media/Occita00094/marcelle-delpastre.html" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;&lt;span class="fr"&gt;Marcelle Delpastre &lt;/span&gt;&lt;span class="fr"&gt;(1925-1998) po&amp;egrave;te, conteuse, romanci&amp;egrave;re et ethnologue &lt;/span&gt;est l&amp;rsquo;auteur d&amp;rsquo;une &amp;oelig;uvre de grande envergure et tr&amp;egrave;s diversifi&amp;eacute;e (po&amp;eacute;sie, nouvelles, travaux d&amp;rsquo;ethnographie, m&amp;eacute;moires, etc.), en fran&amp;ccedil;ais et en occitan limousin. &lt;br /&gt;&lt;/span&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:07.000
 &#13;

00:00:07.000 --&gt; 00:01:28.000
Alchimie&#13;

00:01:28.000 --&gt; 00:03:32.000
L'inventaire&#13;

00:03:32.000 --&gt; 00:05:38.000
Per nainar lo pitit...&#13;

00:05:38.000 --&gt; 00:07:16.000
Petit bestiaire&#13;

00:07:16.000 --&gt; 00:07:50.000
Fille d'ici&#13;

00:07:50.000 --&gt; 00:08:39.000
Le soleil&#13;

00:08:39.000 --&gt; 00:11:16.000
Au jardin d'Aladin&#13;

00:11:16.000 --&gt; 00:14:05.000
Chanson pour les enfants&#13;

00:14:05.000 --&gt; 00:16:13.000
Granda Marie&#13;

00:16:13.000 --&gt; 00:18:11.000
Nicolas&#13;

00:18:11.000 --&gt; 00:18:26.000
Lo chanabon&#13;

00:18:26.000 --&gt; 00:20:12.000
Òc-es las filhas&#13;

00:20:12.000 --&gt; 00:22:41.000
Te vòle far maridar&#13;

00:22:41.000 --&gt; 00:25:05.000
N'autras avem de braves ribans&#13;

00:25:05.000 --&gt; 00:29:31.000
T'ai plan 'gut l'alen&#13;

00:29:31.000 --&gt; 00:30:53.000
Bote botelha&#13;

00:30:53.000 --&gt; 00:32:57.000
En traversar lo país de l'Auvernha&#13;

00:32:57.000 --&gt; 00:36:49.000
Natanael jos lo figuier&#13;

00:36:49.000 --&gt; 00:00:00.000
Natanael jos lo figuier (seguida)&#13;

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 &#13;

00:00:07.000 --&gt; 00:01:28.000
Alchimie&#13;

00:01:28.000 --&gt; 00:03:32.000
L'inventaire&#13;

00:03:32.000 --&gt; 00:05:38.000
Per nainar lo pitit...&#13;

00:05:38.000 --&gt; 00:07:16.000
Petit bestiaire&#13;

00:07:16.000 --&gt; 00:07:50.000
Fille d'ici&#13;

00:07:50.000 --&gt; 00:08:39.000
Le soleil&#13;

00:08:39.000 --&gt; 00:11:16.000
Au jardin d'Aladin&#13;

00:11:16.000 --&gt; 00:14:05.000
Chanson pour les enfants&#13;

00:14:05.000 --&gt; 00:16:13.000
Granda Marie&#13;

00:16:13.000 --&gt; 00:18:11.000
Nicolas&#13;

00:18:11.000 --&gt; 00:18:26.000
Lo chanabon&#13;

00:18:26.000 --&gt; 00:20:12.000
Òc-es las filhas&#13;

00:20:12.000 --&gt; 00:22:41.000
Te vòle far maridar&#13;

00:22:41.000 --&gt; 00:25:05.000
N'autras avem de braves ribans&#13;

00:25:05.000 --&gt; 00:29:31.000
T'ai plan 'gut l'alen&#13;

00:29:31.000 --&gt; 00:30:53.000
Bote botelha&#13;

00:30:53.000 --&gt; 00:32:57.000
En traversar lo país de l'Auvernha&#13;

00:32:57.000 --&gt; 00:36:49.000
Natanael jos lo figuier&#13;

00:36:49.000 --&gt; 00:00:00.000
Natanael jos lo figuier (seguida)&#13;

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 &#13;

00:00:07.000 --&gt; 00:01:28.000
Alchimie&#13;

00:01:28.000 --&gt; 00:03:32.000
L'inventaire&#13;

00:03:32.000 --&gt; 00:05:38.000
Per nainar lo pitit...&#13;

00:05:38.000 --&gt; 00:07:16.000
Petit bestiaire&#13;

00:07:16.000 --&gt; 00:07:50.000
Fille d'ici&#13;

00:07:50.000 --&gt; 00:08:39.000
Le soleil&#13;

00:08:39.000 --&gt; 00:11:16.000
Au jardin d'Aladin&#13;

00:11:16.000 --&gt; 00:14:05.000
Chanson pour les enfants&#13;

00:14:05.000 --&gt; 00:16:13.000
Granda Marie&#13;

00:16:13.000 --&gt; 00:18:11.000
Nicolas&#13;

00:18:11.000 --&gt; 00:18:26.000
Lo chanabon&#13;

00:18:26.000 --&gt; 00:20:12.000
Òc-es las filhas&#13;

00:20:12.000 --&gt; 00:22:41.000
Te vòle far maridar&#13;

00:22:41.000 --&gt; 00:25:05.000
N'autras avem de braves ribans&#13;

00:25:05.000 --&gt; 00:29:31.000
T'ai plan 'gut l'alen&#13;

00:29:31.000 --&gt; 00:30:53.000
Bote botelha&#13;

00:30:53.000 --&gt; 00:32:57.000
En traversar lo país de l'Auvernha&#13;

00:32:57.000 --&gt; 00:36:49.000
Natanael jos lo figuier&#13;

00:36:49.000 --&gt; 00:00:00.000
Natanael jos lo figuier (seguida)&#13;

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                <text>Jouillat, Enquête municipale&#13;
Première partie</text>
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                <text>Tous les genres</text>
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                <text>Jean-François Vignaud, IEO Lemosin</text>
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                <text>Charles Lebrun, Georges Dauger, Maurice Pissalou et Daniel Lannet</text>
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                <text>https://la-biaca.org/items/show/13301</text>
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                <text>&lt;p&gt;Enqu&amp;ecirc;te municipale &amp;agrave; Jouillat (23)&amp;nbsp;&lt;br /&gt;Il s&amp;rsquo;agit ici de la premi&amp;egrave;re partie de l&amp;rsquo;enregistrement d&amp;rsquo;une enqu&amp;ecirc;te r&amp;eacute;alis&amp;eacute;e le 19 juillet 2004 &amp;agrave; la mairie de Jouillat, aupr&amp;egrave;s d&amp;rsquo;informateurs et personnes ressources originaires de la commune. &lt;br /&gt;On y entendra quatre enfants du pays, Charles Lebrun (maire de Jouillat), Georges Dauger, Maurice Pissalou et Daniel Lannet nous livrer successivement (et parfois dans un joyeux brouhaha) leurs impressions sur le &amp;laquo; patois &amp;raquo; et ses variantes dialectales, sur sa disparition et l&amp;rsquo;attachement qu&amp;rsquo;ils lui t&amp;eacute;moignent. &lt;br /&gt;On y entendra &amp;eacute;galement les noms des villages de la commune dans leurs formes linguistiques locales, des souvenirs sur l&amp;rsquo;ancienne ligne de chemin de fer Gu&amp;eacute;ret-La Ch&amp;acirc;tre, des anecdotes sur les loups et les chiens enrag&amp;eacute;s, des histoires sur le cur&amp;eacute; de Jouillat, de nombreux commentaires sur les observations li&amp;eacute;es au calendrier traditionnel et aux rites associ&amp;eacute;s aux fun&amp;eacute;railles&amp;hellip; Sans oublier quelques chansons, &lt;em&gt;Le Turlututu&lt;/em&gt; et l&amp;rsquo;incontournable &lt;em&gt;Les ma&amp;ccedil;ons de la Creuse&lt;/em&gt; qui font &amp;eacute;cho aux nombreuses anecdotes livr&amp;eacute;es sur les migrations saisonni&amp;egrave;res des ma&amp;ccedil;ons. &lt;br /&gt;L&amp;rsquo;intervention d&amp;rsquo;un journaliste de France-Bleu Creuse venu effectuer un reportage se fait entendre des plages 8 &amp;agrave; 15. Les titres des plages sont &amp;eacute;crits en fran&amp;ccedil;ais et quelquefois en occitan marchois dont l&amp;rsquo;adaptation graphique aux r&amp;egrave;gles &amp;eacute;crites de l&amp;rsquo;occitan &amp;laquo; standard &amp;raquo; n&amp;rsquo;est pas sans parfois poser quelques questions&amp;hellip; &lt;br /&gt;&amp;rarr; Cliquer ici pour acc&amp;eacute;der aux r&amp;egrave;gles de lecture&lt;br /&gt;&lt;br /&gt;Informateurs (de gauche &amp;agrave; droite sur la photo) : &lt;br /&gt;Charles Lebrun, Georges Dauger, Maurice Pissaloux et Daniel Lannet. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Enqu&amp;ecirc;teur : Jean-Fran&amp;ccedil;ois Vignaud .&lt;br /&gt;Cet enregistrement sur MiniDisc est issu du fond d&amp;rsquo;enregistrements constitu&amp;eacute; par l&amp;rsquo;IEO Lemosin lors de ses enqu&amp;ecirc;tes men&amp;eacute;es en 2004-2005 sur les traditions populaires, la langue et la culture occitanes sur le Pays de Gu&amp;eacute;ret &amp;ndash; Saint-Vaury&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener"&gt;&amp;rarr; cliquer ici pour acc&amp;eacute;der &amp;agrave; la pr&amp;eacute;sentation de ces enqu&amp;ecirc;tes.&lt;/a&gt;&lt;a href="https://la-biaca.org/files/original/galeries/13311/Presentation_enquete_pays_de_Gueret.pdf" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:37.000
Propos sur les résultats des enquêtes linguistiques du XIXème siècle&#13;

00:01:37.000 --&gt; 00:02:28.000
Sur le « patois du croissant »&#13;

00:02:28.000 --&gt; 00:03:39.000
Différences entre les patois des villages&#13;

00:03:39.000 --&gt; 00:04:50.000
Commentaires sur l'enquête de Tourtoulon et Bringuier et la limite oc-oïl&#13;

00:04:50.000 --&gt; 00:05:09.000
Le patois de Villecoulon et de Roussines&#13;

00:05:09.000 --&gt; 00:05:40.000
Les patois de Villecoulon, de Roussines&#13;

00:05:40.000 --&gt; 00:07:02.000
Les conseils municipaux tenus en patois&#13;

00:07:02.000 --&gt; 00:07:34.000
Cris d'appels aux animaux&#13;

00:07:34.000 --&gt; 00:08:39.000
Où avez-vous appris le patois?&#13;

00:08:39.000 --&gt; 00:09:47.000
On parle encore patois&#13;

00:09:47.000 --&gt; 00:10:49.000
Les patois que l'on comprend&#13;

00:10:49.000 --&gt; 00:14:25.000
Autres impressions personnelles sur le patois&#13;

00:14:25.000 --&gt; 00:17:54.000
Témoignage du maire de Jouillat sur sa commune et sur la disparition du patois&#13;

00:17:54.000 --&gt; 00:20:01.000
Quand on se rencontre, on parle en patois&#13;

00:20:01.000 --&gt; 00:21:49.000
Pour la conservation du patois mais sans communautarisme&#13;

00:21:49.000 --&gt; 00:24:23.000
Enquête toponymique&#13;

00:24:23.000 --&gt; 00:25:24.000
Comptar de un a vint&#13;

00:25:24.000 --&gt; 00:26:18.000
La fontière dialectale entre Villecoulon et Roussines&#13;

00:26:18.000 --&gt; 00:26:59.000
Coneissetz-vos daus contes ?&#13;

00:26:59.000 --&gt; 00:27:51.000
La construction de la ligne de chemin de fer Guéret - la Châtre&#13;

00:27:51.000 --&gt; 00:28:30.000
Barraques, bistrots et bals&#13;

00:28:30.000 --&gt; 00:30:21.000
Faits-divers autour de  « La grande Ugénie »&#13;

00:30:21.000 --&gt; 00:30:47.000
Venir à l'école en wagonnets&#13;

00:30:47.000 --&gt; 00:31:07.000
La ligne fut exploitée durant 50 ans&#13;

00:31:07.000 --&gt; 00:32:12.000
Inauguration de la ligne par le ministre Barthou&#13;

00:32:12.000 --&gt; 00:32:58.000
Los darniers lops&#13;

00:32:58.000 --&gt; 00:34:19.000
Los chins enratjats&#13;

00:34:19.000 --&gt; 00:34:44.000
Mon arriere-grand-pair avie tuat un daus darniers lops&#13;

00:34:44.000 --&gt; 00:35:23.000
Le curet de Jaulhac que s'ere batut aveque le maire&#13;

00:35:23.000 --&gt; 00:35:51.000
Le prêche du curé sur « las voaturas sens chevaus »&#13;

00:35:51.000 --&gt; 00:36:35.000
Les protestants sur la commune de Jouillat&#13;

00:36:35.000 --&gt; 00:40:23.000
Velhar los mòrts e enterrements&#13;

00:40:23.000 --&gt; 00:41:10.000
Le vilatge dau Chasnhe&#13;

00:41:10.000 --&gt; 00:42:04.000
Portar los mòrts&#13;

00:42:04.000 --&gt; 00:42:43.000
Alphabétisation et anticléricalisme&#13;

00:42:43.000 --&gt; 00:43:44.000
La messe daus Raméls e le boquet de boen (buès)&#13;

00:43:44.000 --&gt; 00:44:17.000
Le vent daus Raméls&#13;

00:44:17.000 --&gt; 00:44:52.000
Le boen per sinhar la première voature de fen&#13;

00:44:52.000 --&gt; 00:46:11.000
La messe le jour du réferendum de 1958&#13;

00:46:11.000 --&gt; 00:47:04.000
Los Raméls&#13;

00:47:04.000 --&gt; 00:48:06.000
La Setmane sente&#13;

00:48:06.000 --&gt; 00:48:11.000
Saint Martin, écorne boeufs et brise moulins&#13;

00:48:11.000 --&gt; 00:48:58.000
Anecdote sur la Saint Martin&#13;

00:48:58.000 --&gt; 00:50:04.000
Pas liar le bestiau quand quauqu'un ere mòrt&#13;

00:50:04.000 --&gt; 00:50:36.000
Pas tochar la terre le jeudi et le vendredi sent&#13;

00:50:36.000 --&gt; 00:52:21.000
Las processions a la fònt de la cure&#13;

00:52:21.000 --&gt; 00:53:33.000
La feste de la Sent Ròc&#13;

00:53:33.000 --&gt; 00:54:10.000
La fònt Sent Ròc&#13;

00:54:10.000 --&gt; 00:54:37.000
La fònt Sent Silvain de Bònac&#13;

00:54:37.000 --&gt; 00:55:07.000
La fònt Sent Menor&#13;

00:55:07.000 --&gt; 00:59:00.000
Le tresfojau de Sent Jan&#13;

00:59:00.000 --&gt; 00:59:26.000
Los Reis&#13;

00:59:26.000 --&gt; 01:00:21.000
Dins los bals: las danças&#13;

01:00:21.000 --&gt; 01:01:35.000
Commentaires sur les danses (difficilement audibles)&#13;

01:01:35.000 --&gt; 01:02:52.000
Los joeurs de viele e de musette&#13;

01:02:52.000 --&gt; 01:05:01.000
Commentaires sur les musiciens locaux (difficilement audibles)&#13;

01:05:01.000 --&gt; 01:05:18.000
Las chançons&#13;

01:05:18.000 --&gt; 01:05:38.000
Le turlututu&#13;

01:05:38.000 --&gt; 01:07:40.000
Les maçons de la Creuse&#13;

01:07:40.000 --&gt; 01:08:18.000
La pauvre Angèle&#13;

01:08:18.000 --&gt; 01:09:03.000
La Yoyette&#13;

01:09:03.000 --&gt; 01:09:33.000
E de las borréias ?&#13;

01:09:33.000 --&gt; 01:10:46.000
La migration des maçons&#13;

01:10:46.000 --&gt; 01:11:52.000
Los maçons arrivavan aveque lor materiel&#13;

01:11:52.000 --&gt; 01:12:37.000
A la fin de la campanhe ilhs raportavan de l'argent&#13;

01:12:37.000 --&gt; 01:13:05.000
Cantinas et garnits&#13;

01:13:05.000 --&gt; 01:14:06.000
Des maçons économes et des dépensiers.&#13;

01:14:06.000 --&gt; 01:14:40.000
Le viaduc de Glenic&#13;

01:14:40.000 --&gt; 01:16:56.000
Départ et retour des maçons&#13;

01:16:56.000 --&gt; 01:18:31.000
Los que ne partian pas en campanhe&#13;

01:18:31.000 --&gt; 01:19:30.000
Los darniers maçons migrants
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	Marche&#13;

00:00:47.000 --&gt; 00:01:38.000
Danse du tapis&#13;

00:01:38.000 --&gt; 00:02:25.000
	Commentaires&#13;

00:02:25.000 --&gt; 00:02:40.000
Pòlca de Madranjas, chant&#13;

00:02:40.000 --&gt; 00:03:30.000
La danse du tapis&#13;

00:03:30.000 --&gt; 00:05:09.000
Comment ils disent ?&#13;

00:05:09.000 --&gt; 00:05:47.000
Las Passions, instrumental&#13;

00:05:47.000 --&gt; 00:05:54.000
Las Passions, chant&#13;

00:05:54.000 --&gt; 00:07:11.000
La quête des oeufs&#13;

00:07:11.000 --&gt; 00:09:11.000
Essai de l'accordéon&#13;

00:09:11.000 --&gt; 00:09:38.000
Essai, bourrée&#13;

00:09:38.000 --&gt; 00:11:30.000
Danser la bourrée, commentaires&#13;

00:11:30.000 --&gt; 00:12:30.000
"Sicotiche"&#13;

00:12:30.000 --&gt; 00:13:16.000
Chau que fumam&#13;

00:13:16.000 --&gt; 00:14:24.000
Pòlca&#13;

00:14:24.000 --&gt; 00:14:59.000
Le quadrille (1ère partie)&#13;

00:14:59.000 --&gt; 00:16:02.000
Quadrille, suite&#13;

00:16:02.000 --&gt; 00:17:47.000
L'aiga de ròsa  &#13;

00:17:47.000 --&gt; 00:18:01.000
Le ressort est cassé&#13;

00:18:01.000 --&gt; 00:19:23.000
Mazurka&#13;

00:19:23.000 --&gt; 00:20:32.000
Pintou&#13;

00:20:32.000 --&gt; 00:20:54.000
Et le pélélé ?&#13;

00:20:54.000 --&gt; 00:21:42.000
Il y a un joli moment&#13;

00:21:42.000 --&gt; 00:22:58.000
Le pélélé&#13;

00:22:58.000 --&gt; 00:23:26.000
Pélélé chant&#13;

00:23:26.000 --&gt; 00:25:53.000
E La parisiena ?&#13;

00:25:53.000 --&gt; 00:28:32.000
La parisienne&#13;

00:28:32.000 --&gt; 00:29:43.000
Comment vous la chantez ?&#13;

00:29:43.000 --&gt; 00:30:56.000
Vous la preniez en bas &#13;

00:30:56.000 --&gt; 00:31:43.000
Les paroles ?&#13;

00:31:43.000 --&gt; 00:32:17.000
Pòlca daus Beissenacs &#13;

00:32:17.000 --&gt; 00:32:52.000
Chant&#13;

00:32:52.000 --&gt; 00:33:22.000
Valse &#13;

00:33:22.000 --&gt; 00:33:35.000
Elle est jolie &#13;

00:33:35.000 --&gt; 00:34:06.000
Valse lente &#13;

00:34:06.000 --&gt; 00:34:33.000
C'est pour ça qu'on enregistre&#13;

00:34:33.000 --&gt; 00:35:46.000
Scottish-valse&#13;

00:35:46.000 --&gt; 00:36:07.000
Mon père la jouait&#13;

00:36:07.000 --&gt; 00:36:53.000
Pierre ne t'en va pas si vite
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                <text>&lt;p&gt;Sur cette cassette audio que Jan dau Melhau a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, se trouvent plusieurs enregistrements d'Octave Bariant.&lt;br /&gt;Octave Bariant &lt;span class="itemlist-details__title information"&gt;&lt;span class="item-indirectrole"&gt;(1899-1993)&amp;nbsp; fut chanteur soliste &amp;agrave; &lt;/span&gt;&lt;/span&gt;la chorale Les enfants de Limoges et participa en 1933 &amp;agrave; la fondation du groupe foklorique &lt;em&gt;L&amp;rsquo;&amp;Eacute;glantino do Limouzi&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="itemlist-details__title information"&gt;&lt;span class="item-indirectrole"&gt;En 1938, l&lt;/span&gt;&lt;/span&gt;&amp;rsquo;&amp;eacute;diteur de musique et disquaire Limougeaud Lagueny, boulevard Carnot, le pr&amp;eacute;senta &amp;agrave; la soci&amp;eacute;t&amp;eacute; Columbia, pour laquelle il fit trois 78 tours reprenant des chansons limousines de tradition et des compositions plus r&amp;eacute;centes. &lt;br /&gt;&lt;br /&gt;Sur cette cassette, ces 78 tours enregistr&amp;eacute;s en 1938 : &lt;em&gt;Lo chabreta&amp;iuml;re&lt;/em&gt;, &lt;em&gt;Un jorn dins l'estolha&lt;/em&gt;,&lt;em&gt; La gerba bauda&lt;/em&gt; (paroles Jean Rebier, musique Andr&amp;eacute; Le Gentile, &lt;em&gt;La Brian&amp;ccedil;a&lt;/em&gt; (paroles de Joseph Mazabraud, musique de Fran&amp;ccedil;ois Sarre), &lt;em&gt;Lo turlututu&lt;/em&gt;, et &lt;em&gt;Lo cuer de ma mia &lt;/em&gt;de Simon Poylev&amp;eacute; (1620-1697). &lt;br /&gt;Ensuite des airs de la chorale de &lt;em&gt;L' &amp;Eacute;glantino do Lemouzi&lt;/em&gt; Bonjour Bergerette, La Chanson des bouchers de Limoges, La bourr&amp;eacute;e de Brigueil. Puis une biographie d'Octave Bariant, (sans doute une &amp;eacute;mission de radio dans lequel il interpr&amp;egrave;te des extraits du dernier acte de Mignon, de Les mousquetaires au couvent et de la s&amp;eacute;r&amp;eacute;nade de Gounod, accompagn&amp;eacute; au piano par Mme Marquet.&lt;br /&gt;Dans la derni&amp;egrave;re partie de ce document on le retrouve, &amp;acirc;g&amp;eacute; de 82 ans, accompagn&amp;eacute; &amp;agrave; l'accord&amp;eacute;on par Jacques Dunoyer dans un r&amp;eacute;pertoire Limousin : &lt;em&gt;La Brian&amp;ccedil;a&lt;/em&gt;, &lt;em&gt;La Maiada&lt;/em&gt;. &lt;br /&gt;La cassette se termine par trois airs de danse du r&amp;eacute;pertoire de &lt;em&gt;L'&amp;Eacute;glantino do Lemouzi&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Images d'illustration &lt;a href="http://mustradilim.free.fr/doc/tubes/index.html" target="_blank" rel="noreferrer noopener"&gt;Mustradilim&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Merci &amp;agrave; Fran&amp;ccedil;oise &amp;Eacute;tay pour ses pr&amp;eacute;cisions sur le contenu de ce document !&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NB. La graphie utilis&amp;eacute;e pour les titres des s&amp;eacute;quences est la graphie de l'&amp;eacute;poque.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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Lou chobretaire&#13;

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Un jour di l'eitoulia&#13;

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Lo Gerbo-Baudo&#13;

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Lou turlututu&#13;

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Bourrée de Brigueil&#13;

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Octave Bariant&#13;

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Mignon&#13;

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Les mousquetaires au couvent&#13;

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Sérénade de Gounod&#13;

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Au piano...&#13;

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Lo Brianço&#13;

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Lo Maïado&#13;

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Il faut le faire !&#13;

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Borreia croisada&#13;

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Ma Liseta&#13;

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C'est-y ce côté qui tourne ?&#13;

00:44:09.000 --&gt; 00:45:00.000
Marches Limousines&#13;

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Chaillat, Cadret, Feynie, Bitard</text>
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Polka piquée&#13;

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Bourrée&#13;

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Scottish&#13;

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Polka&#13;

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Bourrée&#13;

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Congo&#13;

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Scottish&#13;

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Valse&#13;

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valse&#13;

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Le renard et le chat (1)&#13;

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Le renard et le chat (2)&#13;

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La bête, l’homme et ses trois filles &#13;

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Les trois noisettes&#13;

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La mau-maridada&#13;

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Pompeta&#13;

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Le coucou&#13;

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Les chats&#13;

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Le rossignol&#13;

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En fan l'amor&#13;

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Lo menuguet&#13;

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Présentation&#13;

00:00:06.000 --&gt; 00:01:04.000
Jean Rebier&#13;

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Quand lu verai venir&#13;

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À Édouard Michaud&#13;

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Les Pibolous&#13;

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Polka-piquée&#13;

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Brisquet Cellois&#13;

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Varsovienne du Poitou&#13;

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Le vieux bal&#13;

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Polka des lapins&#13;

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La Sagantina&#13;

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Au revoir&#13;

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Le Turlututu&#13;

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                <text>&lt;p class="MsoNormal"&gt;&lt;span style="font-family: Georgia, serif; font-size: 10pt; color: #000000;"&gt;Sur le bo&amp;icirc;tier contenant cette bande audio, il est not&amp;eacute; &lt;span style="color: #808080;"&gt;&amp;laquo; R&amp;eacute;volte des paysans &amp;agrave; Favars en 1790, Attaque de la diligence &amp;agrave; la garenne de Bosredon (1832) Conf&amp;eacute;rence faire le 19-11-77 par Ms. Dautrement et Chalard &amp;raquo;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span style="line-height: 115%; font-family: Georgia, serif;"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros, l&amp;rsquo;enregistrement d&amp;rsquo;une conf&amp;eacute;rence faite le 19 novembre 1977 par MM. &lt;strong&gt;L&amp;eacute;on Dautrement&lt;/strong&gt; et &lt;strong&gt;Yvon Chalard&lt;/strong&gt; &amp;agrave; Favars (19).&lt;br /&gt;L&amp;eacute;on Dautrement (1899-1979) &amp;eacute;tait enseignant, syndicaliste enseignant et r&amp;eacute;publicain engag&amp;eacute;, il publia de nombreux ouvrages sur la r&amp;eacute;gion. &lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="line-height: 115%; font-family: Georgia, serif;"&gt;Au moment de la conf&amp;eacute;rence il &amp;eacute;tait pr&amp;eacute;sident de la Soci&amp;eacute;t&amp;eacute; scientifique, historique et arch&amp;eacute;ologique de la Corr&amp;egrave;ze dans le bulletin de laquelle il publiait r&amp;eacute;guli&amp;egrave;rement des articles.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="line-height: 115%; font-family: Georgia, serif;"&gt;Apr&amp;egrave;s avoir pr&amp;eacute;sent&amp;eacute; la situation &amp;agrave; la veille de la R&amp;eacute;volution, M. Dautrement, &amp;eacute;voque les &amp;eacute;v&amp;egrave;nements de Lachamp et de Favars et les diff&amp;eacute;rents &amp;eacute;crits relatant ces &amp;eacute;v&amp;egrave;nements.&lt;span&gt;&lt;br /&gt;&lt;/span&gt;Ensuite, son ami Yvon Chalard, enseignant lui aussi, parle des attaques de diligences &amp;agrave; Condat-sur-Ganaveix et Favars.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; color: #000000;"&gt;&lt;em&gt;&lt;span style="font-family: Georgia, serif;"&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles &amp;laquo; folkloriques &amp;raquo;, veill&amp;eacute;es et animations dans le cadre du Foyer rural de Favars.&lt;/span&gt;&lt;/em&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="color: #000000;"&gt;&lt;em&gt;&lt;span style="font-family: Georgia, serif;"&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour Les films du geni&amp;egrave;vre.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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Le contexte&#13;

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L'affaire de La garenne de Bosredon&#13;

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                <text>Odette BROUSSE</text>
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                <text>La Chapelle-aux-Saints</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;C'est sur les conseils d'un de ses voisins, Jean-Claude Cluzan, que nous avons rencontr&amp;eacute;, au mois de f&amp;eacute;vrier 2018, &lt;strong&gt;Odette BROUSSE&lt;/strong&gt;, &amp;agrave; La Chapelle-aux-Saints dans le sud de la Corr&amp;egrave;ze &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Nous avons extrait de cette collecte un petit document &amp;raquo; &lt;em&gt;&lt;a href="https://www.youtube.com/watch?v=XJ2Gu17PYZ4&amp;amp;t=27s" target="_blank" style="color: #000000;" rel="noreferrer noopener"&gt;(Far la far&amp;ccedil;adura)&lt;/a&gt; &lt;/em&gt;sur la fabrication de la farcidure (farce-dure, mique ...), ou plut&amp;ocirc;t d'une des formes de farcidures &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&amp;raquo; &lt;/span&gt;(&lt;a href="https://la-biaca.org/items/show/710" target="_blank" style="color: #000000;" rel="noopener noreferrer"&gt;Voir la collecte aupr&amp;egrave;s de Mme Thieyre&lt;/a&gt;). &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Mme Brousse nous avait aussi parl&amp;eacute; de sa vie, de la pratique de la langue, etc. et il nous a paru int&amp;eacute;ressant de mettre en ligne l'int&amp;eacute;grale de cet enqu&amp;ecirc;te.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Enregistr&amp;eacute; en pr&amp;eacute;sence de Jean-Claude et Genevi&amp;egrave;ve Cluzan, Henri Audubert, Daniel Perrinet et Denise Rajewski.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Interview, montage et prise de vue : IEO Lemosin, Pascal Boudy, Jean Pierre Lacombe&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros, un enregistrement r&amp;eacute;alis&amp;eacute; le 8 juillet 1975 &amp;agrave; Favars (19), lors d'une soir&amp;eacute;e "chant et danse traditionnelle&lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;"&lt;/span&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;&lt;span class="fr"&gt;On retrouve dans cet enregistrement les fr&amp;egrave;res Fraysse interpr&amp;eacute;tant &lt;em&gt;"La vacha desbanada"&lt;/em&gt;, le groupe folklorique du foyer de Favars (bourr&amp;eacute;e, suite de valses, quadrille), M. Dubois qui raconte quelques blagues en fran&amp;ccedil;ais et en occitan (Le soldat, &lt;em&gt;La cosina es malauda, Lo degertuc,&lt;/em&gt; La femme du boulanger), Alexandre Fraysse et Marcel Geneste (La chanson des mois et Tire-larigot), Alexandre Fraysse et &lt;/span&gt;&lt;span class="fr"&gt;Andr&amp;eacute; Dubois (La &lt;/span&gt;&lt;span class="fr"&gt;meuni&amp;egrave;re), Alexandre Fraysse (Qu'as tu mignonne), Marcelle Bourg (&lt;em&gt;Lo charbonier,&lt;/em&gt; 3 jeunes matelots) et Jean Pierre Marty &lt;em&gt;(La Margui)&lt;/em&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;Les documents accompagnant la bande :&lt;/span&gt;&lt;br /&gt;&lt;a href="/items/show/13227" target="_blank" rel="noreferrer noopener"&gt;- La bande et le boitier&lt;/a&gt;&lt;br /&gt;&lt;a href="/items/show/13228" target="_blank" rel="noreferrer noopener"&gt;- Notice Recto&lt;/a&gt;&lt;br /&gt;&lt;a href="/items/show/13229" target="_blank" rel="noreferrer noopener"&gt;- Notice verso&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Image d'illustration, Alexandre (dit Sandrou) et Pierre Fraysse (collection Delcros) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour "Les films du geni&amp;egrave;vre".&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, une compilation de plusieurs enregistrements effectués auprès de deux informateurs : Les frères Mondoly (Pierre, né en 1904 et René, né en 1912) &lt;br /&gt;Françoise les décrit ainsi :&lt;br /&gt;&lt;em&gt;&lt;span class="fr"&gt;"Deux chanteurs hors du commun, par l’ampleur et la qualité du répertoire qu’ils nous ont transmis. &lt;/span&gt;&lt;span class="fr"&gt;L’aîné des deux frères avait une mémoire remarquable et le plus jeune un sens musical extraordinaire."&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le premier enregistrement (jusqu'à 28 mn, 04 sec) date de 1982, nous ne savons qui l'a réalisé. On y entend quelques informatrices non identifiées, puis Pierre Mondoly et enfin François Fourniaud et "Jojo" Pichaud&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le second (de 28,05 mn à 54, 25 mn) date du 13 juin 1987, il a été fait à Eymoutiers par Annie Gaulard, accompagnée par Olivier Durif et Sylvie Heintz.&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le dernier (de 54 mn, 25 sec à la fin) date du 23 janvier 1988, il a été fait à Lacelle (19) au domicile de Pierre Mondoly par Françoise Étay et Paul Gerbaud.&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;br /&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise Étay, ce document est aussi consultable au Conservatoire à rayonnement régional à Limoges &lt;span class="st"&gt; .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="st"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;Françoise Étay&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Sur ce document, qu'a bien voulu nous confier Jean Maison, se trouve la premi&amp;egrave;re partie d'un enregistrement qu'il a r&amp;eacute;alis&amp;eacute;, le 10 ao&amp;ucirc;t 1999, aupr&amp;egrave;s de &lt;strong&gt;&lt;a href="https://fr.wikipedia.org/wiki/Pierre_Monteil" style="color: #000000;"&gt;Pierre Monteil.&lt;/a&gt;&lt;/strong&gt; &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt; &lt;br class="fr" style="font-size: 14pt; color: #000000;" /&gt;&lt;span style="color: #808080; font-size: 12pt;"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Jean Maison, bon connaisseur de la culture locale, interroge cet &amp;eacute;rudit - natif de Saint-Augustin - sur ses motivations, la langue et sa disparition, ses choix concernant la graphie, ses m&amp;eacute;thodes de travail. Ce premier enregistrement se termine par une &amp;eacute;tude des noms de lieux de la commune.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&lt;span style="color: #808080; font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Pierre Monteil (1925-2005), &amp;eacute;crivain, universitaire et linguiste parle de son ouvrage :&lt;br /&gt;&lt;span style="color: #808080;"&gt;&lt;em&gt;L&lt;/em&gt;&lt;em&gt;e parler de Saint-Augustin,&lt;/em&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808080;"&gt;&lt;em&gt;description linguistique d'un micro-dialecte occitan de Corr&amp;egrave;ze, 2 tomes, Limoges, PULIM, 1997&lt;/em&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Le premier tome de ces deux ouvrages est divis&amp;eacute; en trois parties : &lt;br /&gt;- Phon&amp;eacute;tique et phonologie&lt;br /&gt;- Morphologie &lt;br /&gt;- Syntaxe &lt;br /&gt;&lt;br /&gt;Le second tome, est un lexique alphab&amp;eacute;tique (en graphie phon&amp;eacute;tique) compl&amp;eacute;t&amp;eacute; par la liste des verbes irr&amp;eacute;guliers et une bibliographie&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; color: #808080;"&gt;Ces cassettes audio ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par le &lt;a href="https://crmtl.fr/" target="_blank" rel="noopener"&gt;CRMT en Limousin.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Présentation&#13;

00:00:15.000 --&gt; 00:04:28.000
Quelle motivation ?&#13;

00:04:28.000 --&gt; 00:08:25.000
Une dette envers la langue ?&#13;

00:08:25.000 --&gt; 00:15:13.000
La notion de langue&#13;

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L'origine de ce parler&#13;

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Les travaux des érudits&#13;

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La graphie&#13;

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Les Monédières&#13;

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La méthode&#13;

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Les Augustinois&#13;

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Les noms de lieux de la commune&#13;

01:02:40.000 --&gt; 01:03:32.000
Ma prononciation&#13;

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Des noms de lieux d'interprétation simple&#13;

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Les Escures&#13;

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La Combette&#13;

01:04:54.000 --&gt; 01:05:45.000
La Vialle-Neuve&#13;

01:05:45.000 --&gt; 01:07:21.000
La France rurale&#13;

01:07:21.000 --&gt; 01:08:18.000
Le Coustalou&#13;

01:08:18.000 --&gt; 01:09:11.000
Le Mas&#13;

01:09:11.000 --&gt; 01:10:39.000
Le Theil&#13;

01:10:39.000 --&gt; 01:11:04.000
Des noms de lieux qui se terminent en -ie-&#13;

01:11:04.000 --&gt; 01:12:19.000
Les prononcer en patois&#13;

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La Bernardie,leymarie&#13;

01:15:09.000 --&gt; 01:17:46.000
La Borie et La Pouge&#13;

01:17:46.000 --&gt; 01:17:59.000
Des noms de lieux d'origine moins claire&#13;

01:17:59.000 --&gt; 01:18:46.000
Sarlat &#13;

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Les Boiroux&#13;

01:21:11.000 --&gt; 01:22:41.000
La gane&#13;

01:22:41.000 --&gt; 01:23:16.000
Courmelas&#13;

01:23:16.000 --&gt; 01:25:51.000
La garenne&#13;

01:25:51.000 --&gt; 01:26:37.000
Le bos&#13;

01:26:37.000 --&gt; 01:27:46.000
Les Brejades&#13;

01:27:46.000 --&gt; 01:28:01.000
Roumailhac&#13;

01:28:01.000 --&gt; 01:30:15.000
Le Pont-Peyrie&#13;

01:30:15.000 --&gt; 01:30:59.000
Lafarge&#13;

01:30:59.000 --&gt; 01:32:34.000
Grandsaigne&#13;

01:32:34.000 --&gt; 01:33:03.000
Chauzeix&#13;

01:33:03.000 --&gt; 01:33:51.000
Beyssac&#13;

01:33:51.000 --&gt; 01:34:34.000
Mézinges&#13;

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                <text>[Informateurs multiples]</text>
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          <element elementId="54">
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la boîte métallique contenant cette bande il est noté :&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#808080;"&gt;&lt;span style="font-size:14pt;"&gt;- 56342- Chez Nous - 27/2/60 - A conserver&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;color:#808080;"&gt;&lt;span style="color:#000000;"&gt;Sur la face a de cette bande, une nouvelle émission de "Chez-nous" présentée par Robert Dagnas, telle qu'elle a pu être diffusée le 27 février 1960 sur les ondes de Radio Limoges .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size:14pt;color:#808080;"&gt;&lt;span style="color:#000000;"&gt;Dans cet enregistrement, une succession de morceaux du folklore Limousin (Mazurka,Bourrée, Valse...) et des chants dont quelques-uns nous paraissent être inédits :&lt;br /&gt;- "Je viens te dire adieu charmante Rosalie"&lt;br /&gt;- "&lt;span class="oc"&gt;Mon merle"&lt;/span&gt; et "Les scieurs de long" par Pierre Biossac&lt;br /&gt;- "&lt;span class="oc"&gt;Alai alai dins 'queu vilatge" (Lu Cosin)&lt;/span&gt; par Émile Pressigout&lt;br /&gt;- "Voilà six mois quand c'était le printemps" par Madeleine Richard&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size:14pt;color:#808080;"&gt;&lt;span style="color:#000000;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>DelcrosB3.mp3</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>informateurs multiples collecte a favars 3 patois limousin folklore favars musique traditionnelle</text>
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            <name>Date Issued</name>
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                <text>Collecte à FAVARS (2)</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>IEO Lemosin, dépôt Delcros</text>
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            <description>A name given to the resource</description>
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                <text>Collecte à FAVARS (3)</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>DelB03</text>
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                <text>1975</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/870</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/870/Delcros3Net.jpg</text>
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            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="333799">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette nouvelle bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros*, un enregistrement r&amp;eacute;alis&amp;eacute; &amp;agrave; Favars (19) vers 1975, lors d'une veill&amp;eacute;e. Nous retrouvons quelques informateurs pr&amp;eacute;sents sur les premiers enregistrements (voir en bas de page) : &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- En Alg&amp;eacute;rie (Andr&amp;eacute; Dubois)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La petite Marie &amp;agrave; Paris (Andr&amp;eacute; Dubois)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les grands yeux noirs (Marcel Geneste)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La jeune fille (Marcelle Bourg)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Histoire de Naves, les Madelmont (Marcelle Bourg)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Sur les bords de la Loire (Marcelle Bourg et Marcel Geneste)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les filles de Champagnac (Marcelle Bourg)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les ouvriers mangent trop (Marcelle Bourg) &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Le Forgeron (Marcel Geneste)&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Riquita (Marcel Geneste)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; Voir les documents accompagnant cette bande : &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/Del3Fiche1.jpg" target="_blank" rel="noopener noreferrer"&gt;Fiche 1&lt;/a&gt;, &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/Del3Fiche2.jpg" target="_blank" rel="noopener noreferrer"&gt;Fiche 2&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour Les films du geni&amp;egrave;vre.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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        <name>Favars</name>
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                <text>IEO Lemosin, dépôt Jan dau Melhau</text>
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                <text>Sur la face "A" de cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio-Limoges. &lt;br /&gt;&lt;br /&gt;Cette cassette contient les enregistrements du 5 au 27 juin 1986. &lt;br /&gt;&lt;br /&gt;Ponctués par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans : &lt;br /&gt;- Marcelle Delpastre : &lt;em&gt;La maison&lt;/em&gt; &lt;br /&gt;- Trois poèmes de Claude Roulet : &lt;em&gt;Flor bleuia, Flor d'einnueg&lt;/em&gt; et &lt;em&gt;Flor dançairitz.&lt;/em&gt; &lt;br /&gt;- Michel Chadeuil :&lt;em&gt; 'na esfesta birsarda&lt;/em&gt; &lt;br /&gt;- Dominique Descomps : &lt;em&gt;La clau es sos la peira, Los chastenhs tornaràn flurir&lt;br /&gt;&lt;br /&gt;&lt;/em&gt; Et de nombreux témoignages de Flavie Bernier, Andrée Bourbouloux, Camille Sautarel, Aline Chassagne, Serge Marot, etc.</text>
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              <text>Sans indication de lieu</text>
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              <text>DelcrosB2.mp3</text>
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                <text>Alexandre Fraysse</text>
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                <text>Collecte à FAVARS (1)</text>
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                <text>Corrèze (19)</text>
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                <text>IEO Lemosin, dépôt Delcros</text>
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                <text>Enregistrement d'une soir&amp;eacute;e folklorique &amp;agrave; Favars (Corr&amp;egrave;ze)</text>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>DelB02</text>
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            <name>Date</name>
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                <text>1975</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros* un enregistrement r&amp;eacute;alis&amp;eacute; &amp;agrave; Favars (19) en 1975 lors d'une veill&amp;eacute;e . Nous&lt;/span&gt; retrouvons quelques informateurs pr&amp;eacute;sents sur le premier enregistrement &lt;em&gt;(voir en bas de page) &lt;/em&gt;: &lt;br /&gt;- L'autre jorn me permenava (Alexandre Fraysse) &lt;br /&gt;- Berger mon doux berger (Alexandre Fraysse et Marcel Geneste)&lt;br /&gt;- D&amp;eacute;part pour l'Afrique (Marcelle Bourg)&lt;br /&gt;- Marion (Alexandre Fraysse) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Et une suite de morceaux de musique (utilis&amp;eacute;s par le foyer de Favars pour leurs r&amp;eacute;p&amp;eacute;titions) par le groupe folklorique "Les troubadours de Tulle" :&lt;em&gt; La gigue, la bourr&amp;eacute;e de Chanac, un Menuet, La guimbarde, La balade, La gigue, La Rosette et &amp;agrave; nouveau le menuet.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour "Les films du geni&amp;egrave;vre".&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bo&amp;icirc;te m&amp;eacute;tallique contenant cette bande il est not&amp;eacute; :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808080; font-size: 14pt;"&gt;- 5952- bande 1/2 - Messe de minuit St Junien - repiquage en 19 cms le 11 ao&amp;ucirc;t 62&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Dans cet enregistrement, une succession de chants de No&amp;euml;l, en fran&amp;ccedil;ais et en occitan limousin :&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Les anges dans nos campagnes, Un berger dans sa campagne, &lt;a href="https://www.mamalisa.com/?t=fs&amp;amp;p=513" target="_blank" rel="noreferrer noopener"&gt;Nadal Tindaire&lt;/a&gt;, Entre le b&amp;oelig;uf et l'&amp;acirc;ne gris, Qui frappe ici ?, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=1&amp;amp;xywh=-664%2C-1%2C3588%2C2537" target="_blank" rel="noopener noreferrer"&gt;D'o&amp;ugrave; viens-tu berg&amp;egrave;re,&lt;/a&gt; Passoleta, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-517%2C-1%2C3359%2C2375" target="_blank" rel="noopener noreferrer"&gt;Anetz bonas gents&lt;/a&gt;, N&amp;ograve;stra Dama, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=2&amp;amp;xywh=-991%2C-1%2C3978%2C2813" target="_blank" rel="noopener noreferrer"&gt;Pastors escotatz tots&lt;/a&gt;, etc.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;En fin de bande, un magnifique sermon &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;en langue limousine&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt; de Mgr Durepaire*. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;em&gt;* Nous ne savons pas grand-chose du chanoine Durepaire, si ce n'est qu'il fut sup&amp;eacute;rieur de l'&amp;Eacute;cole Ozanam &amp;agrave; Limoges, et qu'il publia en 1936 "Hom&amp;eacute;rus, l'Odyss&amp;eacute;e d'Ulysse racont&amp;eacute;e aux enfants".&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bo&amp;icirc;te m&amp;eacute;tallique contenant cette bande il est not&amp;eacute; :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-size: 14pt;"&gt;- 5952- bande 1/2 - Messe de minuit St Junien - repiquage en 19 cms le 11 ao&amp;ucirc;t 62&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Dans cet enregistrement, une succession de chants de No&amp;euml;l, en fran&amp;ccedil;ais et en occitan limousin :&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Les anges dans nos campagnes, Un berger dans sa campagne, &lt;a href="https://www.mamalisa.com/?t=fs&amp;amp;p=513" target="_blank" rel="noreferrer noopener"&gt;Nadal Tindaire&lt;/a&gt;, Entre le b&amp;oelig;uf et l'&amp;acirc;ne gris, Qui frappe ici ?, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=1&amp;amp;xywh=-664%2C-1%2C3588%2C2537" target="_blank" rel="noopener noreferrer"&gt;D'o&amp;ugrave; viens-tu berg&amp;egrave;re,&lt;/a&gt; Passoleta, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-517%2C-1%2C3359%2C2375" target="_blank" rel="noopener noreferrer"&gt;Anetz bonas gents&lt;/a&gt;, N&amp;ograve;stra Dama, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=2&amp;amp;xywh=-991%2C-1%2C3978%2C2813" target="_blank" rel="noopener noreferrer"&gt;Pastors escotatz tots&lt;/a&gt;, etc.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;En fin de bande, un magnifique sermon &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;en langue limousine&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt; de Mgr Durepaire*. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;* Nous ne savons pas grand-chose du chanoine Durepaire, si ce n'est qu'il fut sup&amp;eacute;rieur de l'&amp;Eacute;cole Ozanam &amp;agrave; Limoges, et qu'il publia en 1936 "Hom&amp;eacute;rus, l'Odyss&amp;eacute;e d'Ulysse racont&amp;eacute;e aux enfants".&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Sur la face A de cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;La face B de cette cassette contient la seconde partie des enregistrements du 16 avril au 4 juin 1986.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;Ponctués par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans :&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;- Paul-Louis Grenier : &lt;em&gt;&lt;a href="https://geoculture.fr/a-la-marche-limousine?id_document=2081" target="_blank" rel="noreferrer noopener"&gt;À la marcha Limosina&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;- Marcel Esquieu : &lt;a href="http://oc.montesquieu.free.fr/pdf/jansemin__mos_sovenirs.pdf" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Mos sovenirs&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;- Albert Pestour : &lt;em&gt;Abriau&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;- Trois poèmes de Claude Roulet : &lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;em&gt;Flor meschanta, Flor subrevida&lt;/em&gt; et &lt;em&gt;Flor 'bracada&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;Et de nombreux témoignages de Flavie Bernier, Éric Pagnon, Line Legrand, Marie-Jeanne Gauthier, Jean Deleau...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Nicole et Georges Delcros, un enregistrement r&amp;eacute;alis&amp;eacute; au bourg de Favars (19), aupr&amp;egrave;s de M. et Mme &lt;strong&gt;Murat&lt;/strong&gt; (&amp;Eacute;douard).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Les informateurs sont interrog&amp;eacute;s au sujet des rites calendaires, de la m&amp;eacute;decine populaire, des jeux pour enfants (les toupies, les billes, le bouchon, le diable bo&amp;icirc;teux, la p&amp;eacute;tarade...), les jeux d'adultes (les quilles, le but, les cartes), les veill&amp;eacute;es, quelques chansons, les danses, les histoires fantastiques (lo drac, la chasse volante, le loup garou, la bera...)&lt;/span&gt;&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;Pour terminer, un enregistrement r&amp;eacute;alis&amp;eacute; lors d'une veill&amp;eacute;e &amp;agrave; Favars :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- La vacha esbanada (Fraysse Alexandre et Pierre) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Bourr&amp;eacute;e frapp&amp;eacute;e&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Chanson des mois (Alexandre Fraysse et Marcel Geneste) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Charbonnier mon amic (Marcelle Bourg) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Voir les notices accompagnant cette bande: &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1001.jpg" target="_blank" rel="noopener noreferrer"&gt;page 1&lt;/a&gt;, &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1002.jpg" target="_blank" rel="noopener noreferrer"&gt;page 2,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1003.jpg" target="_blank" rel="noopener noreferrer"&gt;page 3,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1004.jpg" target="_blank" rel="noopener noreferrer"&gt;page 4,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1005.jpg" target="_blank" rel="noopener noreferrer"&gt;page 5,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/galeries_divers/13221/DelcrosB1006.jpg" target="_blank" rel="noopener noreferrer"&gt;page 6.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;* Nicole et Georges Delcros, tous deux enseignants militants, passionn&amp;eacute;s de folklore et de traditions locales, ont beaucoup collect&amp;eacute; la m&amp;eacute;moire locale. Ils ont ensuite utilis&amp;eacute; leurs collectes pour des spectacles "folkloriques", veill&amp;eacute;es et animations dans le cadre du Foyer Rural de Favars.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;Les bandes ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es par M. G&amp;eacute;rard Perrier pour "Les films du geni&amp;egrave;vre".&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur cette bande il est noté&lt;span style="color:#888888;"&gt;&lt;br /&gt;"3.147 - Chez nous 28-7- 62"&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur la face A de cette bande, une nouvelle émission de "Chez-nous" présentée par Robert Dagnas, telle qu'elle a sûrement été diffusée le 28 juillet 1962 sur les ondes de Radio-Limoges .&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Robert Dagnas s'adresse aux vacanciers et il leur propose une sélection de ses enregistrements. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Quelques chansons : Je suis lasse d'être fille, La meschanta maire, Un jòune pastre somelhava, des morceaux joués par les groupes folkloriques La Bourrée Limousine, L'école Ventadour et Les Veilladours de St Junien et une histoire drôle de Robert Benoit (La nuriça)&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur la conclusion de l'émission on peut entendre un regret au violon joué par Michel Meillac &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;em&gt;Sur la face B de cette bande, de la musique des pays de l'Est que nous n'avons pas mise en ligne.&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Chez-Nous Juillet 1962</text>
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                <text>[Informateurs multiples]</text>
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                <text>1962-07</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/862/RD2059Net.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur cette bobine il est noté &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:#888888;"&gt;"688&lt;br /&gt;- Marie Claire Pichaud, (chants de la crèche)&lt;br /&gt;- Chez nous /7/ 62"&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur la face B de cette bande, une nouvelle émission de "Chez-nous" présentée par Robert Dagnas, telle qu'elle a pu être diffusée (probablement le 13 juillet 1962) sur les ondes de Radio-Limoges .&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Robert Dagnas nous parle de la félibrée qui vient de se dérouler à Piégut-Pluviers puis il nous donne un aperçu des interventions qui y on été faites : quelques airs par des groupes folkloriques, Félicie Brouillet qui dit une de ses nhòrles : "Las vacancas", Pierre Biossac qui chante "Lu cosin", Michel Meillac qui joue une scottish (un enregistrement fait à son domicile, était-il à la félibrée ?).&lt;br /&gt;Ensuite M. Dagnas parle d'une fête qui a eu lieu à Saint-Junien le jour même avec, comme invités, le groupe "Les amis du vieux Poitou" qui chante la Berline Poitevine. &lt;br /&gt;La bande se termine par quelques annonces et lo Planh de Gaucem Faidit par Irène Besson.&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Sur la face A de la bande se trouve un enregistrement du disque de Marie-Claire Pichaud "Chansons de ma crèche"que nous n'avons pas mis en ligne.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="color:#808080;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Enregistré au domicile de l'informateur</text>
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                <text>Sylvain CHAILLAUD</text>
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                <text>Louis CLAMENT</text>
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                <text>Louis CLAMENT</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/861/Padimage.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Sur une cassette audio qui nous a été confiée par Michel Feynie pour numérisation et mise en ligne, plusieurs passages sont des enregistrements de &lt;strong&gt;Louis Clament&lt;/strong&gt; que nous avons regroupés .&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit d'un document collecté au début des années 1980.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt; Monsieur Clament, musicien routinier, né en 1901 et mort en 1983, demeurait à Le Fleix (Dordogne) mais avait vécu à Veyrière, commune de Fraisse . &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Il jouait sur un accordéon diatonique Maugein et avait initié son fils André (il avait même joué, avec lui, dans quelques bals clandestins).&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Ce musicien propose les morceaux de son répertoire, essentiellement de la musique à danser : Marches, scottishs, valses, bourrées, mazurkas, quadrilles, polkas... &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;À plusieurs reprises, l'informateur chantonne ou siffle quelques morceaux qu'il a du mal à jouer.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ce document nous a été confié par Monique Lemarchand qui nous indique "&lt;em&gt;il s'agit d'un enregistrement de son arrière grand mère Marguerite Rouchaud, dite "La Margaritou". &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Née en 1870, Mme Rouchaud habitait dans une petite maison près du château du Grand Bosviger (son mari y avait été jardinier) dans la commune de Saint-Paul.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;em&gt;Cet enregistrement sur bande avait été fait par M. René Chabrely au début des années 1950, lors d'une soirée familiale."&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&amp;Eacute;mission radiophonique en occitan limousin.</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/859/TVD5Net.jpg</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, une s&amp;eacute;rie d'enregistrements destin&amp;eacute;s &amp;agrave; des &amp;eacute;missions de radio diffus&amp;eacute;es quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;La face A de cette cassette contient la premi&amp;egrave;re partie des enregistrements du 16 avril au 4 juin 1986.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;Ponctu&amp;eacute;s par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans :&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;- De &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt; : &lt;em&gt;Ma vita&lt;br /&gt;&lt;/em&gt;- Par l'Abb&amp;eacute; Bessous, un sermon : &lt;em&gt;Lo viatge de la vida&lt;/em&gt; et sa version limousine&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;- Deux po&amp;egrave;mes de Roger T&amp;eacute;n&amp;egrave;ze : &lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span style="color: #000000;"&gt;&lt;em&gt;Mas perque&lt;/em&gt; et &lt;em&gt;Frucha madura&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;- Une fable de Jean Foucaud : &lt;em&gt;Lo lop e l'anheu&lt;/em&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;Et de nombreux t&amp;eacute;moignages :&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;- Au sujet du n&amp;deg; 58 de la Clau Lemosina (Jan dau Melhau) &lt;br /&gt;- Lo patoes : Yves Redon&lt;br /&gt;- Quand chaufavam lo forn : Camille Sautarel &lt;br /&gt;- 'Nar chantar en Italia (Jan dau Melhau) &lt;br /&gt;- N&amp;ograve;stra linga : Jan Alari &lt;br /&gt;- La prumiera bicicleta : Pierre Lalet &lt;br /&gt;- La ruscha o lo bornat&lt;br /&gt;- Jan la b&amp;egrave;stia : Andr&amp;eacute;e Bourbouloux&lt;br /&gt;- Tornar parlar patoes : Jacqueline Bouin &lt;br style="color: #000000;" /&gt;- Una j&amp;ograve;unessa trabalhairitz : Marie Laporte &lt;br /&gt;- Lo cantaridier / lo fraisse&lt;br /&gt;- La musica gascona : Dani Dauba l&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;- Los paisans&lt;/span&gt;&lt;span style="color: #000000;"&gt;... par un paysan.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="artist_name" style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Cette cassette audio nous a été confiée pour numérisation et mise en ligne par Sylvette Marty. &lt;br /&gt;Il s'agit d'un enregistrement familial datant de janvier 1999, fait à Saint-Clément (19), au domicile de la famille Marty. &lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="artist_name"&gt;&lt;strong&gt;Adeline Larue &lt;/strong&gt;&lt;/span&gt;(1913 - 2008) donne quelques mimologismes (Le loriot, la mésange, le merle, le pinson, le coucou, etc.) puis Jean et Marie Marty chantent quelques chansons : La bergère, Enquera n'es pas jorn, Les vieux sabots et la Ronde bretonne des sabots.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="artist_name" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio, que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La face "A" de cette cassette contient les enregistrements du 28 février au 15 avril 1986.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;Ponctués par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans :&lt;br /&gt;Paul Tallez &lt;a href="http://pedagogie.ac-toulouse.fr/ien32-auch1/leslangues/occitan/Documents%20Gascons%20pour%20le%20Site%20Auch%20Est/contes/honthad.pdf"&gt;(La Hont Hadeta)&lt;/a&gt;, Michel Chadeuil &lt;span class="oc"&gt;(L'òme que sap)&lt;/span&gt;, &lt;span class="st"&gt;Léon Dhéralde &lt;/span&gt; &lt;span class="oc"&gt;(La sopa de calhaus)&lt;/span&gt;, Peire Boissel &lt;span class="oc"&gt;(Los ancians e lo monde d'auei)&lt;/span&gt;, Jan Rebier (extraits de &lt;span class="oc"&gt;"Lo topin saboros" : Lo gendre &lt;/span&gt;&lt;/span&gt;et&lt;span style="color:#000000;"&gt;&lt;span class="oc"&gt; Lo ventre tundit)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;et une suite de témoignages :&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;La paubra lenga,&lt;/span&gt; par Jacques Burguet, &lt;span class="oc"&gt;L&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;o chaçaire de lops dins la forest d'a Faias&lt;/span&gt; par Eric Pagnon, &lt;/span&gt;&lt;span class="fr oc" style="font-size:14pt;"&gt;Los noms de ruas d'a Limòtges, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Los maridatges de'n quauqu'uns temps&lt;/span&gt; par Marie-Jeanne Gauthier, &lt;span class="oc"&gt;Parlar patoas&lt;/span&gt; par &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Christian Sarrazy, &lt;span class="oc"&gt;Chas Michelin &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;par Pierre Charles,&lt;/span&gt; &lt;span class="oc"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Lo chap de la rota, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La Clau lemosina, Liar las vachas &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;par&lt;/span&gt; &lt;span style="font-size:14pt;"&gt;Marie Laporte,&lt;/span&gt; &lt;span class="oc"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Las limitas de la lenga, Lo gigant Gerjan &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;par Andrée Bourbouloux et enfin&lt;/span&gt; &lt;span class="oc"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La Librariá Occitana d'a Limòtges &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;par Daniel Fourchier.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette cassette audio fut enregistr&amp;eacute;e par M. Louis Fortunade, sans doute au d&amp;eacute;but des ann&amp;eacute;es 80.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ce document fut enregistr&amp;eacute; pour la famille Marty de Saint-Cl&amp;eacute;ment, qui a bien voulu nous la confier pour num&amp;eacute;risation et mise en ligne.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous y retrouvons des textes d'Antoine Paucard (La chanson des mois, Pierre de S&amp;eacute;dulix), et de &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt; (Los ressejaires, Los comaires), tous deux de Saint-Salvadour.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Voir le site consacr&amp;eacute; &amp;agrave; A. Paucard : &lt;a href="http://solenedeluol.wixsite.com/antoine-paucard"&gt;Antoine Paucard, entre mythes et r&amp;eacute;alit&amp;eacute;.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Vois ci-dessous un autre document sur la Bia&amp;ccedil;a, du m&amp;ecirc;me auteur sur lequel on retrouve les chansons de cet enregistrement.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Avec, comme invit&amp;eacute;s, les groupes : Lou Riban de Prouv&amp;egrave;n&amp;ccedil;o (d'Avignon), les Tambourinaires de Saint-Chinian et l'Acad&amp;eacute;mie Proven&amp;ccedil;ale (de Cannes).&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Cet enregistrement fut réalisé le 8 février 2011 par Danisa Urroz, qui a bien voulu nous le confier pour mise en ligne. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;Ici un voisin, enregistré au domicile de l'enquêtrice, nous parle de sa passion pour les chevaux Islandais et de son voyage en Islande.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;color:#808080;"&gt;La rédaction de la notice et le séquencement ont été faits par Danisa que nous remercions pour ce document. Les témoins n'ont pas souhaité être identifiés&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur les conseils d'Henri Salles et accompagn&amp;eacute; par celui-ci, nous avons rencontr&amp;eacute; Marcelle Chastang, &amp;agrave; Lathy&amp;egrave;re, commune de Monceaux-sur-Dordogne.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Mme Chastang, n&amp;eacute;e Lathi&amp;egrave;re en 1925, nous a tr&amp;egrave;s gentiment accueillis et nous a parl&amp;eacute; de sa vie &amp;agrave; la ferme, du travail &amp;agrave; la propri&amp;eacute;t&amp;eacute;, de celui de son homme marchand de brebis et joueur d'accord&amp;eacute;on, du travail de la laine, de la fabrication des couvertures, de la pratique du patois, du parachutage de Moustoulat, etc.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
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