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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/573/YRestoinNet.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande sans aucune mention, nous entendons &lt;strong&gt;Yvette RESTOIN&lt;/strong&gt;, (1926-1998) vielleuse du groupe folklorique " Lous Velhadours de Sen Junio"&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Enregistr&amp;eacute;e l&amp;agrave; par Robert Dagnas qui pr&amp;eacute;sente les titres, Mlle Restoin livre les morceaux de son r&amp;eacute;pertoire (bourr&amp;eacute;es, scottishs, menuet, polkas, quadrilles,danses imitatives ..) dans le but de les transmettre &amp;agrave; "Pierre et Marie France" ( Pierre Leplant et sa femme ) , d'o&amp;ugrave; une interpr&amp;eacute;tation un peu didactique. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;&amp;nbsp;Le Fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;Nous remercions&amp;nbsp;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;em&gt;&lt;span style="font-size: 12pt;"&gt;M. Marc Theillet&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt; pour la photo d'illustration &lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: small;"&gt;&lt;span class="fr" style="font-size: medium;"&gt;Dans cet enregistrement, la bande 554, avec comme seules indications "Les Salles Tourisme" nous retrouvons - jusqu'&amp;agrave; 16mn 43 - une partie d'un enregistrement pr&amp;eacute;c&amp;eacute;dent &lt;a href="https://la-biaca.org/items/show/410" target="_blank" rel="noopener"&gt;(RD2025-les Salles Lavauguyon 4/4)&lt;/a&gt; datant de 1959 (musique par une fanfare,&lt;span class="oc"&gt; "La Fran&amp;ccedil;oisa daus Gironeus"&lt;/span&gt;, la gastronomie par Mme Douvry, restauratrice...) puis quelques chansons in&amp;eacute;dites&lt;/span&gt;&lt;span class="oc" style="font-size: medium;"&gt; &lt;span class="fr" style="font-size: small;"&gt;&lt;span class="oc" style="font-size: medium;"&gt;&lt;span style="font-size: medium;"&gt;&lt;span class="oc"&gt;"Te parlar d'amor" &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;, "Senta Magdelena" &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Sur la seconde partie de la bande, la pr&amp;eacute;paration (plusieurs reprises et essais) d'une &amp;eacute;mission sur l'union des syndicats d'initiatives de la r&amp;eacute;gion Vienne-Tardoire par R. Dagnas (qui en est le pr&amp;eacute;sident) et un autre intervenant non identifi&amp;eacute;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="oc"&gt;&lt;span style="font-size:14pt;"&gt;Tot lu monde iò dira : los pus braves paniers venen dau Limosin.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Au-delà de cette évidence, il en vient une autre, parmi les plus beaux paniers d'éclisses de châtaignier faits en Limousin, ceux de Maurice Javelaud tenaient bonne place. Par centaines, paniers &lt;span class="oc"&gt;e&lt;/span&gt; deschas (panières) sont nés de l'alliance de ses doigts et du couteau. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt; D'un savoir-faire acquis auprès de son père durant ses jeunes années il développa une véritable activité vannière une fois à la retraite. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt; Qui, dans ce petit coin du Limousin, ne l'a pas rencontré derrière son banc de paniers dans toutes les fêtes artisanales du pays ?&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;C'est dans son village de Bournazeau (commune d'Oradour-sur-Vayres) où il a toujours vécu que nous avons rencontré Maurice au printemps 2009. Au cours de deux après-midi, nous avons suivi les étapes de fabrication d'un panier dans l'obscurité de la vieille maison qui lui servait d'atelier. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Les explications sont souvent succinctes, parfois sibyllines &lt;span class="oc"&gt;"Qu'es mas mesuras a me !".&lt;/span&gt;.. Il reste à voir, à observer, à décrypter un geste, des réflexions, des attitudes, tant de choses héritées de siècles de savoir paysan en matière de vannerie traditionnelle.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette cassette audio que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, une s&amp;eacute;rie d'enregistrements destin&amp;eacute;s &amp;agrave; des &amp;eacute;missions de radio diffus&amp;eacute;es quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;Et de nombreux t&amp;eacute;moignages :&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #000000; font-size: 14pt;"&gt;- Au sujet du n&amp;deg; 58 de la Clau Lemosina (Jan dau Melhau) &lt;br /&gt;- Lo patoes : Yves Redon&lt;br /&gt;- Quand chaufavam lo forn : Camille Sautarel &lt;br /&gt;- 'Nar chantar en Italia (Jan dau Melhau) &lt;br /&gt;- N&amp;ograve;stra linga : Jan Alari &lt;br /&gt;- La prumiera bicicleta : Pierre Lalet &lt;br /&gt;- La ruscha o lo bornat&lt;br /&gt;- Jan la b&amp;egrave;stia : Andr&amp;eacute;e Bourbouloux&lt;br /&gt;- Tornar parlar patoes : Jacqueline Bouin &lt;br style="color: #000000;" /&gt;- Una j&amp;ograve;unessa trabalhairitz : Marie Laporte &lt;br /&gt;- Lo cantaridier / lo fraisse&lt;br /&gt;- La musica gascona : Dani Dauba l&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;- Los paisans&lt;/span&gt;&lt;span style="color: #000000;"&gt;... par un paysan.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="color: #000000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Sur cette cassette audio, que &lt;strong&gt;Jan dau Melhau&lt;/strong&gt; a bien voulu nous confier pour numérisation et mise en ligne, une série d'enregistrements destinés à des émissions de radio diffusées quotidiennement sur Radio-Limoges.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;La face "B" de cette cassette contient la seconde partie des enregistrements du 28 février au 15 avril 1986 .&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;Ponctués par des morceaux de musique traditionnelle, une nouvelle succession de textes d'auteurs occitans :&lt;br /&gt;- Le loup et le renard par Andrée Bourbouloux&lt;br /&gt;- Des poèmes de Dominique Decomps&lt;br /&gt;- La sopa d'espinlas de Marie Rouanet&lt;br /&gt;- &lt;a href="http://www.chanson-limousine.net/nhorlas/nhorlas%20paroles/jeanfoucaud/08%20loveillachabraelajunja.pdf" target="_blank" rel="noreferrer noopener"&gt;L'ovelha la chabra e la junja&lt;/a&gt;, une fable de Jean-Baptiste Foucaud &lt;br /&gt;- L'asne de sent Piere, las blanchidas par Pierre Lalet&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;et une suite de témoignages : &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="color:#000000;"&gt;- Los monsurs de'n quauqu'uns temps (Amédée Gauthier)&lt;br /&gt;- Conversacion sur la lenga&lt;br /&gt;- L'istòria de Jaumilhon&lt;br /&gt;- Los cors d'occitan de l'Enric Capredon&lt;br /&gt;- La fin de la guerra de 14 (Flavie Bernier)&lt;br /&gt;- La plancha&lt;br /&gt;- Legir&lt;br /&gt;- Los ramonaires e los sochiers (J.C. Fontmartin)&lt;br /&gt;- Las ruas d'a Limòtges&lt;br /&gt;- Nòstra lenga (Serge Simonet)&lt;br /&gt;- Declaracion dau collectiu occitan (16 mars 1986) &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, un enregistrement qu'elle a réalisé le 22 avril 1990 auprès de mme Suzanne Dumas et son mari à Limoges . &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Mme Dumas a consacré plusieurs ouvrages au quartier des ponts : "Je suis une ponticaude", "&lt;span class="st"&gt;Contes pebrats de la Catarina daus Ponts" . On peut aussi retrouver ses témoignages sur le blog de Jean Pierre Cavaillé : &lt;a href="http://jcavaille.free.fr/presentation.htm" target="_blank" rel="noreferrer noopener"&gt;"la mémoire ponticaude et ses langues"&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;De bon matin Pierre se lève, la ronde, le feu de Saint Jean, le quartier des ponts, ses commerces ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Étay, ce document est consultable au Conservatoire à Rayonnement Régional à Limoges où Françoise est enseignante et&lt;/span&gt;&lt;/span&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt; responsable du département de musique traditionnelle .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size:12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size:14pt;"&gt;Françoise Étay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Témoignage en langue limousine recueilli à Blond en Haute Vienne, la vie dans la commune,la guerre, le momnument aux morts ...</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Cet enregistrement a été réalisé par Baptiste Chrétien le 2 septembre 2010 auprès de &lt;span class="artist_name"&gt;Mme Suzanne Bordier&lt;/span&gt;, née Ladégaillerie, à Blond en 1935. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Dans cet entretien en occitan, Mme Bordier nous parle de la pratique de la langue, de la vie de la commune &lt;span style="font-size:medium;"&gt;dans les années 1940 et 1950&lt;/span&gt; (les battages, les châtaignes, le cidre...), avant qu'elle ne parte vivre à Angoulême avec son époux. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:medium;"&gt;Elle revient aussi longuement sur un douloureux et peu connu épisode de l'histoire locale, lorsqu'en août 1944, quelques semaines après le massacre d'Oradour-sur-Glane, une division nazie investit le bourg de Blond, le pilla, et fusilla plusieurs de ses habitants. &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:medium;"&gt;Son mari Claude Bordier intervient de temps en temps durant l'entretien.&lt;/span&gt;&lt;/p&gt;</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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            <description>A name given to the resource</description>
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                <text>Les Velhadours de Sen-Junio</text>
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            <description>The topic of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>A related resource</description>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;Sur l'enveloppe contenant cette bande il est not&amp;eacute; " Soir&amp;eacute;e du 13 11 57 (&amp;eacute;mission RTF) Chants danses (2&amp;egrave;me partie)"&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- Plusieurs chants par la chorale :&lt;/span&gt;&lt;span class="oc"&gt; Volets vos durmir,&lt;/span&gt; Le vieux jaloux, &lt;span class="oc"&gt;La meschanta maire, Chas nos,&lt;/span&gt; La chanson du barbichet &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span style="text-decoration: underline;"&gt;- Quelques morceaux de musique :&lt;/span&gt; la bourr&amp;eacute;e d'Esse, une suite de marches nuptiales, R&amp;eacute;veillez vous la belle ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;Dans cet enregistrement la première partie de la bande : Le sermon en langue limousine prononcé (d&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;ans une belle langue) &lt;/span&gt;&lt;/span&gt;par le &lt;strong&gt;Chanoine Durepaire&lt;/strong&gt; lors de la messe de minuit donnée à Saint-Junien (87) au mois de décembre 1959 . &lt;br /&gt;Après une introduction une intervention sur la langue limousine puis le sermon proprement-dit au sujet de l'adoration des bergers et des leçons à en tirer .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="text-align: center;"&gt;Nous ne savons pas grand-chose du chanoine Durepaire si ce n'est qu'il fut supérieur de l'Ecole Ozanam à Limoges et qu'il publia en 1936 Homérus, l'Odyssée d'Ulysse racontée aux enfants .&lt;/p&gt;&#13;
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&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt; color: #808080;"&gt;&lt;span style="color: #000000;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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Limoges RTF&#13;

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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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            <description>An account of the resource</description>
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                <text>[Informateurs multiples]</text>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>https://la-biaca.org/items/show/453</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/453/RD2094net.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Sur la bande 4059 titrée " Echos St Estelle (Cha nous) ", une succession d' enregistrements datant de la Sainte Estelle à St Junien les 5 et 6 juin 1965 .&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:14pt;"&gt;Présentée par Robert Dagnas, une émission de "Cha Nous" probablement diffusée sur les ondes de Radio Limoges le 18 juin de la même année. Nous retrouvons différents intervenants, la chorale des Velhadours, Félicie Brouillet, un groupe folklorique de Nice, les "Terradours Floricats" du Cantal, un poême de Vermenouze par le Majoral Jean Fay, des extraits de Mireille par l'Escòla de la Mar, un chant de Charloun Rieu ...&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Voir ci dessous l'enregistrement "Elie Bachas, Ste Estelle 1965"&lt;/span&gt;&lt;/p&gt; &lt;p&gt; &lt;/p&gt;</text>
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              <description>A name given to the resource</description>
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              <description>An unambiguous reference to the resource within a given context</description>
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        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview</description>
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          <name>Local URL</name>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>Janton volia la Jana</text>
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          <description>Mot-clé "keywords"</description>
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            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="311319">
                <text>2013-11-26 10:03:51</text>
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            <description>The size or duration of the resource.</description>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Saint-Laurent sur Gorre</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="311325">
                <text>Enregistrement collectif réalisés par M Robert Dagnas auprès des anciens de St Laurent sur Gorre (87)en 1972</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="311326">
                <text>[Informateurs multiples]</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="311327">
                <text>RD5319</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="311328">
                <text>1972-05</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert DAGNAS</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="311330">
                <text>audio/mpeg</text>
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          <element elementId="51">
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            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="311332">
                <text>https://la-biaca.org/items/show/631</text>
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          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331505">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/631/RD5319Net.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="342234">
                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;La bande 594 porte comme indication : &lt;span style="color:#808080;"&gt;"Anciens de St Laurent s Gorre, 16.5.72, 2/3"&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Il s'agit d'un enregistrement collectif dans lequel plusieurs informateurs se succèdent au micro .&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;De nombreuses chansons en français : L'ivrogne sans pareil, Le Carillonneur (Le sonneur du beffroi Jean-Pierre), K-K-K-Katy (Maurice Chevalier) ,Vous demandez les gars quel est mon âge, Les femmes des mobilisés, Vieille chanson (G Bizet),&lt;/span&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr"&gt; Ô &lt;/span&gt;&lt;span class="fr"&gt;limousin .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Quelques chansons et textes en limousin : &lt;span class="oc" style="font-size:14pt;"&gt;Janton volia la Jana, Lu temps dau solelh, &lt;span style="font-size:14pt;"&gt;Las vielhas danças sont fotudas, Per los acordaments.&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;(La fiche correspondant au numéro de bande ne décrit pas ce contenu )&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noreferrer noopener"&gt;Le Fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <description>A name given to the resource</description>
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              <text>Enregistré à la collégiale</text>
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          <description>The URL of the local directory containing all assets of the website</description>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>patois</text>
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            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;De larges extraits de cette messe : le sermon en langue limousine de Mgr Durepaire, l'abb&amp;eacute; Guy Daudet ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Sur la bande portant le n&amp;deg; 8551-5, il est not&amp;eacute; "St Auvent Sermon"&lt;/p&gt;&#13;
&lt;p&gt;Il s'agit sans doute de l'enregistrement, &amp;agrave; l'&amp;eacute;glise Saint-Auvent (Haute-Vienne) d'une r&amp;eacute;p&amp;eacute;tition dans lequel le pr&amp;ecirc;tre (probablement le chanoine Durepaire) bute et peste contre ses rat&amp;eacute;s, on entend R. Dagnas lui dire qu'il n'y a pas de souci que ces h&amp;eacute;sitations seront coup&amp;eacute;es au montage.&lt;/p&gt;&#13;
&lt;p&gt;Pas d'indication sur la date sur cet enregistrement probablement en 1959.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://la-biaca.org/items/show/387"&gt;La fin de ce sermon se trouve sur la bande suivante n&amp;deg;8551-6. &lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise &amp;Eacute;tay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges.&lt;br /&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan.&lt;/p&gt;</text>
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&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Une informatrice non identifi&amp;eacute;e (elle nous dit qu'elle aura 89 ans en ao&amp;ucirc;t 1964, dans &lt;a href="https://la-biaca.org/items/show/784" target="_blank" rel="noopener noreferrer"&gt;un autre enregistrement,&lt;/a&gt; M Dagnas la pr&amp;eacute;sentait comme &amp;eacute;tant d' Augignac et pr&amp;eacute;cisait qu'elle s'appelait Marguerite), interrog&amp;eacute;e par F&amp;eacute;licie Brouillet (d'Augignac elle aussi) et Robert Dagnas, elle nous donne &amp;agrave; entendre quelques belles chansons "Pirolin", "La Jeanneton", "Oh que les femmes sont belles", quelques airs de danse, elle parle aussi des danses, des bals, de l'&amp;eacute;cole, du loup, de la premi&amp;egrave;re auto ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;L'enregistrement se termine par un morceau d'une pi&amp;egrave;ce de th&amp;eacute;&amp;acirc;tre, la bande ayant &amp;eacute;t&amp;eacute; r&amp;eacute;utilis&amp;eacute;e par l'enqu&amp;ecirc;teur.&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Avec, comme invit&amp;eacute;s, les groupes : Lou Riban de Prouv&amp;egrave;n&amp;ccedil;o (d'Avignon), les Tambourinaires de Saint-Chinian et l'Acad&amp;eacute;mie Proven&amp;ccedil;ale (de Cannes).&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Haute-Vienne (87)</text>
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                <text>Collection F. Etay</text>
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                <text>Repas Chantant . Château-Chervix 2013</text>
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                <text>Chansons</text>
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                <text>[Informateurs multiples]</text>
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                <text>Françoise Etay</text>
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                <text>audio/mpeg</text>
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            <description>A related resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/788/CaptureCC.jpg</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans ce document qui nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour mise en ligne par Fran&amp;ccedil;oise &amp;Eacute;tay, un enregistrement r&amp;eacute;alis&amp;eacute; le 9 f&amp;eacute;vrier 2013 lors du repas chantant organis&amp;eacute; par Fran&amp;ccedil;ois Faucher et Fran&amp;ccedil;oise &amp;Eacute;tay &amp;agrave; Ch&amp;acirc;teau-Chervix .&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;&amp;Agrave; l'origine de ces repas, Fran&amp;ccedil;ois Faucher, militant, conteur intarissable tr&amp;egrave;s attach&amp;eacute; au Limousin nous a quitt&amp;eacute; tout r&amp;eacute;cemment .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Autour d'un bon repas au Relais du Puy de Bar, chacun avait pouss&amp;eacute; la chansonnette :&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt; Escotatz-me&lt;/span&gt; &lt;em&gt;Robert Tabaraud&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo boier.&lt;/span&gt; &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;Qui veut entendre une chanson ) &lt;em&gt;Fran&amp;ccedil;ois Faucher.&lt;/em&gt; Chanson de son voisin M. Minet qui habitait au Moulin Noir.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;N&amp;rsquo;ai mas cinc s&amp;ograve;us.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo cuer de ma mia.&lt;/span&gt; &lt;em&gt;Bernadette Plas et Alain Deliquet,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Marche de Rata. &lt;em&gt;Jean-Claude Jarry.&lt;/em&gt; Les paroles sont de lui, sur l&amp;rsquo;air d&amp;rsquo;une marche de noces jou&amp;eacute;e au violon par &lt;a href="http://www.violoneux.fr/wiki/Fran%C3%A7ois_Malthieu" target="_blank" rel="noopener"&gt;Fran&amp;ccedil;ois Malthieu&lt;/a&gt; (Tarnac)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Bonjour bergerette, adissiatz monsur. &lt;em&gt;Robert et Fran&amp;ccedil;oise Tabaraud&lt;br /&gt;- &lt;/em&gt;Les ma&amp;ccedil;ons de la Creuse. &lt;em&gt;Serge Marot. &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Jean Petit dit Jean dau Boueix&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Les ch&amp;acirc;taignes du Limousin. &lt;em&gt;Hugues Lauliac &lt;/em&gt;Chanson anonyme imprim&amp;eacute;e &amp;agrave; la fin du XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Vaqui lo polit mes de mai.&lt;/span&gt; &lt;em&gt;Micha&amp;euml;l Bourry&lt;br /&gt;- &lt;/em&gt;Pour aller voir Virginie. &lt;em&gt;C&amp;eacute;cile Delrue-Birot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Quand i era j&amp;ograve;una dr&amp;ograve;lla.&lt;/span&gt; &lt;em&gt;Anne-Marie Boulesteix &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s la version de sa m&amp;egrave;re (Rochechouart)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Briance. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Chanson de Joseph Mazabraud et Fran&amp;ccedil;ois Sarre&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La Roselle. &lt;em&gt;Jean-Paul Martin &lt;/em&gt;Chanson de Camille Peyrat (Saint-Hilaire-Bonneval) sur l&amp;rsquo;air de la Valse Brune&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La Rosela&lt;/span&gt; (D&amp;eacute;but d&amp;rsquo;apr&amp;egrave;s &amp;ldquo;Rigadin&amp;rdquo;). &lt;em&gt;Fran&amp;ccedil;ois Faucher relay&amp;eacute; par David Lajudie &lt;/em&gt;Chanson de Jean Demaison (Saint-Bonnet-Briance) dit &amp;laquo; Le P&amp;egrave;re Huguet &amp;raquo; sur l&amp;rsquo;air (transform&amp;eacute;) de la valse &amp;laquo; Les Roses &amp;raquo; d&amp;rsquo;Olivier Metra&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo chabretaire.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Chanson de Fran&amp;ccedil;ois Richard&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las quatre sasons.&lt;/span&gt; &lt;em&gt;Eric Roulet &lt;/em&gt;Chanson de Jean Rebier et Andr&amp;eacute; Le Gentile&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;span class="oc"&gt;De Sent-Priest qu&amp;ograve; n&amp;rsquo;es las filhas.&lt;/span&gt; &lt;em&gt;Fran&amp;ccedil;oise Etay, &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Fran&amp;ccedil;ois Pradeau (Vicq-sur-Breuilh) &lt;br /&gt;- Me promenant tout le long d&amp;rsquo;un rivage (la meuni&amp;egrave;re au moulin blanc) &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly,&lt;/em&gt; d&amp;rsquo;apr&amp;egrave;s Henri Rouland (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Per 'nar veire las filhas.&lt;/span&gt; &lt;em&gt;Dani&amp;egrave;le et Jean-Paul Mondoly &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Mme Deconchat (Saint-Jean-Ligoure)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-&lt;span class="oc"&gt;Passoleta.&lt;/span&gt; &lt;em&gt;Magali Urroz, &lt;/em&gt;Chanson des ostensions de Saint-Junien, dite aussi &amp;ldquo;Chant des Poitevins&amp;rdquo;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Lo curet d&amp;rsquo;a Benayas.&lt;/span&gt; &lt;em&gt;Eric Roulet&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Lo darrier jorn de l&amp;rsquo;an.&lt;/span&gt; &lt;em&gt;Benjamin Tard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s l&amp;rsquo;enregistrement de Jan dau Melhau .&lt;strong&gt;&lt;br /&gt;- &lt;/strong&gt;Encha&amp;icirc;nement de bourr&amp;eacute;es. &lt;em&gt;Benjamin Tard &lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Alau dins queu pais bas.&lt;/span&gt; &lt;em&gt;Antoine Marot &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Marcelle Delpastre (Chamberet)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Turlututu. &lt;em&gt;Lucienne Boudet. &lt;/em&gt;Paroles de Martial du Treuil sur un air bien connu&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-Tout en montant la place d&amp;rsquo;armes. &lt;em&gt;Annie Gaulard &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s L&amp;eacute;on Peyrat (Saint-Salvadour)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;-En revenant de la foire de Bordeaux. (Je suis mar&amp;eacute;chal Mesdames compagnon forgeron) &lt;em&gt;Fran&amp;ccedil;ois Fauche&lt;strong&gt;r&lt;br /&gt;- &lt;/strong&gt;&lt;/em&gt;No&amp;euml;l. &lt;span class="oc"&gt;L&amp;rsquo;autre jorn el Pueg d&amp;rsquo;Eschalas.&lt;/span&gt; &lt;em&gt;Florence Fontanille, &lt;/em&gt;Source : Recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Rose dit &amp;agrave; sa m&amp;egrave;re. &lt;em&gt;Pascale Nguyen &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Ch&amp;egrave;ze, Branchet et Plantadis (Lemouzi. d&amp;eacute;but XX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- En revenant d&amp;rsquo;la noce. &lt;em&gt;Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- La romance du muguet. &lt;em&gt;Jeanne Seywer&lt;br /&gt;- '&lt;/em&gt;&lt;span class="oc"&gt;Ribats 'ribats.&lt;/span&gt; &lt;em&gt;Magali Urroz (et collectif) &lt;/em&gt;Source : 4 chansons publi&amp;eacute;es &amp;agrave; Limoges en 1862 puis 1890 (Pierre Laforest et Paul Charreire)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;La sensilha e lo pinson.&lt;/span&gt; &lt;em&gt;Serge Marot&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Las femnas dau borg d&amp;rsquo;a Glanjas.&lt;/span&gt; &lt;em&gt;Collectif puis Serge Marot &lt;/em&gt;Chanson attribu&amp;eacute;e &amp;agrave; Georges Montazaud (Saint-Germain-les-Belles &amp;ndash; Fin XIX&lt;sup&gt;e&lt;/sup&gt; si&amp;egrave;cle)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon. &lt;em&gt;Jean C&amp;eacute;l&amp;eacute;rier &lt;/em&gt;Air &amp;laquo; Tout le long&amp;hellip; sur le bord &amp;raquo; (Darny et Guindani. 1917)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Toine de Glandon (version de Rochechouart). &lt;em&gt;Anne-Marie Boulesteix&lt;br /&gt;- &lt;/em&gt;Bourr&amp;eacute;es (&lt;span class="oc"&gt;Dans Paris n&amp;rsquo;i a una chambra &amp;hellip; Lo pitit &amp;ograve;me&lt;/span&gt;) &lt;em&gt;Collectif&lt;br /&gt;- &lt;/em&gt;&amp;Agrave; Chamberet petit faubourg. &lt;em&gt;Jean-Paul Mondoly et Fran&amp;ccedil;oise Etay &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s Ren&amp;eacute; Mondoly (Eymoutiers)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- Petit mot du Maire. &lt;em&gt;Jean-Luc Lachaud&lt;/em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- Le matin quand je me l&amp;egrave;ve (&amp;agrave; mon travail-le je m&amp;rsquo;en vas). &lt;em&gt;Fran&amp;ccedil;ois Faucher&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;- &lt;/em&gt;Tout en passant devant le grand moulin. &lt;em&gt;Fran&amp;ccedil;ois Faucher &lt;/em&gt;Version de Coussac-Bonneval et version &amp;ldquo;habituelle"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Las filhas de Marzac.&lt;/span&gt; &lt;em&gt;Gilles de Becdeli&amp;egrave;vre &lt;/em&gt;d&amp;rsquo;apr&amp;egrave;s le recueil de Casse et Chaminade (1902)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Filhas nos ne&amp;rsquo;n fau &amp;rsquo;nar.&lt;/span&gt; &lt;em&gt;Eric Roulet &amp;hellip; Fran&amp;ccedil;ois Faucher&lt;br /&gt;- &lt;/em&gt;&lt;span class="oc"&gt;Devinatz &amp;ccedil;&amp;ograve; que ieu minge.&lt;/span&gt; &lt;em&gt;David Lajudie &lt;/em&gt;Source : Pierre Biossac (Javerdat)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: medium;"&gt;- &lt;span class="oc"&gt;Cu trabalha la terra.&lt;/span&gt; &lt;em&gt;Serge Marot &lt;/em&gt;Source : recueil de Fran&amp;ccedil;ois C&amp;eacute;lor (1904)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Le renseignement et le s&amp;eacute;quencement de ce document ont &amp;eacute;t&amp;eacute; effectu&amp;eacute; par Fran&amp;ccedil;oise&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span class="st"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;&lt;span style="font-size: 14pt;"&gt;Fran&amp;ccedil;oise &amp;Eacute;tay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt; &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur cette bande sans aucune mention, un enregistrement sans doute r&amp;eacute;alis&amp;eacute; &lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;en 1960&lt;/span&gt;&lt;span class="fr" style="font-size: 12pt;"&gt; &amp;agrave; Rancon ou Ch&amp;acirc;teauponsac, en Haute-Vienne aupr&amp;egrave;s de locuteurs &amp;agrave; ce jour non identifi&amp;eacute;s. &lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt;* Si le culte &amp;agrave; St S&amp;eacute;bastien a &amp;eacute;volu&amp;eacute; depuis une bonne dizaine d'ann&amp;eacute;es et la fin de la conscrition, la procession perdure et ce chant est toujours pratiqu&amp;eacute; vers le 20 janvier (Information du Mus&amp;eacute;e de Ch&amp;acirc;teauponsac).&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: medium;"&gt; Le fonds Robert Dagnas&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;Sur cette bobine n&amp;deg; 613 il est not&amp;eacute;&lt;span style="color: #808080;"&gt; "Chez nous (7/61) a.Pr&amp;eacute;sentation des disques b. essais chants Disque Barbichet (niorle Frange Guimbarde, Panliran, Disque B.L."&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Une nouvelle &amp;eacute;mission de "Chez-nous" pr&amp;eacute;sent&amp;eacute;e par M Dagnas, telle qu'elle a pu &amp;ecirc;tre diffus&amp;eacute;e sur les ondes de Radio Limoges .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;Robert Dagnas pr&amp;eacute;sente des extraits de deux disques :&lt;br /&gt;- Celui de l'&amp;eacute;cole du barbichet, paru en 1961 . Chants et danses des provinces et pays de france, Souvenir du limousin. Ducretet Thomson 250V136 (La Marianna e los vesins,Lo veve,la guimbarde,Lo panliran, Marche nuptiale) &lt;br /&gt;- Celui des "Velhadours de Sen Junio " : Chants et danses des provinces et pays de france N&amp;deg;10 Ducretet Thomson 250V133 (Lo cuer de ma mia, La meschanta maire, La terra es freja ..)&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: medium;"&gt;A la suite de cette &amp;eacute;mission, des essais de chants (la fille d'un boulanger, les hommes sont trompeurs...)&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size:14pt;"&gt;Cette cassette nous a été confiée pour numérisation et mise en ligne par Arlette et Jean-François Deléron, il s'agit d'un enregistrement qu'ils ont réalisé, en octobre 1988, dans les environs de St Maurice les Brousses .&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;Plusieurs informateurs &lt;span class="fr" style="font-size:14pt;"&gt;interprètent une série de chansons de tradition en français et en occitan dont malheureusement beaucoup sont incomplètes. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;Émile et Joseph Pradeau&lt;/strong&gt; : &lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Sent-Mauseri, Las quatras sasons, Lo pelhaïre, Manha lo li &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(JF Deléron à la vielle)&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; , Lu Jai*, La bela Fanchon,&lt;/span&gt; Brave travailleur, &lt;span class="oc"&gt;Per Sent-Jan,&lt;/span&gt; En faisant la pastourelle, &lt;span class="oc"&gt;A Sent-Alari, Bom bom bom, L'arqueton*, Sent-Alari, La Rosèla, La meschanta maire, La Gerbabauda,&lt;/span&gt; &lt;span class="oc"&gt;Auprès de la Janeta,&lt;/span&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;* chansons attribuée à Georges Montazeau&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="fr" style="font-size:14pt;"&gt;- &lt;strong&gt;François Talabot&lt;/strong&gt; et sa soeur, &lt;strong&gt;Louise Chatard&lt;/strong&gt; tous deux agriculteurs à Ligoure (87) : &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;Las filhas dau Men'au tor &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(le Ménautour, commune du Vigen)&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt;, La Sopiera &lt;/span&gt;&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;(il s'agit sans doute du lieu dit La Cipière, commune de St Jean-Ligoure)&lt;/span&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span class="oc"&gt; ,&lt;/span&gt; La soutane du curé, Bonjour belle bergère, Nous étions trois fondeurs, &lt;span class="oc"&gt;Un jorn tornant de medre, Enquera n'es pas jorn,&lt;/span&gt; La Cati, Mon merle, &lt;span class="oc"&gt;Lo pinson e la lauveta,&lt;/span&gt; J'avais gardé les gorets ...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span class="fr" style="font-size:14pt;"&gt;&lt;span style="font-size:12pt;"&gt;Jean-François et Arlette Deléron sont tous deux musiciens, passionés de culture Limousine, ils jouent dans une des plus vieilles formations du limousin, le groupe Chabiran . À la recherche de répertoire ils ont fait plusieurs collectes sur cassettes audio, malheureusement la plupart d'entre elles n'ont pas été conservées ...&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="fr"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Pierre et René MONDOLY</text>
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                <text>https://la-biaca.org/items/show/873</text>
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                <text>&lt;p&gt;&lt;span style="font-size:12pt;"&gt;Dans ce document qui nous a été confié pour mise en ligne par Françoise Étay, une compilation de plusieurs enregistrements effectués auprès de deux informateurs : Les frères Mondoly (Pierre, né en 1904 et René, né en 1912) &lt;br /&gt;Françoise les décrit ainsi :&lt;br /&gt;&lt;em&gt;&lt;span class="fr"&gt;"Deux chanteurs hors du commun, par l’ampleur et la qualité du répertoire qu’ils nous ont transmis. &lt;/span&gt;&lt;span class="fr"&gt;L’aîné des deux frères avait une mémoire remarquable et le plus jeune un sens musical extraordinaire."&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le premier enregistrement (jusqu'à 28 mn, 04 sec) date de 1982, nous ne savons qui l'a réalisé. On y entend quelques informatrices non identifiées, puis Pierre Mondoly et enfin François Fourniaud et "Jojo" Pichaud&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le second (de 28,05 mn à 54, 25 mn) date du 13 juin 1987, il a été fait à Eymoutiers par Annie Gaulard, accompagnée par Olivier Durif et Sylvie Heintz.&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;- Le dernier (de 54 mn, 25 sec à la fin) date du 23 janvier 1988, il a été fait à Lacelle (19) au domicile de Pierre Mondoly par Françoise Étay et Paul Gerbaud.&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;br /&gt;Le titrage et le séquencement de cet enregistrement a été réalisé par Françoise Étay, ce document est aussi consultable au Conservatoire à rayonnement régional à Limoges &lt;span class="st"&gt; .&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;/p&gt;
&lt;p class="fr"&gt;&lt;span style="font-size:12pt;"&gt;&lt;span class="st"&gt;&lt;a href="http://ieo-lemosin.org/?intervenant=francoise-etay&amp;amp;lang=fr" target="_blank" rel="noreferrer noopener"&gt;Françoise Étay&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Pierre BIOSSAC (3)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <description>An account of the resource</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/576/Biossac1950.jpg</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Sur la bande 484 portant comme seule indication &lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;"Javerdat biossac 1" ,&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; &lt;span class="fr"&gt;un nouvel enregistrement fait chez Pierre Biossac, &amp;agrave; Laplaud .&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;Quelques chansons : Je n'y regrette point la ville, &lt;span class="oc"&gt;Quand eria j&amp;ograve;une gar&amp;ccedil;on,&lt;/span&gt; &lt;span class="oc"&gt;La montanha, Lu charamela&amp;iuml;re&lt;/span&gt;, une jolie version du &lt;span class="oc"&gt;Pitit Pater dau Bon Diu.&lt;/span&gt; M. Dagnas interroge ensuite cet extraordinaire informateur sur les rites calendaires (Rameau, P&amp;acirc;ques, La Chandeleur, le Jeudi Saint), l'&amp;eacute;cole, les premi&amp;egrave;res amours, l'arm&amp;eacute;e, la guerre, les mariages ... &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;span class="fr" style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener noreferrer"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Enquêtes et témoignages</text>
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              <text>mémoire</text>
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                <text>Collection F. Etay, Fonds Dagnas</text>
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                <text>Pierre BIOSSAC (2)</text>
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                <text>Pierre BIOSSAC</text>
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                <text>1962</text>
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                <text>https://la-biaca.org/items/show/496</text>
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: 14pt;"&gt;La bande 719 contient un enregistrement original de &lt;strong&gt;Pierre Biossac&lt;/strong&gt;, plusieurs airs d&amp;eacute;ja entendus, (&lt;a href="https://la-biaca.org/items/show/448"&gt;voir l'&amp;eacute;mission conscr&amp;eacute;e &amp;agrave; M.&amp;nbsp; Pierre Biossac en 1972&lt;/a&gt; ) mais des in&amp;eacute;dits et un enregistrement de bonne qualit&amp;eacute; . M. Biossac chante &lt;span class="oc"&gt;Chanta Rosinh&amp;ograve;let, Pingi pingo&lt;/span&gt;, Je n'y regrette point la ville,&lt;span class="oc"&gt; La Margoton&lt;/span&gt;, &lt;a href="https://la-biaca.org/items/show/12837#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=0%2C-98%2C4127%2C2793"&gt;Sur les bords de la Riviera *,&lt;/a&gt; &lt;span class="oc"&gt;las messonjas, diumenc au ser, quand i'era j&amp;ograve;une gar&amp;ccedil;on...&lt;/span&gt; Il nous parle des veill&amp;eacute;es, des bals et chante plusieurs chansons &amp;agrave; danser (polkas, mazurkas, scottishs, bourr&amp;eacute;es, ...) une pri&amp;egrave;re, une nhorle, une "raison", etc ...&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt; - &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="https://la-biaca.org/items/show/12811#?c=0&amp;amp;m=0&amp;amp;s=0&amp;amp;cv=0&amp;amp;xywh=-347%2C130%2C1986%2C1404" target="_blank" rel="noopener noreferrer"&gt;Voir la fiche 719 r&amp;eacute;dig&amp;eacute;e par R Dagnas&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;&lt;em&gt;*L'image de "Sur les bords de la Riviera" est extraite du cahier de chansons du sergent Jules Boudy&lt;/em&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 12pt;"&gt;Dans la seconde&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;partie de l'enregistrement , M. Dagnas a, comme souvent, r&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;span style="font-size: 12pt;"&gt;&amp;eacute;utilis&amp;eacute; une bande d&amp;eacute;ja enregistr&amp;eacute;e et on peut entendre&amp;nbsp; &lt;span style="font-size: 12pt;"&gt;&lt;span style="font-size: 12pt;"&gt;(&amp;agrave; partir de 31.30)&lt;/span&gt; &lt;/span&gt;un extrait d'une&amp;nbsp; &amp;eacute;mission dramatique&amp;nbsp; : La marquise de Pompadour (la cr&amp;eacute;ation des haras, le testament ) puis "Un clair de lune &amp;agrave; Maubeuge" et enfin "Je te demande un peu d'amour", (interrompue par la fin de la bande) dont l'auteur Jean Gasteau a travaill&amp;eacute; &amp;agrave; Radio Limoges&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Sur cette bande n&amp;deg; 4555, l'enregistrement d'une &amp;eacute;mission consacr&amp;eacute;e &amp;agrave; Pierre Biossac.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pierre Biossac,&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; n&amp;eacute; en 1895 est d&amp;eacute;c&amp;eacute;d&amp;eacute; le 6 f&amp;eacute;vrier 1972 et c'est &amp;agrave; l'occasion de son d&amp;eacute;c&amp;egrave;s qu' une &amp;eacute;mission de 'Chez nous" (probablement diffus&amp;eacute;e le 11 f&amp;eacute;vrier) lui fut consacr&amp;eacute;e. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;M. Biossac &amp;eacute;tait du village de Laplaud, commune de Javerdat o&amp;ugrave; il exer&amp;ccedil;ait le m&amp;eacute;tier de sabotier - cultivateur.&lt;br /&gt;Chanteur r&amp;eacute;put&amp;eacute; dans la r&amp;eacute;gion, sa pr&amp;eacute;sence &amp;eacute;tait tr&amp;egrave;s appr&amp;eacute;ci&amp;eacute;e dans les battages, les f&amp;ecirc;tes familiales ... au cours desquels il assurait souvent l'animation, parfois avec son comp&amp;egrave;re Emile Bernard, accord&amp;eacute;oniste . &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;M. Dagnas &amp;eacute;tait all&amp;eacute; &amp;agrave; plusieurs reprises l'enregistrer &amp;agrave; son domicile avec "le camion". &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;Nous l'entendons ici en compagnie de sa femme, H&amp;eacute;l&amp;egrave;ne, nous parler des bals qu'il animait &amp;agrave; la voix, des f&amp;ecirc;tes votives, des filles ... &lt;br /&gt;Il chante plusieurs airs &amp;agrave; danser, valses, scottishs, polkas, mazurkas et bourr&amp;eacute;es ainsi que plusieurs chansons &lt;em&gt;"Chas nos m'an maridada", "vira vira charamelaire", "Chas Bujada" , "Maridatz me Jan", "Lu cosin"&lt;/em&gt; d&amp;eacute;j&amp;agrave; entendues dans d'autres &amp;eacute;missions . En fin d'enregistrement deux rares pri&amp;egrave;res "&lt;em&gt;lo pitit pater de Diu" &lt;/em&gt;et&lt;em&gt; "Ave Maria"&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;Nous remercions Mme Odette Chabasse, sa petite fille qui nous a transmis quelques photos de son grand-p&amp;egrave;re (voir ci dessous l'enregistrement de M&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;me Chabasse).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;a href="https://la-biaca.org/files/original/galeries/12818/DescriptionFondsDagnas.JPG" target="_blank" rel="noopener"&gt;Le fonds Robert Dagnas&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Cet enregistrement nous a &amp;eacute;t&amp;eacute; confi&amp;eacute; pour num&amp;eacute;risation et mise en ligne par Monique Sarazy. Il lui avait &amp;eacute;t&amp;eacute; pr&amp;ecirc;t&amp;eacute; par Daniel, le fils d'Andr&amp;eacute; Dexet, dans le cadre de la recherche de Monique pour le travail universitaire qu'elle a effectu&amp;eacute; sur l'&amp;oelig;uvre de Panaz&amp;ocirc;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;Ici une succession de 4 &lt;em&gt;nh&amp;ograve;rles&lt;/em&gt; (histoires dr&amp;ocirc;les) cont&amp;eacute;es par &lt;strong&gt;PANAZ&amp;Ocirc;&lt;/strong&gt; lui-m&amp;ecirc;me, sans doute pour son &amp;eacute;mission de radio &amp;laquo; &lt;strong&gt;&lt;em&gt;Lo boirador dins lu topin&lt;/em&gt;&lt;/strong&gt; &amp;raquo; sur les ondes de Radio Limoges :&lt;br /&gt;&lt;/span&gt;&lt;span class="oc"&gt;- &lt;em&gt;&lt;strong&gt;Petaf&amp;egrave;r&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="oc"&gt;- &lt;strong&gt;&lt;em&gt;De las novelas de Petaf&amp;egrave;r&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="oc"&gt;- &lt;strong&gt;&lt;em&gt;Lo maridatge a M&amp;ograve;nac&amp;ograve;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="oc" style="font-size: 12pt;"&gt;- &lt;strong&gt;&lt;em&gt;Lo concors de labor&lt;/em&gt;&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt;"&gt;&lt;span class="fr"&gt;&lt;strong&gt;Andr&amp;eacute; Dexet&lt;/strong&gt; (&lt;/span&gt;&lt;span class="fr"&gt;&lt;span class="fr"&gt;1921-1997)&lt;/span&gt; est plus connu sous le pseudonyme de Panaz&amp;ocirc;. Apr&amp;egrave;s avoir exerc&amp;eacute; plusieurs m&amp;eacute;tiers, M. Dexet sera conteur, journaliste, &amp;eacute;crivain, auteur dramatique et producteur &amp;agrave; la radio et &amp;agrave; la t&amp;eacute;l&amp;eacute;vison.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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            <description>An account of the resource</description>
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                <text>&lt;p style="margin-bottom:0cm;"&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Extrait d'un enregistrement réalisé le 2 Octobre 2015 par Baptiste Chrétien auprès de mme &lt;/span&gt;&lt;span class="fr" style="font-size:medium;"&gt;Odette Jeammet &lt;/span&gt;&lt;/p&gt; &lt;p style="margin-bottom:0cm;"&gt;&lt;span class="fr" style="font-size:medium;"&gt;&lt;span class="fr" style="font-size:medium;"&gt;Odette Jeammet&lt;/span&gt; vint au monde en 1923 au Boscartus, village isolé de la commune de Cieux, aux pieds des Monts de Blond, au pays des mégalithes et de leurs légendes.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="margin-bottom:0cm;"&gt;&lt;span style="font-size:medium;"&gt;Fille de paysan, elle épousa Guy Granet durant la Seconde guerre mondiale et ils tinrent durant 40 ans une auberge dans le bourg voisin de Javerdat (héritée des grands-parents de M. Granet).&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="margin-bottom:0cm;"&gt;&lt;span style="font-size:medium;"&gt;Bien qu'âgée de 92 ans, Mme Granet possède une excellente mémoire et nous parle, durant cet entretien effectué à son domicile en présence de sa fille, de son enfance, des processions, des souvenirs de l'auberge et de quelques personnages du bourg, de musiciens qui animaient les bals etc.&lt;/span&gt;&lt;/p&gt; &lt;p class="fr" style="margin-bottom:0cm;"&gt;&lt;span style="font-size:medium;"&gt;L'entretien commença en français, puis se poursuivit majoritairement en occitan limousin, la langue maternelle de Mme Granet, qui passe allègrement d'une langue à l'autre au fil de l'entretien.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Sur cette cassette audio que Jan dau Melhau a bien voulu nous confier pour num&amp;eacute;risation et mise en ligne, se trouvent plusieurs enregistrements d'Octave Bariant.&lt;br /&gt;Octave Bariant &lt;span class="itemlist-details__title information"&gt;&lt;span class="item-indirectrole"&gt;(1899-1993)&amp;nbsp; fut chanteur soliste &amp;agrave; &lt;/span&gt;&lt;/span&gt;la chorale Les enfants de Limoges et participa en 1933 &amp;agrave; la fondation du groupe foklorique &lt;em&gt;L&amp;rsquo;&amp;Eacute;glantino do Limouzi&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="itemlist-details__title information"&gt;&lt;span class="item-indirectrole"&gt;En 1938, l&lt;/span&gt;&lt;/span&gt;&amp;rsquo;&amp;eacute;diteur de musique et disquaire Limougeaud Lagueny, boulevard Carnot, le pr&amp;eacute;senta &amp;agrave; la soci&amp;eacute;t&amp;eacute; Columbia, pour laquelle il fit trois 78 tours reprenant des chansons limousines de tradition et des compositions plus r&amp;eacute;centes. &lt;br /&gt;&lt;br /&gt;Sur cette cassette, ces 78 tours enregistr&amp;eacute;s en 1938 : &lt;em&gt;Lo chabreta&amp;iuml;re&lt;/em&gt;, &lt;em&gt;Un jorn dins l'estolha&lt;/em&gt;,&lt;em&gt; La gerba bauda&lt;/em&gt; (paroles Jean Rebier, musique Andr&amp;eacute; Le Gentile, &lt;em&gt;La Brian&amp;ccedil;a&lt;/em&gt; (paroles de Joseph Mazabraud, musique de Fran&amp;ccedil;ois Sarre), &lt;em&gt;Lo turlututu&lt;/em&gt;, et &lt;em&gt;Lo cuer de ma mia &lt;/em&gt;de Simon Poylev&amp;eacute; (1620-1697). &lt;br /&gt;Ensuite des airs de la chorale de &lt;em&gt;L' &amp;Eacute;glantino do Lemouzi&lt;/em&gt; Bonjour Bergerette, La Chanson des bouchers de Limoges, La bourr&amp;eacute;e de Brigueil. Puis une biographie d'Octave Bariant, (sans doute une &amp;eacute;mission de radio dans lequel il interpr&amp;egrave;te des extraits du dernier acte de Mignon, de Les mousquetaires au couvent et de la s&amp;eacute;r&amp;eacute;nade de Gounod, accompagn&amp;eacute; au piano par Mme Marquet.&lt;br /&gt;Dans la derni&amp;egrave;re partie de ce document on le retrouve, &amp;acirc;g&amp;eacute; de 82 ans, accompagn&amp;eacute; &amp;agrave; l'accord&amp;eacute;on par Jacques Dunoyer dans un r&amp;eacute;pertoire Limousin : &lt;em&gt;La Brian&amp;ccedil;a&lt;/em&gt;, &lt;em&gt;La Maiada&lt;/em&gt;. &lt;br /&gt;La cassette se termine par trois airs de danse du r&amp;eacute;pertoire de &lt;em&gt;L'&amp;Eacute;glantino do Lemouzi&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Images d'illustration &lt;a href="http://mustradilim.free.fr/doc/tubes/index.html" target="_blank" rel="noreferrer noopener"&gt;Mustradilim&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Merci &amp;agrave; Fran&amp;ccedil;oise &amp;Eacute;tay pour ses pr&amp;eacute;cisions sur le contenu de ce document !&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NB. La graphie utilis&amp;eacute;e pour les titres des s&amp;eacute;quences est la graphie de l'&amp;eacute;poque.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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Lou chobretaire&#13;

00:02:41.000 --&gt; 00:05:18.000
Un jour di l'eitoulia&#13;

00:05:18.000 --&gt; 00:08:15.000
Lo Gerbo-Baudo&#13;

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Lo Brianço&#13;

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Lou turlututu&#13;

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Lou coeur de mo mio&#13;

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lou moussur et lo Bargeiro&#13;

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Lo chansou do bouchers&#13;

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Bourrée de Brigueil&#13;

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Octave Bariant&#13;

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Mignon&#13;

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Les mousquetaires au couvent&#13;

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Sérénade de Gounod&#13;

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Au piano...&#13;

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Lo Brianço&#13;

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Lo Maïado&#13;

00:41:42.000 --&gt; 00:42:09.000
Il faut le faire !&#13;

00:42:09.000 --&gt; 00:43:29.000
Borreia croisada&#13;

00:43:29.000 --&gt; 00:44:01.000
Ma Liseta&#13;

00:44:01.000 --&gt; 00:44:09.000
C'est-y ce côté qui tourne ?&#13;

00:44:09.000 --&gt; 00:45:00.000
Marches Limousines&#13;

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&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Quelques chansons en fran&amp;ccedil;ais et en limousin : la fille d'un cabaretier,&lt;span class="oc"&gt;ardich mon asne,&lt;/span&gt; Virez vous (une valse de fin de bal),&lt;span class="oc"&gt; las bonas erbas ,&lt;/span&gt; des airs de danse, des informations sur le quadrille, les bals, &lt;span style="font-size: medium;"&gt;les veill&amp;eacute;es, &lt;/span&gt;l'habillement, l'&amp;eacute;cole, le mariage, mardi gras ...&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: 11pt;"&gt;Pr&amp;eacute;sident du groupe folklorique &amp;laquo; Los velhadors de Sent Junian &amp;raquo;, Robert Dagnas a parcouru durant les ann&amp;eacute;es 1950-1960 les routes du Limousin, arm&amp;eacute; de son magn&amp;eacute;tophone, &amp;agrave; la recherche de chanteurs, conteurs et musiciens du pays. Il animait, gr&amp;acirc;ce &amp;agrave; ces enregistrements, une &amp;eacute;mission hebdomadaire &amp;agrave; &amp;laquo; Radio Limoges &amp;raquo;. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Ces bandes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es pour num&amp;eacute;risation et diffusion par Fran&amp;ccedil;oise Etay, professeur responsable du d&amp;eacute;partement de musique traditionnelle au CRR de Limoges. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 11pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; restaur&amp;eacute;es et num&amp;eacute;ris&amp;eacute;es par Fabrice San Juan&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Dans cet enregistrement, &lt;strong&gt;Odette Chabasse&lt;/strong&gt;, la petite fille de Pierre Biossac, (inormateur dont on retrouve, sur la Bia&amp;ccedil;a, plusieurs enregistrements de M. Dagnas). &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Contact&amp;eacute;e pour avoir des renseignements sur son grand p&amp;egrave;re, Mme Chabasse nous a non seulement transmis des photos et documents mais elle a accept&amp;eacute; que nous la filmions nous parlant avec plaisir de son grand p&amp;egrave;re puis nous chantant quelques chansons qu'elle tenait de celui ci .&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="fr"&gt;&lt;span style="font-size: medium;"&gt;Un bel exemple de transmission !&lt;/span&gt;&lt;/p&gt;</text>
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            <name>Source</name>
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                <text>Jeran François Vignaud,Pascal Boudy</text>
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                <text>video/mp4</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Moving Image</text>
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            <name>Identifier</name>
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                <text>https://la-biaca.org/items/show/462</text>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/462/ChabasseWeb.jpg</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="364621">
                <text>IEO Lemosin</text>
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        <name>Cussac</name>
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        <name>Haute-Vienne (87)</name>
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                  <text>Enquêtes et témoignages</text>
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              <name>Identifier</name>
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          <description>The URL of the local directory containing all assets of the website</description>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mme Massy 2</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Tous les genres</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Mme MASSY</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="320278">
                <text>SIM 002</text>
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                <text>1975</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>audio/mpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Sound</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/416/Massy_75.jpg</text>
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          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Cet enregistrement a &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute; en 1975 par des &amp;eacute;l&amp;egrave;ves du lyc&amp;eacute;e de Ch&amp;acirc;lus o&amp;ugrave; Jean Marc Sim&amp;eacute;onin enseignait alors et animait des activit&amp;eacute;s autour de la langue limousine. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Sur cette cassette audio, un nouvel enregistrement de Mme Massy sur la commune de Ladignac-le-Long en Haute-Vienne, mais aussi plusieurs autres locuteurs non identifi&amp;eacute;s. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;Nous pouvons entendre, dans une belle langue, quelques contes bien r&amp;eacute;pandus sur le territoire : &lt;span class="oc"&gt;Jan lo bestia&lt;/span&gt;, 14 ans... et une &lt;span class="oc"&gt;nhorle&lt;/span&gt; : lo boc. Plusieurs interpr&amp;egrave;tes se succ&amp;egrave;dent interpr&amp;eacute;tant une chanson grivoise : "En revenant du bois", puis "&lt;span class="oc"&gt;lo pelhaire"&lt;/span&gt;, "Nanette", "Rossignolet du bois", une chanson sur une petite bretonne pas si na&amp;iuml;ve : "Pour le m&amp;eacute;tier de bonne"&lt;br /&gt;Pour finir, quelques traditions pour le jeudi saint interrompues par la fin de la bande. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span class="fr" style="font-size: 12pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-size: 12pt;"&gt;Ces cassettes nous ont &amp;eacute;t&amp;eacute; confi&amp;eacute;es par J.M. Sim&amp;eacute;onin, collecteur et militant de longue date, pour num&amp;eacute;risation et mise en ligne. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 12pt;"&gt;Elles ont &amp;eacute;t&amp;eacute; num&amp;eacute;ris&amp;eacute;es et trait&amp;eacute;es par Fabrice San Juan.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>3186</text>
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          <name>Mot-clé</name>
          <description>Mot-clé "metakeywords"</description>
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              <text>Archives sonores</text>
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            <elementText elementTextId="320179">
              <text>Patrimoine oral</text>
            </elementText>
            <elementText elementTextId="320180">
              <text>IEO Limousin</text>
            </elementText>
            <elementText elementTextId="320181">
              <text>IEO LEmosin</text>
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            <elementText elementTextId="320182">
              <text>biaça</text>
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            <elementText elementTextId="320183">
              <text>besace</text>
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              <text>Patois</text>
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            <elementText elementTextId="320185">
              <text>Occitan</text>
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              <text>Limousin</text>
            </elementText>
            <elementText elementTextId="320187">
              <text>Patois Limousin</text>
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            <elementText elementTextId="320188">
              <text>Occitan limousin</text>
            </elementText>
            <elementText elementTextId="320189">
              <text>Occitan Corrèze</text>
            </elementText>
            <elementText elementTextId="320190">
              <text>Patois corrèze</text>
            </elementText>
            <elementText elementTextId="320191">
              <text>langue limousine</text>
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            <elementText elementTextId="320192">
              <text>langue d'oc</text>
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            <elementText elementTextId="320193">
              <text>collectage</text>
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              <text>collectatge</text>
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              <text>collection</text>
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              <text>colleccion</text>
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              <text>mémoire</text>
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            <elementText elementTextId="320198">
              <text>memòria</text>
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            <elementText elementTextId="320199">
              <text>sonore</text>
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            <elementText elementTextId="320200">
              <text>contes</text>
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              <text>chansons</text>
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            <elementText elementTextId="320202">
              <text>tradition</text>
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            <elementText elementTextId="320203">
              <text>enregistrement  musique traditionnelle</text>
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            <elementText elementTextId="320204">
              <text>chant</text>
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              <text>chansons</text>
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          <name>Mot-clé en liste</name>
          <description>Mot-clé "keywords"</description>
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            <elementText elementTextId="320206">
              <text>informateurs multiples jean marc simeonin mme massy</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="58">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="320162">
                <text>2012-07-24 15:27:24</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="320163">
                <text>3186</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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              <elementText elementTextId="320164">
                <text>Ladignac-le-Long</text>
              </elementText>
              <elementText elementTextId="320165">
                <text>Haute-Vienne (87)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="320166">
                <text>IEO Lemosin, dépôt Siméonin</text>
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            </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mme Massy (3)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="320168">
                <text>Tous les genres</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="320169">
                <text>[Informateurs multiples]</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="320170">
                <text>SIM 003</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="320171">
                <text>1975</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="320172">
                <text>Jean Marc Siméonin</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="320173">
                <text>audio/mpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="320174">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="320175">
                <text>https://la-biaca.org/items/show/419</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="331293">
                <text>Vignette : https://la-biaca.org/files/square_thumbnails/enquetes/419/sime2004.jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="54">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="334247">
                <text>&lt;p&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Cet enregistrement a été réalisé en 1975 par des élèves du lycée de Châlus où Jean Marc Siméonin enseignait alors et animait des activités autour de la langue limousine.&lt;br /&gt;&lt;br /&gt; Sur cette cassette audio, un nouvel enregistrement de Mme. Massy, sur la commune de Ladignac le Long en Haute Vienne suivi de plusieurs autres enregistrements de locuteurs non identifiés .&lt;br /&gt;&lt;br /&gt;&lt;span class="fr" style="font-size:12pt;"&gt;Nous pouvons entendre, dans une belle langue, plusieurs chansons et quelques contes .&lt;br /&gt;&lt;br class="fr" style="font-size:12pt;" /&gt;&lt;br /&gt;&lt;span class="oc"&gt;&lt;span class="fr" style="font-size:10pt;"&gt;Ces cassettes nous ont été confiées par J.M. Siméonin, collecteur et militant de longue date, pour numérisation et mise en ligne, elles ont été numérisées et traitées par Fabrice San Juan &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="34">
        <name>Haute-Vienne (87)</name>
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      <tag tagId="84">
        <name>Ladignac-le-Long</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
