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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous retrouvons le groupe des Velhadors de St Junien au cours d'une "messe des bergers limousins" . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;De larges extraits de cette messe : le sermon en langue limousine de Mgr Durepaire, l'abb&amp;eacute; Guy Daudet ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;La face "a" de cette seconde cassette contient les enregistrements du 24 janvier au 27 février 1986 &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;Ponctués par des morceaux de musique traditionnelle, une succession de textes d' auteurs occitans : Jan bien sûr mais aussi Robert Marty, Marcelle Delpastre, Guiraut de Bornelh, Michel Chadeuil, Jean Mouzat, Bernard Giacomo ...&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;Quelques légendes : La femme du seigneur de Mortemart, La fille du bourgeois d'Ambazac, Lo pretendent de la Franceta... et chroniques racontées par Jan et aussi des voisins ou personnes qu'il a rencontrées : Yvonne Chaput de la Chapelle Montbrandeix, Jean Deleau de La Sagne de Vignols, Alice Marot de Royer de Meuzac, etc...&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>Musique</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/847/Padimage.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur une cassette audio qui nous a été confiée par Michel Feynie pour numérisation et mise en ligne, plusieurs passages sont des enregistrements de &lt;strong&gt;Sylvain CHAILLAUD&lt;/strong&gt; que nous avons regroupés .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit d'un document collecté au début des années 80, sur lequel on peut entendre M. Chaillaud, violoneux de tradition, né en 1901 et mort en 198&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;9, il demeurait au lieu-dit Les Tuiles commune de St-Barthélémy-de-Bellegarde (Dordogne)&lt;/span&gt;.&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ce musicien propose les morceaux de son répertoire, essentiellement de la musique à danser : Scottishs, valses, bourrées, mazurkas, quadrilles, polkas ... &lt;/span&gt;&lt;/p&gt;</text>
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            <description>An account of the resource</description>
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                <text>Enregistrement d'un chanteur traditionnel à St martial le Vieux, Creuse</text>
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                <text>[Informateur Inconnu]</text>
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                <text>Sound</text>
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                <text>https://la-biaca.org/items/show/846</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/846/Padimage.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet document nous a été confié pour mise en ligne par Georges Prudent.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit de l' enregistrement d'un chanteur non identifié, enregistré à Saint martial le Vieux&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; en Creuse.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement fut réalisé vers 1986, par Georges Prudent musicien.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une belle suite de chants traditionnels, pour la plupart en occitan limousin.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande, il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"590, Enregistrement Esse, 1959"&lt;/span&gt; et sur la bobine elle m&amp;ecirc;me &lt;span style="color: #808080;"&gt;"489, Esse 1"&lt;/span&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit tr&amp;egrave;s probablement du d&amp;eacute;but de l'enregistrement public r&amp;eacute;alis&amp;eacute; &amp;agrave; Esse (en Charente Limousine) le 16 septembre 1959 dont nous avons d&amp;eacute;j&amp;agrave; mis en ligne la seconde bande : " Esse Folklore (2)".&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ces deux enregistrements ont servi de base &amp;agrave; une &amp;eacute;mission de "Chez-Nous" probablement diffus&amp;eacute;e sur les antennes de Radio Limoges : Chez Nous &amp;agrave; Esse. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La pas de la mule par &lt;strong&gt;Marie Claude Mathias&lt;/strong&gt;, &lt;span class="oc"&gt;Lo patron, lo patata ... &lt;/span&gt;par Mme &lt;strong&gt;Radegonde Traumat&lt;/strong&gt; dite la Gondette,&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; quelques airs d'harmonica par &lt;strong&gt;Paul Chaperon, &lt;/strong&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;Bonser j&amp;ograve;une pastorela&lt;/span&gt; (par &lt;strong&gt;Marie Perrot&lt;/strong&gt; ?), &lt;span class="oc"&gt;Quante costeren&lt;/span&gt; par &lt;strong&gt;M. Jardinet&lt;/strong&gt;&lt;em&gt;, &lt;/em&gt;etc &lt;em&gt;...&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avons enregistré Michel Agnoux, un bon informateur que nous connaissions déjà, le jour de l'Ascension à l'occasion du désormais traditionnel concours de fauchage du Puy Grand.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement a servi de base à une vidéo : &lt;span class="oc"&gt;"Sejar al Pueg Grand",&lt;/span&gt; proposée en &lt;a href="https://www.youtube.com/watch?v=Wi3iCKLtRxk" target="_blank" rel="noreferrer noopener"&gt;version sous-titrée&lt;/a&gt; ou &lt;a href="https://www.youtube.com/watch?v=xv7428UFSZE" target="_blank" rel="noreferrer noopener"&gt;sans sous-titres &lt;/a&gt;dans laquelle nous avons croisé les témoignages de Michel Agnoux et celui d' Étienne Bonnet, jeune paysan venu à la manifestation pour peaufiner sa technique de fauchage.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Pour terminer, &lt;span class="oc"&gt;"L'ase de Piaron",&lt;/span&gt; une chanson enregistrée pendant la fête, le 25 mai 2017. Maurice Valade, spécialiste de ce type de détournements, a mis des paroles en limousin sur un air traditionnel tzigane russe (repris notamment par Mary Hopkin, Yvan Rebroff, Dalida...)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio Limoges.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cette première cassette contient les enregistrements du 12 novembre au 18 décembre 1986&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur la cassette il est noté &lt;span style="color:#666699;"&gt;"Te volia dire - Radiò Lemòtges 1, 12-11-85~18-12-85 "&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:14pt;"&gt;Ponctués par des morceaux de musique traditionnelle, une succession de poèmes (Jean Baptiste Foucaud, Marcelle Delpastre, Roland Pécout, Michel Chadeuil, Arsène Vermenouze), mais aussi des témoignages (Aline Chassagne, Marcel Descubes, Alice Marot, etc.), quelques légendes, des extraits de textes anciens,etc.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Cette cassette audio nous a été confiée par Michel Feynie pour numérisation et mise en ligne.&lt;/p&gt; &lt;p&gt;Il s'agit d'un document collecté au début des années 80, sur lequel on peut entendre deux musiciens jouant de l'accordéon diatonique :&lt;br /&gt;- M. &lt;strong&gt;Alex Meneret&lt;/strong&gt; (Jean pour l'état civil) il habitait Saint-Antoine-sur-l’Isle dans la Double girondine. Né en 1908 il est mort en 1987. Il faisait des bals&lt;br /&gt;- "Marcelou" sans doute &lt;strong&gt;Marcel Cadiot&lt;/strong&gt;, il habitait Les Souchets, commune de Saint-Laurent-des-Hommes.&lt;br /&gt;- Une informatrice (non identifiée) raconte quelques histoires en occitan - de 12 mn 15 sec à 25 mn 19 sec -&lt;br /&gt;- Mme &lt;strong&gt;Jeanne Brugère&lt;/strong&gt;, née en 1911, morte en 2004. Elle habitait à Saint-Rémy, mais fut collectée à Saint-Seurin-sur-l’Isle. Elle ne faisait pas de bals, mais elle avait appris l’accordéon et jouait dans des clubs du troisième âge.&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;em&gt;* &lt;a href="https://www.youtube.com/watch?v=c88YSDjpnl0" target="_blank" rel="noreferrer noopener"&gt;Michel Feynie&lt;/a&gt; est anthropologue et comédien. Au début des années 80, pratiquant l'accordéon diatonique, il se mit à la recherche de répertoire auprès de musiciens de sa région (le Sud-Ouest de la Dordogne du côté de Montpon-Ménestérol). Une partie de ses collectages (contes, chansons, musique) lui a servi pour monter un spectacle franco-occitan : &lt;a href="http://fabrica.occitanica.eu/labasa/14566" target="_blank" rel="noreferrer noopener"&gt;« Hommes et femmes du Landais » &lt;/a&gt;&lt;/em&gt;&lt;a href="http://fabrica.occitanica.eu/labasa/14566" target="_blank" rel="noreferrer noopener"&gt;« Òmes e femnas dau Landès » &lt;/a&gt;&lt;em&gt;racontant la vie d’une famille de paysans du début du XXème siècle à sa fin.&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par Andr&amp;eacute; Alary. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'une succession de contes traditionnels dits par Andr&amp;eacute; Alary et Marie-Fran&amp;ccedil;oise Village :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Al pus f&amp;ograve;rt&lt;/span&gt; (Andrieu Alari), un conte recueilli dans la r&amp;eacute;gion de Rocamadour (Lot) par l'abb&amp;eacute; Jean Lafon,et publi&amp;eacute; en 2015 dans "Contes &amp;amp; racontes, du pays de Rocamadour", Tertium &amp;eacute;ditions. &lt;a href="https://www.google.fr/url?sa=t&amp;amp;rct=j&amp;amp;q=&amp;amp;esrc=s&amp;amp;source=web&amp;amp;cd=13&amp;amp;ved=0ahUKEwj_2qHi9bzUAhXELhoKHWUdASg4ChAWCC0wAg&amp;amp;url=http%3A%2F%2Fsf251204606f33b72.jimcontent.com%2Fdownload%2Fversion%2F1459349317%2Fmodule%2F12137686127%2Fname%2Fconte%2520et%2520raconte%2520finitude%2520(1).pdf&amp;amp;usg=AFQjCNG6GjURXXlede8XcYk-jAj89Ew7mw&amp;amp;sig2=id1SE4IG4GQfPxkrJrjPTQ" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Del meu ostal&lt;/span&gt;, (Andrieu Alari), un conte recueilli par l&amp;rsquo;&amp;eacute;crivain Joan Bodon (Jean Boudou) dans Contes del meu ostal &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;L'ase de Traussa&lt;/span&gt; (Andrieu Alari), conte traditionnel de Trausse en Minervois, Aude &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Lo meu papet dins la luna&lt;/span&gt;, (Andrieu Alari),un conte recueilli par Jean Boudou&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Lo cloqui&amp;egrave;r de Traussa &lt;/span&gt;(Andrieu Alari)&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Un misteri &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;(Marie-Fran&amp;ccedil;oise Village)&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Les bourriols &lt;/span&gt;(Marie-Fran&amp;ccedil;oise Village)&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;Lo chabr&amp;ograve;l &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;(Marie-Fran&amp;ccedil;oise Village)&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- &lt;span class="oc"&gt;L'espalhonada,&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;(Marie-Fran&amp;ccedil;oise Village),&lt;/span&gt; un conte d&amp;rsquo;Alberte Lacombe (Prudhomat, Lot)&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit en fait de deux enregistrements diff&amp;eacute;rents : &lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;La messa del curet Pinton&lt;/em&gt; :&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="oc"&gt;&lt;em&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-1.jpg" target="_blank" rel="noopener noreferrer"&gt;(page 1,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-2.jpg" target="_blank" rel="noopener noreferrer"&gt;page 2 ,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-3.jpg" target="_blank" rel="noopener noreferrer"&gt;page 3,&lt;/a&gt; &lt;a href="https://la-biaca.org/files/original/enquetes/833/La-messa-4.jpg" target="_blank" rel="noopener noreferrer"&gt;page 4)&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Lo-decret.jpg" target="_blank" rel="noopener noreferrer"&gt;Lo decret &lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Levesque.jpg" target="_blank" rel="noopener" title="L'Evesque"&gt;&lt;em&gt;L'Evesque&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;- Ensuite, M Ponty, sur la m&amp;ecirc;me commune, nous parle de l'agriculture, des engrais, de la production de viande limousine, du jardin, du moulin, du jardin, etc. Cet entretien fit l'objet, en mars 1985, de deux chroniques occitanes dans le journal l'Echo :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Paysan1.jpg" target="_blank" rel="noopener noreferrer"&gt;Pa&amp;iuml;san e ecologiste(1)&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/enquetes/833/Paysan2.jpg" target="_blank" rel="noopener noreferrer"&gt;Pa&amp;iuml;san e ecologiste(2)&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Nous remercions Clair Mah&amp;eacute; qui nous a confi&amp;eacute; ces documents pour la num&amp;eacute;risation et la mise en ligne . &lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s et trait&amp;eacute;s par Florence Lemoine &amp;laquo;&lt;/span&gt; &lt;span class="fr"&gt;eVisual&lt;/span&gt; &lt;span class="fr"&gt;&amp;raquo;.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette audio nous a été confiée pour numérisation et mise en ligne par Marcel Belette, musicien, danseur, folkloriste et collecteur. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cet enregistrement effectué à la demande de musiciens en quête de répertoire, il chante une belle série de sautières collectées, par ses soins, auprès de chanteurs et musiciens il y a quelques années.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;En fin d'enregistrement quelques morceaux interprétés par "La Coada de Tròcha", groupe folklorique corrézien dont il fut un des animateurs.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/items/show/530" target="_blank" rel="noreferrer noopener"&gt;Cliquer ici pour voir les images enregistrées lors d'un stage de danse à Condat sur Ganaveix en 2007&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:10pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Sur l'image d'illustration, Marcel Belette (ici en compagnie de Françoise Étay) montrant la sautière pendant de ce stage&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Antoinette LÉONETOUT</text>
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                <text>&lt;p&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour &amp;ecirc;tre mis en ligne par &lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Il s'agit de l'enregistrement de Mme Antoinette L&amp;eacute;onetout, domicili&amp;eacute;e &amp;agrave; Saint Paul, (87) . Il fut r&amp;eacute;alis&amp;eacute; le 7 aout 2002 par Fran&amp;ccedil;oise &amp;Eacute;tay, Genevi&amp;egrave;ve et Paul Duchez.&lt;/p&gt;&#13;
&lt;p&gt;Madame L&amp;eacute;onetout interpr&amp;egrave;te de nombreuses chansons en fran&amp;ccedil;ais et en occitan qui, pour la plupart, lui ont &amp;eacute;t&amp;eacute; transmises par son grand-p&amp;egrave;re M. Demaison, n&amp;eacute; en 1873.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette bande magnétique portant le n° 428 on peut lire : &lt;span style="color:#808080;"&gt;"Uzerche 1963, 6386, 3ème bande, 2ème plage Sermon Chanoine"&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit sans doute d'un enregistrement, peut-être pour une émission de radio, datant du lendemain de la fête félibréenne ayant eu lieu au cours de l'été 1963 à Uzerche.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;M. Dagnas est interrogé en compagnie de Mme Jeanne Farnier au sujet de la langue limousine, de la création d'un cours de langue limousine à Limoges, d'un projet de dictionnaire et de grammaire limousine...&lt;br /&gt;Sur la même bande, le sermon en occitan d'un chanoine (non identifié), probablement prononcé lors de cette fête à Uzerche.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;À la fin du document, deux enregistrements (de Michel Lepron, pour la RTF) qui étaient sans doute sur la bande : M. Georges Joubert, conserveur et maire d'Avoine (Indre-et-Loire) au sujet de sa conserverie puis un sujet à propose des journées internationales des Caisses d'Épargne à Tours&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;em&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, deux émissions de radio diffusées sur Radio Centre Ouest, devenue peu après Radio-France Limoges.&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align:center;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;&lt;span class="fr" style="color:#ff0000;"&gt;Merci de persévérer un peu, le début de l'enregistrement n'est pas de bonne qualité !&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La première émission (&lt;span class="oc"&gt;Lo sang de las peiras&lt;/span&gt; jusqu'à 29mn 26 s), diffusée le 14 avril 1983, est consacrée à l'ouvrage de &lt;a href="https://fr.wikipedia.org/wiki/Marcelle_Delpastre" target="_blank" rel="noreferrer noopener"&gt;Marcelle Delpastre&lt;/a&gt; &lt;a title="Le sang des pierres" href="#"&gt;&lt;span class="oc"&gt;"Lo sang de las peiras"&lt;/span&gt; &lt;/a&gt;qui venait d'être édité dans la revue &lt;em&gt;&lt;span class="oc"&gt;"Lo Leberaubre"&lt;/span&gt; &lt;span class="oc"&gt;(Lo cri de las peiras, la peira daus chamins, la peira talhada, lo silenci de la peira).&lt;/span&gt; &lt;/em&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;Les textes alternent avec des morceaux à la vielle à roue&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt; joués par Jan dau Melhau.&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La seconde émission (&lt;span class="oc"&gt;Lo maridatge dins las chançons de tradicion&lt;/span&gt; de 29mn 26 s à la fin), diffusée le 21 avril 1983, Jan évoque le mariage dans les chansons traditionnelles (l'envie de se marier, les mises en garde, l'argent, etc.). Il interprète la plupart des chansons &lt;span class="oc"&gt;(La n'en tirem, Vòle pus gardar las vachas, La fialaira, Laissa-me Jan, A la poncha d'un suqueton, Maridatz-vos, Filha te vau maridar, Delai Paris, La filha dau bolengier, La senzilha e lo pinçon)&lt;/span&gt; et nous propose deux chansons de Rosina de Peira &lt;span class="oc"&gt;(L'Antòni, Filha qu'es a maridar e Lo vespre de la nòça).&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; Personnage incontournable de la culture limousine, Jan dau Melhau est écrivain, éditeur (Lo chamin de sent Jaume), collecteur, musicien, chanteur, conteur, diseur etc... &lt;span class="fr" style="font-size:10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette enqu&amp;ecirc;te a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; pour Jean-Christophe Dourdet* dans le cadre d'un travail de recherche universitaire (il pr&amp;eacute;parait alors une th&amp;egrave;se sur l'atypicit&amp;eacute; accentuelle de l'espace linguistique occitan limousin).&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une liste de mots a &amp;eacute;t&amp;eacute; propos&amp;eacute;e &amp;agrave; l'informateur &amp;agrave; qui nous avons demand&amp;eacute; de les traduire en occitan, exercice un peu laborieux auquel il a bien voulu se plier.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt; *Jean-Christophe Dourdet, enseignant &amp;agrave; l'universit&amp;eacute; de Poitiers (o&amp;ugrave; il enseigne la linguistique, la sociolinguistique ainsi que l'occitan et le poitevin-saintongeais) est l'auteur de nombreuses publications sur la langue limousine.&lt;/em&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>Mah001</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cette cassette audio nous a été confiée pour numérisation et mise en ligne par Clair Mahé (cassette 1, face A et B).&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cet enregistrement, datant du début de l'année 2012, nous entendons Bernadette PLAS, originaire de Chaumeil.&lt;br /&gt;&lt;br /&gt;Chanteuse, passionnée par la langue, Bernadette nous propose deux contes &lt;span class="oc"&gt;(Lo polsin pialat, La merlata lo rainard e lo chen de chas Grofard&lt;/span&gt;&lt;span style="color:#003333;"&gt;&lt;span class="oc"&gt;)&lt;/span&gt; et plusieurs chansons &lt;span class="oc"&gt;(Aquesta nuech ai fach un somnhe, Nos la dansaram plus, Barr'amb clau, La bèla Fanchon, Darrier lo chastel de Montviel, I'a gaire qu'ai auvist&lt;/span&gt; et&lt;span class="oc"&gt; Maridavam la Mieta) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;a href="http://al.deliquet.free.fr/Occitan/PLAS/la-merlata.html" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size:14pt;"&gt;Cliquer ici pour accéder au texte de&lt;br /&gt;"La merlata, lo rainard e lo chen de chas Gròfard". &lt;/span&gt;&lt;/a&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;em&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:10pt;"&gt;L'image illustrant cet enregistrement a été prise par nos soins lors du repas chantant à Château-Chervix, en mars 2014&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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                  <text>Enquêtes et témoignages</text>
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              <text>informateurs multiples danses a meyssac danse correze bourree valse bourree valsee danse traditionnelle limousin</text>
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                <text>Meyssac</text>
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                <text>Corrèze (19)</text>
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                <text>Collection Centre Occitan des Musiques et Danses Traditionnelles</text>
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            <description>A name given to the resource</description>
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                <text>Danses à Meyssac</text>
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            <description>The topic of the resource</description>
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                <text>Danse</text>
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            <description>An account of the resource</description>
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                <text>Enregistrement d'un bal à Meyssac en 1979</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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                <text>COMDT1803</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Moving Image</text>
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                <text>https://la-biaca.org/items/show/825</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/825/1487846161_Capture.jpg</text>
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;a href="http://www.comdt.org/" target="_blank" rel="noreferrer noopener"&gt; &lt;/a&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par le Centre Occitan des Musiques et Danses Traditionnelles,&lt;br /&gt;Ce film, en super 8 a été réalisé, pour le Conservatoire Occitan, par Guy Bertrand musicien et ethnomusicologue.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit d'une présentation de danses dont la plupart ont été recueillies en Corrèze (Bourrées valsées, Parisienne, Bourrées) par le Foyer rural de Meyssac (19).&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Elles sont présentées par Michel Pouget (que l'on voit aussi danser ainsi que sa femme Ghislaine)&lt;br /&gt;&lt;br /&gt;Un des informateurs M. Fernand Noual, joue de l'accordéon diatonique (sur la seconde bourrée valsée et La parisienne il joue seul) puis danse une bourrée.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;em&gt;&lt;span style="font-size:12pt;"&gt;(Les autres musiciens et danseurs sont en cours d'identification).&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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              <text>Enregistré au domicile de l'artiste</text>
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                <text>Haute-Vienne (87)</text>
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                <text>Deux émissions de radio en occitan diffusées au printemps 1983.</text>
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                <text>1983-03</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306242">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="306243">
                <text>https://la-biaca.org/items/show/824</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331698">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/824/K7RCO3_4.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="333845">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, deux émissions de radio diffusées sur Radio Centre Ouest, devenue peu après Radio-France Limoges. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La première émission (&lt;span class="oc"&gt;La questa daus uòus&lt;/span&gt; jusqu'à 29mn 26 s), diffusée le 31 mars 1983, est consacrée à la quête des œufs (&lt;em&gt;Rameaux, la quête des œufs, les chants de quête, Los uòus&lt;/em&gt; - un texte de Jean Yves Rouchette paru dans la revue &lt;em&gt;"Lo Leberaubre"&lt;/em&gt;, etc.)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La seconde émission (&lt;span class="oc"&gt;Los mainatges dins los dires&lt;/span&gt; de 29mn 26 s à la fin), diffusée le 7 avril 1983, nous parle des expressions relatives aux enfants. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; Personnage incontournable de la culture limousine, Jan dau Melhau est écrivain, éditeur (Lo chamin de Sent Jaume), collecteur, musicien, chanteur, conteur, diseur etc... &lt;span class="fr" style="font-size:10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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    <tagContainer>
      <tag tagId="34">
        <name>Haute-Vienne (87)</name>
      </tag>
      <tag tagId="184">
        <name>Meuzac</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="823" public="1" featured="0">
    <fileContainer>
      <file fileId="574">
        <src>https://la-biaca.org/files/original/enquetes/823/LesCessacNet.jpg</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
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          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="306271">
              <text>Enregistré à Vertougit, au domicile de l'informateur</text>
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          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="306272">
              <text>G_Cessac72.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="306273">
              <text>2968</text>
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          </elementTextContainer>
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        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="306274">
              <text>gaston cessac gaston et lucien cessac gaston cessac vertougit voutezac violon cessac musicien traditionnel limousin yves lebas occitan correze patois</text>
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        </element>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="306258">
                <text>2017-01-19 15:32:29</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="306259">
                <text>2968</text>
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          <element elementId="75">
            <name>References</name>
            <description>A related resource that is referenced, cited, or otherwise pointed to by the described resource.</description>
            <elementTextContainer>
              <elementText elementTextId="306260">
                <text>Gaston CESSAC, Violoneux (1)</text>
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            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="306261">
                <text>Corrèze (19)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="306262">
                <text>IEO Lemosin, dépôt Lebas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306263">
                <text>Gaston et Lucien CESSAC</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306264">
                <text>Musique</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306265">
                <text>Gaston CESSAC</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="306266">
                <text>Leb004</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306267">
                <text>1972</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306268">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306269">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="306270">
                <text>https://la-biaca.org/items/show/823</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331697">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/823/LesCessacNet.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="333846">
                <text>&lt;p&gt;&lt;span style="color: #000000;"&gt;Cette bande nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par la famille Lebas.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;Nous retrouvons dans cet enregistrement un violoneux bien connu en Limousin, &lt;a href="http://www.violoneux.fr/wiki/Gaston_Cessac" target="_blank" rel="noopener"&gt;&lt;strong&gt;Gaston Cessac &lt;/strong&gt;&lt;/a&gt;qui est interrog&amp;eacute; ici par Yves Lebas, folkloriste, militant et collecteur.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;M. Cessac joue, au violon, des airs &amp;agrave; danser : marches, valses, bourr&amp;eacute;es, sauteuses (sauti&amp;egrave;res), mazurkas, parisienne vals&amp;eacute;e... Il chante quelques chansons (la Parisienne d'Uzerche "au tralala" et &lt;em&gt;Alai dins las rebieras&lt;/em&gt; ) . &lt;br /&gt;Accompagn&amp;eacute;e par son mari, Mme Cessac chante, avec le collecteur, &lt;em&gt;"La granda velhada"&lt;/em&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;Il nous parle aussi de son apprentissage, des musiciens aupr&amp;egrave;s desquels il a appris son r&amp;eacute;pertoire (Eug&amp;egrave;ne Solomagne dit "Micalet" dont le p&amp;egrave;re tenait ses airs du grand "Sans Fa&amp;ccedil;on", M. Bretagnolle de Vigeois : "un musicien qui avait fait plus de 700 noces, un violoneux mais un artiste !&lt;em&gt;"&lt;/em&gt;), des bals, de son service militaire. &lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000;"&gt;Il nous confie l'origine d'un v&amp;eacute;ritable "tube" la Valse de Vertougit : en fait une valse (Souvenir de Villecomtal) &lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span style="color: #000000;"&gt;jou&amp;eacute;e par Martin Cayla &lt;/span&gt;qu'il a entendue &lt;em&gt;"&amp;agrave; la t&amp;eacute;l&amp;eacute;, &amp;agrave; l'&amp;eacute;poque"&lt;/em&gt;, ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;Le fils de Gaston Cessac, Lucien, lui aussi musicien (il jouait parfois de l'accord&amp;eacute;on avec son p&amp;egrave;re), chante des chansons de sa composition : "Ma Corr&amp;egrave;ze", &lt;em&gt;"Lo monde de la terra"&lt;/em&gt;, "Venez &amp;agrave; Vertougit" et "La bourr&amp;eacute;e du cantou".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000;"&gt;Vous pouvez retrouver Gaston Cessac sur "L&lt;span class="oc"&gt;a bia&amp;ccedil;a"&lt;/span&gt; en cliquant sur le lien ci dessous :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #000000;"&gt;&lt;a href="https://la-biaca.org/items/show/566" target="_blank" style="color: #000000;" rel="noopener noreferrer"&gt;Gaston Cessac, Violoneux&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="3">
        <name>Corrèze (19)</name>
      </tag>
      <tag tagId="131">
        <name>Voutezac</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="822" public="1" featured="0">
    <fileContainer>
      <file fileId="573">
        <src>https://la-biaca.org/files/original/enquetes/822/MdmChaillac.jpg</src>
        <authentication>c42166acaa30956865527978eb9923d3</authentication>
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    <collection collectionId="2">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="980">
                  <text>Enquêtes et témoignages</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="981">
                  <text>doc: enquetes</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
          <elementTextContainer>
            <elementText elementTextId="306290">
              <text>Enregistré à l'église de Chaillac</text>
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          </elementTextContainer>
        </element>
        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
          <elementTextContainer>
            <elementText elementTextId="306291">
              <text>MDMChaillac.mp3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="306292">
              <text>2835</text>
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          </elementTextContainer>
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        <element elementId="92">
          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
          <elementTextContainer>
            <elementText elementTextId="306293">
              <text>messe de minuit</text>
            </elementText>
            <elementText elementTextId="306294">
              <text>cantique</text>
            </elementText>
            <elementText elementTextId="306295">
              <text>occitan</text>
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            <elementText elementTextId="306296">
              <text>patois</text>
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            <elementText elementTextId="306297">
              <text>limousin</text>
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            <elementText elementTextId="306298">
              <text>haute vienne</text>
            </elementText>
            <elementText elementTextId="306299">
              <text>Église</text>
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          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
          <elementTextContainer>
            <elementText elementTextId="306300">
              <text>informateurs multiples messe de minuit a chaillac messe de minuit cantique occitan patois limousin haute vienne</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="306276">
                <text>2016-12-14 11:29:43</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="306277">
                <text>2835</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="306278">
                <text>Haute-Vienne (87)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="306280">
                <text>Collection F. Etay, Fonds Dagnas</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306281">
                <text>Messe de Minuit à Chaillac</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306282">
                <text>Noël</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306283">
                <text>Enregistrement d'une messe de minuit donn&amp;eacute;e en 1967 &amp;agrave; Chaillac sur Vienne (87)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306284">
                <text>[Informateurs multiples]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="306285">
                <text>RD5359_72_78_81</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306286">
                <text>1967-12</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306287">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306288">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="306289">
                <text>https://la-biaca.org/items/show/822</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331696">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/822/MdmChaillac.jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="342190">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans ce document se trouveune succession de bandes enregistr&amp;eacute;es en d&amp;eacute;cembre 1967 &amp;agrave; l'&amp;eacute;glise de Chaillac-sur-Vienne (87) par Robert Dagnas.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit, dans l'ordre, des bandes 5381 (Chaillac 1), 5359 (Chaillac 2/6), 5378 (Chaillac 3/6) et de la bande 5372, (Chaillac 6/6). Les 4&amp;egrave;me et 5&amp;egrave;me bandes ne nous sont pas parvenues.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette messe de minuit (la r&amp;eacute;p&amp;eacute;tition de celle ci ?) a probablement &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e le 23 d&amp;eacute;cembre 1967&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous retrouvons la chorale du groupe folklorique "Lous Velhadours de Sen Junio "* dans un des exercices dans lesquels elle excellait, les "messes des bergers Limousins".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Pri&amp;egrave;res, des cantiques, etc. admirablement servis par les membres de cette chorale.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le texte et la partition de quelques-uns de ces Nadalets sont disponibles&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une partie de ces enregistrements fut utilis&amp;eacute;e par M Dagnas pour des &amp;eacute;missions de radio :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Messe de minuit &amp;agrave; Chaillac premi&amp;egrave;re partie&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Messe de minuit &amp;agrave; Chaillac seconde partie&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;* graphie alors utilis&amp;eacute;e par le groupe&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur les recommandations d'Albert Vacher, nous sommes all&amp;eacute;s rencontrer un de ses "compagnons de langue", &lt;strong&gt;Fernand LONGEANIE&lt;/strong&gt;, &amp;agrave; Prunt, commune de Confolent-Port-Dieu, aux confins du Limousin et de l'Auvergne. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;N&amp;eacute; en 1926, sur la commune voisine de Monestier-Port-Dieu, il fait toujours aller sa scierie lorsque le besoin s'en fait sentir. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;La vall&amp;eacute;e engloutie, le train, son installation &amp;agrave; Prunt, les bois, la scierie, les champignons nous sont cont&amp;eacute;s... non sans malice !&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;De nombreux airs (bourr&amp;eacute;es, mazurkas, scottishs, valses, polkas, marches, etc.) sont chant&amp;eacute;s, et souvent jou&amp;eacute;s &amp;agrave; la cabrette ou au violon . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La photo illustrant ce document est extraite de la vid&amp;eacute;o que Fran&amp;ccedil;oise fit ce m&amp;ecirc;me jour, et que l'on peut retrouver sur Youtube. &lt;a href="https://www.youtube.com/watch?v=K5xU4bdH2Jw" target="_blank" rel="noreferrer noopener"&gt;&amp;rarr; cliquer ici&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur l'enveloppe contenant cette bande il est noté : &lt;span style="color:#666699;"&gt;623, Folklore de France : Limousin (F Vermillat) 29.9.65&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il s'agit de l'enregistrement d'une émission radio de France Vernillat, folkloriste, musicienne et productrice de programmes sur le folklore français.&lt;br /&gt;On retrouve plusieurs groupes folkloriques limousins (L'École du barbichet de Limoges, Les Veilladours de Saint-Junien et La bourrée Limousine de Brive), ainsi qu'Aimé Doniat qui chante "La mort de Richard Cœur de Lion".&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cette émission a été enregistrée sur une bande sur laquelle se trouvait probablement déjà l'enregistrement des commentaires du match de rugby Angleterre-France à Twickenham lors du tournoi des Cinq Nations 1965 - à partir de 21 mn 27 sec.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous avons rencontré au Clos, commune de Saint-Clément (19), M. Albert Leygnac, le 22 octobre 2016.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;M. Leygnac, né le 17 juillet 1926 dans la commune voisine de Saint-Jal, est passionné par la culture limousine, la langue, la revalorisation de la châtaigneraie... &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Il nous parle, dans une belle langue, de &lt;span class="oc"&gt;« l' Àrgus »&lt;/span&gt; une pratique visant à l'éradication du patois et de &lt;span class="oc"&gt;"La fisica" (lo petit chen, lo cavalier, la chaça volanta etc.)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="font-size:12pt;"&gt;Ont assisté à l'entretien: Marie-Louise, son épouse ainsi que Pierre et Christine Leygnac, Saber Kouki, Paulette Laigroz et Paula Minotte.&lt;/span&gt;&lt;span class="fr" style="font-size:12pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt; &lt;p&gt;&lt;em&gt;&lt;span style="font-size:12pt;"&gt; &lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cette cassette audio nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Marcel Belette, musicien, danseur, folkloriste et collecteur. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette face de la cassette, &amp;agrave; Orgnac-sur-V&amp;eacute;z&amp;egrave;re, Marcel Belette enregistre quelques-unes de ses voisines (Jeanne Chabassier, Marie Monteil, alors &amp;acirc;g&amp;eacute;e de 84 ans, Mme Raynal, etc..&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une belle succession de chansons, la plupart en occitan :&lt;span class="oc"&gt; Me'n vau au merchat, Tu te'n vas de per los champs, Que canta, Sautatz trueias&lt;/span&gt; (une sauti&amp;egrave;re),&lt;span class="oc"&gt; Mon paire a "rendez-vos", Peire virolet,&lt;/span&gt; Vas petit papillon volage, &lt;span class="oc"&gt;Las passions,&lt;/span&gt; La Yoyette, de nombreuses bourr&amp;eacute;es (&lt;span class="oc"&gt;Per bien la dan&amp;ccedil;ar,&lt;/span&gt; &lt;span class="oc"&gt;Sus lo pont de Briva,&lt;/span&gt; Je suis un gar&amp;ccedil;on malheureux, &lt;span class="oc"&gt;Tombet la vil&amp;egrave;na b&amp;egrave;stia, Sont malheureux, En bas dins la chanabau, La vielha fialava, Ont menar&amp;agrave;s ...) As tu vist lo renard, la l&amp;egrave;bre, Pinton, L'aiga de r&amp;ograve;sa,&lt;/span&gt; En passant par le bois, &lt;span class="oc"&gt;L'an tot long, Barra-la emb clau &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="background-color: #ffffff;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;(sautiera a segre),&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Tu as bu Louis, etc.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Marcel Belette nous avait livr&amp;eacute; il y a quelques ann&amp;eacute;es une partie de son r&amp;eacute;pertoire : &lt;a href="https://la-biaca.org/items/show/329" target="_blank" rel="noopener noreferrer"&gt;Marcel Belette&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Title</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>Piégut-Pluviers (6) - Félibrée 1962</text>
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                <text>Folklore</text>
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                <text>[Informateurs multiples]</text>
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                <text>RD2032</text>
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                <text>audio/mpeg</text>
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            <name>Type</name>
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                <text>Sound</text>
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            <name>Identifier</name>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur cette bande non numérotée un enregistrement réalisé en juillet 1962 lors de la Félibrée de Piégut-Pluviers.&lt;br /&gt;Il s'agit de la 6ème bande, les bandes 1,2 et 3 sont disponibles sur le site (voir ci dessous), nous n'avons pas retrouvé les bandes 4 et 5. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous entendons dans ce document la prestation du groupe folklorique "Lous veilladours de Sent Junio".&lt;br /&gt;Des danses : &lt;br /&gt;- &lt;span class="oc"&gt;La chabra bura,&lt;/span&gt; le bal vieux, les fagots, le Panliran (charleston limousin ?), Le renard et le lièvre, la Gayoune, le bal d'Abzac, &lt;span class="oc"&gt;l'aiga de ròchas,&lt;/span&gt; la guimbarde, &lt;span class="oc"&gt;lo cotilhon vai (vard ?)&lt;/span&gt; la bourrée de Francinou, celle de Confolens ...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:14pt;"&gt;Et des chants par la chorale :&lt;/span&gt;&lt;br /&gt;&lt;span class="oc" style="font-size:14pt;"&gt;- Lo cuer de ma mia, lo chabretaire, la meschanta maire.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Dordogne (24)</name>
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              <name>Title</name>
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                  <text>Enquêtes et témoignages</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Names of individuals or groups participating in the event</description>
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            <name>Date Issued</name>
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                <text>2016-09-08 21:21:34</text>
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                <text>Pratiques agricoles</text>
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                <text>Edouard ARRESTIER</text>
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                <text>IEO312</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Moving Image</text>
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                <text>https://la-biaca.org/items/show/813</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/813/arrestier2.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Préparant un travail sur les C orréziens partis faire les saisons de fauchage en Auvergne, c'est sur les conseils de M. Christophe Lissajoux, maire de Ménoire, que nous avons rendu visite à M. Arrestier, à Chassat, sur la commune voisine de Saint-Hilaire-Taurieux .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;strong&gt;Édouard ARRESTIER&lt;/strong&gt;, dans une belle langue, nous parle de sa saison, en 1956, du travail, de l'entretien de la faux. Il nous raconte une journée de fauche, nous décrit les différentes parties de la faux, les différents manches, la mécanisation, parle la pratique de la langue, etc&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Albert VACHER, originaire de Thalamy, nous a aimablement reçu et a accepté de nous raconter un peu de sa vie, quelques comptines puis quelques nhòrles, histoires drôles, exercice auquel il s'est livré pendant des années au sein du groupe folklorique d'Ussel "Les compagnons de la joie au village". &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;L'enregistrement se termine par un morceau d'une pi&amp;egrave;ce de th&amp;eacute;&amp;acirc;tre, la bande ayant &amp;eacute;t&amp;eacute; r&amp;eacute;utilis&amp;eacute;e par l'enqu&amp;ecirc;teur.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande que &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay &lt;/span&gt;nous a confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne, un enregistrement qu'elle r&amp;eacute;alisa &amp;agrave; Bergerac (24), le 9 ao&amp;ucirc;t 1988 aupr&amp;egrave;s de &lt;strong&gt;Marcel PIAUD&lt;/strong&gt; (&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;1907-2005)&lt;/span&gt;, en compagnie de Philippe Destrem. &lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Souvent enregistr&amp;eacute;, il avait consacr&amp;eacute; une grande partie de sa vie &amp;agrave; la musique traditionnelle et aux instruments. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Ici on trouvera une suite de 17 valses, la bande originale en contenait 21 mais quelques-unes sont vraiment inaudibles.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La photo d'illustration (Marcel Piaud &amp;agrave; la vielle et Paul Laborie au banjo) est extraite d'un film de Fran&amp;ccedil;oise &amp;Eacute;tay et Paul Gerbaud :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://www.youtube.com/watch?v=8WCJ8G4KIHM" target="_blank" rel="noopener"&gt; &amp;rarr; &lt;/a&gt;&lt;/span&gt;&lt;a href="https://www.youtube.com/watch?v=8WCJ8G4KIHM" target="_blank" rel="noopener"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Quadrille avec Marcel Piaud&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Interview du Professeur-Docteur &lt;strong&gt;Eva Martha Eckkrammer&lt;/strong&gt;, linguiste, sp&amp;eacute;cialiste des langues romanes et des langues minoritaires, enseignante au &lt;em&gt;Romanisches Seminar&lt;/em&gt; (D&amp;eacute;partement des langues romanes) de l'universit&amp;eacute; de Mannheim (Allemagne), et militante intarissable de la diversit&amp;eacute; linguistique un peu partout dans le monde.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous avons rencontr&amp;eacute; Eva le 15 mai 2016, lors d'une projection &amp;agrave; Beaulieu-sur-Dordogne (19) organis&amp;eacute;e par l'association &amp;laquo; Les amis de Scheinfeld &amp;raquo;, pour le trentenaire du jumelage Beaulieu/Scheinfeld.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;Nous avions tellement appr&amp;eacute;ci&amp;eacute; son intervention au sujet de l&amp;rsquo;int&amp;eacute;r&amp;ecirc;t qui doit &amp;ecirc;tre port&amp;eacute; aux langues minoritaires en g&amp;eacute;n&amp;eacute;ral, et &amp;agrave; l'occitan en particulier, que nous lui avons demand&amp;eacute;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; de bien vouloir nous consacrer un peu de temps, face &amp;agrave; la cam&amp;eacute;ra, &amp;agrave; une terrasse de caf&amp;eacute;, pour nous parler de sa passion.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Un belle rencontre qui se devait d'&amp;ecirc;tre partag&amp;eacute;e !&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Ce disque Path&amp;eacute; 78 tours nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par M. Philippe No&amp;euml;l*, il date de 1930. Sur l'&amp;eacute;tiquette centrale il est not&amp;eacute; :&lt;br /&gt;&lt;span style="color: #808080;"&gt;&lt;span style="text-decoration: underline;"&gt;Face A :&lt;/span&gt; N&amp;deg;X93.072 N&amp;deg; 203.504 Lagueny&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808080;"&gt;LOU COEUR DE MO MIO, Air et texte anciens (Harmonis. de Fran&amp;ccedil;ois Sarre) Chorale LES CHANTEURS LIMOUSINS DE PARIS Direction Marcel LARDERET&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;- de 8 mn &amp;agrave; 18 mn 30s , l'enregistrement de Mme M.-L. L. datant du 3 mars 2016&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;- de 18 mn 30 s &amp;agrave; 27 mn 42 s, l'enregistrement de Mme S. B. datant du 9 f&amp;eacute;vrier 2016.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;La r&amp;eacute;daction de la notice et le s&amp;eacute;quencement ont &amp;eacute;t&amp;eacute; fait par Danisa que nous remercions pour ce beau document !&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>travail choral</text>
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              <text>informateurs multiples essais chorale les veilladours de saint junien chorale occitan patois limousin saint junien</text>
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                <text>Les Veilladours de Saint Junien</text>
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                <text>Haute-Vienne (87)</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Essais Chorale</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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                <text>chorale occitane en 1962</text>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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                <text>https://la-biaca.org/items/show/800</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/800/RD2044Net.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande num&amp;eacute;ro 697, on trouve peu d'indications. Il est seulement not&amp;eacute; sur l'enveloppe : &amp;laquo; Essais chorale LV &amp;raquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'un enregistrement, probablement r&amp;eacute;alis&amp;eacute; par Robert Dagnas aupr&amp;egrave;s du chef de ch&amp;oelig;ur de la chorale du groupe folklorique &amp;laquo; Les Veilladours de Saint Junien &amp;raquo;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le chanteur nous propose les diff&amp;eacute;rentes voix sur plusieurs chansons inscrites au r&amp;eacute;pertoire de cette chorale : &lt;em&gt;&amp;Agrave; vous troupes fid&amp;egrave;les&lt;/em&gt;, &lt;em&gt;No&amp;euml;l "de Jean Teilliet" &lt;/em&gt;(?), &lt;span class="oc"&gt;&lt;strong&gt;&lt;em&gt;Revelhatz qu'es aqu&amp;ograve; que se passa ?&lt;/em&gt;&lt;/strong&gt;, &lt;strong&gt;&lt;em&gt;Nadau Nadau&lt;/em&gt;&lt;/strong&gt;,&lt;/span&gt; &lt;em&gt;L&amp;agrave;-haut chantons quand le ciel est beau&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la suite de cet enregistrement, r&amp;eacute;alis&amp;eacute; &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;sans doute&lt;/span&gt; sur une bande r&amp;eacute;utilis&amp;eacute;e, on trouve un passage du &amp;laquo; Jeu des mille francs &amp;raquo;, puis l'enregistrement d'une partie de la finale du Festival International de chant choral &amp;agrave; Lille.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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