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Arin-Arin&#13;

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Air à 6/8&#13;

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N'istoara de lavairitz&#13;

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Ta maison s'esbòlha (paroles et accordéon)&#13;

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Ta maison s’esbòlha&#13;

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Pierre Biroulet ; Marches de noces&#13;

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Enchaînement de marches&#13;

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00:26:43.000 --&gt; 00:27:40.000
La Morelhada&#13;

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Para lo lop&#13;

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Alai dins lo ribateu&#13;

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Dija Janton&#13;

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Las permenadas ; Dija Janton&#13;

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Las passadas&#13;

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Polka piquée de M. Boni&#13;

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Polka de Chamboulive&#13;

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Brise-pied du Quercy&#13;

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La peput&#13;

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Un jorn dins l’estolhas ; La Yoyette ; Si tu veux faire mon bonheur ; Chevaliers de la table ronde&#13;

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Donatz-la nos, la nòvia la nòvia… ; Nos la tenem la nòvia la nòvia&#13;

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La chanson de Quête des oeufs&#13;

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Nadau Nadau Nadau (bis)&#13;

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Il est mort le pauvre Mémi&#13;

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Vue sur le répertoire&#13;

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Polka&#13;

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Coupure puis polka à nouveau&#13;

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Indiscrétion&#13;

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Mazurka&#13;

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La bourrée à Malochet&#13;

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Polka du Père  Plumet&#13;

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Scorrish ; Blanche de Castille&#13;

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Caprice espagnol&#13;

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Perles de Cristal&#13;

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La valse à Judet&#13;

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Mise en place&#13;

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Valse&#13;

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Elle avait oublié son caleçon&#13;

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Polka de Chanteix&#13;

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Valse avec ritournelle&#13;

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Prenez mes mandarines&#13;

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Je suis née dans le faubourg Saint-Denis&#13;

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Le plus beau refrain de la vie&#13;

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Valsez midinettes&#13;

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Quand lo merle saut’au prat&#13;

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Valse de Vertougit&#13;

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Les petits-enfants&#13;

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              <text>Disque 1 / Titre 22</text>
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                <text>Te volia dire (6a)</text>
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                <text>Te volia dire (6a)</text>
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              <text>Disque 1 / Titre 8</text>
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                <text>Te volia dire (3b)</text>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Te volia dire (3b) - 8 - Flor de drigolha</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Te volia dire (3b)</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Te volia dire (3b) - 9 - Flor de regrèt</text>
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            <description>A name given to the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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            <description>A name given to the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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                <text>00:00:00.000 --&gt; 00:02:27.000
Vibraphone&#13;

00:02:27.000 --&gt; 00:08:44.000
Blue moon&#13;

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Air Mail Special&#13;

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Body and soul - début&#13;

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Plaisir d'amour&#13;

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Ave Maria&#13;

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Histoire d'un paysan charentais&#13;

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Présentation de la chanson&#13;

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Dans les clairs matins d'avril&#13;

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L'histoire d'un titi parisien&#13;

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Il n'y a rien d'aussi charmant&#13;

00:02:42.000 --&gt; 00:05:27.000
Baissa-te montanha&#13;

00:05:27.000 --&gt; 00:05:41.000
On ne rigole plus&#13;

00:05:41.000 --&gt; 00:07:21.000
Marche qu'on amenait les mariés&#13;

00:07:21.000 --&gt; 00:07:41.000
Ah, ça vous fait rigoler !&#13;

00:07:41.000 --&gt; 00:09:52.000
La Valse-Vienne&#13;

00:09:52.000 --&gt; 00:10:32.000
C'est y assez ?&#13;

00:10:32.000 --&gt; 00:11:10.000
Lo quadrilh d'Embasac&#13;

00:11:10.000 --&gt; 00:11:37.000
Tornam-i &#13;

00:11:37.000 --&gt; 00:12:19.000
2nda figura&#13;

00:12:19.000 --&gt; 00:12:58.000
Tornam-i&#13;

00:12:58.000 --&gt; 00:14:06.000
3esma figura&#13;

00:14:06.000 --&gt; 00:15:09.000
Pastorela 2&#13;

00:15:09.000 --&gt; 00:15:31.000
4esma figura&#13;

00:15:31.000 --&gt; 00:15:52.000
Tòrna-i&#13;

00:15:52.000 --&gt; 00:16:24.000
5esma figura&#13;

00:16:24.000 --&gt; 00:00:00.000
Tres bien mos amics&#13;

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Première face - Tu senhor&#13;

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Senhor te que portas lo pechat dau monde&#13;

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Cantique&#13;

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Cantique (reprise)&#13;

00:06:28.000 --&gt; 00:25:42.000
À vous troupe fidèle&#13;

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Suite de bourrées&#13;

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Permets-moi belle meunière&#13;

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Ma madelon&#13;

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Bourrée n°1&#13;

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Bourrée n°2&#13;

00:12:11.000 --&gt; 00:13:57.000
Bourrée n°3&#13;

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Variations sur un thème de Mozart&#13;

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Una autra !&#13;

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Las quatre sasons&#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant la bande 654 il est not&amp;eacute; :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt; &amp;Eacute;missions folklore de France (France Vermillat) &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;1- Le b&amp;eacute;arn (5/65)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt; color: #808080;"&gt;2- le limousin (6/65)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous entendons d'abord l'&amp;eacute;mission datant sans doute du mois de mai 1965 consacr&amp;eacute;e au Limousin : &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Chant de qu&amp;ecirc;te en fran&amp;ccedil;ais et occitan&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;- Limousin pays de tradition, l'abbaye Saint Martial, les troubadours&lt;br /&gt;- Le &lt;em&gt;Planh&lt;/em&gt; de Gaucem Faidit&lt;/span&gt;&lt;span class="fr"&gt; puis celui chant&amp;eacute; par les veilladours&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;- Le &lt;/span&gt;&lt;span class="fr"&gt;Maniguet&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Tirer les saints (il devait y avoir des insertions absentes sur cet enregistre&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;ment) &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Le Bal d'abzac&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;- Les instruments&lt;/span&gt;&lt;span class="fr"&gt; traditionnels&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Une noce &amp;agrave; Collonges, sc&amp;egrave;ne reconstitu&amp;eacute;e&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="text-decoration: underline;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Vient ensuite l'&amp;eacute;mission datant du lendemain consacr&amp;eacute;e au B&amp;eacute;arn : &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Vive Henri 4&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;em&gt;Se Canto&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les sifflements des bergers&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;em&gt;Lo tres de mai&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les quilles&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Les instruments&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;traditionnels&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;em&gt;B&amp;egrave;th c&amp;egrave;u de Pau&lt;/em&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;En toute fin de bande, un enregistrement datant sans doute du 1er mai 1965 r&amp;eacute;alis&amp;eacute; dans la voiture de M. Dagnas entre Limoges et Saint Junien (la radio, les bruits d'ambiance ...) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="https://la-biaca.org/items/show/429"&gt;&lt;span class="fr" style="font-size: small;"&gt;Il s'agit s&amp;ucirc;rement de la suite de l'enregistrement de la bande 430 &lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="285724">
                <text>Font St Martial, la légende</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="285725">
                <text>Légendes - croyances</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="285726">
                <text>Enquête collective</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="285727">
                <text>Lagraulière EM 2/2 - 9 - Font St Martial, la légende</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="285728">
                <text>https://la-biaca.org/items/show/3262</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
