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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Ce document nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Clair Mah&amp;eacute; . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur la face A de cette cassette audio, deux enregistrements diff&amp;eacute;rents sur lesquels on retrouve le groupe folklorique de Donzenac, "Les troubadours Gamadous" : Le premier fut enregistr&amp;eacute; en 1983 lors d'une f&amp;ecirc;te &amp;agrave; St-Bonnet L'Enfantier, le second en avril 1984 lors d'une f&amp;ecirc;te &amp;agrave; Donzenac .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Quelques nh&amp;ograve;rles : &lt;span class="oc"&gt;Lo cure de Chamboliva, Jan Caron,&lt;/span&gt; quelques histoires de parisiens, &lt;span class="oc"&gt;Quand era j&amp;ograve;une gar&amp;ccedil;on, Los efants de Bornasel&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Des extraits de pi&amp;egrave;ces de th&amp;eacute;atre ; Un march&amp;eacute; difficile, &lt;span class="oc"&gt;La sopa a la grima&amp;ccedil;a&lt;/span&gt; d' Antoine Soubrenie, La gerbablauda&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Et aussi quelques chansons : Depuis paris jusqu'&amp;agrave; Valence (tronqu&amp;eacute;e), Jan pitit Jan , La velhada (tronqu&amp;eacute;e elle aussi.)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 8pt; font-family: 'arial black', sans-serif;"&gt;&lt;span style="font-size: 12pt;"&gt;Ces enregistrements ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;s par Florence Lemoine&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Mme Colette Lebas. Il s'agit d'un enregistrement réalisé au début des années 1990 par son fils Pascal, à la maison de retraite de Donzenac.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;Nous entendons trois informatrices :&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;- Mme Eva Marty (née en 1910) de Donzenac,&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;- Mme Clémence Bernical (née Valat en 1903) d' Ussac&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;- et Mme Marie Dugenet de Lubersac (née en 1925)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;Quelques chansons (ou bribes de chansons) en occitan ou en français : &lt;span class="oc"&gt;Jan pitit Jan, La terra es freja, Revelhatz-vos pastorels, Cu vòl auvir ?, Sus lo bòrd de la ribiera,&lt;/span&gt; La fiancée du matelot, &lt;span class="oc"&gt;Dins lo paìs daus Marviòlets,&lt;/span&gt; Marinella, Tant qu'il y aura des étoiles, &lt;span class="oc"&gt;Aquesta nuech ai fach un raibe, Quand ieu n'eri petita, L'aiga de ròcha, Jan Peire e la Margoton, Fai lo cornard, etc.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous n&amp;eacute;gligerons la "face a" de cette bande contenant un enregistrement identique &amp;agrave; celui cot&amp;eacute;: RD4215 d&amp;eacute;j&amp;agrave; en ligne.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;Sur la seconde face toujours une &amp;eacute;mission de radio (ou sa pr&amp;eacute;paration !) autour de la messe de minuit donn&amp;eacute;e en 1958 &amp;agrave; Champsac (Haute Vienne) . Le m&amp;ecirc;me d&amp;eacute;but mais, (&amp;agrave; partir de 8mn 18 secondes) une nouvel enregistrement dans lequel nous entendons Eug&amp;egrave;ne Tarrade au violon (Revelhatz vos pastorpuis Ang&amp;egrave;le Chabeaudie et Louise Gady ainsi que les groupes folkloriques "l'&amp;Eacute;cole Ventadour de Tulle" et "&lt;span style="font-size: 14pt;"&gt;Lous Velhadours de Sen-Junio&lt;/span&gt;"&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la fin de la bande, (&amp;agrave; partir de 18mn 22 sec.) "&amp;Agrave; l'heure de la province" une &amp;eacute;mission &lt;span class="st"&gt;de M. Alex Surchamp consacr&amp;eacute;e &amp;agrave; l'hiver (Mme la neige), et en particulier &amp;agrave; l'hiver en Limousin avec Serge Solon (Veiqui la nuech, la veill&amp;eacute;e, les No&amp;euml;ls populaires,le loup garou, un extrait des "Quatras sasons" de J. Rebier, quelques bourr&amp;eacute;es ...) &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement est interrompu (27mn 45sec) et nous retrouvons la chorale des Veilladours en r&amp;eacute;p&amp;eacute;tition, dirig&amp;eacute;e sans doute par Pierre Leplant&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Cette bande nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par &lt;a href="http://ieo-lemosin.org/?intervenant=michel-chadeuil&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;Michel Chadeuil,&lt;/a&gt; &amp;eacute;crivain et chansonnier occitan p&amp;eacute;rigourdin. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur l'emballage il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Musique oies, montage bestias de la boria, conte 1: Chatte Mare, Conte 2: Noel, conte 3: Petit chat".&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Il s'agit en fait de la suite de l'enregistrement de la maquette du disque &lt;span class="oc"&gt;"Quand las bestias parlan"&lt;/span&gt; paru en 1978 :&lt;br /&gt;Plusieurs informateurs nous livrent une suite de formulettes et mimologismes :&lt;br /&gt;&lt;span class="oc"&gt;- Lo lop e l'ase (chansons)&lt;br /&gt;- Leis Chavaux(A.Tr&amp;eacute;ny),&lt;br /&gt;- Los auseus ( Lo pin&amp;ccedil;on, lo Lauri&amp;ograve;u, Lo rossinh&amp;ograve;u, La choita, La pepue , lo Jai, &lt;br /&gt;lo cocut e la ja&amp;ccedil;a, lo tortolon e lo cocut,las gruas, la calha, la lauveta, lo pichatau, lo reibeneit, lo merle, la rilha ..) &lt;br /&gt;- La grapaudalha : lo grapaud e la granolha, Simon&lt;br /&gt;- Los bruchs familhars ('fialar son dalh, devineta, quand pleu..) &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;La bande se termine par un &amp;eacute;trange propos sur l'accord de la vielle &amp;agrave; roue, n'ayant rien &amp;agrave; voir avec le sujet. Sans doute une bande r&amp;eacute;utilis&amp;eacute;e...&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;La num&amp;eacute;risation et le "nettoyage" audio ont &amp;eacute;t&amp;eacute; effectu&amp;eacute;s par Fabrice San Juan&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>1369</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Corrèze (19)</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin, dépôt Belette</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>La Couade de Troche (3)</text>
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            <description>The topic of the resource</description>
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                <text>Chansons</text>
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            <description>An account of the resource</description>
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                <text>Chansons de quête en occitan Limousin</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Bel001</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1988-03</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/795</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/795/PassionsNet.jpg</text>
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          <element elementId="54">
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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ce document nous a été confié par Marcel Belette, folkloriste, collecteur et grand connaisseur de la tradition, il s'agit d'une répétition du groupe folklorique "La coada de Tròcha" - dont il fut un de&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;s éléme&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;nts moteurs. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;Accordéon : Claude Sagne&lt;br /&gt;Solistes : Aimée et Maurice Sargnac&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Dans cet enregistrement qui date du 19 mars 1988, les chanteurs interprètent : &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;Las passions,&lt;/span&gt; une succession de chants de quête &lt;span style="font-size:12pt;"&gt;(deux enregistrements légèrement différents d'une sélection de couplets recueillis dans la région de Troche )&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;La moissoniera, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;une chanson traditionnelle en français &lt;span style="font-size:12pt;"&gt;(recueillie à Troche par Marcel Belette)&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;Reina daus ceus,&lt;/span&gt; une chansons de Jean Rebier sur une musique d'André Le Gentile&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;span class="oc"&gt;Copa santa, &lt;/span&gt;&lt;/span&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;l'hymne provençal félibréen écrit par Frédéric Mistral &lt;span style="font-size:12pt;"&gt;(un travail de répétition, au tempo un peu lent )&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;em&gt;Nous devons cet enregistrement à l'Abbé Robert Moisset&lt;/em&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span class="fr" style="font-size:10pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La photo de vignette nous a été confiée par M. Belette, elle a été prise en 1982 lors d'une mémorable soirée de quête des oeufs . De gauche à droite : Maurice Sargnac, Claude Dufaure, Jean Sargnac, Christian Besse, Michel Golfier, Jeannot T'yaccks, Jeantou Sargnac, Marcel belette, Louis Barbara et Jacques Chabrier&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;Titres et graphie du groupe&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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          <description>The location of the interview</description>
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              <text>Lieux d'enregistrement multiples</text>
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          <description>The URL of the local directory containing all assets of the website</description>
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              <text>QuandLasBestias1.mp3</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>mimologismes</text>
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            <elementText elementTextId="307006">
              <text>occitan</text>
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              <text>limousin</text>
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              <text>perigord</text>
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              <text>contes</text>
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              <text>micheu chapduelh quand las bestias parlan 1 mimologismes perigord occitan limousin patois</text>
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                <text>2016-03-07 15:14:38</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>Quand las bestias parlan (2)</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Dordogne (24)</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin, dépôt Chadeuil</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Quand las bestias parlan (1)</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Dires et proverbes</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="306995">
                <text>Collecte de contes et mimologismes occitans</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="306996">
                <text>Micheu CHAPDUELH</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="306997">
                <text>Chad002</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="306998">
                <text>1978-06</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="307000">
                <text>Sound</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/794</text>
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            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331668">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/794/1457360187_ChadeuilNet.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Cette bande nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par &lt;a href="http://ieo-lemosin.org/?intervenant=michel-chadeuil&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;Michel Chadeuil,&lt;/a&gt; &amp;eacute;crivain et chansonnier occitan p&amp;eacute;rigourdin. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur l'emballage il est not&amp;eacute; &lt;span style="color: #808080;"&gt;"Leis chavaus, los auseus (montage),grapaud,bruch".&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;Sur la face A, plusieurs informateurs nous livrent une suite de mimologismes et quelques contes :&lt;br /&gt;&lt;span class="oc"&gt;La p&amp;ograve;lca de las aucas (A.Tr&amp;eacute;ny), La pola, Lo jau, Lo jau e la pincarda, la pincarda, los dindons, lo jal, lo j&amp;ograve;une chen, la chata, la chabra, l'asne dau pair Liunard, la cana la chata e la chabra, Los 'nimaus lo ser de Nadau, Lo pitit chat qu'avia traversat la D&amp;ograve;rna ...&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Il s'agit p&lt;span class="fr"&gt;robablement d'une partie de la maquette du disque &lt;span class="oc"&gt;"Quand las bestias parlan"&lt;/span&gt; paru en 1978 :&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span class="fr"&gt;La num&amp;eacute;risation et le "nettoyage" audio ont &amp;eacute;t&amp;eacute; effectu&amp;eacute;s par Fabrice San Juan&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</text>
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        <name>Dordogne (24)</name>
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  <item itemId="793" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <text>Enregistré aux domiciles des informateurs</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>informateurs multiples pouget cassette 1</text>
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            <description>The size or duration of the resource.</description>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Lieux multiples</text>
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&lt;div class="disc_details" style="text-align: left;"&gt;&lt;span style="font-size: 14pt;"&gt;Cette bande nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean-Jacques Le Creurer * .&lt;/span&gt;&lt;br /&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Yvon, comme il se plaisait &amp;agrave; le dire, "avait plusieurs cordes &amp;agrave; son banjo" &lt;span class="fr" style="font-size: 14pt;"&gt;enseignant, p&amp;eacute;dagogue, historien, amoureux de la langue limousine,chercheur,&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;musicien, auteur de nombreuses publications et d'autant de conf&amp;eacute;rences, etc ...)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il y a quelques ann&amp;eacute;es Yvon nous avait confi&amp;eacute; des enregistrements qu'il avait fait dans la r&amp;eacute;gion avec le Groupe Corr&amp;eacute;zien de l'&amp;eacute;cole moderne, notamment celui de &lt;a href="https://la-biaca.org/items/show/310" target="_blank" rel="noopener noreferrer"&gt;Mme Marty &amp;agrave; Larche&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Sur cette bobine n&amp;deg; 613 il est not&amp;eacute;&lt;span style="color: #808080;"&gt; "Chez nous (7/61) a.Pr&amp;eacute;sentation des disques b. essais chants Disque Barbichet (niorle Frange Guimbarde, Panliran, Disque B.L."&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Une nouvelle &amp;eacute;mission de "Chez-nous" pr&amp;eacute;sent&amp;eacute;e par M Dagnas, telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Robert Dagnas pr&amp;eacute;sente des extraits de deux disques :&lt;br /&gt;- Celui de l'&amp;eacute;cole du barbichet, paru en 1961 . Chants et danses des provinces et pays de france, Souvenir du limousin. Ducretet Thomson 250V136 (La Marianna e los vesins,Lo veve,la guimbarde,Lo panliran, Marche nuptiale) &lt;br /&gt;- Celui des "Velhadours de Sen Junio " : Chants et danses des provinces et pays de france N&amp;deg;10 Ducretet Thomson 250V133 (Lo cuer de ma mia, La meschanta maire, La terra es freja ..)&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Cet enregistrement est la première partie de l'enquête collective réalisée sur la commune d'Uzerche il date du le 25 Octobre 2005 .&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Avec :&lt;br /&gt;&lt;span style="text-decoration:underline;"&gt;Mesdames :&lt;/span&gt; Annette Bach, Jeanne Bouillaguet, Thérèse Courteix, Michèle Dachi, Annie Dezes, Mme Dumond, Marie Françoise Flageolet, Jeanine Geneste, Mélanie Hilaire, Marguerite Lachaud, Ghislaine Lachaud, Marie Thérèse Lachaud, &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="text-decoration:underline;"&gt;Messieurs :&lt;/span&gt; Michel Agnoux et Jean Louis Champeaux&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;Les croyances :&lt;span class="oc"&gt; &lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt; La chaça volanta, lo charivari, lo leberon, lo fuec folet, la bera, la vinagran, lo drac, lo dahu, ...) , de las istòrias de lop, l'arcador, dires per carnavar,far las crespas, los tortons, escodre lo blat negre la nuech&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ensuite nous avons parlé des rites calendaires, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;daus reis a la Sent Jan. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ensuite, Mme Marguerite Lachaud nous a livré quelques comptines &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;( Chabra mòrta, I'eran un, Dis me un conte ...) &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;puis un beau conte :&lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt; Lo conte de Faralhe ) &lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;Mme Bouillaguet :&lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt; Auvir 'quò compta pas, &lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;une nhorle de Jean Baptiste Chèze &lt;br /&gt;Mme Dumond, quelques proverbes &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;À partir de 1h34mn, l'enregistrement de la seconde séance (le 8 Novembre) &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Des propos sur le mariage, les relations aujourd'hui, &lt;span class="oc"&gt;La vòta, la feira...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans ce document qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par Fran&amp;ccedil;oise &amp;Eacute;tay, un enregistrement r&amp;eacute;alis&amp;eacute; le 9 f&amp;eacute;vrier 2013 lors du repas chantant organis&amp;eacute; par Fran&amp;ccedil;ois Faucher et Fran&amp;ccedil;oise &amp;Eacute;tay &amp;agrave; Ch&amp;acirc;teau-Chervix .&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&amp;Agrave; l'origine de ces repas, Fran&amp;ccedil;ois Faucher, militant, conteur intarissable tr&amp;egrave;s attach&amp;eacute; au Limousin nous a quitt&amp;eacute; tout r&amp;eacute;cemment .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Autour d'un bon repas au Relais du Puy de Bar, chacun avait pouss&amp;eacute; la chansonnette :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt; Escotatz-me&lt;/span&gt; &lt;em&gt;Robert Tabaraud&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo boier.&lt;/span&gt; &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;Qui veut entendre une chanson ) &lt;em&gt;Fran&amp;ccedil;ois Faucher.&lt;/em&gt; Chanson de son voisin M. Minet qui habitait au Moulin Noir.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;N&amp;rsquo;ai mas cinc s&amp;ograve;us.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo cuer de ma mia.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Marche de Rata. &lt;em&gt;Jean-Claude Jarry.&lt;/em&gt; Les paroles sont de lui, sur l&amp;rsquo;air d&amp;rsquo;une marche de noces jou&amp;eacute;e au violon par &lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;ois Malthieu&lt;/a&gt; (Tarnac)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Bonjour bergerette, adissiatz monsur. &lt;em&gt;Robert et Fran&amp;ccedil;oise Tabaraud&lt;br /&gt;- &lt;/em&gt;Les ma&amp;ccedil;ons de la Creuse. &lt;em&gt;Serge Marot. &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Jean Petit dit Jean dau Boueix&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Les ch&amp;acirc;taignes du Limousin. &lt;em&gt;Hugues Lauliac &lt;/em&gt;Chanson anonyme imprim&amp;eacute;e &amp;agrave; la fin du XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Vaqui lo polit mes de mai.&lt;/span&gt; &lt;em&gt;Micha&amp;euml;l Bourry&lt;br /&gt;- &lt;/em&gt;Pour aller voir Virginie. &lt;em&gt;C&amp;eacute;cile Delrue-Birot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Quand i era j&amp;ograve;una dr&amp;ograve;lla.&lt;/span&gt; &lt;em&gt;Anne-Marie Boulesteix &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s la version de sa m&amp;egrave;re (Rochechouart)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Briance. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Chanson de Joseph Mazabraud et Fran&amp;ccedil;ois Sarre&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Roselle. &lt;em&gt;Jean-Paul Martin &lt;/em&gt;Chanson de Camille Peyrat (Saint-Hilaire-Bonneval) sur l&amp;rsquo;air de la Valse Brune&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La Rosela&lt;/span&gt; (D&amp;eacute;but d&amp;rsquo;apr&amp;egrave;s &amp;ldquo;Rigadin&amp;rdquo;). &lt;em&gt;Fran&amp;ccedil;ois Faucher relay&amp;eacute; par David Lajudie &lt;/em&gt;Chanson de Jean Demaison (Saint-Bonnet-Briance) dit &amp;laquo; Le P&amp;egrave;re Huguet &amp;raquo; sur l&amp;rsquo;air (transform&amp;eacute;) de la valse &amp;laquo; Les Roses &amp;raquo; d&amp;rsquo;Olivier Metra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo chabretaire.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Chanson de Fran&amp;ccedil;ois Richard&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las quatre sasons.&lt;/span&gt; &lt;em&gt;Eric Roulet &lt;/em&gt;Chanson de Jean Rebier et Andr&amp;eacute; Le Gentile&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;span class="oc"&gt;De Sent-Priest qu&amp;ograve; n&amp;rsquo;es las filhas.&lt;/span&gt; &lt;em&gt;Fran&amp;ccedil;oise Etay, &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Fran&amp;ccedil;ois Pradeau (Vicq-sur-Breuilh) &lt;br /&gt;- Me promenant tout le long d&amp;rsquo;un rivage (la meuni&amp;egrave;re au moulin blanc) &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Henri Rouland (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Per 'nar veire las filhas.&lt;/span&gt; &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Mme Deconchat (Saint-Jean-Ligoure)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt;Passoleta.&lt;/span&gt; &lt;em&gt;Magali Urroz, &lt;/em&gt;Chanson des ostensions de Saint-Junien, dite aussi &amp;ldquo;Chant des Poitevins&amp;rdquo;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo curet d&amp;rsquo;a Benayas.&lt;/span&gt; &lt;em&gt;Eric Roulet&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo darrier jorn de l&amp;rsquo;an.&lt;/span&gt; &lt;em&gt;Benjamin Tard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s l&amp;rsquo;enregistrement de Jan dau Melhau .&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Encha&amp;icirc;nement de bourr&amp;eacute;es. &lt;em&gt;Benjamin Tard &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Alau dins queu pais bas.&lt;/span&gt; &lt;em&gt;Antoine Marot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Turlututu. &lt;em&gt;Lucienne Boudet. &lt;/em&gt;Paroles de Martial du Treuil sur un air bien connu&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Tout en montant la place d&amp;rsquo;armes. &lt;em&gt;Annie Gaulard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s L&amp;eacute;on Peyrat (Saint-Salvadour)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-En revenant de la foire de Bordeaux. (Je suis mar&amp;eacute;chal Mesdames compagnon forgeron) &lt;em&gt;Fran&amp;ccedil;ois Fauche&lt;strong&gt;r&lt;br /&gt;- &lt;/strong&gt;&lt;/em&gt;No&amp;euml;l. &lt;span class="oc"&gt;L&amp;rsquo;autre jorn el Pueg d&amp;rsquo;Eschalas.&lt;/span&gt; &lt;em&gt;Florence Fontanille, &lt;/em&gt;Source : Recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Rose dit &amp;agrave; sa m&amp;egrave;re. &lt;em&gt;Pascale Nguyen &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- En revenant d&amp;rsquo;la noce. &lt;em&gt;Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La romance du muguet. &lt;em&gt;Jeanne Seywer&lt;br /&gt;- '&lt;/em&gt;&lt;span class="oc"&gt;Ribats 'ribats.&lt;/span&gt; &lt;em&gt;Magali Urroz (et collectif) &lt;/em&gt;Source : 4 chansons publi&amp;eacute;es &amp;agrave; Limoges en 1862 puis 1890 (Pierre Laforest et Paul Charreire)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La sensilha e lo pinson.&lt;/span&gt; &lt;em&gt;Serge Marot&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Las femnas dau borg d&amp;rsquo;a Glanjas.&lt;/span&gt; &lt;em&gt;Collectif puis Serge Marot &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Georges Montazaud (Saint-Germain-les-Belles &amp;ndash; Fin XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Air &amp;laquo; Tout le long&amp;hellip; sur le bord &amp;raquo; (Darny et Guindani. 1917)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon (version de Rochechouart). &lt;em&gt;Anne-Marie Boulesteix&lt;br /&gt;- &lt;/em&gt;Bourr&amp;eacute;es (&lt;span class="oc"&gt;Dans Paris n&amp;rsquo;i a una chambra &amp;hellip; Lo pitit &amp;ograve;me&lt;/span&gt;) &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;&amp;Agrave; Chamberet petit faubourg. &lt;em&gt;Jean-Paul Mondoly et Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Petit mot du Maire. &lt;em&gt;Jean-Luc Lachaud&lt;/em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- Le matin quand je me l&amp;egrave;ve (&amp;agrave; mon travail-le je m&amp;rsquo;en vas). &lt;em&gt;Fran&amp;ccedil;ois Faucher&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;/em&gt;Tout en passant devant le grand moulin. &lt;em&gt;Fran&amp;ccedil;ois Faucher &lt;/em&gt;Version de Coussac-Bonneval et version &amp;ldquo;habituelle"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las filhas de Marzac.&lt;/span&gt; &lt;em&gt;Gilles de Becdeli&amp;egrave;vre &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Casse et Chaminade (1902)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Filhas nos ne&amp;rsquo;n fau &amp;rsquo;nar.&lt;/span&gt; &lt;em&gt;Eric Roulet &amp;hellip; Fran&amp;ccedil;ois Faucher&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Devinatz &amp;ccedil;&amp;ograve; que ieu minge.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Source : Pierre Biossac (Javerdat)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Cu trabalha la terra.&lt;/span&gt; &lt;em&gt;Serge Marot &lt;/em&gt;Source : recueil de Fran&amp;ccedil;ois C&amp;eacute;lor (1904)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Le renseignement et le s&amp;eacute;quencement de ce document ont &amp;eacute;t&amp;eacute; effectu&amp;eacute; par Fran&amp;ccedil;oise&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur cette bobine n&amp;deg; 725 il est not&amp;eacute; &lt;span style="color: #888888;"&gt;"20 Septembre, autres folklores Emission Chez nous (9/65) ..."&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Il s'agit d'une nouvelle &amp;eacute;mission de "Chez-nous" pr&amp;eacute;sent&amp;eacute;e par M Dagnas, telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Au pr&amp;eacute;texte du retour de vacances, Robert Dagnas propose &amp;agrave; ses auditeurs des airs du folklore fran&amp;ccedil;ais et &amp;eacute;tranger :&lt;br /&gt;- La Bretagne (j'aime bien les cotillons rouges)&lt;br /&gt;- l'Est de la France avec deux morceaux &amp;agrave; l'&amp;eacute;pinette &lt;br /&gt;- Espagne, deux chants traditionnels &lt;br /&gt;- Allemagne, deux morceaux &amp;agrave; danser &amp;agrave; l'accord&amp;eacute;on&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Et quelques morceaux du limousin : bourr&amp;eacute;es, Turlututu, Quadrille Limousin (par l'&amp;Eacute;cole du Barbichet) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
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            <name>Date</name>
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        <name>Aubusson</name>
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        <name>Creuse (23)</name>
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          <name>Local URL</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <name>Date Issued</name>
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                <text>2015-12-03 11:16:11</text>
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                <text>IEO Lemosin, dépôt Beauzetie</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sos lu pont de la Charela, Abjat</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="307193">
                <text>Légendes - croyances</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Jaumeta BEAUZETIE</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="307195">
                <text>Beau01</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1984</text>
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                <text>Jaumeta Beauzetie</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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                <text>https://la-biaca.org/items/show/785</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/785/Padimage.jpg</text>
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          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="333884">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur cette cassette audio qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute;e pour num&amp;eacute;risation et mise en ligne par Jaumeta Beauzetie.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; Partant d'une collecte effectu&amp;eacute;e en 1984 aupr&amp;egrave;s de Jean Duroux aux Granges d'Abjat, a&lt;/span&gt;&lt;span style="font-size: medium;"&gt;pr&amp;egrave;s avoir chant&amp;eacute; &lt;span class="oc"&gt;"Sos lu pont de la Charela"&lt;/span&gt;, Jaumeta nous conte une l&amp;eacute;gende locale dans laquelle il est question de la cascade du Saut du Chalard, sur la commune des Champs-Romain), du seigneur de Vaucaucour, l'enl&amp;egrave;vement de Claire, la r&amp;eacute;bellion, le jugement ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Vous pouvez retrouver ces l&amp;eacute;gendes sur le &lt;a href="https://www.abjat-sur-bandiat.fr/index.html" target="_blank" rel="noopener noreferrer"&gt;site de la commune d' Abjat &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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          <description>The location of the interview</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="307225">
              <text>musique traditionnelle limousin</text>
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              <text>patrimoine oral</text>
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              <text>patois</text>
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              <text>occitan périgourdin</text>
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              <text>limousin</text>
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              <text>ieo lemosin</text>
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          <name>Mot-clé en liste</name>
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              <text>informateurs multiples robert dagnas a augignac patois occitan haute vienne limousin augignac patrimoine oral musique traditionnelle limousin</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <description>A name given to the resource</description>
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                <text>À AUGIGNAC (2)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Contes et histoires</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Enregistrement en langue limousine,conte et chanson &amp;agrave; Augignac, Dordogne</text>
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            <name>Contributor</name>
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                <text>[Informateurs multiples]</text>
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            <name>Date</name>
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                <text>1960</text>
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            <name>Creator</name>
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                <text>Robert Dagnas</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>https://la-biaca.org/items/show/784</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur cette bande, aucune indication sinon un num&amp;eacute;ro "510". Il s'agit d'un enregistrement qui a s&amp;ucirc;rement &amp;eacute;t&amp;eacute; fait &amp;agrave; Augignac (24) par Robert Dagnas (accompagn&amp;eacute; par une enqu&amp;ecirc;trice non identifi&amp;eacute;e) aupr&amp;egrave;s de la conteuse F&amp;eacute;licie Brouillet et d'une de ses voisines dont nous savons seulement qu'elle se pr&amp;eacute;nomme Marguerite .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Cette derni&amp;egrave;re dit un conte &lt;em&gt;&lt;span class="oc"&gt;L'&amp;ograve;me qu'avia tres filhas&lt;/span&gt; &lt;/em&gt;puis quelques chansons &amp;agrave; danser "Je suis beau gar&amp;ccedil;on" une scottish, "Viens poupoule". Ensuite F&amp;eacute;licie Brouillet raconte quelques histoires au sujet de Pierrison :&lt;em&gt;&lt;span class="oc"&gt; "La malaudia daus lapins", "'nar dins la luna" &lt;/span&gt;&lt;/em&gt;&lt;span class="oc"&gt;et&lt;/span&gt;&lt;em&gt;&lt;span class="oc"&gt; "La cosina d'aura".&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>IEO Lemosin, dépôt Urroz</text>
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                <text>Danisa Urroz</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Enregistrement r&amp;eacute;alis&amp;eacute; le 21 octobre1983 aupr&amp;egrave;s de&lt;/span&gt; &lt;span style="font-size: 14pt;"&gt;&lt;strong&gt;M. et Mme B. &lt;/strong&gt; &lt;span style="font-size: 12pt;"&gt;&lt;em&gt;(les informateurs ne souhaitent pas que leur noms figurent dans lce document)&lt;/em&gt;&lt;/span&gt; demeurant &amp;agrave; Assit, commune de Manot (16) par Danisa Urroz, dans le cadre d'une enqu&amp;ecirc;te pour un Dipl&amp;ocirc;me d'Etudes Occitanes "Minjar autras vetz : enquesta a Assit de Man&amp;ograve;c"&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans cette enqu&amp;ecirc;te, les informateurs nous parlent des objets de la vie domestique : &lt;em&gt;La raspa, lo rascla-mag, los landiers, lo cremalhon, lo garda-cendras, la pala, las pincetas, lo potatgier,las chaufaretas, Lo redable, Las palas a enfornar &amp;ndash; la pita forcheta - lo crochet, La forcha a dos brins, Las placas, Lo grilh, Lo forneu, Lo tresp&amp;egrave;s, Lo bujadier, La selha en boesc &amp;ndash; lo cramilhon-Las peilas &amp;ndash; la peila a granda coa &amp;ndash; la pedarsa &amp;ndash; lo p&amp;ograve;rta-peila,Las marmitas &amp;ndash; la brasiera &amp;ndash; lo topin, Las crespas, Lo gaufre, la t&amp;ograve;la a tartra, lo monle, Lo colador &amp;ndash; lo tendon, Lo fromatge, La culhiera a ragost &lt;/em&gt;&amp;ndash; l'escumoir -&lt;em&gt; la locha &amp;ndash; la seja a fendre lo p&amp;ograve;rc - lo serpaud&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Il s'agit l&amp;agrave; de la dixi&amp;egrave;me cassette d'un lot qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean et Denise Urroz, de Charente Occitane . &lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:01:28.000
La raspa, lo rascla-mag&#13;

00:01:28.000 --&gt; 00:02:33.000
Lo cremalhon, lo garda-cendras&#13;

00:02:33.000 --&gt; 00:02:59.000
De las palas&#13;

00:02:59.000 --&gt; 00:06:20.000
Lo potagier&#13;

00:06:20.000 --&gt; 00:07:00.000
Los pitits forneus&#13;

00:07:00.000 --&gt; 00:07:32.000
La peila&#13;

00:07:32.000 --&gt; 00:07:46.000
La forcheta&#13;

00:07:46.000 --&gt; 00:08:12.000
Qui iò fasiá ?&#13;

00:08:12.000 --&gt; 00:08:36.000
E los tisoniers ?&#13;

00:08:36.000 --&gt; 00:09:40.000
Lo crochet, la forcha a dos brins&#13;

00:09:40.000 --&gt; 00:10:37.000
Lo soflet&#13;

00:10:37.000 --&gt; 00:11:34.000
Las placas&#13;

00:11:34.000 --&gt; 00:12:32.000
Lo grilh&#13;

00:12:32.000 --&gt; 00:13:17.000
Lo trespès&#13;

00:13:17.000 --&gt; 00:15:32.000
Lo bujadier&#13;

00:15:32.000 --&gt; 00:15:56.000
La selha de boesc&#13;

00:15:56.000 --&gt; 00:16:19.000
Lo cramilhon&#13;

00:16:19.000 --&gt; 00:16:57.000
La peila a granda coá&#13;

00:16:57.000 --&gt; 00:17:10.000
Lo pòrta-peila&#13;

00:17:10.000 --&gt; 00:17:38.000
Per far las galetas&#13;

00:17:38.000 --&gt; 00:18:08.000
Las marmitas&#13;

00:18:08.000 --&gt; 00:18:25.000
La brasiera&#13;

00:18:25.000 --&gt; 00:18:54.000
Lo topin&#13;

00:18:54.000 --&gt; 00:19:49.000
La diferéncia entre la marmita e la brasiera&#13;

00:19:49.000 --&gt; 00:21:23.000
Las crespas&#13;

00:21:23.000 --&gt; 00:21:46.000
Lo gaufre&#13;

00:21:46.000 --&gt; 00:22:25.000
La tòla a tarta&#13;

00:22:25.000 --&gt; 00:22:40.000
Lo monle&#13;

00:22:40.000 --&gt; 00:22:47.000
Lo colador&#13;

00:22:47.000 --&gt; 00:23:34.000
Lo tendon&#13;

00:23:34.000 --&gt; 00:25:25.000
Lo fromatge&#13;

00:25:25.000 --&gt; 00:25:55.000
De las culhieras&#13;

00:25:55.000 --&gt; 00:26:40.000
La seja a fendre lo pòrc, lo serpaud&#13;

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              <text>los engrais... de son père : La guera de mon pair</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, un enregistrement qu'elle a réalisé, en compagnie de Paul Gerbaud auprès de deux informatrices : &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;strong&gt;Aimée Berger&lt;/strong&gt; (Domps 87) et &lt;strong&gt;Yvonne Ponchut&lt;/strong&gt; (Sussac 87) &lt;/span&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:14pt;"&gt;le &lt;span style="font-size:14pt;"&gt;18 janvier 1997&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Étay, ce document est consultable au Conservatoire à Rayonnement Régional à Limoges où Françoise est enseignante et&lt;/span&gt;&lt;/span&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt; responsable du département de musique traditionnelle .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size:14pt;"&gt;Françoise Étay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt; &lt;p class="fr"&gt; &lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Une succession de morceaux interpr&amp;eacute;t&amp;eacute;s par des groupes folkloriques : &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;- Pyr&amp;eacute;n&amp;eacute;es : &lt;span class="oc"&gt;Cantetz pastors de la campanha,&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;- Touraine : Derri&amp;egrave;re chez-nous il y a un ptit bois&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;- Saintonge : Musique &amp;agrave; danser&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;- Berry : Scottish &amp;agrave; la vielle &amp;agrave; roue&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;- Limousin : Polka piqu&amp;eacute;e, Berceuse &lt;span class="oc"&gt;(Som som vene vene)&lt;/span&gt;, la s&amp;eacute;r&amp;eacute;nade du tambour .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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            <description>An account of the resource</description>
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                <text>[Informateurs multiples]</text>
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                <text>Mar007</text>
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                <text>1981-04</text>
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                <text>audio/mpeg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Myette Hébrant-Marouby.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Les notes prises par Myette précisent : &lt;span style="color:#888888;"&gt;"Les Réveillés avril 1981 Enregistrement in situ, de nuit, à Davignac et dans les villages alentours avec Daniel Caraminot ( École de Bourrée) , Joseph Lacassagne (maire de Davignac)"&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Il s'agit d'un enregistrement réalisé pendant "les Réveillées" (la quête des œufs) dans les hameaux de la commune de &lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Davignac (19)&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Cet enregistrement a été fait la nuit, en plein air pendant la quête des œufs . Les participants chantent à plusieurs reprises&lt;/span&gt; &lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;une chanson de quête&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span class="oc"&gt;"donatz donatz daus uous"&lt;/span&gt; &lt;span class="fr"&gt; devant les maisons ils sont accompagnés par des musiciens (violon, vielle, accordéon) . &lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt;Une porte s'est ouverte, c&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;omme le veut la tradition, on va chanter, boire un coup et danser (bourrées, polkas, valses, etc ..) avant de repartir, dans la nuit vers une autre maison .&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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        <name>Davignac</name>
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              <description>A name given to the resource</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>Drolhat.mp3</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>informateurs multiples jean francois vignaud en drolhat a brouillat patois occitan correze limousin drouillat peyrelevade patrimoine oral</text>
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            <name>Date Issued</name>
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                <text>2015-08-27 12:40:28</text>
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                <text>Peyrelevade</text>
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                <text>Corrèze (19)</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>En Drolhat, à Drouillat</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="307482">
                <text>IEO302</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2003-09</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Jean François Vignaud</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>https://la-biaca.org/items/show/774</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/774/1440672392_Le_rat.jpg</text>
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          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Cet enregistrement réalisé par Jean-François Vignaud, date du 2 septembre 2003, il a été fait à Drouillat, lieu-dit de la commune de Peyrelevade (19) &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;En présence des membres de l'atelier d'occitan de l'association "Sauvegarde des traditions paysannes et du patrimoine oral limousin" .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;En compagnie de la fondatrice de l'association, Sylvette Chassaing et des membres de l'association (Milou, Marie, Angèle ..) plusieurs salariés de l'IEO (Magali Urroz, Jean-Marie Caunet et Jean-François Vignaud) ont questionné les participants : Chansons &lt;span class="oc"&gt;(los chauls e las rabas, l'aiga de rochas,La balada, la n'en menam, Chas nos me volian maridar, La gerba bauda, Los Embrujats, &lt;/span&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span class="oc"&gt;le curé de chez nous,&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span class="oc"&gt;la chanson per la Cèna, Les réveillés, Diable sias pas l'ivern d'antan ...)&lt;/span&gt; comptines &lt;span class="oc"&gt;(La lebrauta, Ari mon asne, Dandin dandan, Baulin baulan )&lt;/span&gt; , contes, nhòrles, proverbes, rites calendaires etc ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <text>Lésignac-Durand, Massignac</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>proverbes</text>
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              <text>contes</text>
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              <text>jan frances vinhaud</text>
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              <text>dordet</text>
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              <text>jean christophe dourdet</text>
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                <text>2015-08-03 15:34:12</text>
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                <text>Charente (16)</text>
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                <text>IEO Lemosin</text>
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            <description>A name given to the resource</description>
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                <text>Faurie, Brethenoux</text>
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                <text>[Informateurs multiples]</text>
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                <text>IEO301</text>
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                <text>2002-10</text>
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                <text>Jean François Vignaud</text>
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            <name>Type</name>
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Le mai &#13;

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Ami mon bel ami &#13;

00:03:50.000 --&gt; 00:04:37.000
Le bourdon&#13;

00:04:37.000 --&gt; 00:05:24.000
Ami mon bel ami&#13;

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Marche  &#13;

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Marche&#13;

00:01:59.000 --&gt; 00:02:32.000
Marche Nuptiale&#13;

00:02:32.000 --&gt; 00:03:07.000
Donne-moi ta fille&#13;

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En passant par le bois&#13;

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Le maniguet&#13;

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Scottish (si tu volias)&#13;

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Manha lo li&#13;

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La Yoyette&#13;

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La fille soldat&#13;

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Marche nuptiale&#13;

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En passant devant ta porte&#13;

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Belle Rose, Le seigneur volage&#13;

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Marche&#13;

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Bourrée&#13;

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Bourrée (chant)&#13;

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Si ma mère voulait (bourrée)&#13;

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Bourrée&#13;

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Mazurka&#13;

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Mon papa ne veut pas (polka)&#13;

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J'ai fait une maitresse&#13;

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M'y promenant le long des verts prés&#13;

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Marche nuptiale&#13;

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Chant et accordéon&#13;

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Donne moi ta fille&#13;

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Valse&#13;

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Ai vist dansar&#13;

00:33:42.000 --&gt; 00:35:14.000
A sujet des noces&#13;

00:35:14.000 --&gt; 00:38:31.000
Marches de noces&#13;

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            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Dans le cadre des relevés toponymiques effectués pour le PNR, nous avons rencontré M. Lucien TAGUET (né à Lasmay en 1927) qui a accepté de nous consacrer un peu de temps&lt;/span&gt;. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt;Nous avons recueill&lt;/span&gt;&lt;span class="fr"&gt;i son témoignage sur un jeu de cartes "Lo Martin", sur un déménagement "amb los beus", sur la la pierre des druides, la manière de dire les noms de lieux de la commune, sur les moulins, etc ...&lt;br /&gt;Réputé pour exceller dans cet exercice, il nous a aussi raconté une nhorle "la glaça" .&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>gnorles</text>
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                <text>Las nhòrlas de Jan REBIER</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette retrouvée dans nos archives ne porte aucune indication nous ne savons identifier la personne qui raconte ces textes écrits par Jean Rebier .&lt;br /&gt;Il y est noté sur la cassette " La 1ère face est bonne mais la seconde a un mauvais départ il faut continuer à écouter . L'enregistrement est vieux comme la personne qui la raconte "&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une succession de nhòrles : &lt;span class="oc"&gt;La bona 'nada, Oh Lemosin, Lu chabrit, L'asne chucat, Las favas, Nòstra linga, La pendicita, Lu veire de montra, Lu bon annisson, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Lu&lt;/span&gt;&lt;span class="oc"&gt; dosilh de bure, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Lu&lt;/span&gt;&lt;span class="oc"&gt; bon vin blanc,&lt;/span&gt; &lt;a href="http://www.chanson-limousine.net/musique-limousine/contes%20nhorlas/CHELEBOUT/TEXTE/baseri.pdf" target="_blank" rel="noreferrer noopener"&gt;Baseri &lt;/a&gt;(voir les paroles sur le site chanson limousine.net&lt;/span&gt;)&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>&lt;p&gt; &lt;a href="http://www.comdt.org/" target="_blank" rel="noreferrer noopener"&gt;&lt;/a&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par le Centre Occitan des Musiques et Danses Traditionnelles, un enregistrement de M. &lt;strong&gt;Edgard BOUCHET&lt;/strong&gt;, dit "Quinet", (1928-2011) accordéoniste chromatique (Juillac 19).&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cet enregistrement fut réalisé, pour le Conservatoire Occitan, au domicile du musicien à la fin des années 70 par Guy Bertrand et Eric Montbel musiciens et ethnomusicologues .&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Quelques morceaux joués par ce musicien de la région de Juillac : Las passadas (pòde pas),&lt;span class="oc"&gt; "la n'en menam la paubra novia"&lt;/span&gt; (marche nuptiale), &lt;span class="oc"&gt;Plant' un chaul&lt;/span&gt; &lt;span class="oc"&gt;*&lt;/span&gt;, La mère Antoine (scottish), une suite de mazurkas (&lt;span style="font-size:14pt;"&gt;Ah que les femmes sont bêtes, &lt;/span&gt;*mazurka dite de Lapleau ...)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;L'enregistrement se termine par des bribes, un accordéoniste diatonique joue la "valse chinoise" et l'on entend des essais sur une bourrée &lt;span class="oc"&gt;"Tombe la vilena bestia".&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;La notice du COMDT précise : "On entend derrière un accordéon diatonique (c'est l'enquêteur probablement).&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;(*morceaux du répertoire des bals folks de l'époque)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:12pt;"&gt;Nous remercions Jean Popy Dupetitmagnieux pour leur aide pour le titrage ainsi que Françoise Étay pour la photo d'illustration de cet enregistrement (extraite d'une vidéo ou M. Bouchet interprète deux sautières disponible sur youtube : &lt;/span&gt;&lt;span style="font-size:12pt;"&gt;&lt;a href="https://www.youtube.com/watch?v=fBQesVzrguQ"&gt;https://www.youtube.com/watch?v=fBQesVzrguQ &lt;/a&gt;)&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align:center;"&gt;&lt;span style="font-size:12pt;"&gt;Ce document est le second d'une série d'enregistrements réalisés sur le territoire Limousin et issus des fonds du &lt;a href="http://www.comdt.org/" target="_blank" rel="noreferrer noopener"&gt;COMDT&lt;/a&gt; . Nous remercions vivement Maïlis BONNECASE, Directrice et Gwenaëlle Sarrat, Documentaliste.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 19px; line-height: 1.2;"&gt;Sur l'enveloppe contenant la bande 4528 il est not&amp;eacute; &lt;span style="color: #808080;"&gt;" A conserver, Chez Nous, Dagnas, 27/8/65 ".&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document une &amp;eacute;mission de "Chez nous" (ou la pr&amp;eacute;paration de celle-ci ) telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges au mois d' ao&amp;ucirc;t 1965 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous retrouvons F&amp;eacute;licie Brouillet, La chorale des Veilladours &lt;span class="oc"&gt;(Aval debat el fond del prat, Lu vielh jalos)&lt;/span&gt;, une bourr&amp;eacute;e, un quadrille, secoue la ben, La Dorne (berceuse poitevine) . Pour terminer quelques nouvelles des groupes conf&amp;eacute;d&amp;eacute;r&amp;eacute;s et une polka &amp;agrave; la cornemuse . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Quelques enregistrements de musiciens traditionnels en limousin</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Jean-Jacques Le Creurer * . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span class="fr"&gt;Sur le boitier contenant cette bande il est not&amp;eacute; :&lt;/span&gt; &lt;span style="color: #808080;"&gt;" Veill&amp;eacute;e chez Mr Hourtoul, Mr Maury (St Germain les belles), M Boireau L&amp;eacute;onard (St Hilaire Bonneval) "&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;- Dans la premi&amp;egrave;re partie du document (sans doute dans la famille Hourtoul sur laquelle nous n'avons aucune information) quelques chansons : Mon p&amp;egrave;re avait 500 moutons, Dispers&amp;eacute;s dans Paris et &lt;em&gt;&lt;span class="oc"&gt;Jan mon pitit&lt;/span&gt;&lt;/em&gt; (V&amp;ecirc;pres pa&amp;iuml;ennes) .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;- Ensuite (&amp;agrave; partie de 14.07mn) une suite de morceaux &amp;agrave; l'accord&amp;eacute;on sans doute par M. Maury qui avait appris la plupart de ses morceaux &amp;agrave; la Porte de St Cloud : scottish, valses, mazurka, polka, bourr&amp;eacute;e, marche et une belle version de la chanson "parlons de boire"&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;- Pour terminer (&amp;agrave; partir de 22.25 mn) M. &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9onard_Boireau" target="_blank" rel="noopener"&gt;L&amp;eacute;onard Boireau&lt;/a&gt;, violoneux, qui joue plusieurs valses, une bourr&amp;eacute;e, une polka et parle de son r&amp;eacute;pertoire qu'il tenait du p&amp;egrave;re Dubeau du Theillaumas (Glanges) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; color: #000000;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant la bande 757 il est not&amp;eacute; : &lt;span style="color: #808080;"&gt;"Soir&amp;eacute;e du 13/11/57, Bourse du Travail"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de l'enregistrement sur les deux faces de la bande d'une soir&amp;eacute;e folklorique pr&amp;eacute;sent&amp;eacute;e par Robert Dagnas avec le groupe folklorique "&lt;span class="st"&gt;Los Velhadours de Sent-Junian"&lt;/span&gt; ainsi que quelques invit&amp;eacute;s : M Jean Bretenoux (joueur de Clarinette), Jean Pellotier (acteur et homme de radio). L'enregistrement se termine par un po&amp;ecirc;me d' &amp;Eacute;douard Michaud &amp;agrave; Andr&amp;eacute; le Gentile, interrompu par la fin de la bande &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- Plusieurs chants par la chorale :&lt;/span&gt;&lt;span class="oc"&gt; Volets vos durmir,&lt;/span&gt; Le vieux jaloux, &lt;span class="oc"&gt;La meschanta maire, Chas nos,&lt;/span&gt; La chanson du barbichet &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- Quelques morceaux de musique :&lt;/span&gt; la bourr&amp;eacute;e d'Esse, une suite de marches nuptiales, R&amp;eacute;veillez vous la belle ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Chez nous, Rameaux 1967</text>
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            <name>Subject</name>
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                <text>Tous les genres</text>
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            <description>An account of the resource</description>
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                <text>Émission de radio proposée par M Robert Dagnas à l'occasion des fêtes de Rameaux 1967</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>[Informateurs multiples]</text>
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                <text>Robert Dagnas</text>
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            <name>Format</name>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Relation</name>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 19px; line-height: 1.2;"&gt;Sur l'enveloppe contenant la bande 781 il est noté &lt;span style="color: #808080;"&gt;" Émission Chez-Nous du 19-3-67, Rameaux, Jean Rebier ".&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document une émission de "Chez nous" (ou la préparation de celle-ci ) telle qu'elle a pu être diffusée sur les ondes de Radio Limoges au mois de mars 1967 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Á l'occasion des fêtes de Rameaux, M. Dagnas propose les témoignages de Pierre Biossac et d' Angèle Chabeaudie &lt;/span&gt;&lt;em&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;(los rameus, la rason de Diu &lt;/span&gt;&lt;/em&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;(une prière)&lt;/span&gt;&lt;em&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;, La passion de Jesus-Christ (chanson) la setmana senta, la lessiva...)&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; plusieurs chansons par la chorale des Veilladours : &lt;span class="oc"&gt;&lt;em&gt;Rampalms, Dijas me , La Passion,&lt;/em&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br class="fr" style="font-size: 14pt;" /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite, à l'occasion de l'anniversaire de son décès, M. Dagnas rend hommage à Jean Rebier (&lt;em&gt;La lenga d'aur&lt;/em&gt;, La saison verte et rose, &lt;em&gt;La gerba bauda .&lt;/em&gt;.) et&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; propose aux auditeurs un des rares enregistrements de Jean Rebier : Bréjaude, un enregistrement &lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;datant de la fin des années 50 &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>doc: enquetes</text>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <description>The location of the interview</description>
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              <text>Enregistré au domicile des informateurs à La Verde, commune d'Albignac (19)</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>DelTessonSST.mp4</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <description>Mot-clé "metakeywords"</description>
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              <text>La Verde</text>
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              <text>tradition limousine</text>
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              <text>découpe</text>
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              <text>préparation des boyaux</text>
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              <text>boudins</text>
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              <text>occitan</text>
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              <text>limousin</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="307874">
              <text>tribu mesturoux pascal boudy del tesson a la goga cochon patois limousin tuada boudin</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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              <elementText elementTextId="307840">
                <text>2015-03-26 14:47:41</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="307841">
                <text>742</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="307842">
                <text>Corrèze (19)</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>IEO Lemosin</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Del tesson a la gòga</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="307845">
                <text>Cuisine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="307846">
                <text>Tribu MESTUROUX</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="307847">
                <text>IEO298</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="307848">
                <text>2012-12</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="307849">
                <text>Pascal Boudy</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="307850">
                <text>audio/mpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="307851">
                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="307852">
                <text>https://la-biaca.org/items/show/758</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331632">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/758/Im1.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="333911">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;color:#000000;"&gt;Un sujet enregistré à Albignac au mois de décembre 2012 .&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;color:#000000;"&gt;Après un temps de transaction nous avons été admis à filmer cet évènement familial à la ferme de La Verde . &lt;br /&gt;Une fois obtenu cet accord, la "tribu Mesturoux" (comme ils se nomment avec humour !), nous a reçu avec beaucoup de gentillesse et de générosité .&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;color:#000000;"&gt; Par un matin glacial de décembre nous avons assisté à un abattage du cochon, dans les règles de l'art et le respect de la tradition ...&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:14pt;color:#000000;"&gt;Abattage, Casse-croûte, découpe, préparation des boyaux, repas pantagruélique fabrication des boudins rien n'a manqué à cette journée ! &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;color:#000000;"&gt;Vous pouvez aussi accéder à la version sous-titrée en cliquant sous le lien ci dessous :&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=aTRIeMd2Cxs" target="_blank" rel="noreferrer noopener"&gt;Del tesson a la gòga, version sous-titrée&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <name>Albignac</name>
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        <name>Corrèze (19)</name>
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  <item itemId="757" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
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                  <text>doc: enquetes</text>
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              <text>Enregistré au domicile de l'informateur à Chartrier-Ferrières (19)</text>
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          <name>Local URL</name>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>agriculture</text>
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              <text>causse Corrézien</text>
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              <text>élevage</text>
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              <text>charbonnières</text>
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              <text>jardin</text>
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              <text>retraite</text>
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              <text>Corrèze</text>
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            <name>Date Issued</name>
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                <text>Georges LESTRADE</text>
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                <text>Interview de M. Georges Lestrade,agriculteur sur le causse Corrézien</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par le Centre Occitan des Musiques et Danses Traditionnelles, un enregistrement de M. &lt;strong&gt;&lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;ois Malthieu&lt;/a&gt;(x*)&lt;/strong&gt;, dit "Lilou", violoneux &amp;agrave; La Combe de Tarnac (19).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Cet enregistrement fut r&amp;eacute;alis&amp;eacute;, pour le Conservatoire Occitan, au domicile du musicien le 10 avril 1979 par Guy Bertrand, musicien et ethnomusicologue .&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Un beau r&amp;eacute;pertoire d'airs &amp;agrave; danser (bourr&amp;eacute;es, valses, polkas, scottishs, quadrilles, marches, etc...) interpr&amp;eacute;t&amp;eacute; par ce musicien parfois accompagn&amp;eacute; des collecteurs .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt; color: #333333;"&gt;* Fran&amp;ccedil;oise &amp;Eacute;tay &amp;agrave; qui nous devons la photo et le titrage de cet enregistrement, nous pr&amp;eacute;cise que ce musicien tenait &amp;agrave; ce que son nom soit &amp;eacute;crit "Malthieu". Elle nous indique aussi que nous&lt;span&gt; entendons dans ce document Jean-Michel Ponty, Monique Pauzat (collecteurs &lt;span&gt;et musiciens&lt;/span&gt; limousins ) et M. Neige (neveu du violoneux &amp;laquo;&amp;nbsp;Le Negrou&amp;nbsp;&amp;raquo;). &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span style="color: #333333;"&gt;Ce document est le premier d'une s&amp;eacute;rie d'enregistrements r&amp;eacute;alis&amp;eacute;s sur le territoire Limousin et issus des fonds du &lt;a href="http://www.comdt.org/" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="color: #333333;"&gt;COMDT&lt;/span&gt;&lt;/a&gt; . Nous remercions vivement Ma&amp;iuml;lis BONNECASE, Directrice et Gwena&amp;euml;lle Sarrat, Documentaliste.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Introduction&#13;

00:00:55.000 --&gt; 00:02:14.000
Pregiera&#13;

00:02:14.000 --&gt; 00:02:41.000
Ave Maria (Pierre Biossac)&#13;

00:02:41.000 --&gt; 00:04:50.000
Des lieux dédiés en limousin&#13;

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Nòstra dama dau cap dau pont&#13;

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Reina daus ceus&#13;

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Pregiera&#13;

00:09:38.000 --&gt; 00:10:07.000
Amis exilés&#13;

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Lo cuer de ma mia&#13;

00:12:29.000 --&gt; 00:14:33.000
La Cati&#13;

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La bécasse&#13;

00:16:10.000 --&gt; 00:18:40.000
Dans mon coeur il n'y a point d'amour&#13;

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Un jorn dins l'estolias&#13;

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Quelques infos&#13;

00:20:31.000 --&gt; 00:21:52.000
Le 10ème festival de Confolens&#13;

00:21:52.000 --&gt; 00:25:19.000
Conclusion de l'émission&#13;

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            <description>An account of the resource</description>
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                <text>Enregistrement d'une chanteuse de tradition à Saint Laurent sur Gorre</text>
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            <description>A related resource from which the described resource is derived</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/752/Padimage.jpg</text>
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          <element elementId="54">
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, un enregistrement qu’elle fit auprès de Madame &lt;strong&gt;Marie-Thérèse RAYMOND&lt;/strong&gt; à Saint Laurent sur Gorre le 8 décembre 1999, en compagnie de Yves Lavalade .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Mme Raymond avait interprété une série de chansons :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Adieu...charmante Henriette, Les nuits de printemps, &lt;span class="oc"&gt;L'urosa jardiniera,&lt;/span&gt; C'était un curé de campagne (fragments), &lt;span class="oc"&gt;Toina d'a Glandon, &lt;/span&gt; Quand je t'ai vue par hasard sur ma route, ... les feux du régiment [début tronqué], À Saint-Laurent en vérité, C'est nous de Saint-Laurent, Chanson du rassemblement (Chanson des retraités du canton de Saint-Laurent) et La retraite c'est la santé&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise Étay, ce document est consultable au Conservatoire à Rayonnement Régional à Limoges où Françoise est enseignante et responsable du département de musique traditionnelle. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size:14pt;"&gt;Françoise Étay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Title</name>
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            <description>A related resource</description>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="333919">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande aucune indication, un montage r&amp;eacute;alis&amp;eacute; par Robert Dagnas &amp;agrave; partir d'une messe de minuit enregistr&amp;eacute;e le 24 d&amp;eacute;cembre 1966 &amp;agrave; Saint-Auvent (87). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;On retrouve quelques extraits de cet enregistrement dans des &amp;eacute;missions &lt;span class="fr" style="font-size: 14pt;"&gt;de M Dagnas&lt;/span&gt; "Chez nous" probablement diffus&amp;eacute;es sur les antennes de Radio Limoges ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Pr&amp;eacute;sent&amp;eacute; par Robert Dagnas nous entendons la chorale du groupe folklorique "Lous velhadours de Sen-Junio" interpr&amp;eacute;ter une suite de cantiques (Un original &lt;span class="oc"&gt;&lt;em&gt;Nadau de Sent-Auven&amp;ccedil;&lt;/em&gt;, &amp;Agrave; nous pauvres fid&amp;egrave;les, &lt;em&gt;Voletz vos durmir, Lu solelh de justicia &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;etc ...)&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; quelques sermons et pri&amp;egrave;res en langue limousine etc ...&lt;br /&gt;&lt;br /&gt;Sur le site de France 3 Nouvelle-Aquitaine, "No&amp;euml;l au village", un film r&amp;eacute;alis&amp;eacute; &amp;agrave; l'occasion de cette m&amp;ecirc;me messe. &lt;a href="https://www.youtube.com/watch?v=bvSIEUbitkc" target="_blank" rel="noopener"&gt;&amp;rarr;Cliquer ici&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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Mirène a dit&#13;

00:03:06.000 --&gt; 00:06:10.000
La Meunière&#13;

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