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&lt;p&gt;&lt;span class="fr" style="font-size: medium;"&gt;Nous retrouvons trois informateurs non identifi&amp;eacute;s, interrog&amp;eacute;s par M. Dagnas au sujet des danses . &lt;br /&gt;Une successions de chants : &lt;span class="oc"&gt;au tralala, &lt;em&gt;Lu tira-minet,&lt;/em&gt;&lt;/span&gt; la danse de bourguignon, &lt;span class="oc"&gt;&lt;em&gt;Ma janeta, Pr&amp;egrave;s de la clara fontaina, Lo pitit bo&amp;ccedil;ut&lt;/em&gt;&lt;/span&gt;,des t&amp;eacute;moignages sur les bals, les danses, les bagarres ... des danses : valses, polkas, scottishs ... &lt;/span&gt;&lt;/p&gt;&#13;
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            <description>An account of the resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 529, il est not&amp;eacute; "Monsieur Marvaud, Pi&amp;eacute;gut Pluviers" . Cet enregistrement date du 26 juin 1962 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Dans ce trop court document, &lt;strong&gt;Ren&amp;eacute; Marvaud&lt;/strong&gt; (1909/1998) quincailler &amp;agrave; Pi&amp;eacute;gut Pluviers (24) (Chroniqueur et Chansonnier sous le pseudonyme&amp;nbsp;de&amp;nbsp;Jos&amp;egrave;p Platussat, auteur de "Chants du moulin fondu" ) chante, avec beaucoup de conviction, trois chansons&lt;/span&gt; : &lt;span class="oc"&gt;&lt;em&gt;Pierrisson&lt;/em&gt;, &lt;a href="https://la-biaca.org/items/show/12824" target="_blank" rel="noopener"&gt;&lt;em&gt;Faure mon paubre faure&lt;/em&gt;&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;(chanson &amp;eacute;crite en souvenir de son ami Jean Larousserie) et&lt;/span&gt;&lt;em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; L&lt;span class="oc"&gt;u pitit tren de Brant&amp;ograve;me &lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;(une chanson de J Morellet)&amp;nbsp; .&lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12847" target="_blank" rel="noopener noreferrer"&gt;Acc&amp;eacute;der &amp;agrave; la documentation relative &amp;agrave; cet enregistrement . (extraits des "Chants du moulin fondu", la partition du Petit train de Brant&amp;ocirc;me et la liste des distinctions re&amp;ccedil;ues par Ren&amp;eacute; Marvaud&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12799" target="_blank" rel="noopener"&gt;Quelques collectes de R. Marvaud&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;( Cette documentation nous a &amp;eacute;t&amp;eacute; aimablement transmise par son fils Paul )&lt;/p&gt;&#13;
&lt;p&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo;&amp;nbsp;Los velhadors de Sent-Junian&amp;nbsp;&amp;raquo;, Robert Dagnas a parcouru durant les &lt;br /&gt;ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo;&amp;nbsp;Radio Limoges&amp;nbsp;&amp;raquo;.&lt;/p&gt;&#13;
&lt;p&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique&amp;nbsp;traditionnelle au CRR de Limoges.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&amp;nbsp;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Une nouvelle succession de chansons chant&amp;eacute;es &amp;agrave; deux (ou presque !!) : Le voltigeur que j'aime,&amp;nbsp; l&amp;agrave;-bas l&amp;agrave; bas au joli bois, Bonjour la belle, &lt;span class="oc"&gt;adiussiatz monsur&lt;/span&gt;, Payzac poss&amp;egrave;de ma foi ... , &lt;span class="oc"&gt;la Senta crotz&lt;/span&gt;, j'ai fait une ma&amp;icirc;tresse, Ah le voil&amp;agrave; mon chapeau et Quand le galant revient le soir&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Gabriel Br&amp;eacute;g&amp;egrave;re poss&amp;eacute;dait un beau r&amp;eacute;pertoire qu' il aimait transmettre : chansons de soldats, chansons traditionnelles, chansons grivoises, des airs de danse ...&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;Dans cet enregistrement on peut entendre : &lt;em&gt;&lt;span class="oc"&gt;N'ai lo cocut *, Onte 'niram gardar&lt;/span&gt;,&lt;/em&gt; Valse quand m&amp;ecirc;me, &lt;em&gt;&lt;span class="oc"&gt;En passar sus la plancheta, &lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="oc"&gt;Revenetz demaiselas*, l'aiga de rosa,&lt;/span&gt;&lt;/em&gt; Bonsoir mignonne je t'&amp;eacute;cris de la tranch&amp;eacute;e, L' &amp;eacute;glise &amp;eacute;tait par&amp;eacute;e, J'avais r&amp;eacute;v&amp;eacute; de vivre sans m&amp;eacute;nage, Ma bonne maman je viens vous demander, &lt;em&gt;&lt;span class="oc"&gt;Ai traucat,&lt;/span&gt;&lt;/em&gt; C'est une jeune fille, &lt;span class="oc"&gt;Carnaval,&lt;/span&gt; Mon p&amp;egrave;re en a 600 moutons, L'autre jour me promenant tout le long des mon&amp;eacute;di&amp;egrave;res,&lt;em&gt; &lt;span class="oc"&gt;Rossinh&amp;ograve;let&lt;/span&gt;,&lt;/em&gt; Il ne faut pas t'en faire, elle est finie la guerre, Verdun la victorieuse, Quand je serai -s- au r&amp;eacute;giment*, Si tu savais Lolotte, Mon cher amant que me dis tu l&amp;agrave;, Qui veut entendre une chanson*, Jeune militaire venant de la guerre, Trou du cul, La parisienne, &lt;em&gt;&lt;span class="oc"&gt;La borreia vai bien, Marion,&lt;/span&gt;&lt;/em&gt; Tu voulais me voir pleurer .&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;&amp;nbsp;* ces titres sont aussi dans l'enregistrement pr&amp;eacute;c&amp;eacute;dent&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt; color: #808080;"&gt;Ces bandes ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:49.000
N'ai lo cocut &#13;

00:00:49.000 --&gt; 00:01:35.000
Onte 'niras gardar&#13;

00:01:35.000 --&gt; 00:03:37.000
Valse quand même&#13;

00:03:37.000 --&gt; 00:04:13.000
En passar la plancheta&#13;

00:04:13.000 --&gt; 00:04:49.000
Revenetz domaisela&#13;

00:04:49.000 --&gt; 00:05:11.000
L'aiga de rosas&#13;

00:05:11.000 --&gt; 00:07:36.000
Bonsoir mignonne je t'écris de la tranchée&#13;

00:07:36.000 --&gt; 00:08:05.000
Mort en prison &#13;

00:08:05.000 --&gt; 00:11:12.000
L'église était parée &#13;

00:11:12.000 --&gt; 00:13:45.000
J'avais rêvé de vivre sans ménage&#13;

00:13:45.000 --&gt; 00:15:30.000
Ma bonne maman je viens vous demander&#13;

00:15:30.000 --&gt; 00:16:34.000
Ai traucat&#13;

00:16:34.000 --&gt; 00:18:26.000
C'est une jeune fille&#13;

00:18:26.000 --&gt; 00:19:12.000
Carnaval&#13;

00:19:12.000 --&gt; 00:22:13.000
Mon père en a 600 moutons &#13;

00:22:13.000 --&gt; 00:25:29.000
L'autre jour me promenant tout le long des Monédières&#13;

00:25:29.000 --&gt; 00:28:28.000
Rossinholet&#13;

00:28:28.000 --&gt; 00:29:06.000
Il ne faut pas t'en faire, elle est finie la guerre&#13;

00:29:06.000 --&gt; 00:29:54.000
Verdun la victorieuse&#13;

00:29:54.000 --&gt; 00:31:46.000
Quand je serais au régiment&#13;

00:31:46.000 --&gt; 00:32:19.000
Si tu savais Lolotte  &#13;

00:32:19.000 --&gt; 00:33:02.000
Mon cher amant, que me dis-tu là&#13;

00:33:02.000 --&gt; 00:36:33.000
Qui veut entendre une chanson ?&#13;

00:36:33.000 --&gt; 00:37:54.000
Jeune militaire revenant de la guerre&#13;

00:37:54.000 --&gt; 00:38:36.000
Trou du cul&#13;

00:38:36.000 --&gt; 00:39:17.000
La parisienne&#13;

00:39:17.000 --&gt; 00:39:49.000
La borreia vai bien&#13;

00:39:49.000 --&gt; 00:40:19.000
Marion&#13;

00:40:19.000 --&gt; 00:41:59.000
Tu voulais me voir pleurer&#13;

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                <text>Haute-Vienne (87)</text>
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                <text>[Informateur Inconnu]</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 425, la premi&amp;egrave;re partie d'un enregistrement dont nous ne savons pas grand chose, pas de date, pas d' indication sur l' informateur, ni sur le collecteur &lt;span style="font-size: 14pt;"&gt;(il ne s'agit pas de M. Dagnas)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;L'Amiral du port du Naveix (probablement Jean Goujaud) &amp;eacute;voque le quartier des Ponts, le port du Naveix, la Crotte de poule, la flottille de la Vienne, les p&amp;ecirc;cheurs braconniers de la Vienne, sa nomination. Ensuite ce m&amp;ecirc;me informateur, sans doute enregistr&amp;eacute; dans un bistrot de Limoges nous parle du march&amp;eacute; noir, du poissonnier Jean Mourieras, du ravitaillement pendant la guerre de 40, de son travail sur les bateaux de p&amp;ecirc;che, de son installation comme marchand de poisson/primeur/pisciculteur .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe de la bande 795 il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Enregistrement - Montazeau, - Payzac"&lt;/span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Nous pouvons entendre plusieurs bons chanteurs se succ&amp;egrave;der :&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;M. &lt;strong&gt;Lucien Boulesteix&lt;/strong&gt; (2/3/6/7) , M. &lt;strong&gt;Philippe Fourgeaud&lt;/strong&gt;, &lt;strong&gt;les fr&amp;egrave;res Trarieux&lt;/strong&gt; :&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/520/Quand_lu_meitadier_ven_de_la_labor.pdf"&gt;&lt;em&gt;Quand lo meitadier ven de la labor&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;- N&amp;rsquo;avetz-vos pas entendut parlar de &amp;ccedil;&amp;ograve; que se passa a Cromiera&lt;/em&gt; ,&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/520/Chas_lo_pair_Casson.pdf" target="_blank" rel="noopener"&gt;Chas lo pair Casson&lt;/a&gt;,&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;- Chas nos m&amp;rsquo;an maridada,&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;- L' urosa jardiniera,&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;- &lt;a href="https://la-biaca.org/files/original/enquetes/520/Quand_i_era_jouna_drolla.pdf" target="_blank" rel="noopener"&gt;Quand i'era j&amp;ograve;una dr&amp;ograve;lla a maridar&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Le retour du soldat,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;- Un rossignol aimait une fauvette .&lt;/span&gt;&lt;br style="font-size: 14pt;" /&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: 'Open Sans'; background-color: #f3ede2; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener" style="color: #e38f71; text-decoration-line: none; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-attachment: initial; background-origin: initial; background-clip: initial; cursor: pointer;"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;span class="fr" style="font-family: 'Open Sans'; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&amp;nbsp;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe de cette bande n&amp;deg;704 il est not&amp;eacute; &lt;span style="color: #333300;"&gt;" Enreg.t Tarrade &amp;agrave; Chamberet, Face B Maridas (Gourseaud de l'Age), essai chorale la linga d'or" . &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Dans un premier temps un nouvel enregistrement de M. &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;&lt;strong&gt;Eug&amp;egrave;ne Tarrade&lt;/strong&gt;&lt;/a&gt;, violoneux domicili&amp;eacute; &amp;agrave; Chamberet (Corr&amp;egrave;ze) . La fiche de cet enregistrement pr&amp;eacute;cise : Scottish vals&amp;eacute;e, Mozart fa&amp;ccedil;on Tarrade, Suite de marches, Scottish, Air limousin&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Acc&amp;egrave;s aux autres enregistrements de M. Tarrade : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/435"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (1)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/497"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (2)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/523"&gt;&lt;span style="font-size: 12pt;"&gt;Eug&amp;egrave;ne TARRADE, Violoneux (4)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/671" class="permalink"&gt;Albert Pestour, Eug&amp;egrave;ne Tarrade &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;a href="https://la-biaca.org/items/show/502" class="permalink"&gt;Eug&amp;egrave;ne TARRADE, Quadrille Limousin &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&amp;Agrave; la suite de cet enregistrement (pr&amp;eacute;cise cette m&amp;ecirc;me fiche) on entends &lt;strong&gt;M. Gourseaud&lt;/strong&gt; qui chante &lt;span class="oc"&gt;Maridatz-vos Jana&lt;/span&gt; puis des essais de la chorale des Velhadors .&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 115%; font-family: Arial, 'sans-serif'; color: #808000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;br /&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Les frères TRARIEUX (3)</text>
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                <text>&lt;p class="fr"&gt; &lt;span style="font-size:14pt;"&gt;Sur l'enveloppe contenant la bande 784 il est noté "Enregistrement Trarieux frères / Payzac"&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette bande fait sans doute suite à la bande 783, il s'agit probablement du même enregistrement . Les deux frères Trarieux chantent chansons en français et en occitan : J'ai fait l'amour à une petite, Dedans Paris, &lt;span class="oc"&gt;Dona a beure Peironau&lt;/span&gt;, Tantôt la bite en l'air, &lt;span class="oc"&gt;Ta maison s'esbòlha&lt;/span&gt; , Ma position ...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ensuite une émission de "Chez nous" sans doute diffusée sur les ondes de radio Limoges au mois de Juin 1962 . M. Dagnas évoque la venue du temps chaud, les fêtes de la pentecôte ... puis on entend Irène Besson, les groupes folkloriques : la Bourrée Limousine (de Brive), Aunis et Saintonge (de Saintes), le Bouquet d'ajoncs (de Bois de Séné), &lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;Gauch'nots Et Gauch'nottes&lt;/span&gt;&lt;/span&gt; (de &lt;span class="st"&gt;&lt;em&gt;Luxeuil les Bains) et l'Ecole du Barbichet (de Limoges)&lt;/em&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ».&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges. &lt;br /&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la boite de la bande 4591 il est not&amp;eacute; &lt;span style="color: #333333;"&gt;Violon, M. Tarrade &amp;agrave; Chamberet, 21/4/ 59 . &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ce document ressemble beaucoup &amp;agrave; celui d&amp;eacute;ja mis en ligne &lt;a href="https://la-biaca.org/items/show/435"&gt;(Eug&amp;egrave;ne Tarrade, Violoneux (1)&lt;/a&gt; (s&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;ans doute ce document &amp;eacute;tait il une compilation de plusieurs enregistrements).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt; Une &amp;eacute;coute attentive permet de comprendre que ce document est diff&amp;eacute;rent et s'il reprends bien les m&amp;ecirc;mes enregistrements, il est plus complet et de meilleure qualit&amp;eacute;, on peut y entrendre M. Dagnas pr&amp;eacute;parer les prises, Mme Tarrade conseiller son mari, rectifier des titres et sa fille pr&amp;eacute;senter les diff&amp;eacute;rentes figures de quadrille .. . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous pouvons entendre plusieurs chanteuses seules ou en duo avec M. Tarrade : La Yoyette, Pita te maridas pas, L'autre jour me promenant tout le long des Mon&amp;eacute;di&amp;egrave;res, Belle rose (par Mme Brouilhac), Embrasse moi bien petit Parisien,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Monsieur &lt;a href="http://www.violoneux.fr/wiki/Eug%C3%A8ne_Tarrade" target="_blank" rel="noopener"&gt;Tarrade&lt;/a&gt; joue de nombreux airs &amp;agrave; danser : bourr&amp;eacute;es (de Tarnac, de Sarran, de Lagrauli&amp;egrave;re ...) , des mazurkas, scottishs, quadrilles, valses ...&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;em&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges . &lt;/em&gt;&lt;br /&gt;&lt;em&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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Presentacion&#13;

00:00:25.000 --&gt; 00:03:59.000
Lo reibeneit que se volia maridar&#13;

00:03:59.000 --&gt; 00:05:49.000
A Sent-Varrau&#13;

00:05:49.000 --&gt; 00:06:20.000
Lu fameux Mirò&#13;

00:06:20.000 --&gt; 00:07:02.000
Lu fameux Toane&#13;

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L'autre peschador&#13;

00:08:00.000 --&gt; 00:09:48.000
Jan Sec&#13;

00:09:48.000 --&gt; 00:10:50.000
De las istòrias&#13;

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Lu maquis de Cromieras&#13;

00:12:42.000 --&gt; 00:13:17.000
Jan Sec&#13;

00:13:17.000 --&gt; 00:14:44.000
Dau monde&#13;

00:14:44.000 --&gt; 00:16:42.000
A Cinturat, Sent-Varrau...&#13;

00:16:42.000 --&gt; 00:16:57.000
Lu qu'era 'nat au medecin&#13;

00:16:57.000 --&gt; 00:17:25.000
De las istòrias&#13;

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Lu cahier de chançons&#13;

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Mimologismes&#13;

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Per endurmir los pitits (Evelina) &#13;

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La Julieta (chant provençal)&#13;

00:22:46.000 --&gt; 00:24:39.000
Las lavairitz (Jean Rebier)&#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette bande, une simple étiquette mentionne : " (1) Magnac Bourg, Pestour, M Durepaire "&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous y entendons un groupe folklorique qui interprète deux bourrées . Ensuite puis plusieurs discours en français et en occitan (sans doute entendons nous le &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;maire de l'époque, &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;M. Loustau ) prononcés lors de l'inauguration de la place et de la pose d'une plaque sur la maison natale d' Albert Pestour à Magnac Bourg (19) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dans la seconde partie du document, des ambiances sonores de bucheronnage (tronçonneuse, haches, abattage...) &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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            <name>Date Issued</name>
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                <text>2013-02-26 12:00:43</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <description>An account of the resource</description>
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                <text>[Informateurs multiples]</text>
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                <text>RD3176</text>
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                <text>1969-11</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/529/Champagnac.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la boite de cette bande, il est noté : " 578 / 6 Champagnac la Rivière, Eléments pour chez nous, 26 11 69 Mme Ginette Faure, François Buisson, Jean Vareille "&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Une nouvelle fois, M Dagnas a réutilisé une bande de l'O.R.T.F pour y faire ses enregistrements, sur ce document nous entendons plusieurs informateurs interpréter une succession de chansons en occitan et en français : &lt;span class="oc"&gt;Lo clafotis &lt;span style="font-size:14pt;"&gt;(FB)&lt;/span&gt;,&lt;/span&gt; Le moine qui s'appelait Suzon (Simon), Dis moi Nanon le nom de ton village (FB), Le long du Missouri, &lt;span class="oc"&gt;Chas nos m'an maridat &lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;span style="font-size:14pt;"&gt;(FB)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;,&lt;/span&gt; Femmes que vous êtes jolies, C'est à Châlus (FB), Lison Lisette, &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;En fin de document nous retrouvons la bande originale, une émission sur la littérature sportive .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;Mme Faure nous apprends que les enregistrements ont été faits au domicile des informateurs, à Tamisac pour ce qui concerne Mme Faure et M. Buisson, son père et à La Roueille (commune de Champsac) pour l'enregistrement de M. Jean Vareille&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ces images ont été prises lors d'une stage organisé par l'IEO lemosin et l'association "las chambas finas daus Condats" au mois de novembre 2007 . &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Depuis longtemps Marcel Belette nous parlait de la manière de danser la mazurka "à la limousine" qu'il tenait de ses voisins d' Orgnac sur Vézère . Nous lui avons demandé de bien vouloir nous l'enseigner, (et ce fut laborieux pour quelques uns !) &lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous avons passé du bon temps cet après midi et, comme souvent avec les amis de Condat, cela s'est terminé un peu tard après un copieux casse-croute .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce sujet des images du stage de mazurka et quelques plans de sautières .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous remercions tous les participants au stage et les musiciens présents ce soir là : &lt;span style="font-size:14pt;"&gt;Jean Marie Caunet&lt;/span&gt;, Serge Chassagne, Christian Madelmont et Jean François Mathieu &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été translis pour numérisation et mise en ligne par Francis Chaminade, une suite d'enregistrements réalisés par ses soins en basse Corrèze et dans la Dordogne voisine (Rosiers de Juillac, Saint Pantaléon de Larche, Hautefort, Excideuil, Saint Agnan, Beauregard, Badefols d'Ans ...) &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Plusieurs informateurs, chanteurs et musiciens se succèdent, tous ne sont plus identifiés . &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Madame Hiver à Hautefort, des résidents de la maison de retraite d' Exideuil, M. Gabriel Brégère, M. Albert Buffière (accordéon diatonique) etc ... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Quelques "classiques" (&lt;span class="oc"&gt;Lo pelhaïre, Un jorn dins l'estolhas, Baissas te montanha, la Gerba bauda&lt;/span&gt;, Belle Fanchon, Le seigneur volage, le turlututu, ...) mais beaucoup de chansons plus rares (2 versions de &lt;span class="oc"&gt;La Margoton, Chas nos me marideren, Ma Marion, L'aubre a la chamba tòrta,&lt;/span&gt; Allant à la fontaine (l'assassinat du fils) , &lt;span class="oc"&gt;Cinq sòus per la chabariera ...&lt;/span&gt;) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement beaucoup de répertoire de danse, des chansons courtes, de nombreuses sautières, marches, polkas, scottishs, quadrilles, valses, etc ... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Quelques uns de ces enregistrements ont été faits avec Jean et Popy Dupetitmagnieux (alors membres, comme Francis Chaminade,  du groupe "lo Chavilhier")&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <text>angele chabeaudie robert dagnas chez sadry patois limousin occitan chaillac haute vienne chabeaudie</text>
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                <text>Chez SADRY</text>
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                <text>Angele CHABEAUDIE</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document, la pr&amp;eacute;paration d'une &amp;eacute;mission de " Chez Nous" telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges en 1964 . Le montage en semble pas &amp;ecirc;tre termin&amp;eacute;, pas de g&amp;eacute;n&amp;eacute;rique ni de conclusion de l'&amp;eacute;mission &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; Ang&amp;egrave;le Chabeaudie qui rassemble plusieurs enregsitrements r&amp;eacute;alis&amp;eacute;s aupr&amp;egrave;s de cette extraordinaire informatrice . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;M. Dagnas pr&amp;eacute;sente l' &amp;eacute;mission une visite "Chez Sadry", ensuite Mme Chabeaudie chante &lt;span class="oc"&gt;La pita Janeton,&lt;/span&gt; Bonjour jolie berg&amp;egrave;re, une suite de bourr&amp;eacute;es, &lt;span class="oc"&gt;L'auseu lo mai que aime, T'en donarai&lt;/span&gt; , Les femmes sont bien b&amp;ecirc;tes, Adieu la fleur de ma jeunesse&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; elle &amp;eacute;voque les bals, sa venue &amp;agrave; Chaillac, les veill&amp;eacute;es,&amp;nbsp; les danses ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs autres enregsitrements de mme Chabeaudie sont disponibles sur le site voici les principaux :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/331"&gt;Ang&amp;egrave;le Chabeaudie 1&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="https://la-biaca.org/items/show/343"&gt;Ang&amp;egrave;le Chabeaudie 2&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a class="fr" href="https://la-biaca.org/items/show/449"&gt;Ang&amp;egrave;le Chabeaudie 3&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/items/show/536"&gt;&lt;span style="font-size: 12pt;"&gt;Ang&amp;egrave;le Chabeaudie 4&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;La photo de cette enqu&amp;ecirc;te nous a &amp;eacute;t&amp;eacute; transmise par la petite fille de Mme Chabeaudie, Sylvie Bellamy que nous remercions vivement&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Local URL</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1108</text>
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                <text>Mme Marie DUQUEYROIX</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="315216">
                <text>1960</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur l'enveloppe de la bande 711, sans &lt;span style="font-size:14pt;"&gt;indication de lieux ni de date, &lt;/span&gt;il est noté " a. Etudes de danses, b. Mme Duqueyroix" &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Une fiche nous renseigne sur le contenu :&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Face A :&lt;/span&gt; Francinou, Guimbarde, Marinou, Quadrille &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;(Ces airs à la vielle à roue sont, sans doute, joués par Yvette Restoin)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Face B :&lt;/span&gt; Madame Marie Duqueyroix de Saillat (dont nous apprenons dans l'enregistrement qu'elle est née Barisseau ) chante &lt;span class="oc"&gt;La Senta Vierja, Lu maridatge&lt;/span&gt; (une chanson de sa composition ), A deux sous, &lt;span class="oc"&gt;Ardich Janeta,&lt;/span&gt; une marche nuptiale et Jésus qui vient de naître&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;Président du groupe folklorique « Los velhadors de Sent Junian », Robert Dagnas a parcouru durant les années 1950-1960 les routes du Limousin, armé de son magnétophone, à la recherche de chanteurs, conteurs et musiciens du pays. Il animait, grâce à ces enregistrements, une émission hebdomadaire à « Radio Limoges ». &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes nous ont été confiées pour numérisation et diffusion par Françoise Etay, professeur responsable du département de musique traditionnelle au CRR de Limoges . &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:12pt;"&gt;Elles ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <description>An account of the resource</description>
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                <text>Enregistrement public r&amp;eacute;alis&amp;eacute; &amp;agrave; Pi&amp;eacute;gut-Pluviers, au d&amp;eacute;but des ann&amp;eacute;es 60 .</text>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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                <text>RD3148</text>
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            <name>Date</name>
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            <name>Creator</name>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/534</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/534/Padimage.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur la bande 801 il est not&amp;eacute;&lt;/span&gt; "&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Gala Paralys&amp;eacute;s de France, 9/3/62&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le contenu n'a en fait rien &amp;agrave; voir avec&lt;span class="fr" style="font-size: 14pt;"&gt; cela,&lt;/span&gt; il s'agit d'une collecte &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;r&amp;eacute;alis&amp;eacute;e "en public" &amp;agrave; Pi&amp;eacute;gut-Pluviers (24)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La premi&amp;egrave;re demi-heure est consacr&amp;eacute;e &amp;agrave; une fanfare (sans doute la "Soci&amp;eacute;t&amp;eacute; Musicale de Pi&amp;eacute;gut" ) qui interpr&amp;egrave;te diff&amp;eacute;rents morceaux polkas, bourr&amp;eacute;es, quadrilles, marches ,valses etc ... &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Ensuite on peut entendre plusieurs informateurs parmi lesquels nous retrouvons:&lt;br /&gt;&lt;/span&gt;&lt;strong class="fr"&gt;- F&amp;eacute;licie Brouillet&lt;/strong&gt;&lt;span class="fr"&gt; qui nous parle de l'origine du march&amp;eacute; de Pi&amp;eacute;gut, du chavilhier, de la tour de Pi&amp;eacute;gut , des cupules, des rochers branlants, de la lanterne, des d&amp;eacute;votions, de Jean de Biennat&lt;/span&gt;&lt;span class="fr"&gt;...&lt;br /&gt;- &lt;/span&gt;&lt;strong class="fr"&gt;Ren&amp;eacute; Marvaud&lt;/strong&gt;&lt;span class="fr"&gt; qui chante&lt;/span&gt; &lt;span class="oc"&gt;&lt;em&gt;"Chantoclar"&lt;/em&gt;,&lt;/span&gt; &lt;span class="fr"&gt;Le march&amp;eacute; de Pi&amp;eacute;gut&lt;/span&gt;, &lt;em&gt;&lt;span class="oc"&gt;"La Bosrin"&lt;/span&gt;&lt;/em&gt;,&lt;span class="fr"&gt; "P&amp;egrave;re Piaud" &lt;br /&gt;&lt;br /&gt;- Plusieurs autres informateurs, (M. Moulinier, Bonnier) nous parlent d' Aim&amp;eacute; Jardry, de Burgou ...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;La famille de M. Marvaud nous a confi&amp;eacute; les documents accessibles ci-dessous :&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/Chantoclar2.jpg" target="_blank" rel="noopener"&gt;- &lt;/a&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/Chantoclar2.jpg" target="_blank" rel="noopener"&gt;Chantoclar&lt;/a&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12792/loBourri2.jpg" target="_blank" rel="noopener"&gt;- La Bosrin&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Dordogne (24)</name>
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        <name>Piégut-Pluviers</name>
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              <description>A name given to the resource</description>
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                  <text>doc: enquetes</text>
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        <element elementId="4">
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          <description>The location of the interview</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="315158">
              <text>V5faceIVignaudSaillat.mp3</text>
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          </elementTextContainer>
        </element>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "keywords"</description>
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              <text>m mathieu vignaud m vincent besse m vignaud 5a vignaud charente patois occitan bujade</text>
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            <name>Date Issued</name>
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            <description>The size or duration of the resource.</description>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Charente (16)</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="315147">
                <text>IEO Lemosin, dépôt Besse</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="315148">
                <text>M. Vignaud (5A)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Mathieu VIGNAUD</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="315151">
                <text>BES05I</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1977</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>M Vincent Besse</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="315155">
                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/535</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331409">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/535/1397480727_VignaudNet.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334131">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Ce document est la face A de la cassette n&amp;deg;5 d'une s&amp;eacute;rie de cassettes audio. Elles nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par M. Vincent Besse.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Il s'agit de la suite de l'enregistrement de &lt;span class="artist_name"&gt;M. Mathieu Vignaud&lt;/span&gt;, n&amp;eacute; le 25 Ao&amp;ucirc;t 1885 &amp;agrave; Pairs, sur la commune de Saint-Christophe, en Charente limousine. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement M. Vignaud parle des sabots, puis de la lessive , des premi&amp;egrave;res automobiles et pour finir de son d&amp;eacute;part de Pairs .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 11pt;"&gt;Nous remercions Florence Lemoine (E-Visual) pour la restauration et la num&amp;eacute;risation de ces cassettes, en assez mauvais &amp;eacute;tat de conservation.&lt;/span&gt;&lt;/p&gt;</text>
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              <text>mémoire</text>
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              <text>rites calendaire</text>
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              <text>tradition</text>
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              <text>gnorles</text>
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            <elementText elementTextId="315134">
              <text>enregistrement</text>
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              <text>musique traditionnelle</text>
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              <text>accordéon</text>
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            <elementText elementTextId="315137">
              <text>violon</text>
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              <text>chant</text>
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              <text>bourrée</text>
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              <text>danses</text>
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              <text>angele chabeaudie robert dagnas angele chabeaudie 4 chabeaudie chant patois occitan limousin repertoire</text>
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            <name>Date Issued</name>
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                <text>3282</text>
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                <text>Angèle CHABEAUDIE (3)</text>
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          <element elementId="79">
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            <description>Spatial characteristics of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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          <element elementId="90">
            <name>Provenance</name>
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              <elementText elementTextId="315087">
                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Angèle CHABEAUDIE (4)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Enregistrement de Mme Ang&amp;egrave;le Chabeaudie, chants limousins</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Angele CHABEAUDIE</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>RD3152</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="315093">
                <text>1960</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert DAGNAS</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="315095">
                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="315096">
                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="315097">
                <text>https://la-biaca.org/items/show/536</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331410">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/536/AngeleDetail.jpg</text>
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          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur cette bande, comme seule indication&lt;/span&gt; &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;"67 A : Ang&amp;egrave;le Chabeaudie, 67 B : id. "&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;un - nouvel - enregistrement de Mme Chabeaudie.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La plupart des chansons de cet enregistrement ont d&amp;eacute;ja &amp;eacute;t&amp;eacute; entendues mais cet enregistrement est un original et les interpr&amp;eacute;tations que l'on peut y entendre ne manquent pas d'int&amp;eacute;r&amp;ecirc;t . Il s'agit d'une bande r&amp;eacute;utilis&amp;eacute;e et on peut penser que c'est un des plus anciens enregistrements de &lt;strong&gt;Mme Ang&amp;egrave;le Chabeaudie&lt;/strong&gt; (un enregistrement de "rep&amp;eacute;rage" sans doute ) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;De nombreuses chansons en langue limousine et en fran&amp;ccedil;ais : &lt;span class="oc"&gt;La Janon, La cobla de Senta Magdelena&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;, la bela Marion&lt;/span&gt;, Marie monta dans son cabinet, , Quand je suis &amp;agrave; la messe all&amp;eacute;e, La veuve de Belfort, &lt;span class="oc"&gt;Que v&amp;ograve;l auvir ,&lt;/span&gt; Le jour devant le jugement, &lt;span class="oc"&gt;Revelhatz vos,&lt;/span&gt; Le petit ramoneur, Dors mon mignon, &lt;span class="oc"&gt;La pita Janeton, Me l'autre jorn en m'i permenant, l'auseu lo mai que aime, Ma Janeta,&lt;/span&gt; L&amp;eacute;on &amp;eacute;tant dedans la tour, La fille d'un geolier, J'ai fait l'amour dans le long Nivernais, Nous partirons lundi, H&amp;eacute;las ma m&amp;egrave;re, Bonjour jolie berg&amp;egrave;re, &lt;span class="oc"&gt;Lu solelh de justicia,&lt;/span&gt; le long d'un rivage&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/12788#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-1472%2C0%2C4622%2C3127" target="_blank" rel="noopener noreferrer"&gt;&lt;span style="font-size: 12pt;"&gt;Un article paru dans la revue "Limousin Magazine" du 30 Septembre 1963 au sujet d'une &amp;eacute;mission sur les antennes de Radio-Limoges&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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    <tagContainer>
      <tag tagId="53">
        <name>Chaillac-sur-Vienne</name>
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        <name>Haute-Vienne (87)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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            <elementText elementTextId="315054">
              <text>Lieux d'enregistrement multiples</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>RD4201.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>"Chas nos"</text>
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            <elementText elementTextId="315058">
              <text>Robert Dagnas</text>
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            <elementText elementTextId="315059">
              <text>Radio Limoges</text>
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              <text>Velhadours</text>
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              <text>Bourgoin</text>
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            <elementText elementTextId="315062">
              <text>Pierre Biossac : Gaston et Henri</text>
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            <elementText elementTextId="315063">
              <text>Lous Velhadours de Sen Junio</text>
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            <elementText elementTextId="315064">
              <text>Bourse du Travail</text>
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            <elementText elementTextId="315065">
              <text>St Junien</text>
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            <elementText elementTextId="315066">
              <text>Jean Bretenoux</text>
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            <elementText elementTextId="315067">
              <text>Jean Rebier</text>
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            <elementText elementTextId="315068">
              <text>Barbichet</text>
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            <elementText elementTextId="315069">
              <text>André Le Gentile</text>
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            <elementText elementTextId="315070">
              <text>Jean Pellautier</text>
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            <elementText elementTextId="315071">
              <text>Irène Besson</text>
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            <elementText elementTextId="315072">
              <text>Lu torment de la Margui</text>
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            <elementText elementTextId="315073">
              <text>la meschanta maïre</text>
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            <elementText elementTextId="315074">
              <text>la Briance</text>
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            <elementText elementTextId="315075">
              <text>Félicie Brouillet</text>
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            <elementText elementTextId="315076">
              <text>lu Cinema</text>
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            <elementText elementTextId="315077">
              <text>groupe folklorique</text>
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            <elementText elementTextId="315078">
              <text>bal d'Abzac</text>
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              <text>bourrées</text>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="315080">
              <text>informateurs multiples robert dagnas chas nos la 2eme emission patois limousin occitan limoges biossac rebier</text>
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        </element>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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                <text>2013-03-07 17:36:40</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>2925</text>
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            <description>Spatial characteristics of the resource.</description>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="315045">
                <text>Chez nous, la 2ème</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1958-12</text>
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            <name>Creator</name>
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            <description>The nature or genre of the resource</description>
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            <description>A related resource</description>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande, une seule petite &amp;eacute;tiquette sur laquelle il est not&amp;eacute; ""882, 38A, + 658"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Plusieurs enregistrements se succ&amp;egrave;dent : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Un enregistrement de la seconde &amp;eacute;mission de "Chas nos", l'&amp;eacute;mission pr&amp;eacute;sent&amp;eacute;e par &lt;strong&gt;Robert Dagnas&lt;/strong&gt; sur les antennes de Radio Limoges.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;On retrouve la chorale des Velhadours&lt;/span&gt; &lt;span class="oc"&gt;&lt;span class="fr"&gt;( &lt;/span&gt;voletz vos durmir,&lt;/span&gt; &lt;span class="fr"&gt;l'orgueilleuse servante), un interview de &lt;strong&gt;M. Bourgoin&lt;/strong&gt; au sujet de ses &amp;eacute;crits, puis il parle des veill&amp;eacute;es, de la danse, et chante&lt;/span&gt; &lt;span class="oc"&gt;"Qu'es sur la 'auta montanha "&lt;/span&gt;&lt;span class="fr"&gt;, la recette des cerises &amp;agrave; l'eau de vie par "le mari de la m&amp;egrave;re Cati" et pour finir les "nouvelles de chez nous" les actualit&amp;eacute;s de la r&amp;eacute;gion &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;- Entre ces deux enregistrements , des essais de la chorale et une chanson en fran&amp;ccedil;ais par &lt;strong&gt;Pierre Biossac&lt;/strong&gt; : Gaston et Henri &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Ensuite l'enregistrement en public d'une soir&amp;eacute;e folklorique donn&amp;eacute;e par &lt;span class="fr" style="font-size: 14pt;"&gt; "&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Lous Velhadours de Sen Junio&lt;/span&gt;&lt;/span&gt;" &amp;agrave; la Bourse du Travail de St Junien : M. &lt;strong&gt;Jean Bretenoux&lt;/strong&gt; joue une suite de marches nuptiales &amp;agrave; la clarinette, nous entendons ensuite &lt;strong&gt;Jean Rebier&lt;/strong&gt; ( le Barbichet ) , un hommage &amp;agrave; &lt;strong&gt;Andr&amp;eacute; Le Gentile&lt;/strong&gt; par J&lt;strong&gt;ean Pellautier&lt;/strong&gt; (?) , &lt;strong&gt;Ir&amp;egrave;ne Besson&lt;/strong&gt; accompagn&amp;eacute;e par la chorale chante "&lt;span class="oc"&gt;Lu turment de la Margui&lt;/span&gt; et &lt;span class="oc"&gt;la meschanta ma&amp;iuml;re" ,&lt;/span&gt; par un chanteur non identifi&amp;eacute; "&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;la Briance", &lt;/span&gt;&lt;/span&gt;puis &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;strong&gt;F&amp;eacute;licie Brouillet&lt;/strong&gt; raconte &lt;span class="oc"&gt;"lu Cinema"&lt;/span&gt; . L&lt;/span&gt;&lt;/span&gt;e groupe folklorique "Lous Velhadours de Sen Junio" pr&amp;eacute;sente quelques morceaux de son r&amp;eacute;pertoire : le bal d' Abzac et quelques bourr&amp;eacute;es&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Illustration : Ir&amp;egrave;ne Besson lors d'une repr&amp;eacute;sentation des Velhadours (fin des ann&amp;eacute;es 50) &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt; &lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour numérisation et mise en ligne par Francis Chaminade, un enregistrement de M. &lt;strong&gt;Léon BONIS&lt;/strong&gt; (1910 / 1998) musicien demeurant à St Robert (19) réalisé par Jean et Popy DUPETITMAGNIEUX&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement non daté (1981 ou 1982) un beau répertoire de danse : Quadrilles, Parisienne-valsée, demi-valses, sautières, airs de quête, marches, polkas, scottishs, valses, etc ... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Très pédagogue, M. Bonis est désireux de montrer aux enquêteurs ce qu'il sait, les airs, les paroles, les danses ... . Il parle aussi  de sa pratique, de son apprentissage, il est parfois aidé par Maria, son épouse qui complète, chante quelques airs .... &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Jean Dupetitmagnieux nous précise qu'il s'agit de la seconde visite &lt;span style="font-size:14pt;"&gt;(la première, datant du mois d' avril 1981, ne saurait tarder à être en ligne)&lt;/span&gt; faite à M. Bonis, qui utilisait là un accordéon diatonique Hohner que Jean venait d'acquérir plutôt que son Dedenis habituel . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;En quête de répertoire et d'informations, Francis, Jean et Popy ont sillonné pendant des années cette région de Corrèze et la Dordogne voisine et on leur doit de nombreux documents (audio, vidéos ...) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Remerciements à Francine, secrétaire de mairie très impliquée, qui a bien voulu nous transmettre quelques renseignements et la photo illustrant cette enquête .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Ces bandes ont été restaurées et numérisées par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 515, il est not&amp;eacute; "Isle, 27-4-66 bande 1/2" un bel enregistrement de Mme Ratinaud, enregistr&amp;eacute;e au Mas des Landes, sur la commune d'Isle . &lt;strong&gt;Mme Ratinaud&lt;/strong&gt; et son mari furent au service du po&amp;egrave;te limousin Jean Rebier dont elle parle, &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;peu de temps apr&amp;egrave;s son d&amp;eacute;c&amp;egrave;s, &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;dans la premi&amp;egrave;re partie de ce document .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Madame Ratinaud &amp;eacute;voque les &amp;eacute;crits de Jean Rebier, ses personnages &lt;span class="oc"&gt;(Margui la blonda, La Jan&amp;ograve;ta)&lt;/span&gt;, ses go&amp;ucirc;ts culinaires, la Sent-Jan, elle chante ensuite &lt;span class="oc"&gt;Lo mes d'abriu&lt;/span&gt;, une scottish et quelques vielles chansons ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la suite de cet enregistrement quelques chansons : le seigneur volage,&lt;span class="oc"&gt; La gerbabauda&lt;/span&gt; puis des bourr&amp;eacute;es jou&amp;eacute;es par un groupe folklorique non identifi&amp;eacute;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la fin de cette bande &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;l'enregistrement de la fin d'une &amp;eacute;mission de Jazz &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;sur laquelle M. Dagnas a fait ces enregistrements.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Enregistrement de Mme Lydie Cousty à Louignac en Corrèze.</text>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Dans ce document qui nous a été confié pour numérisation et mise en ligne par M. Francis Chaminade, un enregistrement datant du début des années 80 .&lt;br /&gt;Ce jour là nous avions rendu visite à &lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;M. &lt;/span&gt;&lt;strong class="fr"&gt;Gabriel &lt;/strong&gt;&lt;strong class="fr"&gt;Brégère (&lt;/strong&gt;&lt;/span&gt;à Miège-Dame, commune de Perpezac le Blanc) accompagnés de M. &lt;strong&gt;Albert Buffière&lt;/strong&gt;, accordéoniste diatonique dont la famille tenait un café-restaurant sur la place du village où il se plaisait à sortir son accordéon &lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;(il était agriculteur à la Chapelle commune de Varetz) &lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une succession de morceaux, joués à l'accordéon ou chantés &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;: &lt;span class="oc"&gt;La planqueta, Tant vielha que tu sias, L'aiga de rosas, N'ai lo cocut, Dijas Janton, Los a perduts&lt;/span&gt;, La Paimpolaise (avec des paroles ramenées du front), &lt;span class="oc"&gt;Tòrna-vira,&lt;/span&gt; Trou du cul, Mon aimable Virginie, L'aventure d'un jeune écolier, des marches nuptiale&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;s, À quatorze ans, &lt;span class="oc"&gt;Traina sauma,&lt;/span&gt; Je m'en vais faire chaque jour devant ta porte mille tours, &lt;span class="oc"&gt;Tres còps lo t'ai manhat,&lt;/span&gt; Capitaine capitaine, Jeune militaire venant de la guerre, Toutes les filles d'Orléans, Plus bas mon amant, Chanson de Meillard (une chronique locale dont M. Brégère se régalait ) , &lt;span class="oc"&gt;Revenetz domaiselas, Prestas lo me ...&lt;/span&gt;&lt;/span&gt;&lt;br class="fr" /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une informatrice dont nous ne nous souvenons pas (Mme Brégère ?) &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;nous dit une comptine &lt;span class="oc"&gt;los a perduts&lt;/span&gt; et &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;une nhòrle : &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Maridatz vos Jan &lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Ces bandes ont été restaurées et numérisées par Fabrice San Juan&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande il est not&amp;eacute; "N&amp;deg;775, Chez Nous du 26-9-66, La Nadalie-Burgou"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'un montage pour une &amp;eacute;mission de "Chez Nous" telle a sans doute &amp;eacute;t&amp;eacute; diffus&amp;eacute;e sur les ondes de Radio Limoges le 26 Septembre 1966.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous retrouvons sur ce document des locuteurs d&amp;eacute;j&amp;agrave; pr&amp;eacute;sents dans les autres enqu&amp;ecirc;tes &amp;agrave; La Nadalie ("Le p&amp;egrave;re Chaumont dit Cl&amp;eacute; de&lt;/span&gt; &lt;span class="fr" style="font-size: 14pt;"&gt;c&amp;oelig;ur&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;", Marguerite et Pierre Bonnefond, Marguerite Chabeaudie, Jeanne Gl&amp;eacute;nisson, et "le brave Mourier" .&lt;br /&gt;Quelques passages d&amp;eacute;j&amp;agrave; entendus mais beaucoup d'in&amp;eacute;dits int&amp;eacute;ressants .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Des t&amp;eacute;moignages sur l'&amp;eacute;cole &amp;agrave; la Nadalie, &lt;span class="oc"&gt;Los carcalins de La Nadalia&lt;/span&gt;, les amusements des enfants, les f&amp;ecirc;tes votives, les veill&amp;eacute;es, les relations filles/gar&amp;ccedil;ons et surtout une figure locale Burgou, le "bandit limousin" natif de La Nadalie . Des chansons en fran&amp;ccedil;ais et en occitan : J'ai fait l'amour &amp;agrave; une petite, Berg&amp;egrave;re vous n'&amp;ecirc;tes pas sage, &lt;span class="oc"&gt;Tot lo long de l'aiga, La tendilha, Lu cosin&lt;/span&gt; par Pierre Biossac, l'&amp;eacute;mission se termine par Je suis lasse d'&amp;ecirc;tre fille (par un groupe folklorique non identifi&amp;eacute; ) . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
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                <text>Mme Marie DUQUEYROIX (2)</text>
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            <name>Subject</name>
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                <text>Tous les genres</text>
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                <text>Mme Marie DUQUEYROIX</text>
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            <name>Source</name>
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                <text>RD3155</text>
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                <text>1961-06</text>
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                <text>audio/mpeg</text>
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                <text>https://la-biaca.org/items/show/547</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/547/Etricor.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 764, un nouvel enregistrement de Mme Marie Duqueyroix (ou Duqueroix) datant du mois d' Avril 1961&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La fiche r&amp;eacute;dig&amp;eacute;e par M. Dagnas le d&amp;eacute;crit ainsi : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- L'Isabeau (chant) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Discussion sur sa jeunesse&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;- Son &amp;eacute;cole &amp;agrave; &amp;Eacute;tagnac&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;- Le comte d' &amp;Eacute;tagnac&lt;span class="fr"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Lu maridatge (nhorle) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Som-som&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Les bals&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Jean de Bertand&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Etricor&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;- Scottish&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;- Polka piqu&amp;eacute;e&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;---------------------------------------------------------------------------------------------------&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>Enquêtes et témoignages</text>
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              <text>enregistrement</text>
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              <text>musique traditionnelle</text>
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              <text>accordéon</text>
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              <text>violon</text>
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              <text>chant</text>
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          <name>Mot-clé en liste</name>
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              <text>informateurs multiples robert dagnas chez nous les salles lavauguyon les salles lavauguyon enregistrement chansons patois occitan limousin</text>
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            <name>Date Issued</name>
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                <text>2013-04-02 12:08:26</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>Haute-Vienne (87)</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
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                <text>Chez nous, Les SallesLavauguyon</text>
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                <text>Tous les genres</text>
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                <text>Enregistrement r&amp;eacute;alis&amp;eacute; aux Salles Lavauguyon, au d&amp;eacute;but des ann&amp;eacute;es 1960</text>
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                <text>audio/mpeg</text>
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                <text>Sound</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/548/RD4202Net.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande, aucune indication, il est seulement not&amp;eacute; "65A" . Nous sommes en pr&amp;eacute;sence de deux enregistrements d'&amp;eacute;missions de "Chez Nous" telles qu'elles ont sans doute &amp;eacute;t&amp;eacute; diffus&amp;eacute;es sur les ondes de Radio Limoges .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Dans la seconde partie de cet enregistrement nous retrouvons quelques documents d&amp;eacute;ja entendus sur les bandes des enregistrements r&amp;eacute;alis&amp;eacute;s aux Salles-Lavauguyon.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;- Dans la premi&amp;egrave;re &amp;eacute;mission : une &amp;eacute;vocation de l'arriv&amp;eacute;e de l'hiver et de "la nostalgie des jours enfuis" par M. Dagnas,, un chant de Bernard de Ventadour et &lt;span class="oc"&gt;Veiqui la nuech&lt;/span&gt; par Ir&amp;egrave;ne Besson, Las quatre sasons, un chant de berg&amp;egrave;re par Lisa Ducouret, &lt;span class="oc"&gt;Chas nos m'an maridada&lt;/span&gt; par Pierre Biossac, &lt;span class="oc"&gt;Lo maniguet&lt;/span&gt; et le lapin par un groupe folklorique, &lt;span class="oc"&gt;Las palissas&lt;/span&gt; puis la conclusion de cette premi&amp;egrave;re &amp;eacute;mission .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- La seconde &amp;eacute;mission datant d'un 21 novembre est une compilation des enregistrements r&amp;eacute;alis&amp;eacute;s aus Salles lavauguyon : Les cloches, plusieurs pr&amp;eacute;sentations des Salles Lavauguyon par des enfants, un No&amp;euml;l par Mme Gady, &lt;span class="oc"&gt;Lo pitit petar dau Bon-Diu&lt;/span&gt; par Henri Pelletingeas, les d&amp;eacute;votions par Mme Vilotte, l'enclume de Jean Bourdaraud, &lt;span class="oc"&gt;Aime a dansar&lt;/span&gt; par L&amp;eacute;onard Lathi&amp;egrave;re, &lt;span class="oc"&gt;Plus beure de vin&lt;/span&gt; par Yvonne Bissirieix et Louis Douvry, Julie,ma Julie par Ang&amp;egrave;le Delage, &lt;span class="oc"&gt;La Fran&amp;ccedil;oise daus Gironeus&lt;/span&gt; par Emile Pressigoux ....&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Acc&amp;eacute;der aux autres enregistrements :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/454" target="_blank" rel="noopener noreferrer"&gt;Les Salles-Lavauguyon 2/4&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/407" target="_blank" rel="noopener noreferrer"&gt;Les Salles-Lavauguyon 3/4&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/410" target="_blank" rel="noopener noreferrer"&gt;Les Salles-Lavauguyon 4/4&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a class="fr" href="https://la-biaca.org/items/show/464" target="_blank" rel="noopener noreferrer"&gt;Vienne-Tardoire&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/549</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/549/Padimage.jpg</text>
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                <text>&lt;p class="fr"&gt; &lt;span style="font-size:14pt;"&gt;Enregistrement réalisé le 2 mars 1986 auprès de M. B. (l'informateur ne souhaite pas que son nom figure dans ce document) demeurant à Assit, commune de Manot (16) par Jan Urroz, dans le cadre d'une enquête pour un Diplôme d'Etudes Occitanes.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans cet enregistrement, Jan interroge l' informateur au sujet des conjugaisons des verbes &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;être, avoir, chanter, aimer, choisir, sentir, rendre, connaitre, aller, boire, croire, devoir, faire, travailler, pouvoir, savoir, voir, arriver, servir, jouer, sortir ... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Il s'agit là de la Onzième cassette d'un lot qui nous a été confié pour numérisation et mise en ligne par Jean et Denise Urroz, de Charente Occitane .&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>2013-04-03 09:30:23</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 732 il est not&amp;eacute; "Soir&amp;eacute;e Bourse du Travail (11/57) Duplex avec Nice et 1&amp;egrave;re partie de la soir&amp;eacute;e"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Quelques discours, dont un en liaison t&amp;eacute;l&amp;eacute;phonique dans lequel on entends tr&amp;egrave;s bri&amp;egrave;vement le docteur De La Farge fondateur de l'&amp;eacute;cole ventadour, ... souvent interrompus par les prestations des Velhadours&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande sans indication de lieu il est not&amp;eacute; : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;18/3/69 &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;1&amp;egrave;re bande : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;a) Pr&amp;eacute;sentation Robert Dagnas,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;b) Majoral M. Fournier &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Les premi&amp;egrave;res minutes sont consacr&amp;eacute;es &amp;agrave; la pr&amp;eacute;sentation du Majoral &lt;strong&gt;Marcel Fournier&lt;/strong&gt; par Robert Dagnas puis, nous entendons une conf&amp;eacute;rence de M Fournier au sujet de Fr&amp;eacute;d&amp;eacute;ric Mistral . Intervention interrompue par la fin de la bande, (vous pouvez retrouver la suite - doc. RD5326&amp;nbsp; ci dessous )&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Les Gueurlets dau Poitou</text>
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            <description>The topic of the resource</description>
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            <name>Date</name>
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            <name>Format</name>
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 560 il est not&amp;eacute; : &lt;span style="color: #808080;"&gt;"&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;Niort 1&amp;egrave;re bande, Les Gueurlets dau Poitou 17 / X / 68"&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Un bel enregistrement dans lequel nous entendons une succession de chants en fran&amp;ccedil;ais et en occitan qui ne viennent manifestement pas de la r&amp;eacute;gion Niortaise (mais de la r&amp;eacute;gion de l'Artense sans doute !) : Je ne suis pas contente, Les ch&amp;acirc;taignes du Limousin (par Monique Marcillaud), P&amp;egrave;re et fille (par Jeannine Gatignol et Roger Romanet), &lt;em&gt;&lt;span class="oc"&gt;Quand eria chas mon paire&lt;/span&gt;&lt;/em&gt; (par Roger Bruy&amp;egrave;re) , &lt;span class="oc"&gt;&lt;em&gt;La bela fran&amp;ccedil;on&lt;/em&gt;, &lt;em&gt;una ptita nh&amp;ograve;rla&lt;/em&gt;,&lt;/span&gt; Colin (par Annick, Monique et Christiane), L'aimable pastourelle, &lt;span class="oc"&gt;&lt;em&gt;Aval au fond dau prat&lt;/em&gt;,&lt;/span&gt; Le mois de mai, L'autre jour je me promenais ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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            <description>A related resource</description>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande ne portant aucune indication, une &amp;eacute;mission de "Chez nous" (ou sa pr&amp;eacute;paration) telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges au mois d'Avril 1967 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A l'occasion des f&amp;ecirc;tes Pascales, M. Dagnas propose les t&amp;eacute;moignages de Pierre Biossac et d' Ang&amp;egrave;le Chabeaudie sur ces f&amp;ecirc;tes puis de nombreuses chansons : &lt;em&gt;&lt;span class="oc"&gt;Lo planh de Senta Magdelena&lt;/span&gt;&lt;/em&gt;, Gai gai pour passer l'eau, &lt;em&gt;&lt;span class="oc"&gt;Lo pont d'a Lion&lt;/span&gt;&lt;/em&gt;, L&amp;agrave; haut sur la montagne, les "soquelons" (?),&lt;em&gt;&lt;span class="oc"&gt; En 'naut sus la montanha&lt;/span&gt;&lt;/em&gt;, par Pierre Biossac, &lt;span class="oc"&gt;&lt;em&gt;La filha del paisan&lt;/em&gt;,&lt;/span&gt; un po&amp;ecirc;me de Jean Rebier par Yves Dusartre, une belle pri&amp;egrave;re du Confolentais, une annonce pour un hommage &amp;agrave; Albert Pestour .... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 19px; line-height: 1.2;"&gt;Sur l'enveloppe contenant la bande 742 il est not&amp;eacute; : &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;"Emissions Chez Nous, 13/9, 27/9, 11/10 1958 (dont Jean Rebier), la soeur de lait des Tharaud" .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;De fait, il s'agit dans la premi&amp;egrave;re partie de deux enregistrements partiels d'&amp;eacute;missions de "Chez nous" (ou la pr&amp;eacute;paration de ces &amp;eacute;missions ? ) telle qu'elles ont pu &amp;ecirc;tre diffus&amp;eacute;es sur les ondes de Radio Limoges (en septembre et octobre 1958 ? )&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;On retrouve dans ces &amp;eacute;missions quelques informateurs connus (M. Biossac, Mme Ducouret, Mme Brouillet, Mme Chabeaudie ...) mais aussi de belles nouveaut&amp;eacute;s (Gringalet et Galibart par le duo Colon et Secours ) . La seconde &amp;eacute;mission (17mn &amp;agrave; 21.06 mn) est un extrait d'une &amp;eacute;mission d&amp;eacute;ja mise en ligne .&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La fin de la bande (&amp;agrave; partir de 21.06) ne correspond pas &amp;agrave; la description sur l'enveloppe il s'agit d'un &lt;span class="fr" style="font-size: 14pt;"&gt;int&amp;eacute;ressant&lt;/span&gt; enregistrement non mont&amp;eacute;, d'une veill&amp;eacute;e &amp;agrave; Biennac &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; pr&amp;egrave;s de Rochechouart dans laquelle nous entendons Mme Basset (informatrice d&amp;eacute;ja rencontr&amp;eacute; dans plusieurs enregistrements) qui chante plusieurs chansons en limousin et en fran&amp;ccedil;ais, puis t&amp;eacute;moigne sur les processions, les bals, les mythes limousins ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG"&gt;Le fonds Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 584 il est not&amp;eacute; " Festival Fy 2376M Georges Cantournet "&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Les quatre chansons proviennent d'un disque 45 tours "Folklore du Limousin FY 2376 datant de 1964 avec Jean Cambon, un r&amp;eacute;&amp;eacute;dition des titres fugurant sur les disques FY 2067 et FY 2069 * &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La fiche r&amp;eacute;dig&amp;eacute;e par R Dagnas d&amp;eacute;crit ainsi le contenu de cet enregistrement : &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;1/ Lo Brianco (F Sarre, J. Mazabraud) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;2/ Lo coeur de mo mio (F Lagueny, E Sarre) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;3/ Lou Turlututu ( Dr Treuil, Le Gentile) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;4/ Un jour di l'estoulia (J Mazabraud, L Billaut) &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Pas d'autre renseignement sur les musiciens sans doute Georges Cantournet joue t'il de l'accord&amp;eacute;on sur les deux derniers morceaux &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;* Source Fran&amp;ccedil;oise Etay&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>IEO Lemosin, dépôt Marouby</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Collectages, Chanteurs et musiciens (3)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>MAR1001</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1980</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Myette Hebrant-Marouby</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="314115">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="314116">
                <text>Sound</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="314117">
                <text>https://la-biaca.org/items/show/558</text>
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          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/558/MAR1001Net.jpg</text>
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          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette cassette audio (la seconde d'une série qui nous a été confiée pour numérisation et mise en ligne par Myette Hebrant-Marouby) un document datant de 1980 .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cet enregistrement se succèdent différents informateurs dont quelques uns sont bien connus en limousin et sur le territoire occitan : Marcelle et Marie Louise Delpastre (Chamberet), Henri Roulant (ST Hilaire les Courbes, Jean Mouzat, Raymond Buche (Lafage sur Sombre) , Marcelle Pathier, Marie Delanne, Marie Roulant ... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="color:#000000;font-size:14pt;"&gt;Ces titres ont, pour la plupart, été publiés dans le 33 tours "French Folk Songs from Corrèze *&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;Quelques dires: &lt;span class="oc"&gt;Lo solelh e la luna, Chabra mòrta&lt;/span&gt; et u&lt;/span&gt;ne succession de de chansons (Là bas dans la prairie,&lt;span class="oc"&gt; La trist'annada, Drin drin,&lt;/span&gt; chansons de quête, La Passion, &lt;span class="oc"&gt;La mòrt que rotla,&lt;/span&gt; Rossignolet charmant, La belle couturière, &lt;span class="oc"&gt;Lo cuer de ma mia,&lt;/span&gt; Toutes les femmes d'Orléans, &lt;span class="oc"&gt;Para lo lop, L'escriveta,&lt;/span&gt; La belle gardant son troupeau , &lt;span class="oc"&gt;Ai vist lo lop ,&lt;/span&gt; à St Gilles petit bourg, &lt;span class="oc"&gt;La n'en menam,&lt;/span&gt; Rosette .... &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;* Source Françoise Etay&lt;span style="font-size:14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Corrèze (19)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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              <text>Enregistré au domicile de l'informatrice, au bourg de Blond</text>
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        </element>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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            <elementText elementTextId="314060">
              <text>CHR001.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>1848</text>
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          <description>Mot-clé "metakeywords"</description>
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              <text>Archives sonores</text>
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            <elementText elementTextId="314063">
              <text>Patrimoine oral</text>
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            <elementText elementTextId="314064">
              <text>IEO Limousin</text>
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            <elementText elementTextId="314065">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="314066">
              <text>biaça</text>
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            <elementText elementTextId="314067">
              <text>besace</text>
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            <elementText elementTextId="314068">
              <text>Patois</text>
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            <elementText elementTextId="314069">
              <text>Occitan</text>
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            <elementText elementTextId="314070">
              <text>Limousin</text>
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            <elementText elementTextId="314071">
              <text>Patois Limousin</text>
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            <elementText elementTextId="314072">
              <text>Occitan limousin</text>
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            <elementText elementTextId="314073">
              <text>Occitan Corrèze</text>
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            <elementText elementTextId="314074">
              <text>Patois corrèze</text>
            </elementText>
            <elementText elementTextId="314075">
              <text>Patois Creuse</text>
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            <elementText elementTextId="314076">
              <text>Occitan creuse</text>
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            <elementText elementTextId="314077">
              <text>Patois Haute vienne</text>
            </elementText>
            <elementText elementTextId="314078">
              <text>Occitan Haute Vienne</text>
            </elementText>
            <elementText elementTextId="314079">
              <text>langue limousine</text>
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            <elementText elementTextId="314080">
              <text>langue d'oc</text>
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            <elementText elementTextId="314081">
              <text>collectage</text>
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            <elementText elementTextId="314082">
              <text>collectatge</text>
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            <elementText elementTextId="314083">
              <text>collection</text>
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            <elementText elementTextId="314084">
              <text>colleccion</text>
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            <elementText elementTextId="314085">
              <text>mémoire</text>
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              <text>memòria</text>
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            <elementText elementTextId="314087">
              <text>sonore</text>
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              <text>contes</text>
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              <text>chansons</text>
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              <text>comptines</text>
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              <text>rites calendaire</text>
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              <text>nhorles</text>
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            <elementText elementTextId="314094">
              <text>gnorles</text>
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            <elementText elementTextId="314095">
              <text>enregistrement</text>
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            <elementText elementTextId="314096">
              <text>musique traditionnelle</text>
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            <elementText elementTextId="314097">
              <text>accordéon</text>
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              <text>violon</text>
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            <elementText elementTextId="314099">
              <text>chant</text>
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            <elementText elementTextId="314100">
              <text>bourrée</text>
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            <elementText elementTextId="314101">
              <text>danses</text>
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        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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              <text>henriette lammant baptiste chretien mme henriette lamant</text>
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          </elementTextContainer>
        </element>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="314044">
                <text>2013-04-29 08:59:17</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="314045">
                <text>1848</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="314046">
                <text>Blond</text>
              </elementText>
              <elementText elementTextId="314047">
                <text>Haute-Vienne (87)</text>
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          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="314048">
                <text>IEO Lemosin, dépôt Chrétien</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Mme Henriette Lamant</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="314051">
                <text>Enregistrement en langue limousine de Mme Henriette Lamant, à Blond, 87</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Henriette LAMANT</text>
              </elementText>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>CHR001</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="314054">
                <text>2011-03</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Baptiste Chrétien</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/559</text>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/559/Monts_de_Blond_2011-Baptiste.jpg</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="color:#ff0000;font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;Mme &lt;strong&gt;Henriette Lamant,&lt;/strong&gt; née à Blond en 1929, d'un père originaire de la commune voisine de Nouic et d'une mère de Blond, évoque pour nous de nombreux souvenirs d'enfance, de jeunesse.&lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Paysanne très active tout au long de sa vie, elle fut à Blond une pionnière dans de nombreux domaines : elle a eu un vélomoteur puis une auto quand ces moyens de transport étaient encore réservés aux hommes, elle fut l'une des très rares paysannes de l'époque à exercer une activité annexe (de brodeuse et de peintre à l'aiguille), elle a tenu avec son époux une succursale Groupama à la ferme, ils ont animé le G.V.A. (Groupement de Vulgarisation Agricole) local et à ce titre ont organisé de nombreux voyages pour les paysans du canton...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Aujourd'hui, Henriette Lamant regrette la désertification de sa commune qui, située à 40 km au nord-ouest de Limoges, a perdu presque toute sa population active et donc beaucoup de sa vitalité...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Ce document a été réalisé par Baptiste Chrétien le 7 mars 2011 . Baptiste en a assuré le montage, le séquencement ... et nous l'a confié pour la mise à disposition sur la biaça.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <text>langue d'oc</text>
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              <text>collectage</text>
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              <text>collectatge</text>
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              <text>collection</text>
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              <text>colleccion</text>
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              <text>mémoire</text>
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              <text>sonore</text>
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              <text>contes</text>
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              <text>chansons</text>
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              <text>enregistrement</text>
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              <text>musique traditionnelle</text>
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              <text>bourrée</text>
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          <name>Mot-clé en liste</name>
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              <text>informateurs multiples robert dagnas la bourree limousine folklore brive correze limousin bourree limousine patois</text>
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            <name>Date Issued</name>
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                <text>2013-04-29 10:04:18</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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          <element elementId="90">
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>La Bourrée Limousine (2)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="313991">
                <text>Enregistrement du groupe "la bourr&amp;eacute;e Limousine" de Brive la Gaillarde en 1958</text>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
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                <text>RD4247</text>
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            <name>Date</name>
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              <elementText elementTextId="313994">
                <text>1958-12</text>
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                <text>Robert DAGNAS</text>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
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              <elementText elementTextId="313998">
                <text>https://la-biaca.org/items/show/560</text>
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            <name>Relation</name>
            <description>A related resource</description>
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          <element elementId="54">
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bande 453 il est not&amp;eacute; "Bourr&amp;eacute;e Limousine (12/58) II"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cet enregistrement nous entendons les chanteurs du groupe folklorique Briviste dans une suite de chansons en occitan et en fran&amp;ccedil;ais : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Lo Boier&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Pastoreleta&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La meuni&amp;egrave;re et le chasseur&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Passant par la prairie&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;En passant par le bois&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La Chanson du roulier&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Rossignolet des bois&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Le messager des cieux&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nadalon Lemosin&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement est ant&amp;eacute;rieur &amp;agrave; l'enregistrement du premier disque du groupe (datant de 1960 et r&amp;eacute;&amp;eacute;dit&amp;eacute;) sur lequel on retrouve quelques unes de ces chansons&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Brive-la-Gaillarde</name>
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        <name>Corrèze (19)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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          <name>Location</name>
          <description>The location of the interview</description>
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          <name>Local URL</name>
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              <text>Occitan Haute Vienne</text>
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              <text>langue limousine</text>
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              <text>collectage</text>
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              <text>mémoire</text>
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              <text>contes</text>
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              <text>chansons</text>
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              <text>comptines</text>
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              <text>rites calendaire</text>
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              <text>tradition</text>
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              <text>nhorles</text>
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              <text>gnorles</text>
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              <text>enregistrement</text>
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              <text>accordéon</text>
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              <text>bourrée</text>
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          <name>Mot-clé en liste</name>
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            <name>Date Issued</name>
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            <description>The size or duration of the resource.</description>
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            <name>Spatial Coverage</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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            <name>Contributor</name>
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            <name>Source</name>
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                <text>IEO258</text>
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            <name>Date</name>
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                <text>2013-03</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Pascal Boudy</text>
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            <name>Format</name>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/561/MeynardNet.jpg</text>
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            <name>Abstract</name>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous sommes en pr&amp;eacute;sence d'un montage (sans doute pour la radio) et retrouvons le groupe des Velhadors de St Junien dans un exercice qu'ils ont beaucoup pratiqu&amp;eacute; : la messe de minuit des bergers . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs chansons de circonstances&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; : Le divin enfant, &lt;span class="oc"&gt;la tera es freja, chut chut que l'enfant duerm, Tu Senhor,&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &amp;agrave; vous troupes fid&amp;egrave;les, le chant du &lt;span class="oc"&gt;"poton", lu solelh de justicia&lt;/span&gt; ...&amp;nbsp; Mais aussi &amp;eacute;vangiles, sermon (par l'abb&amp;eacute; Marvaud) , pri&amp;egrave;res et b&amp;eacute;n&amp;eacute;dictions&amp;nbsp; ...&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Collection F. Etay, Fonds Dagnas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313823">
                <text>Champagnac-la-Rivière (1-2-3)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313824">
                <text>Tous les genres</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313825">
                <text>Collecte en public &amp;agrave; Champagnac la Rivi&amp;egrave;re datant 1968</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313826">
                <text>[Informateurs multiples]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="313827">
                <text>RD4248/49/50</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313828">
                <text>1968-12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313829">
                <text>Robert DAGNAS</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313830">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313831">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="313832">
                <text>https://la-biaca.org/items/show/563</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331437">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/563/ChampagnacNet.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="334103">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur les bandes 563, 564 et 565 (RD4248,4249 et 4250) un enregistrement r&amp;eacute;alis&amp;eacute; par Robert Dagnas lors d'une enqu&amp;ecirc;te collective &amp;agrave; Champagnac la Rivi&amp;egrave;re le 12 d&amp;eacute;cembre 1968 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Plusieurs informateurs non identifi&amp;eacute;s (Commencas, Tharaud, Fayemendy, Milou qui jouait de l'accordeon avant la guerre de 14 &amp;agrave; Sereilhac .... ) se succ&amp;egrave;dent au micro interpr&amp;eacute;tant un tr&amp;egrave;s beau r&amp;eacute;pertoire :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- chansons en fran&amp;ccedil;ais (Mon p&amp;egrave;re my marie, Gar&amp;ccedil;ons en mariage prenez garde &amp;agrave; vous, Voici le beau temps des amants, Ma petite Suzon, Le mal des filles, Le r&amp;eacute;mouleur Mon p&amp;egrave;re avait 500 moutons, Toute fille qui a six amants&amp;nbsp; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Chansons en limousin &lt;span class="oc"&gt;(La Baudeta,Lu Boier, la Margui ,Veniam de mestiva,&amp;nbsp;&lt;span style="color: #cc0000;"&gt;&lt;span style="color: #330033;"&gt;Coucou jaloux, cornard et coucou&lt;/span&gt;&lt;/span&gt;, &lt;span style="color: #cc0000;"&gt;&lt;span style="color: #330033;"&gt;Las femnas daus Dornasacs&lt;/span&gt;&lt;/span&gt;, Tres filhas d'un prince, Lu tendilhon, &lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;Dija pitit merchant, &lt;/span&gt;&lt;/span&gt;La Janeton s'en vai a la font, La pita Roseta, En laut per l'estolha ...)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; - Histoires &lt;span class="oc"&gt;(l'escarabissa, lu grand pair que tuet lo lop, Quand i'aprenia a montar en becana a ma granda-mair, l'ist&amp;ograve;ria de Burgou, L' auvernhat, Dondar l'asne, la musica ...)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="125">
        <name>Champagnac-la-Rivière</name>
      </tag>
      <tag tagId="34">
        <name>Haute-Vienne (87)</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
