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                <text>&lt;p&gt;Sur cette cassette audio que Jan dau Melhau a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, se trouvent plusieurs enregistrements d'Octave Bariant.&lt;br /&gt;Octave Bariant &lt;span class="itemlist-details__title information"&gt;&lt;span class="item-indirectrole"&gt;(1899-1993)&amp;nbsp; fut chanteur soliste &amp;agrave; &lt;/span&gt;&lt;/span&gt;la chorale Les enfants de Limoges et participa en 1933 &amp;agrave; la fondation du groupe foklorique &lt;em&gt;L&amp;rsquo;&amp;Eacute;glantino do Limouzi&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="itemlist-details__title information"&gt;&lt;span class="item-indirectrole"&gt;En 1938, l&lt;/span&gt;&lt;/span&gt;&amp;rsquo;&amp;eacute;diteur de musique et disquaire Limougeaud Lagueny, boulevard Carnot, le pr&amp;eacute;senta &amp;agrave; la soci&amp;eacute;t&amp;eacute; Columbia, pour laquelle il fit trois 78 tours reprenant des chansons limousines de tradition et des compositions plus r&amp;eacute;centes. &lt;br /&gt;&lt;br /&gt;Sur cette cassette, ces 78 tours enregistr&amp;eacute;s en 1938 : &lt;em&gt;Lo chabreta&amp;iuml;re&lt;/em&gt;, &lt;em&gt;Un jorn dins l'estolha&lt;/em&gt;,&lt;em&gt; La gerba bauda&lt;/em&gt; (paroles Jean Rebier, musique Andr&amp;eacute; Le Gentile, &lt;em&gt;La Brian&amp;ccedil;a&lt;/em&gt; (paroles de Joseph Mazabraud, musique de Fran&amp;ccedil;ois Sarre), &lt;em&gt;Lo turlututu&lt;/em&gt;, et &lt;em&gt;Lo cuer de ma mia &lt;/em&gt;de Simon Poylev&amp;eacute; (1620-1697). &lt;br /&gt;Ensuite des airs de la chorale de &lt;em&gt;L' &amp;Eacute;glantino do Lemouzi&lt;/em&gt; Bonjour Bergerette, La Chanson des bouchers de Limoges, La bourr&amp;eacute;e de Brigueil. Puis une biographie d'Octave Bariant, (sans doute une &amp;eacute;mission de radio dans lequel il interpr&amp;egrave;te des extraits du dernier acte de Mignon, de Les mousquetaires au couvent et de la s&amp;eacute;r&amp;eacute;nade de Gounod, accompagn&amp;eacute; au piano par Mme Marquet.&lt;br /&gt;Dans la derni&amp;egrave;re partie de ce document on le retrouve, &amp;acirc;g&amp;eacute; de 82 ans, accompagn&amp;eacute; &amp;agrave; l'accord&amp;eacute;on par Jacques Dunoyer dans un r&amp;eacute;pertoire Limousin : &lt;em&gt;La Brian&amp;ccedil;a&lt;/em&gt;, &lt;em&gt;La Maiada&lt;/em&gt;. &lt;br /&gt;La cassette se termine par trois airs de danse du r&amp;eacute;pertoire de &lt;em&gt;L'&amp;Eacute;glantino do Lemouzi&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Images d'illustration &lt;a href="http://mustradilim.free.fr/doc/tubes/index.html" target="_blank" rel="noreferrer noopener"&gt;Mustradilim&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Merci &amp;agrave; Fran&amp;ccedil;oise &amp;Eacute;tay pour ses pr&amp;eacute;cisions sur le contenu de ce document !&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NB. La graphie utilis&amp;eacute;e pour les titres des s&amp;eacute;quences est la graphie de l'&amp;eacute;poque.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:02:41.000
Lou chobretaire&#13;

00:02:41.000 --&gt; 00:05:18.000
Un jour di l'eitoulia&#13;

00:05:18.000 --&gt; 00:08:15.000
Lo Gerbo-Baudo&#13;

00:08:15.000 --&gt; 00:11:18.000
Lo Brianço&#13;

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Lou turlututu&#13;

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Lou coeur de mo mio&#13;

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lou moussur et lo Bargeiro&#13;

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Lo chansou do bouchers&#13;

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Bourrée de Brigueil&#13;

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Octave Bariant&#13;

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Mignon&#13;

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Les mousquetaires au couvent&#13;

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Sérénade de Gounod&#13;

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Au piano...&#13;

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Lo Brianço&#13;

00:39:05.000 --&gt; 00:41:42.000
Lo Maïado&#13;

00:41:42.000 --&gt; 00:42:09.000
Il faut le faire !&#13;

00:42:09.000 --&gt; 00:43:29.000
Borreia croisada&#13;

00:43:29.000 --&gt; 00:44:01.000
Ma Liseta&#13;

00:44:01.000 --&gt; 00:44:09.000
C'est-y ce côté qui tourne ?&#13;

00:44:09.000 --&gt; 00:45:00.000
Marches Limousines&#13;

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                <text>&lt;p&gt;&lt;span style="font-size:12pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, une compilation de plusieurs enregistrements effectués auprès de deux informateurs : Les frères Mondoly (Pierre, né en 1904 et René, né en 1912) &lt;br /&gt;Françoise les décrit ainsi :&lt;br /&gt;&lt;em&gt;&lt;span class="fr"&gt;"Deux chanteurs hors du commun, par l’ampleur et la qualité du répertoire qu’ils nous ont transmis. &lt;/span&gt;&lt;span class="fr"&gt;L’aîné des deux frères avait une mémoire remarquable et le plus jeune un sens musical extraordinaire."&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le premier enregistrement (jusqu'à 28 mn, 04 sec) date de 1982, nous ne savons qui l'a réalisé. On y entend quelques informatrices non identifiées, puis Pierre Mondoly et enfin François Fourniaud et "Jojo" Pichaud&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le second (de 28,05 mn à 54, 25 mn) date du 13 juin 1987, il a été fait à Eymoutiers par Annie Gaulard, accompagnée par Olivier Durif et Sylvie Heintz.&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le dernier (de 54 mn, 25 sec à la fin) date du 23 janvier 1988, il a été fait à Lacelle (19) au domicile de Pierre Mondoly par Françoise Étay et Paul Gerbaud.&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;br /&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise Étay, ce document est aussi consultable au Conservatoire à rayonnement régional à Limoges &lt;span class="st"&gt; .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="st"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;Françoise Étay&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la boîte métallique contenant cette bande il est noté :&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#808080;"&gt;&lt;span style="font-size:14pt;"&gt;- 56342- Chez Nous - 27/2/60 - A conserver&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;color:#808080;"&gt;&lt;span style="color:#000000;"&gt;Sur la face a de cette bande, une nouvelle émission de "Chez-nous" présentée par Robert Dagnas, telle qu'elle a pu être diffusée le 27 février 1960 sur les ondes de Radio Limoges .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size:14pt;color:#808080;"&gt;&lt;span style="color:#000000;"&gt;Dans cet enregistrement, une succession de morceaux du folklore Limousin (Mazurka,Bourrée, Valse...) et des chants dont quelques-uns nous paraissent être inédits :&lt;br /&gt;- "Je viens te dire adieu charmante Rosalie"&lt;br /&gt;- "&lt;span class="oc"&gt;Mon merle"&lt;/span&gt; et "Les scieurs de long" par Pierre Biossac&lt;br /&gt;- "&lt;span class="oc"&gt;Alai alai dins 'queu vilatge" (Lu Cosin)&lt;/span&gt; par Émile Pressigout&lt;br /&gt;- "Voilà six mois quand c'était le printemps" par Madeleine Richard&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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                <text>Sur la face "A" de cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio-Limoges. &lt;br /&gt;&lt;br /&gt;Cette cassette contient les enregistrements du 5 au 27 juin 1986. &lt;br /&gt;&lt;br /&gt;Ponctués par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans : &lt;br /&gt;- Marcelle Delpastre : &lt;em&gt;La maison&lt;/em&gt; &lt;br /&gt;- Trois poèmes de Claude Roulet : &lt;em&gt;Flor bleuia, Flor d'einnueg&lt;/em&gt; et &lt;em&gt;Flor dançairitz.&lt;/em&gt; &lt;br /&gt;- Michel Chadeuil :&lt;em&gt; 'na esfesta birsarda&lt;/em&gt; &lt;br /&gt;- Dominique Descomps : &lt;em&gt;La clau es sos la peira, Los chastenhs tornaràn flurir&lt;br /&gt;&lt;br /&gt;&lt;/em&gt; Et de nombreux témoignages de Flavie Bernier, Andrée Bourbouloux, Camille Sautarel, Aline Chassagne, Serge Marot, etc.</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bo&amp;icirc;te m&amp;eacute;tallique contenant cette bande il est not&amp;eacute; :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808080; font-size: 14pt;"&gt;- 5952- bande 1/2 - Messe de minuit St Junien - repiquage en 19 cms le 11 ao&amp;ucirc;t 62&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Dans cet enregistrement, une succession de chants de No&amp;euml;l, en fran&amp;ccedil;ais et en occitan limousin :&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Les anges dans nos campagnes, Un berger dans sa campagne, &lt;a href="https://www.mamalisa.com/?t=fs&amp;amp;p=513" target="_blank" rel="noreferrer noopener"&gt;Nadal Tindaire&lt;/a&gt;, Entre le b&amp;oelig;uf et l'&amp;acirc;ne gris, Qui frappe ici ?, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=1&amp;amp;xywh=-664%2C-1%2C3588%2C2537" target="_blank" rel="noopener noreferrer"&gt;D'o&amp;ugrave; viens-tu berg&amp;egrave;re,&lt;/a&gt; Passoleta, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-517%2C-1%2C3359%2C2375" target="_blank" rel="noopener noreferrer"&gt;Anetz bonas gents&lt;/a&gt;, N&amp;ograve;stra Dama, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=2&amp;amp;xywh=-991%2C-1%2C3978%2C2813" target="_blank" rel="noopener noreferrer"&gt;Pastors escotatz tots&lt;/a&gt;, etc.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;En fin de bande, un magnifique sermon &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;en langue limousine&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt; de Mgr Durepaire*. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&lt;span class="fr"&gt;&lt;em&gt;* Nous ne savons pas grand-chose du chanoine Durepaire, si ce n'est qu'il fut sup&amp;eacute;rieur de l'&amp;Eacute;cole Ozanam &amp;agrave; Limoges, et qu'il publia en 1936 "Hom&amp;eacute;rus, l'Odyss&amp;eacute;e d'Ulysse racont&amp;eacute;e aux enfants".&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur la bo&amp;icirc;te m&amp;eacute;tallique contenant cette bande il est not&amp;eacute; :&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #808080;"&gt;&lt;span style="font-size: 14pt;"&gt;- 5952- bande 1/2 - Messe de minuit St Junien - repiquage en 19 cms le 11 ao&amp;ucirc;t 62&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Dans cet enregistrement, une succession de chants de No&amp;euml;l, en fran&amp;ccedil;ais et en occitan limousin :&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Les anges dans nos campagnes, Un berger dans sa campagne, &lt;a href="https://www.mamalisa.com/?t=fs&amp;amp;p=513" target="_blank" rel="noreferrer noopener"&gt;Nadal Tindaire&lt;/a&gt;, Entre le b&amp;oelig;uf et l'&amp;acirc;ne gris, Qui frappe ici ?, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=1&amp;amp;xywh=-664%2C-1%2C3588%2C2537" target="_blank" rel="noopener noreferrer"&gt;D'o&amp;ugrave; viens-tu berg&amp;egrave;re,&lt;/a&gt; Passoleta, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-517%2C-1%2C3359%2C2375" target="_blank" rel="noopener noreferrer"&gt;Anetz bonas gents&lt;/a&gt;, N&amp;ograve;stra Dama, &lt;a href="https://la-biaca.org/items/show/13223#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=2&amp;amp;xywh=-991%2C-1%2C3978%2C2813" target="_blank" rel="noopener noreferrer"&gt;Pastors escotatz tots&lt;/a&gt;, etc.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;En fin de bande, un magnifique sermon &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;en langue limousine&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt; de Mgr Durepaire*. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;em&gt;* Nous ne savons pas grand-chose du chanoine Durepaire, si ce n'est qu'il fut sup&amp;eacute;rieur de l'&amp;Eacute;cole Ozanam &amp;agrave; Limoges, et qu'il publia en 1936 "Hom&amp;eacute;rus, l'Odyss&amp;eacute;e d'Ulysse racont&amp;eacute;e aux enfants".&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Ce document nous a été confié par Monique Lemarchand qui nous indique "&lt;em&gt;il s'agit d'un enregistrement de son arrière grand mère Marguerite Rouchaud, dite "La Margaritou". &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;em&gt;&lt;span class="fr"&gt;Née en 1870, Mme Rouchaud habitait dans une petite maison près du château du Grand Bosviger (son mari y avait été jardinier) dans la commune de Saint-Paul.&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;em&gt;Cet enregistrement sur bande avait été fait par M. René Chabrely au début des années 1950, lors d'une soirée familiale."&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&amp;Eacute;mission radiophonique en occitan limousin.</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, une s&amp;eacute;rie d'enregistrements destin&amp;eacute;s &amp;agrave; des &amp;eacute;missions de radio diffus&amp;eacute;es quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;La face A de cette cassette contient la premi&amp;egrave;re partie des enregistrements du 16 avril au 4 juin 1986.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;Ponctu&amp;eacute;s par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans :&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;- De &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9on_Peyrat" target="_blank" rel="noopener"&gt;L&amp;eacute;on Peyrat&lt;/a&gt; : &lt;em&gt;Ma vita&lt;br /&gt;&lt;/em&gt;- Par l'Abb&amp;eacute; Bessous, un sermon : &lt;em&gt;Lo viatge de la vida&lt;/em&gt; et sa version limousine&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;- Deux po&amp;egrave;mes de Roger T&amp;eacute;n&amp;egrave;ze : &lt;/span&gt;&lt;span style="color: #000000;"&gt;&lt;span style="color: #000000;"&gt;&lt;em&gt;Mas perque&lt;/em&gt; et &lt;em&gt;Frucha madura&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;- Une fable de Jean Foucaud : &lt;em&gt;Lo lop e l'anheu&lt;/em&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;Et de nombreux t&amp;eacute;moignages :&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;- Au sujet du n&amp;deg; 58 de la Clau Lemosina (Jan dau Melhau) &lt;br /&gt;- Lo patoes : Yves Redon&lt;br /&gt;- Quand chaufavam lo forn : Camille Sautarel &lt;br /&gt;- 'Nar chantar en Italia (Jan dau Melhau) &lt;br /&gt;- N&amp;ograve;stra linga : Jan Alari &lt;br /&gt;- La prumiera bicicleta : Pierre Lalet &lt;br /&gt;- La ruscha o lo bornat&lt;br /&gt;- Jan la b&amp;egrave;stia : Andr&amp;eacute;e Bourbouloux&lt;br /&gt;- Tornar parlar patoes : Jacqueline Bouin &lt;br style="color: #000000;" /&gt;- Una j&amp;ograve;unessa trabalhairitz : Marie Laporte &lt;br /&gt;- Lo cantaridier / lo fraisse&lt;br /&gt;- La musica gascona : Dani Dauba l&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;- Los paisans&lt;/span&gt;&lt;span style="color: #000000;"&gt;... par un paysan.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio, que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La face "B" de cette cassette contient la seconde partie des enregistrements du 28 février au 15 avril 1986 .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;Ponctués par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans :&lt;br /&gt;- Le loup et le renard par Andrée Bourbouloux&lt;br /&gt;- Des poèmes de Dominique Decomps&lt;br /&gt;- La sopa d'espinlas de Marie Rouanet&lt;br /&gt;- &lt;a href="http://www.chanson-limousine.net/nhorlas/nhorlas%20paroles/jeanfoucaud/08%20loveillachabraelajunja.pdf" target="_blank" rel="noreferrer noopener"&gt;L'ovelha la chabra e la junja&lt;/a&gt;, une fable de Jean-Baptiste Foucaud &lt;br /&gt;- L'asne de sent Piere, las blanchidas par Pierre Lalet&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;et une suite de témoignages : &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;- Los monsurs de'n quauqu'uns temps (Amédée Gauthier)&lt;br /&gt;- Conversacion sur la lenga&lt;br /&gt;- L'istòria de Jaumilhon&lt;br /&gt;- Los cors d'occitan de l'Enric Capredon&lt;br /&gt;- La fin de la guerra de 14 (Flavie Bernier)&lt;br /&gt;- La plancha&lt;br /&gt;- Legir&lt;br /&gt;- Los ramonaires e los sochiers (J.C. Fontmartin)&lt;br /&gt;- Las ruas d'a Limòtges&lt;br /&gt;- Nòstra lenga (Serge Simonet)&lt;br /&gt;- Declaracion dau collectiu occitan (16 mars 1986) &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Avec, comme invit&amp;eacute;s, les groupes : Lou Riban de Prouv&amp;egrave;n&amp;ccedil;o (d'Avignon), les Tambourinaires de Saint-Chinian et l'Acad&amp;eacute;mie Proven&amp;ccedil;ale (de Cannes).&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, deux émissions de radio diffusées sur Radio Centre Ouest, devenue peu après Radio-France Limoges. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La première émission (&lt;span class="oc"&gt;La questa daus uòus&lt;/span&gt; jusqu'à 29mn 26 s), diffusée le 31 mars 1983, est consacrée à la quête des œufs (&lt;em&gt;Rameaux, la quête des œufs, les chants de quête, Los uòus&lt;/em&gt; - un texte de Jean Yves Rouchette paru dans la revue &lt;em&gt;"Lo Leberaubre"&lt;/em&gt;, etc.)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- La seconde émission (&lt;span class="oc"&gt;Los mainatges dins los dires&lt;/span&gt; de 29mn 26 s à la fin), diffusée le 7 avril 1983, nous parle des expressions relatives aux enfants. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; Personnage incontournable de la culture limousine, Jan dau Melhau est écrivain, éditeur (Lo chamin de Sent Jaume), collecteur, musicien, chanteur, conteur, diseur etc... &lt;span class="fr" style="font-size:10pt;"&gt;&lt;a href="http://ieo-lemosin.org/intervenant/jan-dau-melhau" target="_blank" rel="noreferrer noopener"&gt;Plus d'informations sur Jan dau Melhau.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans ce document se trouveune succession de bandes enregistr&amp;eacute;es en d&amp;eacute;cembre 1967 &amp;agrave; l'&amp;eacute;glise de Chaillac-sur-Vienne (87) par Robert Dagnas.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit, dans l'ordre, des bandes 5381 (Chaillac 1), 5359 (Chaillac 2/6), 5378 (Chaillac 3/6) et de la bande 5372, (Chaillac 6/6). Les 4&amp;egrave;me et 5&amp;egrave;me bandes ne nous sont pas parvenues.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cette messe de minuit (la r&amp;eacute;p&amp;eacute;tition de celle ci ?) a probablement &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e le 23 d&amp;eacute;cembre 1967&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous retrouvons la chorale du groupe folklorique "Lous Velhadours de Sen Junio "* dans un des exercices dans lesquels elle excellait, les "messes des bergers Limousins".&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Pri&amp;egrave;res, des cantiques, etc. admirablement servis par les membres de cette chorale.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le texte et la partition de quelques-uns de ces Nadalets sont disponibles&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une partie de ces enregistrements fut utilis&amp;eacute;e par M Dagnas pour des &amp;eacute;missions de radio :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Messe de minuit &amp;agrave; Chaillac premi&amp;egrave;re partie&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;- Messe de minuit &amp;agrave; Chaillac seconde partie&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;* graphie alors utilis&amp;eacute;e par le groupe&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Dans cet enregistrement qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne, &lt;a href="http://ieo-lemosin.org/intervenant/francoise-etay?lang=fr" target="_blank" rel="noreferrer noopener"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/a&gt; est chez &lt;strong&gt;Louis JARRAUD&lt;/strong&gt; (1910-2006), au Barnagaud, Commune de La Croisille-sur-Briance.&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;est aupr&amp;egrave;s de ce musicien (violon, cabrette) qu'elle a plusieurs fois collect&amp;eacute; et dont elle conna&amp;icirc;t bien le r&amp;eacute;pertoire . Elle lui propose de recueillir les paroles d'airs &amp;agrave; danser. Plus &amp;agrave; l'aise pour les interpr&amp;eacute;ter sur ses instruments, il accepte toutefois de se pr&amp;ecirc;ter au jeu .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;De nombreux airs (bourr&amp;eacute;es, mazurkas, scottishs, valses, polkas, marches, etc.) sont chant&amp;eacute;s, et souvent jou&amp;eacute;s &amp;agrave; la cabrette ou au violon . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;La photo illustrant ce document est extraite de la vid&amp;eacute;o que Fran&amp;ccedil;oise fit ce m&amp;ecirc;me jour, et que l'on peut retrouver sur Youtube. &lt;a href="https://www.youtube.com/watch?v=K5xU4bdH2Jw" target="_blank" rel="noreferrer noopener"&gt;&amp;rarr; cliquer ici&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette bande n° 766 il est noté "Départ du groupe de Munich 1962".&lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Nous y entendons un enregistrement réalisé le jour du départ d'un groupe folklorique venu de Munich (en 1958, à leur invitation, le groupe des Veilladours était allé à Munich et avait visité Dachau)&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Les participants évoquent leur visite à Oradour sur Glane avec Mgr Rastouil Évêque de Limoges en compagnie &lt;/span&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur la fin de la bande, sans doute réutilisée, du travail destiné à la chorale (quelques voix d'un chant - Nos som venguts ? sans doute par le chef de chœur de l'époque).&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur l'autre face de la bande (à partir de 16 mn 04), quelques chants enregistrés lors d'un repas avec ce même groupe, avant leur départ.&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:medium;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="oc"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur le boitier contenant cette bande une &amp;eacute;tiquette portant le n&amp;deg; 511, &amp;agrave; l'int&amp;eacute;rieur, un petit papier sur lequel il est inscrit "&lt;span style="color: #808080;"&gt;F&amp;eacute;licie et ? Augignac&lt;/span&gt;". &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit sans doute d'un montage &amp;agrave; partir d' un enregistrement r&amp;eacute;alis&amp;eacute; le 19 septembre 1966 au domicile de F&amp;eacute;licie Brouillet, &amp;agrave; Augignac (24). La plupart de ces histoires ont &amp;eacute;t&amp;eacute; diffus&amp;eacute;es dans une &amp;eacute;mission de radio en 1966, d&amp;eacute;j&amp;agrave; sur le site .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous entendons d'abord Mme Brouillet nous conter &lt;em&gt;"Las vacancas"&lt;/em&gt; puis un de ses voisins nous raconte quelques histoires : &lt;/span&gt;&lt;em&gt;&lt;span class="oc"&gt;&lt;span style="font-size: 14pt;"&gt;Galopar los escur&amp;ograve;us, Lo singlier d'Auginhac, La lebre, La graula 'privada ...&lt;/span&gt; &lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une informatrice non identifi&amp;eacute;e (elle nous dit qu'elle aura 89 ans en ao&amp;ucirc;t 1964, dans &lt;a href="https://la-biaca.org/items/show/784" target="_blank" rel="noopener noreferrer"&gt;un autre enregistrement,&lt;/a&gt; M Dagnas la pr&amp;eacute;sentait comme &amp;eacute;tant d' Augignac et pr&amp;eacute;cisait qu'elle s'appelait Marguerite), interrog&amp;eacute;e par F&amp;eacute;licie Brouillet (d'Augignac elle aussi) et Robert Dagnas, elle nous donne &amp;agrave; entendre quelques belles chansons "Pirolin", "La Jeanneton", "Oh que les femmes sont belles", quelques airs de danse, elle parle aussi des danses, des bals, de l'&amp;eacute;cole, du loup, de la premi&amp;egrave;re auto ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;L'enregistrement se termine par un morceau d'une pi&amp;egrave;ce de th&amp;eacute;&amp;acirc;tre, la bande ayant &amp;eacute;t&amp;eacute; r&amp;eacute;utilis&amp;eacute;e par l'enqu&amp;ecirc;teur.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Monique Sarazy. Il lui avait &amp;eacute;t&amp;eacute; pr&amp;ecirc;t&amp;eacute; par Daniel, le fils d'Andr&amp;eacute; Dexet, dans le cadre de la recherche de Monique pour le travail universitaire qu'elle a effectu&amp;eacute; sur l'&amp;oelig;uvre de Panaz&amp;ocirc;.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;strong&gt;Andr&amp;eacute; Dexet&lt;/strong&gt; (&lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;1921-1997)&lt;/span&gt; est plus connu sous le pseudonyme de Panaz&amp;ocirc;. Apr&amp;egrave;s avoir exerc&amp;eacute; plusieurs m&amp;eacute;tiers, M. Dexet sera conteur, journaliste, &amp;eacute;crivain, auteur dramatique et producteur &amp;agrave; la radio et &amp;agrave; la t&amp;eacute;l&amp;eacute;vison.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;A d&amp;eacute;but de cette bande, M. Dagnas est &amp;agrave; Chaillac-sur-Vienne (87) chez Ang&amp;egrave;le Chabeaudie, puis il se d&amp;eacute;place &amp;agrave; Saint-Mathieu, toujours en Haute-Vienne, &amp;agrave; l'occasion de la pr&amp;eacute;paration de la F&amp;eacute;libr&amp;eacute;e du 28 juin 1964.&lt;br /&gt;Mme Chabeaudie chante &lt;em&gt;Bien le bonjour&lt;/em&gt; et &lt;em&gt;La Valse des roses&lt;/em&gt; ; F&amp;eacute;licie Brouillet conte &lt;span class="oc"&gt;&lt;strong&gt;&lt;em&gt;Los reis de Fran&amp;ccedil;a&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt; et &lt;em&gt;&lt;strong&gt;&lt;span class="oc"&gt;Aver un dr&amp;ograve;lle&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;. &lt;br /&gt;Ensuite M. Marsaud, le maire, puis M. le cur&amp;eacute; nous parlent de Saint-Mathieu.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur cette bande num&amp;eacute;ro 697, on trouve peu d'indications. Il est seulement not&amp;eacute; sur l'enveloppe : &amp;laquo; Essais chorale LV &amp;raquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit d'un enregistrement, probablement r&amp;eacute;alis&amp;eacute; par Robert Dagnas aupr&amp;egrave;s du chef de ch&amp;oelig;ur de la chorale du groupe folklorique &amp;laquo; Les Veilladours de Saint Junien &amp;raquo;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Le chanteur nous propose les diff&amp;eacute;rentes voix sur plusieurs chansons inscrites au r&amp;eacute;pertoire de cette chorale : &lt;em&gt;&amp;Agrave; vous troupes fid&amp;egrave;les&lt;/em&gt;, &lt;em&gt;No&amp;euml;l "de Jean Teilliet" &lt;/em&gt;(?), &lt;span class="oc"&gt;&lt;strong&gt;&lt;em&gt;Revelhatz qu'es aqu&amp;ograve; que se passa ?&lt;/em&gt;&lt;/strong&gt;, &lt;strong&gt;&lt;em&gt;Nadau Nadau&lt;/em&gt;&lt;/strong&gt;,&lt;/span&gt; &lt;em&gt;L&amp;agrave;-haut chantons quand le ciel est beau&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la suite de cet enregistrement, r&amp;eacute;alis&amp;eacute; &lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;sans doute&lt;/span&gt; sur une bande r&amp;eacute;utilis&amp;eacute;e, on trouve un passage du &amp;laquo; Jeu des mille francs &amp;raquo;, puis l'enregistrement d'une partie de la finale du Festival International de chant choral &amp;agrave; Lille.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Nous n&amp;eacute;gligerons la "face a" de cette bande contenant un enregistrement identique &amp;agrave; celui cot&amp;eacute;: RD4215 d&amp;eacute;j&amp;agrave; en ligne.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;Sur la seconde face toujours une &amp;eacute;mission de radio (ou sa pr&amp;eacute;paration !) autour de la messe de minuit donn&amp;eacute;e en 1958 &amp;agrave; Champsac (Haute Vienne) . Le m&amp;ecirc;me d&amp;eacute;but mais, (&amp;agrave; partir de 8mn 18 secondes) une nouvel enregistrement dans lequel nous entendons Eug&amp;egrave;ne Tarrade au violon (Revelhatz vos pastorpuis Ang&amp;egrave;le Chabeaudie et Louise Gady ainsi que les groupes folkloriques "l'&amp;Eacute;cole Ventadour de Tulle" et "&lt;span style="font-size: 14pt;"&gt;Lous Velhadours de Sen-Junio&lt;/span&gt;"&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;A la fin de la bande, (&amp;agrave; partir de 18mn 22 sec.) "&amp;Agrave; l'heure de la province" une &amp;eacute;mission &lt;span class="st"&gt;de M. Alex Surchamp consacr&amp;eacute;e &amp;agrave; l'hiver (Mme la neige), et en particulier &amp;agrave; l'hiver en Limousin avec Serge Solon (Veiqui la nuech, la veill&amp;eacute;e, les No&amp;euml;ls populaires,le loup garou, un extrait des "Quatras sasons" de J. Rebier, quelques bourr&amp;eacute;es ...) &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Cet enregistrement est interrompu (27mn 45sec) et nous retrouvons la chorale des Veilladours en r&amp;eacute;p&amp;eacute;tition, dirig&amp;eacute;e sans doute par Pierre Leplant&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Sur cette bobine n&amp;deg; 613 il est not&amp;eacute;&lt;span style="color: #808080;"&gt; "Chez nous (7/61) a.Pr&amp;eacute;sentation des disques b. essais chants Disque Barbichet (niorle Frange Guimbarde, Panliran, Disque B.L."&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Une nouvelle &amp;eacute;mission de "Chez-nous" pr&amp;eacute;sent&amp;eacute;e par M Dagnas, telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Robert Dagnas pr&amp;eacute;sente des extraits de deux disques :&lt;br /&gt;- Celui de l'&amp;eacute;cole du barbichet, paru en 1961 . Chants et danses des provinces et pays de france, Souvenir du limousin. Ducretet Thomson 250V136 (La Marianna e los vesins,Lo veve,la guimbarde,Lo panliran, Marche nuptiale) &lt;br /&gt;- Celui des "Velhadours de Sen Junio " : Chants et danses des provinces et pays de france N&amp;deg;10 Ducretet Thomson 250V133 (Lo cuer de ma mia, La meschanta maire, La terra es freja ..)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;A la suite de cette &amp;eacute;mission, des essais de chants (la fille d'un boulanger, les hommes sont trompeurs...)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Autour d'un bon repas au Relais du Puy de Bar, chacun avait pouss&amp;eacute; la chansonnette :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt; Escotatz-me&lt;/span&gt; &lt;em&gt;Robert Tabaraud&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo boier.&lt;/span&gt; &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;Qui veut entendre une chanson ) &lt;em&gt;Fran&amp;ccedil;ois Faucher.&lt;/em&gt; Chanson de son voisin M. Minet qui habitait au Moulin Noir.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;N&amp;rsquo;ai mas cinc s&amp;ograve;us.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo cuer de ma mia.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Marche de Rata. &lt;em&gt;Jean-Claude Jarry.&lt;/em&gt; Les paroles sont de lui, sur l&amp;rsquo;air d&amp;rsquo;une marche de noces jou&amp;eacute;e au violon par &lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;ois Malthieu&lt;/a&gt; (Tarnac)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Bonjour bergerette, adissiatz monsur. &lt;em&gt;Robert et Fran&amp;ccedil;oise Tabaraud&lt;br /&gt;- &lt;/em&gt;Les ma&amp;ccedil;ons de la Creuse. &lt;em&gt;Serge Marot. &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Jean Petit dit Jean dau Boueix&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Les ch&amp;acirc;taignes du Limousin. &lt;em&gt;Hugues Lauliac &lt;/em&gt;Chanson anonyme imprim&amp;eacute;e &amp;agrave; la fin du XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Vaqui lo polit mes de mai.&lt;/span&gt; &lt;em&gt;Micha&amp;euml;l Bourry&lt;br /&gt;- &lt;/em&gt;Pour aller voir Virginie. &lt;em&gt;C&amp;eacute;cile Delrue-Birot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Quand i era j&amp;ograve;una dr&amp;ograve;lla.&lt;/span&gt; &lt;em&gt;Anne-Marie Boulesteix &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s la version de sa m&amp;egrave;re (Rochechouart)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Briance. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Chanson de Joseph Mazabraud et Fran&amp;ccedil;ois Sarre&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Roselle. &lt;em&gt;Jean-Paul Martin &lt;/em&gt;Chanson de Camille Peyrat (Saint-Hilaire-Bonneval) sur l&amp;rsquo;air de la Valse Brune&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La Rosela&lt;/span&gt; (D&amp;eacute;but d&amp;rsquo;apr&amp;egrave;s &amp;ldquo;Rigadin&amp;rdquo;). &lt;em&gt;Fran&amp;ccedil;ois Faucher relay&amp;eacute; par David Lajudie &lt;/em&gt;Chanson de Jean Demaison (Saint-Bonnet-Briance) dit &amp;laquo; Le P&amp;egrave;re Huguet &amp;raquo; sur l&amp;rsquo;air (transform&amp;eacute;) de la valse &amp;laquo; Les Roses &amp;raquo; d&amp;rsquo;Olivier Metra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo chabretaire.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Chanson de Fran&amp;ccedil;ois Richard&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las quatre sasons.&lt;/span&gt; &lt;em&gt;Eric Roulet &lt;/em&gt;Chanson de Jean Rebier et Andr&amp;eacute; Le Gentile&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;span class="oc"&gt;De Sent-Priest qu&amp;ograve; n&amp;rsquo;es las filhas.&lt;/span&gt; &lt;em&gt;Fran&amp;ccedil;oise Etay, &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Fran&amp;ccedil;ois Pradeau (Vicq-sur-Breuilh) &lt;br /&gt;- Me promenant tout le long d&amp;rsquo;un rivage (la meuni&amp;egrave;re au moulin blanc) &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Henri Rouland (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Per 'nar veire las filhas.&lt;/span&gt; &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Mme Deconchat (Saint-Jean-Ligoure)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt;Passoleta.&lt;/span&gt; &lt;em&gt;Magali Urroz, &lt;/em&gt;Chanson des ostensions de Saint-Junien, dite aussi &amp;ldquo;Chant des Poitevins&amp;rdquo;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo curet d&amp;rsquo;a Benayas.&lt;/span&gt; &lt;em&gt;Eric Roulet&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo darrier jorn de l&amp;rsquo;an.&lt;/span&gt; &lt;em&gt;Benjamin Tard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s l&amp;rsquo;enregistrement de Jan dau Melhau .&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Encha&amp;icirc;nement de bourr&amp;eacute;es. &lt;em&gt;Benjamin Tard &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Alau dins queu pais bas.&lt;/span&gt; &lt;em&gt;Antoine Marot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Turlututu. &lt;em&gt;Lucienne Boudet. &lt;/em&gt;Paroles de Martial du Treuil sur un air bien connu&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Tout en montant la place d&amp;rsquo;armes. &lt;em&gt;Annie Gaulard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s L&amp;eacute;on Peyrat (Saint-Salvadour)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-En revenant de la foire de Bordeaux. (Je suis mar&amp;eacute;chal Mesdames compagnon forgeron) &lt;em&gt;Fran&amp;ccedil;ois Fauche&lt;strong&gt;r&lt;br /&gt;- &lt;/strong&gt;&lt;/em&gt;No&amp;euml;l. &lt;span class="oc"&gt;L&amp;rsquo;autre jorn el Pueg d&amp;rsquo;Eschalas.&lt;/span&gt; &lt;em&gt;Florence Fontanille, &lt;/em&gt;Source : Recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Rose dit &amp;agrave; sa m&amp;egrave;re. &lt;em&gt;Pascale Nguyen &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- En revenant d&amp;rsquo;la noce. &lt;em&gt;Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La romance du muguet. &lt;em&gt;Jeanne Seywer&lt;br /&gt;- '&lt;/em&gt;&lt;span class="oc"&gt;Ribats 'ribats.&lt;/span&gt; &lt;em&gt;Magali Urroz (et collectif) &lt;/em&gt;Source : 4 chansons publi&amp;eacute;es &amp;agrave; Limoges en 1862 puis 1890 (Pierre Laforest et Paul Charreire)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La sensilha e lo pinson.&lt;/span&gt; &lt;em&gt;Serge Marot&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Las femnas dau borg d&amp;rsquo;a Glanjas.&lt;/span&gt; &lt;em&gt;Collectif puis Serge Marot &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Georges Montazaud (Saint-Germain-les-Belles &amp;ndash; Fin XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Air &amp;laquo; Tout le long&amp;hellip; sur le bord &amp;raquo; (Darny et Guindani. 1917)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon (version de Rochechouart). &lt;em&gt;Anne-Marie Boulesteix&lt;br /&gt;- &lt;/em&gt;Bourr&amp;eacute;es (&lt;span class="oc"&gt;Dans Paris n&amp;rsquo;i a una chambra &amp;hellip; Lo pitit &amp;ograve;me&lt;/span&gt;) &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;&amp;Agrave; Chamberet petit faubourg. &lt;em&gt;Jean-Paul Mondoly et Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Petit mot du Maire. &lt;em&gt;Jean-Luc Lachaud&lt;/em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- Le matin quand je me l&amp;egrave;ve (&amp;agrave; mon travail-le je m&amp;rsquo;en vas). &lt;em&gt;Fran&amp;ccedil;ois Faucher&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;/em&gt;Tout en passant devant le grand moulin. &lt;em&gt;Fran&amp;ccedil;ois Faucher &lt;/em&gt;Version de Coussac-Bonneval et version &amp;ldquo;habituelle"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las filhas de Marzac.&lt;/span&gt; &lt;em&gt;Gilles de Becdeli&amp;egrave;vre &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Casse et Chaminade (1902)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Filhas nos ne&amp;rsquo;n fau &amp;rsquo;nar.&lt;/span&gt; &lt;em&gt;Eric Roulet &amp;hellip; Fran&amp;ccedil;ois Faucher&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Devinatz &amp;ccedil;&amp;ograve; que ieu minge.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Source : Pierre Biossac (Javerdat)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Cu trabalha la terra.&lt;/span&gt; &lt;em&gt;Serge Marot &lt;/em&gt;Source : recueil de Fran&amp;ccedil;ois C&amp;eacute;lor (1904)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Le renseignement et le s&amp;eacute;quencement de ce document ont &amp;eacute;t&amp;eacute; effectu&amp;eacute; par Fran&amp;ccedil;oise&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur cette bobine n&amp;deg; 725 il est not&amp;eacute; &lt;span style="color: #888888;"&gt;"20 Septembre, autres folklores Emission Chez nous (9/65) ..."&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Il s'agit d'une nouvelle &amp;eacute;mission de "Chez-nous" pr&amp;eacute;sent&amp;eacute;e par M Dagnas, telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Au pr&amp;eacute;texte du retour de vacances, Robert Dagnas propose &amp;agrave; ses auditeurs des airs du folklore fran&amp;ccedil;ais et &amp;eacute;tranger :&lt;br /&gt;- La Bretagne (j'aime bien les cotillons rouges)&lt;br /&gt;- l'Est de la France avec deux morceaux &amp;agrave; l'&amp;eacute;pinette &lt;br /&gt;- Espagne, deux chants traditionnels &lt;br /&gt;- Allemagne, deux morceaux &amp;agrave; danser &amp;agrave; l'accord&amp;eacute;on&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Et quelques morceaux du limousin : bourr&amp;eacute;es, Turlututu, Quadrille Limousin (par l'&amp;Eacute;cole du Barbichet) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>lo velò</text>
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              <text>traitar lo catarri</text>
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                <text>Amédée GERVAIS (2)</text>
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                <text>Baptiste Chrétien</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;M. &lt;strong&gt;Am&amp;eacute;d&amp;eacute;e Gervais&lt;/strong&gt; est n&amp;eacute; en 1928 au village de La Valette, commune de Javerdat, o&amp;ugrave; il a toujours v&amp;eacute;cu et o&amp;ugrave; il fut paysan. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement, M. Gervais nous parle du travail &amp;agrave; la ferme : &lt;em&gt;&lt;span class="oc"&gt;Laborar a 14 ans, far lo paisan com'un asne, fauchar, batre lo dalh, 'nar cherchar la chau&amp;ccedil;, las culturas, l' olhas, los tractors, la chabra, los engrais..&lt;/span&gt;.&lt;/em&gt; de son p&amp;egrave;re : &lt;em&gt;&lt;span class="oc"&gt;La guerra de mon pair, lo vel&amp;ograve;, las pincetas, mon defunt pair&lt;/span&gt;&lt;/em&gt; puis il nous raconte &lt;em&gt;&lt;span class="oc"&gt;"la vita de mon temps"&lt;/span&gt;&lt;/em&gt; et quelques histoires : &lt;em&gt;&lt;span class="oc"&gt;lo chavau, traitar lo catarri, las tisanas, las devocions, &lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: medium;"&gt;&lt;em&gt;&lt;span class="oc"&gt;las istoiras de Centurac (Fotin, Bujada, la vila de Lupet, lo rei Gr&amp;ograve;s Nas, la mair trua, l'asne)&lt;/span&gt;,&lt;/em&gt; la bonne du cur&amp;eacute; ... &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: medium;"&gt;Baptiste avait rencontr&amp;eacute; une premi&amp;egrave;re fois M. Gervais au mois d'ao&amp;ucirc;t, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: medium;"&gt;voir ci dessous &lt;/span&gt;&lt;/span&gt;ce premier enregistrement.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p style="margin-bottom:0cm;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Extrait d'un enregistrement réalisé le 2 Octobre 2015 par Baptiste Chrétien auprès de mme &lt;/span&gt;&lt;span class="fr" style="font-size:medium;"&gt;Odette Jeammet &lt;/span&gt;&lt;/p&gt; &lt;p style="margin-bottom:0cm;"&gt;&lt;span class="fr" style="font-size:medium;"&gt;&lt;span class="fr" style="font-size:medium;"&gt;Odette Jeammet&lt;/span&gt; vint au monde en 1923 au Boscartus, village isolé de la commune de Cieux, aux pieds des Monts de Blond, au pays des mégalithes et de leurs légendes.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="margin-bottom:0cm;"&gt;&lt;span style="font-size:medium;"&gt;Fille de paysan, elle épousa Guy Granet durant la Seconde guerre mondiale et ils tinrent durant 40 ans une auberge dans le bourg voisin de Javerdat (héritée des grands-parents de M. Granet).&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="margin-bottom:0cm;"&gt;&lt;span style="font-size:medium;"&gt;Bien qu'âgée de 92 ans, Mme Granet possède une excellente mémoire et nous parle, durant cet entretien effectué à son domicile en présence de sa fille, de son enfance, des processions, des souvenirs de l'auberge et de quelques personnages du bourg, de musiciens qui animaient les bals etc.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="margin-bottom:0cm;"&gt;&lt;span style="font-size:medium;"&gt;L'entretien commença en français, puis se poursuivit majoritairement en occitan limousin, la langue maternelle de Mme Granet, qui passe allègrement d'une langue à l'autre au fil de l'entretien.&lt;/span&gt;&lt;/p&gt;</text>
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Marche  &#13;

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Marche&#13;

00:01:59.000 --&gt; 00:02:32.000
Marche Nuptiale&#13;

00:02:32.000 --&gt; 00:03:07.000
Donne-moi ta fille&#13;

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En passant par le bois&#13;

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Le maniguet&#13;

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Scottish (si tu volias)&#13;

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Manha lo li&#13;

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La Yoyette&#13;

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La fille soldat&#13;

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Marche nuptiale&#13;

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En passant devant ta porte&#13;

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Belle Rose, Le seigneur volage&#13;

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Marche&#13;

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Bourrée&#13;

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Bourrée (chant)&#13;

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Si ma mère voulait (bourrée)&#13;

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Bourrée&#13;

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Mazurka&#13;

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Mon papa ne veut pas (polka)&#13;

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J'ai fait une maitresse&#13;

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M'y promenant le long des verts prés&#13;

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Marche nuptiale&#13;

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Chant et accordéon&#13;

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Donne moi ta fille&#13;

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Valse&#13;

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Ai vist dansar&#13;

00:33:42.000 --&gt; 00:35:14.000
A sujet des noces&#13;

00:35:14.000 --&gt; 00:38:31.000
Marches de noces&#13;

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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande il est not&amp;eacute; " Soir&amp;eacute;e du 13 11 57 (&amp;eacute;mission RTF) Chants danses (2&amp;egrave;me partie)"&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette retrouvée dans nos archives ne porte aucune indication nous ne savons identifier la personne qui raconte ces textes écrits par Jean Rebier .&lt;br /&gt;Il y est noté sur la cassette " La 1ère face est bonne mais la seconde a un mauvais départ il faut continuer à écouter . L'enregistrement est vieux comme la personne qui la raconte "&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Une succession de nhòrles : &lt;span class="oc"&gt;La bona 'nada, Oh Lemosin, Lu chabrit, L'asne chucat, Las favas, Nòstra linga, La pendicita, Lu veire de montra, Lu bon annisson, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Lu&lt;/span&gt;&lt;span class="oc"&gt; dosilh de bure, &lt;/span&gt;&lt;span class="oc" style="font-size:14pt;"&gt;Lu&lt;/span&gt;&lt;span class="oc"&gt; bon vin blanc,&lt;/span&gt; &lt;a href="http://www.chanson-limousine.net/musique-limousine/contes%20nhorlas/CHELEBOUT/TEXTE/baseri.pdf" target="_blank" rel="noreferrer noopener"&gt;Baseri &lt;/a&gt;(voir les paroles sur le site chanson limousine.net&lt;/span&gt;)&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 19px; line-height: 1.2;"&gt;Sur l'enveloppe contenant la bande 4528 il est not&amp;eacute; &lt;span style="color: #808080;"&gt;" A conserver, Chez Nous, Dagnas, 27/8/65 ".&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document une &amp;eacute;mission de "Chez nous" (ou la pr&amp;eacute;paration de celle-ci ) telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges au mois d' ao&amp;ucirc;t 1965 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Nous retrouvons F&amp;eacute;licie Brouillet, La chorale des Veilladours &lt;span class="oc"&gt;(Aval debat el fond del prat, Lu vielh jalos)&lt;/span&gt;, une bourr&amp;eacute;e, un quadrille, secoue la ben, La Dorne (berceuse poitevine) . Pour terminer quelques nouvelles des groupes conf&amp;eacute;d&amp;eacute;r&amp;eacute;s et une polka &amp;agrave; la cornemuse . &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;&lt;span class="fr"&gt;Sur le boitier contenant cette bande il est not&amp;eacute; :&lt;/span&gt; &lt;span style="color: #808080;"&gt;" Veill&amp;eacute;e chez Mr Hourtoul, Mr Maury (St Germain les belles), M Boireau L&amp;eacute;onard (St Hilaire Bonneval) "&lt;/span&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;- Dans la premi&amp;egrave;re partie du document (sans doute dans la famille Hourtoul sur laquelle nous n'avons aucune information) quelques chansons : Mon p&amp;egrave;re avait 500 moutons, Dispers&amp;eacute;s dans Paris et &lt;em&gt;&lt;span class="oc"&gt;Jan mon pitit&lt;/span&gt;&lt;/em&gt; (V&amp;ecirc;pres pa&amp;iuml;ennes) .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;- Ensuite (&amp;agrave; partie de 14.07mn) une suite de morceaux &amp;agrave; l'accord&amp;eacute;on sans doute par M. Maury qui avait appris la plupart de ses morceaux &amp;agrave; la Porte de St Cloud : scottish, valses, mazurka, polka, bourr&amp;eacute;e, marche et une belle version de la chanson "parlons de boire"&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt;- Pour terminer (&amp;agrave; partir de 22.25 mn) M. &lt;a href="http://www.violoneux.fr/wiki/L%C3%A9onard_Boireau" target="_blank" rel="noopener"&gt;L&amp;eacute;onard Boireau&lt;/a&gt;, violoneux, qui joue plusieurs valses, une bourr&amp;eacute;e, une polka et parle de son r&amp;eacute;pertoire qu'il tenait du p&amp;egrave;re Dubeau du Theillaumas (Glanges) &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt; color: #000000;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt; color: #000000;"&gt;* Jean Jacques Le Creurer est musicien, il enseigne au Conservatoire D&amp;eacute;partemental de la Creuse et effectue depuis des ann&amp;eacute;es des collectes et recherches sur les traditions musicales du Limousin.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant la bande 757 il est not&amp;eacute; : &lt;span style="color: #808080;"&gt;"Soir&amp;eacute;e du 13/11/57, Bourse du Travail"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Il s'agit de l'enregistrement sur les deux faces de la bande d'une soir&amp;eacute;e folklorique pr&amp;eacute;sent&amp;eacute;e par Robert Dagnas avec le groupe folklorique "&lt;span class="st"&gt;Los Velhadours de Sent-Junian"&lt;/span&gt; ainsi que quelques invit&amp;eacute;s : M Jean Bretenoux (joueur de Clarinette), Jean Pellotier (acteur et homme de radio). L'enregistrement se termine par un po&amp;ecirc;me d' &amp;Eacute;douard Michaud &amp;agrave; Andr&amp;eacute; le Gentile, interrompu par la fin de la bande &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- Plusieurs chants par la chorale :&lt;/span&gt;&lt;span class="oc"&gt; Volets vos durmir,&lt;/span&gt; Le vieux jaloux, &lt;span class="oc"&gt;La meschanta maire, Chas nos,&lt;/span&gt; La chanson du barbichet &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- Quelques morceaux de musique :&lt;/span&gt; la bourr&amp;eacute;e d'Esse, une suite de marches nuptiales, R&amp;eacute;veillez vous la belle ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 19px; line-height: 1.2;"&gt;Sur l'enveloppe contenant la bande 781 il est noté &lt;span style="color: #808080;"&gt;" Émission Chez-Nous du 19-3-67, Rameaux, Jean Rebier ".&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Dans ce document une émission de "Chez nous" (ou la préparation de celle-ci ) telle qu'elle a pu être diffusée sur les ondes de Radio Limoges au mois de mars 1967 .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Á l'occasion des fêtes de Rameaux, M. Dagnas propose les témoignages de Pierre Biossac et d' Angèle Chabeaudie &lt;/span&gt;&lt;em&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;(los rameus, la rason de Diu &lt;/span&gt;&lt;/em&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;(une prière)&lt;/span&gt;&lt;em&gt;&lt;span class="oc" style="font-size: 14pt;"&gt;, La passion de Jesus-Christ (chanson) la setmana senta, la lessiva...)&lt;/span&gt;&lt;/em&gt;&lt;span class="fr" style="font-size: 14pt;"&gt; plusieurs chansons par la chorale des Veilladours : &lt;span class="oc"&gt;&lt;em&gt;Rampalms, Dijas me , La Passion,&lt;/em&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;br class="fr" style="font-size: 14pt;" /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Ensuite, à l'occasion de l'anniversaire de son décès, M. Dagnas rend hommage à Jean Rebier (&lt;em&gt;La lenga d'aur&lt;/em&gt;, La saison verte et rose, &lt;em&gt;La gerba bauda .&lt;/em&gt;.) et&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; propose aux auditeurs un des rares enregistrements de Jean Rebier : Bréjaude, un enregistrement &lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;datant de la fin des années 50 &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="fr"&gt;&lt;span class="oc"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Arlette et Jean-François Deléron, il s'agit d'un enregistrement qu'ils ont réalisé, en octobre 1988, dans les environs de St Maurice les Brousses .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Plusieurs informateurs &lt;span class="fr" style="font-size:14pt;"&gt;interprètent une série de chansons de tradition en français et en occitan dont malheureusement beaucoup sont incomplètes. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;Émile et Joseph Pradeau&lt;/strong&gt; : &lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Sent-Mauseri, Las quatras sasons, Lo pelhaïre, Manha lo li &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(JF Deléron à la vielle)&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; , Lu Jai*, La bela Fanchon,&lt;/span&gt; Brave travailleur, &lt;span class="oc"&gt;Per Sent-Jan,&lt;/span&gt; En faisant la pastourelle, &lt;span class="oc"&gt;A Sent-Alari, Bom bom bom, L'arqueton*, Sent-Alari, La Rosèla, La meschanta maire, La Gerbabauda,&lt;/span&gt; &lt;span class="oc"&gt;Auprès de la Janeta,&lt;/span&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;* chansons attribuée à Georges Montazeau&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;François Talabot&lt;/strong&gt; et sa soeur, &lt;strong&gt;Louise Chatard&lt;/strong&gt; tous deux agriculteurs à Ligoure (87) : &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Las filhas dau Men'au tor &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(le Ménautour, commune du Vigen)&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;, La Sopiera &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(il s'agit sans doute du lieu dit La Cipière, commune de St Jean-Ligoure)&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; ,&lt;/span&gt; La soutane du curé, Bonjour belle bergère, Nous étions trois fondeurs, &lt;span class="oc"&gt;Un jorn tornant de medre, Enquera n'es pas jorn,&lt;/span&gt; La Cati, Mon merle, &lt;span class="oc"&gt;Lo pinson e la lauveta,&lt;/span&gt; J'avais gardé les gorets ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Jean-François et Arlette Deléron sont tous deux musiciens, passionés de culture Limousine, ils jouent dans une des plus vieilles formations du limousin, le groupe Chabiran . À la recherche de répertoire ils ont fait plusieurs collectes sur cassettes audio, malheureusement la plupart d'entre elles n'ont pas été conservées ...&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>00:00:00.000 --&gt; 00:00:55.000
Introduction&#13;

00:00:55.000 --&gt; 00:02:14.000
Pregiera&#13;

00:02:14.000 --&gt; 00:02:41.000
Ave Maria (Pierre Biossac)&#13;

00:02:41.000 --&gt; 00:04:50.000
Des lieux dédiés en limousin&#13;

00:04:50.000 --&gt; 00:06:54.000
Nòstra dama dau cap dau pont&#13;

00:06:54.000 --&gt; 00:09:07.000
Reina daus ceus&#13;

00:09:07.000 --&gt; 00:09:38.000
Pregiera&#13;

00:09:38.000 --&gt; 00:10:07.000
Amis exilés&#13;

00:10:07.000 --&gt; 00:12:29.000
Lo cuer de ma mia&#13;

00:12:29.000 --&gt; 00:14:33.000
La Cati&#13;

00:14:33.000 --&gt; 00:16:10.000
La bécasse&#13;

00:16:10.000 --&gt; 00:18:40.000
Dans mon coeur il n'y a point d'amour&#13;

00:18:40.000 --&gt; 00:20:11.000
Un jorn dins l'estolias&#13;

00:20:11.000 --&gt; 00:20:31.000
Quelques infos&#13;

00:20:31.000 --&gt; 00:21:52.000
Le 10ème festival de Confolens&#13;

00:21:52.000 --&gt; 00:25:19.000
Conclusion de l'émission&#13;

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                <text>Léon BIDAUD, Marguerite LEBESSON</text>
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            <name>Source</name>
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            <description>A related resource</description>
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            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, la succession de deux enregistrements qu'elle fit, en compagnie de Mme Alice Pavillon le24 mars 1990 au Palais sur Vienne.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Nous entendrons d'abord&lt;strong&gt; Léon Bidaud&lt;/strong&gt; (&lt;span style="font-size:14pt;"&gt;La belle baigneuse (la pièce curieuse), Et tout en revenant de Saint-Denis-des-Murs, Quand fleurissaient les roses) puis &lt;strong&gt;Marguerite Lebesson&lt;/strong&gt; (les lèvres, la passagère)&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise Étay, ce document est consultable au Conservatoire à Rayonnement Régional à Limoges où Françoise est enseignante et responsable du département de musique traditionnelle. &lt;/span&gt;&lt;/p&gt; &lt;p style="margin-right:148.45pt;"&gt; &lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size:14pt;"&gt;Françoise Étay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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        <name>Haute-Vienne (87)</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An unambiguous reference to the resource within a given context</description>
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      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <description>The location of the interview</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>https://la-biaca.org/files/original/enquetes/752/MTRaymond.mp3</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <name>Participants</name>
          <description>Names of individuals or groups participating in the event</description>
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              <text>C'est nous de Saint-Laurent</text>
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              <text>La retraite c'est la santé</text>
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              <text>Conservatoire à Rayonnement Régional</text>
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              <text>musique traditionnelle</text>
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              <text>occitan</text>
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              <text>patois</text>
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          <name>Mot-clé en liste</name>
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              <text>marie therese raymond francoise etay marie therese raymond saint laurent sur gorre francoise etay chansons musique traditionnelle limousin</text>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chansons</text>
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            <description>An account of the resource</description>
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                <text>Enregistrement d'une chanteuse de tradition à Saint Laurent sur Gorre</text>
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            <description>A related resource from which the described resource is derived</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Françoise Etay</text>
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            <description>The nature or genre of the resource</description>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/752/Padimage.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, un enregistrement qu’elle fit auprès de Madame &lt;strong&gt;Marie-Thérèse RAYMOND&lt;/strong&gt; à Saint Laurent sur Gorre le 8 décembre 1999, en compagnie de Yves Lavalade .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Mme Raymond avait interprété une série de chansons :&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Adieu...charmante Henriette, Les nuits de printemps, &lt;span class="oc"&gt;L'urosa jardiniera,&lt;/span&gt; C'était un curé de campagne (fragments), &lt;span class="oc"&gt;Toina d'a Glandon, &lt;/span&gt; Quand je t'ai vue par hasard sur ma route, ... les feux du régiment [début tronqué], À Saint-Laurent en vérité, C'est nous de Saint-Laurent, Chanson du rassemblement (Chanson des retraités du canton de Saint-Laurent) et La retraite c'est la santé&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise Étay, ce document est consultable au Conservatoire à Rayonnement Régional à Limoges où Françoise est enseignante et responsable du département de musique traditionnelle. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size:14pt;"&gt;Françoise Étay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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